Matt Connarton Unleashed 7-12-25 hour 1

0:01 Speaker 1: You're listening to w U n H World Premiere. It's live.

0:42 Speaker 2: It seems like a song.

0:44 Speaker 3: Sometimes it's loud, caddie, what's going Also, can't be skipping what P saying.

0:51 Speaker 4: Is sounding sound, So it's like.

1:01 Speaker 5: Can eight joke Never you men don't beat no strange eyes singing my enter and sing me high.

1:09 Speaker 4: Up high, asking me in when your side shid wound b sing sound where rock all.

1:25 Speaker 2: It's like jaw song as.

1:27 Speaker 4: Me, How round that found b sing your sound and rock on.

1:33 Speaker 2: It's like jaw song as me.

1:35 Speaker 5: If the growl at beside you know, round and sing loud, ou P saying.

1:41 Speaker 2: Inside shine shine, So do you get it?

2:00 Speaker 5: I'm in loving you style. It's like a magic out of the high you bud rabbit.

2:08 Speaker 6: Feeling the sky just so majestic, decent, beery sound east sound, soun.

2:23 Speaker 4: Foul be sing you sounding round.

2:26 Speaker 2: It's like your song.

2:28 Speaker 5: As Me crowned foul be saying you sounding loud. It's like your song as me eye and crown every tide and around the same lone P say your side.

2:47 Speaker 7: Shide shine, foul pacing sound and round. It's like your song as me high off the growl and uh found pacing sound and round. It's like your song as me high off the growl every time around to sing loud PC sound.

3:27 Speaker 2: Sound sound.

3:53 Speaker 8: I love it so much. That was the world radio premiere of the brand new track from Jamie Higgs from the UK that is called Piece in Your Sound. What a great, great song and you have just heard it for the first time on the radio here on Matt Connorton Unleashed on WMNH ninety five point three FM. And by the way, that comes out July eighteen, so it's not out yet on the streaming platforms coming soon. But that is the world radio premiere a Piece in Your Sound by the great Jamie Higgs. And we'll play that again of course in the second and third hour of today's show as well.

4:22 Speaker 8: I love that song so much. Welcome everybody. This is Matt Connorton Unleashed. We are live from the studios of wm NH ninety five point three FM and Glorious Manchester, New Hampshire, of course, streaming everywhere at Matt connorton dot com. Slash Live. Today is let's see. Today is Saturday July twelfth, twenty twenty five, and I'm not alone.

4:51 Speaker 9: Jenny Good morning Sunshine.

4:56 Speaker 8: Yes, Jenny is here with us in the studio of course, at the news table.

5:00 Speaker 9: Yes, yes, I am here, I am present, I am awake.

5:02 Speaker 8: What a great track, a lot. I love it.

5:05 Speaker 10: I want to again already.

5:06 Speaker 8: And he's going to be I don't think I mentioned it. He's going to be a guest on the show soon too. I think in August he's coming on. I believe so, going to be join us, I believe so.

5:13 Speaker 10: But yes, I'm excited to hear more.

5:15 Speaker 8: Yeah, yeah, what a great track. And he's got other music online too, But that song comes out July eighteen, and right now joining us alive in studio for first time, first time in a long time.

5:27 Speaker 9: Glenn R. J.

5:27 Speaker 8: Wilett, also known as Oh let Me get that mic on the People's Mayor, is here with us. But that's not why he's here today.

5:35 Speaker 1: Today.

5:35 Speaker 8: You are not here as Glenn r J. Will Let the People's Marrior. You're you're here as will Let Glenn the artist. Is that correct? Glenn?

5:41 Speaker 9: Thanks for having me.

5:42 Speaker 8: Do I have to call you for the purposes of this conversation?

5:45 Speaker 4: Do I have to?

5:45 Speaker 8: Should I call you address you as Wallette or can I still call you Glenn. I should call you Willlette. It doesn't really matter, because I have to be honest with you. That's going to take some getting used to.

5:54 Speaker 9: It's just on my name that I was required to take because your, of course have a taking name. Yeah, and I wanted something simple. How much you can't go more simple than that?

6:04 Speaker 8: Yes? Well you could have gone with an unpronounceable symbol like Prince had for a while, you know, maybe like uh maybe like an O for will Let but do something make it in like a weird font or something.

6:14 Speaker 9: If someone wanted me to call it Glenn.

6:16 Speaker 8: Oh, Glenn, I like that.

6:18 Speaker 2: I like that.

6:19 Speaker 8: That's got a nice ring. Well that's what you That's what the diehards could call you, right, like you're die hard fans. They could be like, yeah, you go into the OA Glenn show. Who's OA Glenn? You know we'll let Glenn. Oh yeah that guy. Of course. Of course I'm going You've been playing out a lot, right, You've been performing.

6:33 Speaker 9: A lot live, yes, and now I'm I'm coming home.

6:37 Speaker 8: You're coming home?

6:38 Speaker 9: Well, I started in areas that nobody knew me because I'm well known here and uh as who I am? So yes, I didn't want people who doesn't know what to tell you the truth they like you or not, so I won't start in a strange city.

6:50 Speaker 8: Not to correct you, but Who I Am is coming on in the second hour today along with tracks. Really, you're not who I am, You're will let Glenn. Just to be clear for the audience, I don't want it. I don't want anyone to be used. I agree, yes, yes, so, And you're going to be performing live for us today? Correct, Yes, we've got we've got several uh, several songs skewed up. Now, how do you choose the songs that that you perform?

7:13 Speaker 4: What is it?

7:14 Speaker 8: What is it about these songs selections?

7:16 Speaker 1: Uh?

