Matt Connarton Unleashed 1-25-25 hour 3

0:12 Speaker 1: A food bread for those years or before it off

0:17 Speaker 1: good three fourteen in the north to some after.

0:22 Speaker 2: The fat of the day.

0:30 Speaker 3: Said visible like an.

0:32 Speaker 4: Say shot, witness that together around.

0:35 Speaker 2: Thy world something thing sent as reside players in the word.

0:43 Speaker 2: Then I sound night shot in my day, I time Monday.

0:48 Speaker 2: I'm serv girl exist second South.

0:51 Speaker 5: Say shots, I remember the first stuff afraid of.

1:02 Speaker 2: Mother Day, Crusade.

1:08 Speaker 5: My dog and the Road, and said, Baha drawn shall

1:12 Speaker 5: y'all a lot, say, oh.

1:15 Speaker 4: Y'all, ain't about two. It's not to say after I

1:18 Speaker 4: made I'll go up.

1:25 Speaker 5: Yeah, well they let you in and delusions out branche.

1:33 Speaker 2: Yeh the gon doll up my bad whistler and the

1:38 Speaker 2: ata three out the boy stop out bad extract.

1:43 Speaker 1: A Barrios stuff.

1:47 Speaker 6: But slade up.

1:52 Speaker 2: Father Day Crusader, my Dog.

1:58 Speaker 1: And the road, and said about the shave, y'all die

2:02 Speaker 1: yu say.

2:04 Speaker 5: My dumny about so it's about stay after a maid

2:08 Speaker 5: of the lob.

2:09 Speaker 2: Lie, I say, raid thought thousand years. I thought it.

3:43 Speaker 1: I was in up three orte annoying to shop. I'm

3:48 Speaker 1: about maid up up guy.

3:57 Speaker 5: Yeah, that's why I tapped out. I say that's a

4:00 Speaker 5: strength and silence fallacy.

4:04 Speaker 4: And by promacy, the bird, mistic.

4:07 Speaker 5: Dead violence, the fdners out the earth, blod.

4:13 Speaker 7: No blessly.

4:21 Speaker 2: Batherday crusader all the road.

4:29 Speaker 1: It's sent upon the brown shout.

4:31 Speaker 2: YadA die of day.

4:34 Speaker 1: Your name and bounces boun to.

4:37 Speaker 2: Say that out the day the road.

4:41 Speaker 5: That's about the brow show yad die up, get out

4:47 Speaker 5: your names.

4:47 Speaker 1: And a bount and bouna died Bunta fet out.

4:51 Speaker 2: Of the road day day.

4:58 Speaker 8: That is a wolf king of the ba is iron Jaw.

5:00 Speaker 8: And before that we heard Barry the Snake to open

5:03 Speaker 8: this segment, also Iron Jaw. This is Matt Connerton unleashed.

5:07 Speaker 8: And if you are listening live on Saturday, we have

5:10 Speaker 8: entered our number three new Marrow trace and thank you

5:13 Speaker 8: to everybody who's joined us today so far. Of course,

5:15 Speaker 8: in the first hour we had not Lee Crewe Motley

5:18 Speaker 8: Crue tribute band. Those guys were so much fun. And

5:21 Speaker 8: then of course in the second hour we had Mercury

5:23 Speaker 8: Burns first, another great band from the area. So what

5:27 Speaker 8: is supposed to be happening in this hour is the

5:29 Speaker 8: first half of the hour Iron Jaw. Rick Perry from

5:33 Speaker 8: not that Rick Perry, but Rick Perry from Texas is

5:36 Speaker 8: supposed to be skyping in to join us. And then

5:38 Speaker 8: in the second half of the third hour, we're going

5:41 Speaker 8: to be joined by the band Tuesday Night Whites from

5:44 Speaker 8: there all the way from the UK across the pond,

5:47 Speaker 8: as we say, but are actually there in Scotland, I believe.

5:50 Speaker 8: But so they're are going to be joining us, but

5:53 Speaker 8: we have not heard so our guests Iron Jaw is

5:58 Speaker 8: m i A. We have not heard from Rick Perry.

6:00 Speaker 8: We have emails from him and so forth, but so

6:03 Speaker 8: he knows he's supposed to be joining us, but something

6:05 Speaker 8: may have happened. So perhaps something has happened on his

6:08 Speaker 8: end and we'll have to reschedule him. I'll give him

6:11 Speaker 8: the benefit of the doubt because those guys have always

6:12 Speaker 8: been super professional and so something had to have gone

6:16 Speaker 8: wrong for him not to be skyping in. So maybe

6:19 Speaker 8: skype isn't working for him, who knows, But so we'll see.

6:22 Speaker 8: I mean, maybe we'll hear from him in the next

6:24 Speaker 8: couple of minutes. But but yeah, a couple of great

6:27 Speaker 8: tracks Bury the Snake he sent us. He was saying

6:30 Speaker 8: that apparently Kiss is a band that he grew up loving,

6:34 Speaker 8: so that's supposed to be kind of like a kiss song,

6:37 Speaker 8: like an early kiss song. I can't hear oh, I

6:39 Speaker 8: see why I can't hear you. I had Skype turned

6:42 Speaker 8: up because we're waiting for Rick, but had you turned out?

6:46 Speaker 8: But yeah, I can imagine, I can imagine Gene Simmons

6:49 Speaker 8: singing that song Bury the Snake. Yeah. Yeah. And then

6:52 Speaker 8: wolf King is a great track, and so well we'll

6:55 Speaker 8: see if we'll see if we hear from him in

6:56 Speaker 8: the next few minutes. But anyway, but in the meantime, yes,

7:02 Speaker 8: but there is some olymp Biscuit news. We've been talking

7:04 Speaker 8: a lot about olymp Biscuit on the show.

7:07 Speaker 9: They are pressing forward with their lawsuits, yes, against Universal.

7:12 Speaker 8: But they've run into some hurdles, some hiccups. Fred Durstan

7:17 Speaker 8: the boys have. Yeah, you sent me this article from

7:20 Speaker 8: Digital Music News. Federal judge partially dismisses lymp biscuits two

7:24 Speaker 8: hundred million dollar plus UMG lawsuit amended complaint due by

7:29 Speaker 8: February third. So if you don't know, lymp Biscuit has

7:34 Speaker 8: sued their record label, Universal Music Group for two hundred

7:38 Speaker 8: million dollars in unpaid royalties, or, as I like to say,

7:44 Speaker 8: a hell of a lot of unpaid royalties. That's a

7:46 Speaker 8: lot of money. Two hundred million dollars. Yes, what pay

7:50 Speaker 8: the artist? Oh yeah, don't No, apparently not, It says

7:56 Speaker 8: here Olympus gets far reaching lawsuit against UMG isn't going

8:00 Speaker 8: particularly well. My goodnes, excuse me, I'm still coughing, as

8:05 Speaker 8: the presiding judge has dismissed several components of the over

8:10 Speaker 8: two hundred million dollar lawsuit. It says the court recently

8:13 Speaker 8: made the partial dismissal official after Olympus GET front man

8:17 Speaker 8: Fred Durst and his Flawless Records, which is his imprint

8:22 Speaker 8: record label, submitted the initial action. In October twenty twenty four.

8:26 Speaker 8: We covered the sixty page complaint alleging millions in unpaid

8:30 Speaker 8: royalties and seeking to nix the underlying agreements in detail.

