Matt Connarton Unleashed 3-22-25 hour 2

0:01 Speaker 1: W m n H rips the novels.

1:36 Speaker 2: At Oh that is cool.

4:35 Speaker 3: That is brand new from Kenny Troon, who is here

4:37 Speaker 3: with us and we're going to speak with him in

4:40 Speaker 3: just a moment. But if you are just joining us

4:43 Speaker 3: live on this Saturday morning, March twenty two, twenty twenty five,

4:47 Speaker 3: this is Matt Connorton Unleashed and we are live from

4:50 Speaker 3: the studios of wm n H ninety five point three FM, Inglorious, Manchester,

4:55 Speaker 3: New Hampshire. Of course, you can also stream the show

4:57 Speaker 3: from anywhere. Go to Matt connorton dot com, slash live

5:00 Speaker 3: for all your live streaming options, social media links, contact infos,

5:03 Speaker 3: show archives, et cetera, et cetera. Jenny is here at

5:05 Speaker 3: the news desk for the news table. I'm sorry we

5:08 Speaker 3: have a news table. I I I'm so used to

5:10 Speaker 3: saying that.

5:12 Speaker 4: You have to fix.

5:13 Speaker 3: Well, we were we were talking about time travel in

5:16 Speaker 3: a in a certain sense, because can.

5:17 Speaker 2: We do that yet?

5:18 Speaker 4: Well, we'll we'll explain things we need to do.

5:21 Speaker 3: Yes, yes, uh, we get that. We get that mic

5:26 Speaker 3: up there, Jenny. I, Well, you know who did not

5:32 Speaker 3: believe in time was Prince I only know that from

5:35 Speaker 3: a Larry King interview. Oh no, I'm sorry. It was

5:37 Speaker 3: Kurt Loader. Remember Kurt Loader from the TV news. Yeah, yeah,

5:40 Speaker 3: and he uh he asked Prince. Uh well, Prince said

5:43 Speaker 3: he didn't believe in time, and Kurt Loder was like,

5:45 Speaker 3: so what do you use and uh, Prince said, uh,

5:49 Speaker 3: I believe in the truth. And that was kind of

5:51 Speaker 3: the end of the interview.

5:52 Speaker 4: I love that.

5:54 Speaker 3: Was that the same interview where he wanted he said

5:57 Speaker 3: he wanted to create Prince to Gram.

5:58 Speaker 4: Uh, probably Insta.

6:01 Speaker 3: This would have been before because Instagram was not around

6:05 Speaker 3: when current Loader was still interviewing people on MTV.

6:08 Speaker 4: Yeah.

6:09 Speaker 3: Yeah, different, very very different era, very different era. But yeah,

6:12 Speaker 3: we're very happy to have Kenny truon here. It's been

6:14 Speaker 3: a while. Yeah, we have since we've been at this

6:18 Speaker 3: location here, this location for WM and H. We did

6:22 Speaker 3: have a gentleman named Kenneth Wood here, but we have

6:26 Speaker 3: not had Kenny truon here at the former bus station. Yeah.

6:31 Speaker 3: So it's great to see you.

6:32 Speaker 4: Yeah, it's awesome, Bat guys. I love hanging with you guys.

6:35 Speaker 3: Absolutely tell us about that track we just heard.

6:37 Speaker 4: Yeah, that track I was trying to explain to you.

6:41 Speaker 4: It was labeled playing with myself. Now that sounds a

6:44 Speaker 4: little weird, but this is what I labeled it as

6:46 Speaker 4: I was doing it. But it's called recording music with

6:51 Speaker 4: my past self from the future in the present. Now. Yes,

6:55 Speaker 4: I know it's.

6:56 Speaker 3: It's a very long title, and it almost sounds like

6:59 Speaker 3: part of it should be in parentheses or you know,

7:02 Speaker 3: it's it's a long title.

7:03 Speaker 4: Yeah, it is, but it makes sense to me because

7:06 Speaker 4: I'm constantly when I build a track, I start, especially

7:11 Speaker 4: with that song that you just heard, I started with

7:13 Speaker 4: the drums, so I go into it not knowing what

7:16 Speaker 4: I'm gonna do. I have a tempo to work with

7:19 Speaker 4: and I just go so it's kind of free form

7:23 Speaker 4: improv whatever. So then by the time I recorded the

7:28 Speaker 4: next instrument, bass, it was already a month after I

7:32 Speaker 4: did the drums, and at this point I don't really

7:36 Speaker 4: remember what I did, but I'm jamming with myself when

7:39 Speaker 4: I'm recording the bass makes sense, so that is improv

7:44 Speaker 4: as well. And then the next step was guitar, and

7:48 Speaker 4: then I did the guitar a month later after that,

7:52 Speaker 4: so I'm constantly playing with myself a different phases of

7:58 Speaker 4: I don't know throughout we call time if that's.

8:01 Speaker 3: I guess truth if we accept time as.

8:04 Speaker 4: A time is Yeah, so basically it's a mouthful, but

8:11 Speaker 4: that's that's the ideology behind.

8:15 Speaker 3: If you worked that way before, or was this track

8:17 Speaker 3: your first time doing it that way?

8:19 Speaker 4: I think I've kind of figured out my workflow with

8:25 Speaker 4: starting with drums first. I'm a drummer as well, but

8:28 Speaker 4: I like to literally play the drums verst and then

8:32 Speaker 4: jams and myself. And that became a thing that I

8:34 Speaker 4: figured out, you know, after a while producing music. That

8:39 Speaker 4: was just you know, I used to come up with

8:40 Speaker 4: the ideas first and the guitar singing or whatever. But

8:43 Speaker 4: then I started working backwards. I'm like, I want to

8:46 Speaker 4: start with the beat. What's driving me? Is it dis tempo?

8:52 Speaker 4: Is it that? You know what I mean? That's the

8:53 Speaker 4: most important thing I think now when I create music

8:57 Speaker 4: is where I start from. Okay, so I work backwards, Okay,

9:00 Speaker 4: Okay for me? Are the drums live on that or

9:03 Speaker 4: are they drums are live? Yeah? Okay, that's me playing

9:05 Speaker 4: them actual drums. Yeah. I recorded them in New York, Okay,

9:11 Speaker 4: at rich Roy Studios Mike Bercillo and uh so, then

9:17 Speaker 4: I recorded the base in New Hampshire. Okay, so it's

9:20 Speaker 4: like where am I Like, I'm different points of time

9:23 Speaker 4: meeting each other in the This is why it's like whatever,

9:27 Speaker 4: if you're into that kind of thing, it's it's kind

9:30 Speaker 4: of fun.

9:30 Speaker 3: You're playing with yourself in different times but also different

9:34 Speaker 3: geographical location.

9:35 Speaker 4: And I'm not really writing anything. I'm just kind of

9:37 Speaker 4: like going with whatever was put before me. Yeah, me,

9:41 Speaker 4: and I'm just following myself and I might get lost,

9:44 Speaker 4: but it's kind of making sense. It makes it a

9:46 Speaker 4: little but you know, right, it's fun, Like I don't know,

9:49 Speaker 4: I'm just experimenting with different yeah ideas all the time.

