Matt Connarton Unleashed 11-16-24 hour 2

0:00 Speaker 1: Almost love to let me tell the time about it myself.

1:02 Speaker 2: What is I gotta me the fall?

1:05 Speaker 3: Suppose trust.

1:10 Speaker 4: You know.

1:13 Speaker 2: What my sun stream the lord you y'all heart being

1:17 Speaker 2: roussiently so what's a presanmers from your flower that.

1:31 Speaker 5: You're a much.

1:34 Speaker 2: I'm so cool street to touch you, but.

1:57 Speaker 4: I'm trusting trust it.

1:59 Speaker 6: Thrust it into this corner, your rusting beef.

2:05 Speaker 2: Pile a com and then you ride. I shall to

2:10 Speaker 2: you of not sweet divine. Here you're hearty, rapidly soil

2:21 Speaker 2: forms and all.

2:26 Speaker 1: One of my president.

2:27 Speaker 2: We are much of your down man to meeting.

2:33 Speaker 6: To a metrocle.

2:36 Speaker 2: I know it's no so you're a sweet I'm a.

2:42 Speaker 6: T too much of not b b ski.

3:16 Speaker 2: One more time, Sween. Here you are honey rodil for the.

3:24 Speaker 6: All time.

3:28 Speaker 2: Back the merch f your fo sixting.

3:34 Speaker 5: Turn about.

3:41 Speaker 6: Also norm sween to watch your malt wae wocks buskin,

3:57 Speaker 6: your milt wack boson.

4:04 Speaker 3: That is called the Florist. The band is the Gray Curtain.

4:07 Speaker 3: And we spoke with Dennis Layton a few minutes ago

4:11 Speaker 3: during the first hour about the big event tonight, night

4:13 Speaker 3: two of no Masters Fest happening in Connecticut and it's

4:17 Speaker 3: for a really great cause, so we appreciate Dennis calling in.

4:20 Speaker 3: We are into the second hour of Matt Connorton Unleashed.

4:23 Speaker 3: We are live from the studios of w m n

4:26 Speaker 3: H ninety five point three FM and Glorious Manchester, New

4:29 Speaker 3: Hampshire and joining us now in the studio. So we

4:33 Speaker 3: have Liz from the Mosaic Art Collective and Liz, this

4:36 Speaker 3: is your third time on the show.

4:39 Speaker 7: Second third, I think this is my second time.

4:41 Speaker 3: Second, okay, all right, and you've got Hannah and Atlas

4:45 Speaker 3: with you, and they are first timer is on the show. Yes,

4:48 Speaker 3: I did meet Hannah at the at the last event

4:51 Speaker 3: right last Oh that was last weekend. Actually it all

4:54 Speaker 3: becomes a blur. And I'm meeting Atlas for the first

4:57 Speaker 3: time and you are the uh I'm pretty sure you're

5:01 Speaker 3: the first individual named Atlas I've ever met, so so

5:06 Speaker 3: welcome to the show. So, uh, Hannah, what what is

5:11 Speaker 3: your involvement with Mosaic Art Collective.

5:14 Speaker 8: I am one of the resident artists. Mosaic is, for

5:20 Speaker 8: those that don't know, is a gallery with a gallery

5:24 Speaker 8: hosted inside and for artists studios. So I'm lucky enough

5:28 Speaker 8: to be one of the four, and I'm also the

5:32 Speaker 8: secretary of the Mosaic Art Collective Board.

5:35 Speaker 3: Okay, okay, and Atlas how about you?

5:38 Speaker 9: Yeah, I'm.

5:40 Speaker 3: Pull up, pull up, mic over Rett, Yeah, you gotta

5:42 Speaker 3: be right on it.

5:43 Speaker 9: I'm the head of pr for I've been with June.

5:49 Speaker 3: Lean lean over a little bit. So you're like you

5:51 Speaker 3: got to talk right good. Yeah, that's that's the worst

5:53 Speaker 3: micu Okay in the room. Unfortunately, Yeah, so I was.

5:58 Speaker 10: I'm now pead of pr for most Okay, I've been

6:01 Speaker 10: with the Mosaic since tune and I've just kin to

6:04 Speaker 10: be a part of it every way I can.

6:05 Speaker 9: It's been an awesome ride so far.

6:06 Speaker 3: Yeah, yeah, excellent. All congratulations, very good, very good.

6:09 Speaker 9: I appreciate it.

6:10 Speaker 3: So, Liz, how how's it been for you? I mean,

6:11 Speaker 3: this has really grown, right. I was commenting to Hannah

6:15 Speaker 3: that earlier off air that that was quite the turnout, Yeah,

6:19 Speaker 3: last Saturday.

6:20 Speaker 11: Unfortunately I wasn't atop oh that's right. Yeah, yeah, but

6:24 Speaker 11: I have heard it was a fabulous turnout. We've had

6:27 Speaker 11: a couple of slower months. I think in general, there

6:32 Speaker 11: was a lot going on in the art world, so

6:34 Speaker 11: probably less people were available, and I think luckily this

6:39 Speaker 11: time around, there were a number of people that were available.

6:44 Speaker 11: But also it's a larger show because it's I don't

6:47 Speaker 11: remember exactly how many artists we have, it's over sixty

6:51 Speaker 11: artists in the show.

6:54 Speaker 7: And when that happens, you end up with a pretty

6:57 Speaker 7: good turnout. All the pieces that.

7:00 Speaker 11: Are up on the wall right now or are small work,

7:02 Speaker 11: so they're all more affordable, really great gift giving sizes

7:07 Speaker 11: and prices, and so we're really lucky.

7:12 Speaker 3: When you do something like where the theme is smaller,

7:16 Speaker 3: I mean, did you put us like a size limit

7:19 Speaker 3: on that, like they couldn't be ye larger than a

7:22 Speaker 3: certain than certain dimensions.

7:23 Speaker 11: Yep, so the dimensions are smaller than twelve by twelve inches, okay,

7:29 Speaker 11: and that's in any direction.

7:31 Speaker 7: So because we do have some sculptural pieces as well.

7:34 Speaker 3: When you do something like that, do you find that

7:38 Speaker 3: you get a different submissions from people who may not

7:42 Speaker 3: have submitted before.

7:43 Speaker 7: Do you see a lot of new names sometimes?

7:46 Speaker 11: I think in the last several months we've seen an

7:49 Speaker 11: uptick in new artists, which is really cool because I

7:53 Speaker 11: think around June I started feeling like maybe we've tapped

7:58 Speaker 11: into all the artists in the area and this is

8:00 Speaker 11: this is the amount of artists that we have. And

8:03 Speaker 11: then really in the last three months or so, we've

8:05 Speaker 11: seen a huge, a huge number of new artists showing

8:11 Speaker 11: up for open calls. So I don't know that it's

8:17 Speaker 11: changed necessarily because of the sizes or if it's just

8:21 Speaker 11: that more people are finding out about us.

