Matt Connarton Unleashed 9-27-25 hour 2

0:00 Speaker 1: Don't you have an angel ripsons.

0:17 Speaker 2: You see you know.

0:18 Speaker 3: Night something don't feel quire right to me.

0:28 Speaker 4: I've been taking some time to reutilize was choir right

0:32 Speaker 4: for me?

0:37 Speaker 5: Where I said, people who call, people.

0:39 Speaker 6: Who go to why try not skating vote?

0:43 Speaker 7: You never really know for sure who's gonna speaking around you?

0:49 Speaker 5: Change your child. It doesn't matter if.

0:52 Speaker 8: You want all right.

0:53 Speaker 5: You need to speak between the lines.

0:56 Speaker 7: And keep concasing.

0:58 Speaker 5: Keep concasing.

1:10 Speaker 3: Because you said you change for your feels a shame

1:15 Speaker 3: to me, but at the end of the days, for.

1:23 Speaker 5: Worse best to me.

1:30 Speaker 7: Well, I said, people who come, the people go, so

1:34 Speaker 7: why try not skating vote?

1:36 Speaker 5: You never read you know.

1:38 Speaker 6: Fo sure who's gonna stick around you?

1:42 Speaker 2: Take your child? It doesn't matter if you wrong, all right.

1:47 Speaker 5: You need to.

1:48 Speaker 7: Speak between the lines, keep rocasing, keep pocasing, saying your time.

1:55 Speaker 7: It doesn't matter every wrong, all right.

1:57 Speaker 5: You need to.

1:58 Speaker 7: Speak between the line, keep pocusing, keep pocussing, say your child.

2:16 Speaker 1: It doesn't matter.

2:17 Speaker 5: Every wrong, go right.

2:19 Speaker 7: Givet be between the lies, keep focusing, keep pocussing, Take

2:26 Speaker 7: your child.

2:27 Speaker 5: It doesn't under show if you all go right, git

2:30 Speaker 5: be between the lies.

2:32 Speaker 7: Don't keep focusing.

2:34 Speaker 5: Keep pocusing.

3:05 Speaker 3: You're free of the future.

3:07 Speaker 4: Cust the fiel pass still lives in you.

3:12 Speaker 9: You're scared for the present, cuzy like how it used

3:15 Speaker 9: to be, but stuning the goal you want to set

3:22 Speaker 9: all on folks, you get the feeling that you've been

3:28 Speaker 9: here before.

3:44 Speaker 4: There you go again, staring through the looking back. There

3:51 Speaker 4: you go against reministion about the pasts.

3:55 Speaker 5: How the time to change? And you play your games

3:59 Speaker 5: and you watch.

3:59 Speaker 4: The oh go on gave you me of misteaks, get

4:04 Speaker 4: out again, out again, the blank expression, oil face. They

4:13 Speaker 4: have a society, start suit change, you go back to

4:17 Speaker 4: you're happy face.

4:22 Speaker 7: A hundreds analia miles away.

4:25 Speaker 5: You put your life, you start to change, you dream

4:29 Speaker 5: of this.

4:30 Speaker 7: That's the fruit day.

5:20 Speaker 6: You know what I have to too bad.

5:22 Speaker 2: I don't want to be like sho.

5:25 Speaker 10: I recognizable from the person I lost.

5:31 Speaker 6: Shouldn't know better?

5:34 Speaker 5: Sounded for a while now proudly recutting, godn't that you

5:41 Speaker 5: sound no.

5:43 Speaker 2: Show, no way?

5:48 Speaker 5: Chill had a long guy.

5:54 Speaker 2: Had a long?

5:59 Speaker 5: How back yarn cat? That ain't long?

6:03 Speaker 10: Guy?

6:05 Speaker 2: How do you love?

6:10 Speaker 5: Can say?

6:10 Speaker 2: Hit the way? Said, but I don't want to start?

6:14 Speaker 5: John said, ain't no please like choke butty start.

6:19 Speaker 11: Like you want my friend who wasn't what your mother.

6:24 Speaker 5: Said?

6:24 Speaker 2: You're by john s. We you'll waste some many and

6:28 Speaker 2: we want to wait some min.

6:29 Speaker 5: So you waits some man, don't wait child, That ain't

6:36 Speaker 5: long guy, that an't nobody r cat.

6:47 Speaker 2: That ain't long guy.

6:50 Speaker 5: How do you like?

7:00 Speaker 11: H I've got that sick gen feeling love west feeling.

7:11 Speaker 6: I don't know what's to do it still love we

7:15 Speaker 6: sup you?

7:16 Speaker 1: I got that sick.

7:18 Speaker 11: Jeff figure ride don't know where I don't know what

7:23 Speaker 11: some time so.

7:50 Speaker 5: No way that a long guy.

7:57 Speaker 2: That lou don't not a long guy, not a long.

8:12 Speaker 11: Not got down, said Jeff. Fail noways.

8:18 Speaker 1: I said no want so time out.

8:20 Speaker 12: Say I O U.

8:42 Speaker 2: S right right riding.

9:31 Speaker 5: The sound the dog.

9:44 Speaker 1: Smile to say the flight song that keep the light song,

9:51 Speaker 1: to say any second, I'm gonna show you where this

9:53 Speaker 1: knife is gone. You see the line strong they chuck

9:55 Speaker 1: on the side walk and he remember. So if you

9:58 Speaker 1: get the suicides off like I get so, I'm so,

10:01 Speaker 1: I guess you're taking enough. We drop a bo to

10:03 Speaker 1: send a message and mombo.

10:05 Speaker 11: And we do it because we are the kingdom.

10:07 Speaker 5: Come son a more A lesson, but one of them.

10:12 Speaker 13: So ye, so.

10:32 Speaker 1: Just the saying a current called or what if I

10:47 Speaker 1: would come? And it's getting on to tell the difference

10:49 Speaker 1: between me and long. I'm screaming with my guy and

10:52 Speaker 1: I can't stick to the park. Oh such the sky

10:54 Speaker 1: I'm letting. Then someone slowly gone. Then you got to

10:56 Speaker 1: stuck him down.

10:58 Speaker 5: I don't call im loning now like a long before

11:01 Speaker 5: come and die and nothing.

11:02 Speaker 1: You don't want to feel like I don't belong. I

11:04 Speaker 1: guess it's just a sinner. I don't come a bar.

11:08 Speaker 11: So I'm trying.

11:17 Speaker 5: That's what I said. It's just s.

12:38 Speaker 13: S S was my.

12:49 Speaker 2: S No doll, no nos not.

13:02 Speaker 10: When mattso wakes up in the morning and he gets

13:04 Speaker 10: into the shower and to the top of his lungs

13:08 Speaker 10: he sings wine because all right, bank to the radio show.

13:19 Speaker 1: Now all the best jammery.

13:26 Speaker 6: Well, hey there we are.

