Matt Connarton Unleashed 3-30-24 hour 2

Well, I was always called when I was young as the self styled genius.

All I heard about was the self styled genius. So that's what I

took seriously, that I was styling myself a genius. And you know,

anybody can do that. Toast Jedediah to love on my terms? Was it

the only terms anybody ever knows? You know, my first picture would never

have been made, never in a million years, if the producer had lived

in Hollywood, had any knowledge of Hollywood. It was a total accident,

total piece of luck, like winning six hundred thousand dollars from a quarter in

a jackpot. And it couldn't go on. And I knew that because they

took my next picture away from me and butchered the end of it. I

was going to show them that they were wrong. And I have spent the

rest of my life showing people trying to prove that what is said is wrong.

And that's been an enormous waste of spirit and of energy. That's a

mistake that will be corrected one of these dates. Well, I've always hated

Hollywood, but I hate almost everything in the modern world, and Hollywood is

simply the most pleasant place to live in left. I don't know how to

run a newspaper, mister Thatcher. I just try everything I can think of

it. You know, I am a romantic, and I was a romantic

in the early nineteenth century way. I wanted every experience, every kind of

thing, and so I went to Hollywood in that spirit, and I should

have left in that spirit. There's only one person in the world to decide

what I'm going to do, and that's me. I don't believe there is

any wisdom and compromise unless you're a politician. And to the extent that movies

are politics, I don't belong in movies. My pictures don't work at all

unless they work my way. It's not because I think they're better that way.

They simply fall apart unless they're done my way. So it isn't nobility,

it's a self protection. You're right, mister Thatcher. I did lose

a million dollars last year. I expect to lose a million dollars this year.

I expect to lose a million dollars next year. You know, mister

Thatcher. At the rate of a million dollars a year, I have to

close this place in sixty years. Ask anybody of my age what they feel

about themselves when they're young, I think you'll get a very waffly answer.

I think of myself of having been an awfully nice fellow then, and I

may have blacked out, you know, whole sections of dreadful behavior, but

I've genuinely blocked them out. I don't remember them. I just see myself

as an angelically movie from one show. I think I did pretty well under

the circumstances. I am going to make King Lear and a picture called The

Dreamers, and I'll go on saying that until I don't. But it looks

as though it's going to happen. But you know, I've had a wonderful,

fascinating life. I can't complain. I'm the luckiest person I know,

and I'd rather be remembered as a good guy than as a difficult genius.

Those words you just heard were from legendary actor, director, and personal all

time favorite of this host Orson Wells. That clip was filmed by Entertainment Tonight,

one week prior to the death of Wells. It's reflective and we can

hear subtle regrets he has, most particularly with his first film, Citizen Kane.

Our story begins in nineteen thirty eight when orson wells radio telling of War

of the World's caused NASS hysteria. Because of this, RKO Picture studiohead George

Schaeffer wanted to work with Wells because he commanded attention. Wells was facing monumental

debt due to the failure of his most two recent plays, so he took

the Landmark deal for one hundred thousand dollars for two pictures in full creative control.

In July of nineteen thirty nine, he began work on his first feature

film that would look at a man that had wealth and power, but his

inability to love, care, and be open to emotion shelters him and limits

his happiness. That film would be Citizen Kane, and to this day there

is controversy surrounding it. It is still unknown if Wells made this film as

an attack against then media mogul William Randolph Hurst. To make the film,

Wells borrought on Hermann Mankowitz to help write the script, and Greg Toland,

a cinematographer. In our next clip from a nineteen seventy interview on The Dick

Cabot Show, Wells discusses making his first film, the issues with Hurst in

the studio and other aspects of note though here how charming Wells can be in

self depreciating. That is one of the things that allowed Wells to get away

with so much and keep some people in the studio behind him during the filming

of this film twenty six years old, and you made Citizen Kane and they

said, you can't do these things. You can't have the background in focus

or whatever it was, or you can't shoot a scene that way, mister

Wells or young mister Wells or orson or whatever they call you then and you

knew that you could. And how did you know this? Because I didn't

know any better. And it's very much in the line with what Jack was

saying earlier in the show. It's comes from from just, you know,

sheer dumbness. You're sure it's got to be your good and your gratia's ignorance.