8:36 Speaker 8: Just to recap Durst hired a new team in April

8:39 Speaker 8: twenty twenty four, and they uncovered millions in allegedly missing

8:43 Speaker 8: royalty payments, as well as purportedly below board recoupment practices

8:48 Speaker 8: across multiple deals, including an interscope Flawless JV. By the way,

8:55 Speaker 8: so recoupment for those who don't know, in the music industry,

8:59 Speaker 8: when a label signs you and they advance you a

9:02 Speaker 8: bunch of money. That's not your money to keep. It's

9:05 Speaker 8: not congratulations you're now a millionaire. That money is to

9:08 Speaker 8: pay for various things like recording your album and some

9:13 Speaker 8: other expenses that the label will incur on your behalf

9:18 Speaker 8: in terms of releasing and distributing and promoting your album,

9:23 Speaker 8: and that money has to get recouped and that in

9:25 Speaker 8: other words, that money has to be paid back to

9:27 Speaker 8: the label before you receive any royalties. So it's almost

9:33 Speaker 8: like an advance, like, well, it isn't advanced. It's an Yeah,

9:35 Speaker 8: the label is advancing you that money, but.

9:37 Speaker 9: It's not supposed to be just for you to spend

9:40 Speaker 9: on whatever you want.

9:41 Speaker 8: Right exactly exactly, So yes, But so according to UMG,

9:49 Speaker 8: that money had not been recouped, that advanced money had

9:52 Speaker 8: not yet been paid back, so they didn't They were

9:54 Speaker 8: saying they didn't know the band any money. Hard to believe.

9:58 Speaker 8: They sold like forty five million records, you know, I

10:00 Speaker 8: would think that they'd be owed something, but it says here. Consequently,

10:08 Speaker 8: owing in part to the timing of the relevant royalty payments,

10:11 Speaker 8: the plaintiffs moved to acts all the agreements in question

10:16 Speaker 8: and assume ownership of the involved recordings. Unsurprisingly, that didn't

10:22 Speaker 8: sit right with Universal Music, which fired back in November

10:25 Speaker 8: twenty twenty four with a firmly worded dismissal motion. In short,

10:30 Speaker 8: the major label said it hadn't violated the terms of

10:32 Speaker 8: the appropriate agreements, which allegedly allowed and do allow for

10:36 Speaker 8: cross account recoupments. Running with the point, there definitely hadn't

10:42 Speaker 8: been a total failure quote unquote on UMG's part to

10:45 Speaker 8: honor the terms of the contracts, including because the multimillion

10:49 Speaker 8: dollar advances it had coughed up per the company. Speaking

10:55 Speaker 8: of coffee, I can't stop coughing, cough it up, dry cough.

11:01 Speaker 8: As as a result, Olympus gets pushed to invalidate the

11:03 Speaker 8: contracts should be rejected per UMG, which therefore moved to

11:08 Speaker 8: dismiss the closely related copyright infringement allegations as well.

11:13 Speaker 6: Uh.

11:14 Speaker 8: Such a tangled web, and as initially highlighted, the presiding

11:18 Speaker 8: judge has sided with the defendant label specifically by tossing

11:23 Speaker 8: Olympus gets contract recision, copyright infringement and declaratory relief claims.

11:30 Speaker 8: So uh yeah, this is going poorly for Olympus at all, No,

11:35 Speaker 8: they lost a lot, Yes, but that doesn't mean they

11:38 Speaker 8: won't win with their you know, their their claim that

11:42 Speaker 8: they're owed money. It just it may not be the

11:45 Speaker 8: amount that they're suing for. But we'll see. But you know,

11:51 Speaker 8: one of the things that has come up, and uh,

11:53 Speaker 8: the there's a YouTuber who I really like, a law

11:55 Speaker 8: tuber named top music Attorney. That's the the handle she

11:59 Speaker 8: uses on YouTube, who talked about how labels often engage

12:03 Speaker 8: in something called spaghetti accounting, where the accounting practices are

12:06 Speaker 8: so complex that it's difficult to audit them. It's difficult

12:11 Speaker 8: to find out what you're actually owed. And we talked

12:15 Speaker 8: to when we talked about this before, how UMG apparently

12:18 Speaker 8: creates a portal that you as an artist, if you

12:22 Speaker 8: are signed to UMG, you can sign into your portal

12:24 Speaker 8: and see exactly where everything stands financially in terms of

12:27 Speaker 8: what your owed, financial recruitment, et cetera. But UMG, I mean,

12:33 Speaker 8: I'm sorry, Olympus get they were locked out of their portal.

12:36 Speaker 8: They must have lost their password or something. It's all

12:40 Speaker 8: very it's such as that lockout. What a mess. But

12:46 Speaker 8: the other thing too, it's a cautionary tale. You want

12:50 Speaker 8: to make sure when you sign, whether you sign with

12:54 Speaker 8: a major label, whether you sign a with any label,

12:58 Speaker 8: make sure you have an entertainment lawyer, look at that

13:00 Speaker 8: agreement with.

13:01 Speaker 9: Somebody on your side for certain Yes, the laws really

13:05 Speaker 9: do cover the industry more than they do the artist.

13:08 Speaker 8: Yes, in a lot of ways. Yes, absolutely, that is

13:13 Speaker 8: uh so, that's kind of the update with Olympiscuit. Something

13:15 Speaker 8: else that popped up that I thought was interesting. This

13:19 Speaker 8: is from Music Business Worldwide dot com. Ten thousand AI

13:25 Speaker 8: generated tracks uploaded daily to deezer. If you're not familiar

13:31 Speaker 8: with deezer, you can, you know, put files on there.

13:35 Speaker 8: You can put podcasts on there too. This show ends

13:37 Speaker 8: up on Deezer. I don't even know how it ended

13:39 Speaker 8: up there, but it's on there. You can find Mandreton

13:41 Speaker 8: Unleashed on Deezer. I'm not even kidding. I don't know how.

13:44 Speaker 6: I don't know what that is.

13:45 Speaker 8: I really don't. I don't know how it ended up there,

13:47 Speaker 8: but it's fine. I want to be everywhere. Yeah, but

13:50 Speaker 8: uh but it is filed. Deezer is filed two patents

13:55 Speaker 8: for a new AI detection tool so they can detect

14:01 Speaker 8: this AI generated content. I don't know how this is

14:03 Speaker 8: allwoing to go?

14:04 Speaker 9: How how do they do that?

14:06 Speaker 8: Yeah, well, apparently they have the technology. It says here.

14:09 Speaker 8: France headquartered music streaming service Deezer has launched a new

14:13 Speaker 8: AI detection tool after filing two patent applications for the

14:17 Speaker 8: technology in December. On January twenty four, this just happened. Yesterday,

14:21 Speaker 8: the company revealed that it's new It has new tech

14:25 Speaker 8: that is already discovered. That roughly ten thousand fully AI

14:30 Speaker 8: generated tracks are being delivered to its platform every day. Wow,

14:36 Speaker 8: every day. Wow.

14:37 Speaker 9: See now, I'm very much in favor of this software.

14:40 Speaker 9: I want to know if it's a human or not.

14:43 Speaker 6: I really do want to know.

14:45 Speaker 8: Well, apparently so does Deezer. That amounts to about ten

14:48 Speaker 8: percent of the daily content delivered to Dezer. Deezer CEO

14:53 Speaker 8: Alexis Lenineer, I probably didn't say that correctly, also said

14:58 Speaker 8: yesterday the company plans to exclude fully AI generated tracks.

15:03 Speaker 8: Quote from algorithmic and editorial recommendation. Generative AI has the

15:08 Speaker 8: potential to positively impact music creation and consumption, but its

15:13 Speaker 8: use must be guided by responsibility and care in order

15:17 Speaker 8: to safeguard the rights and revenues of artists and songwriters unquote.