13:27 Speaker 14: You're listening to Matt Connorton Unleashed and we are live

13:30 Speaker 14: from the studios of w m NH ninety five point

13:33 Speaker 14: three FM and Glorious Manchester, New Hampshire. If you are

13:36 Speaker 14: listening live today is Saturday September twenty seven, twenty twenty five,

13:41 Speaker 14: and of course Jenny is here at the news table

13:43 Speaker 14: present and accounted for the song that we just heard

13:46 Speaker 14: that is called Carly. That is the band Temptress, and

13:49 Speaker 14: I played that one because they're actually going to be

13:51 Speaker 14: joining us here in the third hour today, but that

13:54 Speaker 14: is of the four studio tracks that they wanted to

13:56 Speaker 14: feature today, that is my personal favorite, so selfishly, I

13:59 Speaker 14: decided to to play that one. I love that track

14:02 Speaker 14: so much. You might hear it again in the third

14:03 Speaker 14: hour if you're listening live. But I'm really looking forward

14:05 Speaker 14: to meeting them. They are going to be a part

14:07 Speaker 14: of Swarmy Fest coming up September fifteenth, right across the

14:09 Speaker 14: street at Jewel actually here in Manchester. Are looking forward

14:13 Speaker 14: to that, but.

14:13 Speaker 15: We are proud to be og original sponsors.

14:17 Speaker 14: That's right, this show, specifically Matt Connorton Unleashed. We are

14:21 Speaker 14: one of the sponsors of Swarmy Fest this year once again.

14:24 Speaker 14: But I had not previously been aware of this band, Temptress,

14:27 Speaker 14: But I love their sound. I think they're awesome, so

14:31 Speaker 14: really looking forward to meeting them in the third hour

14:33 Speaker 14: today of the show. Jenny, a couple things a mosaic

14:36 Speaker 14: you wanted to mention the Mosaic Are Collective, and then

14:38 Speaker 14: we'll get into some music news.

14:40 Speaker 5: Oh.

14:40 Speaker 16: Absolutely, there's a lot going on that's great over at

14:43 Speaker 16: the Mosaic Are Collective right now. Actually, the show that's

14:46 Speaker 16: up right now is called the Full Circle Show will

14:48 Speaker 16: be remaining up until the twenty sixth. Excuse me till

14:53 Speaker 16: a couple more days. It'll be sorry about that, guys. Anyway,

14:57 Speaker 16: let me go on. If you are in art, there's

15:01 Speaker 16: an open call for the Exquisite Corpse art show coming

15:07 Speaker 16: up and that car. That show is going to start

15:09 Speaker 16: running through October six until November two. You have to

15:12 Speaker 16: submit your work by midnight on the twenty eighth, so

15:16 Speaker 16: only one more day. This is an exhibit inspired by

15:21 Speaker 16: surrealist game What's hidden in the hands? Shapes, Unexpected creations,

15:27 Speaker 16: what's coming out of you that you want to share

15:29 Speaker 16: with the world. Enter it in and go to the

15:32 Speaker 16: open call to be in the show for the Exquisite Corpse.

15:35 Speaker 16: They're actually going to also be having artist talks. There's

15:39 Speaker 16: one coming up on the twenty ninth. Florent pos An

15:43 Speaker 16: r I pos O. Maybe I'm probably butchering the poor

15:48 Speaker 16: man's name.

15:49 Speaker 15: It's p O U S.

15:50 Speaker 16: S I n e a U that's gonna be at

15:53 Speaker 16: five forty five pm excuse me until seven thirty is

15:56 Speaker 16: going to talk about his multidisciplinary visual r It's based

16:01 Speaker 16: from France, so this is an opportunity to come see him.

16:04 Speaker 16: There's another artist coming in on October twenty second, Karen

16:07 Speaker 16: Jersic and she is a self taught international published photographer

16:12 Speaker 16: from the Boston area, graduated from UNH and she's going

16:16 Speaker 16: to be in the gallery having a live talk with everybody.

16:20 Speaker 16: And there's also a watercolor class Watercolor Foundations and Explorations

16:25 Speaker 16: starting on October seventh at ten am till noon. It's

16:29 Speaker 16: a five week course, so there's a lot of great

16:32 Speaker 16: stuff going on over at Missaic. You definitely want to

16:34 Speaker 16: go check them out if you've never been. It's located

16:37 Speaker 16: right here in the Queens City at sixty six an

16:40 Speaker 16: over Sweet Sweet.

16:41 Speaker 15: Two oh one. Check them out. Mosaic Arccollective dot com.

16:46 Speaker 6: That is exquisite corpse. That sounds spooky, I.

16:48 Speaker 16: Know right, I have a piece I've been working on

16:51 Speaker 16: and I'm struggling. I'm hoping I'm going to finish it.

16:53 Speaker 14: In time to enter It isn't there an expression live

16:55 Speaker 14: Fast Die Young leave behind an exquisite corpse or something

16:59 Speaker 14: like that.

17:00 Speaker 6: That is that is that? Not how it goes?

17:02 Speaker 15: That's not how okay, No, that's not it.

17:04 Speaker 6: Oh it's not.

17:05 Speaker 14: There's no behind. I made it too long. Live Fast

17:07 Speaker 14: Eye Young leave an exquisite corpse.

17:10 Speaker 15: That's not it.

17:10 Speaker 14: Isn't that the no no no, people say that no

17:14 Speaker 14: no okay, oh only me, only you? Well, very good,

17:18 Speaker 14: very good. We have some music news.

17:21 Speaker 6: This is interesting.

17:22 Speaker 14: So we've talked about Spotify before. This is interesting to

17:25 Speaker 14: me for a couple of reasons. But you had sent

17:27 Speaker 14: me this. This is from the Hollywood Reporter.

17:29 Speaker 10: Uh.

17:29 Speaker 14: Spotify removes seventy five million spammy in quotes, spammy songs,

17:37 Speaker 14: cracks down on AI use by bad actors. The music

17:40 Speaker 14: streaming giant is looking to modernize. I'm sorry, I moderate

17:45 Speaker 14: rather AI generated music as it floods its platform. I

17:49 Speaker 14: can see how that would be a problem. By the way,

17:51 Speaker 14: before we get into the the story in a little

17:55 Speaker 14: bit of depth. Here again, this is from the Hollywood Reporter.

17:57 Speaker 14: This just went up two days ago, so this is

18:00 Speaker 14: pretty fresh. But not only not only is this obviously,

18:05 Speaker 14: I mean, I can see why this would be a problem. Right,

18:07 Speaker 14: AI makes it so easy, like the Puno app for example,

18:10 Speaker 14: we've used it on this show. You can create music,

18:12 Speaker 14: you know, music that sounds like it was created by

18:14 Speaker 14: real people, really realistic music.

18:16 Speaker 15: Because they're stealing it from real people, but not realistically.

18:19 Speaker 14: But not only that, but so obviously this would be

18:21 Speaker 14: a problem, right, If it's that easy to create it,

18:23 Speaker 14: it's easy to you know, submit it to Spotify or

18:26 Speaker 14: any other streaming platform, right, and then uh, and then

18:29 Speaker 14: they will use it. But the other thing that's interesting

18:32 Speaker 14: to me, and this came up a few years ago Spotify,

18:35 Speaker 14: because we had talked about this on the show. This

18:37 Speaker 14: was yeah, this was at least two or three years ago.

