Matt Connarton Unleashed 8-3-24 hour 2

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2:15 Speaker 6: It's all loud.

2:16 Speaker 5: It's not a prison, that is I'm sad.

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2:48 Speaker 6: killing a whing So we used to say, that's a sucker.

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3:42 Speaker 7: Then it's the Saint or Stillion's ray acting faster, saying

3:47 Speaker 7: all disaster.

3:50 Speaker 6: Yeah, you're been those in your hive. I'm saying rat

3:54 Speaker 6: before or you're two weeks whatteen ring? No time?

3:57 Speaker 5: I'm saying at a car.

4:10 Speaker 2: That is reactor number four that is from the EP

4:13 Speaker 2: radiation sickness. I love that. That is so good. It

4:17 Speaker 2: is Matt Connorton Unleashed. We are live on this Saturday morning.

4:20 Speaker 2: Jenny is here, of course at the news table, present

4:22 Speaker 2: account it far and joining us via Skype is the

4:26 Speaker 2: great Dylan Reynolds Dillan. Are you there?

4:28 Speaker 9: I am?

4:29 Speaker 3: How are you good?

4:30 Speaker 2: Good? Hey man? I love that. I love that track.

4:33 Speaker 2: I love this EP really great stuff, and I'm so

4:37 Speaker 2: happy to talk to you this morning, tell us if

4:40 Speaker 2: you would about Radiation Sickness and what the premise is.

4:44 Speaker 2: It's got a as one my guess from the title,

4:47 Speaker 2: there must be a story to it. It has a

4:49 Speaker 2: very specific premise, if you could explain that to us.

4:52 Speaker 10: So, yeah, Radiation Sickness, it's it's the entire EP is

4:57 Speaker 10: more like a concept DP. It's kind of building a story.

5:00 Speaker 10: But I love like post apocalyptic theme stuff, like I

5:06 Speaker 10: read novels, I play games, you know, like the Fallout

5:08 Speaker 10: series or Metro stuff like that. Yeah, so I've always

5:12 Speaker 10: always had a really big fascination with post apocalyptic or

5:16 Speaker 10: post nuclear kind of stuff. And I was like, well,

5:18 Speaker 10: you know, I like listening, I like playing stuff like this.

5:21 Speaker 10: But you know, there's a few bands that I like

5:24 Speaker 10: that do similar stuff to that, and I was like,

5:26 Speaker 10: it's always something that I've wanted to do. So I

5:28 Speaker 10: just decided to kind of build a little, a little,

5:32 Speaker 10: I guess, minor story about what could possibly happen based

5:37 Speaker 10: off of what has already happened in the world. So

5:41 Speaker 10: kind of just piecing things together out of my brain,

5:43 Speaker 10: just having fun, and.

5:44 Speaker 2: You know, and this is this is specifically though about Chernobyl.

5:49 Speaker 2: Right the Chernobyl Disaster or is it a broader concept

5:52 Speaker 2: than than just Chernobyl.

5:54 Speaker 10: Yeah, you know, Reacting number four is definitely about Chernobyl.

5:58 Speaker 10: It's it's actually probably the most or the less fictitious

6:02 Speaker 10: song on the release. So, I mean I went in,

6:06 Speaker 10: I did research, you know, the time, the date, the protocol,

6:10 Speaker 10: procedures to clean up, everything like that. And there was

6:13 Speaker 10: a good series on HBO called Chernobyl. I don't know

6:16 Speaker 10: if you've seen it.

6:17 Speaker 8: I have not it.

6:18 Speaker 2: I've heard a lot about it.

6:20 Speaker 3: Oh dude, it's it's phenomenal.

6:22 Speaker 10: So, you know, watching stuff like that, and I'm like, dude,

6:25 Speaker 10: I could, I could definitely write something about this. So

6:28 Speaker 10: I pieced it all together and then you know, I

6:30 Speaker 10: took it from the first song, which was Reacting number four,

6:34 Speaker 10: and I decided just to build this entire story out

6:37 Speaker 10: based off of, you know, the one true event and

6:39 Speaker 10: that really did happen, but then other stuff inspired on

6:43 Speaker 10: kind of like the themes and the imagery and stuff

6:46 Speaker 10: that would fit the narrative but didn't actually happen.

6:50 Speaker 2: Yeah, it's particularly intriguing to me because I mean, I

6:53 Speaker 2: love the music, and so regardless of what it's about,

6:56 Speaker 2: I would enjoy this, but particularly intriguing to me because

7:00 Speaker 2: I'm actually I'm old enough to remember when Jernobyl happened,

7:04 Speaker 2: and I still remember coming home from school that day

7:08 Speaker 2: and the news had already broken, and I come home

7:11 Speaker 2: and I'm worried, and I turn on the TV and

7:14 Speaker 2: and you know, there it is. They're talking about Peter

7:17 Speaker 2: Jennings of ABC News. For those of us who who

7:20 Speaker 2: might recall, Uh, there he is talking about it. And

7:24 Speaker 2: I was freaked out because I didn't know what was

7:26 Speaker 2: going to happen. You know, is a cloud of nuclear

7:29 Speaker 2: radiation going to float all the way to the United

7:31 Speaker 2: States and kill all of us? And you know, my yeah,

7:35 Speaker 2: and my fears were quelled relatively quickly because you know,

7:39 Speaker 2: these experts are saying, well, you know, it's kind of

7:41 Speaker 2: unlikely that it would make it all the way here

7:44 Speaker 2: and whatnot. But at the in the moment, I was

7:46 Speaker 2: freaked out.

7:48 Speaker 10: Well, yeah, you know, you got to think of like

7:49 Speaker 10: the timeline too. You know, it's right towards the very

7:52 Speaker 10: end of the Red Scare. Everybody's afraid of, you know,

7:56 Speaker 10: the tensions with Russia and the tensions we get in

7:58 Speaker 10: the States. So they're thinking, you know, you know, was

8:00 Speaker 10: this a plan thing? Is something terribly gonna go wrong?

8:04 Speaker 10: Can this lead to more nuclear kind of stuff?

8:07 Speaker 3: So it's a big level of.

8:09 Speaker 10: Uncertainty, you know, definitely before you know, the Iron Curtain

8:12 Speaker 10: came down and.

8:13 Speaker 3: Everything like that.

8:14 Speaker 10: But yeah, uh, it's you know, it's it's a scary

8:18 Speaker 10: theme because I mean, realistically, nobody other than the people

8:22 Speaker 10: that had to move away from the area, and nobody's

8:25 Speaker 10: really been through anything like that since, right, so you know,

8:28 Speaker 10: imagine what would that be.

8:29 Speaker 3: Like if the entire world was like that. So that's

8:32 Speaker 3: the scary part of the topic.

8:36 Speaker 2: Right right now you mentioned So there's some fictitious elements

8:40 Speaker 2: to the story also that you tell in these in

8:43 Speaker 2: these songs on the CP.