There's no authority in the world like it. But there's there's got to

be something more than that. Technically, I mean, how did you know

that? You know technically that the whole bag of movies can be learned in

about a day and a half. Hey, kids, you not now how

does it work? How do you do it? You get a guy who

knows and then ask him and that's the end of it. It isn't much

harder than taking home movies. It's just about three points finder. And all

these guys who do it try to make a big mystery of it because that's

they're living. And I have the right to say it because I had in

my first picture in Kane, the greatest cameraman who ever lived was Greg Toland,

and he came to my office and said, I want to work in

your picture. My name is Toland. I said, why do you,

mister Toland? He said, because you've never made a picture and you don't

know what cannot be done. And so I said, but I really don't.

Can you tell me? Says, there's nothing to it. He gave

me the day and a half lessons and he was right, camera, that's

right, it has nothing to do. And so we had the day and

a half and there it was. But the only thing was I've been directing

in the theater for years and I nowadays they have lighting people. We did

them, and I had some of the greatest lighting people in fact, I

think, but many of the shows I lit myself, and I was supervised

at and I thought a director did that in a movie. So for the

first ten days I was more moving the lights around, you see, and

Toland was behind me, fixing it up and changing the readings and saying,

shut up, let him go on. I want to see what he's up

to, which was very chic of him, I think. And then somebody,

somebody told me, and then I went and got on my knees and

apologized and everything. I thought, that's what the directors did. Because if

you see a picture by Ford, for example, you were speaking of Jack

Ford earlier, he said must be in a hundred cameraman in his long career,

and almost every forward picture you can tell from the look of it that

it's a forward picture, just from the physical look of it. His his

signature is on it, you know. And when every every list of great

films, of course that many of them lead with Citizen Kane and say it's

it's the finest film made, do you agree? No, certainly not My

next one is that's no, not the not the one after that, the

one I'm preparing at this moment, or the next one that's going to make

history. Could you give us the title of that. I have decided what

it is yet. Oh now, could I just check one other thing with

you? Is it true that the Hearsts tried to actually have the film destroyed

before it was They tried to have it destroyed. They even tried to frame

me one well, in one town, I was doing some kind of date

I don't know what, bond tour, lecture, some kind of a gig,

and I was in a nightclub afterwards, waiting to go back to my

hotel. I will supper and waiter count says, as a police officer wants

to see you. Well, I tried to hide because if that ever happens,

I'm sure I'm guilty. I don't know how you are about it,

but you know. And then I see a cop. I know I did

it. There was no way out of it. I had to go see

him. And he took me aside and he said, Austin, I don't

know why they almost call me. He says, don't go back to your

hotel room. I said why. He says, they've got a minor staked

out there and a photographer, a lady. Luckily a lady. I think

I prefer to tell it that way, but I mean as opposed to r

and they were going to frame me. I would have been in jail if

the you know, with the cops waiting to jump in and arrest me.

That was not mister Hurst itself. It was somebody in that town who thought

he'd get in good with the boss by doing by doing a favorite. I

don't think Hurst would have stooped to that, would you change? Oh.

I did have a conversation with him about about the picture, which was in

an elevator in San Francisco the night had opened. We found ourselves going up

together, and he'd known my father. I never met him, you know,

And I introduced myself things you'll do when you're young, you know,

And I said, would you like to come to the opening tonight? And

he didn't answer, and I said, well, mister Kane would have come.

And that's the difference between the two people, because the character of Charles

Foster k had enough class to have gone to the opening, but he just

very uptight. That was the end of that. It wasn't really about him.

It was made up with a lot of people. That's the truth.

What's the last time you saw it? I saw it that opening in San

Francisco, and I snuck out right after it started. I've never seen a

picture of mine after I finished it. You haven't seen Citizen Knan all these

years, no picture I've ever made except as an active I've never seen a

picture I've directed. Only words. Yeah, well a thousand times in the

cutting room. But why wouldn't you want to say it now? Because I'd

like to sit here and think how good it must have been? You know,

is there, ever, is there any chance that you would change any

of it or do any of it again? Of course everything you'd want to

change everything. I think, you know, don't you want to change things

after you've done them? And a movie cat because no, that was the

whole thing. I just and I like to think, oh, yes,

and all those great pictures and I know if I saw them. Oh.

The battle with Hurst is the key controversy with this film. Hurst owned newspapers,

magazines, and radio stations across the United States, and with that came

major influence. If anyone dared cross him or at the slightest perceived disrespect,

Hurst, with his power and influence, could take down anyone or anything.