18:38 Speaker 14: I think there was a story about how Spotify was

18:41 Speaker 14: having to go through and remove a lot of lower quality,

18:45 Speaker 14: you know, low quality in terms of production value, like

18:47 Speaker 14: stuff that sounded like demos, for example, not actually fully

18:51 Speaker 14: produced mixed and mastered music, because people were uploading so

18:55 Speaker 14: much music to Spotify, and a lot of it wasn't

19:00 Speaker 14: even necessarily you know, just just the quality, like anything

19:06 Speaker 14: that you hear on Spotify should should at minimum be

19:09 Speaker 14: the same quality that you might hear on the radio

19:10 Speaker 14: or that you might buy in a store, right, So

19:13 Speaker 14: that was becoming a problem. So Spotify was having to

19:15 Speaker 14: go through and remove a lot of that. And what

19:18 Speaker 14: was interesting about that is, you know, people don't necessarily

19:21 Speaker 14: realize these streaming services. It's not like, think of how

19:26 Speaker 14: much music gets uploaded to these streaming services every day

19:29 Speaker 14: across the world. But it's not as though they have

19:33 Speaker 14: unlimited storage. True, you know, there is, I mean, you know,

19:38 Speaker 14: they can always make more, right, but it's not as

19:41 Speaker 14: simple as like just you can just upload millions and

19:44 Speaker 14: millions of songs all at once and it's just fine.

19:48 Speaker 14: It's not so they have to as there. And look,

19:52 Speaker 14: I'm not please, I'm not expressing any sympathy for Spotify

19:56 Speaker 14: because I you know, artists complain often and I'll always

19:59 Speaker 14: add vocate on the side of artists that uh, Spotify

20:03 Speaker 14: pays out painfully low amounts of uh, you know, for

20:06 Speaker 14: for the music that uh you know, pays low amounts

20:09 Speaker 14: of these artists for making their music available to stream.

20:14 Speaker 14: But it's it's but but these are problems. You know,

20:17 Speaker 14: it's not a perfect business model in the sense that

20:19 Speaker 14: there are problems with you know, in terms of storage.

20:22 Speaker 14: And and now they're having to go through and deal

20:24 Speaker 14: with the onslaught of AI and release all these and

20:28 Speaker 14: remove rather all these spammy songs that are produced produced

20:32 Speaker 14: by AI and and not only that, but there's also

20:36 Speaker 14: going to be the effect of some people. And I

20:40 Speaker 14: remember we talked about this on the show once before.

20:42 Speaker 14: Some people are going to get caught in that net

20:44 Speaker 14: inevitably because of technology I'm sure is not perfect. Some

20:48 Speaker 14: people are going to get caught in that net who

20:49 Speaker 14: are not in fact, Uh you know these AI artists

20:53 Speaker 14: like what was her name, zany m One we talked

20:56 Speaker 14: about last week, or that's signed so you can't say

21:00 Speaker 14: that or that or that band. I forget the name

21:02 Speaker 14: of the band now, but we played something of theirs Interfury.

21:06 Speaker 6: No Interfury is.

21:07 Speaker 14: The one that you found or that guy found you.

21:09 Speaker 14: But there was another band we talked about on the

21:10 Speaker 14: show who U Is Charting? Who people thought, well people

21:15 Speaker 14: people figured out they're not a real band. But anyway,

21:18 Speaker 14: I forget who the who it is?

21:19 Speaker 6: Now?

21:19 Speaker 14: But what all their songs are like about war? Like

21:22 Speaker 14: very pro war but very strange. But uh but yeah,

21:26 Speaker 14: so so these are problems. But but there's going to

21:29 Speaker 14: be some artists who the software or whatever they're doing.

21:31 Speaker 14: However they're applying this because you can't have a human

21:34 Speaker 14: being sitting there doing all this, right, that software is

21:37 Speaker 14: going to detect artists who aren't necessarily AI generated, but

21:41 Speaker 14: maybe have AI elements, and there you know AI. I mean,

21:44 Speaker 14: you use AI in a recording studio anyway, you.

21:47 Speaker 6: Can't avoid it.

21:48 Speaker 14: Right, But let's let's look at this, so it says

21:50 Speaker 14: here again. This is from the Hollywood Reporter. Spotify is

21:53 Speaker 14: set to strengthen AI protections for artists and music producers

21:56 Speaker 14: with a series of measures including improved enforcement of impersonation violations,

22:02 Speaker 14: a new spam filtering system, and AI disclosures for music

22:05 Speaker 14: and industry standard credits. The music streaming giant made the

22:10 Speaker 14: announcement in a for the Record post on its website Thursday,

22:14 Speaker 14: noting that it had removed seventy five million spamy tracks.

22:19 Speaker 14: The post began quote the pace of recent advances in

22:23 Speaker 14: generative generative AI technology has felt quick and at times unsettling,

22:29 Speaker 14: especially for creatives. At its best, AI is unlocking incredible

22:34 Speaker 14: new ways for artists to creat music and for listeners

22:36 Speaker 14: to discover it. At its worst, AI can be used

22:39 Speaker 14: by bad actors and consent farm and content farms to

22:44 Speaker 14: confuse or deceive listeners, push slop into the ecosystem, and

22:50 Speaker 14: interfere with authentic artists working to build their careers. That

22:53 Speaker 14: kind of harmful AI content degrades the user experience for

22:57 Speaker 14: listeners and often attempts to divert roties to bad actors.

23:02 Speaker 6: The future.

23:03 Speaker 14: Again, this is from the statement the future of music industry.

23:06 Speaker 14: Of the music industry is being written, and we believe

23:10 Speaker 14: the aggressive that aggressively protecting against the worst parts of

23:15 Speaker 14: gen AI is essential to enabling its potential for artists

23:20 Speaker 14: and producers. We envision a future where artists and producers

23:24 Speaker 14: are in control of how or if they incorporate AI

23:27 Speaker 14: into their creative processes. As always, we leave those creative

23:32 Speaker 14: decisions artists themselves, while continuing our work to protect them

23:35 Speaker 14: against spam, impersonation, and deception, and providing listeners with greater

23:40 Speaker 14: transparency about the music they hear.

23:42 Speaker 6: Unquote.

23:44 Speaker 14: Regarding specifics on the issue of impersonation, Spotify has committed

23:48 Speaker 14: itself to stronger rules and better enforcement.

23:51 Speaker 6: Quote.

23:52 Speaker 14: We've introduced a new impersonation policy that clarifies how we

23:56 Speaker 14: handle claims about AI voice clones and other forms terms

24:00 Speaker 14: of unauthorized vocal impersonation, giving artists stronger protections and clearer recourse.

24:06 Speaker 14: Vocal impersonation is only allowed in music on Spotify when

24:10 Speaker 14: the impersonated artist has authorized its usage unquote. By the way,

24:17 Speaker 14: that is, there's more to this article, but that's one

24:22 Speaker 14: of the points where you know, I talked about people

24:24 Speaker 14: getting caught in the net. Again, I'm not I'm not

24:26 Speaker 14: criticizing Spotify for doing this. I think this is probably

24:29 Speaker 14: a really good thing, but it's not going to be perfect.

24:32 Speaker 14: What if you have an artist who just sounds like

24:35 Speaker 14: they just have a voice similar to another artist. You know,

24:38 Speaker 14: a lot of artists sound similar, and but there's I bet.

24:42 Speaker 16: There's things computers can pick up that's different about the

24:45 Speaker 16: may sound similar to the human ear.

