Ricky Mapleton: The Bread Man - A Bread Time Story | Matt Connarton Unleashed

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0:33 Speaker 1: Today is Saturday, February seven, twenty twenty six. Jenny is

0:37 Speaker 1: here of course at the news table, and we have

0:40 Speaker 1: returning to the show. And you've got to be in

0:43 Speaker 1: the five timers club right now. Ricky Mapleton here with us. Hello, Hello, hello,

0:47 Speaker 1: hello you. How many times have you been on.

0:50 Speaker 3: With us over the years? A half dozen? I thought

0:54 Speaker 3: it was a five timer last time, but I'm not.

0:56 Speaker 3: Oh you might be. Don't you have a historian on?

1:00 Speaker 3: We may have forgotten to give you.

1:01 Speaker 4: I believe you are approaching the most visited guests.

1:05 Speaker 1: Come on, really, we may have forgotten to give you

1:08 Speaker 1: the five timers tracket. Hence the confusion.

1:10 Speaker 3: How many how many think what I said? Sounded better.

1:13 Speaker 3: How many years have you guys been doing this driverg

1:16 Speaker 3: Oh boy?

1:16 Speaker 1: That well, so that gets complicated a little bit because no,

1:20 Speaker 1: which version. Yeah, because it started there's been many iterations

1:23 Speaker 1: of this program. It started as a podcast in twenty eleven.

1:27 Speaker 1: In twenty seventeen, April of twenty seventeen, we won't be

1:30 Speaker 1: April before long, we'll be approaching another anniversary.

1:32 Speaker 3: Oh my god.

1:34 Speaker 1: In April of twenty seventeen, we had the opportunity to

1:36 Speaker 1: bring the show to wm and H ninety five point

1:38 Speaker 1: three FM, where we continue to this day. But there's

1:40 Speaker 1: also at one point there was a television version of

1:42 Speaker 1: the show, and there's been all kinds of different versions

1:44 Speaker 1: of the show. But it's been a while. It's been

1:46 Speaker 1: a while, but it's amazing. Thank you, Thank you well.

1:51 Speaker 1: It is wonderful to have you here. And we're doing

1:53 Speaker 1: something unique this week because you are here with us,

1:57 Speaker 1: not only for this hour, but the third hour of

1:59 Speaker 1: the show as well, because you have this amazing new

2:02 Speaker 1: project and we're going to uh, we're going to listen

2:05 Speaker 1: to it today and we're gonna talk about it.

2:07 Speaker 3: As I appreciate you having me on.

2:10 Speaker 1: Absolutely absolutely, and and tell us what this is. Tell

2:12 Speaker 1: us this is.

2:13 Speaker 3: Called the bread Man. A bread time story okay, okay,

2:19 Speaker 3: so it is a Victorian setting m h story about

2:28 Speaker 3: love triangle revolving around bread. Okay, a bread time story.

2:34 Speaker 5: Did you say bread?

2:35 Speaker 3: Bread as okay? Delicious bread? Oh? I thought so, I

2:39 Speaker 3: thought so, mm hmm. It's uh, it's really I think

2:44 Speaker 3: it's old school meets new school. We have some narration

2:48 Speaker 3: between each song, okay, to set up the scene in

2:52 Speaker 3: the listener's mind. Oh, listener's mind, okay. And that's kind

2:57 Speaker 3: of the I think the unique fun part about listening

2:59 Speaker 3: to this as a listener imagination as well as a

3:04 Speaker 3: little direction, which I think we all need in life.

3:06 Speaker 1: Sure, sure, what inspired you to do this?

3:09 Speaker 3: And and oh and.

3:11 Speaker 1: Clarify for us too, Uh, what do you call this?

3:13 Speaker 1: Is it a is it a concept album? Is it

3:15 Speaker 1: a rock opera?

3:19 Speaker 3: Yes? Okay?

3:20 Speaker 1: And and why and why is it?

3:23 Speaker 6: And why?

3:24 Speaker 3: Bread? And a love triangle? The yeast knows no boundaries.

3:31 Speaker 3: I'm just making that up. Its stemmed from an idea

3:36 Speaker 3: during a musical jam session with some friends. In this concept,

3:44 Speaker 3: I just started playing the riff. Like a lot of

3:47 Speaker 3: people that do music and are creative. You get an idea, yes,

3:52 Speaker 3: and you got to write it down. You gotta get it,

3:54 Speaker 3: you got to put it somewhere. It vanishes. This idea

3:58 Speaker 3: of the original riff of the Red Man fifteen years

4:02 Speaker 3: ago really at my friend's house who I work with.

4:07 Speaker 3: Doctor H is his name.