7:17 Speaker 8: That that make you say, uh, this is a song that will let Glenn should be performing live?

7:23 Speaker 9: When I when I, when I choose my songs for a complete concert, which they last about two hours?

7:28 Speaker 8: Two hours?

7:29 Speaker 9: Well does it in between? And I do a half hour of comedy?

7:32 Speaker 2: You do?

7:32 Speaker 8: I'd see I didn't know this.

7:34 Speaker 9: You do a half hour of con in French?

7:35 Speaker 8: Yes, you do comedy in English and French. Yes, and it's ethnic humor yeah.

7:41 Speaker 9: Because well I don't but it's not it's not it's not planned. Okay, I look at the audience. Oh you do crowd work, yes.

7:49 Speaker 8: Oh, no offense, but the crowd work don't. Don't you have any actual jokes?

7:53 Speaker 1: Oh I do.

7:54 Speaker 9: I'll put him in there, but terrible.

7:56 Speaker 8: I love I love Jenny. Jenny knows how I feel about because I.

8:00 Speaker 9: Tell them to be careful if I picked you, because you may be embarrassed in front of the lot of people.

8:05 Speaker 8: Oh so there's a little bit of danger to the show. There's a little bit of danger. Well, like Whene is dangerous.

8:10 Speaker 9: I wouldn't say I'm dangerous.

8:11 Speaker 8: Well, I don't mean like physically dangerous, like you've heard anybody. I just mean in terms of your performance and and wow, this is this is great. Now.

8:19 Speaker 9: The songs that I've chosen, huh. Some of them are very powerful, some are very meaningful. I choose my songs to the mood that I am, and I like to have a variety because I do everything except for raps. So I do any artists pretty much, any artists, as long as it's a song that I want to air. Uh my, my, My concerts are are totally family oriented. Okay, I don't want no swearing in front of a five year old or something you.

8:46 Speaker 8: Know right right, So you don't do like you don't cover straight out of Compton by nw A is what you're saying.

8:52 Speaker 9: No, but I do a lot of uh rock and roll and hard rock. I do a lot of prints, and I do a lot of Yeah, I do, I do chair, I do, I do Adam Lamberg, I do. I do a lot of I do a lot of Queen. For example, you do hard rock and I love journey.

9:09 Speaker 8: Yes, oh wow, yes, I think I saw a video of you performing. Don't stop believing. Yeah, at where have you? Where have you been performing?

9:16 Speaker 2: Like?

9:16 Speaker 8: Where can people see you?

9:17 Speaker 9: Well, you can see me on a weekly basis. I'm at on Mondays, I'm at the Breezeway. This is all karaoke, which is all coming to an end.

9:25 Speaker 8: By the way, Oh, karaoke is coming to an end. Has there been an I don't know if maybe there's been executive order. No, I'm going professional now, Oh, yes, you're going professional. So this is like you're coming out as well when the professional.

9:38 Speaker 9: So I do the Briezebae on Monday. On Tuesday, I do the Goat On Wednesday, I do uh Stock Brewery, which I've had a concert there last month's this past this past Mother's Day, I did my first concert in Manchester.

9:52 Speaker 8: Okay.

9:53 Speaker 9: And then I on Thursday I do the Farm restaurant. And on Friday, I do the Ripple Casino.

10:01 Speaker 8: The Ripple Casino, the Rival. Oh oh, I thought you said Ripple.

10:05 Speaker 1: I was like, what the casino?

10:07 Speaker 8: Gotcha? Gotcha?

10:08 Speaker 9: And on Saturdays when I'm when I have a my content is basically on Saturdays and Sundays.

10:14 Speaker 8: Playing a casino. Are you concerned that you're promoting gambling?

10:17 Speaker 9: No, because I don't gamble.

10:18 Speaker 8: Okay, good? Good, because you know, you got to think about the kids. Yeah, you don't want parents to turn against you and start telling their kids, hey, don't listen to that. We'll let Glenn. He promotes bad things.

10:26 Speaker 9: I don't gamble, I don't drink. I don't take drugs other than medications. I don't smoke. Yeah, it's pure family.

10:33 Speaker 8: Your straight edge is what you're saying.

10:34 Speaker 1: I am.

10:35 Speaker 9: Yes, my wild times are gone.

10:37 Speaker 8: Yes. No, you're a good You're a good inspiration for the youth. What is your demographic? Would you say, like, are you are you going for that eighteen to forty nine demographic or what's your what's your demo.

10:47 Speaker 9: I'm really shocked. I'm very big with the college crowd. Yes, soon, I understand that, but maybe its because of the music that I'm playing and I'm in tune with them. Yes, I do have a following with But the young people who go to st Emsince for example, Oh so I always they always come to the Goat and that's very encouraging. Yes, uh and and I but my my range is from you can be from five years old to ninety nine.

11:16 Speaker 8: That's quite arranged, Glen, that's quite a range.

11:18 Speaker 9: And the songs that I do are from nineteen twenty to twenty twenty four.

11:23 Speaker 8: Although I don't think you're your typical ninet nine year old. Probably can't he hear you?

11:28 Speaker 9: Well, they have, they have ear ringe, they do well, they do have.

11:31 Speaker 8: Uh, they can do implants and years now, I guess.

11:33 Speaker 9: But I don't think I see people that old that are there, right, But I do see a lot of seniors.

11:39 Speaker 8: You don't, but you don't se ninety nine year old peoplet the Goat. No, I no, okay, now the Goat right? And you do meet and greets too, right, yes?

11:46 Speaker 9: After well not when I do Careyoko, when I after my concerts.

11:49 Speaker 8: Yes, after your concerts. So is there like a fee for that?

