Matt Connarton Unleashed 2-14-26 hour 1
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Speaker 1: You're listening to Macconnorton Unleashed on.
Speaker 2: WM and H ninety five point three.
Speaker 3: And now the world radio premiere of the new single from Peter Higgins, The Ballad of twenty six.
Speaker 4: But I'll be the.
Speaker 5: Biggest stitch Tata you've seen. You can't trust your eyes will tell you what you believe. That choice is something you girls shouldn't have.
Speaker 6: But a few time will play and we'll tell you where sat watching you all rage against the machine, will send in the voice if he shot to get made, we'll connapt On Levin because the press can't be free American boss.
Speaker 7: Anywhere that way, fame.
Speaker 8: Can mad bes up somewhere, sun brillery, tod thief stream hysterical collaughter watching them flow. Democracy used to be optimistic that history would alway stand as a litmus nour our shear at.
Speaker 9: The setting of the sun.
Speaker 8: It's a pretty good jinerized top together as well.
Speaker 5: The sixth damp January Wall of Fast They opened the doors for that peaceful protest. Don't mind the tip top cera shu on the wall that was sifted.
Speaker 9: The ball that all constants nor said we'll throw it away waited in me.
Speaker 6: Everyone should practice to a well, make sure your if you're tithing away and if you can't, God help.
Speaker 2: And we'll follow you away.
Speaker 8: I can't, Lissa, somewhere usun my revery, call me.
Speaker 9: Swing hysterical laughter. Now watching them off with democracy.
Speaker 8: God used to be optimistic that history would always stand assolutous hour.
Speaker 9: Out here at the setting of the sun.
Speaker 8: It's a pretty good datized soup together.
Speaker 9: This a sort, sir, I'm treated so porting. You would all be all right if you just adore me. I'm probably the greatest.
Speaker 4: Just look at this.
Speaker 9: Wall quite too, chaps.
Speaker 10: I can name.
Speaker 11: Some whereas si my pivery God me.
Speaker 8: Trained hysterical laughter and watching them off with democracy. I used to be optimistic the history, one always.
Speaker 4: Said as a limist.
Speaker 12: Now we're out here at.
Speaker 13: The setting of the sun.
Speaker 8: It's a pretty good dainizon together.
Speaker 7: As had.
Speaker 4: Together as all.
Speaker 12: That was the world radio premiere of The Ballad of twenty six, brand new from Peter Higgins and love It. We are opening today's show with that, and we have another world radio premiere for you in just a couple of minutes, which we're going to talk about.
Speaker 11: But welcome everybody.
Speaker 4: Here we go.
Speaker 11: My voice is cracking.
Speaker 12: I apologize in advance or in progress because it's probably only going to get worse, and that's the apologizing and advanced part. But this is Matt Connorton Unleashed and we are live from the studios of WMNH ninety five point three FM and Glorious Manchester, New Hampshire. Of course, you can stream the show from anywhere. Go to Matt connorton dot com slash live for all of your live streaming options, social media links, contact info, show you archives, et cetera, et cetera. Happy Valentine's It is February fourteen, twenty twenty six, and I am not alone.
Speaker 3: Jennystras to Morning Punhine.
Speaker 12: Yes, Jenny is here at the news table and coming up in just a couple of minutes. We have a second world radio premiere for you this morning and really looking forward to it, The Deep Hour.
Speaker 11: The brand new single, the second single from The Deep.
Speaker 12: Hour, It is called Hurricane, and we're going to talk to the individual behind the Deep Houri, which I'm also very excited about, Brian o'glanby. He's going to be joining us via WhatsApp all the way from Ireland.
Speaker 11: So that's gonna be cool.
Speaker 12: So a couple couple big world radio premieres for you, let's see, and then in the second hour of the show today edge wise they haven't been on in a while, They've been on quite a few times over the years. Love those guys, but they're going to be coming in. And then in the third hour we have the rightful airs. So we have a very busy and exciting show for you today. So, yeah, my voice has been If you heard last night's I don't know how obvious it was, Jenny or how much you were able to hear, but last night on retrospect and radio, my voice got quite quite crackly, So I might be I don't know, might I think I was.
Speaker 12: I think I'm going through puberty again. I'm becoming a man all over again. Oh boy, so very exciting. Yeah, actually, this is probably the best my voice has been in days. Yeah, now that I'm thinking about it. So yeah, so we'll get through it. But I think what we should do right now, without further ado, we should get to our second world radio premiere of the day again. We've got this is the brand new single. This comes out February twentieth. But you can't hear it anywhere else right now, And as I mentioned, we're going to be talking to him.