8:23 Speaker 10: And I would argue artists love a good challenge. Yeah,

8:27 Speaker 10: anything more restrictive in terms of theme or anything like that.

8:30 Speaker 10: It really as me personally as an artist, like, I

8:33 Speaker 10: find that very helpful because I can put more into

8:37 Speaker 10: it knowing exactly what I'm looking for.

8:39 Speaker 9: So I think the twelve x twelve sort of I

8:43 Speaker 9: don't want.

8:44 Speaker 10: It's like more of like a challenge to try to

8:46 Speaker 10: make something beautiful out of something within that space. I

8:50 Speaker 10: think people responded really well to that.

8:52 Speaker 11: And at Lissa actually took the challenge in a totally

8:55 Speaker 11: different direction and he has a really cool piece in

8:58 Speaker 11: the show where he painted on a knife. Oh really,

9:02 Speaker 11: So that's definitely worth checking out if if you want

9:05 Speaker 11: to stop into the gallery or go online and look

9:08 Speaker 11: at our online gallery.

9:09 Speaker 3: Okay, yea, was.

9:10 Speaker 10: That difficult Alice to Yeah, it was a totally different

9:14 Speaker 10: canvas to paint on. It's not something that you would

9:17 Speaker 10: expect to have trouble with, but it was quite quite difficult.

9:21 Speaker 10: But I had so much fun doing something within that

9:24 Speaker 10: brand new medium. Yeah, it was obviously inspired by the

9:28 Speaker 10: Mosaic Small Wonders show like this, this seems like the

9:33 Speaker 10: perfect opportunity to try something new, put something new into it.

9:38 Speaker 10: And yeah, it was great and it came out with

9:40 Speaker 10: an awesome result. And I'm so happy that I was

9:42 Speaker 10: able to do that.

9:43 Speaker 3: Yeah, yeah, excellent, excellent. Now when when people submit, you know,

9:48 Speaker 3: you call it a juried a juried u what's what's

9:51 Speaker 3: the right term? A jury show, jurid show? Like who chooses?

9:58 Speaker 3: Like obviously, Liz, you're you're part of that process, but

10:01 Speaker 3: are you also both Hannah and Atlas are you both

10:06 Speaker 3: involved in that well in terms of choosing who gets in?

10:08 Speaker 8: And it's a collaborative effort. It's usually about three to

10:14 Speaker 8: four people that are selecting the work, and then we

10:17 Speaker 8: get together as a group several days after the work

10:21 Speaker 8: comes in and we collaborate once again and make decisions

10:25 Speaker 8: on how to arrange the show so that it's harmonious

10:31 Speaker 8: and each piece that is situated in a way where

10:36 Speaker 8: it really shines next to the other work. So it's

10:40 Speaker 8: it's a really interesting process not only choosing the work

10:44 Speaker 8: that is selected, but also how do you arrange such

10:49 Speaker 8: a diverse arrangement of such selected works.

10:55 Speaker 3: Yeah, yeah, as the as a number of selections, or

11:00 Speaker 3: I should say, I'm sorry, the number of submissions. Has

11:02 Speaker 3: that really kind of increased over time, because I would imagine,

11:05 Speaker 3: like the first show that you did there, I would

11:08 Speaker 3: imagine that was a significantly last number because it was

11:10 Speaker 3: the first show, or maybe not. Maybe there's such a

11:13 Speaker 3: need and demand for what you're doing. Maybe you had

11:15 Speaker 3: a lot right out of the gate. I don't know.

11:17 Speaker 11: I mean the first show was interesting because I had

11:21 Speaker 11: never done anything like this before, and really it was

11:24 Speaker 11: just a complete guess, yeah, to see what would happen.

11:29 Speaker 11: I did end up reaching out to another one of

11:32 Speaker 11: the residents at Mosaic, who has a strong connection with

11:36 Speaker 11: a number of local artists, and told her that we

11:40 Speaker 11: hadn't gotten the numbers that I had hoped, yeah, and

11:44 Speaker 11: I had to extend the deadline, and I said, can

11:47 Speaker 11: you share this with your audience? And she did, and

11:50 Speaker 11: that that brought in some more people. So we did

11:53 Speaker 11: end up at the very first show, I think we

11:55 Speaker 11: had forty or so artists.

11:59 Speaker 7: There.

12:00 Speaker 11: The work was a really interesting range of emerging to

12:04 Speaker 11: professional artists, and I think from month to month it

12:10 Speaker 11: kind of ebbs and flows. Like I truly get freaked

12:15 Speaker 11: out about a week before the deadline because most artists

12:19 Speaker 11: wait till the very last minute to submit their work,

12:25 Speaker 11: and I usually, like the week before will start like

12:29 Speaker 11: if I really noticed that we haven't had any submissions,

12:31 Speaker 11: I'll start like tapping people and being like, hey, are

12:34 Speaker 11: you planning on submitting your work? And you know, chances

12:40 Speaker 11: are some of them are, or some of them are

12:42 Speaker 11: just too busy that month, but yeah, it kind of

12:45 Speaker 11: it changes.

12:47 Speaker 3: So yeah, yeah, now that makes sense the small Wonders

12:51 Speaker 3: that's actually running for two months? Is that correct?

12:53 Speaker 5: It is?

12:54 Speaker 11: Okay, So this we have historically done a small work

12:58 Speaker 11: show in November December. Part of that is self preservation

13:04 Speaker 11: because we're getting into like the busy holiday season and

13:09 Speaker 11: I at the beginning just couldn't take setting up another

13:13 Speaker 11: show in December. But also I think it offers more

13:17 Speaker 11: time for people to shop and see the show. We'll

13:22 Speaker 11: have another opening the second Saturday, of December for Amy

13:29 Speaker 11: who runs the Seesaw Gallery, she'll have a a name

13:32 Speaker 11: of her show presently, I think is what her show

13:37 Speaker 11: is called. That's another open call and she'll have an

13:43 Speaker 11: opening that night as well, and we're hoping that there'll

13:46 Speaker 11: be another good turnout. And then I think we're also

13:49 Speaker 11: planning on doing a closing on December twenty second, so

13:54 Speaker 11: we try to like keep you know, movement.

13:56 Speaker 7: In the gallery, get people in and.

14:00 Speaker 11: Of right now, we had been doing almost month to

14:04 Speaker 11: month shows, and I think going forward after November and December,

14:09 Speaker 11: we're planning on doing bi monthly shows instead. Okay, we

14:14 Speaker 11: needed a little more time. I think all of us

14:18 Speaker 11: just from an organizational standpoint, needed.

