Field Dispatch
Matt Connarton Unleashed 8-17-24 hour 3
Game Plan
Speaker 1: That is I don't know. That is Fate One, who
Speaker 1: is here with us in studio and we're going to
Speaker 1: speak with him in just a moment. Really looking forward
Speaker 1: to this. But what a great track to kick off
Speaker 1: the third hour, hour number three of Matt Connorton unleashed
Speaker 1: on this Saturday, August seventeen, twenty twenty four. Jenny is
Speaker 1: here as well, of course, at the news table, President
Speaker 1: and account of our Yes, yes, and we have Fate
Speaker 1: One here with us in studio. How are you welcome?
Speaker 2: I'm doing well, I'm doing well. How are we today?
Speaker 3: Good?
Speaker 1: Good? Did we meet you through Hope the Rapper?
Speaker 4: Was?
Speaker 2: I believe that a post that Hope the Rap will
Speaker 2: put up is oh what led us to be here today?
Speaker 1: Right right?
Speaker 3: Yeah?
Speaker 2: Something he put up? And then I reached out to
Speaker 2: that directly to Jen.
Speaker 1: Yeah, yeah, we've got We've been doing this ten weeks
Speaker 1: of New World Radio premieres of Hope the Rapper Singles,
Speaker 1: and yeah it's been a big success, and today this
Speaker 1: was week ten, the last one eviction notice that we
Speaker 1: played a little bit ago. But yeah, another great track
Speaker 1: from him. He's he's amazing, he's so talented, and of
Speaker 1: course he was one of us during the first hour today.
Speaker 2: Yeah, correct me if I'm wrong. I think you guys
Speaker 2: did problems right, Yes, yes, I was on problem.
Speaker 4: Us.
Speaker 1: Okay, cool, cool? Yeah you've done. Have you done a
Speaker 1: couple of tracks with him?
Speaker 2: I have a few that I have done, some unreleased
Speaker 2: and some released, yes, okay, okay.
Speaker 1: And that track I don't know is that brand new?
Speaker 3: Uh?
Speaker 2: That's fairly new.
Speaker 1: Okay.
Speaker 2: The one that I'm pushing right now that I've just
Speaker 2: been working on, uh, you know, just making sure to
Speaker 2: get it out there. It's some plain, bold message, nice
Speaker 2: quick sweet. Yeah. Yeah.
Speaker 1: Can you pull that mic in a little yeah that yeah,
Speaker 1: that makes up?
Speaker 2: How are we doing?
Speaker 1: Oh that's better? Yeah? Yeah, yeah, absolutely right. So you said,
Speaker 1: you know, you were talking off air about you've got
Speaker 1: a video coming up for.
Speaker 2: That or yes, So I shot a video about two
Speaker 2: weeks ago and I'll be releasing it next week Nextaturday
Speaker 2: on my birthday.
Speaker 1: Okay, yeah, okay? Is that the Will this be the
Speaker 1: first video you've done?
Speaker 2: No, this will be my ninth video. Oh ok yeah yeah,
Speaker 2: oh wow. It'll be the first video I do with
Speaker 2: Crispy Pick, which is a photographer out of Manchester.
Speaker 1: Okay, yeah, okay, And how did you get connected with UH?
Speaker 1: Is that is? Is that a person or is that
Speaker 1: there the company?
Speaker 2: That that is a person and a company?
Speaker 1: Okay, okay, gotcha.
Speaker 2: So Crispy Pick we originally connected about two years ago.
Speaker 2: I booked him for a showcase as a photographer. Yeah,
Speaker 2: he's been working ever since.
Speaker 1: Oh okay, yeah, okay, this will be did you say
Speaker 1: this will be the first one with UH with Crispy? Okay?
Speaker 1: How did you do the previous ones? Did you work
Speaker 1: with somebody else or was it all DIY.
Speaker 2: Or so all the previous ones I have dealt with
Speaker 2: probably three or four videographers. Yeah. So out of my
Speaker 2: nine videos, four of those videos are from One Eye Visuals.
Speaker 1: Okay, yeah, Hope Hope work.
Speaker 2: Yeah, exactly. Him and I we you know, around the
Speaker 2: same circle, around the same people, and we've been lucky
Speaker 2: enough to just have great talent and then just great
Speaker 2: people around us to continue to work with us. And
Speaker 2: then you know a few other videographers Dynamic TV and
Speaker 2: Guild Videos okay, you know, which is just all great
Speaker 2: people all around and stuff like that. I've mainly worked
Speaker 2: a lot with One Eye Visuals and I continue I'm
Speaker 2: going to continue working with him as well as we
Speaker 2: have some plans and some ideas for some future projects
Speaker 2: and stuff like that.
Speaker 1: Yeah. Now, how do you define the genre that that
Speaker 1: you're working in, because it's.
Speaker 2: It's kind of so it's a mix. So I'm a
Speaker 2: singer songwriter, yeah, However, the way that I write, I
Speaker 2: write like a.
Speaker 1: Rapper, right, Yeah, that's interesting to me. Yeah.
Speaker 2: So my writing process is like you know, rapper brain almost,
Speaker 2: you know. So I throw in you know, punchlines, the
Speaker 2: ball entendres, yeah, and then I'm singing it. Yeah. So
Speaker 2: I like to call it something like an R and
Speaker 2: B hip hop because ninety percent of the beats I
Speaker 2: choose our hip hop. Yeah, but I'm always singing behind them,
Speaker 2: whether I'm doing it in a different tone or you know,
Speaker 2: less vocals, more vocals, you know. Yeah, so say I
Speaker 2: sound like a rapper, Yeah, but I don't classify myself
Speaker 2: as a rapper. I'm a singer, songwriter, vocal engineer.
Speaker 1: Right right. Yeah, No, that's interesting to me because when
Speaker 1: I first when you send me your music and I'm
Speaker 1: I'm It's like each of the tracks it starts out,
Speaker 1: it sounds like I'm expecting rapping and then you're singing
Speaker 1: and it's like, oh, it's interesting. Yeah.
Speaker 2: Yeah, It's how I diversify myself. And you know, it's
Speaker 2: just what I originally loved. You know. I grew up
Speaker 2: listening to hip hop, hip hop, R and B, Latin music, merengue.
Speaker 2: It's just a melting pot of music. And I've taken
Speaker 2: those influences and just have kind of created my own
Speaker 2: sound where I have mastered it, and you know, I
Speaker 2: feel like it's I'm one of the only ones doing
Speaker 2: that kind of sound. You don't hear many artists like
Speaker 2: myself today, you know, And it's just something that I
Speaker 2: enjoyed doing.
Speaker 1: Yeah, Yeah, I was commenting to off air. I appreciated
Speaker 1: that I didn't not that I mind doing it, but
Speaker 1: I didn't have to make any radio edits.
Speaker 2: Yeah, which was nice. Yeah. You know, I pride myself
Speaker 2: of making not only my job easier, but also, you know,
Speaker 2: making sure that my lyrics and everything fit into play
Speaker 2: so that way I don't have to censor myself I
Speaker 2: have to change lyrics. I don't have to, you know,
Speaker 2: memorize two different versions of a song, yes, which is
Speaker 2: something that's difficult within itself.
Speaker 1: You know right right.
Speaker 2: You know, when you have a portfolio like myself, you know,
Speaker 2: it's a lot to remember.
Speaker 1: Yeah, you get me.
Speaker 2: Yeah, just keeping it simple, you know, simplicity is genius.
Speaker 2: I do believe in the words that I say as well,
Speaker 2: just practice what I preach.
Speaker 1: How many you mentioned your portfolio? How many songs have
Speaker 1: you recorded.
Speaker 2: So released? I have, you know, anywhere from twenty to
Speaker 2: thirty songs? Oh okay, yeah, so out. Yeah, you know,
Speaker 2: it could could be a little less, but I don't
Speaker 2: have that exact number unreleased. I have over one hundred songs.