24:47 Speaker 14: But maybe this isn't maybe maybe maybe, But but what

24:52 Speaker 14: if I just I can I can see there're being

24:56 Speaker 14: mistakes here. It's not going to be perfect. And what

24:59 Speaker 14: if an artist here's someone who they think sounds like

25:02 Speaker 14: them and they make a complaint, they make a claim,

25:07 Speaker 14: and then it turns out that the artist who sounds

25:10 Speaker 14: like them is a real person with a real voice

25:12 Speaker 14: who happens to sound like them. So there's going to

25:16 Speaker 14: be problems with this. I mean, ask anybody who's dealt

25:19 Speaker 14: with YouTube, you know, getting getting all kinds of you know,

25:24 Speaker 14: the stuff YouTube will put you through if you're a

25:26 Speaker 14: content creator, And we won't get in all of that,

25:30 Speaker 14: because that's a whole other conversation. But it's related in

25:33 Speaker 14: the sense that, you know, sometimes people get caught in

25:35 Speaker 14: a net and it's it's it's not a good uh

25:41 Speaker 14: I not a good thing to have happened to you.

25:44 Speaker 15: So it's it's going to be kind of a difficult

25:47 Speaker 15: thing to navigate.

25:49 Speaker 6: Yes, yes, it says here.

25:52 Speaker 14: Additionally, Spotify said it was ramping up quote investments to

25:55 Speaker 14: protect against another impersonation tactic. We're up loaders fraudulently deliver

26:02 Speaker 14: music AI generated or otherwise to another artist profile across

26:07 Speaker 14: streaming services. Uh, testing new prevention tactics with leading artists

26:13 Speaker 14: distributors to equip them to better stop these attacks. As

26:18 Speaker 14: at the source unquote. Yeah, so if you if you

26:21 Speaker 14: make a song that sounds like Taylor Swift and then

26:24 Speaker 14: you try to upload it as Taylor Swift, Let's say

26:29 Speaker 14: this is a new Taylor Swift.

26:31 Speaker 15: Remember, Yeah, people do slimy stuff like that.

26:34 Speaker 14: Well, oh, remember we talked about it on the show

26:37 Speaker 14: Selene Dion, where there was this AI generated Celene Dion

26:41 Speaker 14: song that fooled a lot of people and it was

26:43 Speaker 14: being uh it was pretty successful and I think it

26:47 Speaker 14: even charted on some chart somewhere.

26:48 Speaker 6: I don't know, but it was.

26:49 Speaker 14: It was on YouTube and people thought it was really

26:52 Speaker 14: her and it wasn't horrible. Uh yeah, but uh, but

26:58 Speaker 14: but there's also so sometimes if artists have similar names.

27:03 Speaker 14: I don't remember who it was. It was somebody we

27:05 Speaker 14: had on the show who they had tried to upload

27:12 Speaker 14: their music to Spotify, but their name was somewhat similar

27:15 Speaker 14: to someone else's name. It wasn't the same name, but

27:17 Speaker 14: it was somewhat similar and it kept it. Yeah, it

27:21 Speaker 14: was causing all kinds of problems. I don't remember the details.

27:24 Speaker 14: But it also says here again. This is from the

27:29 Speaker 14: Hollywood Reporter. Spotify hopes its new spam filtering measures will

27:33 Speaker 14: cut down on issues such as mass uploads, duplicates, SEO hacks,

27:39 Speaker 14: artificially artificially short track abuse, and other forms of slop

27:48 Speaker 14: that have all become easier and more prevalent due to

27:51 Speaker 14: AI tools. The new spam filter quote will identify uploaders

27:56 Speaker 14: and tracks engaging in these tactics, tag them, and stop

28:00 Speaker 14: recommending them unquote. The company says it will roll out

28:03 Speaker 14: a new music spam filter over the coming months and

28:05 Speaker 14: will be careful not to penalize the wrong uploaders. The

28:10 Speaker 14: third measure. Oh yeah, yeah, it won't be perfect. The

28:15 Speaker 14: third measure. Spotify has introduced is AI disclosures for music

28:20 Speaker 14: with industry standard credits.

28:23 Speaker 6: This is going to be messy.

28:24 Speaker 14: With AI increasingly being used in the music industry, the

28:28 Speaker 14: company wants to increase transparency of its use.

28:31 Speaker 6: Quote.

28:31 Speaker 14: We know the use of AI tools is increasingly a spectrum,

28:35 Speaker 14: not a binary, where artists and producers may choose to

28:38 Speaker 14: use AI to help with some parts of their productions

28:42 Speaker 14: and not others. The industry needs a nuanced approach to

28:46 Speaker 14: AI transparency, not forced to classify every song as either

28:52 Speaker 14: is AI or not AIS. That's going to get very,

28:58 Speaker 14: very messy. That's going to be I want to know.

29:02 Speaker 14: That's going to be hard though.

29:03 Speaker 15: But when you have breck now.

29:05 Speaker 16: We have record label signing AI artists, well yeah, how

29:08 Speaker 16: does that work?

29:09 Speaker 14: Well, that's but that's not messy. That's obvious. So it's

29:12 Speaker 14: easy to be transparent about that. But if you're especially

29:14 Speaker 14: if you're creating any type of electronic music in the

29:17 Speaker 14: studio or or at home on your on your laptop,

29:20 Speaker 14: you know, and then how is this, Uh, that's going

29:24 Speaker 14: to be tricky. I don't I don't know how this

29:26 Speaker 14: is going to work. Spotify says it will help develop

29:29 Speaker 14: and support new industry standard for AI disclosures in music

29:33 Speaker 14: credits that are being developed through the Digital Data Exchange,

29:37 Speaker 14: the International standard setting organization. The AI disclosure information will

29:41 Speaker 14: be displayed across the Spotify app. Spotify's new AI crackdown

29:47 Speaker 14: comes despite the company embracing AI and other aspects of

29:51 Speaker 14: its business. In February, Spotify said it will accept more

29:55 Speaker 14: AI narrated audio books on its platform through a partnership

29:59 Speaker 14: with Eleven. Still, the new AI measures will be welcomed

30:03 Speaker 14: by the major labels and fans after a number of

30:06 Speaker 14: recent news reports of undeclared AI artists racking up thousands

30:10 Speaker 14: of streams on Spotify. In July, The Guardian, Oh, this

30:14 Speaker 14: is the band I was trying to think of. I

30:15 Speaker 14: couldn't remember the name. In July, The Guardian reported the

30:18 Speaker 14: band the Velvet Sundown released two albums and accrued over

30:23 Speaker 14: one million streams on Spotify before it was revealed that

30:26 Speaker 14: the band and its music were AI generated. A Universal

30:33 Speaker 14: Music Group spokesperson told the harl of Hollywood Reporter, quote,

30:36 Speaker 14: we welcome Spotify's new AI protections as important steps toward

30:41 Speaker 14: toward consistent forward, I'm sorry, steps forward, consistent with our

30:46 Speaker 14: longstanding artist centric principles. We believe AI presents enormous opportunities

30:52 Speaker 14: for both artists and fans, which is why platforms, distributors,

30:55 Speaker 14: and aggregators must adopt measures to protect the health of

30:59 Speaker 14: the music ecosystem in order for these opportunities to flourish.

31:04 Speaker 14: These measures include content filtering, checks for infringement across streaming

31:09 Speaker 14: and social platforms, penalty systems for repeat of fringe infringers,

31:13 Speaker 14: chain of custodies, custody certification, and name and likeness verification.