9:54 Speaker 3: No, I dig it. The reason I was particularly curious

9:57 Speaker 3: about the drums is know, there was a time where

10:02 Speaker 3: you could you could program drums, but they wouldn't sound realistic, yeah,

10:05 Speaker 3: or like like some of the early drum machines. For example,

10:08 Speaker 3: as I'm sure you know, uh, you could get a

10:10 Speaker 3: really good, convincing snare, of course, but the toms would

10:14 Speaker 3: sound terrible, you know what I mean. This is an example.

10:16 Speaker 3: But now the drum sounds that you can get with

10:19 Speaker 3: program drums are I mean, my jaw was on the

10:21 Speaker 3: floor when Nathan Hill told us in the first hour,

10:23 Speaker 3: like that track Breaking Waves those you know, uh, those

10:26 Speaker 3: aren't live acoustic drums. I was like, what you know,

10:30 Speaker 3: it's it's really amazing. So but but you but you

10:32 Speaker 3: so you actually play the drums and guitar. Yeah, you play,

10:36 Speaker 3: and you play keyboard too, right, I assume I dabble.

10:39 Speaker 4: Yeah, I I have, you know, some skills with that,

10:42 Speaker 4: but I'm not like a piano player.

10:44 Speaker 3: I know, we I know we talked about it before,

10:46 Speaker 3: but it was at least a couple of years ago. Now,

10:48 Speaker 3: what was your first instrument?

10:50 Speaker 4: Bass?

10:50 Speaker 3: You started on bass, Okay, bassis, and then guitar probably.

10:55 Speaker 4: Or yeah, guitar definitely followed after that. It's like once

10:58 Speaker 4: you get the first route to the bass that you

11:01 Speaker 4: start doing the chords. It's like graduating next yeah, yeah,

11:05 Speaker 4: level of uh let's learn to how to play instruments.

11:08 Speaker 3: Yeah. For me. For me, it was the opposite because

11:10 Speaker 3: I started out on guitar when I was a kid.

11:12 Speaker 3: I took guitar lessons, but I was very undisciplined. I

11:16 Speaker 3: hate this about myself, but I was one of those

11:19 Speaker 3: I'm a very motivated person as an adult, but growing up,

11:22 Speaker 3: I was one of those lazy kids who if I

11:23 Speaker 3: wasn't good at something right away, I'd get bored and frustrated.

11:26 Speaker 4: Yeah.

11:26 Speaker 3: And then in high school I picked up a bass

11:28 Speaker 3: and I was I know, bass players hate when I

11:30 Speaker 3: say this, but I have to speak my truth. I

11:32 Speaker 3: picked up a bass in high school and I was like, oh,

11:35 Speaker 3: two less strings and I don't have to know any chords.

11:37 Speaker 3: I think I found my instrument. Yeah, it turned out

11:40 Speaker 3: I did, because I you know, I ended up playing

11:41 Speaker 3: in a bunch of bands, and you know, I'm not

11:42 Speaker 3: a bad bass player, but that's awesome, but that was

11:44 Speaker 3: kind of but that was kind of my path. And

11:47 Speaker 3: then did drums come? So did drums come much later

11:50 Speaker 3: to you? Because I feel like too most musicians I

11:52 Speaker 3: meet who play several instruments, including drums, it's like drums

11:55 Speaker 3: ends up being kind of the last thing they learn.

11:58 Speaker 3: Is that? Is that the case with you?

12:00 Speaker 4: I guess I'm I was like a fake drummer for

12:02 Speaker 4: a while. Yeah, in the sense of my older brother's

12:07 Speaker 4: band would practice in the basement and I lived in

12:11 Speaker 4: the basement as well. Yeah, and there was a drum

12:13 Speaker 4: set down there, and so like I would hash it out. Yeah, yeah,

12:20 Speaker 4: you know, what I mean, But I do have feel,

12:22 Speaker 4: and I knew I had feel, and I picked it

12:24 Speaker 4: up like pretty much. I just taught myself it. And

12:27 Speaker 4: then when I was it's funny because you were saying

12:29 Speaker 4: you took guitar lessons. I was a music teacher and

12:33 Speaker 4: I had students like you, Oh yeah, yeah, who just

12:37 Speaker 4: went you know? But what we did when I found

12:39 Speaker 4: that they were losing interest, we would what was cool

12:42 Speaker 4: when I had lessons? I had a drum set in

12:44 Speaker 4: my room, yeah, lessons, So we would. I would just

12:48 Speaker 4: be like, all right, you don't want to look at

12:49 Speaker 4: this paper, play these notes?

12:51 Speaker 3: All right?

12:52 Speaker 4: What are you going to do with this beat? Bro?

12:54 Speaker 4: And then he would be like I don't know, and

12:56 Speaker 4: like all of a sudden, they're playing and they're like, oh,

12:59 Speaker 4: I'm just foul. You know what I mean. You gotta

13:02 Speaker 4: grab them, like, if you're losing attention, maybe figure out

13:06 Speaker 4: a way to get them more interested.

13:09 Speaker 3: Yeah. I wish someone had done that with me. I

13:12 Speaker 3: think with me, they were more.

13:13 Speaker 4: Like because you got it, probably got a guitar, guy

13:16 Speaker 4: and guitar and I'm just like, hey, we can do

13:19 Speaker 4: a bunch of things. How am I going to get

13:21 Speaker 4: you to.

13:21 Speaker 3: Play right right?

13:22 Speaker 4: Yeah, How am I gonna get you to come back

13:24 Speaker 4: and want to learn?

13:25 Speaker 3: Yeah?

13:25 Speaker 4: I want to grow with that.

13:27 Speaker 3: Yeah. I add instructors who I think were more I

13:30 Speaker 3: don't know if apathetic is the word, but you know

13:33 Speaker 3: they weren't that invested in me.

13:35 Speaker 4: I don't. I guess not hey, but your idea.

13:40 Speaker 3: You know I turned out all right, I guess, but

13:42 Speaker 3: you know I ended up ended up being an okay

13:44 Speaker 3: bass player.

13:46 Speaker 4: That's awesome win win in my book, No, not playing,

13:50 Speaker 4: but I.

13:50 Speaker 3: Always I've always admired people who can do like what

13:53 Speaker 3: you do where you you you're doing all of this,

13:56 Speaker 3: You're you're creating all of this and on your on

13:59 Speaker 3: your or sort of mainstream you know, not not instrumentals,

14:04 Speaker 3: but some of the music that you've released. Are you

14:07 Speaker 3: doing everything on those as well?

14:09 Speaker 4: Like yeah, yeah, usually, But I do all the foundation work,

14:14 Speaker 4: like I produce it, I record it, I engineer and

14:17 Speaker 4: mix it whatever. But I also bring in people to

14:20 Speaker 4: play on things to add what you know. I have

14:23 Speaker 4: great musician friends that I rely on, yeah, that play

14:26 Speaker 4: with me, you know, for years and have amazing connections

14:32 Speaker 4: with that. And I keep it in the house. I

14:33 Speaker 4: keep everything in house and I keep it's all self sufficient. Yeah,

14:38 Speaker 4: I could do whatever I want and I like it,

14:40 Speaker 4: and I just that's that's all it matters to me.