14:20 Speaker 7: More time to.

14:23 Speaker 11: Rest and then also be able to bring in some

14:26 Speaker 11: workshops and stuff like that. We'd really like to do

14:29 Speaker 11: more community outreach, and it's hard when you're either setting

14:33 Speaker 11: up or taking down.

14:34 Speaker 7: A show with like a week or two of the

14:36 Speaker 7: show there.

14:37 Speaker 11: So we're hoping with the extended shows that we'll have

14:41 Speaker 11: some more time to do that kind of stuff.

14:43 Speaker 8: Yeah, that makes sense, and it also gives artists the

14:47 Speaker 8: opportunity to bring in more of their friends and family

14:50 Speaker 8: a month is a really tight turnaround.

14:53 Speaker 3: So yeah, the.

14:56 Speaker 9: Great opportunities.

14:57 Speaker 3: Yeah, yeah, that makes sense. Yeah, I remember, uh, Jenny

15:02 Speaker 3: and I attended an event that you had had about

15:06 Speaker 3: I don't remember the gentleman's name, forgive me, but about

15:09 Speaker 3: AI in art that was really interesting.

15:12 Speaker 4: Yeah.

15:12 Speaker 7: He that's Carl.

15:15 Speaker 11: So he was fast this it's interesting because like AI

15:20 Speaker 11: has just exploded now, so but at the time it

15:24 Speaker 11: was like this fairly new thing that was sort of

15:26 Speaker 11: like freaking all the artists out. And I think because

15:32 Speaker 11: of his background, he comes from a tech background. He

15:36 Speaker 11: calls calls his or called his job an ethical hacker

15:41 Speaker 11: for IBM, so he would look for the weak points

15:45 Speaker 11: in the system and try to try to break it

15:47 Speaker 11: so that he could learn how to fix it. So

15:50 Speaker 11: he did a ton of research on AI and brought

15:54 Speaker 11: that workshop to us, which was super awesome, and we

15:58 Speaker 11: would like to offer more of that kind of stuff.

16:01 Speaker 12: I know.

16:02 Speaker 11: We were in talks with Karen Jerzyk, who's an installation artist.

16:07 Speaker 11: She is not an AI artist at all, and she

16:11 Speaker 11: gets called that a lot. She's a photographer.

16:16 Speaker 3: Why why does she get called an AI artist?

16:18 Speaker 7: Her artwork is pretty surreal.

16:20 Speaker 3: Okay, it's okay, her artwork.

16:25 Speaker 11: Is surreal, so it has a vibe that kind of

16:28 Speaker 11: lends itself to looking like it's computer generated.

16:32 Speaker 3: That's interesting to me.

16:33 Speaker 11: Yeah, but her she does She actually doesn't even use

16:38 Speaker 11: like photoshop all that much, which most photographers these days,

16:43 Speaker 11: I would say at least use a little bit of

16:46 Speaker 11: touch up at points in their process. Yeah, but she

16:54 Speaker 11: does not, and she's actually had a lot of success

16:58 Speaker 11: with what they called NFTs and stuff.

17:01 Speaker 3: Yeah. Yeah, So we're.

17:03 Speaker 7: Hoping to get her in and have her do an

17:05 Speaker 7: artist talk and sort of, yeah, talk a bit more

17:08 Speaker 7: about that.

17:09 Speaker 3: That's that's interesting to me.

17:10 Speaker 13: You know.

17:10 Speaker 3: The subject of AI comes up a lot on the show,

17:13 Speaker 3: and it's interesting, you know, because we talk about people

17:18 Speaker 3: looking at art and not knowing or other or any

17:20 Speaker 3: kind of image and not knowing whether it's real or

17:23 Speaker 3: AI generated, and we worry about people looking at things

17:28 Speaker 3: and assuming that they're not AI generated when actually they are.

17:31 Speaker 3: But her art work, you say, like people accuse her

17:34 Speaker 3: of using AI and she's actually not. That's interesting. So

17:37 Speaker 3: the impest can also be a pitfall. Yeah, I wouldn't

17:40 Speaker 3: have expected that. Wow, that's fascinating.

17:42 Speaker 7: Yeah, definitely somebody to check out.

17:45 Speaker 3: Yeah, yeah.

17:46 Speaker 7: What was her name again, Karen Jersik. She's right in

17:49 Speaker 7: Manchester too.

17:50 Speaker 3: Okay, okay, wow you do Do you do any kind

17:56 Speaker 3: of classes there or do you have plans to do

17:58 Speaker 3: in the future for people who think they might have

18:01 Speaker 3: ability but want to kind of expand on it.

18:04 Speaker 7: I don't know that we're looking to do. I mean

18:07 Speaker 7: maybe maybe.

18:08 Speaker 8: At some point I think once we get our heads

18:11 Speaker 8: wrapped around the scheduling and have a little bit more

18:15 Speaker 8: time to think about what kinds of programs we're looking for,

18:20 Speaker 8: what kinds of classes would really benefit the community the most,

18:25 Speaker 8: and just seeing what people are interested in.

18:28 Speaker 11: Right. We have done some like workshop style classes. Jackie

18:34 Speaker 11: Hansen did an erase or printmaking workshop a couple times.

18:39 Speaker 11: We had somebody do a terrarium building workshop. I think

18:45 Speaker 11: there was actually a word press workshop at some point.

18:50 Speaker 3: Really yeah, on how to build a website. Okay, I it.

18:56 Speaker 11: Was interesting because it was it was attended by artists

19:01 Speaker 11: and then who don't use word Press, and myself who

19:06 Speaker 11: uses nothing, and my husband who is a web developer

19:11 Speaker 11: and uses web WordPress all the time. Yeah, so it

19:16 Speaker 11: you know, WordPress is really hard to use. That's what

19:19 Speaker 11: I what I've come to learn, so it's not the

19:23 Speaker 11: most like artist friendly, still helpful, development helpful.

19:30 Speaker 9: Yeah, anythink we can offer really yeah?

19:32 Speaker 3: Yeah, no, that makes sense. Yeah, that makes sense. When

19:36 Speaker 3: did When did Mosaic first open? It's been at least

19:38 Speaker 3: what has it been two years? Has it been longer?

19:40 Speaker 11: It's been so two and a half fish, I mean yeah,

19:43 Speaker 11: I think we opened in uh September of twenty twenty two, okay,

19:50 Speaker 11: and after a year of being an LLC, we transition

19:54 Speaker 11: to a nonprofit model, okay, and then we've been a

19:58 Speaker 11: nonprofit for just over a year.