Wells in this film used several illusions to Hurst, from the large incomplete mansion

named Xanadu, to King's second wive's obsession with puzzles. Even the word Rosebud,

a Hollywood legend that Hurst gave this pet name to his mistress's genitalia,

were all fell by many to be shots at Hurst. To keep this in

other activities secret, Wells had to employ some secretive techniques, as explained in

this clip from the documentary The Battle Over Citizen King. When Mekowitz proposed the

story of Hurst, Wells seized on this as his last best chance. It

was perfect, an American saga, a giant who brings ruin to all and

to himself. Housman was dispatched to babysit Mank in a little desert town called

Victorville. You know bank which was a drug he jake Rosy keep him off

the booze. Well, he wrote this thing, and Housman and myself sort

of the go between. We would drive up to Victorville, get part of

the script, could bring it back to Worshipton, back and forth. Mank

called his script American, which was the title Hurst always claimed for himself.

But as Housman remembered, we were also creating a vehicle suited to a man

who, at twenty four was only slightly less fabulous than the hero he would

be portraying. And the deeper we penetrated into the heart of Charles Foster Kane,

the closer we seemed to come to the identity of Orson Wells. As

well as got the pages from Victorville. He attacked the script with all of

his craft and with all of his life to that point. The boy's loss

of his mother that never happened to Hurst, it happened to Wells. He

visualized himself as that character. See once he could see himself playing that character.

I mean that was it, you know. I think they thought that

they could get away with it. I don't think they really realized how touchy

the old man was, and that this was Hollywood. Then it would be

hell to pay. They knew enough to run it by the lawyers. From

that point of view, they weren't at risk anyway. If Hurst sued,

that would be great. The film would be news everywhere. They'd write in

some lines about Marion's drinking and those horrid puzzles. No one in Hollywood could

miss the joke. They'd even put in Rosebud the secret word, which they

claimed was Hurst's pet name for Marion's private parts. They'd drive the old man

crazy, turned the town on its eart called it on Monday morning by Jim

Wilkinson, the head of the editing department. My boss was saying this,

and you know that fellow Orson Wells has come to the studio. I said,

yeah, I know, I've seen him as well. He's pulled a

fast food on the studio. I said, what do you mean. He

said, well, he's got this new picture and he asked him for okay

to make three what he called test for this picture. And they gave me

the okay and he shot the tests, so called test, and he said

they looked at the scenes and realized their scenes for the picture, but not

just tests. So they've given him a green light to go ahead and make

the picture. I never saw anybody more focused. He knew exactly what he

wanted, and he and Greg Tolan were on a completely single wavelength. I

never forget the day I came in and that they had sawed a hole out

of the board floor, which you could do, and they were both in

their hands and knees drawing out the dirt like children. In a sandbox.

He was totally absorbed in himself in the picture of what he was doing.

But you couldn't look at those rushes coming in every day. Those films shot

the day before he got realizing, you we're getting something quite extraordin the photography

and the angles and the shooting. It was more of us. It was

just mar of us. He was okay with his cart blosh deals, and

he would not let the executives with that studio come anywhere near the set.

They came in and Urson said, who's gotta baseball, Let's play some catch.

So so everybody started to playing catch. But of course it jove to

the breast, absolutely loony. With his sound stage closed, with control over

everything on his set, Wells thought, at last he had his project in

hand. Nothing stopped him. After one fall down a flight of steps.

He acted in steel ankle braces and directed from a wheelchair. He's still said

he hated Hollywood, but at the studio he'd found the biggest magic kid on

Earth. Then, much like today, nothing stay secret in Hollywood. Eventually

the word got out in Hurst immediately went on the attack. He refused to

allow his newspapers and radio stations to advertise the film. He sicked his gossip

columnists from many newspapers on RKO Pictures and Wells, and he threatened to blackmail

studio heads with photos and evidence of them committing sexually deviant behavior. This led

to other studios trying to buy the film from RKO Pictures to destroy it.