Speaker 3: Yeah.
Speaker 2: I own my own studio, so I have the ability
Speaker 2: to just go wake up, go right into my studio
Speaker 2: and get get to working.
Speaker 1: Yeah.
Speaker 2: So I have that freedom and that accessibility. So that's
Speaker 2: an upside rather than having to go book a session work,
Speaker 2: you know, pay for two hours, which I still do sure,
Speaker 2: but I would much rather have it at home. The
Speaker 2: reason why I learned to engineer and to edit my
Speaker 2: own vocals was because I would go to a studio
Speaker 2: and it would hear my vocals and immediately want to
Speaker 2: add auto tune to it. Yeah, and it's cool. I
Speaker 2: understand what that that plugin does and what it's for
Speaker 2: but certain songs didn't need it, certain songs didn't call
Speaker 2: for it. But every engineer that I wanted wanted to
Speaker 2: add into it. So I learned, you know, I sat
Speaker 2: down with these engineers side by side while paying for
Speaker 2: my time, and I, you know, watch and just paid
Speaker 2: attention and that I did some further research, educated myself,
Speaker 2: took classes on pro tools, a pro tool certified engineer,
Speaker 2: and you know it's been going from there. That song
Speaker 2: I don't know, mix and mastered by myself.
Speaker 1: No kidding, Yeah, yeah, outstanding.
Speaker 2: So it's nice when you can do it yourself, and
Speaker 2: therefore you don't have to explain what you're looking for, right.
Speaker 2: You know, that sound in your head right, and you
Speaker 2: can just pretty much duplicated right then and there yea me.
Speaker 2: And that's the beauty of musicaalistically. That's one thing that
Speaker 2: I love is just hearing something in my head and
Speaker 2: then creating it and putting it in sound.
Speaker 1: That's That's one of the things that's so interesting about
Speaker 1: creating music is that, you know, everyone everyone's different and
Speaker 1: has kind of their own process. And we were even
Speaker 1: talking about this today with Hope the Rapper when he
Speaker 1: was on with us in the first hour because he's
Speaker 1: someone who really likes to collaborate and kind of have
Speaker 1: somebody else's ideas brought into the process, whereas it sounds
Speaker 1: like you're more someone who you knows what you know,
Speaker 1: what you want and that's that's what you're gonna do,
Speaker 1: to the point that you took the time to learn
Speaker 1: how to do it yourself exactly.
Speaker 2: You know, nothing against other engineers or anything, but you
Speaker 2: know when you're telling an engineer like all right, let's
Speaker 2: do it this way, this way, this way, and then
Speaker 2: they try everything that they can to get that sound,
Speaker 2: but you know, you go and then you get a
Speaker 2: final mix and it's not what you want and you
Speaker 2: need a revision that requires more money, more time. One
Speaker 2: thing I don't like doing in this world is wasting
Speaker 2: time or money. Money we can get back. We can
Speaker 2: never get our time back. True, you know, so time
Speaker 2: to me is very important. You know, money is replaceable.
Speaker 1: You know, when when you would run into that, like
Speaker 1: the engineer or the producer who's telling you no, no, no,
Speaker 1: we should do it this way. Is that like what
Speaker 1: is their motive? Like do they are they kind of
Speaker 1: saying to you, this is how you have to do
Speaker 1: it to fit in so you can have a hit
Speaker 1: or or is it more just we just think it
Speaker 1: sounds better this way.
Speaker 2: It could be more of the we just think it
Speaker 2: sounds better this way, you know, more opinionative, you know,
Speaker 2: And that's good, that's awesome. I take constructive criticism very well.
Speaker 2: But that's not how I want it to sound. Yeah,
Speaker 2: if I'm paying for this time and I'm paying for
Speaker 2: something to sound a certain way, I would expect it
Speaker 2: to be the way at least you know, close to
Speaker 2: what I want.
Speaker 3: Right.
Speaker 2: It's like when you go purchase something at a store
Speaker 2: and you want that item. You know you're gonna go
Speaker 2: get that item at that size, right, You're not gonna
Speaker 2: go get it two sizes larger or the one that's
Speaker 2: a different color, but it still has all the same wordings.
Speaker 2: It's not what you really wanted, right, Yeah, try and
Speaker 2: you know, make sure you get that that particular thing.
Speaker 2: And you know, I could blame some of my OCD
Speaker 2: for that, but that's why it took the time to
Speaker 2: learn it, you know.
Speaker 3: And then.
Speaker 2: You know, if ah and being in this studio, you know,
Speaker 2: I've had people where they were suggestive towards the way
Speaker 2: I should do certain things. You know. The song problems
Speaker 2: would help the rapper. I did not write that chorus.
Speaker 2: That was something that Hope wrote. He's a great lyricist,
Speaker 2: you know, so he has a good time when it
Speaker 2: comes to writing. And then, you know, we changed it
Speaker 2: last minute in the studio, and then I took a
Speaker 2: couple of takes, you know, and they were like, all right,
Speaker 2: we got to do it over again. You know this
Speaker 2: that all right? Boom? That was it? That one? All right,
Speaker 2: we gotta dub that. So now I got to replicate that,
Speaker 2: you know. And it's that criticism is always accepted, but
Speaker 2: you know, when it's someone's opinion, you know, everybody has one. Yeah,
Speaker 2: and we can you know know where that goes from.
Speaker 2: But yeah, you know, it's I always try to give
Speaker 2: the benefit of the doubt when it comes to experience
Speaker 2: and stuff like that. But I've been in this a
Speaker 2: long time too. I've only recently started taking serious, taking
Speaker 2: it serious over the course of the past four or
Speaker 2: five years. Really, yeah, me, who knows where I'd be
Speaker 2: had I been taking it a lot serious a lot earlier,
Speaker 2: you know. But that's not here nor there. We're here today,
Speaker 2: and I'm very appreciative and humble to be sitting in
Speaker 2: his chair and meeting you as well, you know, and
Speaker 2: going forward from there on.
Speaker 1: Yeah, yeah, No, we're glad you're here. Do you work
Speaker 1: with other artists in terms of producing, since you obviously
Speaker 1: you have that skill set?
Speaker 2: Yes and no, so I have, you know, Like like
Speaker 2: I said, Hope and I have worked h a long time.
Speaker 2: I've done a couple of songs for his for him
Speaker 2: titles I can't tell you off the off the back
Speaker 2: because he has so much music and I listened to
Speaker 2: a lot of it, so like you know, I can't
Speaker 2: tell you the title of the song. But you know,
Speaker 2: there were a few of those that were recorded in
Speaker 2: my studio. They could have been they could have started
Speaker 2: as reference tracks in my studio and then been brought
Speaker 2: to another studio and been like, all right, this is
Speaker 2: how I wanted to sound, and you know he reached that.
Speaker 2: And then who else My nephew, Jordi dt A. He's
Speaker 2: also a local artist out of Nashville, and he's been
Speaker 2: in my studio multiple times. I hope to work with
Speaker 2: mister Goodbard soon working in his studio artists. Yeah, hell
Speaker 2: An artist, great educator. He has so much information and
Speaker 2: he's one of those artists that I respect because he
Speaker 2: doesn't keep any of that information. Yeah, excuse me, he
Speaker 2: puts it out, Yeah, something similar to what I do.
Speaker 2: You know. If I know something, you know, I'm gonna
Speaker 2: share it.
Speaker 1: Yeah.
Speaker 2: I have no secrets. I don't gate keep. All you
Speaker 2: need to do is ask me, and if I have
Speaker 2: the answer, I'm going to give it to you.
Speaker 1: Yeah. Yeah.
Speaker 2: Yeah.