11:52 Speaker 9: No? Oh, okay, no, and I haven't. I don't sign autographs yet. I'm not there yet. I don't want my picture on a postcard. Really they want me to do that or T shirt. It's coming.

12:03 Speaker 8: But yeah, it's just not me.

12:05 Speaker 9: I'm a simple guy. I'm a regular citizen and I'll have to get I'll have to grow out of it, I guess. But I'll never forget who I am, and I'll always think of the people first.

12:16 Speaker 8: Always think of the people first. Remember your roots. You know, you see the same people on your way down that you saw on the way up. Yeah, so that's important.

12:22 Speaker 9: Here's a question for the audience. Yes, when I do the dance, the last dance, it's by Daniel BETTEPETI I don't know if I'm noting that right, but and I do it in English, parts of it in French, and then the last paragraph is done in a different language, and no one's figured out which language it is yet. At the end of the show, I will tell.

12:46 Speaker 8: You so you but you save that part for the last paragraph of the song?

12:51 Speaker 9: Yes, yes, it's specific.

12:53 Speaker 8: Yes, I understand okay, so what would you like to perform? First for us, we'll let Glenn come with me from uh from the.

13:04 Speaker 4: Now.

13:05 Speaker 8: For people watching the video, I should explain because they're about to see something unusual that they don't see typically on the program. I'm going to actually turn this monitor toward you so they I believe it's pronound mulan rouge. Correct.

13:18 Speaker 9: Yes, I'm French.

13:20 Speaker 8: Yes, because you said it like like some people, you know, lame is that they pronounce it less miserables because they don't know.

13:26 Speaker 9: Yes French.

13:28 Speaker 8: Yes, you're French, so you know, you know the right way to say.

13:30 Speaker 9: And you'll find that I really am French to the point that they say, oh he really rolls his ours.

13:35 Speaker 8: Yes, people, I can't roll my rs. Yeah, I don't know any any French really, I know, like I know.

13:41 Speaker 9: Like uh we we uh pepe pooh poo, oh my god.

13:46 Speaker 8: That's about it. Okay. So so what we're gonna do is, so I'm gonna start the song and then I'm going to as quickly as I can, I'm going to turn the monitor towards you so that you can read the lyrics. Do you are are any of the songs that you do live. Have you memorized the pair of raps as you say?

14:01 Speaker 9: Yes, some of them?

14:02 Speaker 8: Okay.

14:02 Speaker 9: The thing is that right now in my right eyes eight line oh and uh and I uh, and I know about a thousand songs, and at my age, you're not gonna know a thousand songs by heart.

14:15 Speaker 8: That's true.

14:16 Speaker 9: So that's a handicap for me, and so I'm using it as my benefit for me to perform I need in case I forget the words, they're there.

14:24 Speaker 8: I was recently reading a study about neurology and memory and so forth, and apparently the uh, it's estimated the average musician is able to memorize somewhere between nine hundred and fifty and nine hundred and seventy five songs. You're young, so if you're going for a thousand, yeah, you're kind of you're you're over the you're over the cap. I read that online somewhere, so obviously it's true. Okay, let me get the volume up here. So I'm going to start the song, and as quickly as I can, I'm gonna turn.

14:49 Speaker 8: I'm gonna turn this monitor, and then we'll be ready to go. If you are just joining us, we have will let Glenn the artist. If I said, is it is it the artist will let Glenn or is it will let Glenn the the artist? Or does it matter?

15:01 Speaker 9: Well, like lend the artist is fine?

15:02 Speaker 8: And is there a comma involved or a dash?

15:05 Speaker 9: How do you?

15:06 Speaker 8: Okay? You just will let lend the artists?

15:08 Speaker 9: Okay, I will tell you that I do my own special effects.

15:12 Speaker 8: You do special effects? Yes, you'll hear it like like like you make noises? Yeah?

15:18 Speaker 9: Oh with the I do like some instruments.

15:21 Speaker 1: Oh uh I I do.

15:24 Speaker 9: I do an opening, a closing.

15:27 Speaker 1: What they do? Wow?

15:28 Speaker 9: But they do what a normal artist has for the music, for the for the for the openings, in that in the middle when it's just music. Yes, I do something, Oh you do. I'll need to continue singing adding my own words. All my songs at cover songs, okay, which makes them my song?

15:44 Speaker 8: Right? How do you what's your logic behind that? How does that make your song?

15:48 Speaker 9: If I ever ever chose to do an album, I can't use every word it's in that song that's pleasury.

15:53 Speaker 8: Oh so I have to use You don't want to commit pleasuring?

15:56 Speaker 9: No, I have to do. I have to do a cover song, yes, Okay, that's reality.

16:01 Speaker 8: Right, I understand. Have you ever considered writing your own songs, your own music?

16:05 Speaker 9: You're a creative guy, Yes, I have. I now have a software that was installed two weeks ago and I'm learning how to use it and I'll actually be able to do my own album at home. I had my own studio with the house. Oh very good, very good, own nix and everything.

16:19 Speaker 8: So yeah, yeah, all right, I was gonna sugget I mean, someone of your caliber you might want to consider, you know, well, but it costs a lot of money.

16:25 Speaker 10: To it actually recorded.

16:26 Speaker 9: Everything's digital today, yes, so you don't see no more tapes than CDs that much, right, right, my music would become out digital. I'm now talking with Spotify. If I could get on Spotify, that would be great.

16:39 Speaker 8: Oh yeah, who are you talking with at Spotify? Or you're talking to the head guy there, mister Spotify himself?

16:44 Speaker 9: Probably not they they said they they they signed me somewhere.

