Matt Connarton Unleashed: Ray Coates (2/10/24)

That's a cool sound cronas and we're going to talk to the man behind the

song in just a moment. Welcome everybody. It is our number two New

Marrow dose of Matt Connorton Unleashed live from the studios of w m n H

ninety five point three FM in Glorious Manchester, New Hampshire. And of course

I'll just remind you if you're wondering, we are not on Facebook this morning.

Facebook is being Facebook being a little glitchy. But of course you can

still stream the show from anywhere. Go to wm Andhradio dot organ click listen

live, or you can go to my website Matt Connorton dot com for all

of your live streaming options, social media links, contact infoshow archives, et

cetera, et cetera. It is Saturday, February ten, twenty twenty four,

and making his return to the program. It's been a little while,

but we've had this gentleman on a number of times, Ray Coates skyping in

all the way from across the pond. As we say, Rarey, there,

I am hey, absolutely, I'm welderful to be with you. Yes,

it's wonderful to be with you, and it's great to speak with you

again, and UH love that track for in my mind I was saying kronos,

but in the song it sounds like you pronounce it cronos. I think

it's an English thing, Matt, don't worry about it, all right,

Very good, very good. You say pat potato, I say patato,

although I've never heard anybody's say patata only in the song yeah or tomato.

I've only heard that in the in that that song too exactly. But yes,

yes. Uh. By the way, rays with us via Skype,

which means the studio line is open. So if you have any questions or

anything at all or feedback for our guests, uh, six O three two

five O six oh seven is the studio line six O three two five O

six oh seven. You can also text me at six one seven nine one

seven four four seven six. I'm on social media at Matt Connorton. You

can email me Matt at Matt Coonorton dot com. But the best thing to

do so that we can here and enjoy your dulcet tones on this Saturday morning.

If you have anything for our guests, Raycoats, give us a call

at six O three two five oh six oh seven. Excuse me my allergy.

I'll tell you. I don't know what the weather's like their ray,

but here it's very warm and my my, it's it's I'm gonna have to

jump in there, Matt, because it's actually really good. So so it's

unusual to be able to have the opportunity to say the weather is good here.

Yeah, so no, it's it's it's it's really good here too.

It's it's very warm and my my sinuses have indicated that we're having an early

spring. Oh got yeah, yeah, funny enough. I'm not a million

miles away from Manchester, UK. Ah, yes, yeah, yeah,

I'm in a place called Warrington. I'm actually in the recording studio today,

and I thought I must share that with you. That Yeah, I'm just

possibly not even ten miles away there or thereabouts from Manchester. So we share,

we share even more in common. That's right. That's right. Manchester

is such a common name because here in the United States, there's actually a

whole bunch of Manchester's. I like to think of, Oh yeah, yeah,

there's a Manchester, Connecticut. There's a I don't know, there's a

bunch of them. There's a whole bunch of them, very very common here,

but I like to think we're the best. Cool and uh ray,

you've got a bunch of new music. You sent me several tracks. Well

we should be able to get them all in and great stuff. But we

can kind of, you know, as we talk about each one, you

can tell us you know what's behind each track and who who officially is the

artist on each track. Because you like to collaborate, and you collaborate with

a lot of people, so you've always got various different projects going. I

can't keep it all straight, but so it's fortuitous that you're here. Yeah,

yeah, what what can you tell us about that song? Cronos or

cronos. I think it's a I think there's an overview. What I've experienced

is expansion, and that's why I create so much with so many different people,

and I think that's an experience I share for others, not just for

myself, but over so on. The architects of passion is me in a

lot of projects I do. Generally, I tend to be the vocalist.

In many occasions i'm the lyricist, although that's not always the case. But

it's basically it's about time and for me, so many references to a cronus

or chronos in everyday language, chronology, chronometer, so many references. And

I think the message is make the most of the bit in between, you

know, make the most of them now. So it's a very very positive

message. So regardless of whoever we are, wherever, your supposed difference is

not a great fan of that that it's now, you know, the bit

in between. I was born in nineteen sixty five, I'm still here.

I am here, and I'm aiming to be here for as long as I

possibly can. So it's the bit in between. But often, you know,

people think about the year of birth and an end. And I think

the message in the song is we are here, quite simple, so make

the most of it, make every moment count. And that's a very positive

message to share. No, I think that's a very very positive message.

