Matt Connarton Unleashed 3-23-24 hour 3

Okay h m hmm, okay, but I said sleep. That's now My

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command D don't get screely done, Zel giving Welcome back, everybody. It's

Matt connordton unleash. We got a packed a third hour for you coming up

in just a couple of minutes. We have Eric Pilcher's classic film review and

this week the subject is Steven Spielberg's in nineteen ninety three classic this masterpiece,

Shindler's List. And then we've got a band coming in all the way from

Connecticut. They've got a big show coming up in nash weat tonight, so

they're gonna stop in here when the dead bolt breaks. But first a surprise,

This was not advertised, but DJ Reckless, what are we about to

hear? I put a here a world premiere of one of my first tracks

that's coming out with Ja Mason and a few other friends. Okay, but

yeah no. This song is called Way to the World. We wrote it,

it was me Shaun White and who had DJ with and we produced it.

Ja Mason was the top line. It was the listinger on it.

I wrote the lyrics part of them. It was during a time where like

I was just going I guess was going through a really bad breakup. Yeah,

and there was a lot of things with nightlife. I just got college

not going and everything. I was like, that's so much my My anxiety

was that all the time high and this was like I felt way down.

Yeah, a lot of stuff. So we put it in a song basically,

and hence the title Weight of the World. Yeah, all right,

so this is DJ Reckless with Jay Mason and who else Sean White and Sean

White. All right, check it out the World Radio premiere. Light down,

let it out, Pressure to high got me on the ground, open

my eyes, I could see it now, twist off, let it go.

Rather than myself with the camel coles. Another long night with my thoughts.

I'm trying my best hold out by a fine it to make some space.

Let up on to money. He could bat scale so I can carry

thy, Carry so I can carry the way. Carry an extending so I

can carry away, carry the way. I guess it's waiting the waterdcast.

I'm trying my best start on the holder. I gotta find a way to

make sin spaining building up a load too made the border. Say so I

can carry the way carry away, So I can carry the way way way

way alome. So I can't carry it it happens, happen, So I

can carry the way carry away for a faine vain for faelo bgan bumbga ba

yeah, call Nacha, yes, neka right and the world to many six

hundred ye do the same thing I'm doing. I might even make money at

it. I don't know. Come on, do this. I know about

the extra food and clothes. You get them paid for out of your own

pocket. If we make a combined approach, we could get more than four

thousand dollar minor yours as you could relocate them in something like safty a moravia.

I don't know how many stick it you smoke the night good minutes for

everyone you smoke. I spoke half. I've done all mechanical not except that.

No, i'sna count do what you want? Not accept that, no

man, how many eight one hundred and fifty five a day? But take

what stand if or take what to count them? How many? I didn't

you can finish that page? What did good say about this. You just

told him how many people you needed in me. You're not buying them.

You're buying them. You're paying it for each of these. If you're still

working for me, i'd expect you to tell me out of it. It's

costing me a fault. There is the page one space of the body.

The List is an absolutely good The List is life. Historical dramas have a

mixed history in Hollywood. In some cases they have been criticized to the point

where they have been ostracized from film lore, or controversies have diminished their staying

power. Then there are exceptions. These films leave an undeniable impact that time

cannot diminish the message in power they carry. This week's film is one of

those, and it is as important now as it was the thirty plus years

ago. It was released based off the novel Schindler's Arc by Thomas Kanely released

in nineteen ninety three and directed by Steven Spielberg. Schindler's List tells the story

of German Nazi industrialist Oscar Schindler, who decides to use his wealth and power

to save over one thousand Polish Jews from concentration camps. By bribing Nazi officers,

in particular the cold and callous Nazi General Aimon Death played by Ralph Fines.

Rounding out the starring cast is Sir Ben Kingsley in Mbeth Davitz. Spielberg

was initially reluctant to take on the project. He passed it on to several

other directors because he felt he was not mature enough to do the film.