Speaker 11: The world radio premiere of the new single from the Deep Hour, and it is hurricane you.
Speaker 14: Are listening to do Wuminates.
Speaker 4: World premiere.
Speaker 15: If it's not far, it's a hurricane.
Speaker 9: Body is shaken from a fee again.
Speaker 1: Low for bloody, for like boring.
Speaker 15: If it's not fire, it's a urcaan.
Speaker 9: I'll call your mot and take the kids again.
Speaker 13: Now I'm the liar, I'm the wan to blaze.
Speaker 4: Fairly breathe, and.
Speaker 9: I'm a tiant candlin.
Speaker 13: It's not far to hurricane.
Speaker 9: I stand.
Speaker 7: Los, I'm drowning the wide gray shirt squeam.
Speaker 15: Here it comes again, a road, some words driving home and again.
Speaker 9: Beautiful pages. That one nail was scent. I hide the bruise, but the.
Speaker 7: Lead and spoke your lad.
Speaker 13: You mana to look a sad eye.
Speaker 9: The hand of fury. Pair has no shame, no love.
Speaker 2: For those on the received.
Speaker 9: Upponing rage yet no love, Cati.
Speaker 13: If it's not far to.
Speaker 7: Take my lie rail charting from bled to Lido.
Speaker 9: S walk feel MASSI even comes again, your only.
Speaker 15: Barns in the picture frame, falling tears scattered by.
Speaker 13: That's not fun.
Speaker 12: It's what a great song that is Hurricane by the Deep Hour, And we have joining us via WhatsApp the man behind the Deep Hour, Brian o'glanby.
Speaker 11: Let's see if we got him here, Brian, are you there, I'm here?
Speaker 13: Yeah, can you hear me? Okay?
Speaker 11: Absolutely? You sound great And yeah, I love that song. That's really incredible.
Speaker 13: Great, thank you very much. Yeah, that's a real heartfelt song, a real belder of a tune we think anyway, So yeah, I'm really glad you enjoyed it. Thank you for having me on the show. Oh.
Speaker 12: Absolutely, no, I'm excited to talk to you the track officially, it's out on the twentieth, correct February twentieth.
Speaker 13: Yeah, the twenty the February is the launch day for the song. For the track itself worldwide, okay, every download and every streaming platform available, So okay, excited about the whole concept, you know, Yeah.
Speaker 11: I want to know more about the song itself.
Speaker 12: You know, it's got kind of almost like a cinematic vibe to it, really, the way it kind of builds, and you know, I'd like to know more about more about what it means. It's you know, I mean, one of the wonderful things about music and lyrics is, you know, everything can kind of mean something different to each person who who hears it and may take something different from it. But I kind of get the impression that this is there's something deeper here that might not be a parent or obvious to someone who's just trying to interpret the lyrics on a surface level.
Speaker 12: So I was wondering if you could share more about what the lyrics of the track mean or or if it's talking about some some sort of specific experience.
Speaker 13: Well, absolutely, I mean, as you know yourself, music is a very expressive medium, very it's an artful medium, and indeed, as you as you express to yourself, it's you know, you can you can be very cinematic and very visual with you know, with with text as well as the melodic, you know content of a track. Hurricane Is is a very deep personal kind of message that the whole track came about and was influenced by very deep, heavy conversation I had with with a good friend of mine who he seemed to be troubled.
Speaker 13: So I was asking him, you know, come on with friends, let me know what's bothering you, and he let this whole secret out of the bag about this series of letters that he that he'd found from was written from one one family member to the to the other obviously his mother, and further,
Speaker 13: you know, came above water later on. And these letters were they were, they were like basically a cry for help. And it seems that the letter and as as the the the issue of domestic abuse, domestic violence never never sees the whole. The whole letters were like a cry for help from you know, from the other family member. Now, this obviously is a very hard hitting and you know sometimes taboo and unspoken issue you know, in in households and relationships, et cetera, like that, which which will really affect every family member involved.
Speaker 13: You know. Now, these things have been going on for years and never really it was never really spoken about until these letters were were you know, dug out and found, and which I suppose is a bit too late. It is a very very deepened and hard hitting issue. And so I found in that, excuse me, within that, within that that that story that needed to be expressed in a much more artful and and deeper melodic manner. As you say, cinematic and that's that's how the the initial song came about, and that's that's what it was written about, you know, So it is it is a very deep message.