15:22 Speaker 8: The company says it is set out last year to

15:24 Speaker 8: develop an AI detection tool that quote surpassed the ability

15:29 Speaker 8: of available tools. Tools that are on the market today

15:32 Speaker 8: can be highly effective as long as they are trained

15:35 Speaker 8: on data sets from specific generative AI models, but the

15:41 Speaker 8: detection rate drastically decreases as soon as the tool is

15:45 Speaker 8: subjected to a new model or raw data unquote. Aurelian

15:53 Speaker 8: Herald Chief innovation Officer A. Deezer said, quote, we have

15:57 Speaker 8: addressed this challenge and created a tool that is significantly

16:01 Speaker 8: more robust and applicable to modern models unquote. Deezer's new tool,

16:08 Speaker 8: on which the company filed for two patents in December,

16:12 Speaker 8: can detect artificially created music from a number of generative

16:16 Speaker 8: models such as Suno and Udio. Those have both been

16:19 Speaker 8: in the news recently, with the possibility to add on

16:23 Speaker 8: detection capabilities for practical any practically any other similar tool

16:28 Speaker 8: as long as there's access to relevant data. Examples. HM,

16:34 Speaker 8: So there's more to this. It gets pretty into the weeds,

16:37 Speaker 8: but Deezer is cracking down, and I imagine some other

16:42 Speaker 8: platforms will be doing so as well.

16:44 Speaker 10: Good.

16:45 Speaker 9: We should know the difference.

16:46 Speaker 6: I want to know.

16:48 Speaker 9: Are I think it matters? M I really do think.

16:51 Speaker 9: I mean, I'm not saying that somebody who wants to

16:54 Speaker 9: use AI to create something that they can't be creative

16:57 Speaker 9: like that, but I do think you should be able

16:59 Speaker 9: to know whether or not this is a computer human being.

17:03 Speaker 9: As an artist, I want to know, did a human

17:05 Speaker 9: pick up that paintbrush? But did's some printer put it out?

17:10 Speaker 9: I want to know the difference.

17:11 Speaker 8: Yes, I just am skeptical.

17:14 Speaker 9: Well you're gonna go plain you're not.

17:16 Speaker 8: I'm just I'm just skeptical about these these tools, these

17:19 Speaker 8: AI detection tools. I would think especially with with UH,

17:24 Speaker 8: you know, electronic music, I would think it would be difficult,

17:28 Speaker 8: like em electronic dance music. I would think it would

17:31 Speaker 8: be particularly difficult to H to detect certainty. I'm worried.

17:37 Speaker 8: What I'm worried about. What I'm worried about. What I'm

17:42 Speaker 8: worried about is artists getting UH. I'm worried about this

17:47 Speaker 8: going wrong and that legitimate artists end up being tagged

17:51 Speaker 8: as being AI generated when their music is not AI generated.

17:55 Speaker 8: That's what I'm worried about.

17:57 Speaker 9: I get what you're saying, but I think it's I

18:02 Speaker 9: think it matters.

18:03 Speaker 8: I really do think it.

18:04 Speaker 9: Like I said, you can be creative with computers and

18:07 Speaker 9: that's fine, but I want to know the difference between

18:11 Speaker 9: the two, right, I want to know if that guitar

18:15 Speaker 9: is being played by a human or not. And I'm

18:17 Speaker 9: wondering if what they're using is really the preciseness, right,

18:21 Speaker 9: because computers don't make mistakes. Everything is fun. Humans make

18:25 Speaker 9: the mistakes when they program it.

18:26 Speaker 8: But that's but see, that's where that's why I'm particularly

18:31 Speaker 8: concerned about what I'm worried about happening. I'm particularly concerned

18:34 Speaker 8: about that happening with electronic music, where you know you're

18:39 Speaker 8: creating everything if you're.

18:41 Speaker 9: But if you're playing it on a keyboard or something,

18:45 Speaker 9: it's not going to be precisely perfect unless a computer

18:49 Speaker 9: is operating it.

18:51 Speaker 8: Yeah, I don't know. Oh, we'll see what happens. I'm skeptical.

18:56 Speaker 9: Well, do you want to know the difference? Do you

18:58 Speaker 9: want to know whether or not stun by computer or

19:01 Speaker 9: human doesn't matter to you?

19:02 Speaker 8: I don't know that it does that much. Really. I mean,

19:06 Speaker 8: I want to advocate for artists, but I'm just worried

19:08 Speaker 8: about things going wrong. Like I said, I'm worried about artists.

19:12 Speaker 8: It happens all the time with content creators. You know,

19:14 Speaker 8: content creators who create content and they get tagged by

19:20 Speaker 8: YouTube for you know, creating content that for copyright strikes

19:25 Speaker 8: yes or so forth that aren't actually valid things like

19:28 Speaker 8: that that I get. That I get.

19:30 Speaker 9: But I mean, we've seen a lot of artists come

19:32 Speaker 9: in here that use electronics and there's a uniqueness to

19:36 Speaker 9: them that I don't think that a computer can perfectly.

19:41 Speaker 9: They can make it perfect, but they can't make it imperfect.

19:44 Speaker 8: Like a human is. Well, we shall see. We'll keep

19:48 Speaker 8: an eye on this. It'll be interesting to see where

19:49 Speaker 8: this goes.

19:51 Speaker 9: And I said that, I'm sitting here thinking, well, yeah,

19:53 Speaker 9: but they could program it to make mistakes like a you.

19:57 Speaker 8: Yeah, so how do you know how we are? Yeah,

20:02 Speaker 8: I'm concerned about that. I'm concerned about that.

20:05 Speaker 2: Well, let's do this.

20:07 Speaker 8: We're gonna play a couple. So we open today's show

20:10 Speaker 8: with two radio premieres. We played All the Drugs, the

20:15 Speaker 8: brand new track from our friends Naked Without It from

20:19 Speaker 8: the UK, their brand new song, so the American radio

20:23 Speaker 8: premiere of that, and We also played the brand new

20:25 Speaker 8: track from Mike Frasier, who is from Seattle, who's gonna

20:28 Speaker 8: be joining us on the show in the future. But

20:30 Speaker 8: he's got a brand new track, the world radio premiere

20:32 Speaker 8: of April Days. So for those of us just joining

20:35 Speaker 8: us in the first hour, those of you rather I've

20:37 Speaker 8: been here the whole time, we're gonna play those again.

20:41 Speaker 8: We're gonna debut those, and then when we come back,

20:44 Speaker 8: we're gonna have the guy I don't know how many

20:46 Speaker 8: of them are joining us, but we're gonna have the

20:48 Speaker 8: guys from the band Tuesday Night Whites joining us via

20:50 Speaker 8: Skype from across the Pond. Yes, and we're gonna play

20:54 Speaker 8: We're gonna play a couple of their tracks as well,

20:56 Speaker 8: so we played them recently a show on the show.

20:58 Speaker 8: We played a track called Runaway, the American radio premiere

21:01 Speaker 8: of that. But they've sent us a couple more. What

21:03 Speaker 8: a great band those guys are, so so there is

21:05 Speaker 8: plenty more to come. But here it is. This is

21:08 Speaker 8: from This is from Naked Without It. This track has

21:11 Speaker 8: called all the Drugs and you're hearing it for the

21:13 Speaker 8: first time in America right here on WMNH.

21:23 Speaker 10: Met a young lady. She said it tastes grit. She

21:27 Speaker 10: walked the streets of London pleasure she would see. She

21:30 Speaker 10: made the boy so happy, left them with a smile.

21:33 Speaker 11: She earned the most money and the king skin them out.

21:39 Speaker 11: But I'm met her in a dollhouse.

21:41 Speaker 10: Has been decreed. The cone across her eyes was the

21:45 Speaker 10: best that they ever seen. Took it to her restaurant.

21:48 Speaker 10: Her nails were painted black before the night through.

21:50 Speaker 11: While I was under a sack. She go home round,

21:56 Speaker 11: she gone back, She gone, I'm blown, She gone black.

22:02 Speaker 11: She gone around, She gone back, She gone blown, She

22:04 Speaker 11: gone black.