It's something I try to do and fail at consistently. Maybe I should listen

to that song more, I am might. I mean, my problem,

ray is I live in a perpetual state of existential dread, and it's probably

not a good thing. Probably it's not great. The only thing I would

say is there's there's grounds for it. So it's not It's not unreal is

it. And I think I certainly wouldn't say I live in the opposite of

that. I think it's just through the means I use. I just feel

a very strong passion. That's where the passion comes from. And connecting in

enabling others. It is not trying to change minds or hearts per se,

just using what I've got. Some people some people cook. Some people cook,

you know, they provide beautiful meals for other people. Some people paint.

I write songs and sing them. I'm really dumbing it down now,

But what's behind it is the fuel is the desire to connect and the desire

to enable people. Because we live in a very very scary world. So

anything that we can do to help to realize there is more. There is

more than that which we you know, we see and that we're we're worried

about. So yeah, keep listening to the song though, Yeah, yeah

I will, I might, I might might make it part of my daily

meditation. We'll see. No, it is, it is. It is

really beautiful. And now, so the songs that you sent me, so

you sent me for that, that's one of them. And we'll get the

other three, and but are these are these collaborations with different people? Because

like I said, you, you are such a prolific collaborator, it's I

can't keep track of of of who you're working with on. What are these

all over Saul songs? No, I didn't they're not. I didn't think

so, yeah, that's the only one. The others are my birth name,

Breakoats as a as a performer. But the others are even more collaboration

than the song that you've just played shake it Up. And there are five

versions of the same song, so they were all collaborated with different people and

the basic premises, same lyrics. An incredible human being in the UK,

Caroline Brown as fantastic with words, and we've collaborated a couple of times previously,

so same lyrics, same vocalist me, same four chord progression. And

I suppose in some ways I'm going to kind of be open and honest because

I feel I am with you is I kind of was getting a bit tired

and a bit fed up of, you know, this plastic way of the

music business, particularly and I'm in my fifties trying to make my way musically.

I love what I do, but I'm kind of starting a career,

I guess you could say, at the other end of life, which is

not usual you and I thought, Okay, what can I do differently?

So rather than thinking murmur horrible, you know, I wish I was younger,

you know, I would be able to do more. Then I thought,

no, you know, I need to do something a little bit differently.

So the basic idea came up with five versions of the same song,

all released at the same time, and as far as I know, nobody

has ever done that before. So in a way, if I'm doing anything,

I'm sharing, think outside the box, do things differently and shake it

up. There's Spin one, which I know you're going to play, Spin

two, Spin three, Spin four, and Spin five. I'm now with

a band who is Dan So ours is the fifth version and they're all different.

Yeah, because they would they would be, because they're all different people

and different collaborations. And I just I'm doing that. I'm shaking it up,

creating a reform in in my own way. You know what's cool of

that ray is it reminds me of when I was a kid. If there

was a song I particularly liked, the one of the most thrilling things in

the world to me would be when I would find a remix of that song,

you know, and it's like, you know, because it's like this

great song that now oh there's this other version, you know, and it

would kind of renew the song for me. You know, it's like,

oh, I already really liked this song. Now I like it even more.

There's this other version. And I remember too getting these you know,

Vinyl obviously never went away, and in some ways it's there's more vinyl than

ever. But I remember when I was a kid, you know, these

vinyl albums would come out that were actually you know, they called them seven

inch they were just you know, full of remixes. You know, you

could get a song and then several different versions of the song, just different

mixes. You know, there might be a dance mix, there might be

a rock mix, whatever, And I just I always loved that. That's

why I'm someone too who I was always I like when people because not everyone's

into it, you know, when people take other people's music and remix it

or sample it or whatever configuration they're using it and using existing music to create

new configurations of that music. But I've always loved that ever since I was

a kid. You know, the mash up. The mashup is I think

it's a real art form. Oh yeah, I really do. When people

can, you know, weave together different parts of different songs and actually make

a new structure. Again, it's like it's like cooking, isn't It's different

ingredients and people are mixing them and that that's infinite. That's infinite what you

can achieve. So and you've kicked off, in my mind, a twelve

inch version of one of the Shake It Up songs on vinyl. Oh vinyls

making a massive, massive comeback, so that could be a future prospect as

well. And I think it's this, if things don't work the way they

want to work for you, find your own way, make your own way.

And that's that's basically what I did, And I'll be open and honest.

