Matt Connarton Unleashed 2-8-25 hour 3

0:00 Speaker 1: W m n H ripped the novels.

0:08 Speaker 2: M Beauty.

0:36 Speaker 3: Around me.

0:40 Speaker 4: All I see you with you near me?

0:45 Speaker 3: You who do you say too?

0:48 Speaker 2: Oh?

0:49 Speaker 5: No?

0:54 Speaker 6: The around you.

1:00 Speaker 4: Shine in rather through all.

1:02 Speaker 7: The things you don't.

1:05 Speaker 6: I have seen fought like old fire.

1:47 Speaker 2: Another stud and the no, no, no, I'm not.

3:05 Speaker 8: Ye beauty.

3:08 Speaker 4: I love you, follow the star so above you.

3:16 Speaker 2: You know me now, I know.

3:26 Speaker 3: So tell me show me somehow, take me away, go

3:34 Speaker 3: away now.

3:38 Speaker 1: But there's beauty in an other world.

3:48 Speaker 2: You keep me here now, laid down my head.

3:58 Speaker 4: Don't say a way now, show.

4:04 Speaker 2: Me all there.

4:08 Speaker 6: Your well.

6:33 Speaker 9: I like that a lot. All I see Jason Oberstein

6:38 Speaker 9: this little extra audio at the end. There I wasn't expected.

6:41 Speaker 9: That is uh, that is really cool. We're gonna talk

6:43 Speaker 9: with Jason in just a moment. He is here with

6:45 Speaker 9: us in studio. Welcome everybody. If you are listening live

6:48 Speaker 9: on Saturday, you have entered the third hour New Marrow

6:52 Speaker 9: trace of Matt Connerton Unleashed. We are live from the

6:55 Speaker 9: studios of w m n H ninety five point three FM, Inglorious, Manchester,

7:00 Speaker 9: New Hampshire. Jenny is here as well, of course at

7:02 Speaker 9: the news table. Rus into the account of for yes,

7:05 Speaker 9: and today is Saturday, February eight, twenty twenty five.

7:10 Speaker 2: It is, it is.

7:12 Speaker 9: Oh, it's a big day, Jenny. Before we go any further,

7:14 Speaker 9: we should remind people about what's going on tonight. This

7:16 Speaker 9: is the big people.

7:18 Speaker 10: Yes, we are going to be at the Mosaic Aren't

7:20 Speaker 10: Collective this evening for their opening of the show Illusions

7:25 Speaker 10: an Explanation, Exploitation, an Exploration of Optical Illusion and Anamorphic Surrealism,

7:32 Speaker 10: black Light and three D R So come check it out.

7:35 Speaker 10: The reception is this evening from four pm to eight

7:39 Speaker 10: pm and they are located right here in the Queens

7:42 Speaker 10: City at sixty six Anover Street, Sweet to one in

7:45 Speaker 10: the Daily Mira Building.

7:48 Speaker 9: Yes, to see you there, looking forward to that. How

7:51 Speaker 9: say hi to Matt and I absolutely absolutely and thank

7:54 Speaker 9: you of course everyone who's joined us today on the show.

7:57 Speaker 9: So far we had in the first hour Rivia all

8:00 Speaker 9: the way from Liverpool skyping in and I really enjoyed

8:03 Speaker 9: that conversation. And of course in the second hour we

8:05 Speaker 9: had Kate Shimkey here along with Aaron and Nick from

8:10 Speaker 9: the listening room at Prayers of Nature and Tyler all

8:13 Speaker 9: good also and we seriously world premiered his new single,

8:17 Speaker 9: his new single All Night Dreams, and he played live

8:19 Speaker 9: for us. We put him on the spot, asked him

8:21 Speaker 9: to play a second song because he just sounds so good.

8:23 Speaker 9: The voice on that guy made us a voodoo doll.

8:26 Speaker 9: That's incredible. It's adorable and it makes me smile. Yes, yes,

8:32 Speaker 9: but uh, I'm gonna go ahead and bring that mic

8:33 Speaker 9: up and we'll bring Jason Oberseein is here with us.

8:36 Speaker 9: Good morning, Jason, Hey, good morning.

8:37 Speaker 11: How's it going good?

8:38 Speaker 9: Good, Welcome to the show. Uh really enjoyed that track

8:41 Speaker 9: all I see. We were kind of talking off air

8:44 Speaker 9: a little bit about I was commenting, how you know

8:47 Speaker 9: it not everyone can can do what you do on

8:49 Speaker 9: that song, nail in those harmonies and uh, it kind

8:53 Speaker 9: of reminded me a little bit of Seay Dan, but

8:54 Speaker 9: even more so like Crosby, Stills and Nash. And you

8:57 Speaker 9: were saying how hard that is to pull off live?

9:00 Speaker 11: Yeah, I think our live harmonies and colors weren't the best,

9:03 Speaker 11: but you know, we did enough takes and we got it.

9:05 Speaker 2: Yeah.

9:05 Speaker 11: I gotta thank my dad for introducing me to CSN

9:08 Speaker 11: senior year of high school. Oh No, get a huge

9:10 Speaker 11: influence on me.

9:11 Speaker 9: Yeah, yeah, yeah, any any particular tracks or albums from

9:14 Speaker 9: them that that really.

9:15 Speaker 11: The one that really caught my attention was carry One

9:18 Speaker 11: off of the I think their first album. Yeah, it

9:21 Speaker 11: really sounds like the voice of God, just like talking

9:22 Speaker 11: to you.

9:23 Speaker 12: You know.

9:23 Speaker 9: Yeah, there aren't. I'm trying to think who. I'm trying

9:27 Speaker 9: to think of who is even you know, at that

9:29 Speaker 9: level of notoriety, who is actually even comparable in terms

9:33 Speaker 9: of being able to pull that off? I mean, I

9:36 Speaker 9: mean the Beach Boys of course, you know they you know,

9:40 Speaker 9: great harmonies there, that's really central to their sound. But

9:43 Speaker 9: I'm trying to think who else can can do it

9:45 Speaker 9: quite the way? I mean CSN, because not only could

9:47 Speaker 9: they do those harmonies, but there was kind of a

9:49 Speaker 9: uniqueness I think, Yeah, the.

9:50 Speaker 11: Way their voice is blended was yeah, yeah for sure.

9:53 Speaker 9: Yeah, yeah.

9:53 Speaker 11: I think The Grateful Dead had some of that in

9:55 Speaker 11: their studio records, yes, but not really in the same

9:58 Speaker 11: way like in their live performance.

9:59 Speaker 9: Right right, agreed? Agreed? So that's is that what got

10:05 Speaker 9: you started playing music or was that just what got

10:08 Speaker 9: you interested in those doing those?

10:10 Speaker 11: Yeah, that's what got me interest in the harmonies. Yeah,

10:12 Speaker 11: I've been playing music forever since I was ten. I

10:15 Speaker 11: started on guitar lessons and you know, started with just

10:17 Speaker 11: like Zeppelin and Rush and like classic rock and then

10:21 Speaker 11: sort of agree to the more jammy, psychedelic, softer stuff

10:24 Speaker 11: in college with Grateful.

10:26 Speaker 9: Dead and okay like that. Yeah, Okay, you've you know,

10:30 Speaker 9: you set us a bunch of music and you're gonna

10:32 Speaker 9: play something live for us today, which we really look

10:34 Speaker 9: forward to you. But it looks like you so you've

10:36 Speaker 9: you've done a lot of solo material and you've played

10:38 Speaker 9: in a lot of bands.