14:42 Speaker 3: Yeah, you know what I mean, which is nice right

14:44 Speaker 3: because I too. I remember too we talked about before

14:46 Speaker 3: your history in a band and how that turned out

14:50 Speaker 3: and everything, and to be able to do everything yourself,

14:52 Speaker 3: if I remember correctly from a previous conversation. Wasn't that

14:56 Speaker 3: a big motivation for you in terms of being able

14:59 Speaker 3: to get to a point where you could do Do you

15:00 Speaker 3: think yourself? Was your previous experience with the band?

15:02 Speaker 4: Always? Yeah, it's just like when you deal with other

15:05 Speaker 4: people and the mishaps that happen, and so you just

15:08 Speaker 4: want to take control of your thing, ye Like yeah,

15:12 Speaker 4: cut everyone out, all the middlemen, you know what I mean.

15:15 Speaker 4: And I just took the long route, and I just

15:20 Speaker 4: I would rather that. I still would to this day.

15:23 Speaker 4: Like I mean, it's just all about making making the

15:28 Speaker 4: art that means you know something to you, that's all

15:32 Speaker 4: it matters, exactly exactly we had talked about off air.

15:37 Speaker 4: So for those of you watching online, of course you

15:41 Speaker 4: can see, but for those listening, Kenny does have his

15:45 Speaker 4: guitar with him. Now, there's a particular song you have

15:48 Speaker 4: that Jenny loves and she plays it all the time.

15:51 Speaker 4: I hear it all the time at home.

15:53 Speaker 3: A song that you release, it has a unfortunately in

15:56 Speaker 3: the course, it has a bad word, so we can't

15:57 Speaker 3: play it. We can't play it on the air, the

16:00 Speaker 3: studio track as it was as it well, I guess

16:03 Speaker 3: I can say it, don't f this thing up. But uh,

16:07 Speaker 3: and you know, and usually if I really want to

16:10 Speaker 3: play something on the show, I'll make a radio edit

16:12 Speaker 3: of it where I just take where the where the

16:14 Speaker 3: word is that's a problem, and I do. I call

16:16 Speaker 3: it a poor man's radio edit. I just reverse it.

16:19 Speaker 3: But I never attempted to do that with that song

16:22 Speaker 3: because I felt like with that song it would have

16:25 Speaker 3: actually ruined it. You know, like if somebody has a

16:28 Speaker 3: song with one you know s word, you know, you

16:30 Speaker 3: just you just reverse it and it becomes ish, you know.

16:33 Speaker 3: But I felt I felt it would ruin the song. Yeah,

16:36 Speaker 3: but we were talking off air, you said you could

16:39 Speaker 3: replace that word and maybe play that live. Yeah, a

16:42 Speaker 3: self edited version of it, which I would love to hear.

16:45 Speaker 3: I think the audience would love. And I know, and

16:47 Speaker 3: I know Jenny would love to hear it because she absolutely.

16:49 Speaker 4: Loves I gotta you know, if Jen's listened to that,

16:52 Speaker 4: I got not many people are, so I gotta you know,

16:56 Speaker 4: I gotta give credit. No, it's it's got to you

17:01 Speaker 4: know what I mean.

17:02 Speaker 3: It is a great song. Yeah, so so.

17:07 Speaker 4: Got to change the word though, we're not going to

17:09 Speaker 4: use the subject a different word like broccoli or anything.

17:13 Speaker 4: We're gonna right so many syllables there to find the

17:17 Speaker 4: right So I think I think we came up with one.

17:20 Speaker 3: Yes, yes, I think we we came up with the

17:22 Speaker 3: ideal word. And uh yeah, if if you're if you're

17:26 Speaker 3: willing to give it a go, and you know, we

17:27 Speaker 3: are on an eight second delay, so if the worst

17:29 Speaker 3: happens and you forget, I can catch it.

17:31 Speaker 4: But that's cool.

17:32 Speaker 3: I won't but I don't think.

17:33 Speaker 4: Yeah, you're you're a pro, very fresher.

17:35 Speaker 3: But I don't think he'll have a I don't think

17:37 Speaker 3: you'll have an issue. So yeah, if you're open to

17:40 Speaker 3: if you're open to playing that, we'd love to hear it.

17:42 Speaker 4: Yeah, if you want me to do it right now,

17:44 Speaker 4: that would be great. Yeah.

17:45 Speaker 3: Yeah, we talked it up so if you are just

17:47 Speaker 3: joining us. Kenny Troon is here with us, live in studio,

17:51 Speaker 3: and he's going to play something for us, right.

17:54 Speaker 4: Check it out.

18:00 Speaker 5: M h m hmmm mm hmmm hm hm hm.

18:13 Speaker 1: So many times.

18:17 Speaker 4: I thought I had a good thing goo when.

18:22 Speaker 5: With side line.

18:27 Speaker 6: By the next man came in.

18:31 Speaker 4: I see the.

18:32 Speaker 7: Pattern for me. I can't help to nor I was

18:42 Speaker 7: smoking me verse just.

18:45 Speaker 8: When I get invited in my life. All I here

18:48 Speaker 8: is my father telling me, don't mess this one. Don't

18:56 Speaker 8: mess this one. Uh down, mess this one? Uh yeah, yeah, down.

19:06 Speaker 4: Mess this one.

19:10 Speaker 1: So many times.

19:14 Speaker 8: Think cows onto some.

19:17 Speaker 4: Things ain't right?

19:24 Speaker 8: How all of this sads up to nothing? When you

19:30 Speaker 8: see just a little glimmer of folk at the end

19:33 Speaker 8: of my rope, take a deep breath of will it

19:36 Speaker 8: just choke?

19:37 Speaker 4: When he gets turns into know.

19:39 Speaker 8: How I'm so used to it now questioning why and how?

19:44 Speaker 8: Because I'm the denominator and every equation can help my sits.

19:49 Speaker 8: Ya see the pattern for me? I can't help but

19:55 Speaker 8: to no worry. How this smoke can me Verse, it's

20:02 Speaker 8: just when I getting by live my life. But that

20:05 Speaker 8: I hear is my father telling me, don't mess this one.

20:10 Speaker 8: Uh don't mess this one. Don't mess this one. Yeah, yeah,

20:23 Speaker 8: don't mess this one. I see the pattern for name.

20:32 Speaker 8: I can't help, but you know, I.

20:38 Speaker 5: Smoke and verse. I just want to get vied in

20:42 Speaker 5: my die. That I hear is my.

20:45 Speaker 6: Father telling me, don't mess this one.

20:51 Speaker 8: Don't mess it all up, don't mess all up? Yeah,

21:01 Speaker 8: down mess?

21:03 Speaker 4: Oh that see the pad for me.

21:11 Speaker 5: I can't help.

21:13 Speaker 4: Two, No, man, how are you? The next man can

21:18 Speaker 4: come in? How you the next man? Come in?

21:26 Speaker 5: Down? Mess?

21:27 Speaker 2: Oh?

21:32 Speaker 4: Wonderful?

21:33 Speaker 3: Wonderful Kenny Troon live in studio. That was fantastic and

21:37 Speaker 3: that Jenny, Yeah, yeah.

21:42 Speaker 4: We played that. I don't think I've ever played it

21:44 Speaker 4: like that.