22:08 Speaker 10: Said you might not be center around. I'm sure you

22:11 Speaker 10: ain't the sink. It was written in the stars. I'm eating,

22:14 Speaker 10: ain't fix said, I'm sorry.

22:16 Speaker 4: Honey, I don't know what you're big.

22:18 Speaker 10: She said, to give me a whiskey, and all the

22:21 Speaker 10: drugs are there ed a matter in the city. The

22:30 Speaker 10: bar was under the ground.

22:32 Speaker 8: Papa's hitting high was to rob the berry sign.

22:34 Speaker 11: Wrong place, wrong time, into my life. She gone five minutes,

22:39 Speaker 11: saying to show me the night.

22:45 Speaker 10: Sook off running. I got myself behind, but I could

22:48 Speaker 10: see the cat. But you'd have to be blind. Told

22:51 Speaker 10: me Berdie Street that you didn't lie.

22:53 Speaker 4: My toul ain't no problem.

22:55 Speaker 10: Because the cat came home.

23:00 Speaker 11: She gone around, She gon back, She gone and blow,

23:03 Speaker 11: she gone black. She gone round, You gone back, She

23:09 Speaker 11: gone and blow, She gone black. Said you might not

23:14 Speaker 11: be a sin of it. I'm sure you eat or

23:16 Speaker 11: sink hiples it and then starts I mean in the

23:19 Speaker 11: was fixture said, I'm sorry, honey, I don't wone what

23:22 Speaker 11: you mean.

23:23 Speaker 10: She said, jimmy a whiskey and all the drugs are dead.

23:26 Speaker 6: You need.

23:59 Speaker 10: You mnd have be a cinema. I'm sure you eight

24:01 Speaker 10: or six tips written nimb stars. I meant nim speets.

24:06 Speaker 11: Said I'm sorry, honey, I don't know what you've been.

24:08 Speaker 11: She said, you give me a whiskey and all the drugs.

24:11 Speaker 6: And dagg.

24:40 Speaker 12: April days of coming gone spring.

24:44 Speaker 6: Rain is rolling on.

24:47 Speaker 12: My heart breaks without a song. The road starts to wind.

24:55 Speaker 12: They're funding water so they last. The anti arms are

25:00 Speaker 12: coming fast. Will peace get a chance? Who would have known?

25:10 Speaker 12: I've been feeling.

25:14 Speaker 6: Something is wrong.

25:17 Speaker 4: The voice in my head has been here for too long.

25:25 Speaker 4: One day I will get.

25:30 Speaker 6: To live again.

25:47 Speaker 4: Playing in my hospital bed, the.

25:51 Speaker 6: Sun shine and all my head.

25:54 Speaker 13: The doctor stopped by and said they know what's the Oh,

26:02 Speaker 13: I've been feeling, looks something is wrong. The voice in

26:10 Speaker 13: my head has been here for too long.

26:16 Speaker 2: One day I will get.

26:21 Speaker 4: To live again.

26:38 Speaker 6: I'm happy to be alive. The worst days are long behind.

26:46 Speaker 14: Feelings from all the time I spent in pain. I've

26:55 Speaker 14: been feeling, looks something is wrong. The voice in my

27:03 Speaker 14: head husband here for two One day I'll kids.

27:15 Speaker 2: Live life.

27:16 Speaker 6: Fuckin, don't you wants?

27:58 Speaker 4: Nothing going sid my mind?

28:01 Speaker 15: When I can't decide, I'll be shooting. And tonight they dreams,

28:05 Speaker 15: but just something you said to me and he's holding.

28:08 Speaker 16: Me fack yeah, and they say we're hardly.

28:12 Speaker 4: From nine to five.

28:13 Speaker 15: Dude, I can't shake the feelings to about me one life,

28:16 Speaker 15: no clip wing?

28:17 Speaker 2: Sohow oh I want.

28:19 Speaker 16: To fly.

28:22 Speaker 4: So so slovenly fast on the world of the lights.

28:25 Speaker 7: You carn't show me a crown and expect my delights

28:28 Speaker 7: to sell.

28:29 Speaker 4: Find the fat before compromise.

28:32 Speaker 2: Oh and let it go to.

28:42 Speaker 7: He started calling his side, Hello, you say it so

28:57 Speaker 7: they'll say this.

28:58 Speaker 2: So the same sole say what's nine? As he knows

29:04 Speaker 2: being a revel.

29:05 Speaker 15: Again, be red again, been Renega, the Roe says, to

29:12 Speaker 15: learn your lines if that's what you're.

29:14 Speaker 4: Like, I'd say take a chance. From revis to the

29:17 Speaker 4: libel see.

29:19 Speaker 7: The void of Sally down no.

29:24 Speaker 4: And being player in your game.

29:25 Speaker 15: But the rules at the shade Westmins the last is

29:29 Speaker 15: the reference. That's then don't say.

29:31 Speaker 4: It correct before I stamp.

29:32 Speaker 6: The life who.

29:38 Speaker 2: Let me record? Say it's starting on his sun? The

29:57 Speaker 2: same so that same design.

30:03 Speaker 7: So the allowed to say what's.

30:05 Speaker 2: Money is a no being?

30:06 Speaker 7: Rather a gay bed let a day?

30:09 Speaker 4: Did let again? Gonsigey sold it?

30:28 Speaker 3: Say you signey?

30:30 Speaker 2: So it say and.

30:33 Speaker 4: Would say man said.

30:50 Speaker 2: Decide, for they are to say what's money? Isn't no

30:54 Speaker 2: be let today?

30:56 Speaker 7: The leaded again?

30:58 Speaker 2: Lead again?

31:07 Speaker 8: My god, what a great what a great track that

31:09 Speaker 8: is the Renegade. The band is Tuesday Night Whites and

31:13 Speaker 8: we've got via Skype Ollie is here, I believe Olie?

31:17 Speaker 8: Are you there?

31:18 Speaker 17: Hi?

31:18 Speaker 3: You okay?

31:19 Speaker 8: Hey, welcome to the show.

31:21 Speaker 3: How are you doing all right?

31:22 Speaker 8: Yes?

31:23 Speaker 10: Yes?

31:23 Speaker 8: How are you all right?

31:25 Speaker 17: Well?

31:25 Speaker 3: Thank you very well. I've got Jack with me as

31:28 Speaker 3: well from the bun.

31:29 Speaker 8: Jack is with you. Hello, welcome, how are we hey?

31:33 Speaker 4: Guys?

31:34 Speaker 8: I love that song, so we played we played recently

31:37 Speaker 8: on the show. We did the American radio premiere of

31:40 Speaker 8: twenty three which is a great song, and we got

31:43 Speaker 8: a lot of positive response to that here people who

31:46 Speaker 8: listen to listen to the show here Matt Conderton unleashed,

31:50 Speaker 8: and so we're excited to have you on. And then

31:52 Speaker 8: I listened to the Renegade and I think I had

31:55 Speaker 8: emailed back and said, this is just an epic track.

31:57 Speaker 8: It's so so good. So I love what you guys

32:00 Speaker 8: are doing.

32:01 Speaker 17: Love that.

32:02 Speaker 18: Thank you so No, I really really appreciate it giving it.

32:04 Speaker 18: It's a little Davey over there. And to play twenty

32:07 Speaker 18: three hour brand new one as well. No, it really

32:09 Speaker 18: means lots of that.

32:09 Speaker 3: Thank you very much.

32:10 Speaker 8: Yeah, absolutely no, glad to do it. And we have

32:12 Speaker 8: another track from you too that will play. Uh, we'll

32:15 Speaker 8: play a little bit later at the end of the segment.

32:16 Speaker 8: But how long have you guys been around? How long

32:19 Speaker 8: has this band existed? Tuesday Night Whites.