16:49 Speaker 8: Need to go right to the top, Glen. Okay, talk to mister Spotify. I think his first name is Bill. All right, so I'm gonna I'm gonna start this. I'm gonna turn the monitor and uh, come, what may come what may as performed by We'll let Glenn the artist. Okay, here we go. I'm pressing play.

17:09 Speaker 9: And make it big?

17:12 Speaker 1: Oh do you to do enjoy? I'm with me what.

17:38 Speaker 9: I never knew that I could feel like these, Like I've never seen that sky high before. I want to venge deep inside your keys. Every day I love you.

18:02 Speaker 1: More and more. Listen to my heart. Can you hear it a singing.

18:13 Speaker 11: Telling me to give you everything? Seasons may change, winter to spring and summer.

18:29 Speaker 9: Ooh, but I love you.

18:33 Speaker 1: Until the end. Time ome what may hope from what.

18:53 Speaker 9: My guys will love you so.

18:58 Speaker 1: Until my die ah.

19:02 Speaker 2: Day.

19:10 Speaker 9: Suddenly the world seems such a perfect plea. Suddenly it moves with such a perect grace. Suddenly my life doesn't seem such a wasting anymore. It' all evils around you, my darling.

19:36 Speaker 1: Dear, And there's no mountain to hide, the river.

19:43 Speaker 4: To wide.

19:46 Speaker 9: Seeing it's sun, and I'll be there by your side.

19:53 Speaker 9: Storm clouds may gather and starts me cool lie, Oh, but I love you until the end.

20:10 Speaker 4: All time.

20:13 Speaker 1: Pour what made oh come? What made.

20:27 Speaker 9: Good? I will love you so.

20:31 Speaker 1: Until my die day?

20:37 Speaker 9: Come, what may.

20:44 Speaker 1: Come?

20:45 Speaker 4: What made.

20:52 Speaker 1: Good? I will love you so I love you so love you so.

21:00 Speaker 9: Oh suddenly the world scenes such a perfect.

21:11 Speaker 2: Um?

21:12 Speaker 1: What may come? What made um?

21:23 Speaker 2: What? Mad?

21:29 Speaker 4: Oh?

21:29 Speaker 9: Die will love you? Go kill my die?

21:39 Speaker 1: Da come? What made thank you?

21:47 Speaker 8: Wow? Glenn R. J. Will let the People's mayor. Oh, I'm sorry, We'll let Glenn the artist.

21:52 Speaker 9: Neathanm getting used to.

21:53 Speaker 8: Yes, yes, I gotta swing that monitor back here. Good thing. I have long arms, Jenny calls me long arms because at the grocery story I can reach things.

22:01 Speaker 9: So for those of you who follow these songs and you know them by heart, yes, you'll notice that there is a big difference in the words.

22:07 Speaker 8: I did know, I did notice that line. Funny you mentioned that.

22:10 Speaker 9: Yes, that's what makes it so?

22:12 Speaker 8: Yes, yes, I have to say, I mean, of all the of all the performances I've heard of that song that is by far the most the most recent.

22:22 Speaker 9: Definitely, Yes, yes, well done.

22:23 Speaker 8: If you are just joining us, we'll let Glenn the Artist is here with us. What's your favorite song you perform? Putting you on the spot here, I like to perform.

22:35 Speaker 9: I have a few, I have unforgettable. I also have the power of love. I do a lot of Harry style and Sam Adams.

22:50 Speaker 2: Uh I.

22:51 Speaker 9: I love a lot of the powerful song. That's why I like come what May do, a lot of theater songs. Yeah, Disney songs. Oh, I do it all, you do it all. I do it. It takes practice. I practice. I get up in the morning and take my shower, get dress, go to my studio. And I practiced three hours a day, yes, in the morning, and then I go to work, and not to work, I perform. And now there's three or four hours depending where I am.

23:14 Speaker 8: Wow. Now, have you ever had any formal vocal training.

23:18 Speaker 9: Other than I used to I before I talked, I say, oh wow, not necessarily words, but I used to hummel lout when I was a kid. Yes, and I belonged to a lot of choirs, school choirs, college choirs, church choirs. And that's where I got my formal training. Okay, my creativity, it's just it just comes within me. I'm very creative.

23:40 Speaker 8: Yes you are, Yes, you are, absolutely Well. What would you like to perform next? I'm dying to hear more. Actually, the next song is we have We have many things like the Impossible Dream, the Impossible Dream.

23:54 Speaker 9: And it's an arrangement by azar Than Dross another powerful song.

24:01 Speaker 8: Yes, all right, let me find that one. Okay, here we go. I've got that queued up. Are you ready, Glenn?

24:06 Speaker 9: I am ready, all right, I'm going.

24:08 Speaker 10: To H'm gonna play this and you have it on large?

24:12 Speaker 8: Turn this, uh, I will. Let's see here. Let me put that full screen for you. Okay, and I'm gonna hit play a click play rather and turn this around and here we go. Oh that's good. There we go.

24:35 Speaker 1: Dude, dude, dude, oh.

24:46 Speaker 9: Oh, enjoy hope sees the invisible, seez the intangible, and it chee is the impossible. Helen Keller said this, Enjoy the impossible dream. Do do do do Do Do Do Do Do Do Do Do Do Do Do do do do do do do do do Dream how that impossible dream?

25:24 Speaker 9: And to fight how that unbeatable fool, to bear with that unbearable sorrow, and to run, oh where the brave did not go, to right that unrightable wrong, and to love pureing chest from a far to try, when your arms are too weary, to reach that unreachable star. Because this is my quest. To follow that star, no matter I hopeless, oh, no matter.

26:48 Speaker 1: Of pr.