21:44 Speaker 3: Oh really, yeah, yeah, I've never.

21:46 Speaker 4: Played it live. Really, it's it's the first time I

21:49 Speaker 4: think i've actually, no kidding, you've got it in practices,

21:55 Speaker 4: Like it's funny because we less showing did we practiced

21:59 Speaker 4: it on the show. We didn't play it always, like

22:04 Speaker 4: you know, I have a list, yeah on a napkin

22:06 Speaker 4: maybe the day and we're like, but never got to

22:09 Speaker 4: play it. This is the first time I.

22:11 Speaker 3: Think, like, oh wow, yeah, yeah, well, we're very we're

22:15 Speaker 3: very happy with the radio edit.

22:18 Speaker 4: You got your radio, I got ready edit and we

22:20 Speaker 4: got it.

22:21 Speaker 3: Yeah, that's awesome. That is awesome now I know how

22:24 Speaker 3: now I can see that's that's true.

22:27 Speaker 4: You can.

22:29 Speaker 5: Yeah.

22:30 Speaker 3: Absolutely. By the way, Nathan Hill, who is with us

22:33 Speaker 3: in the first hour today, says, this guy sounds great.

22:36 Speaker 3: Thanks again. Yep, getting some love man from Nathan Hill.

22:40 Speaker 3: Kenny Truon is here with us.

22:41 Speaker 5: Uh.

22:41 Speaker 3: DJ Steve is in the chat room and says, good morning, Matt,

22:45 Speaker 3: great show so far, thank you, thank you. Uh, let's see, uh.

22:49 Speaker 3: Will Wagner Music is in the chat room.

22:51 Speaker 9: Someone you know, yes, well well says howdy howdy duty

22:56 Speaker 9: and Kurt Loader hype Kurt Loader and and suggest now

23:01 Speaker 9: will Ed made a suggestion, Uh, don't flock this one up.

23:07 Speaker 4: See we were talking about it. It's too close, too close,

23:10 Speaker 4: will I asked Matt and Jen if I could say

23:13 Speaker 4: funk right.

23:14 Speaker 10: Yeah.

23:15 Speaker 3: They were like no, because someone will miss hear it.

23:18 Speaker 3: So flock might be obvious someone someone someone will miss

23:23 Speaker 3: hear it, and then I'll get a I'll get an

23:25 Speaker 3: angry message.

23:27 Speaker 4: The context, we could say just flock right right, you

23:30 Speaker 4: can say the word flope.

23:32 Speaker 3: I mean there's even a band flock.

23:35 Speaker 4: Yeah, yeah, there you go got them off the H.

23:40 Speaker 3: No, I've got a I've got a really good streak

23:43 Speaker 3: of not getting in trouble, so I'm trying to keep

23:45 Speaker 3: that going.

23:46 Speaker 4: I've always said, I'll tell you what.

23:50 Speaker 3: So in April. Wow, it's almost April, it'll be eight

23:54 Speaker 3: years that I've been here at w M and H.

23:56 Speaker 3: And I've always said, from the beginning, my number one

23:59 Speaker 3: Jenny s heard me say this a thousand times. My

24:01 Speaker 3: number one goal in doing this show is to come

24:04 Speaker 3: in here every day, get through the show, and not

24:06 Speaker 3: get fired. That's that's my number one objective.

24:09 Speaker 4: Objective. Keep what you do and what you love going.

24:14 Speaker 3: Everything else is gravy. Yeah, as long as I get

24:16 Speaker 3: to come back for the next head down. Yeah, Yeah,

24:19 Speaker 3: it work hard. That's that. It was more, it was

24:23 Speaker 3: more more of an issue when I was on in afternoons,

24:26 Speaker 3: But that was this show was a little different. But

24:30 Speaker 3: also our friends Bfraid Boston's Final Raid, great band from

24:34 Speaker 3: Boston there in the chat room as well. And should

24:38 Speaker 3: we talk about the new You also sent us another

24:41 Speaker 3: studio track and I did, and this is going to

24:43 Speaker 3: be a world premiere, correct world world premiere.

24:45 Speaker 4: Yah. I don't think I've I kind of like. I

24:49 Speaker 4: mixed it the new record I've been working on for

24:52 Speaker 4: about a little over a year, not like every day

24:55 Speaker 4: on it, but like i've had maybe it was a

24:59 Speaker 4: January twenty twenty three. January twenty twenty four. I started it. Okay,

25:04 Speaker 4: and it's about done, I guess because I mixed it,

25:09 Speaker 4: and on the way here I listened to it and

25:11 Speaker 4: I was like, oh, wow, I think it's there. Yeah,

25:13 Speaker 4: because sometimes when i'm mixing it, I'm over and over

25:17 Speaker 4: I'm hearing it and I'm like liking it. Then I'm

25:19 Speaker 4: not liking it, I'm nitpicking it, and I'm just like

25:21 Speaker 4: all right, And I left it alone for a while,

25:22 Speaker 4: but I listened to it on the way here and

25:25 Speaker 4: I'm very hyped about it.

25:26 Speaker 3: Actually, yeah, yeah, should we give this the spin and

25:29 Speaker 3: then we'll.

25:29 Speaker 4: Yeah, this song is called house Spider. Yeah, and it's

25:33 Speaker 4: off my new album Pearls that's gonna be coming out. Oh,

25:38 Speaker 4: very cool, very cool, no date yet, but here's the

25:41 Speaker 4: test in the waters.

25:42 Speaker 3: I'll give it the I'll play the world premiere bumper

25:45 Speaker 3: and everything. I have a cool world premiere bumper. I

25:47 Speaker 3: don't know how cool it is. I like it, but

25:49 Speaker 3: I'm a nerd that way. And then we'll play the

25:51 Speaker 3: track and then we'll come back and talk about it,

25:52 Speaker 3: and we'll talk about the new album and all of it.

25:54 Speaker 3: But if you're just joining us, Kenny Troon is here

25:57 Speaker 3: with us live in studio, and it's time for the

25:58 Speaker 3: This is the world radio premiere, this is old House Spider.

26:02 Speaker 1: You're listening to Wuminate.

26:06 Speaker 4: World Premiere.

26:18 Speaker 11: So it just studing way. You know, let's to lay

26:26 Speaker 11: looking back, no, because.

26:30 Speaker 4: Stay in the fact that you may.

26:33 Speaker 5: No we can not stay. Let's just say pec.

26:39 Speaker 12: To jump rain just not already left us look on ray,

26:44 Speaker 12: so many things left up? Say not is me that

26:47 Speaker 12: I was une mile in the corner like a house

26:52 Speaker 12: Spider sign.

26:56 Speaker 13: I was signing my own how ya caught up? And

26:59 Speaker 13: Nick Truss saying the tap of the phones. I was

27:04 Speaker 13: founding mound when they tried to tip him out and

27:07 Speaker 13: die by killing his song. And I was turning down

27:13 Speaker 13: with both and as a good five we already.

27:17 Speaker 8: Know a good.

27:24 Speaker 4: Speak, headdy.

27:27 Speaker 11: It just stooding way. You know it's too lay looking back.

27:35 Speaker 10: No.

27:37 Speaker 1: Slaying the bab to make.