10:39 Speaker 11: Right, Yeah, Yeah, I'd say like most of my identity

10:42 Speaker 11: through the years has been just like random bands, especially

10:45 Speaker 11: when I moved to Boston like three years ago. I'm

10:48 Speaker 11: in like four bands at this point, a couple of

10:50 Speaker 11: bands that I've dissolved unfortunately. But over this last year

10:53 Speaker 11: I've been trying to like do more of my own thing,

10:55 Speaker 11: you know, writing and like performing just me and my

10:57 Speaker 11: acoustic which is still kind of new to me. But

10:59 Speaker 11: I'm you know, trying to get out there more.

11:01 Speaker 9: Yeah, when you when you moved to Boston, was it

11:03 Speaker 9: for college or no?

11:04 Speaker 11: It's right after college, right, Actually college, I moved out

11:07 Speaker 11: of Boston to Saint Louis or College. Oh okay, I

11:10 Speaker 11: came back for a job. Oh okay, yeah, and then

11:13 Speaker 11: I just started playing as much music as I possibly could.

11:15 Speaker 9: So you grew up in Boston, you're from there originally, Yeah.

11:17 Speaker 11: From like a suburb of Boston, gotcha. I still kind

11:19 Speaker 11: of felt new to the city when I moved in.

11:21 Speaker 11: Oh I live in Cambridge now, okay yeah.

11:23 Speaker 9: Yeah, great music scene and uh and some great college

11:27 Speaker 9: radio stations there too. I don't know if you've been

11:29 Speaker 9: playing on college radio there at all, Like, uh, I

11:32 Speaker 9: always say, you know. I also I work in I'm

11:36 Speaker 9: a radio promoter, so clients hired me to send their

11:38 Speaker 9: music to college stations, and I always talk about, uh whatever.

11:42 Speaker 9: Anybody asked me, like, what's the best college radio station,

11:44 Speaker 9: I would say w r S at Emerson because that's

11:49 Speaker 9: I don't know if you've ever listened to w er S,

11:51 Speaker 9: But it's like you wouldn't know necessarily that it was

11:54 Speaker 9: a college station if you didn't know, because they are

11:57 Speaker 9: so professional there and everything they do is perfect. It

12:00 Speaker 9: sounds like like a commercial FM radio station in a

12:04 Speaker 9: major market. You know, they've they've really uh, they've really

12:07 Speaker 9: got it down. But but yeah, such a great, such

12:09 Speaker 9: a great music scene in Boston. So that's a that's

12:12 Speaker 9: a good place to be, Yeah, for sure. I mean

12:15 Speaker 9: you mentioned, you know, being in four different bands at

12:17 Speaker 9: one point. I wonder if you know how many other

12:20 Speaker 9: cities you could really do that, and you know, Boston

12:22 Speaker 9: it seems like it's the perfect place to be able.

12:24 Speaker 11: To do that, you know, Yeah, I mean New York

12:26 Speaker 11: is a big one of New York.

12:27 Speaker 9: Yeah, definitely a lot.

12:28 Speaker 11: Of my music friends are moving to New York, which

12:30 Speaker 11: I'm kind of sad about. But yeah, Boston's also really good, I.

12:32 Speaker 9: Think absolutely absolutely. Do you go to a lot of

12:35 Speaker 9: live shows? Do you go to see a lot of

12:36 Speaker 9: other bands.

12:37 Speaker 11: Or Yeah, every once in a while I go to

12:39 Speaker 11: see some bands. I honestly just happen to see a

12:42 Speaker 11: lot through the shows that I play because it's usually

12:44 Speaker 11: I'm on a bill with like a couple other bands,

12:45 Speaker 11: so I got to like hear a bunch of music

12:47 Speaker 11: that way.

12:48 Speaker 9: Yeah. Yeah, very cool. Now you mentioned so you're more

12:51 Speaker 9: focused on the solo stuff at this point.

12:53 Speaker 11: Yeah, I'm still focused on everything, but that's that's sort

12:56 Speaker 11: of like the primary thing that's like blossoming in me.

12:59 Speaker 11: Right now.

12:59 Speaker 9: Yeah, is it easier in the sense that you know,

13:03 Speaker 9: so I don't play anymore, but I used to play

13:05 Speaker 9: in a lot of bands, but I never did anything

13:07 Speaker 9: where it was just me, you know, solo. But I've

13:09 Speaker 9: always kind of wondered it must be liberating in a

13:13 Speaker 9: sense because you don't have to worry about like when

13:16 Speaker 9: booking shows, you don't have to worry about anybody else's

13:18 Speaker 9: schedule when you're doing a solo thing. And also if

13:21 Speaker 9: you're doing a solo acoustic thing, it opens up opportunities

13:24 Speaker 9: because you can play almost anywhere. You know, like when

13:27 Speaker 9: you're in a band, there's a lot of places you

13:29 Speaker 9: can't play. Some places only want a solo acoustic act.

13:34 Speaker 9: But you probably, I would imagine, I mean, you can

13:37 Speaker 9: book yourself a lot more places doing the solo thing

13:40 Speaker 9: than you can with the bands that you play.

13:41 Speaker 11: Yeah, that's true. I've also found that some places do

13:43 Speaker 11: prefer bands, like certain breweries like that big sound.

13:46 Speaker 12: You know.

13:47 Speaker 11: Yeah, it's more attractive. But you're probably right on the whole. Yeah, Yeah,

13:50 Speaker 11: it's certainly easier, like just deciding on songs and orchestrations,

13:54 Speaker 11: like I can just do it all in my head. No,

13:56 Speaker 11: there's nothing lost in communication.

13:58 Speaker 9: Right.

13:59 Speaker 11: The art is like maybe more pure in a way,

14:00 Speaker 11: but it's also very limiting, where like I can't really

14:03 Speaker 11: take it to that like energy level yea that I

14:05 Speaker 11: want it to. Yeah, it's it's a trade off and

14:07 Speaker 11: that I'm getting used to.

14:08 Speaker 9: Yeah, Now, what bands are you? What bands are you

14:12 Speaker 9: currently in?

14:14 Speaker 11: So the just to list them all off, Yeah, it's

14:16 Speaker 11: a Flying Turtle. I'm in a band supporting the singer

14:20 Speaker 11: songwriter Jill McCracken. Okay, I'm in a jam band called

14:22 Speaker 11: Spoon Drift, and then I just started a new trio

14:25 Speaker 11: which is sort of centered around my singer songwriter work,

14:28 Speaker 11: which is called The Fourth Story.

14:29 Speaker 9: Okay, yeah, and why are you? Why do you have

14:34 Speaker 9: so many projects going? Are you someone who do you

14:36 Speaker 9: have to have a lot of different things happening to

14:40 Speaker 9: be able to really feel like you're fully expressing yourself.

14:43 Speaker 11: Maybe maybe it's like the anxious person and me just

14:46 Speaker 11: wanting to do as much as possible and you know,

14:48 Speaker 11: not be a lazy person.

14:49 Speaker 9: Right.

14:49 Speaker 11: It's also just good to like, like all the bands

14:51 Speaker 11: are like different in a way, and you know, I

14:54 Speaker 11: can express different parts of me and each band, So

14:56 Speaker 11: that's important to me. But it's also just like, you know,

14:58 Speaker 11: I've been in Boston for three years, and like I

15:00 Speaker 11: try to keep the bands going, and then you know,

15:02 Speaker 11: I get dragged into other projects and they kind of

15:04 Speaker 11: just start accumulating and maybe next year I'll be in

15:07 Speaker 11: five or six. Right at a certain point, it's not

15:09 Speaker 11: going to work anymore, but.