8:44 Speaker 10: Definitely, you know, Prippy At is the third song. It

8:49 Speaker 10: was originally supposed to be the opener track because it

8:52 Speaker 10: has a really, really really long intro in it, But

8:55 Speaker 10: then I started thinking about it and I'm like, as

8:57 Speaker 10: far as the timeline is concerned, that that wouldn't make sense.

9:00 Speaker 10: Decided to put that a little bit farther down. But

9:03 Speaker 10: that's actually based on.

9:06 Speaker 3: There's a.

9:08 Speaker 10: There's an old PC computer game called Stalker, which is

9:11 Speaker 10: about the Uh, there's a bunch of warring factions in

9:15 Speaker 10: the you know, the Chernobyl Exclusion Zone, and there's you know,

9:20 Speaker 10: mutants and stalkers are basically guys that go in. They

9:25 Speaker 10: have you know, wars and gangs and stuff like that,

9:28 Speaker 10: and they go in and they fight mutants, they.

9:29 Speaker 3: Fight, uh you know, bandit like that. Sorry and uh,

9:35 Speaker 3: sorry about that. I gotta turn on gotta turn on

9:38 Speaker 3: the radio voice.

9:41 Speaker 2: Don't We're on a delay.

9:43 Speaker 3: So I caught it.

9:43 Speaker 10: It's all good, okay, good deal, and uh but yes,

9:47 Speaker 10: so Pripyat's about the Stalker games.

9:50 Speaker 3: Radiation Sickness is more of not really based on.

9:53 Speaker 10: Anything, but rather the theme. And then, uh, the Aftermath

9:57 Speaker 10: is a song that I wrote. I probably wrote that

10:01 Speaker 10: song like seven or eight years ago and I just

10:04 Speaker 10: never had anything to kind of put it with.

10:06 Speaker 3: And it's it's more of like you know, the big screams,

10:11 Speaker 3: the big terror of the fires.

10:12 Speaker 10: Everything is for the most part been put out, but

10:14 Speaker 10: it's about what remains after and it's all these people

10:17 Speaker 10: just basically either one trying to survive or two banding.

10:22 Speaker 3: Together to take whatever they want. So kind of mad

10:25 Speaker 3: Max in a way.

10:25 Speaker 2: I guess, yeah, I'm curious.

10:28 Speaker 7: Do you know.

10:30 Speaker 2: How do I fraise it? Do you do you know

10:32 Speaker 2: why you're interested in this subject and these themes, like

10:38 Speaker 2: did you grow up always having a fascination with sort

10:41 Speaker 2: of apocalyptic or post apocalyptic stuff or or is this

10:46 Speaker 2: something you've always been into or and do you know

10:48 Speaker 2: where it comes from? I'm always super curious about this kind.

10:52 Speaker 3: Of thing, definitely.

10:53 Speaker 10: So I grew up watching Mad Max, some of my

10:56 Speaker 10: favorite movies of all time Road Warrior Beyond Thunderdome, and

11:02 Speaker 10: I've always liked that concept. And then a couple of

11:06 Speaker 10: years when I was growing up later into it, you know,

11:09 Speaker 10: like movies like The Book of Eli came out, and

11:13 Speaker 10: just seeing that kind of down you.

11:15 Speaker 3: Know, dirty gritty.

11:18 Speaker 10: Themes and imagery, and I'm just like, dude, this is

11:22 Speaker 10: it kind of brings humanity back to its primal stage.

11:25 Speaker 10: You know, there is no you're my neighbor and I'm

11:28 Speaker 10: going to take care of you anymore. It's you have

11:30 Speaker 10: what I want and I'm going to come take it.

11:32 Speaker 10: So it's always kind of fascinated me. I guess maybe

11:34 Speaker 10: like on a I don't know, like a mental or

11:38 Speaker 10: a psychological level, like what could make humanity revert back

11:42 Speaker 10: to the most basic of instincts, and the Great Reset

11:46 Speaker 10: would do that, and so it's just I guess it's

11:49 Speaker 10: just always been fascinating to me on that level. So

11:52 Speaker 10: anytime a new book comes out that's post apocalyptic and theme,

11:58 Speaker 10: or a movie year a game, I'm usually the first

12:01 Speaker 10: one to try it. Plus, you know, I grew up

12:03 Speaker 10: playing Fallout. It's one of my favorite game series of

12:06 Speaker 10: all time, so I've always always kind of really read

12:09 Speaker 10: into it from that angle too.

12:11 Speaker 2: So is that what I'm not a gamer, but I

12:13 Speaker 2: assume Fallout is that that's about something having to do

12:16 Speaker 2: with nuclear radiation.

12:17 Speaker 10: I assume, yeah, yeah, so Fallout is sent in I

12:26 Speaker 10: think it's like two hundred years after a great nuclear

12:30 Speaker 10: war devastates the entire world. Yeah, And I won't get

12:35 Speaker 10: into the lord because it's just too much to talk about.

12:37 Speaker 10: But essentially, the government built underground vaults and bunkers and

12:44 Speaker 10: they decided to risk, you know, certain people underground in

12:47 Speaker 10: a way to write it out or they could come

12:49 Speaker 10: back after most of the radiation goes away, and when

12:52 Speaker 10: a lot of them open up, they realize it never

12:55 Speaker 10: went away. And there's bandits, there's some small vestages of

13:00 Speaker 10: humanity left and it's it's a really cool role playing.

13:05 Speaker 3: Experience.

13:05 Speaker 10: If if you ever decide to get into any of them,

13:08 Speaker 10: I would heavily recommend it. It's just it's a it's

13:10 Speaker 10: a fun, fun experience.

13:12 Speaker 2: Yeah, yeah, yeah, I won't. I actually about twenty years

13:17 Speaker 2: ago was the last time I ever held any kind

13:20 Speaker 2: of a game controller. And I had to put it

13:22 Speaker 2: down and I said, I'm never playing any more games

13:24 Speaker 2: because I found it very psychologically addictive. Oh yes, yes,

13:31 Speaker 2: the last video game I ever played. I remember I

13:34 Speaker 2: was at a friend's house and they had fallen asleep

13:36 Speaker 2: and it was like one am, and I had started

13:37 Speaker 2: playing this game at like nine pm, and there it

13:39 Speaker 2: is four hours later, and I'm looking at the clock

13:41 Speaker 2: and I'm like, I can't do this anymore. And I

13:43 Speaker 2: actually stopped because that's that's exactly the kind of thing

13:46 Speaker 2: that I would get sucked into.

13:48 Speaker 3: And then oh yeah, yes, dude, it's it's even worse.

13:52 Speaker 10: Like I had add Man, it's really hard for me

13:54 Speaker 10: to concentrate on certain things. But if you put a

13:57 Speaker 10: controller in my hand, you know, just like you say,

14:00 Speaker 10: it'll be a PM and the next.

14:01 Speaker 3: Time you look at the clock it's four or four am,

14:03 Speaker 3: and you're like, what happened? So I get it.