32:23 Speaker 18: So it's funnily enough, it started off just myself and

32:26 Speaker 18: Jack probably about maybe four or five years ago, and

32:30 Speaker 18: we started it just after maybe the COVID COVID nineteen

32:34 Speaker 18: times and we've used to play just an acoustic acoustic

32:37 Speaker 18: set with Jack on the guitar and myself singing, and

32:41 Speaker 18: we we saw we just we just fell in love

32:42 Speaker 18: with it. We we just love going out, we love

32:44 Speaker 18: playing in you know, like local pubs and clubs, and

32:48 Speaker 18: then we decided to pick it up and make it

32:50 Speaker 18: a band, probably about three years ago.

32:51 Speaker 8: Now, okay, okay, so relatively new in that sense, relatively new. Yeah, yeah,

32:59 Speaker 8: And how much music have you guys put out? Do

33:01 Speaker 8: you have a full album out or is it? Is

33:03 Speaker 8: it just singles at this point? Oh, we're not.

33:05 Speaker 18: We're not quite at the album stage yet. Obviously the

33:08 Speaker 18: gold for us, definitely, we're all like absolutely music mad.

33:12 Speaker 18: A lot of those we've been sort of playing music

33:14 Speaker 18: for as long as we can all remember. So at

33:17 Speaker 18: the moment, we've got three singles that are officially released,

33:20 Speaker 18: but we play a live set full of our own,

33:22 Speaker 18: our own songs, so we're hoping to keep releasing them

33:25 Speaker 18: throughout the year.

33:26 Speaker 8: Yeah. Well, once you've put out so far sounds amazing.

33:29 Speaker 8: So I look forward to hearing more from you guys.

33:31 Speaker 8: And you know, we do live in a time where

33:33 Speaker 8: there's various approaches and strategies you can use as far

33:37 Speaker 8: as releasing music. But no, I really I really like

33:41 Speaker 8: what I've heard so far. Tell us about the name,

33:45 Speaker 8: because people, you know, especially you're in American people are

33:48 Speaker 8: going to hear that name and be curious what does

33:50 Speaker 8: that mean exactly? Tuesday Night Whites.

33:53 Speaker 19: So basically, the name is from our local football team

33:58 Speaker 19: over here in Preston, And essentially the band is made

34:02 Speaker 19: up of five members, but all five members, we're just

34:06 Speaker 19: a group of mates as well outside of the band,

34:09 Speaker 19: and we all support over here the local football team Preston.

34:13 Speaker 17: So it's like a it's a common interest in something

34:16 Speaker 17: that we share together.

34:17 Speaker 19: And one of the nicknames of the club, of the

34:20 Speaker 19: football club is is Tuesday Night Whites. So because it's

34:24 Speaker 19: a common interest that we share, it's something that we

34:27 Speaker 19: can all relate to and something that unanimously brings us together.

34:31 Speaker 19: So we thought it's absolutely perfect to use it as

34:33 Speaker 19: the band name.

34:35 Speaker 8: Why now, why why are they? Why is that a

34:37 Speaker 8: nickname for the team? I mean the do they only

34:41 Speaker 8: play on Tuesdays? And what is are Do they have

34:43 Speaker 8: white uniforms? Like, I'm just really curious about the name.

34:48 Speaker 3: Yeah. No, So so.

34:49 Speaker 19: Our home kit, our home shirt is white, the color

34:54 Speaker 19: is white, and we do play usually play on Saturdays,

34:59 Speaker 19: but clusters.

35:00 Speaker 17: There's a lot of fixtures and a lot of games

35:02 Speaker 17: to be played.

35:04 Speaker 19: Quite often. There is a lot of games on a

35:06 Speaker 19: Tuesday night as well to fit them all in. Okay,

35:09 Speaker 19: so we all we all go in the game together,

35:11 Speaker 19: we go to the pub before the game together.

35:14 Speaker 17: So it's just a shared interest that we all have

35:17 Speaker 17: and that we can all relate to.

35:18 Speaker 8: Okay, Okay makes sense. I'm curious too about influences because

35:23 Speaker 8: the songs that you guys write, you know, there's a

35:25 Speaker 8: there's a real especially a song like the Renegade, there's

35:28 Speaker 8: a real sophistication there, but it's all so very very catchy.

35:33 Speaker 8: It's it's so accessible. Kind of reminds me a little

35:38 Speaker 8: bit of Oasis, but but only a little bit. I'm

35:41 Speaker 8: curious to hear about what what kind of influences going

35:43 Speaker 8: to the band and your music.

35:45 Speaker 18: Yeah, So I mean, like like I said previously, we're

35:48 Speaker 18: all like music mad, and we all we all spend

35:50 Speaker 18: like most of our time, even on the footballer going

35:52 Speaker 18: to live gigs, and I myself personally, I just since

35:57 Speaker 18: I went when I was like a young kid, I

35:59 Speaker 18: really fell in love with music.

36:00 Speaker 3: So yeah, I think Oasis definitely a huge, huge influence.

36:04 Speaker 18: On us all a lot of like No Gallagher's solo

36:06 Speaker 18: stuff as well, But then there's a lot more like

36:09 Speaker 18: sort of more modernish fans that are touring nowadays that

36:13 Speaker 18: like said, we we will go on a weekend and

36:15 Speaker 18: we'll sort of like really.

36:16 Speaker 3: Analyze you know, the live set and the sound and.

36:19 Speaker 18: Lyrics, and we'll sort of take the best bits and

36:21 Speaker 18: see if we can work that into our own stuff.

36:24 Speaker 8: Yeah. Yeah, have you guys, are you getting any traction

36:29 Speaker 8: at radio where you are? Because like I said, I

36:32 Speaker 8: mean these songs are very very accessible. I can definitely

36:35 Speaker 8: imagine them on the radio.

36:37 Speaker 3: Yeah.

36:37 Speaker 18: We I mean, like I said, we our with our

36:39 Speaker 18: recent release twenty three. We had quite a big sort

36:42 Speaker 18: of marketing strategy behind that one. There's a there's a

36:46 Speaker 18: radio station based in Manchester which is called Radio X

36:49 Speaker 18: and then there's also one called Excess Manchester, which are

36:52 Speaker 18: two quite popular ones around that area. Yeah, and they

36:55 Speaker 18: gave us our debut play on those as well, So

36:57 Speaker 18: that was that was really cool.

37:00 Speaker 3: Good for us.

37:01 Speaker 8: So I have to tell you something funny too, just

37:04 Speaker 8: one of these synchronicities that happen, So you know how

37:07 Speaker 8: in twenty three. It's kind of toward the end of it.

37:10 Speaker 8: It might be coming out of the solo. There's the

37:12 Speaker 8: part with the bus station. It sounds like somebody's buying

37:15 Speaker 8: a bus ticket. Yeah, so we happened to When we

37:20 Speaker 8: played that song on the show, Jenny and I had

37:23 Speaker 8: just had an off air conversation with a guest about

37:25 Speaker 8: how where we are here at WM and H and Manchester,

37:30 Speaker 8: New Hampshire. Of course we're actually in a building that

37:33 Speaker 8: used to be a bus station, swear to God. And

37:40 Speaker 8: and in fact, if you look on Google for where

37:44 Speaker 8: to buy bus tickets around here, this building still comes up,

37:47 Speaker 8: which is why we have to keep the door locked.

37:50 Speaker 8: Some people don't wonder and trying to buy bus tickets.

37:52 Speaker 8: But we were explaining that. We happen to be explaining

37:55 Speaker 8: that to somebody who was a guest on the show.

37:58 Speaker 2: And uh.

37:58 Speaker 8: And then so we play that song and the I

38:03 Speaker 8: forget who it was. I forget who the guest was,

38:05 Speaker 8: but they noticed it before we did. Whoever was on

38:09 Speaker 8: was like, oh, I think it was Gracie. Actually she said, hey,

38:11 Speaker 8: I just heard a thing for a it sounds like

38:14 Speaker 8: somebody selling bus tickets. It was just so it was

38:17 Speaker 8: so weird. It was just like like I said, it

38:19 Speaker 8: was one of those odd synchronicities that can happen.