This includes Roman Polanski, Martin Scorsese, Sidney Pollock, among others. Spielberg

finally agreed to direct the film when Holocaust Denial really began to gain traction in

the world, especially here in the United States. The next clip is from

The Today Show in twenty eighteen, celebrating the twenty fifth anniversary of the release

of the film. In this clip, Spielberg talks about the difficulties of making

the film and his decision to film the movie in black and white. In

the fight that followed. I don't think I'll ever do something anything as you

know, as important to my life as the way this film affected personally affected

me and my family. And so this for me is, you know,

something that I will always be proud of. Stough I look back at an

interview you had done about the time of the release of this film, and

he said, what the effect? You didn't expect it to be a hit?

Was? That? Was that the case? Yeah, that was very

accurate. I didn't. I couldn't imagine based on the story that we told

that an audience would tolerate the just the amount of violence, you know,

human against human or inhuman against human. Schindler's List was in fact a hit,

the winner of seven Academy Awards, including Best Picture and Best Director,

but Spielberg says that now famous movie could have looked very different if studio executives

had their way. I was the only one they wanted to shoot the picture

in black and white, but the studio didn't. They didn't think they could

sell like a set if it was in black and white. And at one

point that they were negotiating with me, they said, shoot it in color.

Will release the film in black and white, but then we'll release the

cassette in color. And I said, no, this is I don't know

the Holocaust in color. I wasn't around then, but I've seen documentaries in

the Holocaust, and anybody who's seen any documentaries, they're all shot in black

and white. I can't imagine what it was like to shoot this film.

You're in cracky, you're in some of the places where this actually happened.

I know there's cameras around and all the trappings of movie, but the scenes

had to have taken a personal toll on you, your crew, your cast.

Yeah. Well, I think everybody felt that we were memorializing something,

and it felt to all of us as if we were shooting in a cemetery.

So there was a kind of amazing equanimity of respect, and it was

quiet on the set and everybody just did their work. No one was laughing,

no one was telling jokes. Now, twenty five years later, the

film is still teaching new lessons. Individual hate is a terrible thing, but

when collective hate organizes and gets industrialized, then genocide follows, and we have

to take it more seriously today than I think we have had to take it

in a generation. And now we're in an era that anti Semitism is on

the rise, enophobia. We all know what racism happened in Pittsburgh. Is

this an important time to re release this film. I think this is maybe

the most important time to re release this form. Possibly now is even a

more important time to re release Schindler's List than nineteen ninety three ninety four when

it was initially released. This film is quite powerful in its approach, both

in filming and performances. This includes the game a mental chess being played by

Gath and Schindler. Both men are shrewd and keen touth smarting people. However,

Schindler is compassionate and wants to use his wealth and intelligence to save the

Jews from peril, whereas Gath is a sociopathic, cold blooded killer with no

emotion or remorse. The next two clips show this. First, while building

a stockade at a concentration camp, a Jewish woman who is a contractor tries

to persuade Gath to stop instruction because the foundation is bad. His ruthless means

of dealing with her show the callous nature of the man. Then, Schindler

speaks with Helen Hirsch, a woman Death has selected from a concentration camp to

become his maid, whom he becomes smitten with and due to this begins to

abuse her both verbally and psychologically. Here, Shindler explained with great compassion why

she is safe, while showing care for her plight as they are. So

one of you is very lucky girl. There is an ultimate job away from

all this backbreaking up. That's a villa of you has domestic experience. Yeah,

on second, so I was, I don't really want someone else's mate,

although annoying habits have to undo. I don't want to give you my

call. What's her name? What I can't hear? Cones? Yeah,

you're she says, your great sports just got to take it down. I

told her to come on. The entire foundation has to be torn down and

report. If not, there'ld be at least a silence at the southern end

of the barracks subsidence and then collapse. You are an engineer, Yes,

my name is Jana Haka. I'm a graduate postical engineering from the University of

Milan. I'm educated too, like Karl Marx himself. Shoot her command.