14:06 Speaker 2: Yeah, Hey, this is a little bit, a little bit

14:10 Speaker 2: of a left turn, uh topically, But you mentioned a

14:13 Speaker 2: d D. I uh do some work with some uh

14:19 Speaker 2: podcasting with a gentleman named doctor Kevin ross Emory and

14:22 Speaker 2: a d D ADHD. It's kind of a specialty of his,

14:25 Speaker 2: and he talks about he has a book called Managing

14:28 Speaker 2: the Gift, for example, and he talks about a lot

14:31 Speaker 2: about how people with a d D actually tend to

14:35 Speaker 2: be more creative and and accomplish more in terms of

14:39 Speaker 2: their creativity and and and you know, just uh, you know,

14:42 Speaker 2: whether it be music or visual art or whatever it is.

14:46 Speaker 2: I mean, do you feel that, Like I said, I know,

14:49 Speaker 2: this is kind of a curve. You probably didn't expect

14:51 Speaker 2: to be talking about this, But I'm curious since since

14:54 Speaker 2: you mentioned it, do you feel that your ad D

14:55 Speaker 2: helps you because you're you're such a creative person. Do

14:58 Speaker 2: you feel that it helps you in some way with

15:00 Speaker 2: your in terms of making music and everything else.

15:05 Speaker 10: Definitely, I feel like I to a degree, I hyper

15:10 Speaker 10: fixate on things.

15:12 Speaker 3: That I like.

15:13 Speaker 10: So you know, I'm not gonna say, like, I'm a

15:16 Speaker 10: teetotal perfectionist. But if I look at something and I realize,

15:21 Speaker 10: you know, that could be slightly better, you know, I'll

15:24 Speaker 10: it's it's there's an old common saying. It's like, you know,

15:27 Speaker 10: if you're painting something, you're never really done painting it.

15:30 Speaker 10: It's just when you decide to quit, because you can

15:32 Speaker 10: always add more pain, right, So it's the same thing

15:35 Speaker 10: with music.

15:36 Speaker 3: You know, I do graphic art.

15:39 Speaker 10: It's the same thing with that as well. I can

15:41 Speaker 10: sit at a computer and make a million tiny changes

15:44 Speaker 10: that probably ninety percent of people wouldn't realize. But if

15:47 Speaker 10: I don't do them, I'll look at it and I

15:49 Speaker 10: think I should have done that.

15:51 Speaker 3: So yeah, kind of. And then on the flip side

15:55 Speaker 3: of it.

15:57 Speaker 10: You know, you get like writer's blog or designer's block

16:01 Speaker 10: a lot. So sometimes you just sit there and be

16:04 Speaker 10: frustrated at a computer trying to write something or trying

16:06 Speaker 10: to design something, to the point where you have to

16:08 Speaker 10: take a break, and sometimes it sucks, but that break

16:11 Speaker 10: is like a month long, and then when you come

16:13 Speaker 10: back from that break, it's like everything falls into place.

16:16 Speaker 10: But you know, if you spend too much time on something,

16:19 Speaker 10: then you'll you'll just get annoyed with it, right, But but.

16:24 Speaker 2: Yeah, do you You've always got multiple things going on

16:27 Speaker 2: creatively anyway, right, so i'd imagine, Oh yeah, it's kind

16:30 Speaker 2: of move from one thing to the next, but but

16:32 Speaker 2: they're all they're all always in motion.

16:34 Speaker 10: Yeah, And that's the way to keep it fresh too,

16:36 Speaker 10: is you know, you get a little frustrated with one thing,

16:39 Speaker 10: put it down, run to the next, knock that out,

16:42 Speaker 10: come back.

16:42 Speaker 3: So that definitely does help.

16:44 Speaker 7: Yeah.

16:44 Speaker 2: Yeah, And you mentioned too being a graphic artist, so

16:47 Speaker 2: obviously you do all the artwork for you know, like

16:49 Speaker 2: radiation sickness. You did all all that yourself, I would imagine.

16:52 Speaker 10: Right, Uh yeah, So normally, under normal circumstances, I'll be

16:56 Speaker 10: one hundred percent transparent with it for normal clients I have.

17:00 Speaker 10: I never use AI generated art. I think it's a

17:04 Speaker 10: cool tool to get inspiration, but I don't ever use

17:07 Speaker 10: it for clients of mine. I did use it for

17:10 Speaker 10: my stuff just because it's something I wanted to put

17:12 Speaker 10: out as quick as possible, so I did a.

17:15 Speaker 3: Lot of editing to it.

17:16 Speaker 10: But for the most part, it is generated. But like

17:18 Speaker 10: I said, it's it's only stuff that I've used for

17:21 Speaker 10: for my personal stuff.

17:22 Speaker 3: That way, I'm not.

17:23 Speaker 10: I'm not going to charge somebody, you know, however much

17:27 Speaker 10: I charge for a design when it took ten seconds

17:30 Speaker 10: to generate versus you know them, tell me something specific

17:33 Speaker 10: and I'll make it myself.

17:34 Speaker 2: Sure, sure, yeah, but but yeah, that's interesting because that's

17:39 Speaker 2: another subject that comes up a lot on this show,

17:41 Speaker 2: you know, AI and and how it affects the music

17:45 Speaker 2: industry and art and so forth. Are you how do

17:49 Speaker 2: you feel about AI in terms of music? Are you

17:52 Speaker 2: worried about it?

17:52 Speaker 3: Do you care?

17:53 Speaker 9: Is it?

17:54 Speaker 2: There's a lot of varying opinions on the matter.

18:01 Speaker 10: Well, you know me, I love rock music right as

18:05 Speaker 10: far as when it comes to playing it live. You know,

18:09 Speaker 10: rock bands historically have played every for the most part,

18:12 Speaker 10: played every instrument live. Pop music resorts a little bit

18:16 Speaker 10: more towards backing tracks and not as many live musicians.

18:20 Speaker 3: So in a way it's a stretch.

18:24 Speaker 10: But in a way I kind of look at it like,

18:28 Speaker 10: how is AI any different than a pop singer playing

18:30 Speaker 10: live if they're just playing to music behind them and

18:33 Speaker 10: then somebody hits a button and generates a couple beats.

18:36 Speaker 3: I'm kind of in that it.

18:39 Speaker 10: Like I said, it's a stretch now as far as

18:41 Speaker 10: being like a complete creative process, Like you know, I'm

18:46 Speaker 10: going to pump in a formula on the computer and

18:48 Speaker 10: it's gonna pull out beats for me, it's gonna pull

18:50 Speaker 10: out chord patterns. It's gonna do that. Don't really believe

18:53 Speaker 10: in that. I don't find that creative at all, right,

18:55 Speaker 10: But maybe using it as just an inspiration tool rather

18:59 Speaker 10: than the the means to an end I think would

19:03 Speaker 10: probably be okay.