Speaker 1: Good Bars is amazing too because he's so diverse, like
Speaker 1: he produces so many different kinds of music. It's remarkable.
Speaker 2: I originally started following good Bars when he was with
Speaker 2: the band Sepsis.
Speaker 1: Yeah.
Speaker 2: Yeah, yeah, as their keyboardist. And I think I.
Speaker 1: Think that's when I first met him too.
Speaker 2: Yeah, that's how long I've been following him. Yeah, And
Speaker 2: then I think over this past year we met face
Speaker 2: to face. We've always had social interactions online and stuff,
Speaker 2: and this year we were at the same show and
Speaker 2: we met and and you know, one of the things
Speaker 2: that I remember him saying was like, see, ye I
Speaker 2: know about you. He goes, You're one of those artists
Speaker 2: that got all the ducks in a row, and I
Speaker 2: was like, yeah, you know, like I just I do
Speaker 2: a lot of behind the scenes things. I don't frag.
Speaker 2: I don't share many things they can all share the
Speaker 2: day of and you know, I don't have too much
Speaker 2: of an online presence because I'm so busy trying to
Speaker 2: do things in the real world. Yeah, yeah, you know,
Speaker 2: so I got to figure out a way to get
Speaker 2: both of them, you know, but with time that will come.
Speaker 1: Yeah, absolutely absolutely. Where are you from? Did you grow
Speaker 1: up here?
Speaker 2: I'm originally from Lawrence, Massachusetts, and I've been living in
Speaker 2: Nashville for over the past thirteen years. You know, so
Speaker 2: I represent Nashville. It's I'm not one of those where
Speaker 2: I'm like, oh, I'm from Lawrence. No, I represent where
Speaker 2: I'm at. Yeah, you know, and I'm in Nashua. It's
Speaker 2: been a beautiful community to me. A lot of good
Speaker 2: things happening there has brought me a lot of success.
Speaker 2: I've shot multiple videos in that city. The video I
Speaker 2: don't know that's coming out next week is shot right
Speaker 2: in the middle of Main Street. Yeah, We're going right
Speaker 2: down Main Street, you know, have people interacting and stuff
Speaker 2: like that, and just really had a good time doing it,
Speaker 2: showing some of the businesses and the beauty of Nashville.
Speaker 2: You know, how many people get to show that or
Speaker 2: they don't want to you know. Me on the other hand,
Speaker 2: I do know some artists get upset there, you know,
Speaker 2: They're like, oh, my community don't support me. Well, what
Speaker 2: have you done for your community?
Speaker 1: Right exactly.
Speaker 2: So I'm doing things backwards and I'm trying to give
Speaker 2: back to my community, doing small events and stuff, back
Speaker 2: to school give backs, you know, hopefully partner up with
Speaker 2: somebody like mister good Bars and be able to help
Speaker 2: the kids learn how to engineer, learn how to you know,
Speaker 2: deal with music production and things like that. Yeah, you know,
Speaker 2: those are the hopes, you know. Yeah, yeah, just if
Speaker 2: we speak it into existence and put the work into it,
Speaker 2: it is possible.
Speaker 1: Yeah, I hope was talking about in the first hour too.
Speaker 1: And I didn't know this. At the Boys and Girls
Speaker 1: Club in Nashville, they've got like they have a studio there,
Speaker 1: which is I had no idea. That's really cool.
Speaker 2: I only know that because both my nephews went to
Speaker 2: the Boys and Girls Club when I first moved in
Speaker 2: moved to Nashville thirteen fourteen years ago. Yeah, and that's
Speaker 2: something that they lived in the studio, my nephew learned
Speaker 2: how to create beats and you know, live sound audio
Speaker 2: and it all stemmed from the Boys and Girls Club
Speaker 2: in New Hampshire. You got me. Imagine if someone you know,
Speaker 2: my age thirty four had that opportunity to be able
Speaker 2: to go to the Boys and Girls Club and the
Speaker 2: inside of a studio, you know, who knows. Again, where
Speaker 2: I would have been memory for me a Boys and
Speaker 2: Girls club was at the ping pong table. You know,
Speaker 2: we're over here and doing this that on the ping
Speaker 2: pong table exactly. And no slight on the Lawrence Boys
Speaker 2: and Girls Club, but you know, hopefully they have stepped
Speaker 2: it up. I don't know, but yeah, with such a
Speaker 2: large music scene and then you know, it seems like
Speaker 2: if it's just growing and growing, so you know, hopefully
Speaker 2: it's something that they do have. Yea, I know they
Speaker 2: have multiple studios out there, but what are we doing
Speaker 2: for the community right right?
Speaker 1: Exactly? Yeah, yeah, because when I think of the Boys
Speaker 1: and Girls Club, I think of athletic type things. So
Speaker 1: I was surprised when he was talking about the studio,
Speaker 1: but I said, that's that's really cool.
Speaker 2: It's an opportunity for those young kids that do love music,
Speaker 2: all that are lost and don't know something what to do?
Speaker 2: You know you're good with video editing, you're good with
Speaker 2: this that you know you have a great opportunity to
Speaker 2: become something you know, self made. Right, you get me
Speaker 2: where you don't have to depend on the corporate America
Speaker 2: right and actually live the American dream as they say.
Speaker 1: Right, yeah, exactly, exactly. Well we should play another track, definitely,
Speaker 1: so which I'll let you pick if I.
Speaker 2: Would have to pick. All I Know, All I Know. Yeah,
Speaker 2: that's one of my most popular singles. Oh okay, it's
Speaker 2: a crowd pleaser. It's a song that I wrote and
Speaker 2: dedicated to my wife.
Speaker 1: Oh very nice, very nice?
Speaker 5: Is she?
Speaker 1: Is she listening?
Speaker 2: She should be, I hope.
Speaker 1: So yeah, yeah, cool, All right, here we go. I
Speaker 1: got it. All right, we'll give this a listen. If
Speaker 1: you're just joining us. We have fate one here with
Speaker 1: us live in studio, and this is called All I Know.
Speaker 6: Let me you out to space, yet, let me take
Speaker 6: you out your place yet, let me.
Speaker 7: Take you out to space, yet you have to spare.
Speaker 7: Let me take you at your place yet to pay?
Speaker 3: All I know is all I know?
Speaker 6: When I know, I can control what can be for.
Speaker 7: Let me take you out to space, yet you have
Speaker 7: to space. Let me take you out to your place yet.
Speaker 3: All I know is all I know.
Speaker 8: When I know I can't control what can be for.
Speaker 6: Let me take you out your comfort zone.
Speaker 9: You promise you won't be alone, just norm always coming.
Speaker 10: Clocking out after close, no matter if I'm under rower,
Speaker 10: you know moments undergo making sure we never making sure,
Speaker 10: we never brons. All I know underpression, never phone from
Speaker 10: the concrete, weed on rose from the jungle, came to grow.
Speaker 1: I know I can control work.
Speaker 7: Let me take you out to space, yet you have
Speaker 7: to spell. Let me take you at your place yet
Speaker 7: what you pay.
Speaker 6: All I know is all I know, and I know
Speaker 6: I can control.
Speaker 7: What can be for. Let me take you out of space,
Speaker 7: yet you have to spell. Let me take you out
Speaker 7: your place yet. All I know is all I know,
Speaker 7: and I know I can't control work can be for.
Speaker 7: Let me hear your heart, don't hunt, discuss amazing just the.
Speaker 9: Way you are.
Speaker 6: Trust the loyalty goles fun. Let me take you to Mark.
Speaker 9: We can see the stars walk down.
Speaker 7: Hollywood, but firehouses and parts set some goals to stop.
Speaker 2: So we gotta things month.
Speaker 6: Did some get it easy?
Speaker 9: I rather work hard? Yes, some get it easy.
Speaker 3: I rather work hard.
