Matt Connarton Unleashed 3-23-24 hour 3
What's This About?
Erich Pilcher's Classic Film Review: Steven Spielberg's Schindler's List (1993).
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Okay h m hmm, okay, but I said sleep. That's now My buggy said it. Come sheep lead the dollary day. That's happy as nothing else to say. The photogetic teeting. I'm all on the finger and the breath the beast. Whoa who we got a chicken in the back? Out? Whoa? Hello? We got a chicken in the back? Dot? Whoallo got a chicken in the background? In body the sheep do not have a present, double, but you can't be a bee. The package is in a pot stringing every double. Bir a country mom, he's you bull, your big tell me black and give you catch your break.
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Their phone number is eight sixty six eight four one forty six hundred, or on the web at CGI Business Solutions dot com command D don't get screely done, Zel giving Welcome back, everybody. It's Matt connordton unleash. We got a packed a third hour for you coming up in just a couple of minutes. We have Eric Pilcher's classic film review and this week the subject is Steven Spielberg's in nineteen ninety three classic this masterpiece, Shindler's List. And then we've got a band coming in all the way from Connecticut.
They've got a big show coming up in nash weat tonight, so they're gonna stop in here when the dead bolt breaks. But first a surprise, This was not advertised, but DJ Reckless, what are we about to hear? I put a here a world premiere of one of my first tracks that's coming out with Ja Mason and a few other friends. Okay, but yeah no. This song is called Way to the World. We wrote it, it was me Shaun White and who had DJ with and we produced it. Ja Mason was the top line. It was the listinger on it.
I wrote the lyrics part of them. It was during a time where like I was just going I guess was going through a really bad breakup. Yeah, and there was a lot of things with nightlife. I just got college not going and everything. I was like, that's so much my My anxiety was that all the time high and this was like I felt way down. Yeah, a lot of stuff. So we put it in a song basically, and hence the title Weight of the World. Yeah, all right, so this is DJ Reckless with Jay Mason and who else Sean White and Sean White.
All right, check it out the World Radio premiere. Light down,
let it out, Pressure to high got me on the ground, open my eyes, I could see it now, twist off, let it go. Rather than myself with the camel coles. Another long night with my thoughts.
I'm trying my best hold out by a fine it to make some space. Let up on to money. He could bat scale so I can carry thy, Carry so I can carry the way. Carry an extending so I can carry away, carry the way. I guess it's waiting the waterdcast.
I'm trying my best start on the holder. I gotta find a way to make sin spaining building up a load too made the border. Say so I can carry the way carry away, So I can carry the way way way
way alome. So I can't carry it it happens, happen, So I can carry the way carry away for a faine vain for faelo bgan bumbga ba yeah, call Nacha, yes, neka right and the world to many six hundred ye do the same thing I'm doing. I might even make money at it. I don't know. Come on, do this. I know about the extra food and clothes. You get them paid for out of your own pocket. If we make a combined approach, we could get more than four thousand dollar minor yours as you could relocate them in something like safty a moravia.
I don't know how many stick it you smoke the night good minutes for everyone you smoke. I spoke half. I've done all mechanical not except that. No, i'sna count do what you want? Not accept that, no
man, how many eight one hundred and fifty five a day? But take what stand if or take what to count them? How many? I didn't you can finish that page? What did good say about this. You just told him how many people you needed in me. You're not buying them.
You're buying them. You're paying it for each of these. If you're still working for me, i'd expect you to tell me out of it. It's costing me a fault. There is the page one space of the body.
The List is an absolutely good The List is life. Historical dramas have a mixed history in Hollywood. In some cases they have been criticized to the point where they have been ostracized from film lore, or controversies have diminished their staying power. Then there are exceptions. These films leave an undeniable impact that time cannot diminish the message in power they carry. This week's film is one of those, and it is as important now as it was the thirty plus years ago. It was released based off the novel Schindler's Arc by Thomas Kanely released in nineteen ninety three and directed by Steven Spielberg.
Schindler's List tells the story of German Nazi industrialist Oscar Schindler, who decides to use his wealth and power to save over one thousand Polish Jews from concentration camps. By bribing Nazi officers, in particular the cold and callous Nazi General Aimon Death played by Ralph Fines. Rounding out the starring cast is Sir Ben Kingsley in Mbeth Davitz. Spielberg was initially reluctant to take on the project. He passed it on to several other directors because he felt he was not mature enough to do the film.