I'm only trying to do my charge. I'm doing mine, sir. She's

farmer of construction, so I'm not going to have arguments with these people.

Okay, oh, shooter, here a party. It will take more than

that. I'm sure you're right. And now, Schindler in hersh I said

to him, I don't know how I say this, I never could say

it now. I said to him, why are you beating me? He

said, The reason I beat you now is because you ask why I beat

you. I know you're sufferings. It doesn't matter. I have accepted them,

accepted them. One day he will shoot me. He wont to shoot

you. I know. I see things. We're on the roof on Monday,

Young Malicia and I and we saw the hair Commandant came outed the front

door and down these steps by the patio, right there below us, and

and there on the steps he drew he's gone, and he shot a woman

who was passing by, the woman carrying the bundle through the throat. Just

just just a woman on her way somewhere. You know. She was no

fatter or thinner, or slower or faster than anyone else. And I couldn't

guess what had she done. The more you see of the Heir Commandant to

the more you see there is no set rules that you can live by.

You can set yourself. If I follow these rules, I will be safe.

He won't shoot you because he enjoys you too much. He enjoys you

so much, he won't even let you wear the star he doesn't want anyone

else to know it's a Jew he's enjoying. He shot the woman from the

steps because she meant nothing to him. She was one of a serious my

offending or pleasing him. But you, Helen, it's all right. It's

not that kind of a cash, yeah. Right. As the war ends,

Schindler is bankrupt due to massive bribes he had to do to keep his

workers and the Polish Jews safe from dire circumstances at concentration camps. In our

final clip, as Schindler plans to flee due to being wanted for war crimes

as a card carrying Nazi, the people he saved give him a ring.

As Schindler cries at those he couldn't save, he is reminded of those he

did m We've written a letter trying to explain things in case you were captured.

Every worker has signed it as he Brew from the town that says we

ever saves one life, that saves the world entirely. I could have got

more. I could have got more. I could have got more. Ask

her. There are eleven hundred people are alive because of you. Look at

them. If I made more money, I threw away heads of lace.

Funny you had no idea if I just generations because of what you did.

I didn't do enough? Who did so much? This film is well deserving

of every great review, award and lasting impact it is received. And then

some and honestly that could not even do this film justice. There could be

multiple reviews on this program with powerful scenes talking about the symbolism in the film

with candles and yes, the little girl in the red jacket, and the

effort all that were involved in had to put forth. It is a film

that everyone must see once in their lives to understand that to do right,

no matter how small you think the impact might be, can have the greatest

lasting ramifications. I hope you join me next week when we begin our month

long tribute to Orson Wells with a special look at the fight he went through

to make his seminal film and in my opinion, the greatest film ever made,

Citizen Kane. And then in two weeks we will actually review Citizen Kane

as it is my favorite film of all time. For WM and H and

Matt Connorton Unleashed. This has been a clasic film review with Eric Pilcher two

Series A, Series three, ninety two three Greased three aster cho who come

to show show Cold Shoe Shay snow O S S S S S S S

S S S. That is called not to Touch the Earth. The band

is when the dead Bolt breaks and I think we have on the phone with

us Aaron from when the dead Bolt breaks, Aeron? Are you there?

Yeah? Are you doing good? Good? Welcome to the Welcome to the

programmer was hoping to have you here in studio. But obviously the weather has

been a challenge for for people. I thought we were just getting rain,

to be honest with you. Yeah, no, it was pretty brutal.

It's actually And we've got everybody here. It's Steve Amber, myself and Rob

is gonna be coming up in a second here. So oh, very good,

very good. Now. Uh so you guys are from Connecticut, correct,

Yes, sir? And whereabouts in Connecticut? Uh, kind of all

spread out throughout the throughout the state, so some of us are through the

eastern part and through the other side, so all around Connecticut. Yeah,

I was a scar area was Yeah, that's true, it is. Yeah.