15:11 Speaker 9: Yeah, we'll see. Yeah, I was in three bands at

15:13 Speaker 9: one point around here, and that it's it seemed like

15:17 Speaker 9: a lot, but it was also you know, it got

15:21 Speaker 9: a little tricky in terms of the higherarchy and in

15:24 Speaker 9: terms of my own priorities, and you know, sometimes it's

15:27 Speaker 9: hard to keep multiple things going when you know, I mean,

15:31 Speaker 9: do you find yourself in a position where you have

15:33 Speaker 9: to kind of prioritize, like like you have to say,

15:36 Speaker 9: notice certain things that maybe one and certain opportunities that

15:40 Speaker 9: one band has because another band is so busy, and

15:43 Speaker 9: then you end up in kind of that position.

15:45 Speaker 6: Yeah.

15:46 Speaker 11: Sure, fortunately not too much. But uh, like a big

15:49 Speaker 11: thing is the Summerville Porch Fest, which in the Boston areas,

15:52 Speaker 11: like like a big thing. It's like in May, and

15:55 Speaker 11: like like all of my bands want to play it.

15:57 Speaker 11: Oh really, yeah, they can't do it with all of them,

15:59 Speaker 11: right right, Yeah, well.

16:00 Speaker 9: You could in theory, right he I mean obviously if

16:02 Speaker 9: you're not all playing at the same time.

16:04 Speaker 11: I've done that in the past. Especially there's like a

16:07 Speaker 11: twelve twelve to two time slot and then the two

16:09 Speaker 11: to four time slot, and I'm like, of course I

16:10 Speaker 11: can do both of those. Yeah, and there's zero time

16:13 Speaker 11: in between them, of course, right right. It gets tricky,

16:16 Speaker 11: but yeah, yeah, I do my best.

16:17 Speaker 6: Yeah.

16:19 Speaker 9: What do you find the most satisfying?

16:22 Speaker 11: Like, is it the solo stuff or I think right

16:25 Speaker 11: now it's the band stuff really, just just because the

16:27 Speaker 11: solo stuff is still new, I'm still sort of finding

16:29 Speaker 11: my voice and finding my way. Yeah, but yeah, just

16:33 Speaker 11: but anytime I'm performing is what I'm passionate about. It's

16:37 Speaker 11: what I'm all about. Just like, yeah, controlling the sound

16:39 Speaker 11: waves of a room and like people walking into me

16:42 Speaker 11: and like it's you know, it's a very like deep

16:45 Speaker 11: thing music. I think it's like special. It's like be

16:47 Speaker 11: able to control that for someone.

16:48 Speaker 9: Yeah, yeah, yeah absolutely. Do you prefer that to be

16:52 Speaker 9: in the studio?

16:53 Speaker 11: Yeah, The studio is cool in its own way, but

16:55 Speaker 11: it's also like you can get in your own head

16:57 Speaker 11: and like doing takes, overtakes and stuff. Yeah, it's there's

17:00 Speaker 11: something pure about doing it live. I also love improvisation.

17:03 Speaker 11: That's sort of really the best thing about music for me.

17:07 Speaker 11: So you sort of like get that more in the

17:08 Speaker 11: live setting.

17:09 Speaker 9: Yeah, everything that you sent us, all the studio tracks,

17:12 Speaker 9: they all sound amazing. Is there how do you record?

17:15 Speaker 9: Is there a particular studio that you work with, or

17:18 Speaker 9: maybe you do it. I mean we live in an

17:19 Speaker 9: era where you know, you can record at home or

17:21 Speaker 9: or I imagine various projects maybe record in different ways.

17:25 Speaker 11: They're all recorded different ways.

17:26 Speaker 9: Really.

17:27 Speaker 11: A couple of them we're done at like more professional studios,

17:30 Speaker 11: a couple we're done at home. My solo record, Northern

17:33 Speaker 11: Rails is like sort of my big project last year.

17:36 Speaker 11: I have like a little tiny room in my house

17:38 Speaker 11: where I have sound equipment and I did it all there.

17:41 Speaker 9: No kidding, Yeah, yeah, yeah, it's cool that. You know,

17:45 Speaker 9: I'm old enough to remember when your your only real

17:48 Speaker 9: options were you either go to a studio and spend

17:51 Speaker 9: a lot of money, or you know, you could record

17:53 Speaker 9: at home with one of those uh those old aasskam

17:56 Speaker 9: recorders and you know, but but now you there's so

18:00 Speaker 9: many different ways you can do it, and there's so many.

18:03 Speaker 9: It's interesting too, because even though you have more options

18:07 Speaker 9: than ever, there's still more. There's still tons of recording

18:12 Speaker 9: studios too, you know, because some people thought that there

18:15 Speaker 9: was a point where recording studios would kind of start

18:17 Speaker 9: to go away as people had more ability to record

18:20 Speaker 9: at home or like you do with your solo stuff.

18:23 Speaker 9: But actually I feel like there's more recording studios than ever.

18:26 Speaker 9: And of course in Boston you've got some great I'm

18:28 Speaker 9: curious what studios you've been to with your band projects,

18:31 Speaker 9: because there's there's some great studios in Boston obviously.

18:34 Speaker 11: Yeah, I've you know, I'm honestly not sure that the

18:38 Speaker 11: one we did with Flying Turtle was like not a

18:41 Speaker 11: great studio really like it was pretty good. Yeah, And

18:45 Speaker 11: then the one we did with I only went to

18:47 Speaker 11: one other professional studio and it was it was like

18:51 Speaker 11: not in Boston. We sort of like drove away and

18:52 Speaker 11: it was just like it was like a weird situation.

18:55 Speaker 11: I'm curious now, Yeah, it was like it used to

18:59 Speaker 11: I forget exactly the details, but it used to be

19:01 Speaker 11: like a really big studio that they had like really

19:03 Speaker 11: big names in there. And then it got converted to

19:05 Speaker 11: like office space or something, and then they were like

19:07 Speaker 11: revitalizing it, so we got a really cheap rate there

19:10 Speaker 11: because they were just starting to like get up and

19:13 Speaker 11: running again. But I forget the name of it, so

19:15 Speaker 11: I can't really enlighten you.

19:16 Speaker 9: Oh okay, Sorry, when you said you drove away, I

19:19 Speaker 9: thought maybe you went and looked at it and you

19:20 Speaker 9: were like, let's get out.

19:21 Speaker 11: Oh no, no, we drove yeah, out of Boston.

19:24 Speaker 9: I got, oh, okay, that's what you've met. Okay. I

19:27 Speaker 9: thought I thought there was maybe another story there, no

19:30 Speaker 9: interesting story. But recording at home though, being able to

19:34 Speaker 9: do that with your solo stuff, that must be nice.

19:36 Speaker 6: Yeah.

19:37 Speaker 11: I mean it was like really like I spent a

19:40 Speaker 11: lot of time in there, so it was like kind

19:41 Speaker 11: of like blowing my brains out sometimes really yeah. Yeah,

19:44 Speaker 11: but I'm really really proud of the end product, and

19:47 Speaker 11: you know, I like the experience overall.

19:49 Speaker 9: Now that that track, all I see is that from

19:52 Speaker 9: Northern Rails.