It came a little bit from thinking, I feel like I'm banging my

headquas to brick wall. But what I chose to do is stop doing that

and think the wall's not going to fall down by you banging your head against

Try a different way. And that's us as humans, isn't it. We

find a way to reinvent things and do things. And that's that's what shake

it Up is. So if I'm going to give listeners any advice, you

know, try if you can, to have a listen to all five because

it's a really really interesting experience because they are so different, so different.

Well we should play. Let's let's play the version that you sent me now,

So this is so, this is shaken Up. This is what do

you call it? Version one? Mixed one. We've been spin one,

oh, spin one? Yes, yes, all right, let's give let's

give this a listen. Now, although some people might not know what you

mean by spin but then we'll just remind people there are there are such a

thing as as vinyl records, and uh, you know, and and and

way back in the day, that's what they used to do in radio.

They would they would actually uh put on put on vinyl records and play them.

But uh, all right, let's give this a listen. So this

is the Spin one version of Shake It Up. And this is this is

not over soul, correct, this is Ray Coats, Raycoats featuring Caroline Brown.

It's actually got the lyricist Caroline Brown her voice. Oh okay, cool,

all right, Let's give this a Listen here it is, shake it

up, spin one, this, shake it up right now, just shake

it up, shaky god, the tree feet off, shaking up my wondrous

skin. Let's gain the rip of even just a moment to share the clod

and suffocating skins. Let's shake up, riding out, Let's share right now.

Let's shake it up, riding now, sh sh shake it up.

I wish shapospicility doesn't man a fit the great sun cops drive and blind becall

me wildly. We can't have a banging heads gains the wall. Let shake

it up right now. Let's shake her right now, sep. Let's see

here up right now. Listen here up, save it up. Wailing at

the hope, struck numb by rules that make no sense at all. Let's

see here last be right now. Let's open up the door. Let's shake

it up right now. Let's utilize the power. Let's shake it up right

now. Let's see here up right now, Let's shave here up right now.

Just just save it up right now, shot up right now. That

is very very catchy. Shake it up, Shake it up, spin one,

what's that right? You're not going to know right are you? That

is catchy as hell. I was sitting here. I was sitting here.

You know, I'm often holding a pen and I'm sitting here tapping the pen

on my knee while it's playing. Yeah, really really good. Ray Coates

is here with via Skype, all the way from the UK and that has

shaken up Spin one with Caroline Brown. That's who's on there with you.

That's it. That's it, absolutely yeah, yeah, really good. I

love the Where do you record? I'm sure I've asked you this before because

I love them. The way that sounds. It's in near to Warrington is

the best place I can describe. And it's funny because I've heard Mark playing

the guitar this morning, so as I'm listening to these tracks, I'm remembering

and he's such a wonderful guy, Mark, And he's not particularly one of

the people that comes into social media, which I totally totally understand and respect,

but so integral to everything I do. I come to Mark often with

an idea of a song and he just puts so much incredible, particularly guitar

energy into it, and you know, takes it onto a different level as

you could hear, particularly and that's on as well. The guitar solos are

amazing. The Uh, the first thing that I noticed is the drums are

Now are those are those real drums or are those program drums? Because they

sound they sounds real programmed. Thank you, they're the program. But but

funny enough with the band. Now with who is Dan? It's me Rob

Fox, a drummer, and Chris Makael guitarist. So now we're actually recording.

If you listen to Spin five, so shake it up, Spin five?

Who is Dan? That is all completely real instruments. Okay, and

yeah, so it's it's different. You're right, but it does. It

does sound authentic, doesn't it. It's amazing. Uh, the drum sounds

you can get now. You know, way back, I remember when when

you know that the technology wasn't quite there as far as you know, like

you could sort of tell, you know, I mean, I'm talking like

thirty years ago. You could kind of tell when when drums were programmed because

a lot of you know, if you if you're on YouTube, you can

find a lot of demos of bands from you know, way back, you

know, demos that were never supposed to be heard by the public. You're

only supposed to hear the finished product, but these things leak out and they

get on YouTube and then you can hear, you know, you can often

hear program drums and these demos and you can tell. But now it's just

amazing, like those drums just sound really good, really punchy, you know,

and obviously very important to the song. Really kind of drives the song.