Speaker 11: You know absolutely.
Speaker 12: Now your friend who told you, well, I'm curious did he actually show you the letters or did he just tell you about them?
Speaker 13: He had them with him when when we when we had the conversation, but he couldn't find it within himself to to to drag them out of the envelope, drag him out of his pocket. You know, I did prompt that, but obviously that's something so deep, so personal, and I think it was it was very personal for him to share the story initially, so I didn't think, you want, I didn't actually see the letters, so did you know kind of kept them to himself, you know?
Speaker 11: Sure?
Speaker 12: And then did you tell him that you were going to write as about this or And I'm curious too, obviously, I mean, I assume he's heard it, right.
Speaker 13: Yeah, obviously, with something so as deep as personal as that, I kind of, you know, I searched within him, you know, I asked, you know, asked for his blessing basically if if if if he wouldn't mind me actually, you know, producing a song with that issue in mind. You know, obviously you know that the names are are hidden to to protect the innocence that kind of way. So yeah, I I you know, I was looking look for a bit of acknowledgement from from my friend, you know that they didn't mind me doing this, you know, so yeah, he knew about it, you know.
Speaker 11: And then what was his uh when he heard it? I mean, I mean, what what was his reaction?
Speaker 13: Tears? And initially he was, yeah, tears, and then there obviously there's a bit of hugging down and you know, it was a bit of soul searching to you know, to actually write the song and pinpoint the melody parts of it to get the message over in an unaggressive manner like it's almost sweet, you know, as you said, cinematic. You know, there's enough aggression in issues like this without you know, some kind of a hard hitting heavy metal song back up that kind of violence, you know. But no, there was there was There was tears, and there was a few hugs, and there was a lot of thank yous, and and it was yeah, it pretty hard.
Speaker 12: You know, I feel like, and this is something that comes up a lot on the show, as we talk about taking terrible things, you know, traumas and tragedies and all of it, all the things that happen in life that are negative and creating something from that that is positive. And you know, when you when you take something negative and you create art, whether it be music or visual art or whatever, it is, anything that you can you know, take and then create something that not only helps helps you if it's something that happened to you, and then you're using it as almost a sort of therapy, right to work through it, to create something, but also has the effect of helping other people who can then connect with that.
Speaker 12: You know, other people who might hear the song or who might hear this conversation or other conversations that you've had about the song, and then they can they can kind of get get that same thing out of it and maybe it helps them in some way. And as you mentioned too, this is such an unfortunately, such a common problem domestic violence, and.
Speaker 11: So this is this is pretty relatable stuff for a lot of people.
Speaker 12: But I think that anytime you can take from that, you know, you can create something that is positive and put something out into the world that is positive. As a result of it, it's almost like a like transferring that energy a little bit from negative to positive. And so I think it's great and I think, like I said, I mean, the song itself is absolutely incredible. And I did want to ask you too about a couple of the people who are on the track with you, because you you you've got a couple of of hetty or maybe more than a couple, I'm not sure, but some heavy hitters here who who helped you record this?
Speaker 11: Correct?
Speaker 13: Absolutely, yeah, Now getting back to what you know what you what you said there a second ago, the you know, the message in there is it had and I felt that it had to be you know, portrayed in a positive manner. Hence the you know, the melody of the song itself. You know, there's no kind of miners in there, and it's all kind of in a in a in a an uplifting key. So yeah, the art and music has a way of delivering something that you can you know, you'll be a bit shy, are a bit find it very difficult to speak about its portrayed.
Speaker 13: You know, these issues of portrait reading this song and now I purposely didn't resolve the song the song doesn't have any answers. The song is pointing out it's a voice, you know, to point out the issues and getting that slamming that home to a lot of people, prompting them to talk about it themselves, really, you know. And so yeah, music and art has a way of it always finds a way of doing that, which is beautiful. And every you embark on something like this, it's unpredictable where it's going to go, and that that's a fascination and and also a drive, you know, an inspiration drive to keep you going.
Speaker 13: Right. Yeah, we we during production on this song. And thank you by the way, for the for the for the huge compliments for that map. That really really means a lot to me.
Speaker 11: Thank you absolutely great, great song.