In our final clip for Today, from the HBO film RKO two eighty one,

which is a biopic about the making of Citizen Kane Wells played by liv

Schreiber, makes an impassioned plea to the heads of the major studios to let

his film be released as he made it good Afternoon today, man from Germany

invaded Greece. He's already swallowed Poland, Denmark, Norway and Belgium is bombing

London as I speak. Everywhere this man goes he crushes the life and the

freedom of his subjects. He shows yellow stars and their lapels, He takes

their voices. In this country, we still have our voices. We can

argue with them, and we can sing, and we can be heard,

because we are for the moment free. No one can tell us what to

say or how to say it, can they? Gentlemen? I am one

voice. That is all. My picture is one voice, one view,

one opinion, nothing more. Men are dying in Europe now and Americans soon

will be, so that we can surmount the tyrants and the dictators. Will

you send a message across America that one man can take away our voices?

So who is mister Hurst and who is mister Wells? Well? Mister Hurst

built a palace of brick and mortar and little wars and corpses piled high.

Mister Wells built a palace of illusion. Sir? What we call that painting

camera trick? It's nothing, nothing but a dream. Today you have the

chance to let the dream triumph. Thank you? Was it successful or did

Hurst win in his battle to destroy it? And what is the everlasting legacy

of this picture? I hope you will join me next week when we will

answer those questions and kickstart our month long tribute to Orson Wells with the review

of, in my opinion, in the opinion of many others, the greatest

film of all time, Citizen Kane for WMNH and Matt Connorton Unleashed. This

has been a classic film review with Eric Pilcher. Come on down to the

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Solutions dot com. You're listening to wmn H command don't get up. Mazel

hey, everybody, here we go Matt Connorton Unleashed. We are in our

number two New Marrow Dose on this Saturday morning here March thirtieth, twenty twenty

four, live from the studios of wm NH ninety five point three FM in

Glorious Manchester, New Hampshire. And of course you can also stream the show

online. Go to my website Matt Connorton dot com for all your live streaming

options, social media links, contact and folks show archives, et cetera,

et cetera. Jenny is here as well, President account it for and we

have returning to the show LACYBB also known as who I Am? And I'm

gonna turn that up and uh got the keyboard plugged in and everything. Let's

see, let's see what we can hear. Oh, I hear something.

I gotta I gotta jack the game here this student studio. It's quiet.

Are you able to turn up on your end? It's coming through quiet,

but it is coming through which is half the battle there. Let me see

if I can turn this up more. We're getting there, getting there.

That's pretty good. Yeah, yeah, we got you, We got you.

All right. So so, uh, Lacey was on the show a

couple months ago, I think, but uh, but unfortunately so wasn't It

wasn't able to play live and we had an an audio we had an issue

with the audio file anyway, so quite the show. So Lacey is back,

uh, and it's gonna do a bunch of songs live for us.

So really looking forward to this. And we've got the got the keyboard plugged

in and you've got your headphone, Mike, and uh, I'm I'm ready

to hear you live. We did play a bunch of studio tracks. Yeah,

of course last time you were here, but but this will be this

will be our first time getting to see you live, hear you live.

Of course you're if you're watching on Facebook, you can see you can see

Lacey performed live. But yeah, this is uh, we're excited, me

too, very excited and thank you for having me back. I appreciate it

absolutely. So yeah, definitely we'll do some songs. Can't wait. All

right, all right, let's hear something. Okay, here we go this

uh, this first song I just wrote like ten days ago actually, oh

and yep, so this is how it goes. You know, stuff's always

popping out of me. And so this one, this one came out and

put some words to it and it started on it as electronics. So here

we go. All right, we'll mix here here. Okay, everything I

know has come true. I can see anythings I do, my I see

something new. What I do is what I'm into. Going to the show,

shutting all the names. I don't even know when I'm gonna sleep,

never gonna start. Oh God, let's get low. Love it in my

heart ruby love, is it gets through? There's enoughing new. Just remember

believe something true, Yes, something true, pick it up the bugget and

by period and let's take a ride. Oh you doing all you have nothing?

Live life like real life, real life, fast nights, real life

nights, find time in line, real life, fast night, real nice,

you nice? Going to the show shown to get go find it by

the bapside, don't know, never gonna stop. Let's get load. Love

it in my heart will be flow is it gonna go? There's nothing new?

Just remember son song true song, sing true sound sang true. There

you go, all right, it's my song called something True. I like

that a lot. It was fun. Thanks so much much, Lacey BB

of Who I Am is here with us live in studio. Now what it

So? That's uh, that's new right, you said that's from you wrote

that ten days ago. I did. Let me finally, Oh I did.