20:01 Speaker 3: So yeah, what was that always the goal to become

20:03 Speaker 3: a nonprofit?

20:04 Speaker 11: Or I think for me, when I was originally dreaming

20:12 Speaker 11: up Mosaic, I mean I was really young. Mosaic was

20:16 Speaker 11: something I wanted to do when I was like fresh

20:19 Speaker 11: out of college. I graduated and was just lacking art

20:24 Speaker 11: community and couldn't figure out where I belonged. So in

20:29 Speaker 11: some ways, I think I didn't really know what it

20:33 Speaker 11: would totally look like, and once I started doing it,

20:37 Speaker 11: it just became like a larger thing than I could

20:41 Speaker 11: do by myself, and the community aspect of it was

20:46 Speaker 11: so important that I felt like I was already reaching

20:49 Speaker 11: out to people and asking their advice or asking how

20:54 Speaker 11: to do something. So the nonprofit just sort of like

20:58 Speaker 11: naturally made sense, right.

21:02 Speaker 7: So I don't know that it was like.

21:05 Speaker 11: Necessarily like the thing I thought would happen, but it

21:08 Speaker 11: made sense when we went.

21:10 Speaker 7: In that direction.

21:11 Speaker 3: Yeah, yeah, of course, of course you're not from Manchester originally, correct.

21:15 Speaker 7: I actually am from hooks It.

21:17 Speaker 12: Oh.

21:18 Speaker 7: I went to Central Oh okay. Yeah, so I grew

21:21 Speaker 7: up here.

21:22 Speaker 4: Oh you did?

21:22 Speaker 3: Okay, Okay. Did you move away at one point and

21:25 Speaker 3: move back? I did? Maybe that's what I'm thinking of.

21:27 Speaker 11: Yeah, okay, I lived So I went to art school

21:30 Speaker 11: down in Baltimore, Maryland, Okay, And then after Baltimore moved

21:34 Speaker 11: back here for a very brief time, and then up

21:37 Speaker 11: to Vermont. And then I lived in Burlington, Vermont for

21:41 Speaker 11: fifteenish years. Oh okay, and then moved back during the pandemic.

21:47 Speaker 3: Gotcha, gotcha? Yeah, Burlington's got a not a bad little

21:51 Speaker 3: music scene there.

21:52 Speaker 7: It's just a fabulous music so good.

21:54 Speaker 3: There's some good bands up there that kind of, you know,

21:56 Speaker 3: that a lot of people around here might not know

21:57 Speaker 3: about because Burlington it seems like it's so far, but

22:00 Speaker 3: it's really not. I mean, how far what is it?

22:03 Speaker 7: Two and a half hours?

22:03 Speaker 3: Two and a half That's what I was thinking. Yeah, yeah, yeah,

22:07 Speaker 3: there's some cool place. Is higher Ground still there?

22:09 Speaker 7: Oh yeah yeah yeah yeah, that's a cool venue.

22:11 Speaker 3: Yep. I haven't been there in a very, very long time.

22:14 Speaker 7: We should take a field trip.

22:16 Speaker 3: Yeah, yeah, yeah, it's a cool place. Not in the

22:18 Speaker 3: winter though, No, we'll do that.

22:20 Speaker 7: Well, I love it.

22:22 Speaker 3: Yeah, yeah. If you are just joining us, we have Liz,

22:28 Speaker 3: Hannah and Atlas from the Mosaic Art Collective here with

22:32 Speaker 3: us live in studio on this Saturday morning. Do you

22:38 Speaker 3: do you work with other studios as well, Like do

22:40 Speaker 3: you have these relationships where you kind of I don't

22:44 Speaker 3: know because you did.

22:45 Speaker 11: Refer to is it seesaw Seesaw on Hanover. Yes, So

22:50 Speaker 11: Seesaw is sort of similar to Hannah. You want to explain,

22:55 Speaker 11: like they also rent space in the gallery or in

22:58 Speaker 11: the studio and rent rather than use it utilizing it

23:03 Speaker 11: as a studio, they.

23:06 Speaker 7: They use it as a gallery.

23:07 Speaker 3: Okay.

23:08 Speaker 11: Amy Reagan, who runs Seesaw, is also one of the

23:12 Speaker 11: founders from the Rochester Museum of Fine Art, and she

23:19 Speaker 11: runs sort of like a boutique Style Gallery, So it's

23:21 Speaker 11: usually like two to three artists from the region. Okay, Yeah,

23:28 Speaker 11: But we also have worked with an h a A.

23:31 Speaker 11: We've worked with Queer Elective, We've worked with the Women's Caucus,

23:36 Speaker 11: the Women's Caucus for the Arts. This year we kind

23:40 Speaker 11: of took a slower role on partnering, just to see,

23:46 Speaker 11: like get our feet wet and see what it was

23:48 Speaker 11: like to be a nonprofit. Right, But I'd like to

23:51 Speaker 11: do some more partnerships going for Yeah.

23:57 Speaker 8: And speaking of partnerships, many months at the gallery we

24:03 Speaker 8: choose a cause to support, Okay, And this month we

24:07 Speaker 8: are gathering art supplies for the Webster Webster House Okay

24:14 Speaker 8: Webster No, well we're okay.

24:17 Speaker 7: So we did Webster House last year.

24:19 Speaker 3: Okay.

24:20 Speaker 7: This year we're hoping to donate to Waypoint, but we

24:24 Speaker 7: don't have we haven't heard.

24:25 Speaker 3: That, oh okay, Okay, so that's kind.

24:28 Speaker 8: Of And we're also having a weekly raffle of all

24:35 Speaker 8: sorts of community restaurants, artists and other other prizes and

24:42 Speaker 8: things like that to benefit.

24:45 Speaker 11: It's, yeah, the Reproductive Freedom Fund of New Hampshire. Okay, Yeah,

24:52 Speaker 11: We're just wanting to do whatever we can to help

24:54 Speaker 11: out our community right now.

24:57 Speaker 7: And I think that's a good way to do it.

24:59 Speaker 3: Yeah, Yeah, No, I think that's I think that's great. Yeah, yeah,

25:03 Speaker 3: I seem to remember. I think I think maybe the

25:05 Speaker 3: last time you were on you might have talked about

25:07 Speaker 3: Webster House and are you are you trying to do

25:10 Speaker 3: something different each time, like to help a different organization.

25:12 Speaker 11: Or Yeah, I think I just wanted. I think we

25:14 Speaker 11: were hoping to like spread the love around as much

25:17 Speaker 11: as possible.

25:19 Speaker 9: It's kind of nice.

25:20 Speaker 8: It's a way where we can say, hey, we're seeing

25:24 Speaker 8: you do some great work and we'd like to we'd

25:28 Speaker 8: like to benefit you.

