Matt Connarton Unleashed 8-22-26 hour 1
What's This About?
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Speaker 1: Right now.
Speaker 2: We have a Matt Connerton Unleashed exclusive coming out August twenty eighth, but you heard it here first. This is the world radio premiere of the new single from the Azoresens. This is called the rat Catcher.
Speaker 3: You are listening to Wumination.
Speaker 1: World Premiere. L to Trip Josser Watcher. Yeah, a lot of travel five to.
Speaker 4: Will that cross the minds of country side, so many.
Speaker 5: A thing that give me my bid?
Speaker 4: Will I found the place in time to rest my head,
Speaker 4: somewhere to hide from.
Speaker 1: The fighting god? Will I heard the whispered dog? Will I capture so many stories? Billion two?
Speaker 4: Well he lost these island A year to call by boy, spending day gent chicks and butchers fly, a unple of men and one have a drink ny under the water which you can always hear him coming.
Speaker 6: Listen at n Lachatcher and the b one of the Lanchattre mon conba.
Speaker 3: CoA CoA.
Speaker 1: La capture and the five Lachacher com.
Speaker 7: CoA strutlata with ball caps on it, a black lellow.
Speaker 4: Jackets on it back.
Speaker 1: When the lat combacke for books on stage.
Speaker 6: Jackie John and Samuel.
Speaker 5: Cage sab catcherunt.
Speaker 3: Church and the.
Speaker 1: One Jucher.
Speaker 8: Buck.
Speaker 9: You're listening to Matt Connorton Unleashed on wm n H ninety five point three.
Speaker 10: This is Michael Halpley Peers from Jam Tomorrow, And this.
Speaker 2: Is Mark Vadney's from Jam Tomorrow.
Speaker 10: And you're listening to Matt Connorton Unleashed on wm H ninety five point three.
Speaker 3: And I feel like.
Speaker 10: Things are falling into place, and I feel like it's the end of the Red Queen's Rage. And I feel like the stars are gonna change, because I feel like this was all Josh.
Speaker 3: Rearray. As we moved from hugs.
Speaker 10: And handshakes, we must remember how our souls as we move from confidant to confidet, we must remember how our souls pay re But A feel like things are falling its legs, and I feel like it's the end of the Red Queen's Reggae, and A feel like the stars are gonna change, because I feel like this was all just.
Speaker 3: Rear ringing and people take too much pride.
Speaker 10: In the way they picked their side, split up into them and us.
Speaker 3: A sign seating ons on the bus.
Speaker 10: But I feel like things are falling its place, and I feel like it's the end of the Red Queen's Raids. And I feel like the stars like the stars a gun of shade, because I feel like this was all jure ring. As our lives kept separated, well we wish they weren't. So as things get more complicated, well we wish we could just know, just know. But FEE like things are falling its please and a feel like it's the end the Red Queen's Rage had a feel like the stars are gonna change because I feel like this was all just preer range, and I feel like things aren't falling its place, and I like it's the end of the Red Queen's Rage.
Speaker 10: Had a feel like the stars, like the stars are gonna shape because I feel like this was all just freer Range, I said, I feel like this was Ullus freer Range.
Speaker 2: I love it falling into place. That is a Jam Tomorrow and we open with that one today because that's my personal favorite from Jam Tomorrow. So being selfish but welcome everybody. It is Matt Connorton Unleashed and we are live from the studios of WMNH ninety five point three FM and Glorious Manchester, New Hampshire, and of course you can stream the show from anywhere. Go to Matt connorton dot com slash unleashed for all of your live streaming options, social media links, contact infosshow archives, et cetera, et cetera.
Speaker 2: Today is Saturday, August twenty two, two thy twenty six. And let me get these mics on. We'll get these guys in here. And so we have, of course a Michael Halpley Piers in the house. Hello, Hello, wonderful to be here. Yes, good to have you back. And Mark van Day Am I saying it right?
Speaker 1: Oh?