31:18 Speaker 14: The adoption of these measures would enable artists to reach

31:21 Speaker 14: more fans, have more economic creative opportunities, and dramatically diminish

31:26 Speaker 14: the sea of noise and irrelevant content that threatens to

31:30 Speaker 14: drown out artists' voices. Unquote all right, so that is

31:35 Speaker 14: that's what's going on. At Spotify and again Spotify is

31:39 Speaker 14: nobody's favorite company again because of the way they pay

31:43 Speaker 14: or don't pay artists. But but I think this is

31:47 Speaker 14: a good thing that they're doing. But we'll see, there's

31:52 Speaker 14: going to be some pitfalls with it. Let's we have

31:56 Speaker 14: time to do at least one more music news story.

31:58 Speaker 14: Always so many interesting things going on in the industry.

32:01 Speaker 14: Let's see this is from Music Business Worldwide dot com,

32:04 Speaker 14: one of my favorite sites. You know, we were talking

32:06 Speaker 14: about it was it last week or the week before,

32:08 Speaker 14: we were talking about Ticketmaster and Live Nation. They're being

32:11 Speaker 14: sued by the Federal Trade Commission for unfair practices with

32:15 Speaker 14: you know, they have these these resellers on the secondary market,

32:18 Speaker 14: some of whom are owned or at least controlled by

32:21 Speaker 14: Live Nation itself. It's a dirty business to ticketing business.

32:24 Speaker 14: But this just went up a couple of days ago. Uh,

32:27 Speaker 14: Ticketmaster did not use dynamic pricing for Oasis concerts in

32:30 Speaker 14: the UK. Will change how it sells tickets in the market,

32:35 Speaker 14: says a watchdog group. So dynamic pricing, if you don't know,

32:39 Speaker 14: this is where this is a relatively new concept in

32:42 Speaker 14: the ticketing industry where prices will change on tickets. So

32:47 Speaker 14: you know, it used to be not long ago, when

32:51 Speaker 14: a promoter put tickets to a show on sale, the

32:54 Speaker 14: price was the price, and that was it. You don't

32:57 Speaker 14: raise the price if demand seems high, and you don't

33:01 Speaker 14: lower the price if demand is too low and the

33:04 Speaker 14: tickets aren't selling. Once you set the price, that's it

33:07 Speaker 14: for a promoter to actually adjust prices. Whether it be

33:11 Speaker 14: a major promoter or the biggest promoter of course Live

33:14 Speaker 14: Nation and their ticket selling arm Ticketmaster, or as a

33:18 Speaker 14: small local promoter just doing local shows, you don't see

33:22 Speaker 14: ticket prices being adjusted. But with dynamic pricing, it's like

33:26 Speaker 14: a it's almost like a real time sort of like eBay,

33:31 Speaker 14: but well no, that's a that's not a there's a

33:34 Speaker 14: better uber would be a much better analogy uber or lift.

33:40 Speaker 14: You know how, if you go to book a ride,

33:43 Speaker 14: the price may vary. It depends on demand, right if

33:46 Speaker 14: there's If demand is high, that ride the book is

33:49 Speaker 14: going to cost you more money. If demand is low,

33:51 Speaker 14: if the app isn't very busy, if the drivers aren't

33:53 Speaker 14: very busy, that trip is going to cost you a

33:56 Speaker 14: lot less. Right, So the pricing automatically fluctuates based on

34:00 Speaker 14: demand or lack thereof, Dynamic pricing does the same thing.

34:03 Speaker 14: So if there's high demand for a show, that dynamic pricing,

34:06 Speaker 14: if they're using that model, that's automatically going to inflate

34:09 Speaker 14: the prices. If demand is low the tickets aren't selling,

34:12 Speaker 14: it's going to deflate the price and that can swing

34:14 Speaker 14: kind of like add the airlines do that right, a

34:18 Speaker 14: sort of a form of dynamic pricing with flights for

34:22 Speaker 14: airline tickets. That's always been and they've been doing that forever,

34:26 Speaker 14: I believe, probably for decades, but this is relatively new

34:29 Speaker 14: to the concert industry, and Live Nation they're the first

34:31 Speaker 14: ones to actively do it that I know of. But

34:33 Speaker 14: so here part of why this is coming up again

34:35 Speaker 14: is because when Oasis tickets went on sale in the

34:40 Speaker 14: UK for the Reunion tour, there was a lot of

34:42 Speaker 14: frustration from people and the band was getting a lot

34:45 Speaker 14: of bad press, even though they're not in direct control

34:47 Speaker 14: of this part of the process, but a lot of

34:49 Speaker 14: bad press because of how expensive the tickets had become,

34:53 Speaker 14: and at the time Live Nation was being accused of

34:55 Speaker 14: using dynamic pricing, but according to this they actually were

34:59 Speaker 14: not in this since so this is interesting.

35:01 Speaker 6: This is part of why this story caught my eye.

35:03 Speaker 14: So the UK's competition watchdog says it has secured commitments

35:07 Speaker 14: from Ticketmaster to make tickets sales more transparent following an

35:13 Speaker 14: investigation into the sale of tickets to the UK and

35:16 Speaker 14: Ireland leg of Oasis' reunion tour. The Competition and Markets

35:21 Speaker 14: Authority CMA also, if you haven't heard from it again,

35:25 Speaker 14: this is in the UK, also said it has not

35:27 Speaker 14: found evidence that Ticketmaster used dynamic pricing in the sale

35:32 Speaker 14: of Oasis tickets. Dynamic pricing adjust tickets prices in real

35:37 Speaker 14: time based on demand and has proven controversial among some

35:40 Speaker 14: concert goers due to sudden spikes in prices. In a

35:45 Speaker 14: statement released on Thursday, September twenty five, the CMA said

35:48 Speaker 14: Live Nation owned Ticketmaster committed to telling fans twenty four

35:52 Speaker 14: hours in advance if it's using a tiered pricing system.

35:59 Speaker 14: By the way, we've covered this on the show Live

36:01 Speaker 14: Nation and Ticketmaster they have a little bit of a history.

36:04 Speaker 14: This will come as a shock to precisely know, and

36:06 Speaker 14: I'm sure of making certain statements about commitments to their

36:11 Speaker 14: customers in terms of transparency and so forth, and then

36:15 Speaker 14: not following through on much or any of it, just

36:19 Speaker 14: to be clear, Okay, but apparently they made this commitment

36:23 Speaker 14: tell fans twenty four hours in advance if they're going

36:26 Speaker 14: to be using dynamic pricing or some sort of tiered

36:28 Speaker 14: pricing system. CMA said, quote. This means fans will know

36:33 Speaker 14: beforehand if there are multiple prices for the same type

36:36 Speaker 14: of ticket, and that more expensive ones will be released

36:39 Speaker 14: once the cheapest sell out. Unquote, by the way, just

36:43 Speaker 14: to be clear if it's the same type of ticket.

36:46 Speaker 14: In other words, because there's always some form of tiered

36:48 Speaker 14: pricing in that if you're buying tickets for a show

36:51 Speaker 14: at an arena, you know, front row tickets are going

36:53 Speaker 14: to be more expensive than the middle. Middle row are

36:56 Speaker 14: going to be more expensive than you know, they call

36:58 Speaker 14: them the cheap seats way in the back, right. But

37:01 Speaker 14: what they're saying here is the same type of ticket,

37:04 Speaker 14: there will not be multiple tiers. So in other words,

37:07 Speaker 14: a front row ticket won't cost, however, many hundreds or

37:09 Speaker 14: thousands of dollars for one person and even more money

37:13 Speaker 14: for another person for that same type of ticket. So

37:16 Speaker 14: because there's there's always a tier system of sorts, but

37:22 Speaker 14: not a predatory and abusive one, necessarily should they be using.