25:30 Speaker 3: Yeah.

25:31 Speaker 11: And I think, you know, as far as like the donation,

25:34 Speaker 11: like the art donation, the supply donations. For a lot

25:38 Speaker 11: of us growing up, art was incredibly important in our

25:42 Speaker 11: lives that we recognize, like the need for kids to

25:47 Speaker 11: have access to art supplies, and there are a lot

25:50 Speaker 11: of art are a lot of kids who don't, right,

25:54 Speaker 11: and it doesn't seem like the immediate need, but I

25:58 Speaker 11: think to express your yourself definitely helps make situations feel

26:04 Speaker 11: less overwhelming.

26:05 Speaker 3: Sure, yeah, yeah. Well, you know something that we talk

26:08 Speaker 3: about a lot on the show, and it's we talk

26:12 Speaker 3: to a lot of musicians, so it tends to be

26:14 Speaker 3: more in that modality. But we talk about and I

26:18 Speaker 3: was talking about it with Dennis actually from the Gray

26:19 Speaker 3: Curtain during the first hour a little bit too, the

26:22 Speaker 3: event that he's doing tonight in Connecticut. We were talking about,

26:25 Speaker 3: you know, taking taking traumatic events, or taking problems that

26:30 Speaker 3: you have or you know, mental illness or whatever it

26:33 Speaker 3: may be, and any time that you can create something

26:37 Speaker 3: from that, you know, take it, but create something, create art,

26:40 Speaker 3: create whether it's visual art or music or whatever it is,

26:43 Speaker 3: or write a book or you know. That to me,

26:46 Speaker 3: that's the best therapy, right when you can take something

26:49 Speaker 3: negative and do something creative and productive with it. And

26:55 Speaker 3: and I assume, now I have no you know, I'm

26:59 Speaker 3: a music but I have no ability whatsoever for visual art.

27:03 Speaker 3: I can't paint or anything like that, so so I'm

27:06 Speaker 3: kind of a no trust me it is. But but

27:10 Speaker 3: I assume a lot of visual artists, you know, they

27:12 Speaker 3: they put that into their uh into their their paintings.

27:16 Speaker 3: I would imagine, you know, as an expression of of

27:19 Speaker 3: that that pain and that trauma. And stand up comedians

27:23 Speaker 3: are really kind of famous for that. Like any stand

27:26 Speaker 3: up comedian you talk to. It's like they've they've had

27:29 Speaker 3: like major trauma and the way that they deal with

27:31 Speaker 3: it is learning how to make people laugh, whether whether

27:35 Speaker 3: they're actually making jokes based on what they've been through

27:37 Speaker 3: or not. But that's like that's their therapy.

27:40 Speaker 13: You know.

27:40 Speaker 3: Stand up comedians are almost always you know, like just

27:44 Speaker 3: messed up people in some way, you know what I mean?

27:47 Speaker 3: But no, but I think that's I think that's so important.

27:51 Speaker 3: And you know you mentioned too developing that in kids.

27:55 Speaker 13: Is that.

27:57 Speaker 3: Is that something that is lacking in our rules?

28:00 Speaker 4: Do you think?

28:02 Speaker 3: I mean? I remember, you know, I went to a

28:04 Speaker 3: private school from grade two to grade eight and we

28:06 Speaker 3: had art class and that was that was where I

28:09 Speaker 3: learned that actually, no, I have no visual uh visual

28:12 Speaker 3: ability art wise, I have no art artistic ability in

28:15 Speaker 3: that sense. But do you think that's something that's lacking?

28:20 Speaker 3: Is that something that where parents need to really kind

28:23 Speaker 3: of encourage that and foster that because I don't know,

28:26 Speaker 3: I don't know if our schools are doing that at

28:28 Speaker 3: all or not.

28:30 Speaker 8: I'm a public school teacher, an art teacher.

28:32 Speaker 3: Oh so you okay, great.

28:34 Speaker 8: And I know that or at least I believe that

28:39 Speaker 8: New Hampshire public schools are required to offer art and music. Okay,

28:45 Speaker 8: kindergarten through high school.

28:47 Speaker 3: Oh good, Okay, I didn't know that. So they're required

28:49 Speaker 3: a lot to do that. Yeah, oh that's excellent. Okay,

28:51 Speaker 3: I didn't know.

28:52 Speaker 8: However, with different towns receiving different funding, some programs don't

28:58 Speaker 8: have don't have as much to offer as other towns.

29:05 Speaker 3: Yeah, because uh, I know that. You know, these school

29:09 Speaker 3: budgets tend to be tight, and it seems like when

29:12 Speaker 3: you hear about budget cuts in public school it's usually

29:16 Speaker 3: you know, the the sports are protected and everything else

29:20 Speaker 3: kind of is on that second tier where they think, oh,

29:23 Speaker 3: maybe we can get rid of this, we can get

29:25 Speaker 3: rid of that. But but you so, you're you work

29:27 Speaker 3: in public schools and you're an art teacher, so your

29:29 Speaker 3: a proof of concept that this is this is still

29:31 Speaker 3: happening in New Hampshire where we have the arts being hot.

29:34 Speaker 7: So very much so.

29:36 Speaker 8: New Hampshire has one of the strongest art programs, i'd

29:41 Speaker 8: say in the country, Elastic Art Awards, which is the

29:45 Speaker 8: largest and most prestigious high school art show in New Hampshire.

29:49 Speaker 8: We're number two in terms of the size and scale

29:53 Speaker 8: of net right behind New Jersey NOKID and it's all volunteer.

29:59 Speaker 3: That's great. So that's great. Yeah, it makes me proud

30:02 Speaker 3: to be a New Hampshire Rite. Oh that's really good.

30:05 Speaker 3: I had no idea.

30:06 Speaker 11: I mean, I think in general from I have three

30:09 Speaker 11: kids in the school system, I think in general they

30:14 Speaker 11: have had a phenomenal arts education.

30:17 Speaker 7: But also, I mean art school is what you put

30:22 Speaker 7: into it, and if the parents aren't willing to.

30:27 Speaker 11: Foster a love of art or culture, they're only going

30:33 Speaker 11: to get what they get at school, right. So I

30:38 Speaker 11: feel like, you know, especially looking at my kids now,

30:42 Speaker 11: go to the schools that I went to as a kid,

30:45 Speaker 11: and one of the teachers is one of my teachers.

30:52 Speaker 11: It's just been there forever. And I think like in

30:56 Speaker 11: terms of I think think, you know, she's doing a

31:01 Speaker 11: good job. I think the younger teachers that are coming

31:04 Speaker 11: through you not that young, but you've been teaching a

31:09 Speaker 11: long time. But I like Hannah does a great job.