This includes Roman Polanski, Martin Scorsese, Sidney Pollock, among others. Spielberg finally agreed to direct the film when Holocaust Denial really began to gain traction in the world, especially here in the United States. The next clip is from The Today Show in twenty eighteen, celebrating the twenty fifth anniversary of the release of the film. In this clip, Spielberg talks about the difficulties of making the film and his decision to film the movie in black and white. In the fight that followed.
I don't think I'll ever do something anything as you know, as important to my life as the way this film affected personally affected me and my family. And so this for me is, you know, something that I will always be proud of. Stough I look back at an interview you had done about the time of the release of this film, and he said, what the effect? You didn't expect it to be a hit? Was? That? Was that the case? Yeah, that was very accurate. I didn't. I couldn't imagine based on the story that we told that an audience would tolerate the just the amount of violence, you know, human against human or inhuman against human.
Schindler's List was in fact a hit, the winner of seven Academy Awards, including Best Picture and Best Director, but Spielberg says that now famous movie could have looked very different if studio executives had their way. I was the only one they wanted to shoot the picture in black and white, but the studio didn't. They didn't think they could sell like a set if it was in black and white. And at one point that they were negotiating with me, they said, shoot it in color.
Will release the film in black and white, but then we'll release the cassette in color. And I said, no, this is I don't know the Holocaust in color. I wasn't around then, but I've seen documentaries in the Holocaust, and anybody who's seen any documentaries, they're all shot in black and white. I can't imagine what it was like to shoot this film. You're in cracky, you're in some of the places where this actually happened. I know there's cameras around and all the trappings of movie, but the scenes had to have taken a personal toll on you, your crew, your cast.
Yeah. Well, I think everybody felt that we were memorializing something, and it felt to all of us as if we were shooting in a cemetery. So there was a kind of amazing equanimity of respect, and it was quiet on the set and everybody just did their work. No one was laughing, no one was telling jokes. Now, twenty five years later, the film is still teaching new lessons. Individual hate is a terrible thing, but when collective hate organizes and gets industrialized, then genocide follows, and we have to take it more seriously today than I think we have had to take it in a generation.
And now we're in an era that anti Semitism is on the rise, enophobia. We all know what racism happened in Pittsburgh. Is this an important time to re release this film. I think this is maybe the most important time to re release this form. Possibly now is even a more important time to re release Schindler's List than nineteen ninety three ninety four when it was initially released. This film is quite powerful in its approach, both in filming and performances. This includes the game a mental chess being played by Gath and Schindler.
Both men are shrewd and keen touth smarting people. However, Schindler is compassionate and wants to use his wealth and intelligence to save the Jews from peril, whereas Gath is a sociopathic, cold blooded killer with no emotion or remorse. The next two clips show this. First, while building a stockade at a concentration camp, a Jewish woman who is a contractor tries to persuade Gath to stop instruction because the foundation is bad. His ruthless means of dealing with her show the callous nature of the man.
Then, Schindler speaks with Helen Hirsch, a woman Death has selected from a concentration camp to become his maid, whom he becomes smitten with and due to this begins to abuse her both verbally and psychologically. Here, Shindler explained with great compassion why she is safe, while showing care for her plight as they are. So
one of you is very lucky girl. There is an ultimate job away from all this backbreaking up. That's a villa of you has domestic experience. Yeah, on second, so I was, I don't really want someone else's mate, although annoying habits have to undo. I don't want to give you my call. What's her name? What I can't hear? Cones? Yeah,
you're she says, your great sports just got to take it down. I told her to come on. The entire foundation has to be torn down and report. If not, there'ld be at least a silence at the southern end of the barracks subsidence and then collapse. You are an engineer, Yes,
my name is Jana Haka. I'm a graduate postical engineering from the University of Milan. I'm educated too, like Karl Marx himself. Shoot her command. I'm only trying to do my charge. I'm doing mine, sir. She's farmer of construction, so I'm not going to have arguments with these people. Okay, oh, shooter, here a party. It will take more than that. I'm sure you're right. And now, Schindler in hersh I said to him, I don't know how I say this, I never could say it now. I said to him, why are you beating me?
He said, The reason I beat you now is because you ask why I beat you. I know you're sufferings. It doesn't matter. I have accepted them, accepted them. One day he will shoot me. He wont to shoot you. I know. I see things. We're on the roof on Monday, Young Malicia and I and we saw the hair Commandant came outed the front door and down these steps by the patio, right there below us, and and there on the steps he drew he's gone, and he shot a woman who was passing by, the woman carrying the bundle through the throat.