27:42 Speaker 5: Canescay.

27:44 Speaker 12: Let's say take tip your frame.

27:48 Speaker 7: Just already have to smark on Pray, so anythings left

27:53 Speaker 7: us saying what is reason?

27:55 Speaker 14: I was walking the road and traveled like a thout.

28:00 Speaker 14: I'm signed a bat walk in this road from what

28:05 Speaker 14: feels like for miles now just stop it the Joe

28:11 Speaker 14: to walk in this road and Mary no selling weapon's kind.

28:14 Speaker 13: Of com because in the end we all fall off.

28:18 Speaker 13: The stroke be turn balk just existed. Childe x five

28:23 Speaker 13: got the cut simply.

28:25 Speaker 5: Good die you musty daddy. It's just cutting way.

28:38 Speaker 11: Now let's to lay looking back, No.

28:45 Speaker 5: Staying in the back that Spay, No, we can't escape.

28:52 Speaker 5: Let's just say let's get.

28:54 Speaker 4: Jo Pray just.

28:57 Speaker 5: Left to smoking Ray. So I left us was old.

29:19 Speaker 3: Oh, very cool, very cool. That is house Spider. That

29:22 Speaker 3: is Kenny Truon who is here with us live in

29:25 Speaker 3: a studio. And now that is from the upcoming album Pearls.

29:28 Speaker 4: Is that Pearls? Yes?

29:30 Speaker 3: All right, tell us about that?

29:32 Speaker 4: Yeah, this the album is a special one. I don't know,

29:37 Speaker 4: just been it just it just feels different. I made

29:43 Speaker 4: a lot of the songs and uh was it one

29:46 Speaker 4: weekend by myself, like the structure of them, and then

29:52 Speaker 4: my boy Chris Pachanka came up and we tracked his

29:56 Speaker 4: guitars okay, and then my boy Evan came up and

30:01 Speaker 4: we tracked his bass at different times, like all because

30:05 Speaker 4: it's hard to get everyone together. I'm from New York, yeah,

30:07 Speaker 4: and I live in New Hampshire, so we have lives jobs, yeah,

30:12 Speaker 4: but we make it work when when we can. And

30:15 Speaker 4: it's and then Josh came in. He dos keys on

30:19 Speaker 4: the album. And then I had the brothers Nylon do

30:22 Speaker 4: strings on the album.

30:23 Speaker 3: Oh that's right, I remember we talked about them. Yeah, yeah, yeah, and.

30:27 Speaker 4: It's yeah, I just building this big theater piece almost.

30:32 Speaker 4: It feels like a movie to me.

30:36 Speaker 3: That track has that vibe definitely. Yeah.

30:38 Speaker 4: Yeah, And uh, you know, I don't I don't really

30:41 Speaker 4: know where it all comes from, but like it came

30:44 Speaker 4: from a weekend of me house sitting for my parents

30:49 Speaker 4: watching the animals, and uh, I was alone for the

30:54 Speaker 4: weekend and the whole album just came out. I was

30:57 Speaker 4: just recording, you know, non stop, and how Spider came

30:59 Speaker 4: out out and a bunch of other songs and it's

31:02 Speaker 4: just been building from there. And yeah, I mean kind

31:05 Speaker 4: of like really, I like, I release a lot of

31:08 Speaker 4: music under different things almost Yeah, just kind of like

31:12 Speaker 4: it just comes out of me and I'm posting and whatever.

31:14 Speaker 4: But I've been holding this one back really, you know

31:16 Speaker 4: what I mean, because it is a little different. It's

31:19 Speaker 4: that my baby's out in the world now, kind of

31:21 Speaker 4: like I never really sides of people that were working

31:24 Speaker 4: on it with me have heard it. Yeah, but I

31:27 Speaker 4: don't know. Yeah, it's it's a lot put into it,

31:32 Speaker 4: a lot of good content that I'm talking about and like,

31:36 Speaker 4: it's all real stuff and I think is something we

31:41 Speaker 4: need and I'm very proud of it and I can't

31:45 Speaker 4: wait for people to hear more of it. I hope

31:47 Speaker 4: people are excited. Yeah, guys are exciting.

31:49 Speaker 3: Yeah, definitely. So when is When is it out?

31:52 Speaker 4: I have no date for it. It's done, like, but

31:55 Speaker 4: but I'm leaving breadcrumbs. I'm like, you know, I don't

31:58 Speaker 4: need to put it out like a hold it back,

32:00 Speaker 4: but yeah, I want to make sure that I have

32:03 Speaker 4: really good visuals for it. Yeah. I don't want to

32:05 Speaker 4: just put it out and have.

32:06 Speaker 3: It be overlooked, right, that makes sense.

32:08 Speaker 4: You know. So I'm taking my time with it. And yeah,

32:12 Speaker 4: so maybe if there's some people want to hear more

32:15 Speaker 4: hype prove it to me. Yeah, yeah, no, that makes

32:19 Speaker 4: you know what I mean, Like, it makes I want

32:20 Speaker 4: to see if people want to hear more. Otherwise I'm

32:22 Speaker 4: just going to go on my timeline, right right, you

32:24 Speaker 4: know what I mean?

32:25 Speaker 3: Yeah, No, that makes sense. You know, you got to

32:27 Speaker 3: do it right. And and I think that's something that

32:31 Speaker 3: a lot of musicians don't think about, is is really

32:35 Speaker 3: you know you don't. I mean, it depends on what

32:37 Speaker 3: your goals are, too, But so I I yeah, so

32:40 Speaker 3: there's nothing wrong with saying, Okay, I'm just going to

32:42 Speaker 3: record this and put it out, throw it out there

32:44 Speaker 3: and see what happens and see if people like it

32:45 Speaker 3: or not or whatever.

32:46 Speaker 4: But do it all the time.

32:47 Speaker 3: Yeah, yeah, but I think But I think also too,

32:50 Speaker 3: like it probably doesn't occur to a lot of people

32:53 Speaker 3: that you know, maybe maybe you want to be a

32:55 Speaker 3: little more deliberate about how you approach it and really

32:57 Speaker 3: kind of think it through so that you can say

33:00 Speaker 3: it up for you know, you want to set it

33:01 Speaker 3: up for success. You want to make sure you reach

33:03 Speaker 3: the largest audience possible with it, and that's going to

33:06 Speaker 3: require a little more for a thought, you know. But

33:08 Speaker 3: but it depends on where your goals are and how

33:10 Speaker 3: serious you are about it, And it sounds like you're

33:11 Speaker 3: pretty serious about this one.

33:13 Speaker 4: Yeah, yeah, yeah, which is cool. Certain art needs to

33:16 Speaker 4: be you know, handled with care like absolute. I'm trying

33:22 Speaker 4: to say something here like, not not in the sense

33:25 Speaker 4: of like right now, I'm trying to say something to

33:27 Speaker 4: this point right now, but like like I want you

33:30 Speaker 4: to digest it, you know, visually, yeah, and auditorially, and

33:35 Speaker 4: you know, I don't know. Yeah, maybe I'm overthinking it,

33:40 Speaker 4: but it's it's important to me. Yeah, that's I gotta

33:43 Speaker 4: follow that.