19:04 Speaker 2: Yeah, yeah, yeah, It's going to be very interesting in

19:07 Speaker 2: the coming years to see how the music industry deals

19:10 Speaker 2: with it and and so forth. But getting back to

19:14 Speaker 2: radiation sickness for a moment, So are you performing these

19:18 Speaker 2: songs live or is this strictly a studio project or

19:21 Speaker 2: how are you proceeding with it?

19:23 Speaker 3: Currently? Studio project?

19:25 Speaker 10: Only in my normal day to day, I'm extremely busy,

19:29 Speaker 10: so I don't have a lot of time to go

19:31 Speaker 10: out and find guys that I trust you can learn

19:33 Speaker 10: all the material and then grind and play a whole

19:35 Speaker 10: bunch of shows. So it's more just fun for me

19:41 Speaker 10: and a little bit of a segue. It helps me

19:44 Speaker 10: build up a catalog which gets me. You know, different

19:47 Speaker 10: doors open. Like right now, I am writing the soundtrack

19:52 Speaker 10: for a local movie based out of Hickory, North Carolina.

19:55 Speaker 3: Oh, so we're writing.

19:58 Speaker 10: It's a full, completely independent movie. So they wanted to

20:03 Speaker 10: do an eighties style slasher thriller.

20:06 Speaker 3: Oh and they.

20:08 Speaker 10: Wanted a complete hard rock soundtrack to go with the movie.

20:12 Speaker 10: So it's somebody that I've known for years. That's he's

20:14 Speaker 10: a writer, he's an author, he's done a lot of

20:17 Speaker 10: really cool stuff. And he asked me, He's like, hey,

20:19 Speaker 10: do you want to do this? And I said, yeah,

20:21 Speaker 10: you don't even have to pay me, let's do it.

20:23 Speaker 8: Yeah.

20:24 Speaker 3: So you know, even if it's something small like that,

20:27 Speaker 3: they can get the door open.

20:30 Speaker 8: You know.

20:30 Speaker 10: I'm I'm extremely I've already got five or six songs.

20:34 Speaker 10: If I get permission when it gets closer to release time,

20:37 Speaker 10: I'd love to.

20:38 Speaker 3: Send you one.

20:39 Speaker 2: Oh yeah, yeah, that way we can.

20:41 Speaker 3: We can do a little bit of promotion on that.

20:42 Speaker 2: Absolutely. Absolutely. Oh that's very cool and that's uh, that's

20:45 Speaker 2: certainly right up your alley. Are you Are you playing

20:49 Speaker 2: out at all currently? Do do you do any live

20:51 Speaker 2: shows of any kind? I know you you have the

20:54 Speaker 2: I don't know if you still do it the Judas

20:55 Speaker 2: Priest start for you.

20:56 Speaker 10: Ben, Yes, yeah, we still do Unleash the Classic Judas

21:00 Speaker 10: Priests Tribute. We actually just got back from Virginia about

21:03 Speaker 10: three weeks ago. We played a showdown there for a

21:05 Speaker 10: biker rally.

21:06 Speaker 3: Cool, so we did that. We got some stuff coming

21:09 Speaker 3: up in October. We we try to do, like bar Hop.

21:12 Speaker 10: We don't want to be weekend Warriors because we all

21:14 Speaker 10: have full time jobs and families and everything like that.

21:17 Speaker 3: So yeah, we try to do like five, six, seven

21:19 Speaker 3: big shows a year and then just spend the rest

21:22 Speaker 3: of the time with family.

21:23 Speaker 2: So yeah, well that's cool. Is it challenging singing?

21:26 Speaker 3: You know?

21:27 Speaker 2: Halford obviously one of the greats, some would say the best,

21:31 Speaker 2: you know, the metal god Rob Halford. Is that challenging

21:34 Speaker 2: to do? I mean, do you have to especially whereas

21:38 Speaker 2: like you said, if you're only doing five or six

21:39 Speaker 2: big shows a year with that project, is that to

21:43 Speaker 2: get your voice in shape for that? Is that challenging

21:46 Speaker 2: at all? Or is it perfectly natural? Or how do

21:49 Speaker 2: you approach that vocally?

21:51 Speaker 10: Now that I have spent years singing it, you know,

21:53 Speaker 10: I could go weeks without practice, go to you know,

21:56 Speaker 10: then go to a rehearsal.

21:58 Speaker 3: And play it like we've been playing in it for

22:00 Speaker 3: a year straight.

22:02 Speaker 10: I would probably indirectly, I would probably credit Halford for

22:06 Speaker 10: getting my voice the way it is, learning how to

22:08 Speaker 10: sing his stuff, because you know, if you listen vocally

22:12 Speaker 10: on the Radiation Sickness EP, it's very guttural, it's very raspy, rolly,

22:18 Speaker 10: which is how I originally learned to sing. I grew

22:20 Speaker 10: up listening to you know, early Pauldiano, Iron Maiden, really

22:25 Speaker 10: deep voice, because that's what I had. I didn't have

22:27 Speaker 10: a high pitched voice growing up singing, so I learned

22:30 Speaker 10: how to sing like that. And then I get into it,

22:34 Speaker 10: and you know, that's these guys that I've been playing

22:36 Speaker 10: with for a while.

22:37 Speaker 3: We were doing like.

22:38 Speaker 10: Variety eighties metal, just you know, for fun, going and

22:40 Speaker 10: playing a couple of shows a year, doing whatever, and

22:42 Speaker 10: then we all decided let's do let's do one band,

22:45 Speaker 10: and we all agreed on Priest. Then I'm sitting here thinking,

22:48 Speaker 10: oh my, I have to learn how to sing like Priest.

22:52 Speaker 10: So it took years, years and years and years to

22:55 Speaker 10: learn how to how to get Halford's nuances, especially his highests.

23:00 Speaker 10: Those are some of those are really brutal.

23:04 Speaker 3: But but like I said, man, the only way to

23:07 Speaker 3: do it is to do it.

23:08 Speaker 10: And I just I went out there and I practiced

23:11 Speaker 10: for years just that, I mean, the same songs over

23:14 Speaker 10: and over and over and just tried to get a

23:16 Speaker 10: little better at each time. And man, I've probably grown

23:20 Speaker 10: at least an entire octave range learning how to sing

23:24 Speaker 10: his stuff. Yeah, it's been tough, is.

23:27 Speaker 2: There I'm curious is there any particular pre song that

23:31 Speaker 2: really gave you a hard time? Is there is there

23:32 Speaker 2: one you can pinpoint as being the most challenging.

23:35 Speaker 10: Yes, there is a song called Devil's Child and it

23:42 Speaker 10: is off of the Screaming for Vengeance album.

23:45 Speaker 3: It is absolutely and it was.

23:50 Speaker 10: One of the first songs they wanted to learn too,

23:52 Speaker 10: so right, So, I mean it's it's tough, man. There

23:56 Speaker 10: is a there's kind of like a bridge section where

23:59 Speaker 10: it's just nothing but you know, his highest screaming piercing notes.