19:52 Speaker 11: No, so that is from my college band Addicts, Okay,

19:57 Speaker 11: and that's that's the first album I've ever been a

19:59 Speaker 11: part of recording. It was mostly recorded by our bass

20:01 Speaker 11: player Cole He had a whole setup in his basement.

20:04 Speaker 9: Oh okay, Yeah, Doug Addicts is the name of the band. Yeah, okay,

20:07 Speaker 9: where where does the I mean obviously there's you.

20:09 Speaker 2: Know, right.

20:10 Speaker 9: Yeah.

20:10 Speaker 11: It actually came from a like a band name generator online.

20:14 Speaker 11: We like typed some words into it, two of which

20:16 Speaker 11: were Doug, which was our lead singer. Oh okay, drug

20:19 Speaker 11: because we were into drugs in college, right, and Doug Addicts.

20:23 Speaker 11: And it's importantly it's not the Dug Addicts. Oh, just

20:25 Speaker 11: Doug Addicts, because we're Doug Addicts and the people that

20:27 Speaker 11: come to see us, they're also Doug. Like we're all

20:29 Speaker 11: addicted to Doug.

20:30 Speaker 9: That makes sense. Yeah, I like that.

20:32 Speaker 6: I like that.

20:32 Speaker 9: That's cool. Now that band is no longer active.

20:34 Speaker 11: Yeah that was just for college.

20:36 Speaker 9: Okay, okay, I gotcha. In Northern Rails. Is that a

20:39 Speaker 9: full length or is it an EP?

20:40 Speaker 4: Or what?

20:40 Speaker 11: What's a full length album?

20:41 Speaker 9: Whole length album?

20:42 Speaker 11: I'm up for it.

20:43 Speaker 9: Why the decision to do that, because you know, a

20:46 Speaker 9: lot of artists now, especially recently, it seems like in

20:49 Speaker 9: the last few years, some artists only release singles or

20:52 Speaker 9: they do the waterfall approach where they release singles that

20:55 Speaker 9: eventually become an album, which is, you know, the inverse

20:58 Speaker 9: of what it used to be where you release an

21:00 Speaker 9: the singles. But but yeah, a lot of artists or

21:03 Speaker 9: they'll do an EP. But I don't see as many

21:06 Speaker 9: full length albums, at least not as much as I

21:08 Speaker 9: used to. Why the decision to do a full length yeah,

21:10 Speaker 9: for sure.

21:11 Speaker 11: Well what happened to me is I moved to Boston

21:12 Speaker 11: for a software job.

21:13 Speaker 9: Yeah.

21:14 Speaker 11: I was there for about two years, and then at

21:15 Speaker 11: a certain point, I just decided to quit because I

21:17 Speaker 11: wanted to do more music, and so in my mind,

21:20 Speaker 11: like I want it to be as you know, I'm

21:22 Speaker 11: kind of like anxious about like being productive and like

21:24 Speaker 11: making something of myself. So I'm like, all right, I

21:26 Speaker 11: quit my job. I have this time. Now I'm going

21:28 Speaker 11: to like stend it. I'm like gonna do like the

21:30 Speaker 11: biggest thing I can imagine, which is just like a

21:32 Speaker 11: full album. Yeah, that was sort of the decision.

21:34 Speaker 9: Oh that's cool. Yeah, that's that's a great reason to

21:37 Speaker 9: do it. Did you have any help, like or did

21:40 Speaker 9: you do it all yourself?

21:41 Speaker 11: I did it all myself.

21:42 Speaker 9: Kidding.

21:42 Speaker 11: That's kind of the stick of the album. Like every

21:44 Speaker 11: every sound you hear is recorded in that little room

21:46 Speaker 11: or outside somewhere, I suppose, but yeah, it's all me

21:48 Speaker 11: and I learned to mix and everything.

21:50 Speaker 9: And oh, good for you, good for you. Yeah, so

21:52 Speaker 9: you really went for it. That's awesome. Where does the

21:54 Speaker 9: name come from? Northern Rails?

21:57 Speaker 11: Yeah, I guess the album. The theme of the album

22:00 Speaker 11: lyrically is sort of about like a call for adventure,

22:03 Speaker 11: and it's vaguely trained themed. There's like little train references.

22:07 Speaker 11: And then the title track, which which we have today

22:09 Speaker 11: is called Northern Rails.

22:10 Speaker 9: Okay, okay, well maybe we should uh, maybe we should

22:13 Speaker 9: play that one next.

22:14 Speaker 11: Yeah, sounds good.

22:16 Speaker 9: Has this been played on the radio before once?

22:19 Speaker 11: Yeah?

22:20 Speaker 9: Who played it?

22:21 Speaker 11: I forget the station? It was in Portsmouth?

22:23 Speaker 9: Oh really?

22:24 Speaker 2: Oh?

22:24 Speaker 9: Probably u W SCS. No, what's I know the station?

22:30 Speaker 9: I know the station that probably played it. Is it

22:32 Speaker 9: a station that plays a lot of a lot of

22:33 Speaker 9: independent artist Yeah? Yeah, I want to say SCS, but

22:36 Speaker 9: then I don't think that's right.

22:37 Speaker 11: That doesn't sound right to me. But I honestly forget.

22:40 Speaker 11: I should remember. I feel bad about it.

22:41 Speaker 9: I know the station you mean though, Okay, it's not

22:43 Speaker 9: that important, but I was scared I'm always curious anything

22:46 Speaker 9: radio related, and very curious about Let's play that. Here's

22:49 Speaker 9: what I think we should do. Let's play this. And

22:51 Speaker 9: while we're doing that, if you want to grab your guitar,

22:53 Speaker 9: and then when we come back from this, if you

22:55 Speaker 9: want to play something live for us down here, you

22:56 Speaker 9: play live. But uh so this is from and by

22:59 Speaker 9: the way, how long has this been out? O?

23:00 Speaker 11: Northern Rails released at the end of August.

23:02 Speaker 9: Okay, half a year? Okay, oh so relatively new great

23:05 Speaker 9: And this is the title track. All right, this is

23:08 Speaker 9: Northern Rails. This is Jason over Stein. Check it out.

23:59 Speaker 3: When I was younger than I am today, the creature

24:02 Speaker 3: told me to ride on out of the station. Started

24:08 Speaker 3: off with everything. My mind was so at ease, but

24:11 Speaker 3: the clear blue sky obscured the night of the light

24:13 Speaker 3: from northern stars on distant trees. So I trained my summer.

24:32 Speaker 4: Mine to turn northward.

24:36 Speaker 3: At time, mountain rains snow intertwined, get lost in the climb,

24:45 Speaker 3: and I train.

24:47 Speaker 5: All the time.

24:50 Speaker 3: Life didn't pass me by.

24:53 Speaker 4: Train and station.

24:58 Speaker 5: Train a mile mile.

25:09 Speaker 4: In the station.

25:15 Speaker 3: The miles are getting longer now, the years are shorter,

25:17 Speaker 3: and the echos are getting louder. The winter starts to settle,

25:24 Speaker 3: and my branches start to crack, and the fatal pin

25:27 Speaker 3: beneath the skin keeps me lost and on the verge

25:29 Speaker 3: of turning back. It's still a train my summer mind

25:42 Speaker 3: to turn northward of time, mountain rain, snow intertwined, get

25:50 Speaker 3: lost in the climb, and a train on the town.

25:58 Speaker 5: Life didn't pass me by, uh trip in the station.

26:11 Speaker 3: Sometimes I'll hear a word or two from someone mystic

26:16 Speaker 3: that breaks me open and sparks the whole world of light.