Speaker 9: Then toss all I know underpression.
Speaker 8: Never phone from the concrete, whedn't rose from the jungle,
Speaker 8: came to grow.
Speaker 3: All I know is all I know.
Speaker 7: I can't control work. Came Let me take you out
Speaker 7: of space.
Speaker 3: You want to spell?
Speaker 6: Let me take you out your place.
Speaker 3: Yet to play. All I know is all I know
Speaker 3: when I.
Speaker 9: Know what can control work?
Speaker 7: Cayful, let me take you on to spaceic you want
Speaker 7: to space, Let.
Speaker 6: Me take you out to your place.
Speaker 3: Yet. All I know is all I know.
Speaker 8: When I know I can control work, came beful.
Speaker 4: Mmm, that's nice, beautiful.
Speaker 1: I didn't I didn't eve that. I didn't even want
Speaker 1: to talk over the end. It's just nice. I just
Speaker 1: wanted to let it fade out. You know that's cool,
Speaker 1: that's really nice. If you're just joining us, we have
Speaker 1: a fate one here with us alive in studio, and
Speaker 1: that is called all I know. Great track, And yeah
Speaker 1: you were. You were kind of staying off air like
Speaker 1: you have to. You have to play it at every
Speaker 1: show where people will get people get upset if they
Speaker 1: don't hear it.
Speaker 2: Yeah, yeah, yeah, it's one of my most popular songs.
Speaker 2: You know, if they don't hear it, they're like, you know,
Speaker 2: it's whether I start with it or I end with it. Yeah,
Speaker 2: there's you know, the one time I think I didn't
Speaker 2: do it, they were like, where's that cong I know, like,
Speaker 2: you know, I was like, I didn't have enough time,
Speaker 2: Like yeah, But every time I perform, I try and
Speaker 2: make sure that I get it all there, and you know,
Speaker 2: I've gotten up to the point where I sing it
Speaker 2: almost completely live, with the exception of the chorus.
Speaker 1: Yeah. Do you uh? Do you play out a lot?
Speaker 1: Do you do a lot of shows?
Speaker 2: This past year? No, last year I was on a
Speaker 2: Crazy Show run, and then the year before I was
Speaker 2: on a Crazy Show run as well, working with multiple promoters,
Speaker 2: one our Visuals being one of them. Talk of the
Speaker 2: town being another one with Jesse Hendrix. He is, you know,
Speaker 2: out of the Boston area and stuff like that, so
Speaker 2: I was able to network with him and expand my
Speaker 2: outlet over there towards that area, you know. And then
Speaker 2: when I Visuals, we did a lot of things mainly
Speaker 2: in Lowell. Was able to learn a lot of things
Speaker 2: from both these great promoters to the point where, you know,
Speaker 2: I last year I exercised my first show and my
Speaker 2: hat to them because I I ran my own show.
Speaker 2: And let me tell you, one of the hardest things
Speaker 2: to do is to manage other artists with them, you know,
Speaker 2: managing their music sets, the DJ and this that. And
Speaker 2: I did that show with another artist as well, my
Speaker 2: buddy Karan, and we collabed and we did that show,
Speaker 2: and we did it as a competition for one I Visuals.
Speaker 2: He was like, oh, you know, like a lot of
Speaker 2: your artists talk about this that you know that you're
Speaker 2: gonna do your own show this stuff, but you don't
Speaker 2: know what it takes to do it. I challenged you
Speaker 2: to do this. The only one that accepted the challenge
Speaker 2: was Karan and I. You know, so we did it
Speaker 2: and we had a successful show. We won his challenge.
Speaker 2: You know, we were able to continue to work with
Speaker 2: him and then you know, we've done a couple shows
Speaker 2: since then. But I've been really focusing on the back
Speaker 2: ends of the things with the music and you know,
Speaker 2: focusing on promotion. I released my EP last year and
Speaker 2: we got some good numbers and good results on there.
Speaker 2: But I am very adamant of not dropping any new
Speaker 2: music until I surpassed a certain amount of streams on
Speaker 2: my EP, you know, which is one hundred thousand streams,
Speaker 2: and I'm a little over halfway throughout the whole project.
Speaker 2: You get me. You know, once I reach that goal,
Speaker 2: I'll start releasing because I am ready to release. But
Speaker 2: it's just some people just focus on releasing new music,
Speaker 2: new music, trying boost the algorithm, failing to realize that
Speaker 2: you're actually sitting and killing on your own music. You
Speaker 2: get me. You can drop every week, every month and
Speaker 2: stuff like that, but you're not letting the rest of
Speaker 2: your music settle and let that be heard. You can
Speaker 2: oversaturate that one, yeah, exactly, And I understand that there's
Speaker 2: over one hundred thousand songs being uploaded on streaming platforms
Speaker 2: on a daily basis. But if you focus on the
Speaker 2: stuff that you already have out and you promote that stuff,
Speaker 2: when you continue to release those listeners that you have
Speaker 2: now grown and you have now connected with with that
Speaker 2: original sound, are going to continue to listen to your
Speaker 2: new stuff and potentially show it to somebody new. You know,
Speaker 2: So I do a lot of the back end studying.
Speaker 2: You know, I try to always inform myself with a
Speaker 2: lot of things that are going on, you know. Like
Speaker 2: I said, I've been in this many years, you know,
Speaker 2: and I did things the wrong way many times up
Speaker 2: until this last rebrand you get me. I rebranded myself
Speaker 2: over the course of the five years, you know, trademark
Speaker 2: my logo, trademark my company, and then been able to
Speaker 2: just learn and you know, apply some of the things
Speaker 2: that I learned from hard lessons into this now and
Speaker 2: it's working at me. So now I can apply those
Speaker 2: things with some of my artists and try and help
Speaker 2: them out, you know, because I'm all about giving back
Speaker 2: giving forward. If somebody didn't teach me, you know, or
Speaker 2: excuse me, it's somebody taught me, you know, And I
Speaker 2: kept that to myself. How right would I be by
Speaker 2: keeping that, you know, instead of passing it forward, right
Speaker 2: right exactly? That almost be hypocritical, yeah, I and I
Speaker 2: try out to be that. So try to educate as
Speaker 2: best as I can, you know, what I've learned.
Speaker 1: What do you think or do you have any examples
Speaker 1: of like mistakes that you made that you had to
Speaker 1: learn from that you then try to pass on to
Speaker 1: other people.
Speaker 2: So one thing, you know, Ah, in my early early
Speaker 2: start of music career, you know, I was putting out
Speaker 2: music and I was wondering, why wasn't it catching attention
Speaker 2: or are these other artists catching attention this that, you know?
Speaker 2: And I got envious and jealous thinking that, you know, oh,
Speaker 2: I don't get support you know from my community, this
Speaker 2: that my family and this that. No, it was actually
Speaker 2: that I wasn't doing the work. I was just going
Speaker 2: into the studio and recording things, you know, and then
Speaker 2: posting it online and expecting it to blow up. You know.