I was born in Hartford. That's why I was curious. But uh

yeah, a lot of great bands a lot of great bands come out of

that area. What I love that track by the way, not to Touch

the Earth, That is really really good. How how do you for people

who haven't heard uh when the dead bolt breaks? How do you? How

do you describe your music? What? Everyone always say it's this question,

but just for the for the sake of it, like, how do you

categorize what you do? Yeah? Well, we for years have gotten thrown

into the doom category, but I don't know if I've ever really seen it

as a doom band. It's more like a psychedal, psychedelic, heavy experimental

metal I guess. Yeah. We do a little bit of everything from you

know, grind parts to sludgy doom parts to quiet, pink Floyd stuff,

and it's kind of all over the gamut, you know, So it's just

kind of hard to pigeonhole into one doom category, you know, right right

totally? Who does the vocals? Is that you? Yeah, that's me?

You know. Uh. We actually just added Amber to the band this

year, actually last year, so we're splitting a lot of vocals. She's

been on a couple of records before. Okay, okay, particularly curious about

the vocals because I also, I don't know if you've ever heard this before,

if anyone's ever said this to you, maybe, but I also hear

a little bit of the Doors in there, and I think it's because of

the vocals. The vocals actually remind me a little bit of Jim Morrison.

I take that as a huge compliment, thank you. Yeah, yeah,

something about the delivery. So you haven't heard that before or no, no,

I've gotten I've actually gotten typo negative, which always kind of threw me

for a bit of a loop. I can hear that too. Yeah,

you got a little Pete Peter Steele going there. Yeah, I mean I

grew up. I'm a huge fan of you know, the animals, the

doors, you know a lot of the seventies and even the c you know

a lot of the crooner style David Bowie. Yeah, so I think that's

kind of where that whole thing kind of came from. We actually did two

doors. He actually just played one of them. Yeah, no kidding,

what what what? What doors covers? So we did not to touch the

earth and then we also did My Wild Love, which is on one of

our it's an EP, but we did some kind of interesting techno remixes of

some of our stuff on that one. Really. Oh that's interesting. I

want to hear that. It's called the Nightmare versions where Steve actually before he

was in the band, had taken some of our stuff and kind of remix

them as if it basically sounds like Godflesh redid some of our songs. Yeah,

so we ended up throwing on the cover of not of of My Wild

Love on there, which is kind of an interesting version of it. So

yeah, yeah, where does the name come from? By the way,

I love the name? When the dead Bolt Breaks is a great name.

Probably a whole lot of LSD, to be honest, not that I'm promoting

that, but when I was younger, I did, you know, a

lot, and it was a we were in time where I was having this

reoccurring dream or vision kind of thing where of just this cartoon scene of like

this guy on this doorstep it's raining, He's got flowers in one hand and

you know, smoking barrel of a gun in another, and on the other

side of the door, the door is kicked open and you just see the

feet of somebody laying there. So I always thought, kind of when the

dead bowl breaks, it's like, what happens. We don't know, you

know, so that's kind of where it came from. Yeah, No,

no one knows who they were, where they was going. I mean,

I envy, I do, I do oh. I love a good spinal

tap reference. That's good. Now, how long have you guys been around?

The band in general has been around for about fifteen years. Wow.

We've had a lot of lineup changes over the years because it was never really

about the band. It was more about the music and whoever could bring whatever

to the music, you know. So each one of our records has it's

sometimes a different lineup, and you know, always has different people involved with

it doing vocals or you know, certain songs where they added something to it,

you know. So but this line up here two years yeah, okay,

okay, Yeah, I'm looking at your band camp and you've had a

lot of releases over the years, so makes sense that you've been around a

long time. Yeah. We're working on our tenth record now, wow.