Speaker 2: Vad nay see? I told you I was gonna screw it up. And I don't even have your micup We've got Why isn't this work? And hang on a second? Mark here, We'll get you in here. We've got you on on some mics we don't always use unless we have a live performance. Oh I think I can hear you now say something? There you are? Hey? Welcome? Yeah, Mark, of course, as is guitar, because these guys are gonna play live for us. But we did open with Falling into Places, one of the studio tracks. We have another studio track from these guys that we're going to feature a little bit later in the show, But yeah, I do so love that song.
Speaker 2: What have you guys been up to? Give us a catch us up before you play something.
Speaker 10: So we've gone through some sort of restructuring. We went from being a three piece to a two piece, to briefly a three piece, to back to a two piece, and I think that that is our final configuration. Is what you see before you today?
Speaker 2: Okay? Yeah, because you're working with Gary Smith for while.
Speaker 10: Right, we wish him all the way, all the best, Oh of course. Yeah, got big stuff going on right now, touring both with Fox and the Flamingo's local and also with Roots of Creation nationally.
Speaker 2: I always say he's the busiest musician I know.
Speaker 10: So yeah, it just it just seemed to make more sense for us to simplify things down right.
Speaker 2: No, that makes a lot of sense. Absolutely. Yeah. So it started out Did it start out just the two of you originally? Okay?
Speaker 10: I couldn't remember. Yeah, pre COVID, like early COVID. Actually we were we'd been friends for a long time and actually had a professional relationship where I was selling to him in his business, and uh didn't realize that we lived so close to each other. And then oh no, k COVID came around and we're like, oh, we could sit six feet apart for each other and play some songs.
Speaker 2: Right right?
Speaker 8: Do that?
Speaker 2: Yeah?
Speaker 11: Yeah?
Speaker 2: How many songs do you guys have at this point as a as a unit?
Speaker 10: Originals were twenty five to thirty somewhere in that. We don't have many, We don't play them all, but we have them, and then probably one hundred and twenty in our revenue that we can sort of rotate through.
Speaker 2: Cover wise, Okay, yeah, you guys have a lot of stuff outside bees. Yeah.
Speaker 10: Yeah, most of our A lot of our covers are real deep cuts.
Speaker 2: Oh really yeah? Oh that's cool though when when you say that too, I mean, well when you play those live, do people ever not know that something's like cover? Like, does somebody ever come up to you and say, hey, I really like that that song you guys have, and well it's not actually ours? Does that ever happen?
Speaker 10: I don't know that we've gotten complimented. I mean we don't. We're often played at bars, you don't always get a lot of feuarback. I think people often think that they are originals because they're just obscure covers from bands or artists that they might know but have never heard that unless they listened to the whole album.
Speaker 2: Yeah. Uh, Mike, I'm gonna ask you, can you well, can you move that? I should have I didn't even notice this before. Yeah, because that actually already has a pop filter on it, So I have no idea why we have two pop filters.
Speaker 10: All right? That sounds much better.
Speaker 2: That does sound much better. Yeah, because you're gonna be singing. Well, do you guys want to I'm not and hear you guys play live. It's been a long time. Do you guys want to play something for it? Yeah?
Speaker 10: This is a This is a song based on the lyrical concept that I had been sort of playing with since college thirty five years. Cliff notes some studies done on a Japanese island in the sixties with monkeys, and these scientists left sweet potatoes on the beach for these macawqs, and eventually one monkey learned that if you washed it in the ocean, you got the sand off of it and it was a much more enjoyable nash. And then other monkeys on the island learned that. But then, seemingly, according to journal entries, it actually skipped to other close by islands and the monkeys on those islands.
Speaker 10: But the weird thing is those monkeys can't swim. Oh, so it was almost like there was something in the collective unconscious.
Speaker 2: Interesting.
Speaker 10: The concept is the hundredth monkey. It's often been debunked as pseudoscience because of early presentations that were not as uh not as scientific as they might have been. Okay, so this is sort of me looking at this in terms of social media. And as always, Mark just has some amazing music that was what sparked this whole idea. Usually it's just him playing some chords and then the idea comes to me. We just sort of wonder twins it together?
Speaker 2: Yeah? Form of water all right, can't wait to hear it. Jam tomorrow live in studio.