26:52 Speaker 9: To fight for that right without questioning, or to be willing to much march into hell for that heavenly.

27:12 Speaker 1: And I know.

27:15 Speaker 9: That if i'll true, leavy, true to this glorious quest, that.

27:27 Speaker 1: My heart.

27:31 Speaker 9: Will be peaceful and calm when I'm late to my rastest and this world? Will it be better for these.

27:53 Speaker 1: That one man.

27:56 Speaker 9: Scorning covered with scars, steel stream, with his last ounce of courage.

28:12 Speaker 1: To reach.

28:16 Speaker 9: Of that unreachable, that unreachable, that unreachable storm.

28:31 Speaker 1: Oh do.

28:42 Speaker 2: Do do? Do? Do do?

28:44 Speaker 9: Don on And I love with dream of that impossible dream. Yes, and I'll reach ould do that on reach able, sto

29:13 Speaker 9: that on reach stop? Thank you, no, thank you. We'll let Glenn the artist that when I roll out of my rs, don't I?

29:38 Speaker 2: You do?

29:38 Speaker 8: You roll a lot of your rs, which is not how I'm used to hearing it.

29:44 Speaker 9: It's it's a signature snature.

29:46 Speaker 8: Yeah, so that's that's how you make it your own.

29:48 Speaker 9: Your artist has to make it their own.

29:51 Speaker 8: I was afraid maybe you were mocking me, because you know I can't roll my rs. No, I can't roll my r You knew that, right.

29:57 Speaker 4: Yeah.

29:57 Speaker 9: I'm French and I'm using my ability to I I still speak and write and refriends.

30:02 Speaker 8: So yes, yes, yeah. If I try to roll my rs, nothing happens like I'm like urber, I sound like I'm having a stroke or something. I can't do it. Urder See, I can't do it, never been able to do it. Well, very good. Uh and I see what you mean about the the uh the extra you kind of enhance it a little bit.

30:23 Speaker 9: Yeah, I make it my own.

30:25 Speaker 8: Yes, yes you do. I think that's very fair to say. If you are just joining us, we'll let Glenn the artist is here with us. You have a logo yet?

30:33 Speaker 4: Have you?

30:34 Speaker 9: Uh?

30:34 Speaker 8: Do you have any kind of a logo or anything?

30:36 Speaker 9: No, I'm working on it, you know, I I am. This is new to me.

30:42 Speaker 8: Oh you know, and uh, well you've been You've been at this for a long time. Thought really, I mean it's not that new.

30:47 Speaker 9: Well, but in front of crowds it is.

30:49 Speaker 8: Yeah.

30:50 Speaker 9: Yeah, that's why I did some That's why I had been doing a lot of karaoke. Oh, get rid of the stage fright, which didn't take long Because I'm I'm not I'm not the shy kid that I used to be when I was a kid.

31:00 Speaker 8: Yes, yes, I didn't know you when you were a kid. But it's hard to imagine you shy. I was very shy, you were you? Yeah? Oh yeah, oh me too. I can relate to that. You want to do another one?

31:11 Speaker 9: Sure the next song will be different. It's uh, I'm already there by I'm raising by Life by West Life.

31:17 Speaker 8: West Life, Yes, uh, I remember West Life. Now why this song? Now, this song stands out. It's beautiful in that it's it's unlike the other songs, which are sort of standards or classics. One might say this is a West Life, a much younger group.

31:32 Speaker 9: Yes, and they they it's a very meaningful song. Oh it's about losing a loved one. Oh yeah, it looks like a love song with the past.

31:42 Speaker 8: Yes, yes, a love song with the past.

31:44 Speaker 9: You lost your wife where you lost a husband?

31:46 Speaker 8: M okay, yeah, I think I know this song. I think I remember the song all right, So I'm going to Uh, I'm gonna do same deal. I'm gonna out here this time I will remember to make it full screen.

32:00 Speaker 9: You'll also find that I use a lot of my religious bringing in my songs. You do, Yes, it's important to me. Faith as run my life. So it's very important.

32:11 Speaker 8: But do you do any actual religious songs? I do, Oh you do?

32:14 Speaker 2: I do?

32:14 Speaker 9: Like what I'm pretty much do them all the old ones and new ones.

32:20 Speaker 8: When I was a kid at Saint John's going to Saint John's School and we would go on Sundays when my dad would take me to church, they would do songs at Saint John's, but they weren't like instead of I mean they would they would be there would be some religious hymns, but there was also you know, the ones you're used to hearing, but there would also be these other songs that like because they had a band that they would play live, and they would do these songs that were not like classic religious hymns, like share a little bit of your love.

32:51 Speaker 8: You ever hear that one?

32:52 Speaker 9: Share?

32:52 Speaker 8: I actually still remember these, like share a little bit of your love, my friends, share a little bit of your love.

32:58 Speaker 9: I do a lot of I'm Roman Catholic and that's how it was raised. Yes, I do a lot of South South and Baptist songs.

33:06 Speaker 8: Oh okay, very deep.

33:07 Speaker 9: Yeah, you know it has a lot of meaning.

33:09 Speaker 8: Now do you know have you heard from the Vatican at all about that? Do they approve of you as a Roman Catholic doing Southern Baptist songs.

33:15 Speaker 9: I don't think I need their approval.

33:17 Speaker 8: You're like a cross denominational performer.

33:19 Speaker 9: I am an independent, yes artist, and I sing what I want to sing.

33:23 Speaker 8: So if the Pope, if the new Pope, he comes in and says, Glenn, I'll sing a song, You'll say you'll sing em a song? All right, well, very good, okay, So uh, I'll go ahead and click play on this and I'll turn the monitor around. So this is a well let Glenn the artist performing. I'm already there, all right, here we go.