Just just just a woman on her way somewhere. You know. She was no fatter or thinner, or slower or faster than anyone else. And I couldn't guess what had she done. The more you see of the Heir Commandant to the more you see there is no set rules that you can live by. You can set yourself. If I follow these rules, I will be safe.
He won't shoot you because he enjoys you too much. He enjoys you so much, he won't even let you wear the star he doesn't want anyone else to know it's a Jew he's enjoying. He shot the woman from the steps because she meant nothing to him. She was one of a serious my offending or pleasing him. But you, Helen, it's all right. It's not that kind of a cash, yeah. Right. As the war ends, Schindler is bankrupt due to massive bribes he had to do to keep his workers and the Polish Jews safe from dire circumstances at concentration camps.
In our final clip, as Schindler plans to flee due to being wanted for war crimes as a card carrying Nazi, the people he saved give him a ring. As Schindler cries at those he couldn't save, he is reminded of those he did m We've written a letter trying to explain things in case you were captured. Every worker has signed it as he Brew from the town that says we ever saves one life, that saves the world entirely. I could have got more. I could have got more. I could have got more. Ask her. There are eleven hundred people are alive because of you.
Look at them. If I made more money, I threw away heads of lace. Funny you had no idea if I just generations because of what you did. I didn't do enough? Who did so much? This film is well deserving of every great review, award and lasting impact it is received. And then some and honestly that could not even do this film justice. There could be multiple reviews on this program with powerful scenes talking about the symbolism in the film with candles and yes, the little girl in the red jacket, and the effort all that were involved in had to put forth.
It is a film that everyone must see once in their lives to understand that to do right, no matter how small you think the impact might be, can have the greatest lasting ramifications. I hope you join me next week when we begin our month long tribute to Orson Wells with a special look at the fight he went through to make his seminal film and in my opinion, the greatest film ever made, Citizen Kane. And then in two weeks we will actually review Citizen Kane as it is my favorite film of all time. For WM and H and Matt Connorton Unleashed.
This has been a clasic film review with Eric Pilcher two Series A, Series three, ninety two three Greased three aster cho who come
to show show Cold Shoe Shay snow O S S S S S S S
S S S. That is called not to Touch the Earth. The band is when the dead Bolt breaks and I think we have on the phone with us Aaron from when the dead Bolt breaks, Aeron? Are you there? Yeah? Are you doing good? Good? Welcome to the Welcome to the programmer was hoping to have you here in studio. But obviously the weather has been a challenge for for people. I thought we were just getting rain, to be honest with you. Yeah, no, it was pretty brutal. It's actually And we've got everybody here. It's Steve Amber, myself and Rob is gonna be coming up in a second here.
So oh, very good, very good. Now. Uh so you guys are from Connecticut, correct, Yes, sir? And whereabouts in Connecticut? Uh, kind of all spread out throughout the throughout the state, so some of us are through the eastern part and through the other side, so all around Connecticut. Yeah, I was a scar area was Yeah, that's true, it is. Yeah. I was born in Hartford. That's why I was curious. But uh yeah, a lot of great bands a lot of great bands come out of that area. What I love that track by the way, not to Touch the Earth, That is really really good.
How how do you for people who haven't heard uh when the dead bolt breaks? How do you? How do you describe your music? What? Everyone always say it's this question, but just for the for the sake of it, like, how do you categorize what you do? Yeah? Well, we for years have gotten thrown into the doom category, but I don't know if I've ever really seen it as a doom band. It's more like a psychedal, psychedelic, heavy experimental metal I guess. Yeah. We do a little bit of everything from you know, grind parts to sludgy doom parts to quiet, pink Floyd stuff, and it's kind of all over the gamut, you know, So it's just kind of hard to pigeonhole into one doom category, you know, right right totally?
Who does the vocals? Is that you? Yeah, that's me? You know. Uh. We actually just added Amber to the band this year, actually last year, so we're splitting a lot of vocals. She's been on a couple of records before. Okay, okay, particularly curious about the vocals because I also, I don't know if you've ever heard this before, if anyone's ever said this to you, maybe, but I also hear a little bit of the Doors in there, and I think it's because of the vocals. The vocals actually remind me a little bit of Jim Morrison.