Speaker 10: When all the headlons make you want to shake your head, worldly affairs make you want to stay in bed. Ex bombing, y A, boycotting z tarriffs and sheriffs, entrance, hypocrisy, people seeking new solutions, seeking something more, Monkeys seeking sustenance standing on the shore. So many monkeys wondering what to do? Should I find my own way? Should I go? Have you so guess what you are? The hundred monkeys figured it all out from everyone you haven't met.
Speaker 3: You know what it's all about.
Speaker 10: You are a hundreds of me. They are the cleverest
Speaker 10: because you learned it from the rest. When social media has fueled all your rage, worldly occurrences, have freedom in a cage, X rebuilding y E in our courting z drone strikes, phone mics faeding privacy, people seeking understanding what does this all mean? One seaside monkey washing her subarclean. So many monkeys with sustenance covered in sand? Should they wash their dinner? Do they even understand? Well, you are the hundredth monkeys, figuring it all out from everyone you never meant. You know what it's all about.
Speaker 10: You are one hundred monkeys, say lever, because you learned it from the rest. When echo chambers have you seen just your face? Worldly conspiracies endangering your face?
Speaker 3: X buying y aby coming see.
Speaker 10: Greengotiations, imposed austerity, people speaking something beyond the seeds. They sullen one monkey munche unaware of status quo. So many monkeys can't do it all alone. Sand is suffering, suffering, but it is this is how we grown. Congratulations, You are a hundred monkey figuring it all out from everyone. You never let you know what it's talking about. You are the hundred mummy, say I'm clever because you learned it from the ret.
Speaker 3: You are the hundreds monkey. Figure it all out everyone.
Speaker 10: You never that you know what it's all about. You are the hundreds monkeys. Say are the cleverests because you learned it from the ret? Say you are the cleverest because you learned it from the rat. Learned it from the wrat.
Speaker 2: Oh my god, I love that. That is so good. Kind of a departre I don't know, is a oh please tell me you're you're different. You're gonna be recording that one if you haven't already, we will. Yeah, okay, good good. I love that.
Speaker 10: That studio a while, but we have a we have quite a cute We probably got a dozen songs.
Speaker 2: That's a that's a great song. Yeah, I mean I like the you know the the backstory to that is interesting. What gave you the idea? And then, of course, as I'm listening into the lyrics, something about you know all the people on social media who you know, the conspiracy theorists, who you know they figured it out right?
Speaker 10: Yeah, that's That's exactly the connection that was trying to make.
Speaker 2: They're all one hundredth monkey who's figured out something that the rest of us are too apparently from their point of view, too stupid to figure out. Yeah, love that.
Speaker 10: Yeah, that was fun. I think that was one that we wrote like three years ago and then kind of forgot about. We had to really with those that we wrote in twenty three, and then somehow digging through OED files, I found like three sets of lyrics that we already had music for, we just had never done anything with them. We never even played them together.
Speaker 11: Really.
Speaker 2: Yeah, yeah, excellent. Now, if you guys, has been a busy summer for you? Have you been playing a lot or have you been focused on writing or.
Speaker 12: This summer I think busier than normal. We feel like we're ending able often two to three gigs a month, which maybe not a lot for other people who do this for a living, but for people that work fifty hours a week, it's a lot.
Speaker 2: Yeah. Yeah, it's pretty cool.
Speaker 10: Yeah, thirty gigs this year excellent. So we had four last month including this, we have this month and then it tapers off. Yeah, we're gonna take January and February off from touring just because it's they're horrible months to play out weatherwise and dry January and everything. It just we're gonna take some time and focus on either going into the studio and recording or working on some more new material. We got plenty of ideas.
Speaker 12: It's the only reason I can afford my Lamborghini.
Speaker 10: It's in his pocket. Show it to him. Oh yeah, smash box.
Speaker 2: Oh nice, nice. All the gigs and that that sweet advance from the record company, and.