And and and now in terms of your your collaborating and you even't you

haven't had me do uh something, I was going to say that I was

going to say that thank you, which is part of a project of the

next two songs, so that works, which is with a gentleman named John

Sheetham. I'll keep the message brief, but this is pretty much what John

shares. He was in real estate, in property in the UK and it

took him to a couple of different countries, but particular particularly Bulgaria, and

long story short, as part of a real estate deal Bulgaria went in the

EU at the time. John was shot by the Bulgarian mafia because they didn't

want this ground to be purchased. And it was by a gentleman that had

asked John, can you can you come with me to Bulgaria to you know,

clinch this deal, and John was effectively left for dead and it's a

it's an absolutely astonishing account. I've sent you an electronic copy of the book

Fall Guy. I would strongly recommend anybody you know. It's we're taking it

from a book to film, which is sense where the soundtracks coming in.

And Horsepower the song that you very very kindly gave your incredible voice, and

it worked so well, and I knew it would. You're effectively without knowing

it yet you are the horse race commentator and you're commentating on John's life and

that will go into the song Horsepower, which will be part of the soundtrack

album. And John is just he's a living miracle. How this guy is

still alive. And it's not just the shooting, it's what happened afterwards.

So this is going to become a film, no doubt. We've got some

people interested, but we're looking to reach out to people as well, So

that's a massive collaboration project at the moment that we're working on. And your

voice is absolutely perfect in not just your voice, but the way you deliver

it. It fits so well and you'll get to hear that, Oh Wow,

Yeah, I can't wait. Thank you. Yeah, I was very

very honored you ask me to do that. And yeah, that's quite a

story he has. I mean, you know how many people have you met

who can say they were shot by the Bulgarian mafia for one thing? Jeez?

Absolutely, absolutely, And he's just one of those people that and he's

a phenomenal lyricist. That's where we create and we're working on this current project,

but also others. And I think it's when you've only got two arms

and two legs as much as you can in life, you want to try

and grow a few more arms and legs. I think you know where I'm

going, And that's where I'm coming from with incredible lyricists, because predominantly I'm

a lyricist, but ironically I have all these people around me that create these

words that then create the inspiration musically and me for the projects that are being

shared and full Guy is it's going to be an incredible piece of work.

And the two songs so far fall Guy is the single that's released, Cry

is going to be an exclusive. This has never been played on a radio

station. Ever, It's not released until next Friday. So the two songs

are going to be exclusive plays, particularly in America as well. Oh very

cool. Okay, well let's let's give fall Guy a spin, shall we

wonderful? All right? All right here it is. This is fall Guy

Raycoat's live with us, skyping in all the way from the UK. Check

this out. We are made to take a far scans that was good now

you fun bye, happy to collect body damaged mind some ramic by signs,

all ramp racing through that cold. What's happened? Do you rest up?

Signs? Fusefully telegraph lines. Day s you shine at days you hide the

pain whilst looking down on the scene fate. You know, sometimes it's just

to make the sun signs. We are made to take a farm, no

matter said, no man out, don't raise and hid africake far god rodun

coming is the echo world as they did part and disperse, Tralli des you

white coat wool over way too soon. Henrys came and throw me away unfortunate

getting left him a little to me something so be froze and passed down down

by must Since I days that you shine and days you hide, the wain

was looking to tell of your see fate. You know. Sometimes it's just

made some signs. We are made to take your farm. Your man said,

your man, tell no reason why that became for a fun girl?

When laid down until a firmer grap I can stay near the angels amplified sound.

Now there's no escape out to fine. I've just simply lost my life

to be some signs we are made to take from you. No say,

no man, no reason why became fun guy. Joh, no reason why

became to the phone guy, fun guy. Oh that is cool, fall

guy. We have raycoats with us. Be a skype and uh what that

could be? Uh? That could be a James Bond theme. Ray perfect,

your your your ears are attuned. That's it. That's it. Really,

that's how I see it. I when I wrote the song and as

it formed, and especially now in the form it is in. I often

close my eyes and think of the screening because I've read John's story, I've

read his life. Those are his words, he's the lyricist. So I

picture, I picture images, and it's such a such a powerful story.

It's it could sound like many things in life morbid. But we can't avoid.

We can't avoid. You mentioned earlier, you know the scary things in

life. But the amazing thing is, as many people do, John's live

to tell the tale and it's for him to share more than me in a

way. But I'm just genuinely incredibly privileged to be beside somebody who is a

warrior, a victor and just such an incredible grounded human being who has been

no shadow of a doubt. To hell him back and to be with him

is incredible. We're going to be across to the US in the future.