4:09 Speaker 1: I think you've mentioned doctor H.

4:12 Speaker 3: Doctor H. Fantastic Type A personality to the extreme. Oh,

4:18 Speaker 3: meaning Type A is a person that is very structured, uniformed,

4:24 Speaker 3: and when they get going on something, that's all that's happening,

4:27 Speaker 3: and you just get you just absorb into it. Yeah. Yeah,

4:31 Speaker 3: I'm what's the other what what are the other types?

4:34 Speaker 3: I know this type A because the band is that

4:37 Speaker 3: I'm not to band this project. It's called The bread Man,

4:39 Speaker 3: a bread Time story band being type A. Okay, okay,

4:44 Speaker 3: so Ricky Mapleton, of course myself is the I originated it.

4:49 Speaker 3: I don't want to grab the whole thing, sure, but

4:51 Speaker 3: the original concept of bread the bread Man coming coming

4:56 Speaker 3: for you. Oh. A lot of different layers in all seriousness,

5:02 Speaker 3: getting away from the money python esque of this. Yes,

5:04 Speaker 3: but there's a lot of layers in this music. Be

5:08 Speaker 3: careful what you wish for. Love may not conquer all,

5:14 Speaker 3: there's just a lot of things that I think people

5:16 Speaker 3: will get out of this if you give it a

5:19 Speaker 3: just give it. I know it's hard to grab some time.

5:21 Speaker 3: But if I think, if you, if you listen to this,

5:23 Speaker 3: I think you'll hopefully be moved a little bit and

5:26 Speaker 3: get you thinking about life in retrospective while we getting

5:30 Speaker 3: heavy and there is there also a lot of money

5:32 Speaker 3: Python to this. Okay, so on the other swing of

5:36 Speaker 3: this money python Victorian hed there she's a witch burner. Okay,

5:41 Speaker 3: I don't you know the money the holy grail sort

5:45 Speaker 3: of goofiness abstract. Okay. Also, well that's I don't know

5:51 Speaker 3: if I explained it correctly.

5:52 Speaker 1: Well that's uh but uh, we're going to of course

5:56 Speaker 1: play the whole thing today. Uh so we're we're we're

6:00 Speaker 1: the whole loaf.

6:00 Speaker 3: You might say, yes, yes, yes, And there are some

6:05 Speaker 3: of those sort of ideas and jokes during this performance.

6:10 Speaker 3: I believe, oh good, good, don't loaf around all sorts

6:14 Speaker 3: of stuff a little in the window. I'm not intend

6:16 Speaker 3: those little shots about talking about bread, okay, because bread

6:19 Speaker 3: is the staff of life. M Okay, Gluten analogies are

6:23 Speaker 3: not gluten analogies. Bread is been around for a long time.

6:26 Speaker 3: I believe the gluten is uh. The rest song called

6:29 Speaker 3: well I don't want to give away no, no, no no,

6:31 Speaker 3: but it does. It does veer into the world of gluten,

6:36 Speaker 3: red yeast flower, but it also involves around l O

6:41 Speaker 3: V E. Love. I don't even know what gluten is.

6:44 Speaker 3: I just like saying the word gluten basically is flower. Okay,

6:49 Speaker 3: so something made of flower, it's gluten some water to it,

6:53 Speaker 3: it's it's so people that have gluten allergies. Yeah, that's

6:57 Speaker 3: a big catchphrase nowadays. Yes, okay, which I understand. But

7:01 Speaker 3: we could talk about glue analogies for a long time. Yes,

7:04 Speaker 3: I think we might talk about it. As we start

7:06 Speaker 3: to start our rock opera excursion, I want to thank

7:10 Speaker 3: all the musicians before we get started on this. I

7:14 Speaker 3: maybe upset a few people along the way. Oh my,

7:16 Speaker 3: I upset myself. A lot of tension happened throughout the

7:20 Speaker 3: years with this. Really yeah, there was a whole beautiful

7:23 Speaker 3: stuff with the mockumentary we're making. Okay, so in the world,

7:27 Speaker 3: in my world, I want to thank all the musicians

7:28 Speaker 3: though are on this. You guys are awesome, and the

7:31 Speaker 3: listeners that are listening to you guys, and you Matt

7:33 Speaker 3: fav me on. Of course, I really hope you guys

7:35 Speaker 3: really like this, and just take five seconds, just sit

7:38 Speaker 3: here for five minutes. Take out some bread. Listeners, sit

7:41 Speaker 3: down for your favorite bread. Let's just listen, listen, and

7:45 Speaker 3: get your imagination cap on.

7:46 Speaker 1: Well, very good, So we'll open with the prologue. Yes,

7:50 Speaker 1: baking bread.