33:40 Speaker 9: This is a relatively new song for me.

33:42 Speaker 8: Oh really okay, Oh, I don't hear anything. And I think I know.

33:45 Speaker 10: Whoops, I it takes time.

33:47 Speaker 8: You think you start that over? Let's start that over here we go?

33:53 Speaker 7: Right?

33:54 Speaker 8: Oh, yeah, there we go.

34:05 Speaker 9: Indeed enjoy. He called her on that road from a lonely cold hotel room, just to hear her say I love you one more time. And when he heard that sound all the kids laughing in the background, he had to wipe away a tear from his eyes. A little voice came on that phone said, Daddy, when are you coming home?

34:45 Speaker 1: He said, the.

34:46 Speaker 9: First thing that came to his mind because I'm all already there. Just take a look, take a look around. On that sunshine in your hair. I'm that shadow on that ground. I'm your whisper in the wind. I'm your imaginary friend, and I know that I'm in your prayer. Oh, I'm all already there. I'm already there. She got back on that telephone, said, I really miss you, my darling. Don't worry about the kids.

35:39 Speaker 1: They'll be all right.

35:44 Speaker 9: I wish I was in your arms tonight, laying right there beside you, But I know that I'll be in your dreams tonight.

35:56 Speaker 2: Right.

35:58 Speaker 9: And I'll gently kiss your lips, touch you with your fingertips. So turn out the lights and close your eyes, because I'm all already there. Don't you make a sound to night? On the beat in your heart, on that moon light shining down. You're with her in the wind. Come and I'll be there until the end. Can you see that love that we see? But I'm all already there. We may be a thousand a thousand miles of how but I'll be with you wherever you are. I'm all already there. To take a look, Take a look around.

37:09 Speaker 9: I'm that shun shine in your hair. I'm the shadow on that ground. I'm your whisper in the wind, and I'll be there until the end. Can you keep the love that we share.

37:32 Speaker 9: I'm already there yet, I'm all already because I'm already there. Yes, I'm already there. Thank you.

38:03 Speaker 8: Wow. Well, let Glenn the artist. But that song, you know, I never really paid much attention to the lyrics before. I feel like it's about Uh, it's about the supernatural, like he's threatening to be a ghost and haunt this person. You know, I'm the shadow on the ground. I mean that's creepy.

38:19 Speaker 2: Yeah.

38:20 Speaker 9: What about the part about don't make a sound? Yeah that kind of creeped me out a bit.

38:25 Speaker 8: Yeah, that'd be a good Halloween song.

38:26 Speaker 9: I added that, Oh you had it. It came right behind the shadow things, so it made sense.

38:30 Speaker 8: Oh that, yes, shadow on the ground, don't make a sound.

38:34 Speaker 9: Remember I make these songs on my own sooky.

38:38 Speaker 8: You made the song spooky. I like that a little, a little Halloween swist.

38:41 Speaker 1: Non need that.

38:42 Speaker 9: I also need it a little bit spiritual that you've lost someone.

38:45 Speaker 8: I may have taken it the wrong way.

38:46 Speaker 9: I'm still there.

38:47 Speaker 8: Oh okay, I'm sorry. Sometimes I misinterpret things. But that's something about art, right, you know, you can you can interpret it different ways, you know, And I uh choose to interpret that as somebody dies and they come back as a ghost and they're haunting the person doing scary things, and it's like it turns into like an Amityville horror kind of situation than I guess. So oh, by the way, So speaking of creativity, So our friend, you know, Dan Dan Randlett, also known as Dan Randall of Dan Randall and the Randletts.

39:16 Speaker 8: He also has a stage name. Yes, he says in the chat room, this is a masterclass of vocal control, reminiscent of later Sinatra or even Tony Bennett, amazingly beautiful in a style we don't necessarily hear in this day and age, all without auto tune and other overprocessing.

39:33 Speaker 9: And I do both those artists very well.

39:35 Speaker 8: Yes you do, and you're humble about it.

39:38 Speaker 9: Now, why shouldn't I be? I was raised with that music. I was born in Pitty two.

39:42 Speaker 8: Yes, yes, so all right, well, very good? You want to do another one. I don't know if we're going to get through all of these necessarily, but I know the audience wants to hear more one is.

39:54 Speaker 9: Actually it's better Roses. It's ben Jovi.

39:58 Speaker 8: Oh, this song makes me blush when I hear it. I wonder if I'll have that reaction when you sing it.

40:02 Speaker 9: It's a long song.

40:03 Speaker 8: This is a long song, probably bon Jovi's longest song.

40:07 Speaker 9: Is that why you chose probably my longest?

40:09 Speaker 1: Well?

40:09 Speaker 9: I like this song? Yes, Yes, every song I do is a challenge, and I love a challenge.

40:14 Speaker 8: Yes. He also uses a stage name. Did you know that?

40:16 Speaker 6: What is he?

40:17 Speaker 8: John bon Jovi? Is not his real name?

40:19 Speaker 1: Probably not.

40:20 Speaker 8: I believe it's Bonjee of bon gioviy. I think it's bon Giov but he made it bon Jovi. All right, So so this is beat of Roses? And why this song, Glen, It's very romantic.

40:34 Speaker 9: First of all, I am a romantic.

40:35 Speaker 8: I've heard that about.

40:36 Speaker 9: Yes again, the songs that I sing and what I injected them is my life. Okay, how I've lived my life?

40:44 Speaker 8: All right, So you're going to inject some romance with this song? I will all right?