37:26 Speaker 14: If you want to frame it that way, I have

37:27 Speaker 14: a lot of mixed feelings about it myself. Okay, so

37:29 Speaker 14: it says your Ticketmaster well, will also inform ticket buyers

37:32 Speaker 14: who join a queue of the range of ticket prices available,

37:37 Speaker 14: and will inform those in line when cheaper tickets sell out.

37:40 Speaker 14: The company also committed to not using any misleading ticket labels,

37:45 Speaker 14: the CMA said. The watchdog launched its investigation into Ticketmaster

37:49 Speaker 14: in September twenty twenty four, following the sale of Oasis tickets,

37:54 Speaker 14: which some news reports said involved dynamic pricing and saw

37:58 Speaker 14: large spikes and the prices of tickets during the sale. Yeah,

38:01 Speaker 14: so that was a year ago, and I remember we

38:03 Speaker 14: talked about it on this show. In fact, it was

38:05 Speaker 14: a very popular segment. If you just want to find

38:07 Speaker 14: the segment, you can find it on YouTube on the

38:10 Speaker 14: IPM Nation YouTube channel. But we put that up because,

38:12 Speaker 14: you know, something people were very interested about. And at

38:15 Speaker 14: that time, it was being reported that they were using

38:20 Speaker 14: dynamic pricing. But according to this this watchdog group is

38:23 Speaker 14: saying that actually they did not in that instance. So

38:27 Speaker 14: that's interesting. So the sale was marred again. Talking about

38:31 Speaker 14: the Oasis tickets that went on sale in the UK

38:33 Speaker 14: a year ago. The sale was marred by technical problems

38:36 Speaker 14: which may have been linked to a large number of

38:38 Speaker 14: bots attempting to buy up the available tickets. And we've

38:42 Speaker 14: talked about that a lot on the show too. These

38:44 Speaker 14: bots that buy up tickets on behalf of the secondary

38:48 Speaker 14: market who then take those their scalpers. They're scalpers, these

38:53 Speaker 14: secondary market ticket sellers. They buy up the tickets. They

38:57 Speaker 14: use bots to buy up the tickets. Why would you

38:59 Speaker 14: use bots? Why wouldn't you just go in as one

39:01 Speaker 14: person and just buy a whole bunch of tickets Because supposedly, uh,

39:05 Speaker 14: ticket Master prevents you from doing that. They put limits

39:09 Speaker 14: supposedly Again, they don't always keep their word. They don't

39:12 Speaker 14: always follow through on these things, and there are examples

39:14 Speaker 14: where they haven't. But they're supposed to limit how many

39:18 Speaker 14: tickets you can buy at once to prevent scalping. Doesn't

39:21 Speaker 14: always work out. But if you have bots, if you

39:24 Speaker 14: have multiple bots, Ticketmaster doesn't know that all these different

39:28 Speaker 14: bots are buying multiple tickets, or you know, if you

39:31 Speaker 14: have if you have one hundred bots and they're each

39:34 Speaker 14: buying five tickets, because you have a five ticket limit,

39:36 Speaker 14: but you've got one hundred bots, so then you've just bought,

39:40 Speaker 14: you know, five hundred tickets, right, or if you have

39:43 Speaker 14: one thousand bots, five thousand tickets I think, right, I'm

39:46 Speaker 14: bad at math, but anyway, you get my point. So

39:52 Speaker 14: in March of this year, the CMA said it had

39:54 Speaker 14: identified two key problems with Ticketmaster's sale of Oasis tickets. Okay,

39:59 Speaker 14: so I again not the dynamic pricing the watch this

40:02 Speaker 14: watchdog group CMA is saying they didn't do that. But

40:04 Speaker 14: here's what went wrong. Two things. One, the watchdog claimed

40:08 Speaker 14: Ticketmaster labeled certain seats tickets as platinum and sold them

40:12 Speaker 14: for nearly two and a half times the price of

40:14 Speaker 14: equivalent standard tickets quote without sufficiently explaining that they did

40:18 Speaker 14: not offer additional benefits and were often located in the

40:21 Speaker 14: same area of the stadium unquote. So in other words,

40:24 Speaker 14: so that's I think is pretty deceptive.

40:26 Speaker 6: Right.

40:27 Speaker 14: So they offered you a platinum ticket that was two

40:29 Speaker 14: and a half times more money, but you didn't actually

40:33 Speaker 14: get anything extra. It's the same it's the same seat.

40:36 Speaker 14: You're literally you know that expression when you buy a

40:39 Speaker 14: brand name product instead of instead of the generic version.

40:42 Speaker 14: You're just paying for the name, and this this is

40:44 Speaker 14: an example of that. You're literally paying for the name

40:46 Speaker 14: you're playing for. You're paying for something that's quote unquote platinum,

40:49 Speaker 14: but it's actually the exact same thing. So that's pretty sketchy.

40:54 Speaker 14: And the second thing that CMA said went wrong. They

40:57 Speaker 14: alleged that Ticketmaster quote did not inform consumers that there

41:01 Speaker 14: were two categories of standing tickets at different prices, with

41:04 Speaker 14: all of the cheaper standing tickets sold first before the

41:07 Speaker 14: more expensive standing tickets were released unquote. The CMA then

41:11 Speaker 14: appeared to put pressure on Ticketmaster, writing in a letter

41:13 Speaker 14: in July that it had quote discharged its obligation to

41:16 Speaker 14: consult with Ticketmaster as no undertakings have been offered or

41:20 Speaker 14: agreed unquote. That appears to have now changed, with the

41:25 Speaker 14: CMA saying that Ticketmaster had agreed to several undertakings in

41:28 Speaker 14: response to the CMA probe. Okay, so this progress, CMA said,

41:32 Speaker 14: quote These undertakings have been provided to the CMA voluntarily

41:36 Speaker 14: and without any admission of wrongdoing or liability. Ticketmaster has

41:40 Speaker 14: stopped using platinum labels in the UK. Separate to providing

41:44 Speaker 14: undertakings fans who spend their hard earned money to see

41:47 Speaker 14: artists say love deserve to see clear, accurate information. We

41:52 Speaker 14: can't ensure every fan gets a ticket for events as

41:54 Speaker 14: popular as the Oasis Tour, but we can help ensure

41:57 Speaker 14: the next time an event like this comes along, fans

41:59 Speaker 14: have the information they need when they need it unquote.

42:03 Speaker 14: According to Sarah Cardell, a CMA Chief executive, the CMA

42:08 Speaker 14: also indicated that dynamic pricing was not used in the

42:12 Speaker 14: Oasis on sale. This is an important detail because at

42:15 Speaker 14: the time it was being reported that yes, they were

42:17 Speaker 14: using dynamic pricing, and that was the crux of the issue.

42:20 Speaker 14: But this watchdog group actually clears Live Nation on this

42:23 Speaker 14: and says, quote, we welcome the CMA's confirmation. Oh I'm sorry, Ticketmaster.

42:30 Speaker 14: Oh let me back up, Let me back up. Okay,

42:32 Speaker 14: here's here's what CMA said. And then Ticketmaster responded, So

42:34 Speaker 14: CMA said quote. While many fans were under the impression

42:37 Speaker 14: that Ticketmaster used an algorithmic pricing model during the Oasis sale,

42:41 Speaker 14: with ticket prices adjusted in real time according to changing

42:44 Speaker 14: conditions like high demand, also known as dynamic pricing, the

42:47 Speaker 14: CMA has found no evidence that this was the case.