I take that as a huge compliment, thank you. Yeah, yeah, something about the delivery. So you haven't heard that before or no, no, I've gotten I've actually gotten typo negative, which always kind of threw me for a bit of a loop. I can hear that too. Yeah, you got a little Pete Peter Steele going there. Yeah, I mean I grew up. I'm a huge fan of you know, the animals, the doors, you know a lot of the seventies and even the c you know a lot of the crooner style David Bowie. Yeah, so I think that's kind of where that whole thing kind of came from.
We actually did two doors. He actually just played one of them. Yeah, no kidding, what what what? What doors covers? So we did not to touch the earth and then we also did My Wild Love, which is on one of our it's an EP, but we did some kind of interesting techno remixes of some of our stuff on that one. Really. Oh that's interesting. I want to hear that. It's called the Nightmare versions where Steve actually before he was in the band, had taken some of our stuff and kind of remix them as if it basically sounds like Godflesh redid some of our songs.
Yeah, so we ended up throwing on the cover of not of of My Wild Love on there, which is kind of an interesting version of it. So yeah, yeah, where does the name come from? By the way, I love the name? When the dead Bolt Breaks is a great name.
Probably a whole lot of LSD, to be honest, not that I'm promoting that, but when I was younger, I did, you know, a lot, and it was a we were in time where I was having this reoccurring dream or vision kind of thing where of just this cartoon scene of like this guy on this doorstep it's raining, He's got flowers in one hand and you know, smoking barrel of a gun in another, and on the other side of the door, the door is kicked open and you just see the feet of somebody laying there. So I always thought, kind of when the dead bowl breaks, it's like, what happens.
We don't know, you know, so that's kind of where it came from. Yeah, No, no one knows who they were, where they was going. I mean, I envy, I do, I do oh. I love a good spinal tap reference. That's good. Now, how long have you guys been around?
The band in general has been around for about fifteen years. Wow.
We've had a lot of lineup changes over the years because it was never really about the band. It was more about the music and whoever could bring whatever to the music, you know. So each one of our records has it's sometimes a different lineup, and you know, always has different people involved with it doing vocals or you know, certain songs where they added something to it, you know. So but this line up here two years yeah, okay, okay, Yeah, I'm looking at your band camp and you've had a lot of releases over the years, so makes sense that you've been around a long time.
Yeah. We're working on our tenth record now, wow. Wow, Now where do you record? We we've actually done everything ourselves ever since the beginning, actually, and it works out good now because I have my own studio, Rob's got his own studio, and Steve has his yeah, so we kind of do pieces of it at different spots depending on what we want to try and accomplish. So yeah, yeah, we're all self sufficient. So I often say it's amazing that, you know, we live in a time where you can really do that. There's so many different ways that you can record music, and you know you can you can be working in different studios and email tracks back and forth.
There's so much you can do now that you know you really couldn't do. Like when I was growing up, you know, it was uh, you know, you go to a studio and and you do everything there, and now you've got a lot of options as the process, I assume the process has changed over the years though, right going back fifteen years. Yeah, I mean the first record,
it was a weird process. I mean we ended up getting signed on that record, even before it's called in the Ruins No La Shall Sign. So I had just left Cable, which was, you know, it's the time we were touring. I was touring with them for about a couple of years and when I left, I had this idea of doing something really heavy and slow and just discussing and a drummer, and I started putting it together, and we got an offer like halfway through the process, before we even had a band put together. So we took the offer, rush kind of put the band together and then that was it.
So after that we end up doing a lot of we get together for like a weekend, drink a ton of wine and just write and record simultaneously whatever happens, which is what we kept you know. Yeah, it's a little more pro you know, a little more streamline now, but still a unique process, you know. Yeah, what are your live shows like? By the way, and because I've not seen you live, but I it seems like your music would lend itself to to some degree of theatrics or maybe not. Maybe you just maybe you just show up and play.
I don't know what what is the live show like for you guys? Loud and abrasive? Yeah, yeah, I mean, you know, Aaron loves doing projection, so we have some visuals to go along with it. Not a whole lot of talking, but also not a whole lot of silence between songs. There's always some kind of noise going on. Yeah, and we I don't want to say we go out of our way to hurt people, but sometimes it happens, so we try to make it more. I always wanted it to be more of an experience than a rock show, right, So from the second we start playing to the second we end, there's no breaks really, you know, it's a it's a constant wall of noise, wall of sound, you know, and sometimes it's a little bit of feedback or it depends on kind of what song we're coming from and going into and the projections.