Speaker 2: I didn't know the business things behind it. I didn't
Speaker 2: know the promotion ends behind it, you know, getting the
Speaker 2: licensing this that. So those were some of the mistakes
Speaker 2: you know where you know, I got copyright stricken where
Speaker 2: I had to take something down, used it without permission,
Speaker 2: and I was like, okay, what's copyright? You know, learned
Speaker 2: about it all right, didn't make this mistake again. I
Speaker 2: used to complain about support and then I was like wondering,
Speaker 2: you know this that, and then as you see, it's
Speaker 2: completely opposite now where it's like, all right, you know,
Speaker 2: I know why people aren't supporting me. I'm not doing much,
Speaker 2: you know. But over the the past four years, I've
Speaker 2: been doing shows, I've been working with other artists, going
Speaker 2: to go support their shows, whether I'm on it, whether
Speaker 2: I'm not, and just focusing on doing the groundwork so
Speaker 2: that way I can actually have something to fall back
Speaker 2: on and be like, yeah, no, I did last year,
Speaker 2: I did forty shows. The year before that, I did
Speaker 2: eighty the year before that. We you know, were at
Speaker 2: one hundred shows and stuff like that almost every two week,
Speaker 2: you know, and it can be overwhelming, but it's something
Speaker 2: that comes with this business. You have to do a
Speaker 2: lot of work before you actually even see any of
Speaker 2: the benefits, you know. So understanding that as well, you
Speaker 2: know it, stardom doesn't come overnight. A lot of these
Speaker 2: stars that you think broke out overnight you go to
Speaker 2: you go to see their documentary and feel to realize like, oh,
Speaker 2: they've been doing this since twenty ten, they doing this
Speaker 2: since two thousand and five. Yeah, exactly, it's just now
Speaker 2: that you're getting to know them. That's the difference, you know.
Speaker 2: So starting with the roots of the community, you know,
Speaker 2: working with the ICE, I keep on saying the community,
Speaker 2: you know, because that's who's I'm looking to support me first.
Speaker 2: If something happens, I know that it happened because of
Speaker 2: my community, yeah me. Not because I sold my soul
Speaker 2: or not because you know, I got lucky and stuff. No,
Speaker 2: I've been putting in the groundwork. I've been working with
Speaker 2: my community so that way they can have something to
Speaker 2: be proud of, yeah me, and just move forward from
Speaker 2: there on. You know, the definition of fate is the definite,
Speaker 2: the development of events beyond the person's control, right, So
Speaker 2: I try to always foresee the events that could potentially happen.
Speaker 2: That's kind of how I got my name.
Speaker 1: Yeah, I was curious about that. Where the name comes from.
Speaker 2: Yeah, so you know, it's like where when I was younger,
Speaker 2: you know, I would tell my friends like, hey, like,
Speaker 2: you know, something's gonna happen. I got a bad feeling.
Speaker 2: You know. They were like okay, like you know, like
Speaker 2: we're gonna call you destiny. And I was like, I
Speaker 2: didn't like that too much, you know, So I went
Speaker 2: into the dictionary and I looked up the you know
Speaker 2: a similar word to destiny. Yeah, fate it was. And
Speaker 2: then I liked it and I stuck with it. Then
Speaker 2: I added the one at the end for various reasons,
Speaker 2: you know, in the tag in you know, graffiti industry,
Speaker 2: A lot of times when you add one, you're paying
Speaker 2: homage to somebody that passed away, paying some paying homage
Speaker 2: to somebody that has been in jail. So like one love,
Speaker 2: you know, okay, so yeah, And then the other way
Speaker 2: is like, you know, I am one of a kind.
Speaker 2: I am the only one. You know, there might be
Speaker 2: other fates out there, but I am yeah, want and
Speaker 2: you know that's trademarked license, then don't mess with it.
Speaker 2: I consume you you know, and that that's where that
Speaker 2: name came from, you know. And I'm not an artist
Speaker 2: where I have a persona. This is me. I live
Speaker 2: the same way. I try to always be positive. I
Speaker 2: try to always foresee what's coming for me, always plan
Speaker 2: ahead and try and fix something if I can't. And
Speaker 2: if I can't, you know, I gotta let go, yeah,
Speaker 2: and let whatever else is, you know fix it. Yeah,
Speaker 2: it's not in my control. Why am I going to
Speaker 2: stress myself over it? And that's where that name stems from.
Speaker 2: And I've always stuck with it, and it's the nice
Speaker 2: you know. Yeah, And I try to try to make
Speaker 2: sure that anything I sing about, anything that I write about,
Speaker 2: it's whether it's something that I lived, you know, I
Speaker 2: went through. I don't want to end up, you know,
Speaker 2: having to go back on myself or you know, get
Speaker 2: called out for something that I don't really do and
Speaker 2: then it, you know, then all things fall apart or
Speaker 2: my persona gets killed because of that like that. No,
Speaker 2: I just live the way I live. I am who
Speaker 2: I am.
Speaker 1: Yeh, that's interesting way you say there, because yeah, a
Speaker 1: lot of artists will try to you know, create a persona. Yeah,
Speaker 1: you know, and and something either either bigger than you know,
Speaker 1: sort of bigger than life, or or maybe even something
Speaker 1: kind of kind of negative like yeah, like they want
Speaker 1: to come across as like they're some sort of violence.
Speaker 2: Going to be myself man, Yeah, yeah, you know, whether
Speaker 2: my past obviously had something to do with it, but
Speaker 2: it's irrelevant today. Yeah. I mean, I'm not that same
Speaker 2: person that I was fifteen years ago, but I have
Speaker 2: learned from my mistakes of the past, whether I did
Speaker 2: certain things, I'll always try to make sure that, you know,
Speaker 2: one thing, I don't incriminate myself in music. I also
Speaker 2: don't tell a lie, you know, And on top of
Speaker 2: making sure I don't tell a lie. I try to
Speaker 2: always keep it positive for the most part, even though
Speaker 2: it's not the most popular thing out there. You know,
Speaker 2: my song I Don't Know is pretty much stating that
Speaker 2: I really don't care what most people think about me.
Speaker 2: You know, your opinion is your opinion, and you're entitle
Speaker 2: to it, and of the day, it doesn't make you right,
Speaker 2: doesn't make you wrong, and that's how you feel about me, then,
Speaker 2: you know, so be it. You know, if I treated
Speaker 2: somebody disrespectful, you know, or if I treated somebody with love,
Speaker 2: and I always think, I always say believe both of them.
Speaker 2: I treat people accordingly, you know. So if I was
Speaker 2: rude to you, you deserved it. That was nice to you.
Speaker 2: You know, you also deserved it as well. And that's
Speaker 2: always what I try to do, because I just try
Speaker 2: to treat people the way i'd like to be treated.
Speaker 2: We're all human beings, if you know, we're cut at
Speaker 2: the end of the day, we bleed the same way,
Speaker 2: were brief, we eat the same way. You know, they
Speaker 2: all need the same things. We're all humans. Yeah, and
Speaker 2: that's the way I look at it.
Speaker 3: Well.
Speaker 1: Plus, you know, by just kind of being honest about everything.
Speaker 1: You know, it's what's the expression, it's uh, tell the truth,
Speaker 1: it's less to remember or something.
Speaker 3: You know.
Speaker 2: Lives are hard to keep up with.
Speaker 1: Yeah, yeah, exactly. Then you got to remember who you
Speaker 1: told what.
Speaker 2: Yeh good with that? I'd rather not, yeah, exactly exactly.
Speaker 2: Keeping up with those lives is crazy.
Speaker 1: Yeah, yeah, to be so positive and everything, if if
Speaker 1: you had mentors in the music industry, are there are
Speaker 1: there people who've helped you along the way? I mean,
Speaker 1: obviously you know you're you're willing to dig in and
Speaker 1: learn everything yourself, But are there are there people who've
Speaker 1: been an influence on you in the industry.
Speaker 2: Or just you know, in the industry, I have many,
Speaker 2: you know, influences. I would and say that they're all
Speaker 2: positive because of the way that their music is brought out,
Speaker 2: you know, someone like Big Pun, you know. But then
Speaker 2: I go, I can go in my rolodex and literally
Speaker 2: go to somebody like John Legend, you know, you know,
Speaker 2: which is complete opposite. Yeah, you know, you know, so
Speaker 2: being influenced too. To just stay positive is just something
Speaker 2: that I learned to live. How I learned to live
Speaker 2: because negativity, it just doesn't phaze me, and then it's
Speaker 2: just very toxic. I don't like that, you know, I'd
Speaker 2: rather not be in a toxic environment or not be
Speaker 2: in a negative environment, you know, whether positivity is the
Speaker 2: most popular thing or not. I'm being myself, yeah, I mean,
Speaker 2: that's that's my main thing, is that I'm being myself
Speaker 2: and that you know, it's potentially you know, help somebody else. Yeah,
Speaker 2: and you know that that would be great if I
Speaker 2: help somebody else at least one. If I reached one person,
Speaker 2: you know, and I reached one every day the goal man.