40:48 Speaker 9: Very good, very good. This is a first on the radio on this one. I've done it on my TV show last week. Oh and I've been doing it for the last week now in the karaoke so it's I think I'm ready for it.

41:01 Speaker 8: Wait, so this is the first time that that live, that that this version of the song, that your rendition of bet of Roses will be played on the radio. Well, in that case, you're listening.

41:13 Speaker 2: To Taluminate.

41:16 Speaker 1: World premiere.

41:20 Speaker 8: That's right, it's the world premiere of Glennarr J Willette performing That of Roses.

41:25 Speaker 10: Here we go, I will get you, it will play, I hope, So there we go.

42:00 Speaker 9: Do A bed of Roses is enjoy Ooh, stitting here, wasted and wounded at this old piano, A trying hard to capture the moment. This morning, I don't know because a bottle of but cars still logged in my head and some blonde girl things that I'm that does. She's still in my bed as I dream about movies. They won't make me when I'm dead with an icon glade this, I wake up and fred kiss that morning whilst some marching band keeps it on beat in my head while I'm talking about the things that I long to believe about love, the truth, what you really mean to me, and the truth is maybe You're all that I need.

43:32 Speaker 9: Oh, I want to lay you down down in the bead of roses. What tonight? Tonight I sleep.

43:45 Speaker 1: In a bed of names.

43:49 Speaker 9: Oh, I want to be just as close as the Holy ghost is. Oh Lord, and you down in a bed of roses. Well, I'm so far away. Each stepth that I take is on my way home, and King's ransom dimes. And I give each night to see you on that telephone. Shall I run out of time or it's hard to get through till the bird of the wire flies back to you. I'll just close my eyes and whisper, baby, whine, love is true. I want to lay you down down on a bed of roses.

44:55 Speaker 1: For the night.

44:56 Speaker 9: To night I sleep in a bed name. Oh, I want to be as close as the Holy ghost is. Oh Lord, Oh, and lay you down down.

45:17 Speaker 1: In a bed of roads.

45:24 Speaker 9: Well, this hotel, bars hangover, whiskeys done dry, and the barkeepers with cook. She's giving me the eyes. Well I might have said hi, but I laughed so hard.

45:39 Speaker 1: I think I died.

45:43 Speaker 9: Oh yeah, in a bed of roses. I lay you down in a bed in a bed of roses.

46:00 Speaker 5: Is do do do?

46:02 Speaker 2: Do?

46:03 Speaker 5: Do?

46:03 Speaker 2: Do do do?

46:11 Speaker 1: I want to lay you down down in that bed of roses, Do do, Do, Do Do.

46:22 Speaker 4: Now.

46:22 Speaker 9: As you close your eyes, know that I'll be thinking about you while my mistress she calls me to stand in her spotlight again tonight. I won't be a long But you know, I don't mean I'm not lonely. I've got nothing to prove. For its you that I die to defend, because I want to lay you down down in a bed of roses for toune night to night, I sleep in a bed of names. Oh, I want to be just as close as the Holy Ghost is my lord and lay you down down. Oh, I want to lay you down down in a bed of roses.

47:40 Speaker 9: Fortune night to night, I'll sleep on a bed of names.

47:49 Speaker 9: I just want to be just as close as the Holy Ghost is my lord and lay you down down.

48:04 Speaker 1: Oh that bed of.

48:09 Speaker 8: Thank you, well, thank you. We'll let Glenn the artist, how I do? Oh? That was that was great.

48:18 Speaker 9: I noticed it at the beginning that there's there's a couple of sentences that I'm still working on.

48:23 Speaker 8: Like there was a line in there about a blonde in your bed. You kind of stumbled on that a little bit.

48:27 Speaker 9: Yeah, yeah, but uh, just having in my bed?

48:30 Speaker 8: Whoa tm I Glenn, whoa, my goodness. All right, you want to do one more, we'll do one more to close out the segment. If you are just joining us, Uh, we'll let Glenn the artist is here with us, alive in studio.

48:44 Speaker 9: I'll do a share. So it's called believe, but it's enraging by Oh, I thought you wanted to do uh. Oh, yes, the dance. Let's do the dance.

48:52 Speaker 8: I don't have that one. For some reason, when you had it, I thought I did too. Oh last dance. Oh you know what? Oh, I do have it. I'm sorry. I close that apparently close that tab out without meaning to the last dance. That's an appropriate uh song to finish the segment, is all right, very good? Let me get that radio.

49:08 Speaker 9: Hey, if you can figure out that last paragraph, what language it is?

49:11 Speaker 8: Yes, I'm very very curious to hear this. Okay, So because Glenn, when you do this song, you're going to do it, explain again for people just joining us. There's a there's a twist right with the song.

49:21 Speaker 12: The way you do it, there is a twist. I do it in three languages, in three languages, okay, very good? All right, here he is performing in three Languages, Glenn R. J. Well, I'm sorry, We'll let Glenn the artist.

49:32 Speaker 10: Here we go.

49:35 Speaker 9: The last dance, Lad did you do? Enjoy Last Dance

49:53 Speaker 9: lad Dance poola Moo, Last Dance for Love. This is my last dance. Nadonie Chance for Romans Tonight.

50:11 Speaker 1: Their sweet.

50:17 Speaker 9: I need you too, are that MOI fin me beside me to guide me, and.

50:32 Speaker 1: You hold me to scold me.

50:39 Speaker 9: Because when I'm bad, I'm all so so so bad. Enjoy Oh to last Dance, Nadonne Dance, Last Dance, Nadonna dances lasting along the last like down here, down to lie, the swam lassing my pool Lamo Lasting for love. This is my lasting for romance to night. Why I need you that thefore then these had me, You got me and to hold me, you stole me. God.