It's about an hour and a half that I that I've put together over the years of different images and different videos that we've actually done for the band. Some parts of the movie begotten, so it's a little bit of everything. But it's just there's a lot of dark scene or you a lot of flashes that kind of goes along with the music. Not fit for those with visual epilepsy, right understood, understood, sensitive stomach. Now, obviously with the band spanning over fifteen years, it does earlier materials still show up in the set list or do you tend to do more recent stuff?
Yeah, it does show up. Actually that we have now is kind of set up. We're not actually some of the career. Yeah, yeah, well that's a little different though, you know, it's never quite like the record, particularly with the lineup changes. You know, it almost be impossible for me to play like you know, the past basis. So we try to just work within whatever we've got at the time and just let it go. Yeah, very cool. Now, have you guys played New Hampshire before you're going to be in Nashua tonight at Terminus?
Have you made it up this way previously? We have over the years, not often, but over the years we have. I know, I remember we actually play. We were in stona rock band called Buzzar Canyon for a while and we played with Scissor Fight at the oh the Drunken Frog or something like that, The Something Frog. Okay, it might have been a Manchester I don't remember what we did that. I know dead Bolt's been up here a couple of times, but not very recently actually, so yeah, yeah, And how did you get involved in tonight's show, of course at Terminus with Dank Sinatra and Dad Harrison.
How did you get involved? We've actually played with Den Harrison before, back in Connecticut, excellent, and
we had been booked on the show in Vermont, so I was trying to get something to build around that and I started talking to Eleanor and she asked us to come play Terminus. So it worked out pretty well. So we're excited about It's our first time there and we've heard really good things about it. So yeah, I was there for the open house, kind of the grand opening, and I'll tell you I don't want to spoil anything, but I'll just say this much. Walking into that room, it's like you're in another world. It's pretty awesome.
And there's a picture actually, there's a picture of me with Andre from Dad Harrison on social media of us standing in that room and it's just and I said in the post, I said, it's like another world in here. It's amazing. It's kind of like a magic room. You know, you'll see what I mean when you get there. But very very cool. Now, what's are you guys headlining or what's the order tonight? Actually I don't know, so that's a good question. Yeah, yeah, you know, we like surprises, so we'll find out when we get there, I guess.
Yeah. Yeah. Do you know how long you're playing? How long your set is? I mean we the set we have now, I mean we can easily do probably about an hour and fifteen so it really depends on how long they want us to play. Right last night, I think we did about forty forty five minutes something like that. So yeah, yeah, oh very cool. Now are you guys doing a lot of shows? Do you have a busy spring and summer ahead of you? Well, we kind of got stuck behind this year because somebody broke their leg. Oh and it kind of threw things off schedule for a little bit.
Yeah, way to go broken leg guy. Yeah no, which came out of the band. I broke my leg back on Christmas Eve, so oh no, we kind of set our schedule back a bit. This is actually our first shows of the year. But then right now we've got a couple of shows in Connecticut schedules. We're going down to play Maryland doing fest again for the thirty year in a row in June, so we've we've got some stuff set up, so we're excited. Yeah, very cool, Very cool. Do you have you must have videos on YouTube? Right?
Do you have videos that you've done for for some of your music? We do. We've we've done three videos so far. Okay, they're all up on YouTube. We've written and directed them and did that whole thing ourselves and made them kind of into stories, like separate little stories because the songs are kind of long. So yeah, it just kind of made sense to
make it into an epics theme, you know, right, like Thriller, only without the contact lenses and Vincent Price at the end. Although if we could get Vincent Price, I wouldn't turn it down. Yeah, when the dead boult break, oh yeah in his voice, that would be perfect. That would be perfect. I think he's he's been gone a while unfortunately, but h yeah, I like that idea a lot. I mean, maybe some days I'll be able to resurrect them, who knows. Yeah, you never know. With the technology, Yeah, we can have a virtual virtual Vincent Price.
Well, actually, if you think about it, you can do that anyway with AI technology. Now, I mean, somebody put a whole George Carlin album that wasn't actually George Carlin on YouTube, so you could probably create an AI version of Vincent Price. The possibilities are endless pop up in the uh have been and prices head pop up during the video, just like plug words, right, Yeah, yeah, that'd be sweet. That would go that would go viral. I would think, Yeah, I know what the Wonkatin. So I am going to play as we were already approaching the end of the show, but I am going to play this other track, I Live in Dirt And but before we do that, what should people know about not only, of course the show tonight.