Speaker 10: The record company is gonna give us lots of money and everything's gonna be all right. So I'll shows from Shameless Plugs out there. As far as upcoming shows, yeah, and so we've got eight thirty, which is Sunday two to five at Strange brew Outside. Saturday nine to five, we're actually playing at Rockingham Ballroom, opening up for stand up comedy from seven to eight. That is a paid show that's hilarious. Sunday the thirteenth, we're playing at Feathered Friend and Conquered from three to five. Thursday, September fifteenth, I'm sorry, October fifteenth, We're at a Viva Trattoria from six to eight.
Speaker 10: That's a Thursday Sunday November seventh, we're back at Rockingham Ballroom again seven to eight, opening up first stand up and then Friday November twentieth, we're doing an eight to eleven show at Strange Root Tavern here in Manchester.
Speaker 12: Now real quickly, if people didn't write that down, Mike, where can they find this in?
Speaker 10: They could find that at Jam Tomorrow Dash the Band on Facebook. Not to be confused with Jam Tomorrow the lunch Box, Jam Tomorrow the Flamethrower. They kids love that one.
Speaker 2: Yes, yes, hey, I shot at you well by the way too. For those watching the show online. If you're watching the show because we do stream stream of social media, Mike, you're wearing a Dust Profit shirt. Shout out to Dust Profit. Of course you and I used to be in a band with Auto Kinzel listening right now, he might be listening, but yeah, no, we love Dust Profit. I feel like too. That's for Auto. That's a prob, you know, because he's done a lot of different projects, you know, because he's a guy with a lot of ideas and jeez, I think when I first met him way back in the day, it was worm Drive was the man he was in.
Speaker 2: But I feel like Dust Profit like with that. He finally found something that that uh, because he's been doing that for a long time now, quite a few years.
Speaker 10: And he's not playing guitar. He's just doing vocals and right in front and kind of uh and it kind of stuff.
Speaker 2: He's a very intense front man. It absolutely works. Yeah, Dust Profits incredible. Yeah, you'd ask me if if we had had them on the show. We did have Auto on the show, uh, and and shared some Dust Profit music. But it was I know it had to be at least a few years ago because it was I can. I have a pretty good memory for you know, just visuals, and I remember talking with him about Dust Profit. But in the old studio when we were on Elm Street, so we've been Yeah, so we've been here for a few years, so it must have been.
Speaker 13: It was.
Speaker 2: It was at least a few years ago. But but yeah, they're they're amazing. You definitely want to see them live for sure. Is there anybody you guys have played with who you really you know? Sometimes it it sort of happens organically where you team up with other artists and play a lot of shows.
Speaker 10: I mean, is we generally do soul bill of billings Yeah, because we're fortunate in that we you can play a long time. We get a three hour gig and I don't know, I'm thinking, like, we did that show at Granite Leaf Cannabis in Chichester a couple of weeks ago for their tenth anniversary, and that was a long lineup, but we were the opening act and we didn't actually even get to catch much of the act that followed us. So we don't generally do multi bill acts. Yeah, for better or for worse. I was actually kind of it was funny because we did some I was watching I think it was an auto show, and I'm watching people pack in and pack out, you know for forty minute sets.
Speaker 10: Yeah, with twenty minutes between a set, kind of like what we were always doing with MD and like that was a lot of fun and intensity. But it's also so nice for us to show up an hour early and set up in soundcheck a half an hour before we start, and then we just have a beer, relax. We play for three hours and then we were first the process and go home.
Speaker 12: Yeah, there was a funny time we played at the Forum and conquered and they put a placard out in front of the store said jam tomorrow the day before. So we're setting it playing and in walk these two old guys with banjo's and a man Delanday're like, where do we set up for the jam?
Speaker 2: Oh? For real?
Speaker 1: Yeah?
Speaker 11: Wow?
Speaker 2: Like so did you did you form a new project with that?
Speaker 10: I didn't work out that we like, we couldn't. I don't think anyway, An we have one bluegrass.
Speaker 12: Yeah, but that's the problem with it. That's the only problem with the name. People like, oh, it's a jam tomorrow.
Speaker 2: Well, so for people who don't know obviously, I mean, Mike, you've told the story about for but for people new to you, where does the name come from?