38:22 Speaker 3: But and maybe maybe it was it was made for

38:24 Speaker 3: that radio station then that that may.

38:27 Speaker 8: Very well be. It may have been faith, it may

38:29 Speaker 8: have been fath. What's the scene there as far as

38:32 Speaker 8: live shows, Are you guys able to play out a lot?

38:34 Speaker 8: Are there are a lot of places to play?

38:37 Speaker 3: Yeah?

38:37 Speaker 18: We I mean we, like I said, we're from Preston.

38:40 Speaker 18: We're all based in Preston around the Northwest. We're so

38:44 Speaker 18: close to to sort of the biggest cities like Manchester

38:46 Speaker 18: and Liverpool, Leeds newcastleant too far away. So for us,

38:51 Speaker 18: we've had quite a good success in the Northwest and

38:55 Speaker 18: we've built up.

38:56 Speaker 3: A lot of like a really good fan base around here.

38:57 Speaker 18: So it's been really good to play obviously impress in

39:00 Speaker 18: our hometown, but just maybe slightly out in Manchester Liverpool

39:03 Speaker 18: as well.

39:04 Speaker 8: Yeah, are these venues are they really receptive to original music?

39:09 Speaker 8: Because I know, you know some places you know they

39:12 Speaker 8: want to hear covers or whatever. But are you guys

39:14 Speaker 8: able to play a lot of shows where you can

39:16 Speaker 8: just focus on your original music and people are receptive.

39:19 Speaker 3: Yeah, I mean, well, I mean we started out, and

39:22 Speaker 3: I think it's maybe just sort of a part of

39:24 Speaker 3: the trade.

39:25 Speaker 18: When you first start out, you do have to sort

39:26 Speaker 18: of go into places where they want a few more

39:28 Speaker 18: covers and stuff. But I think just getting getting your

39:31 Speaker 18: name out there and getting live experience is obviously fantastic

39:34 Speaker 18: for us. But yeah, and more recently, especially like last year,

39:37 Speaker 18: we were so lucky to get in some really great

39:39 Speaker 18: venues that are literally born and bred music venues, and

39:42 Speaker 18: they love original stuff, they love bands, they love live music.

39:45 Speaker 18: So yeah, it was really good last year to get

39:47 Speaker 18: out there and just play our own stuff, which we

39:49 Speaker 18: we love doing. We don't mind a cheeky cover here

39:51 Speaker 18: and there, but playing your own stuff, there's nothing beat

39:54 Speaker 18: to that at all.

39:55 Speaker 8: Yeah. Absolutely, Have you guys made any videos yet?

40:01 Speaker 3: Not full length music videos.

40:02 Speaker 18: No, we try a little bit like social media, but

40:06 Speaker 18: I mean, if you look into the statistics now, it's

40:08 Speaker 18: all short and sweet videos.

40:10 Speaker 3: So we've done a few of those, but nothing full length. Yeah.

40:13 Speaker 8: I was just curious because I can imagine, especially a

40:15 Speaker 8: song like twenty three. I don't know, it just seems

40:19 Speaker 8: like it would really lend itself to to to some

40:23 Speaker 8: sort of a video. But but obviously you know, but

40:28 Speaker 8: you guys have it, you know, things covered as far

40:30 Speaker 8: as social media and whatnot, which is so so incredibly important.

40:34 Speaker 8: And yeah, do you have do you have I'm sure

40:39 Speaker 8: you don't have any immediate plans, but you know, do

40:41 Speaker 8: you kind of long term do you think about maybe

40:43 Speaker 8: getting you know, getting New America to play? I think

40:46 Speaker 8: I think you'd go over really well here, I really do.

40:49 Speaker 17: One hundred percent.

40:50 Speaker 19: We're just we're just, at the end of the day,

40:53 Speaker 19: a group of five mates that love playing music.

40:55 Speaker 17: So where everyone wants to hear us, one hundred percent

40:58 Speaker 17: we'll be there.

40:58 Speaker 19: So yeah, the most we're just focusing on getting out

41:02 Speaker 19: of our hometown area Northwest and then this year in

41:05 Speaker 19: twenty twenty five, we're going all over the UK up

41:08 Speaker 19: to Glasgow and Edinburgh, down to London, so who knows

41:12 Speaker 19: in the future out to Europe and then across the

41:14 Speaker 19: pond over to America.

41:15 Speaker 17: That would be unbelievable.

41:16 Speaker 8: Yeah, yeah, no, that would be fantastic. How do you

41:20 Speaker 8: how do you guys record? There's so many different options

41:23 Speaker 8: now for how you record, but everything that I've heard

41:26 Speaker 8: so far it sounds like it's done in a million

41:29 Speaker 8: dollar studio, but I know that's that's I know that's

41:32 Speaker 8: not always the case. What is your approach to recording?

41:36 Speaker 19: And so we have a good friend of ours called

41:39 Speaker 19: Tom Hale, and his profession, his job is actually to

41:43 Speaker 19: work in a voiceover gallery, so he's he also does

41:47 Speaker 19: obviously bands and recording and mixes and masters. But we

41:51 Speaker 19: met him very early on in the band, and so

41:55 Speaker 19: we just get a demo together, something that we put

41:59 Speaker 19: together in his fair bedroom and then get a rough

42:01 Speaker 19: guide track, take it to him. We go into a

42:05 Speaker 19: studio and it's about probably about half an hour drive

42:08 Speaker 19: from where we live, and then Tom does. Tom does

42:12 Speaker 19: the rest and works his magic and it makes it

42:14 Speaker 19: sound as good as it is. So it's a it's

42:16 Speaker 19: a lot of credit to Tom and his skills and

42:18 Speaker 19: his hard work and the time and effort that he

42:20 Speaker 19: puts into it.

42:22 Speaker 10: Yeah.

42:23 Speaker 8: No, he does a great job. Everything sounds great. I

42:26 Speaker 8: imagine he's probably worked with some some pretty big artists,

42:30 Speaker 8: I would I would guess it sounds like.

42:33 Speaker 19: Yeah, No, he's a he's a he's very big in

42:35 Speaker 19: the local area where we are. Bands that we performed

42:39 Speaker 19: with that we know that we go and see. He

42:42 Speaker 19: does work with a lot of them as well as

42:43 Speaker 19: live sound engineering at gigs as well.

42:46 Speaker 17: So he is like around our area, he is the

42:49 Speaker 17: man to go to.

42:51 Speaker 8: Yeah, as excellent, excellent. How did you How did you

42:55 Speaker 8: come to work with him?

42:56 Speaker 6: Like?

42:56 Speaker 8: Was it because he sounds like a very busy guy.

43:00 Speaker 8: Was it challenging to connect with him or did it happen?

43:03 Speaker 8: Did it come together pretty easily?

43:05 Speaker 3: You know what? I think?

43:06 Speaker 18: I think he's he is such a littly guy that

43:08 Speaker 18: he always has quite a little a little spot for

43:12 Speaker 18: anyone from his sort of hometown that he can help out.

43:14 Speaker 3: Good for the first conversation we have with him, he

43:17 Speaker 3: he it was at a festival in Preston.

43:20 Speaker 18: It was a day festival and he was there and

43:22 Speaker 18: we were outside in the big garden and we just

43:24 Speaker 18: got chatting to him and then just sort of said,

43:26 Speaker 18: you know, if there's.

43:27 Speaker 3: Any possibility we could we could do some work of him.

43:30 Speaker 17: And he was really up for it.

43:31 Speaker 18: And then yeah, a few months later we got booked

43:33 Speaker 18: him with him and started the process.