Speaker 13: Thank you so much. That's great. You know, it's really great to hear that, you know, because I mean, this song is it's it's the worldwide debut and I've I've had, you know, only a few reactions about the song, you know, so so hearing that from the likes of yourself is to me, is is mind blowing wonderful. But touching on what you said as well about the you know, the guys that that played on the record and on the album with me. The album is coming out sometime we think in the summer. This particular track was the first one that the producer Wayne sheehy H myself.
Speaker 13: We we we got the demo down of it. I mean we're thinking, well, this needs it needs something very very strong. Didn't particularly we didn't want to particularly look for any anyone, you know, to to to to achieve that. We're looking for a particular sound, particular style. Now. Jerry Leonard is a good friend of Wayne, my producer, and we've all you know, worked in the studio since together. Jerry Lennard is the guy that you here with these ghostly guitar lines, you know almost at the real you know, they're they're really beautiful and bring a real gorgeous you know kind of I could have put it now.
Speaker 13: It's all almost levitation that you feel when you when you're listening to it.
Speaker 12: You know, that's a that's a really that's a good way of putting it. You know, I wouldn't have thought of that, but uh but yeah, you're right now that you use that word. That is that is perfect levitation.
Speaker 13: Yeah, it's the melodic the melodic path. Jerry took when we presented this song to him and Jerry, he's a great characters. He's a real, real good guy. And I was absolutely moon when you read after left and listening to the demo of the track and he said, yeah, what a great track lads. You know I want to be involved, you know. So I was bowled over. I couldn't you know. It was bit it was a bit hard for me to to to actually actually digest that and accept it. But once we got working on it, we we all realized at the time what it was going to what was going to happen here, you know, with this track.
Speaker 13: And now Jerry for for your listeners out there, Jerry is his background. He was David Bowie's musical director and guitar player, guitarist and co writer I believe on some some tracks for I think about the bones of about twenty years he was with with David Bowie touring and recording and you know, his musical partner there for for so long.
Speaker 11: Yeah.
Speaker 13: Oh, to have that integrity and they have that depth on on my records, you know, on my album and this this track in particular, to me, was the greatest accolade I could ever have musically I could ever achieve, you know, so delighted with that. So not only Jerry, but we presented the track again to Rob him alone or Robbie's fantastic, warm, floating baselines, you know. And Robbie Malone has been a co writer and musical partner with David Gray again for over twenty five years. So to have the caliber of these musicians on my track was, you know, it just it.
Speaker 13: It took me to a different realm match, you know. So it's very emotional when we when we find doing the final mix on the track. Yeah, Producer Wayne Wayne p she this is all recorded in his his fantastic studios, Ocean Studios, Ireland. That's right down on the on the southern tip of Ireland in any Cork next up New York, that that kind of way. So it's it's a very very open space and and wide open for creativity and you know, no distractions whatsoever. And this whole, the whole album, the whole you know, record has created in that in that you know, that production production space in in Wayne's studio.
Speaker 13: And Wayne has a beautiful history He's worked with with some of the biggest artists on the planet. You know, like I've just mentioned Jerry and Robbie there, but Wayne has also worked with the Hot House Flowers and Ronnie Wood. He was Ronni Woods drummer on on few of Ronnie's albums. They're great friends, you know, So Cactus World News back in the eighties, and and countless countless you know artists that that that that Wayne's worked with. So he brought that wealth and and all that that that beauty and depth of production value.
Speaker 13: Yeah to the old record, you know, so delighted, absolutely delighted.
Speaker 10: Yeah.
Speaker 11: Now, now, did Wayne also produce the one, the first single?
Speaker 13: Yes, yeah, Wayne, Wayne produced every track on the album. It's the albums, it's ten tracks. At the moment, we're working on another one, another track because the album hasn't been released yet. We're still toying with the idea of putting maybe one, maybe two tracks on there. So but yes, Wayne, Wayne produced every every track on the album, and he did produce the one, you know, so.
Speaker 12: Sorry, yeah, oh, I was just going to say that's a great track too. We're actually going to play that at the end of our conversation. I kind of bookend the segment. But yeah, that's that's another really great song.
Speaker 13: Oh wow, thank you very much. Let's yeah, keep these compliments coming out over them. You know.
Speaker 11: Well, you know I'm of Irish descent, so you know we have to we have to unite.
Speaker 13: Yeah, let's hold hands and jump up and down in the air.
Speaker 4: That's great.
Speaker 11: But yeah, the one you've had a lot of success with that, right is this? Was it number one on the Irish iTunes Rock and Maine charts?
Speaker 16: Is that correct?