Speaker 1: And I assume you probably have heard from people who
Speaker 1: approached you and said, yeah, you know you're I.
Speaker 2: Love your music. That you know, it has happened, you know,
Speaker 2: and it's a great feeling, you know, when you can
Speaker 2: get somebody to identify with your trials and relations, you know, yeah,
Speaker 2: you know, and just just it's a beautiful thing again yeah.
Speaker 1: Yeah. And in terms of of your singing, is there
Speaker 1: anyone who's kind of like who who inspires your your
Speaker 1: style or there are there singers who have been an
Speaker 1: influence on you in terms of how you sing.
Speaker 2: One there's a couple, so you know, again it's it's
Speaker 2: like usher for me, Yeah, I grew up listening to Usher,
Speaker 2: you know, ladies man always singing to the ladies and
Speaker 2: stuff like that. I love that, I mean, you know.
Speaker 2: And then uh Tony Sunshine, which is very similar to
Speaker 2: my style where he's he's dealing with a lot of
Speaker 2: hip hop, but he's singing in it, you know, and
Speaker 2: he's bringing out those emotions out of those songs with
Speaker 2: you know, the Terror Squad and stuff like that. Yeah,
Speaker 2: you know. And then there's Marc Anthony Y's you know,
Speaker 2: Salo ninety. I mean, a lot of a lot of
Speaker 2: AA at the end of the day, is you know
Speaker 2: about again about stories? You know, Mark Anthony played a
Speaker 2: role in a movie for Ector Lavos, and he pretty
Speaker 2: much captured that guy's persona and that guy's voice and
Speaker 2: everything to the point where they were like whoa, whoa
Speaker 2: is that Mark Anthony or Ector Lavos. Yeah, but these things,
Speaker 2: you know, they bring out the trials and relations a.
Speaker 2: Lovos used to sing about his drug use impression, you know,
Speaker 2: the life that he lived and stuff like that. So
Speaker 2: just combining all those things, all those artists and just
Speaker 2: you know, creating my sound off of that. You know,
Speaker 2: I can sing any Usher song, you know, word for word,
Speaker 2: you know, to a point where I could almost duplicate
Speaker 2: some of his tones, stuff like that, most of Tony
Speaker 2: Sunshine's almost every Mark Anthony and then you know, you
Speaker 2: go further back, that's actor Lovoe as well, which is
Speaker 2: all SALTSA. I listened to a lot of music, not
Speaker 2: just hip hop, R and B. You get me being
Speaker 2: Puerto Rican, growing up in a Puerto Rican household and
Speaker 2: in an urban area. You'd be surprised the things that you hear.
Speaker 2: You know, dance all afrobeats, I can imagine, you know,
Speaker 2: and again, the beauty of music is just being able
Speaker 2: to move and hear that and feel that rhythm. And
Speaker 2: that's what I love about it. Yeah. I feel the
Speaker 2: most comfortable when I'm in front of a mic.
Speaker 1: Yeah yeah, me.
Speaker 2: I get nervous at first, but the moment that I'm
Speaker 2: on stage and stuff like that, and you know, or
Speaker 2: in front of a podcast, that I just feel like
Speaker 2: I'm at home right right, and it's just it feels great.
Speaker 1: Yeah, I can, I can relate to that. I'm I'm
Speaker 1: actually I'm naturally an introvert, but I uh, but I'm
Speaker 1: most I'm so because of that. It's just how my
Speaker 1: brain is wired. I'm actually most comfortable in front of
Speaker 1: a microphone, whether it's doing the show or or I'm
Speaker 1: a musician. I don't I'm not active with that, but
Speaker 1: I used to play a lot of bands, or being
Speaker 1: on stage or public speaking, like like, I'm actually more
Speaker 1: comfortable doing that than I am at say a party
Speaker 1: where you know, I'm trying to have a conversation with
Speaker 1: a stranger or something.
Speaker 2: Same, you know, yeah, I you know, I usually go
Speaker 2: out to these venues if i'm performing. You know, I
Speaker 2: am a homebody. The reason why I have a home studio. Yeah, yeah,
Speaker 2: you know, you know, And not trying to be cheap
Speaker 2: or anything, but that you know, you can go outside nowadays,
Speaker 2: and you spend one hundred dollars a moment that you
Speaker 2: go outside. You know, that's just gassing food, you know,
Speaker 2: and you know, so it's just trying to stay out
Speaker 2: of the way. You know. I try to go out
Speaker 2: when it's necessary. I'm a very family first guy. Excuse me,
Speaker 2: So I'd rather spend time with my family. You know,
Speaker 2: if I'm not in the studio, I'm with family. I'm
Speaker 2: not an event. I'm with family. If I'm not working
Speaker 2: I'm with family, yeah, you know, and just try and
Speaker 2: do that, you know, whether it's laying down in bed
Speaker 2: watching a movie or just sitting down in the couch
Speaker 2: playing some video games, right, you know, it's it's it's okay.
Speaker 2: You know, I'd rather be doing that than out and about,
Speaker 2: you know, getting into trouble or you know, who knows
Speaker 2: what can happen nowadays in the world that we live
Speaker 2: in a servy place, right, yeah, you know, or having
Speaker 2: to be prepared for those kind of situations and stuff
Speaker 2: like that. Not a person that really has anxiety, but
Speaker 2: those things kind of give me.
Speaker 1: Anxiety, sure, yeah, yeah, yeah, you know, if you've always
Speaker 1: been like that or were you were you different when
Speaker 1: you were younger, because like I can tell you, like
Speaker 1: in my case, people assume that when I.
Speaker 3: Was yeah, as.
Speaker 2: A bad kid. Yeah, so I had. I had a
Speaker 2: very early upbringing, you know, where I was just running
Speaker 2: around early on.
Speaker 3: Yeah.
Speaker 2: I mentioned that I was doing music for many of years.
Speaker 2: I was in a club at fourteen fifteen years old,
Speaker 2: singing this one Spanish song that didn't even belong to me.
Speaker 2: Because my brother was a club promoter and he would
Speaker 2: bring a lot of the Spanish artists down to Lawrence. Yeah,
Speaker 2: you know, and you know I would always be an
Speaker 2: opening act, you know. So I shared stages with some
Speaker 2: of these major artists like Nikki, jam Ecto, Ridito, The Call,
Speaker 2: and some of these names. You may know, some of
Speaker 2: these you may not. But in the Latin culture and
Speaker 2: the Latin community, they know those names are very big.
Speaker 2: You know. I have the pleasure of saying that I
Speaker 2: shared this stage with them at fourteen years old.
Speaker 1: That's not a bad way to start me.
Speaker 2: That was twenty years ago. You got me. But I
Speaker 2: was young, dumb, you know, and I was focused on
Speaker 2: all the wrong things. Yeah, you know, not focusing on
Speaker 2: my schooling, not focusing and just focusing on all the
Speaker 2: wrong things.
Speaker 1: But it's kind of a double edged sword, right because
Speaker 1: you may have focused on the wrong things in one sense,
Speaker 1: but at the same time you had that amazing opportunity.
Speaker 2: Yes, yes, you got that. And then I learned, you know,
Speaker 2: and I learned, and you know, I just supply a
Speaker 2: lot of the things that I learned growing up, and
Speaker 2: I just actually applied it. You know. It's like, how
Speaker 2: can you fix something if you don't know about it,
Speaker 2: you know, But if you know about it and you
Speaker 2: did nothing about it to fix it, and you want
Speaker 2: to change. Well, that's insanity right there, my friend. Yeah,
Speaker 2: you know, I mean so it's just all about knowing
Speaker 2: and you know, trying.