24:03 Speaker 10: And it's not like there's different levels to Holford's screams.

24:08 Speaker 10: There's low screams and there's high and that mid section

24:11 Speaker 10: is nothing but high screams. Chorus is high screams. I

24:15 Speaker 10: mean it's Yeah, it's tough, man, I think. I mean, honestly,

24:19 Speaker 10: this is kinda gonna be weird to say, but I

24:20 Speaker 10: think I could sing Painkiller easier than I could sing

24:24 Speaker 10: Devil's Child.

24:24 Speaker 3: Really, it's right in the pocket.

24:27 Speaker 10: I don't know how to describe other than that with

24:29 Speaker 10: my voice, but I can hit those screams all day

24:32 Speaker 10: long because they're not they're right about in the same zone.

24:35 Speaker 10: So it's the not monotonous, but it doesn't gas me out.

24:40 Speaker 10: Devil's Child for some reason, Dude, that song kills me

24:43 Speaker 10: every time.

24:44 Speaker 2: But it's probably kind of cool in a way that

24:46 Speaker 2: you had to You said that was one of the

24:48 Speaker 2: first ones, or the first one they wanted you to learn,

24:50 Speaker 2: because I mean, if you can sing that, you can

24:53 Speaker 2: sing any of it, right, If that's yes, So that's

24:56 Speaker 2: probably a good way to start from that standpoint.

24:59 Speaker 3: Oh definitely, yeah, Yeah, yeah.

25:01 Speaker 2: Very cool. Uh, Dylan, the time goes so quickly. I

25:04 Speaker 2: do want to so we'll let you go in a moment,

25:07 Speaker 2: but I want to end the segment by playing another

25:09 Speaker 2: track from Radiation Sickness. Uh, But I'd like you to

25:12 Speaker 2: choose what would be a good What would be a

25:14 Speaker 2: good one?

25:14 Speaker 3: To end with, let's go with the title track.

25:21 Speaker 2: Oh there it is. Yeah, I'm staring right at it

25:23 Speaker 2: and not seeing it. Clearly, I need more caffeine. All right,

25:26 Speaker 2: very good, So we'll play that. We'll play the title

25:28 Speaker 2: track from Radiation Sickness and Dylan, where should people go

25:31 Speaker 2: online to keep up with everything that you're doing? To

25:34 Speaker 2: find the EP and and just anything else if you

25:37 Speaker 2: want to plug your your work as a graphic artist,

25:39 Speaker 2: anything our listeners should know about you.

25:42 Speaker 10: So for graphic artwork, you can find me at atom

25:45 Speaker 10: A t O M bomb Artwork dot com, music general updates,

25:51 Speaker 10: or on my YouTube channel YouTube dot com slash Dangerous

25:55 Speaker 10: Dylan with a.

25:56 Speaker 3: Z not an S.

25:57 Speaker 10: And you can just find me generally on Facebook under

26:00 Speaker 10: Dying Reynolds or doing Reynolds music, and that's typically where

26:03 Speaker 10: I keep everything else. Also, if you want to check

26:05 Speaker 10: out the unleased tribute, we are on Facebook as Unleashed

26:09 Speaker 10: the Classic Judas Priest Tribute.

26:11 Speaker 2: Very cool, very cool. All right, Dylan Reynolds, thank you

26:14 Speaker 2: so much, my friend. I'm gonna hit this track and

26:17 Speaker 2: I appreciate you joining us today and we will we'll

26:19 Speaker 2: do this again, uh in the uh your future I'm.

26:22 Speaker 3: Sure alrighty man, thank you for letting me be.

26:25 Speaker 2: On absolutely anytime. All right, Thanks Dylan, take care later, buddy.

26:29 Speaker 2: All right, the great Dylan Reynolds and uh, if you

26:32 Speaker 2: are listening live, Factory of Art is going to be

26:34 Speaker 2: coming up in a few minutes. But let's give this

26:36 Speaker 2: a listen. This is the title track from the Dylan

26:38 Speaker 2: Reynolds ep Radiation Sickness, the ban, the sunning, the screams.

26:56 Speaker 7: And calling the baby away. Now, buildings collapse and start

27:01 Speaker 7: a wave, or fly up.

27:02 Speaker 5: The house and touch some huns.

27:06 Speaker 7: Don't not gonna let out the house trap that night

27:09 Speaker 7: where two four.

27:17 Speaker 3: Whatever?

27:17 Speaker 10: Say again?

27:19 Speaker 5: No wall at that says no, Master said no way of.

27:22 Speaker 7: That rest and ours inside. I would go round out,

27:28 Speaker 7: tells you know you got nobody. I used to say that, So.

27:34 Speaker 5: Say holds it sad for you and it's now y'all too.

27:48 Speaker 6: No fall out, that's raining.

27:49 Speaker 7: It's getting cold, but counter or restrains in your body

27:52 Speaker 7: with fall spans thesa switching ice lit sax nights don't

27:56 Speaker 7: mean no blood and tights and nine.

28:01 Speaker 6: Son't never let a souse shut this side?

28:04 Speaker 4: Where's e flower?

28:11 Speaker 2: We'll never see a cat?

28:14 Speaker 7: No world has it says, no man has said no

28:17 Speaker 7: way of that brass and doll said side out, no

28:20 Speaker 7: run out, so she'll know you got ridy.

28:25 Speaker 11: I said, say go.

28:28 Speaker 7: See how hols it says for you and tell y'all to.

28:42 Speaker 4: Jos to see your face, to see something from your heart.

28:45 Speaker 4: Find as a speaking sun a second charge.

28:48 Speaker 6: We'll say you your brother.

28:49 Speaker 8: Then no run a skin little.

28:51 Speaker 7: Suned to fire the surta the gas you have burnt

29:06 Speaker 7: a ways, can nothing of the road.

29:08 Speaker 12: The same western.

29:09 Speaker 4: Cave whcas it's a bad woman never has.

29:13 Speaker 6: Try to find a red. Is there any of the caves?

29:49 Speaker 2: They'll never let us out.

29:51 Speaker 6: It's not this sideworthy flower.

30:00 Speaker 2: We'll never say a cad.

30:02 Speaker 7: No world has it says no mad has said no

30:05 Speaker 7: way of brads and do said side out of the round,

30:11 Speaker 7: so she'll know you. Kind ride a sed to say

30:14 Speaker 7: that's say bolds In says, ho are you and sell

30:20 Speaker 7: your shoe? So she'll know you kind ride a sed.

30:25 Speaker 6: To say that's.

30:28 Speaker 7: Says bolds In says.

30:29 Speaker 6: A are you and sell your shoe?

30:52 Speaker 5: Us?

30:55 Speaker 13: Oh my Jesus, shad jodysih ghostly nightmas be there, don't

31:13 Speaker 13: be patient.

31:15 Speaker 6: Don't behave n show you more.

31:22 Speaker 13: Dive into your own dark side.