43:35 Speaker 8: Oh that's really cool. Good, good, you plan to continue

43:39 Speaker 8: to work with him in the future, I assume, Oh?

43:42 Speaker 3: Absolutely, Yeah, if You'll have it was definitely.

43:44 Speaker 8: Yeah, yeah, very cool, very cool, I think in a moment,

43:48 Speaker 8: so I want to play you know, we've played twenty

43:50 Speaker 8: three on the show before obviously, and we just played

43:52 Speaker 8: the Renegade, I think too at the end of our conversation,

43:56 Speaker 8: I'd like to play Lost Control, another really really cool song.

43:59 Speaker 8: I love that one. Everything I've listened to that you

44:02 Speaker 8: guys have put out so far, I think is uh,

44:04 Speaker 8: it's just been amazing. But but for people who are

44:08 Speaker 8: listening who want to know where to keep up with

44:11 Speaker 8: you guys online, where to keep up with all the

44:13 Speaker 8: new music and and and people we might have listening

44:16 Speaker 8: in your area, because you know, obviously you can get

44:19 Speaker 8: access to the show from anywhere in the world. People

44:20 Speaker 8: who want to maybe get to a live show. Where

44:23 Speaker 8: should people go online to keep up with everything Tuesday

44:26 Speaker 8: Night Whites is doing.

44:27 Speaker 18: Yeah, So we we try and we try and keep

44:30 Speaker 18: all of our social media up to date as possible,

44:32 Speaker 18: and I think maybe Instagram and Facebook if you can

44:35 Speaker 18: find us on there, and those would be the key

44:38 Speaker 18: ones for us. We do a little bit on TikTok

44:40 Speaker 18: with some videos and stuff as well, but of course

44:43 Speaker 18: we've released on Spotify, Apple Music and all that kind

44:46 Speaker 18: of stuff. But yeah, if you want to give us

44:48 Speaker 18: a follow on Instagram or Facebook, it's t NW official underscore.

44:54 Speaker 8: All right, very good, very good, that's easy. Yeah, you

44:57 Speaker 8: guys are very very googleable, as I to say, absolutely so. Yeah,

45:04 Speaker 8: so we'll let you go. In a second, we'll play

45:06 Speaker 8: this track, Lost Control. But thank you both so much.

45:10 Speaker 8: Ali and Jack from Tuesday Night Whites. Let's do this

45:13 Speaker 8: again in the future, because obviously you're gonna keep releasing

45:16 Speaker 8: new music and we'll keep playing it here. We love

45:19 Speaker 8: what you guys are doing. But thank you. We'll let

45:21 Speaker 8: you go. But thank you guys both so much for

45:23 Speaker 8: joining us today.

45:24 Speaker 3: Thank you so much, and thank you for playing the tracks.

45:26 Speaker 3: You really really appreciate it.

45:27 Speaker 8: Yeah, great night, Absolutely you too. All right, thanks guys,

45:30 Speaker 8: take care, all right, bye bye. All right. That was

45:35 Speaker 8: Jack and Allie from the band Tuesday Night Whites. Let's

45:38 Speaker 8: play this track. This will be another American radio premiere.

45:41 Speaker 8: This hasn't been heard anywhere in the US. This is

45:44 Speaker 8: called Lost Control. We're gonna give this a spin and

45:46 Speaker 8: then Jenny and I we'll come back and finish up

45:49 Speaker 8: for today. But check this out. Lost Control. The band

45:52 Speaker 8: is Tuesday Night Whites.

46:33 Speaker 2: He's com okay, it's so bad.

46:36 Speaker 4: He's got the Dreamers the series, but no controller.

46:38 Speaker 1: And see there's the Knight.

46:40 Speaker 2: He's lost control the Moon. The three spiritcals got one

46:47 Speaker 2: thing on his mind.

46:47 Speaker 4: So now the Dreamer is alive and as he has

46:50 Speaker 4: the Knight.

46:50 Speaker 20: And he lost controlful, he lost control, he lost control

46:58 Speaker 20: and he loves Controul.

47:01 Speaker 4: The cancer, I said, set he is not strong with.

47:29 Speaker 1: No cares or back and this he hass the Knight

47:32 Speaker 1: and he lost.

47:33 Speaker 20: Control very plays conceded, relieve the under the night.

47:43 Speaker 2: He lost control, he lost control, was lost controul and

47:50 Speaker 2: he lost control.

47:54 Speaker 6: Sol mh.

49:24 Speaker 14: S it's.

49:34 Speaker 3: This.

49:42 Speaker 6: But his sound is a.

49:43 Speaker 4: Longest boy sound is the longest.

49:47 Speaker 2: So scouts a Knight, so Scouts and Knights, he says,

49:52 Speaker 2: sound is a lot sound.

50:45 Speaker 8: Those guys have such a great sound. I love them.

50:48 Speaker 8: I love them. Tuesday Night Whites is the name of

50:50 Speaker 8: the band that is called Lost Control. Thank you again

50:52 Speaker 8: to Ali and Jack for joining us today on the show,

50:55 Speaker 8: skyping in from one another. One of those intercontinental calls.

50:59 Speaker 8: But that was that was fantastic, and we're gonna play.

51:02 Speaker 8: We're actually we talked about it during our interview. We'll

51:04 Speaker 8: play it again at the end of the show today

51:06 Speaker 8: twenty three, which is the first single from the band

51:09 Speaker 8: that we debuted here on the show on American Radio.

51:14 Speaker 8: Uh so, always very happy to do that, Jenny, before

51:17 Speaker 8: we go, you've been very busy. Of course we should

51:20 Speaker 8: plug your website and where people should go to keep

51:23 Speaker 8: up with everything you're doing.

51:25 Speaker 9: I know I have a lot to catch up on

51:26 Speaker 9: on my website at Jencoffee dot com j E N

51:29 Speaker 9: n c O f f ui dot com. You can

51:32 Speaker 9: keep up with my activism there.

51:34 Speaker 8: Yes, yes, yes, you've been You've been very busy. Yes,

51:39 Speaker 8: oh we should mention too. This past week we were

51:42 Speaker 8: at On Tuesday night, we were at Terminus Underground. That

51:45 Speaker 8: was so much fun at New Hampshire Underground of course

51:49 Speaker 8: grand reopening. Yep, Eleanor and Andre doing great things there

51:53 Speaker 8: and we finally met Simba yes Simsyre on the Facebook,

51:58 Speaker 8: so that was very cool.

52:00 Speaker 9: Space in Nashaulla. Definitely encourage people to check it out.

52:03 Speaker 3: Yep.

52:04 Speaker 9: You can utilize the space there as an artist. They

52:08 Speaker 9: even have a practice room that where bands can come

52:10 Speaker 9: in and utilize if they don't you know, necessarily have

52:14 Speaker 9: the ability to rent a room for themselves to have

52:17 Speaker 9: all to themselves all the time. They actually have a

52:20 Speaker 9: space that you can come in and utilize.

52:22 Speaker 8: Yeah. Yeah, and you even have a set set up

52:24 Speaker 8: in it. And we got to watch Quincy Lord oh

52:27 Speaker 8: yeap do an amazing set, and then Jesse Rutstein, who

52:33 Speaker 8: is also going to be coming on the show soon.

52:35 Speaker 9: Yes, yes, we will be seeing them in the future.

52:37 Speaker 9: Excellent artist, amazing sound. Yeah, just really enjoyed. The entire

52:42 Speaker 9: event was wonderful. We saw Manchester Inclink was there. I

52:45 Speaker 9: believe it's an article Yep, that was a great article

52:48 Speaker 9: of course from the Manchester Inclink. You should check them

52:50 Speaker 9: out for certain. They cover a lot of great New

52:53 Speaker 9: Mpshire news, not just limited to us.