I know that John loves to travel, so you might have to try and

get rid of us, but but it will be it will be a pleasure

to share, particularly horsepower. I'm very excited about that. So there's much

to come, much to come from myself and John. And uh yeah,

and you've still got that Uh do do people tell you this or is it

just me to me? You've really got that Bowie vibe. I have had

that before, And well, yes, thank you very much, I'll totally

accept that. Yeah, yeah, absolutely absolutely. That's now. Now,

So when is that gonna When is the full album going to be out?

For that date wise? Great question. I think it's around about June.

We're gradually doing it a little bit slightly old school, I guess releasing a

couple of singles, So Fall Guys out now already, that's available everywhere.

Yeah, cry Next, then we have two songs I will name them now.

I'm quite happy to do that, Folklore and Tales. I'm actually working

on that today. I had a very very victorious song called Run for the

Roses. They're going to be the singles to begin with, and then the

album will come out, which will include songs Vices, Horsepower, Thoughts,

Time, and also a spoken version of fall Guy. So John's voice is

going to be included. I'm very much about integrating and embedding the spirit of

people and voices and energy, so you know, I like that. I

love the thought of voices being included in things of people that are part of

the project, like, for example, Carol and Shake it Up. So,

yeah, do you do you collaborate with people from I mean, obviously

you know you had had me do something. Have you collaborated with other people

from America? No? No, not, not not recently, have in

the past, have in the past, but not recently, so a couple

of years ago, but definitely want to. I mean, I'd love that.

I will not I'd love, I will, I will be over and

it's got to happen. I want to create with as many people as I

possibly can. So when you agreed to add in your voice, it is

just it's so great, isn't it When you know you connect with people and

what you do and your your voice as it comes through the airwaves, and

you think, it's just so many opportunities to spin that off, no pun

intention, to spin that off into other things. And I think that's what

I want to do because I feel the more we can share together, the

better. Well, well, that's the thing I often marvel it's, uh,

and I comment on it and on the show, is that it's an

amazing time to be alive because you know, we have the ability with the

technology that we have to to be able to collaborate with people so easily.

You know, you can email files back and forth. And you know,

had had we had we existed, uh, you know, a few decades

earlier, you know, we would have missed out on that. So it's

it's really I think in a way that kind of goes back to what you

were saying earlier. You know, you were talking about living in the moment.

That song chronos and you know, focusing on the now, and it's

you know, if you if you do stop and think about it, the

now is pretty incredible, you know. I mean, we're both old,

and we're both old enough to remember you know, when uh, you know,

a pre internet, you know, you you go to the record store.

And don't get me wrong, I have wonderful memories of being a kid

and going to the record store and flipping through and finding things or CDs or

you know. But but now, you know, we have access to so

much and we can collaborate easily with people in other parts of the world,

and it really is pretty remarkable when you think about you know, and people

get people get nervous about technology too because of AI and things, and that's

a whole other subject that we discuss sometimes on the show. But but it's

but it's pretty hard to be negative on you know, some people are technophobic,

but it's pretty hard to be negative on technology and the grand scheme of

things when you think of how it enhances our lives and in all kinds of

ways, but creatively, I mean, it's just what it does for us

is pretty remarkable. Totally agreement and like all things in life. It depends

on how it's used. So there's there's nothing wrong with a knife. A

knife is not a bad thing. A car is not a bad thing.

Hands are not bad things. It depends on how they're used. Right.

So technology is not within itself a bad thing, right, It depends on

how it's used. So I think the key thing is focus on, very

very carefully the intention of everything, and not in a sense that is just

a cliched throwaway. Well, I'm using it for a good purpose. Many

people could argue that for many different things. But I think for me and

what encouraging others is whatever it is you've got, use it to the greatest

good you possibly can for yourself and of course, by extension, for others.

And the more we do that with whatever it is, then the greater

the experiences for us and for others. And I look at creativity in the

same way. There's no threat, there's no competition, there's nothing to be

afraid of because the thing will be more with more people, and that's really

integral to everything I do. So you're totally right. We couldn't have done

it in a way what we did, which was relatively smooth. When you

think about it of you sharing, as you say, a vocal file,

a wab file that now is in the song. And I'd love to be

able to have the opportunity when it's completed, to come back and play.