31:27 Speaker 6: I was there, befo j J. There somedy that something

31:57 Speaker 6: can't show you jong iss your oh no suh and

32:44 Speaker 6: shine you'll find me silent, but not say in disguis.

32:53 Speaker 8: J S.

32:57 Speaker 6: That's say in this stuff living.

33:01 Speaker 5: Your shoes shoes, said.

33:24 Speaker 6: Jock.

33:28 Speaker 5: And jumping your sad the same.

33:48 Speaker 6: Jumping your fad.

33:53 Speaker 2: Please the same days.

33:59 Speaker 6: Sad.

34:02 Speaker 5: Please have me go tag this sa to start place

34:09 Speaker 5: on the t.

34:12 Speaker 6: Smills so he has not play.

34:20 Speaker 5: My joan place w out the top.

35:28 Speaker 6: Into the.

35:34 Speaker 14: Front side, the chewing its tip back, the shame the

35:55 Speaker 14: same ship.

35:58 Speaker 7: You.

36:10 Speaker 2: I love that. That is epic. The song is blessing

36:14 Speaker 2: in disguise. The band is Factory of Art, and I

36:18 Speaker 2: think we have a couple of guys from Factory of

36:20 Speaker 2: Art on Skype with us. Hello, can you guys hear me?

36:24 Speaker 8: Hey? Hello, here's still a fun Factory of Art and

36:28 Speaker 8: the best drama of the world rather is with me today?

36:32 Speaker 2: Okay, Well, welcome guys. How are you? How are you

36:39 Speaker 2: are you? Are you on the road right now?

36:43 Speaker 8: Yeah? We are not on the road, but on the boat.

36:45 Speaker 8: We play a show tonight on a little metal cruise

36:49 Speaker 8: in a New York Berlin.

36:50 Speaker 2: Oh that's cool. That's cool. Is a weather, they're a

36:53 Speaker 2: good good cruise weather.

36:55 Speaker 8: Oh very fine. It's not too hot, but it's sunny

36:58 Speaker 8: and a lot of guys are here on a boat.

37:03 Speaker 8: And we hope we will play a good show tonight,

37:05 Speaker 8: but not as factory of art. We I told you

37:10 Speaker 8: earlier that we have a cover project. We play songs

37:15 Speaker 8: of Inhale, Pumstein, a CDC and so on. Yeah, tonight

37:20 Speaker 8: is party. Tonight is not the factory of art show.

37:23 Speaker 8: It's a factory under cover. Sure.

37:26 Speaker 2: Oh I gotcha, I got cha.

37:28 Speaker 3: Now.

37:29 Speaker 2: That's cool though, that you get to play on a

37:30 Speaker 2: cruise And congratulations by the way on the album. And uh,

37:35 Speaker 2: I love these songs. I mean this is next level.

37:38 Speaker 2: Blessing in Disguise is such an interesting song. You know,

37:40 Speaker 2: it's it's got you know, kind of the power metal thing.

37:44 Speaker 2: But there's also there's also some curveballs in there. There's

37:47 Speaker 2: some things you don't necessarily expect to hear. At one point,

37:50 Speaker 2: it sounds almost like a Moog keyboard is in there,

37:53 Speaker 2: or a wurlitzer or something. It's really interesting.

37:57 Speaker 8: Oh, thank you very much. It's it's so nice to

38:00 Speaker 8: hear that, because we are very proud. Now the album

38:04 Speaker 8: is ready. We had a very good record release show

38:07 Speaker 8: in Leipsish in June, and the first reviews on the

38:12 Speaker 8: album in the German underground press are very very good.

38:17 Speaker 8: We are very happy with this. Sure and sure it's

38:22 Speaker 8: so nice that you like it. It's great. The best

38:27 Speaker 8: review says twelve from ten points.

38:31 Speaker 3: Okay the scale.

38:33 Speaker 2: Okay, okay, excellent, excellent. Now are you guys getting to

38:37 Speaker 2: play these songs live? I know tonight you're not because

38:41 Speaker 2: you're doing the covers, But do you guys have a

38:43 Speaker 2: lot of opportunities to play these songs live.

38:48 Speaker 8: We played some shows with a new new material. Now

38:51 Speaker 8: we have a little break. It's summertime here and we're

38:56 Speaker 8: too late to be booked on the great festivals in Germany.

39:00 Speaker 8: We have to try it in the next month. Is

39:02 Speaker 8: in the next year. Yeah, we have some gigs in

39:06 Speaker 8: Leipzig in Germany at all. It's great. It's a great

39:13 Speaker 8: adventure for us to play the new material live on stage.

39:17 Speaker 8: But it's not the thing that we have a tour.

39:21 Speaker 8: That's yeah, that's the thing we have to work about

39:25 Speaker 8: in the next month.

39:26 Speaker 2: Is Okay, Okay. Is it challenging to play the new

39:29 Speaker 2: material live? Because, like I said, it's it's it's pretty loud.

39:35 Speaker 8: There we were under a bridge. That's why, a little

39:42 Speaker 8: bit too loud.

39:43 Speaker 2: That makes sense, That makes sense. So the boat, the

39:46 Speaker 2: boat is in motion. Is it challenging to play these

39:51 Speaker 2: songs live? Because, like I said, it's you know, it's

39:54 Speaker 2: not your standard power metal. There's some there's some other

39:57 Speaker 2: things going on. It's very complex.

40:00 Speaker 8: Yeah, it's a it's a challenge for us. It was

40:02 Speaker 8: a challenge for us, but we were well prepared for

40:06 Speaker 8: the first show, our record release show, and like this,

40:09 Speaker 8: we had all our vocal singers, guest singers on stage

40:16 Speaker 8: during the show. That was so so nice, and we

40:20 Speaker 8: we trained very very hard to give the best on stage.

40:25 Speaker 8: It's it's a challenge for us.

40:27 Speaker 2: You're right, yeah, yeah, do you I mean, are you

40:32 Speaker 2: able to play like when you do these shows? Do

40:34 Speaker 2: you just focus on the newer material because you you

40:37 Speaker 2: got you guys have been around for more than three decades, right.

40:41 Speaker 8: Yeah, so it is. We just last week we created

40:46 Speaker 8: a new Settlers, a mix of the new album and

40:52 Speaker 8: older songs. And now we have the ninety one hundred

40:56 Speaker 8: minute show program. We have I think seven new tracks

41:03 Speaker 8: and three or four of the both former earlier albums.

41:08 Speaker 2: Yeah, I assume. I mean obviously, I don't know that

41:14 Speaker 2: I've listened to anything like really early from you guys.

41:17 Speaker 2: Has the sound changed over the years, I would imagine

41:20 Speaker 2: it has somewhat, right.

41:22 Speaker 8: Yeah, so it is the sound changed, the songwriting process

41:27 Speaker 8: changed a little bit. But when we play on stage

41:34 Speaker 8: new material or all of material, it's the same band.

41:37 Speaker 8: It's the same sound, and that I think it's it's

41:41 Speaker 8: a unit.