Speaker 10: So it's from uh Through the Looking Glass by Lewis Carroll, the sequel to Alice in Wonderland. And she's having tea with the Red Queen and the Red Queen says she asked if she could have some jam, and the Red Queen says, you can have jam tomorrow or jam yesterday, but never jam today. And it's sort of a it's a play on the Latin for to be, but it's also in a tense that can't exist in the present. It's it's confusing, but it's self contradictory. It would have came to be a play on unfulfilled political promises, like eighteen hundred's when a politician said something would happen it would be a jam tomorrow.
Speaker 10: But for us it was like, well, you know, we've got jobs and kids and I don't have kids, but Mark got seventeen other people's kids at this house, it seems like. And so we were trying to find time to get together and it's like, can we jam today? And Mark's like no, but we can jam tomorrow. So it just sort of came at it from multiple angles. And I'm a big Lewis Carrol fan. As you know that Red Queen's Race being one of the songs we did. Chemical Distance absolutely definitely a recurrent theme in my writing.
Speaker 10: Yeah, yeah, clearly. Yeah, what do you guys want to play another? Definitely you want to you want to do Live in the Blues.
Speaker 2: Yeah, if you're just showing us we have jam tomorrow here with us alive in studio. Yeah, I can't wait to hear another one.
Speaker 10: This is a really quick backstory. Just felt like writing a song about a draft dodger in Vietnam, and I'm just kind of like dug into some times and places, and Mark had this beautiful track that I wanted to do something that was really storytelling driven about. And so this is a just some guy live in the blues, all right. When I started back in nineteen sixty eight, outside of soul Fas with a queen sight, left Missoula, blue lights were right behind.
Speaker 3: Dune ninety five.
Speaker 11: With freed of my and my.
Speaker 3: South Dakota seemed far enough away.
Speaker 10: I drove a thousand miles to the break of day, bottle kits off, still the money in my shoes, playing on the run and living in the blue, Live in the blues, playing and on the run, eyes wide open, I have some fun bites, eyes in front of me, on the path, my shoes, living on the run and playing the blue, Playing the blue, got a ninety five downtown Mexico, just staying alive and taking it slow, blood and nucking from turning a wrench fead, bloody bodies in the Sigon Trench, sliding up steel at the Rainbow Bar,
Speaker 10: slipping whiskey underneath the stars, under the rain, and just paying behind you. Playing on the run, men living the blue. Then live in the blue, Playing on the run, eyes wide open, I have some funer eyes in front of me on the path that you laying on the ruck hand, live in the blue.
Speaker 3: Time of the game.
Speaker 10: I don't play so well. Don't let it show these things.
Speaker 2: I can't tell.
Speaker 10: Got nothing betime you play this game. I just smile and sing a long armed scene. Ain't fact quit in the quid pro quote or if he just looks back because you just don't know, hoping I don't see my name in the news. Playing on the run and living in the blue, go live in the blue, playing all the run, eyes wide open, I have some fun.
Speaker 3: But eyes in front of me on the path, that't you.
Speaker 14: Living on the run and play in the blue, Play in the blue, Play in the blue, Play in the blue.
Speaker 2: Ah, that is beautiful. I love it. Thank you Jim Tomorrow here with us live in studio, sounding great. Great job, guys, great job.
Speaker 3: Thank you.
Speaker 10: We appreciate that this is such an amazing venue that you provide for folks the play stuff like this. This is awesome. It's all about.
Speaker 2: Oh well, thank you, thank you. No, we take a lot of pride in it. And uh no, it's great to have you here. We were talking off air too. You wanted to mention something about you have a friend? Yeah, who you know? You're a friend?
Speaker 1: I do? I pay them?
Speaker 2: Well, all right, think it's a few Well if you if you believe social media.
Speaker 10: I've been off Facebook for two and a half years. Oh my god, why because they deleted my profile and banned me? True story? What a Zuckerber?
Speaker 2: What happened?
Speaker 10: I don't even know. It's not like when you go to jail that they tell you what you did.
Speaker 2: You're just gone, right, Yeah, when they arrest you, they have to tell you why when they're reported. Yeah, it's weird, right how they don't They don't like to.