7:51 Speaker 3: Now the prologue, there is about thirty seconds of somebody

7:55 Speaker 3: making bread, sounds going into it, okay, before it breaks

7:58 Speaker 3: into the music. So yeah, so I'm just gonna leave

8:02 Speaker 3: it at that. Did I like that or not? I

8:04 Speaker 3: think it's a it's a whole journey. Let's go. Yes,

8:06 Speaker 3: let's go. Let's go break out some bread and get

8:08 Speaker 3: some jam. And let's go. Let's make some bread. All right,

8:10 Speaker 3: here we.

8:11 Speaker 7: Go, well to the show.

9:01 Speaker 8: Before we get started, to sit back, relax, grab some

9:05 Speaker 8: of your favorite bread. Maybe put some butter, peanut, butter.

9:10 Speaker 9: Jee, it doesn't matter.

9:12 Speaker 8: Pick your favorite topping, put it on your bread, and

9:15 Speaker 8: get ready for a journey back in time. This story,

9:19 Speaker 8: though timeless, takes place about five hundred years ago. It's

9:24 Speaker 8: a love story, a tragedy of a young baker. The

9:29 Speaker 8: bread man who dreams about living in the castle up

9:33 Speaker 8: on the hill, and a beautiful young princess who lives

9:37 Speaker 8: in that castle and dreams about being with the baker boy.

9:42 Speaker 8: This is their story.

9:48 Speaker 1: So there we there we have the prologue, yes, uh, prologue,

9:53 Speaker 1: and we're by the way. I learned something there. I

9:56 Speaker 1: didn't even know they had bread five hundred years ago.

9:57 Speaker 1: One was bread invented. It's old than our country. I

10:01 Speaker 1: just assumed it was invented by It.

10:03 Speaker 3: Was around during uh uh Romani even before that.

10:08 Speaker 1: Wow, that's amazing. So we've always had bread.

10:12 Speaker 3: We've always had that yeast of flower. It's been around

10:15 Speaker 3: a long time. Wow, that's amazing. That's amazing.

10:18 Speaker 1: Uh should we go right to uh so this next part?

10:21 Speaker 1: Uh someday I'm gonna live in the castle.

10:24 Speaker 3: Yes, yes, all right, here we go.

11:00 Speaker 10: Boy to work. Okay, father, you'll never mean nothing but

11:05 Speaker 10: to make a boy.

11:07 Speaker 6: But make a boy. What what do you mean you're

11:11 Speaker 6: gonna marry the princes?

11:13 Speaker 10: Like, well, you're gonna live in a castle.

11:18 Speaker 6: No, father, get back to work.

11:22 Speaker 8: Don't hit me, father to.

11:24 Speaker 6: Work, go to man, No, not the bag.

11:38 Speaker 11: Some them gonna live in a castle.

11:44 Speaker 6: Some them gonna live on hill.

11:49 Speaker 12: Someday. I'm gonna live in that castle.

11:55 Speaker 11: Someday, all making print for the father.

12:05 Speaker 2: No mo bacon the prince.

12:11 Speaker 13: Somedamn gonna some dal gonna some dam gonna lie.

12:29 Speaker 11: Back jor.

12:34 Speaker 12: Never never that castle down? Uti that gta's not again.

12:52 Speaker 10: What do you think you're gonna matter?

12:53 Speaker 2: The princess?

13:02 Speaker 14: No more begin No that.

13:07 Speaker 9: Gone this mandenste.

13:12 Speaker 15: Stall gonna live in the castle, Stall.

13:24 Speaker 6: Fail live in castle?

13:29 Speaker 16: Some them gone him.

13:39 Speaker 1: Uh so our hero, he's uh, he's got a lot

13:42 Speaker 1: going on there.

13:43 Speaker 3: He doesn't clearly.

13:44 Speaker 1: He wants nothing to do with the family business, and

13:47 Speaker 1: his father is u kind of a jerk. Wow, But

13:52 Speaker 1: he wants to live in the castle. Why does he

13:55 Speaker 1: want to Why does he want to live in the castle?

13:57 Speaker 3: I just he sees the castle from the bakery. Yes,

14:03 Speaker 3: in the bakery. He's looking out the window, and he

14:06 Speaker 3: sees the castle up on the hill. Yeah. And he's

14:10 Speaker 3: just like a lot of us when we're younger, even

14:13 Speaker 3: when we get older, we're dreaming about something else. Yes,

14:18 Speaker 3: So he sees his life now, it's not very good.