41:42 Speaker 6: Uh.

41:43 Speaker 8: The people like the old songs too. We play the

41:49 Speaker 8: best of them, I think, and it's a good it's

41:53 Speaker 8: a good mix of all and and people say, oh yeah,

41:57 Speaker 8: she nice to have the new material but it's nice

42:01 Speaker 8: to hear songs again that we never heard for twenty

42:06 Speaker 8: years live on stage.

42:08 Speaker 2: Yeah. I was gonna say, so. There must be people

42:10 Speaker 2: who who've been there from the beginning, right, Do you

42:12 Speaker 2: see people at the shows who you remember from way

42:15 Speaker 2: back in the beginning when they first started to come

42:17 Speaker 2: out and see the band.

42:19 Speaker 8: Yeah, still of them are still alive. Yeah, and uh,

42:26 Speaker 8: best best for us is that these people, uh uh,

42:30 Speaker 8: the the die hard fans from the first hour of

42:33 Speaker 8: the band say, it's so nice that you are back.

42:38 Speaker 8: And we like our new material too. I think it's

42:42 Speaker 8: for the for the for the people. It's nice to

42:46 Speaker 8: have the best of both worlds.

42:49 Speaker 2: Yeah, yeah, no doubt, no doubt. When you guys, when

42:56 Speaker 2: you guys do shows with the new material, are you

42:59 Speaker 2: doing fast?

43:00 Speaker 6: Of all?

43:00 Speaker 2: Are have you been able to do any of those

43:02 Speaker 2: this summer?

43:03 Speaker 8: Yeah? We we played two shows, uh, two slots at festivals,

43:11 Speaker 8: but we were so so heavy that we played the

43:15 Speaker 8: whole new album in in on these two festivals.

43:21 Speaker 9: For it.

43:22 Speaker 8: It was for us to to to train on new material.

43:28 Speaker 8: The people asked us, oh, would you play some some

43:31 Speaker 8: older songs, and we said, sorry, not tonight. We want

43:35 Speaker 8: to show you at the whole new album. And yeah,

43:40 Speaker 8: it was very nice, but it was an interesting effect

43:44 Speaker 8: for us. The people heard very very I don't know

43:50 Speaker 8: the English word ox. We both don't know. They heard

43:57 Speaker 8: the new material and we're and but they needed a

44:03 Speaker 8: little bit time to understand it.

44:05 Speaker 2: Sure, sure, no, that makes sense, but nice to have.

44:12 Speaker 8: We sell our albums, our physical albums on our merge

44:18 Speaker 8: stand and it works, but only it works if you

44:23 Speaker 8: play a good show. Why and that's why we try

44:27 Speaker 8: to make it very good every every night. Tonight we

44:32 Speaker 8: have the cover program. It's nice to have for us,

44:38 Speaker 8: but we try to to reach the people with a

44:43 Speaker 8: few informations about our factory, of our project. Let's see

44:48 Speaker 8: how it works tonight.

44:50 Speaker 13: Yeah.

44:51 Speaker 2: I would imagine your music too. You must see like

44:54 Speaker 2: multiple generations. I assume you see young people at your

44:57 Speaker 2: shows too, right, because you you have music, I feel

45:00 Speaker 2: it's timeless. I feel that probably anyone of any age

45:03 Speaker 2: could get into what you're doing. Do you see a

45:05 Speaker 2: lot of young people at your shows?

45:08 Speaker 8: You're absolutely right. It's when you're here in Germany, go

45:13 Speaker 8: to a festival. You have a mixture of people, elder people,

45:18 Speaker 8: young people, and we have good response of both of them.

45:28 Speaker 8: You're right, it's it's seems yourself cannot say it's timeless,

45:35 Speaker 8: but if you say it, the people say, okay, it's

45:38 Speaker 8: it's it's a I think, uh, that's true. That's that's

45:43 Speaker 8: the truth here and this is this is our experiences

45:49 Speaker 8: of the last two shows.

45:51 Speaker 2: Yeah, yeah, excellent, excellent. Are you guys, are are you

45:57 Speaker 2: getting any traction at radio or radios they're playing you?

46:01 Speaker 2: I don't know what the what the situation is with

46:03 Speaker 2: radio in that part of the world currently. If there's

46:05 Speaker 2: a format, it supports what you're doing. But I'm curious,

46:11 Speaker 2: I don't.

46:12 Speaker 8: We like the American radio scene very much every time

46:17 Speaker 8: when i'm as a tourist.

46:20 Speaker 15: Am in in the States, I like it so very much.

46:24 Speaker 15: But here in Germany it's so commercial. Yeah, it's so

46:28 Speaker 15: commercial there we have with our music, no chance. But

46:33 Speaker 15: there is a really great and.

46:37 Speaker 8: Interesting underground radio scene. And these guys are loving the

46:43 Speaker 8: new album. And we have Airplane in internet ratios stations

46:49 Speaker 8: here in Germany.

46:50 Speaker 2: Oh, excellent, excellent, very good, yeah, very good.

46:53 Speaker 8: We are an album of the months June or July

46:57 Speaker 8: in five or six radio stations here in Germany. And

47:01 Speaker 8: that's for us, a very good thing.

47:05 Speaker 2: Yeah, yeah, congratulations on that. That is outstanding. Well, listen, guys,

47:11 Speaker 2: it's great to speak with you. Uh, we'll We'll let

47:14 Speaker 2: you go. It sounds like there's a band. Is there

47:17 Speaker 2: a band on stage right now? Or is that a stereo?

47:20 Speaker 8: Yeah? Yeah, yes, as another band on stage. We look

47:24 Speaker 8: for the quietest place on this boat. But we have

47:29 Speaker 8: to go swim if you want to have it.

47:32 Speaker 2: Still, I understand, I completely understand. No, it sounds like

47:36 Speaker 2: a great time. It sounds fun. And uh uh when

47:40 Speaker 2: when do you guys play? Is it in a few

47:41 Speaker 2: hours or is it soon?

47:43 Speaker 8: Yeah?

47:43 Speaker 3: We have we have just have time.

47:45 Speaker 7: We have uh.

47:46 Speaker 8: Stage time is here in Germany seven pm. Yeah, it

47:52 Speaker 8: means to an half hour. We have to go on

47:54 Speaker 8: stage and we play our open plumstick.

47:58 Speaker 2: Usher excellent.

48:02 Speaker 8: From a from a little German band.

48:05 Speaker 2: I've seen them, Yeah, I've seen Ramstein. I can't pronounce

48:10 Speaker 2: it correctly but my American mouth, but but I've seen

48:15 Speaker 2: Ramstein live and it's it's quite a show. In fact,

48:20 Speaker 2: the times that I've seen them, if you're close enough

48:22 Speaker 2: to the stage, you can feel the heat coming from

48:24 Speaker 2: the pyro, which is a little scary.