33:44 Speaker 3: Yeah. You know how many tracks it is?

33:48 Speaker 4: Eight?

33:49 Speaker 6: Eight?

33:49 Speaker 4: Yeah, eight tracks.

33:51 Speaker 3: Yeah.

33:51 Speaker 4: The ninth is a outro track with no vocals, but

33:56 Speaker 4: it's yeah, it's eight songs.

33:57 Speaker 3: Yeah cool. Cool. Do you want to play another live

34:01 Speaker 3: one for us?

34:02 Speaker 4: Yeah? I could, uh, let me try to do something

34:06 Speaker 4: if you're just joining any Troon is here with us

34:07 Speaker 4: live in studio, and he did bring his guitar and

34:09 Speaker 4: we love to hear him play live. Yeah. I don't

34:11 Speaker 4: never plan what I'm gonna do, but I had to

34:14 Speaker 4: had to do that one for you. Yeah, Okay, I'm

34:19 Speaker 4: gonna try this. I released this song a month ago.

34:22 Speaker 4: It's called it Elated okay, So I'm gonna try this one,

34:25 Speaker 4: all right.

34:29 Speaker 15: M h m h.

34:37 Speaker 8: M hmmm. I bet you look into the mirror every day.

34:45 Speaker 8: No see you notice something that hand change?

34:52 Speaker 5: You can't be ways stand? Oh ye.

34:59 Speaker 4: Wait? Did I you wait?

35:01 Speaker 5: In far?

35:03 Speaker 4: This time?

35:05 Speaker 8: The end Chanty coming. They are digging up the grade.

35:12 Speaker 5: Start.

35:13 Speaker 8: My existence was to celebrate today, matter what will happen.

35:21 Speaker 8: I've been happy as if lay the inner Shady Common,

35:28 Speaker 8: and I choose to celebrate. I'm sorry late, My love

35:36 Speaker 8: for you goes on in nine. This ground is say

35:41 Speaker 8: Chris the bath fid which we're walking nine, I'm so

35:47 Speaker 8: we lay to love for you goes on in nine

35:53 Speaker 8: ground to say, Chris bath Field, which were walking nine?

36:00 Speaker 8: You looking to the voiding ask for help? Nopes to

36:07 Speaker 8: you would notice something in yourself?

36:12 Speaker 7: She can't be ways stead all your life?

36:19 Speaker 8: What are you wait? Tail Father's time and Shirley coming.

36:28 Speaker 8: They are digging up the grave.

36:32 Speaker 4: Starting.

36:33 Speaker 8: My existence was to celebrate today, no matter what will happen.

36:41 Speaker 8: I've been happy as lay me and Surley Common, and

36:48 Speaker 8: I choose to celebrate because I'm so elated. Love for

36:57 Speaker 8: you goes on in nine ground is sacred. The bathroom

37:04 Speaker 8: with sweater Walking Non, I'm so elate love all you

37:11 Speaker 8: goes on and on this ground is say Chris Batho

37:17 Speaker 8: is sweater walking on?

37:36 Speaker 4: All right?

37:37 Speaker 3: I love it. That is really good. That is really good.

37:40 Speaker 4: I've never done that one either.

37:41 Speaker 3: No kidding really Oh that's outstandings. Yeah yeah yeah here, yeah,

37:48 Speaker 3: we love it, We love it. If you are just

37:50 Speaker 3: joining us, we have Kenny True here with us live

37:52 Speaker 3: in studio and uh no, that was that was amazing.

37:56 Speaker 3: Are you playing out a lot? Are you doing a

37:58 Speaker 3: lot of shows?

38:01 Speaker 8: Choose?

38:02 Speaker 3: It sounds like you've been pretty busy with recordings.

38:04 Speaker 4: So something big with the New Hampshire's biggest and best

38:10 Speaker 4: concert promoter Jiggy Stardust Jordan Paul. No affiliation with Logan

38:15 Speaker 4: Paul or any of that, right right, No, But uh

38:19 Speaker 4: at the shaskiing, we're gonna we're gonna plan something pretty

38:21 Speaker 4: big there.

38:22 Speaker 3: Oh very good.

38:24 Speaker 4: Ex U Not no dates yet, but you know, we

38:28 Speaker 4: like to we like to build hype and not just

38:30 Speaker 4: go out there and play to nobody, right, And I

38:34 Speaker 4: get that, like it's fun, but I think open mics

38:36 Speaker 4: are good to go out and play and stuff because

38:40 Speaker 4: though that's like really important for community and like for

38:45 Speaker 4: testing stuff out, just like bouncing stuff off people off

38:48 Speaker 4: people in real time. And yeah, but when you throw

38:52 Speaker 4: want to have a really good show and show out,

38:56 Speaker 4: you gotta build it. Yeah and feel the dreams. Me

38:58 Speaker 4: and Jordan Paul are gonna do that.

39:00 Speaker 3: Excellent. No, I think that's jiggy. I think that's excellent.

39:04 Speaker 3: If you used to do jewel that. Yeah, you know him,

39:07 Speaker 3: so I feel like I know him. I'm sure I've

39:10 Speaker 3: met him at some point, but I'm just not entirely like,

39:13 Speaker 3: but I'm sure I've met him at the point.

39:15 Speaker 4: Yeah, I might have met him at the casino if

39:18 Speaker 4: you were there at the casino. He goes to the casino.

39:23 Speaker 3: Okay, I'm not a casino.

39:25 Speaker 4: No, but you know we all have vices. Yeah are you?

39:33 Speaker 3: Are you entirely focused uh at the moment on the

39:36 Speaker 3: Kenny Troon stuff, because obviously you have these other modalities

39:39 Speaker 3: like Kenneth Wood and so forth.

39:42 Speaker 4: I'm just kind of doing it. No real this is

39:47 Speaker 4: this or that is. It's just kind of like music

39:49 Speaker 4: every day. Yeah, music is everything and it's just coming

39:53 Speaker 4: out of me, so I might as well give it

39:54 Speaker 4: to people.

39:54 Speaker 3: Yeah, exactly exactly. If you do you have any recent

40:00 Speaker 3: and music videos and know you've done some music videos

40:02 Speaker 3: in the past too. Do you have anything.

40:04 Speaker 4: Yeah, I've our YouTube channel Kenny Troon. You could follow

40:09 Speaker 4: that t r u h N. And I've been releasing

40:13 Speaker 4: content there, some recording music when I pass off from

40:18 Speaker 4: the future in the present now stuff is on there.

40:20 Speaker 4: I've been making the videos myself.

40:22 Speaker 3: And because that's important too, righte. That's something a lot

40:24 Speaker 3: of musicians don't think about too. Yeah, or they or

40:27 Speaker 3: they think about it, but they just don't want to

40:28 Speaker 3: do that.

40:29 Speaker 4: Yeah, you kind of have, Like like I said, if

40:31 Speaker 4: you want to do what I'm doing where you take

40:33 Speaker 4: control of every aspect of it, yep, you just got

40:36 Speaker 4: to learn it. You got to, you know, put your

40:39 Speaker 4: best foot forward. And I'm trying yea. But I also

40:44 Speaker 4: was doing some some fun Sonic the Hedgehog music flips

40:48 Speaker 4: with Kendrick Lamar. Oh really, yep, over it? No kidding, Yeah,

40:52 Speaker 4: it's on there. I did two of them, Greenhill Zone

40:56 Speaker 4: from Sonic the Hedgehog. Have you do you remember Sonic?