Speaker 1: What what changed for you? Was there a moment that
Speaker 1: that kind of changed things, that kind of changed your mindset?
Speaker 1: Or was it a gradual thing?
Speaker 2: My mother passing away?
Speaker 1: Really yeah?
Speaker 2: Yeah, yeah, she passed away six years ago. It was
Speaker 2: one of the toughest things that I deal with on
Speaker 2: a daily basis. And I was on the verge of
Speaker 2: giving up music because of that, the lack of support
Speaker 2: and you know, just not knowing, not being educated about it.
Speaker 2: And one of the promises I made, you know, while
Speaker 2: she was you know, on her last day, well that
Speaker 2: I'm going to continue with my music, you know, And
Speaker 2: that's exactly what I did. In twenty eighteen, I dropped
Speaker 2: the project that was nowhere near released ready to be released,
Speaker 2: but I did it anyways, just so I can, you know,
Speaker 2: claim it and start it, you know. You know, I
Speaker 2: pride myself in knowing. You know, it may be a
Speaker 2: fact or not, but you know, I want to say
Speaker 2: I was one of these artists that was on streaming
Speaker 2: platforms before a lot of other people because of the
Speaker 2: research and the information that I gained. Like, you know,
Speaker 2: in twenty eighteen, I dropped my first project with CD Baby.
Speaker 2: I didn't see any of my artists friends, or any
Speaker 2: of them dropping on streaming platforms where they were on Spotify, Apple,
Speaker 2: And next thing, you know, twenty nineteen, everybody's doing it.
Speaker 2: You know, I'm not saying that I started it or
Speaker 2: anything like that, but I know I was one of
Speaker 2: the first artists that started doing it and even learned
Speaker 2: from that, you know, not having quality music. You know,
Speaker 2: it's like, oh yeah, like I could play this, but
Speaker 2: it's not mixing masters correctly. It's not gonna sound the best,
Speaker 2: and think, oh okay, all right this, you know, but
Speaker 2: then your ego gets the best of you, you know,
Speaker 2: and so I had to struggle with that. Yeah, and
Speaker 2: I was like, all right, well, let's learn how to
Speaker 2: mix and master. Learn that, you know, and then I
Speaker 2: think in twenty nineteen, I partnered with a audio engineer
Speaker 2: out of Las Vegas, and it was no, it was
Speaker 2: twenty twenty actually, because it was around COVID where everybody
Speaker 2: was online. Everybody was thaying, you know, I sent them
Speaker 2: my vocals. He mixed and edited, threw a little bit
Speaker 2: of auto tune in there, you know, which I kind
Speaker 2: of wanted because you know, I was like, this is
Speaker 2: a little rough, you know, I recorded in my studio.
Speaker 2: Is that, you know, sent them some nice clean vocals
Speaker 2: and you know my song. I didn't send it to you,
Speaker 2: but I will eventually. The song I'm Blessed, you know,
Speaker 2: it is what I kind of started back off with.
Speaker 2: You know, that was where I rebranded myself, had my
Speaker 2: new logo, had a song that was mixed and mastered,
Speaker 2: ready for distribution, ready for radio, you know, and I
Speaker 2: took pride in that, so I went recorded a video
Speaker 2: to it. Then I released everything just like a you know,
Speaker 2: a mainstream artist would do everything on the same day,
Speaker 2: the video, the vocals, all that released, you know, and
Speaker 2: that was one of my you know, greatest moments. It's
Speaker 2: one of my least sought out after songs because again,
Speaker 2: the positivity. Not many people go towards positive you know,
Speaker 2: they're there. You're bound to have something negative posted on
Speaker 2: social media that's going to become viral, versus something that
Speaker 2: you know is very positive and could also be viral
Speaker 2: and have the same effect, but they won't do it
Speaker 2: because it's positive, you know. So I try to always
Speaker 2: shed light on those positive things, you know. I try
Speaker 2: not to post negative things, you know, I can always
Speaker 2: I go find myself on social media wanting to say
Speaker 2: something negative like delete, and then I find myself, well,
Speaker 2: I almost wrote something negative on this post, but I didn't.
Speaker 2: You know. I get congratulates story things from friends and
Speaker 2: stuff like that, like Okay, you're trying to stay all right, yeah,
Speaker 2: you know, but everybody's human, you know. And that song
Speaker 2: started it off for me. And then I did a
Speaker 2: song with local artists as well, GMT Mark B. That
Speaker 2: was like my first feature. You know. He was more
Speaker 2: established out in Nashville and I was. He had more
Speaker 2: of a following than I was. I happened to be
Speaker 2: in the same studio and I played him a beat
Speaker 2: and I showed him the chorus, you know, because that's
Speaker 2: how I start all my songs. I always have a
Speaker 2: chorus for all my songs. And you know, he was like, oh,
Speaker 2: I like that, Let's do that boom and then that
Speaker 2: that came on and then did the same thing again.
Speaker 2: That was my first video with one I Visuals. You know,
Speaker 2: partnered with him said a release date. Had to change
Speaker 2: the release date because you know, it was a little
Speaker 2: too soon. The editing stuff wasn't done, you know, and
Speaker 2: I got a little lashing from one of visuals. It
Speaker 2: was like, don't do that again, like, you know, he
Speaker 2: was like, you guys, shouldn't do that until it's ready.
Speaker 2: I was like, you're right, you know, And then I
Speaker 2: learned from that, you know, so to make sure that
Speaker 2: I'm not releasing nothing unless or setting a date on
Speaker 2: something before it's actually complete.
Speaker 1: Yeah, yeah, yeah, you know.
Speaker 2: Setting a date on an EP before it's actually complete,
Speaker 2: you know, and then you know, you set false expectations.
Speaker 2: That can also screw you over as an artist too,
Speaker 2: because you're over here selling dreams, selling dreams, and you know,
Speaker 2: realistically there's nothing to sell right right, you know, So
Speaker 2: just making sure that I have everything ready before I
Speaker 2: even announce it.
Speaker 1: Ummm no, that makes sense. Yeah, you know, like I.
Speaker 2: Tried, I avoid from making any announcements as best as
Speaker 2: I can, just in case if things fall through. You
Speaker 2: know that way I don't look a certain type of way.
Speaker 1: I totally get that.
Speaker 2: Yeah, and you know, like today I think I made
Speaker 2: them and I was like, you know, I'll be on
Speaker 2: ninety five point three. You know. I copied the link
Speaker 2: and I shared it to a few of my family members,
Speaker 2: a few of my friends, you know, and I told
Speaker 2: them I'll be on at this time. Like you know,
Speaker 2: I knew I was coming. I made it happen. And
Speaker 2: once I knew that that was happening, all right, boom
Speaker 2: may time to be here, you know, And it's been
Speaker 2: good so far. You know, it's not a far drive
Speaker 2: thirty five minutes.
Speaker 1: Yeah, yeah, yeah, we're not far. Yeah, well we are, however,
Speaker 1: almost out of time. The time goes so quick, so
Speaker 1: we'll n plus when you're having fun, we'll close out
Speaker 1: the show with this track app business. But but just quickly,
Speaker 1: what should people know about how to follow you online?
Speaker 1: Where should they go to keep up with everything that
Speaker 1: you're doing?