Yeah, I wrote that. Yeah, just I came up, I

kind of found created that sound, and then I said, I really love

that sound, and so I started thinking, well, what could I put

to that? You know, what words could I put to that? Right?

So I yeah, I sat there and just start thinking about something true,

being true to yourself. And next thing, you know, the words

came out, and you know, once since I go back to the keyboards,

I have to play it and see if the words that I write actually

fit. Oh yeah, that's not always the case. So I had to

change it up a little bit. You know, I send it to my

friend, I'm like, oh, listen to this, and so like,

since I sent it to them, I've already changed some of it. So

it's like that's the process of you know, getting it to a tried and

true song. Yeah, yeah, Jay Fad says in the chat room,

I could dance to that nice. Appreciate appreciate now? Is that usually how

it happens? As the music come to you first, typically and then the

lyrics are it. It goes both ways. Actually, sometimes I'm just mess

around on the keyboards and I say that sound. I got to incorporate that

sound into a song somehow. Yeah. And then sometimes I'm messing around on

my acoustic piano part and I'm like, I just come up with a chord

like sound, and like, what if I did this with the chords and

if I arrange them like this? And you know, usually it starts with

like two or three chords that match each other and the next thing, you

know, start writing stuff around it. A chorus, a break, a

bridge, boom. Now you got a song? Very cool? Do you

want to you want to play another one for us? Yeah? In fact,

I'll do a song that I did that with. I'll do let me

know when it's time to rock. Oh yeah, I like this one.

Yeah. We played the studio version of this lame You're Here? Yeah.

Yeah. Studio version has Tanya Venom on it playing lead guitar. So what

what band is she? From Again. She's from storm Stress band storm Stressress.

Let's see. Okay, here we go. Let me know when it's

time to right, all right, Lacey Lacy bb of who I Am live

in studio with us. Okay, when is time to rock? Me?

No? When is time to rock? When the mic is on? When

Way and I can shop? There's nothing but have you heard than when that

Scott is calling? That the is called do want your do? That's where

I'll get you there. Let me know when it's time to buck. Let

me know when it's time to fall. Let me know when the mic is

hot. Let me know when I can shop. They may not before mist

That's where my d that's where my soul only that's right mac connishon at least

when's time to rock? Let me know when's time to roll. Let me

know when the mic is on. Let me know when I could chop my

heart's all. He's on thet. It's happened a cat in again my great

and my think to stay. But it only means when you're shure too.

A hell? Where's time to rock? My fall? When it's time to

roll? I am when my show when we can Yes, that's my song.

Very nice lacy baby of who I am is here with this live and

studio. Who I am is is how people should find you online? Correct,

And it's and it's uh and it's and it's who dot I Am.

Yeah, it's who I am. You can not all the places will let

me do who dot I am? Yeah? Yeah, so you know who

dot I am is like technically what I call myself. It's it's patterned after

Will I Am. I don't know. I didn't even I didn't even think

of that I am because he has huge influence on just everything I oh,

my whole beginning. So yeah, where the name comes from? So yeah,

who died I am? Or who I am Live? Or who I

am? If there's not a lot of who I am is out there right,

if you actually search it, you'll find me on YouTube. I got

a huge YouTube thing with all my videos, and I'm on you know,

Instagram. I do my radio show live stuff on there and my music stuff,

and then also on Facebook you can see my radio page and you can

also see my my live stuff, my who I am stuff and performances and

stuff. By the way, regarding that song, our friend Mariam banished in

the chat room says, and I didn't even think of this until she said

it. She said, getting a Jackson five feeling with some of that.

Yeah, that's it didn't occur to me until she said that, But yeah

that's true. Yeah, sure, absolutely, I know all about the Jackson

vive. Yeah, pretty awesome. There you go, there you go.

You also you mentioned the radio show. We should mention that too so people

can check that out. Yeah, I'm I have a radio show on Wave

Radio Boston WRB rocks dot com. You can stream it live Thursdays five to

six pm. And the the hook on my show is it's always only local

music. So I'm not gonna be playing Aerosmith, not gonna be playing led

Zeppelin, even though I love all those bands, or you know whatever,

but just always searching for that local flavor and it's something. It's like the

songs I pick or are like, you know, songs that like who I

Am style, you know, things that who I Am will like And it's

not like, you know, just one style. You know. I like

all kinds of rock stations, So I do rock music, be heavy or

it could be just a ballad, you know, so whatever you would hear

on FM rock station but always local artists. And the thing is you listen

to it and you're like, did I just listen to a show full of

national artists? Because it's sounds like a show full of national artists? Yeah.