26:20 Speaker 3: And other times I feel the prickings in my spine

26:24 Speaker 3: the roamas of a station I still wander and I've

26:27 Speaker 3: kept so carefully.

26:30 Speaker 4: Out of mine.

26:53 Speaker 5: Hmmm.

26:54 Speaker 9: That is the South Battle track at Northern Rails from

26:57 Speaker 9: Jason Overseain and I love that. We were kind of

26:59 Speaker 9: talking off air about that, and I love that. You know,

27:02 Speaker 9: you really hear that CSN harmony, and you hear it

27:05 Speaker 9: right up front, you know, coming right out of the gate.

27:07 Speaker 9: That's the first thing vocally that you hear. That's so good, dude,

27:11 Speaker 9: love that, Love that.

27:12 Speaker 11: Yeah, thanks Matt.

27:12 Speaker 9: Absolutely, Jason's got his guitar and what are you gonna

27:16 Speaker 9: play for us?

27:17 Speaker 2: Yeah?

27:17 Speaker 11: I'm gonna play a new tune. I had two new

27:19 Speaker 11: ones coming in, and I just five seconds ago picked

27:22 Speaker 11: the one I'm gonna plays, called Ultraviolet Maroon. It's the

27:25 Speaker 11: most recent one I've written. It's on YouTube, but it's

27:28 Speaker 11: not like recorded on Spotify or anything.

27:30 Speaker 9: So okay, very good, Jason Oberstein, live in studio.

27:51 Speaker 6: Here.

27:51 Speaker 3: I am stuck in my ways again, twenty six years

28:00 Speaker 3: honed my touch. Wildflowers billow upwards on a bright desert night.

28:13 Speaker 3: Yellow maroon sharpens my mind for me. Pale bud breathing turquoise,

28:21 Speaker 3: strumming my guitar.

28:26 Speaker 5: Hart this yarden.

28:28 Speaker 11: I know, deep in my.

28:30 Speaker 3: Soul, you.

28:34 Speaker 5: Show me more.

28:40 Speaker 3: And even when the stems and the petals start to

28:42 Speaker 3: bury me down.

28:43 Speaker 5: Below, you show me more when you pay that.

29:01 Speaker 4: Notes.

29:02 Speaker 5: I've never sunk.

29:05 Speaker 3: Ultra by the move stray from the sun. I give

29:12 Speaker 3: you someone like you show me what's true. I could

29:18 Speaker 3: learn a lot from you. I could learn a lot

29:26 Speaker 3: from you. Yeah, it's funny how the world goes, just

29:41 Speaker 3: as it comes, sacred sand slipping through our toes below us,

29:51 Speaker 3: And on this dim desert morning, I shine, sweet sweet

30:01 Speaker 3: my noise in my ears again, a deep, deep, violet

30:08 Speaker 3: Rose is warming my troubled heart. All these colors they flow,

30:16 Speaker 3: but I can't let go. You show me more.

30:25 Speaker 5: When you play that too? Oh that too? Not side

30:32 Speaker 5: never Sun?

30:35 Speaker 4: Won't you buy the maroon.

30:38 Speaker 5: Strayed from the Sun when you dance that way?

30:44 Speaker 3: The colors calm undone, don't you buy the maroon Shining

30:52 Speaker 3: Light the Sun. I'll get you someone like you to

30:57 Speaker 3: show me what's true. I could learn a lot from you.

31:07 Speaker 3: I could learn a lot from you. Someday I'll comera,

31:38 Speaker 3: I'll unlock that door, step inside myself.

31:50 Speaker 4: And see that color show. Yes, you show more, Yeah, you.

32:06 Speaker 5: Show me more when you play that tune. Note side

32:18 Speaker 5: never Sun. Don't you buy the movie stray from the

32:24 Speaker 5: Sun when you danced that way? Becaulors come, I'm done.

32:33 Speaker 5: Don't you buy the movie Shot a Light the Sun?

32:40 Speaker 5: Don't you buy the movie shot a Light the Sun?

32:47 Speaker 5: Sad you one like you?

32:49 Speaker 3: Show me what's true. I can learn a lot from it.

32:59 Speaker 3: I can learn a lot from you.

33:02 Speaker 5: Show me mom son, learn a lot from you.

33:09 Speaker 4: Show me more.

33:12 Speaker 5: Sockn learn a laugh from you. I can learn a

33:20 Speaker 5: laugh from learn a laugh on you. When you danced

33:30 Speaker 5: that with it sound learn a laugh from you.

33:43 Speaker 9: Oh that was so good. I love it. And that's

33:45 Speaker 9: brand new. Yeah, brand new. Jason oberseein live in studio

33:49 Speaker 9: with us if you are just joining us, said yeah,

33:52 Speaker 9: that was so cool. Thank you for playing us awesome, absolutely, absolutely,

33:56 Speaker 9: really really good. By the way, Judy Finn sent us

33:59 Speaker 9: an instant message and says love your sound, Jason see

34:03 Speaker 9: thanks absolutely. Also, Bags Ballin is in the chat says

34:07 Speaker 9: rock On, great interview. Let's see Rob Dieon. Also in

34:12 Speaker 9: the chat room, Rob hosts a show here at w

34:15 Speaker 9: m n H through the stage door. So welcome Rob.

34:19 Speaker 9: Let's see somebody. Oh, and Rocky Huber is in the

34:21 Speaker 9: Facebook live chat. Rocky says, we need to interview Matt Connorton,

34:24 Speaker 9: the artist. He has many hits. He's a humble guy.

34:27 Speaker 9: I do have many hits. I'm kidding, I have no hits.

34:31 Speaker 9: Trust me pretty good. So I think we should from there.

34:36 Speaker 9: Why don't we? We'll play another studio track and it'll

34:38 Speaker 9: give you a chance to to put your guitar away.

34:41 Speaker 9: What should we But I'm gonna let you pick, Jason,

34:42 Speaker 9: what should we play next? You've got all these different projects.

34:45 Speaker 11: Yeah, let's let's do let's switch it up. Let's do something.

34:50 Speaker 11: Let's see the one called Through, which is a project

34:54 Speaker 11: of mine. It was just like a literally a two

34:56 Speaker 11: week project of mine called Tuning the Western Wood.

34:58 Speaker 9: Okay.

34:59 Speaker 11: It was a duo between me and one of my

35:00 Speaker 11: oldest friends, Jeremy Oh. We like decided to do this

35:04 Speaker 11: little album together. We like locked ourselves in a house

35:06 Speaker 11: for like two weeks and then out popped like thirteen

35:09 Speaker 11: ish songs.

35:10 Speaker 9: Oh okay, and this is one of them. Yeah.

35:12 Speaker 11: Yeah, it's a much lower production quality than so just

35:16 Speaker 11: be ready for that.

35:16 Speaker 9: I like, well, I like the low fi. I think

35:19 Speaker 9: it's kind of cool actually, so yeah, let's check this out. Okay,

35:23 Speaker 9: this is Through.

35:24 Speaker 11: And what was the name of the project again, Tuning

35:26 Speaker 11: the Western Wood.

35:27 Speaker 9: Tuning the Western Wood. Check it out.

35:41 Speaker 7: Can see, can see thou.

35:58 Speaker 4: Can see.

36:03 Speaker 3: Far away, flower booms for you, petals curl.

36:14 Speaker 4: In the morndo, the love passes through.

36:27 Speaker 3: Talk to me, lay me down long, lie to me,

36:40 Speaker 3: let your tongue phone, your soft.