Speaker 13: Yes? It was. Actually it was number one on the main Irish iTunes charts, unfortunately, edging Taylor Swift from the top position, which I was kind of proud about.
Speaker 5: You know.
Speaker 13: I thought it was very funny, brilliant, and yes it was number one for I think the week. And you know, I kept hopping over when I was when I was looking at these charts, I kept hopping over through the different scales and different genres actually of of the iTunes and and and normal usual indigenous charts, you know, and I looked at it was. Yeah, it was number one on the rock charts as well, and you know it stayed there for such a long time. It was great. It's great to have that that success. You surprise for me, you know, because I mean, I was up against some of the biggest artists on the planet.
Speaker 13: Yeah. And then the next thing, I got a phone call from from friends of mine in Amsterdam, so hey, you number two in the Netherlands. I'm like, oh my god, what's happening here?
Speaker 6: You know?
Speaker 11: That's fantastic.
Speaker 13: Absolutely, And yeah, I'm hoping to hoping to generate the same success with with Hurricane.
Speaker 12: And then can you talk to you a little bit about the one about you know what, what's kind of the message behind that. It's kind of got a vibe about you know, unity and change and so forth. But I mean, am I right about that? Am I interpreting that correctly?
Speaker 13: Yes? Absolutely? The one was written again as a as a as a a prayer for hope and unity. I suppose in a bit of a fractured world at the moment, where leadership seems to be a bit of a shadow that people are avoiding, and it's it's kind of a search for a positive, good, forward thinking, sincere leader, you know,
Speaker 13: you know, which I suppose politically, which I try to keep away from politics in my music because it's too aided and too niche, you know, but but we do need positive leadership and this is a it's it's almost a prayer. It's almost written as a prayer, but it is, it's a cry for hope and unity. And you know, let's let's let's take let's take each other and take each other into the future with a great with a great leader. And it's a question as well, you know, And the question is who is the one? Who will be the one?
Speaker 13: You're going to be the one? Am I going to be the one to save the world? You know? And that's basically the message in the song there. You know, it could be could be anyone. It could be anyone.
Speaker 15: You know.
Speaker 11: Yeah, we we we will play that in a few minutes.
Speaker 12: I do want to ask you too about the meaning of and I'm sure you this is a question you probably get tired of answering this cometry.
Speaker 11: You get asked this question all the time. But the meaning of the Deep Hour?
Speaker 13: What?
Speaker 17: What?
Speaker 11: Where does the name of the Deep Hour come from?
Speaker 13: The Deep Hour is somewhere between an angelic feeling and catatonia. That explains it.
Speaker 4: You know.
Speaker 13: Now, when when I say this, I think you'll understand this, man, you know, with your your history of you know, hypnotherapy et cetera. But the deep hour is a state of mind that you have no control over. And this happens in the middle of the night, when you're in the depths of your sleep. And that's when when when dreaming, the you know, the the the the art of dreaming comes in l Now you read the deepest of your sleep. You know, this doesn't last. This condition doesn't last all night. It probably lasts about an hour.
Speaker 13: And that's that is the state of mind that I want this music to to to create within the for the listener, you know, for the consumer, Yes, it's basically like nearly a catatonic state of you know, dream world, but great dreams, you know, nice dreams. So that's where that's the name of the deeper. That's where that comes from, is the deepest hour in the night where you touch upon your dream dream scenes really you.
Speaker 11: Know, okay, okay, very good? Yes.
Speaker 12: And then so the album through your eyes, do you have because I know you said you've got another track that you're gonna be adding to it, do you have any kind of an eta on one that might be I know, sometime in twenty twenty six, I assume it will be.
Speaker 13: Yeah, we the plan is releasing in kind of calculated increments, you know, So the one late last year because I really wanted to drop a single in twenty twenty five,
Speaker 13: and obviously the Hurricane now and I'm progressing with pr and you know, radio and awareness of these tracks. So the next track to come out after that will be These Are My Streets. Let's track all These Are My Streets, which will be coming out at the start of April. So I wanted three or four singles to be released from the album before I actually drop drop the album, you know, getting back to your question, I think after the fourth single, which will probably be May, the album should come out, so it'll be early summer.
Speaker 13: I think estimate arrival will be early summer hopefully fingers crossed.
Speaker 12: Yeah, yeah, excellent, excellent. Well, we'll certainly have you back on you know, to talk about it when when you're ready and everything, because like I said, I mean, you know, obviously we've only heard these well we're going to play the one in just a moment, but these two songs are so great, so I can't wait to hear the rest of it. I think it's going to be really, really good, and you know, and I really, I really like your approach to songwriting and the messaging and all of it I think is great.