You're gonna be at Terminus in Nashua tonight, but what should people know too about where to find you online? Where to keep up with everything that you guys are doing. Yeah, so, I mean, just you know, we've got the band camp up. We've got a link to actually a website, dead Bull dot When the Dead Bull breaks dot Com goes directly to our band campage. Okay, so thats all merchandise and records up there. Our most recent records were out in Argonauta Records from Italy and Electric Talent, which is out of Pennsylvania.
We released in the same year. Because it was supposed to be a double disc, we split it up to two separate records. It's on one vinyl. Yeah really, but we're on all the major streaming networks and all that stuff, so you know, Spotify and all that Youtubeify and yeah, MySpace. Oh wow, we might even have a LinkedIn account somewhere. I don't know. Yes, my Space. Wow. You know what's interesting about MySpace is you can't if you've ever been on MySpace, it's impossible to you know, if you ever, for whatever reason, wanted to remove yourself from MySpace, you really can't.
They make it pretty much impossible. It's all still up there legitimately. Yeah, I've never been there. I haven't been there in years. But yeah, we've got the MySpace and reverb Nation too, whatever that was. Oh yeah, yeah, that's a little more current. But yeah, MySpace. But yeah, if you've ever had anything on MySpace, it's still there. Like they make it impossible for you to get rid of it, so for whatever reason. But no, that's that's cool, very good, very good. And uh and with a name too, like when the dead bolt breaks.
You're very very googleable, as I like to say, if you google the name, you know, everything comes right up, so it's easy to it's easy to find you guys. And uh, I'm a fan. I'm a fan. I like what you're doing. It's good stuff. And we are. Yeah, we're already approaching the top of the hour. But I'm glad you made it. I'm glad you made it to New Hampshire safely. I know the the weather has been suboptimal, as someone said earlier in the show, so I thought we were just getting rain and it turned out to be uh something much more so.
Yeah, but did you all did you all come up in one vehicle? No, we split up. We split it up because it just made it easier at the time. So yeah, yeah, there's a lot of gear but uh yeah, yeah, you know, but we do. We appreciate you having us on the show, and you know, we're sorry I couldn't make it into the studio, but we do appreciate it. Yeah, that that's okay, Like I said, Like I said, the weather kind of screwed us, but uh we will, uh we'll do this again in the future and and we'll uh you know, uh uh when when the weather is better, we'll uh we'll have you on and we'll have you come up and and uh we'll we'll sit down in the studio and we'll have more time and that'll be great.
But uh but I do appreciate you calling in, and you know, we had to kind of improvise on the fly, but that's cool. Have a great show tonight. Uh, Like I said, I I love what you guys are doing, and uh, we'll let you go. I'm gonna hit this track as we wrap up. I live in dirt, but uh, when the dead bolt breaks. Thank you so much for joining us today, Thank you for having us hat. Thanks all right, you got it all right, take care, be safe, yep, thanks by bye. All right. That was when the dead bolt breaks.
Calling in and uh yeah, we'll have them back in the future in studio. The original plan was they were gonna be here for the third hour, but like I said, the weather is rough. Although looking outside it looks like they've done a really good job. They do a pretty good job here in Manchester with getting the roads clear and whatnot. So hopefully when I leave here the roads will be in significantly better condition. But thank you everybody who participated today. Of course DJ Reckless who joined me, he had to take off, but he was here for most of the show today.
Love that track. I'm gonna listen to that. I told him that song. I'm gonna wait of the world that he did with this. This is on it with him Sean White and I forget the who's singing on it, but I told him I'm going to listen to that as soon as the show's over, I'm gonna listen to it again, just with the headphones on turned way up, because that is really, really good, and you'll hear it again in the future. And of course I thank you again to Andrew North and the Rangers, also the Jade Trio and of course Eric Pilcher for another great classic film review, and doctor Bethany Billidou for joining us in the first hour.
And she's someone we definitely have to have back too, because that was I thought that was a fascinating conversation. So I look forward to having her in studio sometime in meeting her. And if you missed any part of today's show, it will be up in just a little bit at Matt at wm andhradio dot org and at Mattconorton dot com. And that's gonna do it for us. I will leave you with this. It's a long song. We're not gonna have time for the whole thing, but I'll leave you with this. This is I Live in Dirt.
This is from when the dead bolt breaks. To wrap up today's Matt Connerton Unleashed. We'll talk to you a little bit later, and if you're traveling, be safe out there by. Everybody s s fresh sche cheese such raw swither no by lives away away the side girl. The girl's going to turn now to buy. I tell my child roll roll backers over or closer? Fronto, Fast with the West k on some of my jazz, The dogs around
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