Yeah, So that's how that goes. And when you say local in

your case because you're in Boston, do you mean do you mean Boston or

do you mean Massachusetts? New England? New England? And I will admit

some people have reached out from further places. Sometimes I'll play people that I'm

on a bill with and so like one time I ended up doing a radio

interview with Your Best Nightmare, who lives in New Jersey. So your Best

Nightmare Report or what up? Girls? She just released an album. Yeah

Your Best Nightmare is so good, and so you know she's from Jersey,

but she was still on the show. Yeh. She's total local indie.

She played here, so you know, yeah, what's what's local? But

I try to keep it mainly local. Yeah, Boston, Southern New Hampshire,

New Hampshire, all these areas very cool. You want to play another

one for sure? Sure? All Okay, let's do Uh, I think

I'll do I think I'll do New Love Okay, if you're just joining us,

we have Lacey bb here Who I am? And uh? If you're

looking online, it's who dot I am is uh how you say it?

Yeah? And Lacey is uh. Lacey is performing live for us. Oh.

I like the glasses, thank you, there you go. This song

always gets these glasses reminds me of Bootsy Collins. Yeah. Did you see

the Did you see the the commercial with the bass players? No, I

haven't seen that. You have to check it out. They got boots,

they got and they go. He's like, I'm a love child from space

and he's like, okay, yeah, okay, here we go new love.

All right. So I looking for you. Love. My mind is

food what your life. This is a rise to the love. My mind

is resenting a ready go. I'm gonna do all the things that I know.

Sometimes it's true, is a take, but it's all equal to the

love you make. So I take my time and I stay in love.

Uly Today you are my because I'm looking for you. Love my mind is

wr This is the world to the Lord. This time is mine. I

bl waste. I'm living proof. I'm testing you have the fight of you.

Believe it. The love no one can stop you FB. So I

take my dom in, I stay in line today. You are my because

I'm looking for you love, O MI with children. This is the world

till you love. Tell me what you're taking up right now? I believe

in all your bass. So I take my time in my stay a today.

You are no good ye looking for you love. My mind is fill

which this is a world to do you loved? Very nice, very nice.

Lacy bb is here of who I am? And what was I?

Oh there was something? Oh yeah, yeah the shirt Mother of Dragons.

I have to ask is that a band? Or is that? What is

that? No? So it's a game of Thrones. Oh okay, I

never got into that. Yeah, and the Mother of Dragons is uh is

a reference to one of the characters, and she's a dragon queen. Yeah,

and I'm the mother my my and like she was a dragon queen but

like the dragons loved her like they were her her little babies. Yeah okay,

so okay, so the dragons are my songs. Oh I got you

the Mother of Dragons? Oh okay, cool, cool, pretty cool?

Pretty cool? You want to play another one? Yeah, yeah, Sue,

I got here. Let us do we'll do glow all right. A

couple of these songs I don't have released or recorded just yet. Oh okay,

so but they are ones that I played live. Yeah, yeah,

all the time. Oh very cool. Okay, so this will be uh

yeah, so this is not sorry, what world radio for me? Yeah?

So this has not been heard on the radio. This has only been

played live. Yeah, this has not been heard on the radio. All

right, we like that. We like that if you're just joining us,

Lacey BB is here with us live in studio with the keyboard and the whole

setup, and it is this your your standard set up live or this is

yeah? Yeah, and usually just into the house. Yeah. It must

be nice to have the autonomy that comes with, you know, just you're

not dependent on a band. It's just you've got everything right there that you

need. Yes, Yeah, it's a good when voice that I don't have

echo on. Yeah. It's it's nice to write have everything kind of on

the same page as you. Yeah, exactly exactly. You know. I've

tried, you know, working with other musicians to try to get a thing

going, and it's very difficult to for one to have other people like that

weren't involved with creating your songs. You know, start like doing your songs,

and then it's just like you said, it's it's the difference of having

basically everything at my command, and you just can't do that with people.

So so I do with my keyboards. Keyboard is very happy to be told

what to do right, exactly, exactly, all right, So okay,

yeah, this song is Glow lac BB live in studio. Who Blow Blow?