Speaker 12: So and again, the new single The Hurricane will be out of course February twentieth, just in a few days. And love that such a great track. I'm very honored that we got to do the radio premiere of it here on the show. And but Brian, this has been wonderful. Where for our listeners, where should they go? Where's the best place to.
Speaker 11: Go online to keep up with everything that you're doing with The Deep Hower.
Speaker 13: Yeah, well, please follow me on on Facebook, the Deep Hower on Facebook, Instagram obviously the same, the Deep Hower and my website. Every little nugget of information that I'm releasing will be up on my websites, which is the Deep Hour dot com. No personal. So there'll be new releases eventually, merch and you know, gig dates two dates if you know, there's no there's no two dates as such yet because we're still busy with the pr and the launching of a few tracks to get a bit of a bit more meat on the bone, you know, get something out there for the you know, for the valid listeners and the valid fan base.
Speaker 13: So yeah, it's an exciting time. It's it's it's great, you know, and it's it's it's brought in twenty twenty six on a real high and a real positive note for me. You know, the whole team actually behind me, the production team, the you know, the musicians involved and the PR team and every everybody involved. It's it's fabulous, so.
Speaker 12: Fantastic. You got you got a lot of good people around you. That's that's for sure, and uh, that is outstanding.
Speaker 4: Brian.
Speaker 11: We will let you go.
Speaker 12: We're gonna hit this track. We're gonna play the one, the first single from this project, the Deep Hour. But Brian o'glanby, thank you so much, and like I said, we will have you back and I really love talking to you today.
Speaker 11: Thank you so much for joining us.
Speaker 13: Absolutely, thank you very much. Thanks Mattin and all your production team there and all your listeners. Thank you very much. The Deep Hower, The Deep Hower.
Speaker 11: All right, Brian, thank you, take care less.
Speaker 13: Thank you very much.
Speaker 11: Boy bye bye. All right. That is Brian o'g Brian o'clanby from The Deep Hower.
Speaker 12: Sorry I'm tripping on my still struggling with my voice a little bit, but well wow, he's great.
Speaker 11: To talk to you.
Speaker 12: I really enjoyed that conversation a lot, and I love the new single the Hurricane which came out, which will be coming out on February twentieth. But the One is the first single from the album, and let's give this a spin. This is the one, and this is the Deep Hour.
Speaker 6: Gets a twisted cat the fad to say the world the fall in grace through every.
Speaker 13: Ward lie shadow, strack you down, clean the world from lost and found, to clean the eye ground.
Speaker 9: The simple is extreme. Birdn't know, it's weird to the open end, to whever you want to where you flag.
Speaker 13: Wonn be won?
Speaker 4: See to the mall.
Speaker 9: Around the child reaching.
Speaker 13: Out to broken smiles to hold the bowl with you.
Speaker 15: In the se Brokendry, Singapore, the silence screen light, the ship with.
Speaker 9: Silver shape, the word.
Speaker 13: Around this weird.
Speaker 9: Reaching and so everyone to every flag.
Speaker 13: Wall warm, see.
Speaker 18: To see.
Speaker 13: You gotta change to save.
Speaker 9: You in the shapes who are cold. It's good bye.
Speaker 4: Reaches.
Speaker 9: So every flag.
Speaker 7: Wom warm, see.
Speaker 9: Save to change, n save wone be won, don't be wone see can skis.
Speaker 4: kNs. That is called the one.
Speaker 12: That is the first single from the Deep Hour, And we just talked to Brian o'glanbye from The Deep Hour. Uh And earlier on the show we did the world radio premiere of his brand new single Hurricane, which we will play again later in the show. And I really enjoyed talking with Brian, you know, right now because of the issue with my voice, so right now, instead of my voice cracking, it actually sounds deeper.
Speaker 11: And the way that it sounds. You know, what would be really cool is if the way that it sounds right now in this moment is if it just stayed like this.
Speaker 16: I don't think I don't hear as drastic of a difference as you do.
Speaker 11: I think, really I could. To me, my voice sounds deeper right now and I like it.
Speaker 16: Okay, well you can keep it for now.
Speaker 11: I can't keep it. It's not going to say this way, but well.
Speaker 16: Maybe if you mentally try and make it stay that way, stay.