Wow, Now where do you record? We we've actually done everything ourselves ever

since the beginning, actually, and it works out good now because I have

my own studio, Rob's got his own studio, and Steve has his yeah,

so we kind of do pieces of it at different spots depending on what

we want to try and accomplish. So yeah, yeah, we're all self

sufficient. So I often say it's amazing that, you know, we live

in a time where you can really do that. There's so many different ways

that you can record music, and you know you can you can be working

in different studios and email tracks back and forth. There's so much you can

do now that you know you really couldn't do. Like when I was growing

up, you know, it was uh, you know, you go to

a studio and and you do everything there, and now you've got a lot

of options as the process, I assume the process has changed over the years

though, right going back fifteen years. Yeah, I mean the first record,

it was a weird process. I mean we ended up getting signed on

that record, even before it's called in the Ruins No La Shall Sign.

So I had just left Cable, which was, you know, it's the

time we were touring. I was touring with them for about a couple of

years and when I left, I had this idea of doing something really heavy

and slow and just discussing and a drummer, and I started putting it together,

and we got an offer like halfway through the process, before we even

had a band put together. So we took the offer, rush kind of

put the band together and then that was it. So after that we end

up doing a lot of we get together for like a weekend, drink a

ton of wine and just write and record simultaneously whatever happens, which is what

we kept you know. Yeah, it's a little more pro you know,

a little more streamline now, but still a unique process, you know.

Yeah, what are your live shows like? By the way, and because

I've not seen you live, but I it seems like your music would lend

itself to to some degree of theatrics or maybe not. Maybe you just maybe

you just show up and play. I don't know what what is the live

show like for you guys? Loud and abrasive? Yeah, yeah, I

mean, you know, Aaron loves doing projection, so we have some visuals

to go along with it. Not a whole lot of talking, but also

not a whole lot of silence between songs. There's always some kind of noise

going on. Yeah, and we I don't want to say we go out

of our way to hurt people, but sometimes it happens, so we try

to make it more. I always wanted it to be more of an experience

than a rock show, right, So from the second we start playing to

the second we end, there's no breaks really, you know, it's a

it's a constant wall of noise, wall of sound, you know, and

sometimes it's a little bit of feedback or it depends on kind of what song

we're coming from and going into and the projections. It's about an hour and

a half that I that I've put together over the years of different images and

different videos that we've actually done for the band. Some parts of the movie

begotten, so it's a little bit of everything. But it's just there's a

lot of dark scene or you a lot of flashes that kind of goes along

with the music. Not fit for those with visual epilepsy, right understood,

understood, sensitive stomach. Now, obviously with the band spanning over fifteen years,

it does earlier materials still show up in the set list or do you

tend to do more recent stuff? Yeah, it does show up. Actually

that we have now is kind of set up. We're not actually some of

the career. Yeah, yeah, well that's a little different though, you

know, it's never quite like the record, particularly with the lineup changes.

You know, it almost be impossible for me to play like you know,

the past basis. So we try to just work within whatever we've got at

the time and just let it go. Yeah, very cool. Now,

have you guys played New Hampshire before you're going to be in Nashua tonight at

Terminus? Have you made it up this way previously? We have over the

years, not often, but over the years we have. I know,

I remember we actually play. We were in stona rock band called Buzzar Canyon

for a while and we played with Scissor Fight at the oh the Drunken Frog

or something like that, The Something Frog. Okay, it might have been

a Manchester I don't remember what we did that. I know dead Bolt's been

up here a couple of times, but not very recently actually, so yeah,

yeah, And how did you get involved in tonight's show, of course

at Terminus with Dank Sinatra and Dad Harrison. How did you get involved?

We've actually played with Den Harrison before, back in Connecticut, excellent, and

we had been booked on the show in Vermont, so I was trying to

get something to build around that and I started talking to Eleanor and she asked

us to come play Terminus. So it worked out pretty well. So we're

excited about It's our first time there and we've heard really good things about it.