40:58 Speaker 4: I do, Yeah, hill Zones the first level, so I

41:02 Speaker 4: put Kendrick Lamar's humble over that.

41:05 Speaker 3: Really.

41:06 Speaker 4: Yeah, it sounds really fun. And then spring Yard Zone

41:09 Speaker 4: from Sonic One, I put the Beastie Boys root down

41:14 Speaker 4: and jay z Germaine dupri Money and Money. Yeah. Yeah,

41:21 Speaker 4: so there's a fun there's some fun stuff. I'm always

41:24 Speaker 4: doing some whatever, weird whatever things that pique my interest.

41:27 Speaker 13: Yeah.

41:28 Speaker 4: But there's a bunch of bunch of my music videos

41:31 Speaker 4: on there and content. So yeah, Instagram too, like you

41:35 Speaker 4: you can follow me there and see all sorts of

41:38 Speaker 4: stuff that I'm dropping daily.

41:39 Speaker 3: Yeah. Absolutely, Well, you're very prolific. You know, you got

41:42 Speaker 3: a lot of a lot of content, a lot of

41:44 Speaker 3: great music.

41:44 Speaker 4: And gotta get it out somehow.

41:46 Speaker 3: Yeah, exactly, exactly.

41:49 Speaker 4: We have time.

41:49 Speaker 3: Do you want to play one more? Yeah? Selfishly, I

41:52 Speaker 3: would love to hear one more.

41:53 Speaker 4: Ye too. Yeah, I'm gonna try some I never Yeah,

41:58 Speaker 4: this is the day of never trying.

41:59 Speaker 3: Okay on live radio, We're very honored.

42:04 Speaker 4: Okay, So I'm gonna I'm gonna try this guy.

42:08 Speaker 15: M m hmmm.

42:12 Speaker 4: Mm hmmm.

42:15 Speaker 8: H I just can't relax, h.

42:26 Speaker 16: M hmm.

42:30 Speaker 6: Gotta close my lids and drift away.

42:34 Speaker 1: M h.

42:38 Speaker 15: M hm.

42:44 Speaker 6: Inhale all the socks, engine and exhales smoking all the pain.

42:55 Speaker 6: We gotta relive this every day till the memory is

42:59 Speaker 6: all that from Maine. I gotta break the cycle in

43:08 Speaker 6: to stay too strong, to run away, face the change,

43:18 Speaker 6: Brace the day, take the ascid, explore internally, take the bath,

43:23 Speaker 6: wash the soul. Just sing the note, strike the corn.

43:27 Speaker 6: Must follow the frequency and the vibration down to the

43:31 Speaker 6: end of the manuscript paper, up to the heaven, from

43:34 Speaker 6: the bellows of my being, down to the wire left

43:37 Speaker 6: to tap in the street.

43:39 Speaker 4: Th red County's crows at the feast.

43:42 Speaker 6: Nobody's perfect getting away with murder, Just praying on the miracle.

43:46 Speaker 4: What we're all waiting for.

43:48 Speaker 6: No vert it all just light, light that shines righter

43:53 Speaker 6: than the next. As we go down, the light keeps

43:57 Speaker 6: getting it every time when you don't have to try.

44:02 Speaker 17: Just there is no compromise. Justice, Justice is no compromise.

44:13 Speaker 17: But maybe all you really need is love. Set of

44:16 Speaker 17: all out attention.

44:24 Speaker 6: Maybe all you really need is luck, some patience, a

44:28 Speaker 6: born hug. But maybe all you really need is love

44:38 Speaker 6: instead of all that attention.

44:46 Speaker 4: Maybe all you really need is love.

44:49 Speaker 6: Instead of all those drugs. Many all you really need

44:59 Speaker 6: is love. Uh, Maybe all you really need is love?

45:06 Speaker 18: Yeah, love, love, love love, no dusty snop, but it's

45:16 Speaker 18: stuff that day.

45:17 Speaker 3: It's stuff dumping, stop stun.

45:23 Speaker 6: They had attention, un warrants and attention.

45:28 Speaker 5: Un warrant and attention.

45:31 Speaker 6: Lord, let shine.

45:38 Speaker 1: Time. It's stubtention.

45:42 Speaker 2: Oh this snother attention, Oh thisnther.

45:46 Speaker 4: Attention needs some patience and a warm home.

45:55 Speaker 3: That is awesome. So going in the place, list.

46:04 Speaker 4: Stuff out.

46:05 Speaker 3: No, that is so good music.

46:10 Speaker 4: That's going that I do.

46:13 Speaker 3: I get creative when I listen to Yeah, she likes

46:16 Speaker 3: she likes to paint while you're while you're listening to

46:19 Speaker 3: your stuff.

46:19 Speaker 4: That makes me so happy to hear. And I'm honored

46:22 Speaker 4: and you're just grateful. Thank you, guys.

46:25 Speaker 3: We love you.

46:26 Speaker 4: We love it absolutely, guys.

46:28 Speaker 3: Absolutely You'll have to keep us.

46:29 Speaker 1: Posted on that.

46:31 Speaker 16: Uh.

46:32 Speaker 3: I bet your planing there.

46:34 Speaker 4: Yeah, it's gonna be awesome. I think I'm gonna try

46:38 Speaker 4: to do the impossible where it's not you knows, opens

46:41 Speaker 4: up for Kenneth Wood, opens up for Kenny True.

46:43 Speaker 3: Oh I love that. Yeah, that was of course.

46:49 Speaker 4: Well it's all I'm telling you. If I'm gonna go hard, go,

46:53 Speaker 4: I gotta go, We're gonna make a spectacle of it.

46:57 Speaker 3: So I think that's a great idea.

46:59 Speaker 4: You heard everything here first, I just want you to guess.

47:02 Speaker 3: So if you want to know what's next, yeah, stay tuned. No,

47:05 Speaker 3: I appreciate that. I appreciate that, and I appreciate you

47:07 Speaker 3: coming in. We are approaching the top of the hour,

47:10 Speaker 3: so I want to make sure everyone knows where to

47:12 Speaker 3: find you online, where to keep up with everything that

47:14 Speaker 3: you're doing, and if you do have anything coming up too,

47:15 Speaker 3: if I don't know, I mean we talked a little

47:17 Speaker 3: bit about gigs, and you know you're you've been busy recording,

47:20 Speaker 3: but anything specific you want to promote coming up?

47:22 Speaker 4: Yeah, I'm basically just stay tuned, honestly. Instagram, Kenny truon,

47:29 Speaker 4: t r U h N, it's Kenny truon music obviously

47:33 Speaker 4: the AT symbol, and on YouTube Kenny troon every platform

47:37 Speaker 4: Kenny truon or if you want to look up Kenneth

47:39 Speaker 4: Wood and the Brothers, Nylon. Yes not, no's one word,

47:45 Speaker 4: don't forget the A up in the middle and uh yeah,

47:49 Speaker 4: I mean I don't even know half the time what's happening.