42:51 Speaker 6: Unquote. Okay.

42:53 Speaker 14: So then and Ticketmaster responded with a statement saying, quote,

42:56 Speaker 14: we welcome the CMA's confirmation that there was no dynamic pricing,

43:00 Speaker 14: no unfair practices, and that we did not breach consumer law.

43:03 Speaker 14: To further improve the customer experience, we voluntarily committed to

43:07 Speaker 14: clearer communication about ticket prices in queues. This builds up

43:11 Speaker 14: our capped resale. This builds on our capped resale, strong

43:15 Speaker 14: bought protection and clear pricing displays. And we encouraged the

43:18 Speaker 14: CMA to hold the entire industry to these same standards.

43:21 Speaker 14: Unquote in comments earlier. Well, actually hold on, wait, let

43:25 Speaker 14: me stop on that quote for just a second. So

43:27 Speaker 14: they're saying, I mean, it's great that they're making all

43:31 Speaker 14: these commitments. We'll see if they follow through, but it's

43:33 Speaker 14: kind of interesting that one little last part we encouraged

43:35 Speaker 14: CMA to hold the entire industry to these same standards.

43:38 Speaker 14: What's funny about that to me is so that sounds like, Okay,

43:41 Speaker 14: you know we're gonna agree to this, but you better

43:43 Speaker 14: make sure you hold everyone else to that same standard. Well,

43:46 Speaker 14: but who else is there you gotta I mean, just

43:51 Speaker 14: keep in mind Live Nation and ticket Master. It's the

43:53 Speaker 14: same company. They they control, They controlled the concert industry.

44:00 Speaker 14: I mean, obviously they are independent, smaller promoters throughout the country,

44:04 Speaker 14: throughout the world, throughout the UK. But this is a monopoly.

44:09 Speaker 14: This is absolutely a monopoly. So that sounds a little petty.

44:13 Speaker 14: Oh we hope you hold everyone to the same standards. Yeah, okay,

44:18 Speaker 14: but you guys are the ones that we're concerned with

44:22 Speaker 14: because you guys are the ones who control everything, right,

44:26 Speaker 14: So I just thought that was interesting. In comments earlier

44:29 Speaker 14: this year, Live Nation CEO Joe birch Told said that

44:34 Speaker 14: more often than not, dynamic pricing results in lower, not higher,

44:38 Speaker 14: ticket prices.

44:40 Speaker 6: I'm skeptical about that, although I can see how that

44:43 Speaker 6: might be.

44:43 Speaker 14: The case if a show, I mean, if a show

44:45 Speaker 14: isn't selling very well, then dynamic pricing would of course

44:48 Speaker 14: make for lower prices.

44:50 Speaker 6: But that's not where we get concerned. A show that

44:53 Speaker 6: isn't well.

44:55 Speaker 5: I don't know.

44:55 Speaker 14: Sometimes sometimes big tours end up underperforming. But birch Told

45:02 Speaker 14: said at a JP Morgan Chase conference in May, quote,

45:05 Speaker 14: most of our so called dynamic pricing is actually I'm

45:09 Speaker 14: reducing the price of tickets that haven't sold yet, because

45:12 Speaker 14: I see that the market clearing price. I'm not quite there.

45:16 Speaker 14: By definition, you can never raise the price of a

45:18 Speaker 14: ticket you've already sold. So that's why most of your

45:21 Speaker 14: dynamic pricing is actually lowering the price.

45:23 Speaker 6: Unquote.

45:24 Speaker 14: I'm open to that. I mean, there might be math

45:27 Speaker 14: that supports that. I understand his argument. I'm skeptical. I'm

45:31 Speaker 14: always skeptical of these people, but I understand his argument.

45:37 Speaker 14: All Right, one more very quick thing, and then we're

45:39 Speaker 14: going to hit our commercial break show some love to

45:42 Speaker 14: our amazing sponsors. But Jenny sent me this. Reuters is

45:45 Speaker 14: reporting that Universal Music UMG, Universal Music Group. We talk

45:49 Speaker 14: about them a lot on the show. UMG defeats copyright

45:53 Speaker 14: lawsuit over Mary J. Blige's nineteen ninety two sample. I

45:57 Speaker 14: didn't know anything about this until Jenny brought it to

45:59 Speaker 14: my attention. But this is from a routers. This just happened.

46:02 Speaker 14: UMG convinced a New York federal court on Tuesday to

46:07 Speaker 14: dismiss a copyright infringement lawsuit over an allegedly unauthorized sample

46:11 Speaker 14: in Mary J. Blige's nineteen ninety new hit song Real Love,

46:15 Speaker 14: Real Love. You know that song if you're old enough.

46:20 Speaker 14: US District Court Judge dale Oh dale Hoe, that's his name.

46:27 Speaker 14: US District Court Judge dale Hoe ruled that Real Love

46:32 Speaker 14: was not sufficiently similar to the honey Drippers. Nineteen seventy three,

46:36 Speaker 14: Song impeached the President to support Tough City records case

46:41 Speaker 14: against UMG.

46:44 Speaker 6: See, I didn't know about any of this.

46:47 Speaker 14: See when I when I hear the honey Drippers, I

46:49 Speaker 14: think of, did Robert Plant have that Robert Plant and

46:53 Speaker 14: the honey Drippers or something? There's this other group called

46:56 Speaker 14: the I don't know anyway. Spokespeople on attorneys for Tough

46:59 Speaker 14: City in UMG did not immediately respond to requests or

47:02 Speaker 14: comment on the decision. Blige is not involved in the lawsuit.

47:10 Speaker 14: That's how this often goes. Lawyers suing lawyers. Tough City

47:15 Speaker 14: said in the lawsuit that it owns tens of thousands

47:17 Speaker 14: of music copyrights from the genres of blues, rhythm and blues, jazz, funk, soul,

47:22 Speaker 14: hip hop, New Orleans, and Latin music, much of which

47:25 Speaker 14: might be otherwise might fall into obscurity. Okay, The lawsuits

47:33 Speaker 14: against the BC Boys and jay Z were later dismissed,

47:36 Speaker 14: So they've sued a lot of people apparently, So maybe

47:39 Speaker 14: that's how this label makes money. All right, we're going

47:42 Speaker 14: to take a commercial break. We're going to show some

47:44 Speaker 14: love to all of our amazing sponsors. If you are

47:47 Speaker 14: listening live on Saturday, we have Temptress coming up in

47:51 Speaker 14: the third hour. Really looking forward to talking with them.

47:54 Speaker 14: I do really love their sounds, so they will be

47:57 Speaker 14: joining us shortly. This is Matt Connorton unleashed and there

48:00 Speaker 14: is plenty more to come. Don't go anywhere.

48:02 Speaker 17: Luigi's Pizza Bar and Grill fun.

48:06 Speaker 11: Let's raise a slyes On Tides with Tom and Toba round.

48:10 Speaker 1: It's a pizza BARO.

48:12 Speaker 17: Mine Luigi's Pizza Barren Grill, seven to twelve Valley Street, Manchester.

48:17 Speaker 17: Come on in or call six two two one zero

48:20 Speaker 17: two one. Luigi keeping the tradition alive since nineteen seventy five.

48:27 Speaker 5: Pizza for every one.