31:11 Speaker 11: But I think, you know, the younger teachers that are

31:14 Speaker 11: coming through have a different concept of how to teach art,

31:18 Speaker 11: and I think that that can be kind of interesting

31:21 Speaker 11: to watch. I think they are not too long ago

31:26 Speaker 11: when I was teaching. There was this method called teaching

31:30 Speaker 11: for Artistic Behavior, which is more of a choice based learning,

31:36 Speaker 11: and I think that what not?

31:39 Speaker 3: But what does that mean? Choice based learning?

31:40 Speaker 7: So it's not like.

31:43 Speaker 11: Here's a picture of a snowman, and this is how

31:46 Speaker 11: you make this picture of a snowman. It's more like,

31:50 Speaker 11: here are the materials that you might need.

31:55 Speaker 7: This is what I did do?

31:57 Speaker 3: What how you do it?

31:59 Speaker 11: That everyone sees differently and everyone's going to create a

32:02 Speaker 11: little bit differently.

32:03 Speaker 3: And intuitively that makes more sense to me.

32:06 Speaker 7: It does, and it gave it.

32:09 Speaker 11: I feel like it offers students a chance to delve

32:14 Speaker 11: into the arts where they are most interested, because some

32:18 Speaker 11: kids aren't really interested in getting their hands dirty, right right,

32:22 Speaker 11: but they are really interested in puzzles and building and

32:26 Speaker 11: that kind of thing. And so I think, you know,

32:31 Speaker 11: offering as much as we can do our kids is

32:33 Speaker 11: really what it's all about. And I think in New

32:35 Speaker 11: Hampshire they are doing a pretty bang up job.

32:38 Speaker 3: Yeah, yeah, no, it sounds like it sounds like it. Yeah,

32:42 Speaker 3: do you do you have do you have students submit?

32:45 Speaker 13: Like?

32:46 Speaker 3: Do you have like high school students and younger submitting.

32:49 Speaker 13: To we do?

32:51 Speaker 8: One of my favorite submissions for this last show is

32:56 Speaker 8: was mother and son. Her son builds these lego worlds

33:02 Speaker 8: and she photographs them, and so she's new to the

33:06 Speaker 8: area and found out about this call and submitted one

33:11 Speaker 8: of the photographs of her son's lego build and was

33:15 Speaker 8: just so excited to bring him to the gallery and

33:19 Speaker 8: share that with him and you know, to be embraced.

33:24 Speaker 3: So that was really really cool. That's very cool.

33:27 Speaker 8: And we also at Mosaic we have an art intern

33:32 Speaker 8: who comes in and he submits quite a few pieces

33:35 Speaker 8: to the different shows as well.

33:37 Speaker 3: Okay.

33:38 Speaker 8: In addition, last year there was a show to Manchester

33:42 Speaker 8: with Love, which featured works from all of the Manchester

33:47 Speaker 8: Public High School. So it was an opening dedicated just

33:51 Speaker 8: to the students and their teachers and that was really

33:55 Speaker 8: really cool.

33:55 Speaker 3: Yeah, oh wow, oh very good, very good. Are there more?

34:02 Speaker 3: Because I feel like you knows as you're as you're

34:04 Speaker 3: talking about these different these different places that are involved

34:09 Speaker 3: in art, Are there more? Is there more of an

34:13 Speaker 3: art scene than people realize? I guess is what I'm

34:14 Speaker 3: asking Because I feel like you know, as you're mentioning,

34:17 Speaker 3: you know different like you mentioned Seesaw and these other

34:19 Speaker 3: places like them, like I wonder if and I guess Atlas,

34:24 Speaker 3: this is part of where you come in, right, making

34:26 Speaker 3: sure that people know that there is all this, you know,

34:29 Speaker 3: like because I didn't even realize sitting here, you know,

34:31 Speaker 3: I'm asking you about you know, do they even teach

34:33 Speaker 3: art in schools anymore?

34:34 Speaker 2: I had.

34:35 Speaker 3: I had no idea that New Hampshire is doing such

34:37 Speaker 3: a great job with that. Is there more of an

34:40 Speaker 3: art scene than people know about?

34:42 Speaker 9: Yeah?

34:42 Speaker 10: Absolutely, I'd say that, like in the past two years,

34:45 Speaker 10: it's really blossomed.

34:46 Speaker 9: Quite a bit and just receiving.

34:51 Speaker 10: The inter network of knowing about the art has gotten

34:56 Speaker 10: a lot more prominent, I would say as somebody who's

34:59 Speaker 10: fairly new to the art scene in Manchester. Yeah, definitely

35:03 Speaker 10: feels like it's blossomed in the past two years.

35:05 Speaker 3: Yeah absolutely. Oh that's great.

35:07 Speaker 10: Yeah, awesome to see the festivals that are out there,

35:10 Speaker 10: all the events that are going on, and Mosaic being

35:13 Speaker 10: part of that.

35:14 Speaker 3: Yeah absolutely.

35:15 Speaker 10: Yeah.

35:15 Speaker 3: Yeah, Oh, that's that's great. That's great. That's really good

35:18 Speaker 3: to hear.

35:18 Speaker 11: Ultimately, I think the art scene has been here all along.

35:22 Speaker 11: I think that it's just sort of more out in

35:26 Speaker 11: the open, I would agree.

35:28 Speaker 3: Yeah, it's it's.

35:30 Speaker 8: Morphed a lot. I feel with the closing of traditional

35:33 Speaker 8: galleries there's more room for alternative spaces and people are

35:38 Speaker 8: getting really creative and open minded. Places that come to

35:43 Speaker 8: mind are like Pillar Art Project, where they have a

35:47 Speaker 8: small gallery front up and conquered with a ghost kitchen

35:50 Speaker 8: in back, and Outer Space Gallery, which is hosted on

35:54 Speaker 8: the second floor of a Victorian office building.

35:58 Speaker 3: Oh wow.

35:58 Speaker 8: So I mean there's these these pockets that are opening

36:02 Speaker 8: up and people are getting much more creative and it's

36:07 Speaker 8: less about profit and more about community and getting the

36:10 Speaker 8: art work out there.

36:11 Speaker 3: Okay, okay, that makes sense. Why have you reference traditional

36:16 Speaker 3: art student or art galleries rather? I want to make

36:19 Speaker 3: sure he's the right term closing? What why is that?

36:23 Speaker 12: What?

36:23 Speaker 3: Why is this? It sounds like there's been a shift

36:26 Speaker 3: in that sense.