47:52 Speaker 4: I just uh, every day it changes. So that's you guys,

47:56 Speaker 4: just got to tune in if you want to hear

47:57 Speaker 4: some what's going on?

47:58 Speaker 3: Yeah? Absolutely, absolutely, Well, we were really appreciate you being

48:02 Speaker 3: here today, and I think I would like to close

48:05 Speaker 3: out the segment. You know, I still love this song.

48:08 Speaker 3: I don't think we're ever alone.

48:09 Speaker 4: Oh okay, Yeah, I think I think I might have.

48:11 Speaker 3: Played this the last time you were here, too, just

48:12 Speaker 3: because I love it so much. Do you want to

48:15 Speaker 3: just remind people or for people who are who maybe

48:18 Speaker 3: newer listeners who don't know what this song is about,

48:20 Speaker 3: because I just think this is so cool.

48:22 Speaker 4: Right, Yeah, I was living it was a pandemic, and

48:27 Speaker 4: I moved in with a bunch of just like five

48:31 Speaker 4: roommates and there was a brand new place and it's

48:35 Speaker 4: a hectic time because pandemic. Everyone's like, oh, you know,

48:38 Speaker 4: so think about moving during that time. But but yeah,

48:43 Speaker 4: a lot of weird stuff was happening in the house.

48:45 Speaker 4: I didn't know, but before I moved in, someone had

48:50 Speaker 4: overdosed and I was the guy filling in the room. Yeah. Yeah,

48:56 Speaker 4: I didn't take the actual room there was there was.

48:59 Speaker 4: I had a choice taking the basement or the yeah,

49:02 Speaker 4: and I chose the basement. Chris can vouch for that.

49:06 Speaker 4: He was there when I was picking the room. He

49:08 Speaker 4: was like, take the downstairs. Okay, now that I know

49:12 Speaker 4: what happened in the other room, that's what. That's whatever.

49:14 Speaker 4: But but yeah, a lot of weird stuff was happening

49:17 Speaker 4: in that house, let me just say, and uh it

49:20 Speaker 4: inspired this song. A lot of weird things, like, uh,

49:25 Speaker 4: randomly the deck being set on fire while I'm oh, yeah,

49:29 Speaker 4: that was.

49:29 Speaker 3: The that was the wildest part. When you first told

49:32 Speaker 3: us about that, I was like, oh my god.

49:34 Speaker 4: And I was smoking cigarettes at the time, so I

49:36 Speaker 4: was like blaming myself. I did that, But I did

49:39 Speaker 4: find shards of a mirror on the ground. That was

49:43 Speaker 4: the sun was hitting the mirror and the mirror was

49:48 Speaker 4: hitting dried leaves. Yeah, started the fire. Yeah, you would

49:51 Speaker 4: have thought of some boy scout stuff, but it was

49:53 Speaker 4: uh yeah, because what are the odds? Yeah, and then

49:56 Speaker 4: that and then there was also another weird incident where

49:59 Speaker 4: there was blood from out of nowhere.

50:02 Speaker 3: Just it's crazy.

50:04 Speaker 4: Yeah, hauntings, it's a real thing.

50:06 Speaker 3: Yeah, yeah, wow, the.

50:08 Speaker 4: Souls are among us.

50:09 Speaker 3: Yes, yes, well, so I think we should end the

50:13 Speaker 3: segment with this track. And if you are listening live

50:15 Speaker 3: on Saturday, we have two towns coming up in the

50:17 Speaker 3: third hour. But Kenny Truan always wonderful to have you

50:20 Speaker 3: on my friend. Absolutely absolutely we will, we will do

50:24 Speaker 3: it again. And here it is again. This is such

50:27 Speaker 3: a great song. This is called I don't think we're

50:29 Speaker 3: ever alone.

50:56 Speaker 5: Just crept in through the door.

51:00 Speaker 14: I cat in the shadow?

51:02 Speaker 1: Do you hear that?

51:04 Speaker 5: Do you smell that? I think something's burning?

51:08 Speaker 8: The blood was spilled, loaves were lost, spells lurk within

51:13 Speaker 8: these walls.

51:15 Speaker 16: Something weird going one. I don't think we're ever alone.

51:24 Speaker 5: I don't think we're everone. I don't think we're ever long.

51:36 Speaker 13: I don't think we're ever alone.

51:42 Speaker 16: I don't think that we I ever alone.

52:11 Speaker 5: Just fell off.

52:12 Speaker 4: The ball was dead like that mouse in the corner.

52:17 Speaker 8: Did you see that leg got in the trap? No,

52:20 Speaker 8: I don't want to remember.

52:23 Speaker 5: The blood was spills.

52:25 Speaker 8: Does spirits lived with them?

52:28 Speaker 5: These balls? Something weird going on.

52:33 Speaker 16: I don't think we're ever lone.

52:39 Speaker 13: I don't sit where ever lone, and I don't sit whereever.

52:51 Speaker 17: I don't think where ever lone.

52:57 Speaker 1: I don't think that we I ever said.

53:00 Speaker 8: I don't think that we I have a sent don't

53:03 Speaker 8: think that we I have I don't date that we

53:08 Speaker 8: I ever.

53:15 Speaker 15: A home.

53:26 Speaker 8: Don't I do think that we are ever alone?

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55:57 Speaker 23: We listened to our music at Nice's title business program.

56:04 Speaker 16: Late Night to Light with DJ Mitas right here on

56:07 Speaker 16: w MNH Manchester.

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56:15 Speaker 24: This hour on wm NH is sponsored by CGI Business Solutions,

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57:42 Speaker 1: Won, dude, WMNH rip the novels.

58:17 Speaker 15: Yeah, see sitting and living room.

58:21 Speaker 5: Your life's gone now, way too soon.

58:24 Speaker 15: We can be going back in the bas we live

58:28 Speaker 15: by the times.

58:29 Speaker 4: They went to face rob.

58:32 Speaker 15: Downs that we shall now. I know you did knockets.

58:37 Speaker 15: You can seeking around with another, dude. I can't stand

58:42 Speaker 15: up being packet. Soon, I'm running away.

58:47 Speaker 10: I'm leaving today.

58:51 Speaker 5: Coming by to.

58:54 Speaker 2: Sorry to leave you.

58:55 Speaker 5: So I'm running away.

59:00 Speaker 10: Oh, I'm leaving to day. I'm calling by too, sorry

59:07 Speaker 10: lead you so. Yeah, I was making.

59:12 Speaker 15: My chance of an hour or two, the thought of

59:14 Speaker 15: being somewhere else alone with you having me shook up

59:18 Speaker 15: and shake him.

59:19 Speaker 5: Don't know what to do.

59:24 Speaker 15: So where you're from, where you ban up from heaven?

59:29 Speaker 2: Done nothing And I don't really want to be the one.

59:32 Speaker 4: Who got caught.

59:33 Speaker 5: I'll start always and all away.

59:36 Speaker 10: And I'm saying I'm running away.

59:40 Speaker 5: I'm leaving to Day. I call me by to.

59:47 Speaker 10: Sorry to lead you, su, I'm running Oh, I'm leaving

59:54 Speaker 10: to Day.

59:56 Speaker 2: I'm calling back.