36:45 Speaker 4: Words stirring true. I can see through. I can see.

37:35 Speaker 3: Neath the sun, neath the chido, beneath the wind and

37:47 Speaker 3: the mano. The earth sings silent tune otamized through your wind,

39:20 Speaker 3: low colors, swirl.

39:27 Speaker 4: In the wind flow.

39:31 Speaker 6: In your soft gaze, grand blue. Take your veil, O, don.

39:49 Speaker 4: Take your smile and it's soft. Let your cool.

40:01 Speaker 2: See you.

40:09 Speaker 4: Can see, can seeze.

40:45 Speaker 9: I like that very much, absolutely, it is. Yeah, that

40:48 Speaker 9: is called through from tuning the Western Wood. Did I

40:52 Speaker 9: get away?

40:52 Speaker 11: Yes, so that name is like I mentioned Jeremy as

40:55 Speaker 11: one of my oldest friends.

40:57 Speaker 9: Yeah, we were.

40:58 Speaker 11: We grew up together in our hometown of Westwood. Okay,

41:01 Speaker 11: so kind of paying homage to that name.

41:03 Speaker 9: Oh, I got you, I got youa Westwood? Where is that?

41:05 Speaker 11: It's outside of Boston.

41:06 Speaker 9: Okay, yeah, I've never even heard of it.

41:08 Speaker 11: Yeah, yeah, it's a small town.

41:09 Speaker 9: Okay, very good, very good. If you are just joining us,

41:12 Speaker 9: Jason Overstein is here with us live in studio and

41:16 Speaker 9: uh yeah, so that's so so obviously so it's the

41:20 Speaker 9: two of you, it's it's the two of you on

41:22 Speaker 9: vocals and are you both playing guitars? Yeah yeah, And

41:25 Speaker 9: it was all done live. Yeah yeah, so the stick

41:27 Speaker 9: of that out. That was sort of my first foray

41:29 Speaker 9: into music production. And yeah, we still like four mics,

41:32 Speaker 9: you know, two for vocals, two for guitars, and then

41:34 Speaker 9: a rim mic and then yeah, each song on there

41:36 Speaker 9: is like one continuous take, no overdobes or anything.

41:39 Speaker 11: Wow, that's kind of the stick.

41:41 Speaker 9: When you were they were able to nail them in

41:44 Speaker 9: one take. No, most of them are.

41:46 Speaker 11: No, I would, but this always happens with recording projects.

41:49 Speaker 11: For most of these songs, you know, we spent two

41:52 Speaker 11: weeks together. Yeah, and so we were kind of like

41:53 Speaker 11: writing orchestrating then recording as we were going. Yeah, most

41:56 Speaker 11: of them were recorded on the very last day.

41:58 Speaker 9: Oh okay, yeah, okay.

42:00 Speaker 11: I feel like the more you play them, the better

42:02 Speaker 11: they get. And then yeah, I don't know, so I

42:03 Speaker 11: feel some musicians like burn out from doing takes on

42:06 Speaker 11: takes on takes. Oh yeah, personally, I feel like I

42:08 Speaker 11: just get better and yeah, it's always the last take

42:10 Speaker 11: for me.

42:11 Speaker 9: Yeah. Yeah, some musicians will will tell you something different.

42:14 Speaker 9: I mean, everybody's different, obviously, but yeah, I've I've heard

42:17 Speaker 9: some people say, you know, in the studio, if you're

42:19 Speaker 9: doing if there comes a point where you know, you

42:22 Speaker 9: get fatigued, if you're doing too many takes, and then

42:24 Speaker 9: it you know, it might not be that you're not

42:26 Speaker 9: playing as well or not singing as well, but there's

42:28 Speaker 9: a point where maybe you feel like you lose a

42:30 Speaker 9: little bit of the spontaneity of it that you might

42:33 Speaker 9: be looking for. But but yeah, everybody's different. So now

42:38 Speaker 9: that's Uh, do you have plans to release anything else

42:41 Speaker 9: with him or or was that kind of a one.

42:43 Speaker 11: Time plans right now? It was kind of a one

42:45 Speaker 11: time thing. But you know, we're still friends, we still

42:46 Speaker 11: play together. So yeah, I've been trying to like play

42:49 Speaker 11: show with him. Yeah, but he doesn't really perform out much.

42:52 Speaker 11: Oh really, Okay, if you're listening, Jeremy, the onus is

42:54 Speaker 11: on you. You got to you gotta come to Boston

42:56 Speaker 11: and we got to book a show together.

42:57 Speaker 9: Yeah, come on, Jeremy, I want to hear that live.

43:00 Speaker 9: That's that's really good. Yeah, really really good. Now what

43:05 Speaker 9: h So are you playing out a lot now these days?

43:08 Speaker 6: Yeah?

43:08 Speaker 9: Sometimes sometimes in winter musicians hybernate, Yeah, yeah for sure.

43:12 Speaker 8: Yeah.

43:13 Speaker 11: Uh yeah. I mean I have like all my projects,

43:16 Speaker 11: and I feel like each project plays like once a month,

43:19 Speaker 11: twice a month, and so for me, it ends up

43:21 Speaker 11: being like an average of I like my schedule right

43:23 Speaker 11: now is like an average of once a week for

43:25 Speaker 11: the next couple of months, which is pretty good for me.

43:27 Speaker 11: I'd like to play. I want to play as much

43:28 Speaker 11: as possible, So yeah, I'm trying to book more. But

43:31 Speaker 11: that's sort of how it is right now.

43:32 Speaker 9: Summer must be very busy for you because that's kind

43:35 Speaker 9: of everyone's busiest time as far as it's busy.

43:37 Speaker 11: But also like some people are like out of town

43:39 Speaker 11: on trips and stuff, so maybe it's harder to coordinate

43:42 Speaker 11: with the bands. Yeah, yeah, there's a trade off there.

43:44 Speaker 9: But yeah, that's true. Now, are you playing anywhere this

43:46 Speaker 9: weekend that we should mention?

43:48 Speaker 11: Yeah, so so two things. So the big thing for

43:50 Speaker 11: me is I don't play too many like solo shows.

43:52 Speaker 11: I'm trying to play more. But I actually have one

43:54 Speaker 11: coming up this week. It's on Thursday. It's in Melrose.

43:58 Speaker 11: They're sort of doing this like in or porch fist

44:01 Speaker 11: kind of thing. Oh okay, Yeah, it's this community center

44:04 Speaker 11: called Follow Your Art and yeah, I'm playing like an

44:06 Speaker 11: hour long set there.

44:07 Speaker 9: Cool.

44:08 Speaker 11: You can find tickets on my website, just like Jason

44:10 Speaker 11: Oberstein dot com. Yeah, and then if you can't make

44:13 Speaker 11: it out to that tonight, I'm playing with the Jill

44:17 Speaker 11: McCracken project and that's going to be at the Middle

44:19 Speaker 11: East and uh, right in Central Square in game.

44:22 Speaker 9: Oh, very cool.

44:23 Speaker 11: That's somebody I've heard of, Jill McCracken.

44:26 Speaker 9: Yeah, but I'm not not too familiar. Yeah.

44:29 Speaker 11: That radio station we mentioned.

44:31 Speaker 9: Earlier, that oh w W s c A inports.

44:34 Speaker 11: Yeah, I was introduced to them because Jill. I was

44:37 Speaker 11: there with Jill McCracken playing a set. Oh okay, yeah,

44:41 Speaker 11: so maybe maybe you heard it there.