I see the universe right show show show me all your love it this

guy friends, let's go. Let's go all engine night. I'm so excited.

I don't know how wag I see you you see me that fat.

I'm sort of that we're gonna fight Goda cry over mine, gonna go to

time, Blow blow blow. I see the universe rise show show show me

all you're loving this guy's friends. Let's go. Let's go all inn.

My gang is badass because they see the stars in the skuy. They're gonna

make it in their hearts, gonna fly. Everything is welcome to spread the

love. Tag it in. It's not the kiddy or Ez Blow blow blow.

I see the un over senor ride show, show show me how you're

love it? This guy friend best go. Let's go all in night.

That's right, I'm gonna go all in this morning. Yeah, Connorton at

least, Jim, thanks so much. No, you know how to plow

friends and shows up bo bo b see the univer Ry show show show let

me how you're love it this guy friend, let's go, let's go June.

That's right, everybody have a good show today. And will yes,

that is Lacy Bbe. The song is Glow. That was awesome, very

cool, very cool. Jay Fed's on the chat room going right on,

go on in oh so true, so true. The time goes quickly,

but I want to make sure I definitely we want to hear one more.

But also yeah, yeah, but I also want to make sure people know

where to find you online. Yeah. Also you can come see me at

the Jungle tomorrow. Okay, yep, be at the Jungle in Boston,

Summerville, five to eight, free show, Come on in, have some

food, have some drink, gotta be unheard. Is gonna be the uh

Nicole uh shoot, can't remember her name, Nicole wonderpuol and and fish Max

two. We'll all be on that built with who I am and it's gonna

be an awesome show at the Jungle. Everybody, come on down, yes,

yes, so. And then if you want to go online find my

stuff, go to Facebook, go to who I Am on Facebook. It's

right there. And if you go to I have a Facebook page, that's

the TWRS that's my radio show. You can also go to band camp and

resource my songs if you want. They're all all my releases. I have

five releases okay that we played some last time that was fun. Yeah,

so yeah, those are the and then YouTube too, basically everywhere TikTok,

I'm on all of them. Yeah, and I'm putting stuff out too,

fun stuff, just who I Am stuff. You just want to see who

I Am performing and you know, doing her musical journey. Yeah, it's

almost like, you know, if you want to see one part of the

journey, you go to TikTok. You want to see another part of the

journey, you go to YouTube if you want to see different and so all

these are different parts of the Who I Am journey. Okay, okay,

And remind us about the radio show too that you do. Radio show is

Thursdays from five to six Thursdays from five to six on WRB Rocks Dot com

that's Wave Radio Boston and I do I do. It's a live show from

five to six yep. And I will either play all local songs on like

a song playlist situation, and a lot of them are my friends and people

I've seen out in town, so I talk about that. And then a

lot of times I have guests in, like next week, I have the

Fantastic Trees coming into my show. Cool, and they're gonna do some live

music and stuff. So that's always fun. So yeah, yeah, local

music, local live. Who I Am Radio show outstanding, outstanding? All

right, uh Lacy, let's hear one more. Okay, uh okay,

we'll do. Let's go, let's go. All right, this is let's

go, Lacey bbe who I Am? Everybody come by the time. Everybody

get this hor You just have to stay well, they must be that time

when the lights go down. The means radle time place stay go everybody out

yo. See now let's come to the place, you know, Let's go,

let's come be born to the farm. Don't let it go God,

let it grow, go, let it grow. Step been to the Live

hundred to find your way way. Yeah, you just happened to the moment,

So make it today? Would it must be that time? The Let's

go down there the beach right on time. Only want place to go.

Everybody up and you'll see you. Now, let's go to the place you

know, right, you contend at least let's go beep cross the fo live

in the trees. It's not what it seems. That what it seems.

You'll love the tree. Oh yeah, you'll love the tree. You'll love

the tree. Yeah. Everybody wants their face your bother time, Taylor,

it's too late. One more time. Let's go be born of the moon.

Let's go, let's go be part of the show one more too,

everybody, very nice, very nice, Lacey BB who I am, great

stuff, And all right, we gotta go, Lacy, thank you again

so much. Absolutely absolutely, And if you're listening live stick around. Coming

up in the third hour, lou Antonucci is here, so don't go anywhere.

And I think as we uh finish out this hour, I'm gonna play

a little a little edge wise for you.

Game Plan