Speaker 2: Yes, so I am pretty nice and simple as f
Speaker 2: A T E, O N E, underscore, HSM across all platforms. Okay,
Speaker 2: that's TikTok, Twitter, Instagram, YouTube, even. You can also go
Speaker 2: to my website I am fightwe dot com, where you'll
Speaker 2: find all my music, you'll find any ways to reach
Speaker 2: me all of my socials as well, you know, and
Speaker 2: then if you have me as a friend on Facebook,
Speaker 2: you know that I am. Yes, well fight one Marquez,
Speaker 2: you know, because again this is not persona, this is
Speaker 2: who I am. So I try to always keep it,
Speaker 2: you know. Yes, I keep my work world separate versus
Speaker 2: the music world, but eventually they will not collide, but
Speaker 2: you know, almost blend. Yeah, yeah, stuff like you know,
Speaker 2: the work that I do allows me to pay for
Speaker 2: the stuff that I need. Yeah, you know, and just
Speaker 2: be able to you know, open doors for me and
Speaker 2: stuff like that, and just continue to you know, move forward.
Speaker 3: Man.
Speaker 1: Absolutely, absolutely, Well, we really appreciate your coming in today.
Speaker 2: Thank you, Thank you. I appreciate being here and meeting
Speaker 2: you guys, you know, and I look forward to what
Speaker 2: the future holds for us.
Speaker 1: Absolutely absolutely. And Jenny, you want to plug your website
Speaker 1: before we go, Absolutely.
Speaker 2: You got to.
Speaker 1: You got a lot going on lately.
Speaker 5: I have, actually, yes, and I still have some stuff
Speaker 5: to update on the website. But you can check it
Speaker 5: out at Gencoffee dot com. J E N N C
Speaker 5: O F F euy dot com. And if you happen
Speaker 5: to go down to Terminus tonight for the show, you
Speaker 5: can check out twelve of my darkest paintings.
Speaker 1: Yes, hanging on display.
Speaker 5: For the month of August at the Nashua Creative Collective.
Speaker 5: I said it wrong, Midnight Collective.
Speaker 1: Sorry for the time. And if you are listening live
Speaker 1: on Saturday, I will be at the event at the
Speaker 1: Sister Witch Company and Hook and Hooks it that actually
Speaker 1: starts at noon. I'll be arriving at about two pm.
Speaker 1: And so come on down and say hello and thank
Speaker 1: you to everyone who joined us today. A lot of
Speaker 1: Corvette of course, Hope the Rapper and Fate one, thank
Speaker 1: you again. Wonderful to have you on. Absolutely and if
Speaker 1: you missed any part of today's show, it'll be up
Speaker 1: in just a little bit at wmnhradio dot org and
Speaker 1: my website Matt Connorton dot com. And we leave you
Speaker 1: at this. This is Fate one and the track is
Speaker 1: called Business.
Speaker 9: My Business Build the Moment.
Speaker 11: I've been may my business man amount business, build a
Speaker 11: mountain bridges. I been by my business man a mount business,
Speaker 11: build them mount rigeous. Yeah, I'm trying to job like
Speaker 11: I'm talk.
Speaker 6: I know he's listening.
Speaker 9: Loh, forgive me for my tends.
Speaker 12: All I'm trying to do is when they can keep
Speaker 12: up with my friend, trying to keep up with my
Speaker 12: pen Welcome to my dentis sometime, but it depends. Some
Speaker 12: keep reaching and over spend, Some keep leaning towards the end.
Speaker 12: They regrett and I are saying, I'll stay January. It's
Speaker 12: not something you can lend. Some don't seem to comprehend
Speaker 12: I stay January.
Speaker 2: Gotta keep one out.
Speaker 8: For those who pretend I don't even know fake lin,
Speaker 8: no need, no no friends. Gotta keep one on man
Speaker 8: for those who pretend I don't need no fake live,
Speaker 8: no need, no no friends.
Speaker 11: I've been by my business, mine and mon business.
Speaker 6: Build them out riches hit.
Speaker 11: I've been by my business mine and mount business.
Speaker 6: Build them ount bridges hit.
Speaker 11: I've been for my business mine and mon business.
Speaker 6: Build them out riches.
Speaker 11: Yet, I've been for my business none of mown business,
Speaker 11: build them abridges.
Speaker 8: If you're talking money, better be ready to invest.
Speaker 9: Normal hand out.
Speaker 6: I can't focus on the rest, work at texts and.
Speaker 9: My best I'm too busy being blessed for nothing all
Speaker 9: my lessons. I don't need any more stress, been conquering
Speaker 9: all my teams.
Speaker 6: Burned up on my le just kept my head below it.
Speaker 9: Feelings started with nothing but the seasons.
Speaker 3: The seasons keep repeating. No, my girls have been defeated.
Speaker 6: Keep down at me, keep sleeping.
Speaker 9: I'm gonna keep feeding those.
Speaker 3: Don't need it.
Speaker 8: Keep one out pad for those who pretend I don't
Speaker 8: even know fake love. Don't need you know, no friends,
Speaker 8: Gotta keep one out pad for those who pretend.
Speaker 6: I don't even know fake love.
Speaker 3: No, no, no friends.
Speaker 6: I've been by my business mine and Mount Business. Spill
Speaker 6: the Mountain riches.
Speaker 11: Yeah, I've been by my business mine and mount Business
Speaker 11: spill the mount ridges.
Speaker 3: Yeah.
Speaker 11: I've been from my business mine and Mount beustiness, build
Speaker 11: them mount riches.
Speaker 6: Yet I've been by.
Speaker 11: My business on the mount business fill the mount riches.
Speaker 3: Yeah, my bulliess young. The guy just want a chance.
Speaker 13: I'm want a chance to need a million advances like
Speaker 13: Toka Rum shifting my hands. I'll be counting my cards
Speaker 13: and devising him playing County.
Speaker 3: He didn't have done me. Come man.
Speaker 13: What he don't understand is his mama still got some meals.
Speaker 2: He keep on talking, no call.
Speaker 6: And like he just belonging on something like doctor Phil.
Speaker 3: I don't really know about y'all, but I know about me.
Speaker 13: That's how I sleep well at night, how a he
Speaker 13: gonna say he the man, but he's specially different a
Speaker 13: thing that he had mistake boss moves only y'all think
Speaker 13: it deans. I'm to get to own that time he
Speaker 13: gonna make my CAMARONI next time, mos you.
Speaker 3: Down for the holy Lena?
Speaker 13: When they keep on cooking all them shots and they
Speaker 13: keep on missing, keep spitting like my jall with loosen,
Speaker 13: I need to see the doctor, but I can't afford
Speaker 13: to that news.
Speaker 6: Still ain't got a deal with my no meal, So
Speaker 6: we're staying on go this time. We here to let
Speaker 6: him know next time we breaking on.
Speaker 14: A dough if you want to burst him senate checking
Speaker 14: our call the plays like I'm fellow checking.
Speaker 3: I don't understand those negligence.
Speaker 14: Type with my squall like a fellowship right.
Speaker 2: On my John sym fellowship.
Speaker 14: So I don't got any preferences if you touch on
Speaker 14: my references, my etiquette going with the delicates pemiship of
Speaker 14: point like a ballpin all in flicking risks like I'm
Speaker 14: mixing a culture initiated a Paul and someone call a
Speaker 14: bomb threat, feeling like Lebron did, feeling.
Speaker 6: Like I did last night.
Speaker 3: That's right, for you.
Speaker 14: For rapsite turned into a crash site hut like a
Speaker 14: craft for me, but right for you. Get slapped like
Speaker 14: Chris rock A pissed off. Let me event now Chris
Speaker 14: paul A criss cross, keep it in bound, Blitz y'all
Speaker 14: and kickoff.
Speaker 3: It's the first down. Kill y'all, don't feel y'all. Here's
Speaker 3: your hearse now, kill y'all. Don't feel y'all.
Speaker 4: Here's your hearse now.
Speaker 3: Blow yea.
Speaker 2: You are listening to double umin h
Speaker 8: Get command, don't get supremelya Maxio
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