44:42 Speaker 9: Probably Yeah, yeah that makes sense. Well, by the way, too,

44:45 Speaker 9: I was looking at your website. So you also give

44:47 Speaker 9: a guitar lesson I do. Yeah, we should, Yeah, we

44:49 Speaker 9: should plug that if people people want less Yeah.

44:52 Speaker 1: Yeah.

44:54 Speaker 9: Do you uh, do you work with a wide range

44:56 Speaker 9: of students like you work with because a lot of

44:59 Speaker 9: a lot of good teachers I've met, you know, some

45:02 Speaker 9: only work with with beginners, and some work with people

45:05 Speaker 9: who are more advanced but just want to kind of

45:08 Speaker 9: you know, obviously, you know a lot of guitar players

45:10 Speaker 9: they hit a certain level and then they get stuck

45:13 Speaker 9: and they want to advance more, but maybe they get stuck.

45:16 Speaker 9: I mean, do you work with a range of Yeah.

45:19 Speaker 11: I definitely work with a range of people. I'd say,

45:21 Speaker 11: like my most like My most common student is like

45:24 Speaker 11: an adult who's a beginner. Yeah, but I also work

45:27 Speaker 11: with kids. I work with like older folks and yeah,

45:31 Speaker 11: all levels.

45:32 Speaker 9: Yeah he me.

45:33 Speaker 11: Uh you can like visit my website, shoot me an

45:35 Speaker 11: email which is on my website.

45:37 Speaker 9: Yeah anything, Yeah, Jason oversetin dot com. What I took

45:43 Speaker 9: lessons When I was a kid, I started out on guitar,

45:46 Speaker 9: but then I ended up switching to bass because unfortunately,

45:50 Speaker 9: and it frustrates me about myself, but growing up, I

45:52 Speaker 9: was one of those kind of lazy kids who if

45:54 Speaker 9: I wasn't good at something quickly enough, I would give

45:56 Speaker 9: up on it and just move on to another thing.

45:58 Speaker 11: I'm kind of like that, honestly.

46:00 Speaker 9: Really, you don't seem like it, you see, you seem

46:02 Speaker 9: pretty pretty motivated.

46:03 Speaker 11: I'm motivated with the things I'm already getting.

46:05 Speaker 9: Okay, okay, fair fair enough. But uh yeah, So I

46:09 Speaker 9: wasn't progressing fast enough on guitar, so I got frustrated

46:13 Speaker 9: and I sort of gave up. And then in high

46:14 Speaker 9: school I picked up a bass and it was and

46:17 Speaker 9: I know bass players hate when I say this, but

46:19 Speaker 9: it was this was my experience. I'm just being honest.

46:22 Speaker 9: I picked up a bass and I seem to have

46:23 Speaker 9: a feel for it pretty quickly. And I remember thinking

46:26 Speaker 9: to less strings and I don't have to know any chords.

46:29 Speaker 9: I think I found my instrument, and it turned out

46:31 Speaker 9: I did because I you know, I went on to

46:32 Speaker 9: play in a bunch of bands and whatnot. But but

46:34 Speaker 9: that was kind of my experience with it. Like I

46:37 Speaker 9: I really struggled with theory and and uh, never really

46:41 Speaker 9: did learn theory correctly. Fortunately, I have a good ear,

46:45 Speaker 9: so I can, you know, like on the bass, I

46:47 Speaker 9: can figure out a bassline and play it. But but yeah,

46:50 Speaker 9: that was that was my experience with it. But I

46:52 Speaker 9: did take I did take lessons from some good people.

46:55 Speaker 9: But but that's that's cool though that Uh, like, like,

46:59 Speaker 9: how many students are you working with at any one time?

47:02 Speaker 11: Yeah, right now I have like six or seven excellent.

47:04 Speaker 11: I'm trying to expand to about like ten to twelve

47:06 Speaker 11: I think would be a good number.

47:07 Speaker 9: Good good, yeah, good for you. Do you do you

47:10 Speaker 9: work at uh, do you give lessons at a music

47:13 Speaker 9: shop or do.

47:13 Speaker 13: You do that?

47:14 Speaker 9: St right?

47:15 Speaker 11: Well, So some people come to me just like my

47:17 Speaker 11: living room, and then I go to some people sort

47:18 Speaker 11: of depending on the location.

47:20 Speaker 9: Yeah. Oh that's really cool. Yeah, good for you. Good

47:22 Speaker 9: for you. Geez. Do you ever think about working at

47:25 Speaker 9: Berkeley or something?

47:26 Speaker 11: No, No, I don't know if I'm qualified.

47:30 Speaker 9: Yeah, yeah, you might be. I don't know. I don't know. Well,

47:33 Speaker 9: we are approaching the top of the hour and I

47:35 Speaker 9: want to make sure we get one more studio track in.

47:37 Speaker 9: But where is the best place for people to go online?

47:40 Speaker 9: Jasonoverstin dot com.

47:42 Speaker 11: Yeah, so that's my way. I'd say the probably the

47:44 Speaker 11: number one place is Instagram Jason dot Overstein, okay, on Instagram,

47:48 Speaker 11: and then yeah, number two is Jasonoverstein dot com. And

47:50 Speaker 11: from the website you can see my instagram. My YouTube

47:52 Speaker 11: is linked there. But yeah, but that's pretty much it.

47:54 Speaker 11: It's like my Instagram and you know, you can find

47:56 Speaker 11: me on Spotify just type in my name Jason Overstein.

47:59 Speaker 13: Yeah.

47:59 Speaker 9: Yeah, excellent. Man, Uh, what should we close out the

48:03 Speaker 9: segment with. I'll let you pick again.

48:05 Speaker 11: Oh, man, just just one more.

48:07 Speaker 9: Well I might be able to fit to and actually

48:09 Speaker 9: go ahead and pick two.

48:11 Speaker 11: Yeah, let's do the paper cup party.

48:14 Speaker 9: Paper cup party, okay.

48:15 Speaker 11: And then followed by Blue Mark Blues.

48:18 Speaker 9: Blue Mark Blues. Okay, so we will I'm gonna cue

48:21 Speaker 9: those up. And while I'm doing that, Jenny, we should

48:23 Speaker 9: remind everybody what we're doing.

48:25 Speaker 10: Later, we will be at the Mosaic Aren't Collective for

48:27 Speaker 10: the opening of the Illusions.

48:31 Speaker 9: Yeestion collection.

48:34 Speaker 10: Join us tonight from four to eight pm at the

48:36 Speaker 10: Daily Mirror building at sixty six Hanover Street, Sweep two

48:40 Speaker 10: one here in the Queens City for the Mosaic are

48:43 Speaker 10: Collective Illusions and Exploration and Optical Illusions, Anamorphic Surrealism, black

48:49 Speaker 10: Lights and three dr Yes and for more on me

48:53 Speaker 10: go to Gencoffee dot com.

48:54 Speaker 4: J E N N co O F F E y

48:56 Speaker 4: dot com.

48:57 Speaker 9: Yes, Yes, looking forward to that and congratulations again and

49:00 Speaker 9: having one of your pieces chosen for that. Very proud Yes,

49:03 Speaker 9: Mosaic Art Collective, and thank you everyone who joined us today.

49:05 Speaker 9: Of course Rivia in the first hour and then in

49:08 Speaker 9: the second hour we had Kate Shimkey along with Aaron

49:10 Speaker 9: and Nick and Tyler all Good was here with us

49:12 Speaker 9: and Jason. Thank you again man, you sound incredible. Thank

49:15 Speaker 9: you for playing live for us. That was amazing.