So yeah, I was there for the open house, kind of the

grand opening, and I'll tell you I don't want to spoil anything, but

I'll just say this much. Walking into that room, it's like you're in

another world. It's pretty awesome. And there's a picture actually, there's a

picture of me with Andre from Dad Harrison on social media of us standing in

that room and it's just and I said in the post, I said,

it's like another world in here. It's amazing. It's kind of like a

magic room. You know, you'll see what I mean when you get there.

But very very cool. Now, what's are you guys headlining or what's

the order tonight? Actually I don't know, so that's a good question.

Yeah, yeah, you know, we like surprises, so we'll find out

when we get there, I guess. Yeah. Yeah. Do you know

how long you're playing? How long your set is? I mean we the

set we have now, I mean we can easily do probably about an hour

and fifteen so it really depends on how long they want us to play.

Right last night, I think we did about forty forty five minutes something like

that. So yeah, yeah, oh very cool. Now are you guys

doing a lot of shows? Do you have a busy spring and summer ahead

of you? Well, we kind of got stuck behind this year because somebody

broke their leg. Oh and it kind of threw things off schedule for a

little bit. Yeah, way to go broken leg guy. Yeah no,

which came out of the band. I broke my leg back on Christmas Eve,

so oh no, we kind of set our schedule back a bit.

This is actually our first shows of the year. But then right now we've

got a couple of shows in Connecticut schedules. We're going down to play Maryland

doing fest again for the thirty year in a row in June, so we've

we've got some stuff set up, so we're excited. Yeah, very cool,

Very cool. Do you have you must have videos on YouTube? Right?

Do you have videos that you've done for for some of your music?

We do. We've we've done three videos so far. Okay, they're all

up on YouTube. We've written and directed them and did that whole thing ourselves

and made them kind of into stories, like separate little stories because the songs

are kind of long. So yeah, it just kind of made sense to

make it into an epics theme, you know, right, like Thriller,

only without the contact lenses and Vincent Price at the end. Although if we

could get Vincent Price, I wouldn't turn it down. Yeah, when the

dead boult break, oh yeah in his voice, that would be perfect.

That would be perfect. I think he's he's been gone a while unfortunately,

but h yeah, I like that idea a lot. I mean, maybe

some days I'll be able to resurrect them, who knows. Yeah, you

never know. With the technology, Yeah, we can have a virtual virtual

Vincent Price. Well, actually, if you think about it, you can

do that anyway with AI technology. Now, I mean, somebody put a

whole George Carlin album that wasn't actually George Carlin on YouTube, so you could

probably create an AI version of Vincent Price. The possibilities are endless pop up

in the uh have been and prices head pop up during the video, just

like plug words, right, Yeah, yeah, that'd be sweet. That

would go that would go viral. I would think, Yeah, I know

what the Wonkatin. So I am going to play as we were already approaching

the end of the show, but I am going to play this other track,

I Live in Dirt And but before we do that, what should people

know about not only, of course the show tonight. You're gonna be at

Terminus in Nashua tonight, but what should people know too about where to find

you online? Where to keep up with everything that you guys are doing.

Yeah, so, I mean, just you know, we've got the band

camp up. We've got a link to actually a website, dead Bull dot

When the Dead Bull breaks dot Com goes directly to our band campage. Okay,

so thats all merchandise and records up there. Our most recent records were

out in Argonauta Records from Italy and Electric Talent, which is out of Pennsylvania.

We released in the same year. Because it was supposed to be a

double disc, we split it up to two separate records. It's on one

vinyl. Yeah really, but we're on all the major streaming networks and all

that stuff, so you know, Spotify and all that Youtubeify and yeah,

MySpace. Oh wow, we might even have a LinkedIn account somewhere. I

don't know. Yes, my Space. Wow. You know what's interesting about

MySpace is you can't if you've ever been on MySpace, it's impossible to you

know, if you ever, for whatever reason, wanted to remove yourself from

MySpace, you really can't. They make it pretty much impossible. It's all

still up there legitimately. Yeah, I've never been there. I haven't been

there in years. But yeah, we've got the MySpace and reverb Nation too,

whatever that was. Oh yeah, yeah, that's a little more current.