51:33 Speaker 1: When I'm mad, I'm all to nowhead.

51:37 Speaker 9: So let's Dna down go let the like dnire downs come on a lettin l Dnie down to night swam

51:54 Speaker 9: Yah baby, yeah, yeah, yeah, yeah, yeah yeah, Let Johnne down. Let's dance that last dance. Let me be your mystery, right darling.

52:10 Speaker 13: Oh yeah, I can satisfy your appetite for dancing, my baby,

52:19 Speaker 13: I never knew that you're the one for me, one for me. Well well, well, well, well, all that I asked is that you dance with me Darcy a vet moir.

52:34 Speaker 6: With me.

52:39 Speaker 9: Poll lesson Ladonia Dan who lah Mo lasted for love. This is my lasting for romance to Nahid Firsi. Oh, I need you mind me, besides you guide and hold me, to stole me because when I'm bad, I'm so so so bad.

53:08 Speaker 4: Yeah.

53:09 Speaker 9: Yeah, to let them Nadanie down, don't truly the last dance. Let dance Nadiana Dannce, let them Nadania downs to re Li Swazebru du Ramadi hirapo Jandabadindo ran Dandie to Roasta kotak oh lad Dan Daddy do Rambo Bandi Dudy Hei ram By, Dude gd new body. Oh oh that's dad Dane down by decide me. Oh you hold me, you stole me and went on bad. I'm so bad. Let's danced down Kudo got good Dan Ye does the lasting.

54:30 Speaker 8: To night.

54:31 Speaker 9: That's just why? Thank you?

54:33 Speaker 8: Wow, very nice, very nice.

54:34 Speaker 9: What was that language?

54:35 Speaker 8: Well at glenn uh oh in the last verse there or the last paragraph, as you would say, I don't know what was that.

54:43 Speaker 9: It was creative pigowatan. Oh, okay, so every time I do it, it's different.

54:49 Speaker 8: See, I wasn't sure. Okay, so I'm glad you clarified that for our listeners. I was getting a little bit concerned. I thought maybe I didn't know if that was a language or if you're having a tia. I didn't know if we had to call nine one one. I didn't know what was happening there. No, okay, good, good, No, it sounded great.

55:02 Speaker 9: It's it's the fun of music.

55:04 Speaker 8: You're the fun of you.

55:05 Speaker 9: You can't have fun with music? Why are you singing?

55:08 Speaker 1: Yes?

55:09 Speaker 8: Yes, I agree, Well you clearly have a good time.

55:11 Speaker 9: It's good for my Heart's good for my soul, it's good for my brain. It calms me down, it makes me happy.

55:18 Speaker 8: Yes.

55:18 Speaker 9: Why wouldn't I see?

55:19 Speaker 8: Where can we see you live? Where's when's your next show?

55:22 Speaker 9: I don't know right now. I'm planning on one right now in Springfield at the end of the month, uh huh. And then in August I plan to go to Hartford for the first time and take it from there. I am planning a concert at the Rex Theater. I'm not talking with them and it'll probably August or September.

55:38 Speaker 8: Oh, so you're in negotiations with the Rex Theater. Yes, wow, very good.

55:42 Speaker 9: It's a very stage. But he definitely wants me to.

55:45 Speaker 8: Sing okay, okay, excellent, excellent.

55:48 Speaker 9: And then I'll probably be doing one in the in the park where they have the fireworks. That will be uh with probably twenty other artists.

55:56 Speaker 1: Oh, all local.

55:58 Speaker 9: I like the local flare and the culture, and that will be also a fundraiser from my campaign. As they're running from mayor. I'm excusing me. I'm not running from here. I'm running for All Dominion Ward three.

56:10 Speaker 8: Very good. Oh you should plug you or you have a television show too, you should plug that.

56:13 Speaker 9: Yes, we'll let it Lodge go on Global. It airs every Thursday at four to five pm and I have a lot of guests that come and it airs in the eighty five countries because I've networked in over twenty years. Wow, that's why it airs early in the morning and also during the daytime and nighttime.

56:29 Speaker 8: You've gone global.

56:30 Speaker 9: Well that's why it's not call We'll let it Lodge Gone Global.

56:33 Speaker 8: Yes, yes, well, very good, Well, Glenn, thank you so much. This is a pleasure. Thanks for having me a bit a while since we've been able to do this, so I very much appreciate you.

56:41 Speaker 9: So what do you think?

56:42 Speaker 8: Great? Great, it's but you know, I'm just happy to see you.

56:45 Speaker 9: It's something in the works. Yes, it can only get better. Yes, yes you will let it lodge go on Global or we'll let Glenn.

56:53 Speaker 8: We'll let Glenn. Very good, very good. All right, well, thank you, thank you Glenn. And if you are listening live on Saturday stick around. Coming up next we have Who I Am and Thrax will be here with us and uh don't go anywhere. We got more to come here on Matt connorton Unleashed. We are live from the studios of w m n H ninety five point three FM.

57:13 Speaker 1: You are listening to WUM and H.

57:17 Speaker 9: World Premiere.

57:53 Speaker 2: Live sings a song.

57:56 Speaker 3: Sometimes it's loved Caddy, what's staring doll?

58:00 Speaker 1: Soon call me skin bad?

58:02 Speaker 5: I want p say your son in side. So it's like can a joke you never get me? Don't beat a strange eyes, singing my enter and sing me high up.

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59:26 Speaker 1: Side side.

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59:43 Speaker 2: Foul be say you sold and you row.

59:46 Speaker 5: It's like your song as me Eye to crown every side and around the same

59:53 Speaker 2: Loud B, say your side