36:27 Speaker 8: Yeah, there has been a shift. Some of the shift

36:30 Speaker 8: is a lot of art has gone online, rents have

36:35 Speaker 8: gone up. It is difficult to sustain a gallery model

36:40 Speaker 8: where you know you're relying on foot traffic and you

36:44 Speaker 8: know whether or not your audience is going to be

36:46 Speaker 8: receptive to the work, whether or not they have the

36:50 Speaker 8: means to purchase the work. So so yeah, a lot

36:54 Speaker 8: of places, especially when COVID hit had to close their doors.

36:59 Speaker 3: Yep, Yeah, that makes sense. So it sounds like so

37:02 Speaker 3: the traditional gallery model is more just you have it's

37:04 Speaker 3: almost you know, like a like a retail store in

37:07 Speaker 3: a sense. Right, You've got art just hanging and people

37:10 Speaker 3: walk in. You hope somebody walks in and buys something.

37:13 Speaker 3: So it sounds like there's been a need, especially after

37:15 Speaker 3: the pandemic, to be more creative with how you do things.

37:18 Speaker 3: And like you're you know, you're very creative with how

37:20 Speaker 3: you're doing things at Mosaic, and you know, you've got

37:22 Speaker 3: all these things going on. So so that makes sense.

37:24 Speaker 10: Say, like in the wake of tragedy, like in terms

37:27 Speaker 10: of the COVID pandemic, a lot of people who are

37:30 Speaker 10: around community organization tend to be like, Okay, this is

37:33 Speaker 10: the time to dig it in, roll up our sleeves. Yeah,

37:35 Speaker 10: this is what we need to do for the people

37:37 Speaker 10: in our community because they really really need it. Yeah,

37:39 Speaker 10: And I would say that it's definitely evident in the

37:44 Speaker 10: wake of a pandemic that really rocked everybody.

37:48 Speaker 9: Yeah, especially people in places I need.

37:53 Speaker 10: Seeing that come from that, right, it was so apparent

37:57 Speaker 10: and it's very lifting, and it's very enlightening.

38:02 Speaker 9: It's a wonderful. It's wonderful to be a part of it. Yeah, sure, absolutely, Yeah.

38:06 Speaker 3: Well, something I always say too about the pandemic is

38:09 Speaker 3: as awful as it was for for so many reasons,

38:14 Speaker 3: we also have to try to find those silver linings

38:15 Speaker 3: where we can, you know, speaking of dealing with trauma, right,

38:18 Speaker 3: And something that this also comes up a lot on

38:21 Speaker 3: the show is that it kind of forced people to

38:23 Speaker 3: be more creative in ways that maybe they hadn't considered before.

38:26 Speaker 3: You know, you see it a lot with me. You know,

38:28 Speaker 3: like during you know, when everybody was staying home. For example,

38:31 Speaker 3: with music, you saw a lot of these bands, you know,

38:34 Speaker 3: doing live performances where they're all you know, they're all

38:37 Speaker 3: connected on zoom and they're they're doing these live performances

38:40 Speaker 3: online things like that. But uh, you know, but it

38:44 Speaker 3: affected everyone and obviously you know, it affected visual art

38:47 Speaker 3: and I think it it sounds like it it did

38:49 Speaker 3: kind of force people to to be more creative with

38:51 Speaker 3: that as well. And and and how they how they

38:55 Speaker 3: show the art to the world and uh and all

38:58 Speaker 3: of that. Uh, what's what's kind of the what's kind

39:03 Speaker 3: of the future trajectory for for Mosaic. I mean, you

39:06 Speaker 3: talked about some of it, but is there anything you

39:08 Speaker 3: have planned that we didn't mention that we should know about.

39:11 Speaker 11: Or we do have a new show going up in January.

39:14 Speaker 11: It will be one of our two months another two

39:17 Speaker 11: month shows, Okay, and I can't recall what the name

39:21 Speaker 11: of it is. Yeah, yeah, yeah, But the show itself

39:28 Speaker 11: is op art, so optical illusions and black light art.

39:34 Speaker 11: Oh cool, sort of like I think, kind of like

39:38 Speaker 11: Creatures of the Night sort of a thing we figure

39:41 Speaker 11: with the darkness happening at like four o'clock, we're going

39:45 Speaker 11: to take advantage of the darkness outside and bring it

39:48 Speaker 11: inside and and let the gallery the artwork kind of

39:52 Speaker 11: illuminate the space.

39:53 Speaker 3: Oh that's cool. Yeah yeah, I like that concept. Yeah. Well,

39:56 Speaker 3: I talk about taking something negative and creating something that

39:59 Speaker 3: I I hate it when it's dark at four in

40:01 Speaker 3: the afternoon. Oh I dread it. I dread it. Does

40:05 Speaker 3: anyone like it? Really?

40:06 Speaker 7: I don't think.

40:07 Speaker 3: I don't think even people. I don't think even people,

40:09 Speaker 3: because some people are weird and they actually enjoy winter.

40:11 Speaker 3: No offense if any of you are like that personally,

40:13 Speaker 3: I think enjoying winter is very strange. But uh, but

40:15 Speaker 3: I've never heard anyone say, yeah, I like it when

40:17 Speaker 3: it's dark at four in the afternoon that I've never heard. No,

40:20 Speaker 3: it's yeah.

40:21 Speaker 9: I feel like every single day it's like, is it

40:23 Speaker 9: really dark this suit?

40:24 Speaker 11: Yeah?

40:25 Speaker 3: Yeah, you don't really get used to it. It's you're right, yeah,

40:27 Speaker 3: Like every every day it's like, oh, it's it's dark

40:30 Speaker 3: again at four in the afternoon. Yeah, it's it's not great.

40:34 Speaker 3: It's not great. Well, listen, thank you all for coming in.

40:38 Speaker 3: This has been wonderful. And what should people know about?

40:42 Speaker 3: You know, you should probably mention the website and anything

40:44 Speaker 3: else people should know about what's happening at Mosaic right

40:47 Speaker 3: now and of course how they can submit for a

40:49 Speaker 3: future Oh so, visit.

40:52 Speaker 11: Our website that usually has up to date information Mosaic

40:55 Speaker 11: Arcollective dot com. We're also on Instagram under Mosaic Art Collected,

41:01 Speaker 11: and any of the open calls are always listed on

41:04 Speaker 11: our website and on Instagram. And then we also have

41:08 Speaker 11: a mailing list that you can sign up for on

41:11 Speaker 11: our website and that will also send out the calls

41:15 Speaker 11: for art.

41:15 Speaker 3: Okay, yeah, all right, perfect, perfect and congratulations again. On

41:19 Speaker 3: last weekend, it looked like a really good I know

41:22 Speaker 3: you weren't able to be their list, but it looks

41:24 Speaker 3: but it looked like it was very successful. And you know,

41:26 Speaker 3: Jenny is so proud to have you know, multiple pieces

41:29 Speaker 3: hanging there, and it's just, you know, she hasn't I

41:32 Speaker 3: don't think she'll mind me saying that she hasn't been

41:34 Speaker 3: an artist for that long in the grand scheme of things.