Speaker 12: That way, I'd prefer that. I know that that's impossible. I would prefer a deeper voice, but anyway, but yeah, thank you again to Brian from the Deep Hour. That was that was wonderful and we will definitely have him on again. And we just want to mention so Jenny, you wanted to mention because we played Holly Brewer last week on the show. We kind of snuck it in. We didn't really tell anybody we were going to play it, but we played the new single from Holly Brewer and then she she was so, she's so wonderful.
Speaker 12: She was on the show a number of years ago. She hasn't been on in a long time. I wonder if she'd want to come back on. But she actually sent you a card.
Speaker 16: I love Holly.
Speaker 11: Yeah, Oh she's wonderful.
Speaker 3: Yeah, Hollybrewer dot org. If do you want to check her out? Actually, on her band camp she had some stickers for sale, and you know how much I love stickers. Yes, so I got some stickers. But she sent me like you bought some stickers, right, you expect stickers.
Speaker 16: No, it came in this.
Speaker 3: Beautiful card that's obviously handmade and handprinted, and it was even sealed with a wax seal. I absolutely adore Holly, and I encourage you to check out Hollybrewer dot org. And I love her artwork, I love her music. Yes, it's just a great artist, a great person.
Speaker 12: Yes, absolutely, So we're gonna play I have a Eric Pilcher requested a song, and of course longtime listeners are familiar with Eric Pilcher. He's a part of the show. He's been a part of this show kind of off and on. He used to do the classic film reviews. He's going to be back to that. And he's done many segments with us. And he also is UH. He does the Tough Bumps podcast with us, which is separate from WM and H. Of course, that is strictly online Tough Bumps. We usually do it on Sunday nights.
Speaker 12: You can find that online. But he requested a song. This is ice Cube Arrest the President, the radio edit of it, of course, and I like this track, so I'm gonna gohead and play this and then stick around. We got edge Ys coming up in the second hour and they are in the building. I can hear their voices, so looking forward to talking with them.
Speaker 11: It's been a while. But here it is Arrest the President by ice Cube.
Speaker 4: Yeah, we're not dropped the mic. It hit the floor like gold. That's right. You can't pick it up on your truck. Y'all know what it is. Y'all know what it was, y'all know what to share with me?
Speaker 2: Photos start boy, get dark body for better crip walk crip this real talk smoke pushed and boy, still with pell lost, still booking, with the wheels off, always looking down for the criss cross. I'm a bigger Pullstein brick Ross, always winning, get lost. It's the war lord, bring the boodoo. When I bailed through, it's crazy like belleview what they tell you that boy? And long like I'm alone the stull and palm.
Speaker 4: Arrested President. You got the evidence that he is rushing intelligence. When it prains it pours? Did you know the new white? What's orange? Boy?
Speaker 2: You're showing your horns. They're trying to replace my hated over with thorns. You sew basic with your baysticks. Let's go ag in the matrix.
Speaker 19: Arrested President, arrested President, Arrested President, you got the evident. Arrested President, arrest the president. Arrested President, you got the.
Speaker 2: E I took back my eyes and all black tonight.
Speaker 8: That's right.
Speaker 2: Something you gotta sacrifice. Not a crim No, I'm a seminal. I was free once. Now clinical you're so technical. This was Mexico and everywhere I go it's on by taxi coat them men the rest, tell you I turn the fruit into a vegetable.
Speaker 4: I'm gonna roll with the alien man. These holmost safe bens. They don't really want to make friends, or they want us on say these.
Speaker 2: Beans, or they want us they dividends, and that's the boats de cet of sins.
Speaker 11: They'll treat us like wholigins.
Speaker 4: Throw the men.
Speaker 2: They don't care what school he is. These people don't play fair. It ain't even fair at the state fair. Give a young gray hair. That's why I'm here to get ass. Stay there, you better stay there, close up eyes like a day care.
Speaker 4: Make myself clear, it is Shakespeare. I'm here to take money, even fake hair. So desperate is what I'm left with.
Speaker 11: For the record, you affect it?
Speaker 4: Oh you elected.
Speaker 2: It's so septic, so fellished, and I can't accept it.
Speaker 19: Arrested President, arrested President, arrested President.
Speaker 13: You got the evidence.
Speaker 19: Arrested president, arrested president, arrested President.
Speaker 8: You've got the evidence.
Speaker 19: Arrested president, arrested president, arrested president, You've got the evidence. Arrested President, arrested president, arrested president, you got the evidence.