49:17 Speaker 11: Yeah, thanks so much for having me.

49:19 Speaker 9: Absolutely absolutely, it's wonderful. We will do this again in

49:21 Speaker 9: the future. You're a busy guy, so I have no

49:23 Speaker 9: doubt you'll have things to talk about in the future

49:26 Speaker 9: as well. So, so this has been great and we'll

49:29 Speaker 9: we'll close out with now paper Cup party?

49:31 Speaker 6: Is that?

49:31 Speaker 9: Uh one of the Which band is that?

49:33 Speaker 11: Yeah? So this is the Flying Turtle Band. This is

49:35 Speaker 11: my first Boston.

49:36 Speaker 9: Band, your first Boston band, Okay.

49:38 Speaker 11: So it's like a danceable jam band. And I didn't

49:40 Speaker 11: write this song, but it was written by our awesome

49:43 Speaker 11: bass player, Okay, but it is a lot of nice

49:45 Speaker 11: lead guitar on it.

49:46 Speaker 9: Okay, very cool. So we're gonna spin that and I'm

49:48 Speaker 9: gonna try to fit in Blue Mark Blues too. And

49:51 Speaker 9: which band is that?

49:52 Speaker 11: That's from Northern Rails. That's like a crowd favorite of mine. Oh,

49:56 Speaker 11: very cool, feel like I had to play that on

49:57 Speaker 11: the radio.

49:58 Speaker 9: Very cool. All right, So we're gonna spin and if

50:00 Speaker 9: you missed any part of today's show, and we'll be

50:02 Speaker 9: up in just a little bit at wmn hradio dot org,

50:05 Speaker 9: a at my website Matt Connorton dot com. And that's

50:08 Speaker 9: gonna do it for us for now. We will talk

50:10 Speaker 9: to you a little bit later. Bye everybody.

50:24 Speaker 1: Oo, Mama, I'm not who I said.

50:28 Speaker 14: I I'm a little bit over complicated, a little bit

50:33 Speaker 14: hard to be.

50:36 Speaker 2: Boo Daddy.

50:37 Speaker 5: I did not turn out quite like you.

50:41 Speaker 4: Put a little spin of bone man, But don't make

50:48 Speaker 4: me go.

50:51 Speaker 1: Don't make me go.

50:53 Speaker 14: I get my chance, hold me up, single vets and

50:58 Speaker 14: paper comes.

50:59 Speaker 1: I get my chance, blow it up.

51:02 Speaker 2: Turn your.

51:20 Speaker 1: Clocks is half past three. Now I got break lines

51:24 Speaker 1: in front of me.

51:26 Speaker 5: But now I should be crossing back to Jersey. But

51:32 Speaker 5: I'm just trying to work out.

51:35 Speaker 14: Souls fill my mind. And I'm lying when I said, mena,

51:43 Speaker 14: but don't make me go. Don't make me go, hag,

51:50 Speaker 14: get my chance, blow it up, single reds and paper,

51:55 Speaker 14: cups of hang.

51:56 Speaker 1: In my chance, blow it up.

51:58 Speaker 4: Turn you all all.

52:02 Speaker 2: Whoa.

52:04 Speaker 1: Charge all who jogiz all?

52:19 Speaker 2: Then I don't know.

53:33 Speaker 1: I get not chance, blow me up. Second dance says.

53:45 Speaker 2: I get that chest blow us?

53:51 Speaker 3: Do you.

53:57 Speaker 8: I get my chest up?

54:01 Speaker 1: Shut whoa.

54:17 Speaker 2: Whoa will?

54:28 Speaker 5: I was born in Tennessee.

54:32 Speaker 3: My daddy was an oak tree, big guy's an oak

54:35 Speaker 3: could be. He treated me fine and I had no worry,

54:40 Speaker 3: and a bigger in leeds grew about canopy. And then

54:44 Speaker 3: one day you went someone shining. A man came up,

54:49 Speaker 3: putting out a bucket and brush you mind about daddy

54:53 Speaker 3: with a big blue talent, said.

54:55 Speaker 13: They need a more fire with down him about it,

54:57 Speaker 13: and now I'm feed a little blue markers Bloemar Blue,

55:02 Speaker 13: Bloemar blue, Oh blue ass.

55:05 Speaker 5: The Myna river.

55:06 Speaker 3: Running round through my room, well said he mark about

55:09 Speaker 3: daddy with a big blue Tali said, they need a

55:11 Speaker 3: more fire.

55:12 Speaker 13: Downriver valley, and now I'm feeling those bloom Martin.

55:16 Speaker 5: Well, I had a girl she followed me gaming a company.

55:24 Speaker 4: Well, the blue mar blue was following her.

55:28 Speaker 5: Hold the camera out, shotter her down to the dirt.

55:31 Speaker 11: Now seems to me everywhere I go, all the big.

55:36 Speaker 3: Old trees coming down road by row.

55:40 Speaker 5: She's the big man's coming with the chins are running

55:42 Speaker 5: and he won't go back to he's doing within the

55:44 Speaker 5: cotton living there with those blue Martin.

55:48 Speaker 3: Blue mar blue bloom my blue, Well, I said, blue ass,

55:53 Speaker 3: the Mona river running a round through my room. Well,

55:56 Speaker 3: he mark about daddy with a big blue Tali said,

55:58 Speaker 3: they need a more fire.

55:59 Speaker 4: Down in the valley.

56:00 Speaker 5: And now I'll be the blue mark.

56:50 Speaker 3: Now here, I stayed. I'm a little all my friends,

56:55 Speaker 3: I've gone to the heavenly home now, mushad, but sing

57:00 Speaker 3: these bloo see them on dad crying out all night too. Hey,

57:06 Speaker 3: mister Payne wants to mark me too.

57:10 Speaker 4: There ain't nothing you can do to.

57:12 Speaker 5: Magni any more.

57:13 Speaker 3: Blue, Oh put it up pie making blue as the

57:16 Speaker 3: sky in.

57:17 Speaker 5: The whole world. Here the song we a pie. Now

57:19 Speaker 5: I got my blue mar two Bomar bloo bill mar.

57:25 Speaker 3: Blue Yeah, well blass the matter river runner right through

57:29 Speaker 3: a great big once with an a R two on

57:31 Speaker 3: the tears.

57:31 Speaker 5: I cry, and there ain't nothing left to lo.

57:34 Speaker 3: Well, city mark my daddy with a big blue Talis

57:37 Speaker 3: and they need a more fire down hell about it.

57:39 Speaker 1: And now I'm feeling the blue Marto.

57:42 Speaker 3: Well, city mark my daddy with a big blue Talis

57:45 Speaker 3: and they need a more fire down hell about it.

57:47 Speaker 5: And now I'm feeling those boo mark boot.

57:52 Speaker 4: Who can't get you.

58:23 Speaker 8: Out of my mind?

58:26 Speaker 12: Indhurts and I'm still trying. Oh my treat, I can't

58:41 Speaker 12: get you out of my mind. I screwed up and lie.

58:51 Speaker 15: Now you walt a lot by. Oh won't you come

59:07 Speaker 15: in to my reality.

59:15 Speaker 2: Night?

59:19 Speaker 4: Please help come make this man out.

59:23 Speaker 8: Of I can't get you out of my mind.

59:48 Speaker 12: My thoughts are twisted and time I wish I had

59:54 Speaker 12: made the best of gods.