Speaker 10: Uh.
Speaker 2: I mean, I've never been uh banned from social media, but I've had I did for a while for a couple of months we couldn't stream the show on Facebook where for maybe a month tried to find out why they wouldn't tell me.
Speaker 10: Yeah, it's I'm I'm glad to have that piece of my life back. It's it seems like it's probably not a fun playground to be so. A dear friend of mine been, who is the manager at the Paquet here in Manchester. He and his wife Dak lost their apartment the whole apartment building burned down. They lost almost all their possessions, all of their pets except for one cat. They lost like four of their dogs. They have a fundraiser going on go fundme. You can find it if you look up Bear with me a second. It's called Help Ben and Dakery d A I q U I r I Rebuild.
Speaker 10: But they're also doing an event right now as we speak at the Right Aid parking lot here in Manchester from nine to three. They've had such an outpouring of kindness from their friends as far as money and stuff that they need, that they have more than they need, and so they're actually gathering more to help the other people in their apartment building who also all lost their homes. They're like, they're in the midst of this crisis and they're trying to pay it forward. It's a beautiful thing. So if you're in the neighborhood of right Adity between nine and three and you've got anything that you think might be of use to somebody who just lost everything, drop it off, check out the go fundme.
Speaker 10: Help these people. They're good community members and they deserve our love.
Speaker 2: Yeah. Yeah, absolutely sorry to hear about Yeah, that was just tragic just in the news. Yeah when you when you mentioned it before the show is like, yep, I know exactly. U remember seeing that on the news.
Speaker 10: Wow.
Speaker 2: Yeah, that's awful. That's awful. Well, do you guys want to play another one?
Speaker 14: Yeah?
Speaker 10: We got a bunch more lined up. So this is want you play me your motor Lodge? I think I'm still getting a little fuzzy cutting out based on what I'm hearing from one of my people.
Speaker 2: You're hearing it?
Speaker 15: Sorry?
Speaker 2: Yeah, yeah, sounds good in that fronts grays.
Speaker 10: I'll try to use more mic control, finnicky wooden instruments and tuning playing me your motor lodge.
Speaker 13: Let's playing me?
Speaker 10: Okay? This is this is from our thinly veiled allegory series.
Speaker 2: All right, jam tomorrow live in studio, playing me.
Speaker 5: Hold on?
Speaker 10: Okay, the story's lost like tears in the rain, kinks in a paper chain again and again. Oh be a strip stooping around me like some other trip I surround myself with.
Speaker 16: A dozen years ago, I was building magnates. Six years ago, I was.
Speaker 3: A rough baronet sea. Three years ago I was lost and full of hate.
Speaker 10: But yesterday, yesterday, I was just blaming me, Just blame me,
Speaker 10: myself a circular firing squad, no one to call my partner, call my guy, put myself into unenviable places, places lacking love, empty spaces.
Speaker 3: It's a dozen years ago.
Speaker 10: I was building magnate. Six years ago, I hail was a Robert Baron at sea. Three years ago, I was a lockstep full of hates. But yesterday, yesterday, I was just blaming me, Just blame me. A dozen years ago, I was building magnates. See six years ago, Iowa was a Robert baronet. See three years ago, I was lockstand full of hate. But yesterday I always just blain.
Speaker 2: Me, just blain me.
Speaker 10: The story is found found among the waters where you raise your sons and praise your daughters, raise yourself, in places where you drive, where you live with youruth, and where you feel alive. And a dozen years ago I was building mad Nay. Six years ago, I was rob baron at three years ago, I was lost, full of
Speaker 10: But yesterday, yesterday I was just blame me, Just blame me, just blame me.
Speaker 2: Oh jam tomorrow, absolutely incredible. We got the guys live in studio and you say that's a new one. Is that a new one.
Speaker 10: We wrote that in twenty one. Actually, that is a sort of in my inter emotional turmoil before I actually sold my business and moved on with the rest of my life.
Speaker 1: Ah.
Speaker 10: Yes, that's the thinly veiled allegory series.