41:36 Speaker 3: I mean, it's been maybe five years, yeah, since she

41:40 Speaker 3: first picked up a brush and said, I think I

41:41 Speaker 3: want to try this. And I'm just, like I said,

41:44 Speaker 3: as someone who doesn't have that ability, I'm just I'm

41:48 Speaker 3: just amazed at how much she creates and how amazing

41:51 Speaker 3: it is. And you know, I'm just I'm just in awe.

41:54 Speaker 3: You know, she's got she's got her artwork hanging at

41:56 Speaker 3: home of course too, and so I see it every day.

41:59 Speaker 3: But I'm just you know, every new piece she creates,

42:01 Speaker 3: it's like wow, Like how to even do that? You know,

42:04 Speaker 3: It's just amazing to me. And to see how farther

42:06 Speaker 3: she's come with it, you know.

42:07 Speaker 7: Yeah, and a lot of the artists at Mosaic, I mean, well,

42:11 Speaker 7: i'd say some.

42:12 Speaker 8: Yeah, a lot of artists that we are the first

42:18 Speaker 8: venue where they show, and you know, I remember the

42:22 Speaker 8: first show that I was in and what an exciting

42:24 Speaker 8: event it was and how cool it was to be

42:27 Speaker 8: up on the wall with all these other artists. And

42:30 Speaker 8: at the same time we have artists that show nationally,

42:34 Speaker 8: so it's a really really great range of different artists,

42:39 Speaker 8: art styles and everyone is welcome.

42:43 Speaker 3: Yeah, yeah, oh that's fantastic. All right. Well, Liz Hannah Atlas,

42:47 Speaker 3: thank you all so much. Thank you, and we'll do

42:50 Speaker 3: this again soon, I'm sure. And if you are listening

42:52 Speaker 3: live on Saturday, coming up in the third hour, we're

42:54 Speaker 3: going to be remembering our departed friend Brooks Young and

42:58 Speaker 3: so stick around for that. And I'm also gonna play

43:00 Speaker 3: another track in the meantime from the Gray Curtain to

43:03 Speaker 3: close out the segment because Dennis has that fantastic event

43:06 Speaker 3: going on in Connecticut tonight a night too of the

43:09 Speaker 3: No Masters Fest. So if you're if you are in

43:12 Speaker 3: the area, if you're in that part of the of

43:14 Speaker 3: New England, I should definitely check that out. It's for

43:16 Speaker 3: a great cause. But here's a little more from the

43:18 Speaker 3: Gray Curtain.

44:40 Speaker 4: Are the products were proper stremdant s a bong char

44:49 Speaker 4: truk and bastars.

44:52 Speaker 2: Too little mambern from the sense of a barers.

44:58 Speaker 6: Our children will see the sps of.

45:03 Speaker 4: Tallires.

45:05 Speaker 6: We was dock dis day for against not carry about

45:12 Speaker 6: Tomorrow was sday.

45:15 Speaker 2: By the.

45:18 Speaker 6: Pressure of the untry became a night mare.

45:23 Speaker 5: That car.

45:30 Speaker 6: W t day.

45:36 Speaker 2: We go way, come in town, stand still.

45:46 Speaker 4: With the ball.

45:49 Speaker 2: Fast this time.

46:01 Speaker 4: And we're stalking with both We cancker off.

46:28 Speaker 3: Eat and we drink it.

46:29 Speaker 1: We spoke and we clock and we risk, we read,

46:33 Speaker 1: eat chit above the.

46:36 Speaker 4: World, and yet we have they time. Our spirit is

46:42 Speaker 4: one thing they cannot crush.

46:45 Speaker 13: Forty Please, I'm on this town apple that I never leave.

46:53 Speaker 2: But a hole. Then I'm you and gay all day.

47:00 Speaker 6: Just the big the bnumber m style and.

47:09 Speaker 11: His stile.

47:12 Speaker 2: You got most time, widow comp can a time stop

47:25 Speaker 2: step we're bad time reports time ball, I got the ball,

48:48 Speaker 2: the w no no apa.

49:27 Speaker 4: Backer.

50:08 Speaker 5: The astronaut to the gardener, Come in, gardner, the astronaut

50:16 Speaker 5: to the gardener, Come in the gardener, Rose Rose Lake.

50:27 Speaker 5: It's Tom.

50:27 Speaker 3: Can you hear me?

50:32 Speaker 5: This is the astronaut.

50:34 Speaker 13: Can anyone in apathy hear me?

50:42 Speaker 12: All right, Rose.

50:43 Speaker 4: I need you to listen to me carefully.

50:47 Speaker 13: I'm trying to get to you. I can almost see you,

50:51 Speaker 13: but I can't get to you. I think I've found

50:55 Speaker 13: a way, and now I'm just as lost as you.

51:01 Speaker 13: I can't break through to apathy, and now I can't

51:05 Speaker 13: get out. I'm lost in the woods. Heroes, I won't

51:13 Speaker 13: give up. I've come way too far to give up.

51:18 Speaker 13: I'm coming for you, baby, sister, I'd love you. The

51:25 Speaker 13: astronaut Tom Lake over or not?

51:30 Speaker 5: W M N E.

51:32 Speaker 12: Rismas Please.

51:58 Speaker 3: When is time?

52:04 Speaker 6: Quass Jones?

52:07 Speaker 12: Love is always Chriss Jones.

52:14 Speaker 4: Is there lasting love.

52:20 Speaker 6: His own flooring? SUPI back for more?

52:28 Speaker 4: The losing.

52:30 Speaker 6: This omens what's.

52:37 Speaker 2: Lising.

52:38 Speaker 6: It's omens what's pacing quietly.

52:50 Speaker 12: Waiting headlights of good live.

53:02 Speaker 6: Take me, but please job.

53:10 Speaker 12: Goodbye when it's time.

53:18 Speaker 4: This is our floor.

53:22 Speaker 12: Sloping back forward.

53:26 Speaker 4: The losing game. This is always what.

53:32 Speaker 12: Plays the losing game. This aways what she.

53:41 Speaker 6: Blo It's just out so something back fall off the

54:24 Speaker 6: nosing game.

54:26 Speaker 2: It's aways what she loves, the nosy game.

54:34 Speaker 4: It's always what she.

54:49 Speaker 2: Mosing again, it's.

54:51 Speaker 6: Always what's.

55:05 Speaker 2: The free live games?

55:08 Speaker 6: Away, what see