But yeah, MySpace. But yeah, if you've ever had anything on

MySpace, it's still there. Like they make it impossible for you to get

rid of it, so for whatever reason. But no, that's that's cool,

very good, very good. And uh and with a name too,

like when the dead bolt breaks. You're very very googleable, as I like

to say, if you google the name, you know, everything comes right

up, so it's easy to it's easy to find you guys. And uh,

I'm a fan. I'm a fan. I like what you're doing.

It's good stuff. And we are. Yeah, we're already approaching the top

of the hour. But I'm glad you made it. I'm glad you made

it to New Hampshire safely. I know the the weather has been suboptimal,

as someone said earlier in the show, so I thought we were just getting

rain and it turned out to be uh something much more so. Yeah,

but did you all did you all come up in one vehicle? No,

we split up. We split it up because it just made it easier at

the time. So yeah, yeah, there's a lot of gear but uh

yeah, yeah, you know, but we do. We appreciate you having

us on the show, and you know, we're sorry I couldn't make it

into the studio, but we do appreciate it. Yeah, that that's okay,

Like I said, Like I said, the weather kind of screwed us,

but uh we will, uh we'll do this again in the future and

and we'll uh you know, uh uh when when the weather is better,

we'll uh we'll have you on and we'll have you come up and and uh

we'll we'll sit down in the studio and we'll have more time and that'll be

great. But uh but I do appreciate you calling in, and you know,

we had to kind of improvise on the fly, but that's cool.

Have a great show tonight. Uh, Like I said, I I love

what you guys are doing, and uh, we'll let you go. I'm

gonna hit this track as we wrap up. I live in dirt, but

uh, when the dead bolt breaks. Thank you so much for joining us

today, Thank you for having us hat. Thanks all right, you got

it all right, take care, be safe, yep, thanks by bye.

All right. That was when the dead bolt breaks. Calling in and

uh yeah, we'll have them back in the future in studio. The original

plan was they were gonna be here for the third hour, but like I

said, the weather is rough. Although looking outside it looks like they've done

a really good job. They do a pretty good job here in Manchester with

getting the roads clear and whatnot. So hopefully when I leave here the roads

will be in significantly better condition. But thank you everybody who participated today.

Of course DJ Reckless who joined me, he had to take off, but

he was here for most of the show today. Love that track. I'm

gonna listen to that. I told him that song. I'm gonna wait of

the world that he did with this. This is on it with him Sean

White and I forget the who's singing on it, but I told him I'm

going to listen to that as soon as the show's over, I'm gonna listen

to it again, just with the headphones on turned way up, because that

is really, really good, and you'll hear it again in the future.

And of course I thank you again to Andrew North and the Rangers, also

the Jade Trio and of course Eric Pilcher for another great classic film review,

and doctor Bethany Billidou for joining us in the first hour. And she's someone

we definitely have to have back too, because that was I thought that was

a fascinating conversation. So I look forward to having her in studio sometime in

meeting her. And if you missed any part of today's show, it will

be up in just a little bit at Matt at wm andhradio dot org and

at Mattconorton dot com. And that's gonna do it for us. I will

leave you with this. It's a long song. We're not gonna have time

for the whole thing, but I'll leave you with this. This is I

Live in Dirt. This is from when the dead bolt breaks. To wrap

up today's Matt Connerton Unleashed. We'll talk to you a little bit later,

and if you're traveling, be safe out there by. Everybody s s fresh

sche cheese such raw swither no by lives away away the side girl. The

girl's going to turn now to buy. I tell my child roll roll backers

over or closer? Fronto, Fast with the West k on some of my

jazz, The dogs around

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