48:29 Speaker 17: Come join a beast to night.

48:32 Speaker 5: With ease lye sense of it.

48:34 Speaker 2: Everything feels so right.

48:39 Speaker 12: In times of crisis. You need a law firm that

48:41 Speaker 12: stands by your side. With over forty years of experience,

48:44 Speaker 12: Craig and Gatzulis is dedicated to fighting for your rights.

48:48 Speaker 12: As former state prosecutors, our attorneys have the knowledge and

48:51 Speaker 12: trial experience to provide an aggressive defense against any charge

48:55 Speaker 12: from d wise to homicides. If you've been injured, our

48:58 Speaker 12: compassionate team will assess your case and fight for the

49:01 Speaker 12: compensation you deserve. Serving all of New Hampshire. Craigan Getzulis

49:05 Speaker 12: is here when you need us most. Visit craig atzulis

49:07 Speaker 12: dot com for a free consultation. Craigan Getszulus, your advocates,

49:11 Speaker 12: your allies.

49:13 Speaker 18: Bring your kitchen to life with Queen Citycabinetry, located at

49:17 Speaker 18: eighty seven Elm Street in the historic Sunbeam Law in Manchester.

49:21 Speaker 18: Open Monday through Friday nine am to five thirty pm,

49:25 Speaker 18: in Saturdays ten am to two pm. They can be

49:28 Speaker 18: reached at six oh three two two two to zero

49:32 Speaker 18: zero seven or on the web at Queen Citycabinatree NH

49:37 Speaker 18: dot com.

49:38 Speaker 17: Come see the possibility.

49:39 Speaker 18: Is Queen Citycabinetree another Crown sponsor of WMNH.

49:44 Speaker 19: Hey everyone, there's Rob Azevido, host of Granite State of Mind,

49:47 Speaker 19: and I want to tell you about Pembroke City Limits

49:49 Speaker 19: and the historic Suncook Village. PCL's an award winning bar,

49:52 Speaker 19: restaurant and music venue where there's live music five days

49:55 Speaker 19: a week and twice on Saturdays. Everything from blues, country, folk, funk,

49:59 Speaker 19: and a whole lot of jazz. We have twelve craft

50:01 Speaker 19: beers on tap dedicated to the local brewers in the

50:03 Speaker 19: area with some of the friendliest bartenders around.

50:06 Speaker 6: Please come visit.

50:07 Speaker 19: Pembrook City Limits at one thirty four Main Street, the

50:09 Speaker 19: historic sunk Cook Village, only six miles outside of Manchester.

50:13 Speaker 19: Open Tuesdays to Wednesdays four to ten Thursday's a Sunday

50:16 Speaker 19: eleven to ten.

50:17 Speaker 15: Pembrook City Limits where it's all about the music.

50:20 Speaker 17: Disney's Cafe is the place to put a smile on

50:23 Speaker 17: your face. Judy and the crew will take care of you,

50:25 Speaker 17: bring your appetite and treat your taste buds right. Disneys

50:29 Speaker 17: Cafe is always a winning choice. Breakfast, lunch or supper.

50:33 Speaker 17: Dizzne's Cafe at eight sixty Elm Street in downtown Manchester.

50:38 Speaker 17: Dine in, take out or make a reservation call six

50:41 Speaker 17: oh three, six oh six two five three two, Eat

50:45 Speaker 17: and drink and be happy Dizzey's Cafe.

50:48 Speaker 8: When it comes to keeping WMNH on the air and

50:51 Speaker 8: your own personal or business computer needs, trust Groland Computers,

50:55 Speaker 8: located on Elm Street in Manchester. Groland handles computer repair,

50:58 Speaker 8: virus removal and them built systems. Are you looking for

51:01 Speaker 8: budget friendly options? Check out our selection of fully inspected

51:05 Speaker 8: used computers. We offer tailored on site solutions no unnecessary

51:09 Speaker 8: expenses here. Visit Groland dot com or call Grolling Computers

51:12 Speaker 8: at six zero three six four five zero one zero one.

51:16 Speaker 8: Your tech your way Trust Rolling Computers.

51:21 Speaker 13: Zero seven times out of ten. We listened to our

51:29 Speaker 13: music at night dot titled book Business Program Late.

51:36 Speaker 20: Night to Light with DJ Bitas right here on WMNH

51:39 Speaker 20: Manchester because.

51:43 Speaker 4: Saturdays and Sunday nights midnight to four am.

51:46 Speaker 21: This hour on WMNH is sponsored by CGI Business Solutions,

51:52 Speaker 21: located at five Dartmouth Drive in Auburn. They serve all

51:56 Speaker 21: your business needs including employee benefits, planning, corporate design and

52:00 Speaker 21: business administration, investments and wealth management and customized business insurance solutions.

52:06 Speaker 21: Their phone number is eight sixty six eight four one

52:09 Speaker 21: forty six hundred or on the web at CGI Business

52:13 Speaker 21: Solutions dot com.

52:17 Speaker 20: Behold the harmony of airwaves as you immerse yourself in

52:21 Speaker 20: the captivating frequencies of w m NHLP. The sonic heartbeats

52:25 Speaker 20: of Manchester. The transcending through the ether at ninety five

52:28 Speaker 20: point three megahertz frequency modulation or transmissions M and eight

52:32 Speaker 20: from the seed at a one thousand l streets insur

52:34 Speaker 20: into the hearts of our creative realm at one nineteen

52:37 Speaker 20: Canal Street, where innovation and sound coluge. They're the impro

52:41 Speaker 20: moder of Manchester Public Television Service in the venerable City

52:44 Speaker 20: of Manchester, New Hampshire, USA, and is your auditory journey

52:48 Speaker 20: with the depth of our license to wesidents. When spet

52:51 Speaker 20: your missives DoD w m n H ninety five three

52:53 Speaker 20: at gmail dot com, or to reverse the virtual corridors

52:56 Speaker 20: of w mnhradio dot org, engage with our the vibrations Mike,

53:01 Speaker 20: he's winning with us through the digital channels. Your videos,

53:03 Speaker 20: reeconds eager to enthrall you with its mesmerizing kids and

53:07 Speaker 20: envelop you with symmony of boundless on its horns. One dude,

53:14 Speaker 20: w m n H.

53:15 Speaker 1: Rips the domos.

53:28 Speaker 5: Now admistration bombs.

53:34 Speaker 2: No one sent me no word for waiting.

53:39 Speaker 5: Now it's what the world against men. I take the

54:05 Speaker 5: same mile. You don't want a sense man, I'm man,

54:10 Speaker 5: Jessy goes. It's getting closer.

54:14 Speaker 2: Nothing you am mad half things? Where my bell? Swell

54:31 Speaker 2: man sells? Tell you man, you where's so? Where's your man?

54:49 Speaker 2: But sure of your ways? Where's your man?

54:56 Speaker 5: We're sure?

54:58 Speaker 13: With sure no.

55:27 Speaker 2: I can do way masters, so we have giving.

55:38 Speaker 5: I can get a crowd masket. I can hear about

55:43 Speaker 5: the sweets.

56:03 Speaker 2: You mean sad like, don't go where's your man?

56:13 Speaker 5: Where's your many?

56:15 Speaker 2: Let's show of your ways?

56:18 Speaker 5: And nothing was?

56:20 Speaker 1: Is your man?

56:22 Speaker 5: What's your

56:25 Speaker 2: What's your name