48:27 Speaker 8: But there's a nice story of our earlier days. I

48:33 Speaker 8: played two shows as local support with rumshein In in

48:39 Speaker 8: the late nineties in Leipzigh. It was a great experience

48:44 Speaker 8: for us. But they are so fantastic, so good as

48:47 Speaker 8: well as little stage as well as a hall, not

48:50 Speaker 8: a stadium, but it was so great for us, and

48:55 Speaker 8: and it's what was nice too to meet the guys

48:57 Speaker 8: of us is the time of their first album, Had

48:59 Speaker 8: the Light now in these times.

49:03 Speaker 11: Oh, oh.

49:06 Speaker 8: The bridge, May we come under the bridge? Sorry, it's

49:08 Speaker 8: it will be allowed for a few seconds.

49:10 Speaker 2: Oh that's okay, yeah, it's come.

49:13 Speaker 6: Here we go.

49:16 Speaker 16: Oh see Blacks have a paranoid. Yeah, yes they are,

49:21 Speaker 16: Bryan here. It's so nice here, So there we go,

49:26 Speaker 16: there we go.

49:28 Speaker 8: Sorry, now it's better.

49:29 Speaker 2: They should put some soundproofing panels under the bridge for

49:32 Speaker 2: when that happens.

49:33 Speaker 9: Yeah.

49:33 Speaker 8: Yeah, yeah, we went through and everything's fine. I hope, yes, yes, yeah,

49:40 Speaker 8: And we play some songs tonight. Helps Bells is the

49:44 Speaker 8: second song from a cy DC and our last song,

49:47 Speaker 8: Sure Motorhead is of Space, and then we have fifteen sixteen,

49:52 Speaker 8: twenty twenty tracks to play tonight. We are the last

49:56 Speaker 8: band headline on you boo and sure it's nice.

50:02 Speaker 2: Yeah I hear, I hear a Black Sabbath paranoid in

50:06 Speaker 2: the background. It sounds good. Yeah, sure yeah, whoever that

50:10 Speaker 2: band is, they sound good, but you will sound even better.

50:12 Speaker 3: I have no doubt.

50:14 Speaker 8: I hope that it will try it. You know, it's

50:19 Speaker 8: it's it's party time for us tonight. But we want

50:23 Speaker 8: to we want to play a good show.

50:26 Speaker 2: Yeah yeah, no, you guys are amazing, Like I said,

50:29 Speaker 2: I love the album, thank you so much for sending

50:31 Speaker 2: it to us, and I love these songs. I'm gonna

50:34 Speaker 2: let you go in a moment so you can you

50:36 Speaker 2: can get back to it. But I have a question,

50:39 Speaker 2: Uh what song should I finish the segment with? I

50:42 Speaker 2: opened with the single of course, Blessing in Disguise. But

50:45 Speaker 2: do you guys have a suggestion on what you would

50:48 Speaker 2: like me to end the segment with.

50:51 Speaker 8: Just let's let us talk bick to life, back to

50:55 Speaker 8: the Life, back to the Life, the lasted track, the

50:58 Speaker 8: title track would be.

50:59 Speaker 2: Nice, okay, okay, yeah, we can go with that. Very cool,

51:03 Speaker 2: very cool, all right? And what should our listeners know?

51:06 Speaker 2: What should our listeners know here in America about how

51:09 Speaker 2: to find you guys online to keep up with what

51:11 Speaker 2: you're doing. Anything special you want them to know?

51:15 Speaker 8: Yeah, sure, we have a new system. You find everything

51:20 Speaker 8: about Factory of Art on the Factory minus off minus

51:27 Speaker 8: Art dot band.

51:29 Speaker 2: Okay, and we'll share the link out too to make

51:32 Speaker 2: sure people have it. But very good, verty good, All right, Hey, guys,

51:36 Speaker 2: thank you so much, have a great show tonight. We'll

51:38 Speaker 2: let you go so we can hit this track. But

51:40 Speaker 2: I really appreciate you joining us today.

51:43 Speaker 8: Thank you very much. It's nice to be with you,

51:46 Speaker 8: and the best greetings from Berliant from the Boat Factory.

51:53 Speaker 2: All right, guys, thank you so much. Take care, have fun. Yep,

51:57 Speaker 2: you too, all right, bye bye, all right. Factory of Art.

52:02 Speaker 2: What a great band. We will play this next to

52:05 Speaker 2: finish out the segment. This is a track called back

52:08 Speaker 2: to Life. Back to the Life rather from, of course,

52:11 Speaker 2: their album of the same name, the title track Factory

52:14 Speaker 2: of Art. I definitely recommend you check them out. Great guys,

52:17 Speaker 2: and I love their music and if you are listening

52:20 Speaker 2: live on Saturday, of course. Coming up in the third hour,

52:22 Speaker 2: we have Eleanor and Spelfee from the Midnight Creatures creat

52:27 Speaker 2: No Midnight, I always get it wrong. Midnight Creative Collective.

52:32 Speaker 2: The Creatures is the Facebook and terminus underground. Yes, where

52:37 Speaker 2: Jenny's paintings are currently hanging.

52:39 Speaker 8: I know.

52:41 Speaker 2: That is it's very very cool, but we'll talk about

52:43 Speaker 2: that in the third hour when Eleanor and Spelfy are

52:45 Speaker 2: here with us in studio. But give this a listen.

52:47 Speaker 2: This is called back to the Life Factory of Art.

52:50 Speaker 2: This is really good.

53:40 Speaker 17: I will sailing in the La Devot and race and

53:45 Speaker 17: see lies ate jars.

53:48 Speaker 5: We treat still our.

53:50 Speaker 8: And selling the seal.

53:52 Speaker 6: The star beside of my sword is yard.

53:59 Speaker 17: The rest see man the Saint Kisen, I'm tombling too,

54:04 Speaker 17: and ground like too, d.

54:07 Speaker 6: Can sitting now went so from the.

54:16 Speaker 5: Game to making to.

54:35 Speaker 17: The call love the siren, sit my star round love

54:41 Speaker 17: the out settlement the sea.

54:43 Speaker 2: For lord, and I find all my life.

54:46 Speaker 4: And I guess spring forever.

54:49 Speaker 17: And out of the AMers come from the wood where

54:54 Speaker 17: the rat slee man the Saint Kison, I am toumbling too.

55:00 Speaker 6: Row back.

55:05 Speaker 14: My son said, oh so nice to.

55:15 Speaker 8: Go to.

55:18 Speaker 6: Nice.

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57:07 Speaker 18: from DUIs to homicides. If you've been injured, our compassionate

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57:23 Speaker 18: three four for a free consultation. Craigan, get Zulus, your advocates,

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59:10 Speaker 7: Seven times out of ten.

59:13 Speaker 18: We listened to our music at night.

59:17 Speaker 3: That's pun the title list program.

59:20 Speaker 12: Late Night to Light with DJ Midas right here on

59:23 Speaker 12: WMNH Manchester.

59:24 Speaker 4: If you want to know why, because

59:28 Speaker 2: Saturdays and Sunday nights midnight to four am.