Speaker 2: I gotcha, I gotcha. By the way, we do want to say hello to some people in the chatroom because you're getting some love. Isaac Banks says, good morning, hashtag. Matt connorton Loud Entertainment Uh says good morning. Good morning Matt. And Jenny, Jenny I'm sure is listening. She's got a big event today, so she's very very busy. Jenny b part. But Jenny, the guys were asking about you. Be pinart is in the chairman says good morning everyone. Jason Polychronopolis says. Jason says jam Tomorrow with multiple exclamation points.
Speaker 12: You got to have his band on.
Speaker 2: Oh absolutely, they've been they have been on. Oh cool, but we will do that again. We will do that again in the future. Absolutely. Yeah, they're really good.
Speaker 10: They're really good.
Speaker 2: But if you are just doining U s gam Tomorrow is here. So guys, I'm looking at the time. Do you want to do do you want to do one? More live one and then we'll we'll end the segment with uh, you know the studio track twenty two, which is a great song. But you want to end with one more live one?
Speaker 10: Yeah, we got two if you've got time, but we got one if you don't. How long are they on one today? Probably three, one, three and a half do them both? All right?
Speaker 2: Let's we'll just we'll just roll through, all right.
Speaker 10: You won't even tell backstories. We're just gonna go straight into motorize.
Speaker 2: Sounds good jam tomorrow live in studio.
Speaker 10: Sometimes I think you don't even hear me. Sometimes I think I don't want you to need me. Sometimes I think I'm missing your time. But then sometimes I don't miss you so much. Sometimes I find out wish for your fun. But then sometimes I stand in the ring waiting why.
Speaker 3: Sometimes I don't want to wa you went dance.
Speaker 10: Sometimes I question my handtents.
Speaker 3: It jumps to question every single time.
Speaker 10: Never answers, never anything de most li It jumps to question, what do you ask him you? What do you believe? Bodies going through? Go ahead and through? Oftentimes I don't remember the moment that pass. Oftentimes I can't distinguish the first from the line. Oftentimes I feel I walk in these foot steps before. Oftentimes I see my handprint on the door. Oftentimes I find I reach for you hands, but then on that time it disappears again a hand.
Speaker 3: Of the times I well knew what hap man?
Speaker 8: Do we?
Speaker 3: At times that question what made me?
Speaker 10: It jumps the questions every single time, never answered.
Speaker 3: Never anything she wants to BLI. It jumps the question what do you ask of you? What do you bely? What are you thinking? It's stript thing?
Speaker 10: Any hands?
Speaker 1: Trip?
Speaker 3: What's time?
Speaker 6: Was?
Speaker 3: I fear I've lost myself? Then pats? Most times I fear I've left the wrong moment line?
Speaker 10: What times it is in me in the mirror at a Most times I can't predict my fall. For times I don't know what be wrong? And most times I can't believe singing a song. Most times I don't know how the spill is. Most times I question what's around the bend? Around the bend? It comes to questions, every single time, never answered, never anything see must line.
Speaker 3: It comes to questions, but do you ask?
Speaker 5: How you?
Speaker 11: What do you give me?
Speaker 3: What?
Speaker 10: He don't do?
Speaker 3: Hona do gonna do?
Speaker 10: Thou?
Speaker 5: You go?
Speaker 10: You go?
Speaker 2: Jesus so good. I love that song, Quoter Lodge, all right, very good jam tomorrow live in studio. If you're just joining us.
Speaker 10: One one more. This is called fewer days through, really quick song. It opens the book in the middle, reads two chapters, and then closes it back again.
Speaker 2: All right.
Speaker 1: Now days.
Speaker 10: Then he was so young, and he blanded on on a few She spent so much time inside she never found her truth. Somehow can feed together? Seem so long ago?
Speaker 10: They had no idea how the wims and time would blow.
Speaker 10: There are a few days behind and days ahead.
Speaker 3: Early conversation doesn't matter what they said.
Speaker 10: Few moments together before they went to back, very few days behind, days ahair days ahead.
Speaker 3: There are a few days behind the leads.