Oh definitely, of course, Oh absolutely absolutely, Ray, But before we

before it gets too late, I want to make sure that our listeners know

where to keep up with everything that you're doing, everything that you're going on,

You're always creating, you're always collaborating. What's the best way for people

to follow you and keep up with you? I think when I've worked out

how I can keep up with me, then I think probably then fair enough.

No, website is probably the easiest placed at my name, I'm very

approachable. But the website is Raycoats that co a t S Voice dot com,

so Raycoatsvoice dot com. Across social media Raycoats or Raycoat's Voice. I

wanted just to quickly say before we move on, to give a public thank

you to my partner, Michelle Roach, and to be able to do what

I do, which is a lot, and over the last few years it's

expanded and extended. You need to be surrounded by good people. Michelle isn't

feeling particularly well at the moment, just generally not particularly feeling very well.

So I wanted just to say a public thank you. There's no kind of

flower ness in that. I can't not mention Michelle because we've written together.

She supported what I'm doing and has enabled the majority of what I share now.

So I wanted just to give a public ratter atitude to Michelle. Oh,

very nice, very nice. No, I think that's that's wonderful,

and you know, hope she feels better and yeah, no, that's very

good, very good. Ray Well, in a moment, we're gonna play

well, we'll finish out the segment with this track cry and uh so I

get this will be the world radio premiere. This hasn't been played anywhere else.

Completely very cool, very cool, and anything you want to tell us

about this track specifically before we before we play it without over explaining it is.

John's returned back to the UK from Bulgaria because of his injuries that were

serious. It took him four and a half years to walk and talk again.

Wow, he lost his property he was living in the people he was

working for at the time. Most of the names in the book have been

changed because there's a number of safeguarding issues. In terms of no doubt John,

he's had to change change a few names. But the person he was

working within the real estate was didn't take good care of John at all.

So John was just basically hung out to dry and cry. The cover artwork

so when people look for this when it's released officially next Friday, is John

on the cover outside the property that he lost as a result of his life

changing injuries and the financial reversal he faced, and the songs about where he

was living. So it's very emotional, but it finishes. I want to

share this message so that the song represents all of us. We've all had

those days. Some days, we've all had those periods where we just want

to cry and we just need to cry. So it's a representation of real,

real deep level emotion and exercising those feelings through crying. Through crying,

that's what cry is. Yeah, very good and as you uh you know,

as your reference, it's relatable. We all, uh, we all

have those moments. But wow, boy, what he although, you know,

I don't know really anybody who's been through what he's been through on that

scale, So very interesting. So we will uh, we'll play that in

a moment. But and uh, we'll let you We'll let you go.

Ray, thank you so much for joining us today, though, my friend,

it's always such a pleasure to talk to you, and you know,

and and uh you remind you remind me of some positive things, you know,

in terms of living in the moment and stuff. I don't you know,

I I I, I don't just uh say that to say it.

I I. It's good to be reminded, you know what I mean.

Well, absolutely absolutely all right, So we'll let you go. Ray Coats,

thank you again, my friend. Thank you very much, Matt,

and thank you to everyone for listening. And yeah, we'll we'll we'll we'll

be together again, no doubt about that. Absolutely all right, Thanks Ray,

And uh here it is. This is called fry. I thought I

heard the buildings cry as I casually walked on by. I'm my way to

meet a friend. First thing, she said, get those thoughts out of

your head. I want this now to end. Go and smash down glass

scenes, seek out those opportunities, open up that lonesome locktop, just like

you've done all for years before. You may lose a battle, but when

the long hall I wanted to do his side. Hall I want to do

is crime right from the nath Hall I want to do is crime out about

of here from the inside. How I want to do his crime? Cry?

Cry, cry out loud. We kissed and said our goodbyes. Then

I began to realize the power. Everything that she said raised those things out

of your head? What is now said? So I'm winning, smashed down

those seasons, sought up those opportunities. Don't knock that longs locktop, just

like I done for years before. Remember your mils about him. But when

Lord, what I had to do was crying. All I had to do

was cry. I do enact. All I had to do was crying out

a battle way from the inside. All I had to do was crying and

crying and crying and cry out you love. The building is just a place

the memories high. It's not a home without you on the inside. We

need to smash down those ceilings, seek out our opportunities, open up that

along some lavedop, just like we've done movie is before. Remember remains a

battom, but we'll always win the war. Some days were we need to

cry. Some days we are we need to cry. Some days beond me

need to cry up at you from me inside up. Some days we all

need to cry. Cry, cry, cry out alone, cry