52:56 Speaker 8: I think there's something in the Hippo too, I think

52:59 Speaker 8: you're right, was something.

53:01 Speaker 9: Yeah, And of course that's the home of Dead Harrison. Yes,

53:04 Speaker 9: another great band that we've had on the show before.

53:06 Speaker 9: We look forward to when they come back.

53:08 Speaker 8: Absolutely.

53:09 Speaker 3: Yeah.

53:09 Speaker 9: It was all in all an absolutely amazing place. They

53:12 Speaker 9: even have a gallery area where they highlight local artists

53:15 Speaker 9: and they do change that artwork out on a regular basis.

53:18 Speaker 9: If you'd like to be highlighted. They should definitely check

53:20 Speaker 9: out the New Hampshire Underground. They're on Facebook and all

53:26 Speaker 9: the other socials do yes, they are everywhere, yes, yes, yes, yes,

53:30 Speaker 9: so definitely check that out. And then, of course our

53:32 Speaker 9: other lovely place we love is the Mosaic Art Collective.

53:37 Speaker 9: They have a new show coming up soon. The deadline

53:40 Speaker 9: was yesterday to enter, so this weekend they'll be announcing

53:43 Speaker 9: those who have made it into the Show of Illusions,

53:46 Speaker 9: which is going to be all about three D effects

53:49 Speaker 9: and things that maybe look a little different or below

53:52 Speaker 9: in the dark black light. I'm looking forward to seeing

53:56 Speaker 9: how that show goes. And then the next show that's

53:58 Speaker 9: coming up you want to think of it is a

54:00 Speaker 9: kinetics show where people are going to be doing interesting art.

54:04 Speaker 9: I've actually been trying to bug Miriam into remaking one

54:09 Speaker 9: of her really creative pieces she did of puddles. Yeah,

54:13 Speaker 9: and I think it would be an excellent, excellent submission

54:16 Speaker 9: for the Mosaic Are Collective, so definitely check them out

54:19 Speaker 9: as well. Located right here in the Queen City.

54:22 Speaker 8: Yes, absolutely, well, thank you everyone who joined us today.

54:26 Speaker 8: Of course, we had a Nottley crue in the first

54:28 Speaker 8: hour of the Great Motley Crue tribute band, and in

54:31 Speaker 8: the second hour we had Mercury Burns first, and of

54:33 Speaker 8: course Tuesday Night Whites in the third hour, and not

54:36 Speaker 8: sure what happened Iron Jaw, but hopefully everything's okay. Well,

54:39 Speaker 8: hopefully everything's okay because I really like them. But so

54:42 Speaker 8: if you miss any part of today's show, it will

54:44 Speaker 8: be up in just a little bit at wm andhradio

54:46 Speaker 8: dot org and on my website Matt Connorton dot com. Also,

54:49 Speaker 8: if you missed yesterday's granted state of Mind, oh god, yeah,

54:54 Speaker 8: John Hopwood was there. He was there for the full hour.

54:56 Speaker 8: I so missed that.

54:57 Speaker 2: Laugh.

54:58 Speaker 9: Oh yeah, I loved listening to listening last night hearing

55:01 Speaker 9: him laugh. I missed you happy And then Texas Mike

55:04 Speaker 9: and I joined the show halfway through. Ye, so that

55:07 Speaker 9: is of course up at wmnhradio dot org, and of

55:11 Speaker 9: course then John Hopwood joined us on as well as

55:13 Speaker 9: Texas Mic for Retro Spectrum Radio.

55:16 Speaker 8: Well on the.

55:17 Speaker 9: Evening here at WMNH. That was so much fun. Miriam

55:20 Speaker 9: and I were actually enjoying being creative listening to you folks.

55:24 Speaker 8: Yeah.

55:24 Speaker 9: I worked on a painting and she was doing some.

55:28 Speaker 8: Oregami. Thank you.

55:30 Speaker 9: The word for some reason was being replaced with macromay.

55:33 Speaker 8: Okay, and that's not right. No, that's what you do,

55:35 Speaker 8: that's what I do, all right.

55:36 Speaker 9: No, we had fun.

55:37 Speaker 8: It was a good evening, very good, very good. So

55:40 Speaker 8: thank you everybody, and we're gonna close today's show out

55:43 Speaker 8: with one more track from Tuesday Night Whites. This is

55:46 Speaker 8: the first single that we premiered on the show. And

55:48 Speaker 8: this listen carefully, you'll hear the bus station in it.

55:51 Speaker 8: This is called twenty three. And we'll close out with

55:54 Speaker 8: this and we'll talk to y'all a little bit later.

55:56 Speaker 8: Bye everybody, Bye bye jee.

56:00 Speaker 16: Then sound blue lights, flashboo.

56:02 Speaker 4: It will never be found.

56:04 Speaker 16: The song just pattish line, drum, sound yeah, and make

56:08 Speaker 16: some memories to forget in the morning.

56:10 Speaker 4: And it feels like everything changes.

56:13 Speaker 16: But the people around you keep a smile on the

56:15 Speaker 16: face in case I'm telling you yeah, I'm selling yeah,

56:19 Speaker 16: I'm selling you really, So.

56:24 Speaker 4: Let's say it down and you can sell it. Sounds

56:29 Speaker 4: it's some one new.

56:33 Speaker 2: Song.

56:33 Speaker 4: The funny thing basis the.

56:35 Speaker 2: Big boar focuses the one.

56:37 Speaker 4: A Lacies and dream.

56:39 Speaker 2: Created hearing me anything.

56:44 Speaker 20: Let's go back to you in the advices, says the

56:48 Speaker 20: preep places the one a face and dreams be created,

56:52 Speaker 20: te hearing me anything, Let's go back.

56:57 Speaker 2: In the.

57:11 Speaker 16: Sime Li hundred miles so the rise where the sun

57:16 Speaker 16: shining down on me and you can't seem to hide

57:20 Speaker 16: that smiles if we tell you your storby.

57:23 Speaker 4: Or suit, and it feels like everything changes. But we've

57:27 Speaker 4: had that before.

57:28 Speaker 10: So while we prot through the paces.

57:30 Speaker 3: Yeah I'm selling you. Yeah, I'm selling you.

57:33 Speaker 7: Yeah, I'm selling you.

57:36 Speaker 2: So say down and you can sell it.

57:42 Speaker 7: Sound so woome you out.

57:46 Speaker 4: From the twenty things.

57:49 Speaker 2: Nice is the people, the places, the world.

57:52 Speaker 20: Basis credated, hearth anything right splices the people, the places,

58:03 Speaker 20: the god that faces and teams with the cat to check,

58:07 Speaker 20: telling me, let's go backing.

58:28 Speaker 4: I was singing a song that will bring you a

58:30 Speaker 4: lung snight.

58:34 Speaker 15: That cavin little world time has catch that the evening

58:37 Speaker 15: right because it's ten past five on a freezing winter's night,

58:46 Speaker 15: but with a smiling of faces.

58:48 Speaker 2: Were dancing. So the sunrice, that's what dancing.

58:51 Speaker 4: So the sun rides, that's what dancing. So the sun

58:55 Speaker 4: rice that's good dancing. The sonar rice escal does and

59:01 Speaker 4: so a sor.

59:03 Speaker 20: Escal bases of the se Mestel.

59:06 Speaker 4: Does it sounds sous?

59:08 Speaker 2: This is a passenger announcement.

59:10 Speaker 7: The twenty three bus will now be part from Stand

59:13 Speaker 7: nineteen and ten.

59:14 Speaker 20: Past fives, closes the prisnel, The closes.

59:17 Speaker 2: The worst they see the rat very dating to t.

59:23 Speaker 7: Y thing mescal pasture.

59:26 Speaker 2: Both guys, it's guy.

59:27 Speaker 6: He's the