Speaker 10: She was so smart, built business on her heart and her office. He could never break free preconceptions what they thought he should be. Somehow, they continued, seems I had so much indeed been through.
Speaker 3: Oh, they had no clue what sum of time would amount to.
Speaker 10: There a few days ahead, days behind, and since confusion should sad, what's on your mind? Few months together, then you will have designed There are a few days ahead,
Speaker 10: days behind, days behind, very few days ahead, and days be a few days a head them days.
Speaker 2: Oh so good, so good, Jam Tomorrow here with us live and studio guys. Thank you so much. That was incredible. In a couple of minutes, we're going to close out with a studio track twenty two. But remind people again where should they go online to keep up with everything?
Speaker 10: So really, really the only place you can find us is that Jam Tomorrow the band on Facebook. Mark manages that puts up posts when we have anything coming up. We do a flyer for each show, and then we generally do a flyer for like six months worth of show so you can kind of lock them all in it once. We don't have a website, We're really not super active on social media. That's the place to find us. All right, very good and hopefully here again and not too long.
Speaker 2: Absolutely, absolutely no, we should do this more often. I mean, you guys are always make new music, so we don't. You know, it's not like we need an excuse, you know what I mean. Oh, wonderful, wonderful. No, it's great, great to have you guys here. Anything you want to tell us about twenty two before we play it. To close out the segment, that's one of my favorite of our songs.
Speaker 10: It's like to pick on one of your favorite children. So this is a sort of a psychedelic journey through the triumphs of the tarot deck, the twenty two cards that are not like the playing card deck, the other ones that really tell the most interesting story, I think. And yeah, it's got all kinds of easter eggs if you're into Western mystery tradition and estheteric system. It's the choruses follow traditional initiatory order of elements. And yeah, there's all kinds of nerd stuff in there if you're into that kind of stuff.
Speaker 2: Okay, okay, great, great, well guys, Thank you again, Mark and Mike, thank you both so much.
Speaker 12: Long live Matt Connorton.
Speaker 2: Oh thank you. Appreciate you guys. And if you are listening live on Saturday morning, stick around. Coming up in the second hour we have Bfraid, Boston's Final Raid. We'll be here with us live in studio, but here it is from jam tomorrow. This is called twenty two.
Speaker 10: Traveling through the World, pass boats and boats, emptatees as priestesses in love, look my way and wait put The one with the way through the world is in my chariots,
Speaker 10: and that magician might become me.
Speaker 17: To food.
Speaker 10: Freeing ampy edges, got my bag, I got my dog.
Speaker 3: I'm stepping knof fork legends as the cards are devilt. I see always break the room carefree, you don't care for me. I have to play the fool. Have to play here the food.
Speaker 10: I need to have the strength to hold the lion sight and stand alone in darkness holding out a light. That's a wheel of fortune. Spence is justice on my side, and they hang me upside down, my hands behind me tied.
Speaker 3: Just the food who's praying at the edges got my back, I got my dog. I'm stepping off of legend at the deck fan's out. See how faith is cool? Carefree, you don't care for me. I have to play the fool, have to play the food, and I spelled death.
Speaker 10: Unmistakable, A man on one the water to unglass emty one glass fool.
Speaker 3: That's the devil bads being changes.
Speaker 10: I can see the table fall, but I avoid the lightning somehowse game it all.
Speaker 3: Just the food who's.
Speaker 10: Freaking at the edges, got my bag, I got my top out, stepping off of the legends.
Speaker 3: As the cars ran down a drowning in the pool. Carefrey, don't care for me. I have to play the fool, have to plaguing the fool.
Speaker 10: A woman like a star has pictures in her hand, and the moon shines over all the creatures of the sea leaf.
Speaker 3: But the sun is.
Speaker 10: Rising in Angel Trumpet's judgment time.
Speaker 3: The world is ours.
Speaker 10: If we can only cly.
Speaker 3: Just a fool who's freeing at the edges. Got my bag, I got my dog, got stepping off of Legends and that House of cards tell us I'm just for you. Cafrey, don't care for me. I have to play the fool, have to flee the fool. Oh oh oh went in to.
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