Speaker 4: I reside on the West Side. I murdered with my third eye.
Speaker 2: So far I get a bird's eye. I'm making extreme bloody bird eye less. Meet at the White House, run in and turn the lights out. Man, they treated like a trap house. These mother mother never take the trash out. Then they just cash out, mash out. Not to take your trugs saying pass out, love to go that fast route. I'll see you when you're black.
Speaker 4: Get house on me.
Speaker 2: You play too much white. These devils, they don't wait too much. Why most of them won't say too much? Why he steady playing it?
Speaker 9: God knows why.
Speaker 4: I knows what.
Speaker 2: That's why I'm bron with the will once real ones trying to reach Will Young Will once trying to make Bill Young's will once.
Speaker 19: Rest like Sir Will Young arrested President, arrested President, arrested President, You've got the evidence, arrested President, arrested president, arrested presidents, You've got the evidence.
Speaker 20: Day Can I tells up the lad beginning for trails? What'll show the world that the ender nail the table sends for the city your brow, whil's done on my hands, seeing.
Speaker 7: Your real hands, the.
Speaker 20: Smoke flat, see your fehim set everywhere, see your round.
Speaker 9: The city was.
Speaker 20: Look to the skies as our people die, come fire, talk.
Speaker 13: To the knights.
Speaker 20: Your sense of fil that the ender name hair able receve ball the city hell brow Walser s done O my hand see the brow Way answer the snow man Lxi no Broadway answer Yeah everywhere. I'm the city of brou Wal. The Sydney was sitting.
Speaker 9: Falling cylinders on my head. I close my eyes and feel the trip, the sound of marching single order.
Speaker 4: Will I be another for God and soul in.
Speaker 9: Another for God?
Speaker 7: And so jo.
Speaker 11: No the food God in this.
Speaker 20: Suit o city of brows.
Speaker 7: It's not a boy.
Speaker 9: Safety a browance.
Speaker 20: Just see the bruins set there where.
Speaker 9: Send me a bus, don't send me one.
Speaker 4: Nana's Kitchen and Pizzeria.
Speaker 9: From Nana's hands to your plate tradition. Love and taste.
Speaker 7: That's great, so fermented dough flavors, so true.
Speaker 8: Each bite a story.
Speaker 20: May just for you.
Speaker 14: Six o three two three two nine three six six Nana's Kitchen and Pizza Ree fifteen Dartmouth Dry Auburn, New Hampshire.
Speaker 9: Kidchen, piz.
Speaker 21: Luigi's Pizza Barren Grill.
Speaker 8: Every one, Let's raise a slice on hides with top and all the Round Pizza, Pizza Partio.
Speaker 21: Line Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester. Come on in or call six two two one zero two one Luigi keeping the tradition alive since nineteen seventy five.
Speaker 9: Pizza for every one. Come join a piece tonight.
Speaker 13: With each slice, sense of it, everything feels so right.
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Speaker 16: Whole lot of jazz.
Speaker 22: We have twelve craft beers on tap dedicated to the local brewers in the area and some of the friendliest bartenders around. Please come visit Pembrook City Limits at one thirty four Main Street. The historic sunk Cook Village, only six miles outside of Manchester. Open Tuesdays to Wednesdays four to ten. Thursday's a Sunday eleven to ten Pembrook City Limits where it's all about the music.
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Speaker 16: Nice seven times out of ten.
Speaker 15: We listened to our music at.
Speaker 4: Nice con.
Speaker 2: Late Night to Light with DJ Mitas right here on w MNH Manchester.
Speaker 4: Because Sevdays and Sunday nights midnight to four am.
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Speaker 1: Behold the harmony of airwaves as you immerse yourself in the captivating frequencies of w m NHLP. Their sonic cards of Manchester is the transcending through the Ether. Ninety five point three megahertz frequency modulation transmissions emanate from the scene at the one thousand Elm Streets, ensure into the hearts of our creative realm at one nineteen Canal Street, where innovation and sound colode. They're the improm moter of Manchester Public Television Service in the venerable City of Manchester, New Hampshire, USA.
Speaker 1: Enrich your auditory journey with the depth of our license to wesdens you spent your missives WMNH ninety five three at gmail dot com or traverse the virtual corridors of wmnhradio dot org. Engage with our sonic vibrations by communing with us through the digital channel and our radio beckons eager to enthrall you with its mesmerizing cadence and develop you in a symphony of foundless auditories.
Speaker 13: Won dude, WMNH rip the novels
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