14:21 Speaker 3: He's making bread for his mean father who gets him

14:24 Speaker 3: over the head with a bag at Oh my god. Okay,

14:26 Speaker 3: that's just rude. Yeah. So he's has he's having a rough,

14:31 Speaker 3: rough childhood. Yeah okay, and that's kind of so he's

14:34 Speaker 3: having those dreams of some day. So that was that.

14:38 Speaker 3: That gentleman's name was Ryan Fitzpatrick. Oh okay. He does

14:41 Speaker 3: a lot of the singing on this. Oh okay, wonderful, wonderful.

14:44 Speaker 3: All right.

14:45 Speaker 1: Uh so next we have let's see feeling low down?

14:49 Speaker 3: Is this track number three?

14:50 Speaker 1: Yes, feeling low down, feeling low down? All right, Let's

14:54 Speaker 1: let's continue our story.

14:55 Speaker 3: Let's continue eating some nice bread here.

14:59 Speaker 8: The young baker spends his childhood dreaming about living in

15:04 Speaker 8: the castle. At age ten, something magical happens. The princess

15:12 Speaker 8: starts visiting the bakery. She's in charge of picking up

15:17 Speaker 8: the weekly bread for the castle and making sure that

15:20 Speaker 8: it gets delivered safely. She becomes quite smitten with the

15:25 Speaker 8: baker boy. They begin to sneak off to spend time together.

15:30 Speaker 8: The young Baker's father eventually decides to open a new

15:35 Speaker 8: bakery and a far off land, and he leaves the

15:38 Speaker 8: bakery to the young baker, who is now officially the

15:42 Speaker 8: bread man. The princess is excited about being able to

15:46 Speaker 8: visit without the old man around. However, the king decides

15:52 Speaker 8: that he doesn't like her spending so much time away

15:54 Speaker 8: from the castle, and he only allows her to visit

15:57 Speaker 8: town once a month. It's been a month since she

16:00 Speaker 8: last visited the bread man.

16:22 Speaker 6: Oh oh.

16:38 Speaker 17: Oh, common down the mountain, calm that mountain, very flow.

17:12 Speaker 12: Around the mountain.

17:16 Speaker 6: Around the mountain.

17:19 Speaker 18: As she's gone, well.

17:29 Speaker 15: I feel load down, so dyllod down value, but I

17:46 Speaker 15: feel load down.

17:50 Speaker 6: So lload It's true.

17:55 Speaker 8: As the month waits, the bred man struggles with his

17:59 Speaker 8: infatuation with the princess and his goal to someday live

18:03 Speaker 8: in the castle. Will he find a way to marry

18:07 Speaker 8: the princess? Will he be adored by the villagers? Will

18:11 Speaker 8: he someday be the king?

18:18 Speaker 1: Interesting to me that, you know, I thought in the

18:22 Speaker 1: beginning that he didn't want anything to do with the

18:25 Speaker 1: family business. But it's not that he just wanted to

18:27 Speaker 1: get away from his dad. He clearly he still wants

18:29 Speaker 1: to make bread.

18:32 Speaker 3: I don't know, I'm not sure. I mean, that's what

18:35 Speaker 3: it seems like. I don't think he likes his father

18:38 Speaker 3: because he's abusing him, and I don't think he likes

18:41 Speaker 3: making bread, pull up like it.

18:42 Speaker 1: And I don't think he likes making bread. Yeah, and

18:45 Speaker 1: I don't think. But he is the bread man. I mean,

18:47 Speaker 1: that's his whole identity, isn't not?

18:49 Speaker 3: No, that's sort of the identity that we're giving him.

18:52 Speaker 3: Oh okay, I don't think he walks around with I

18:55 Speaker 3: am the bread man. I love my bread, bread, my bakery. Yeah,

19:00 Speaker 3: he's kind of born into that life. Okay, he's fighting, yes,

19:05 Speaker 3: but he now is in love with the princess?

19:09 Speaker 19: Well?

19:09 Speaker 20: Is he?

19:10 Speaker 1: Is he in love with or infatuated? Whether at this point.

19:12 Speaker 3: Both well, I don't want to give stuff away, okay,

19:17 Speaker 3: but right now, as far as the listener is concerned, yes,

19:21 Speaker 3: he is infatuated. Okay, and as the dough rises, if

19:27 Speaker 3: you would, ah, there we got so let's try it. Okay,

19:31 Speaker 3: you're you're the first one, right. What did you say earlier?

19:34 Speaker 3: The wow, the bread, the roll? I don't remember, so

19:39 Speaker 3: we always want to throw in bread reference? Yes, yes,

19:41 Speaker 3: so let's roll along with the well played sir, yep,

19:48 Speaker 3: I get one a day. I like fun all right?

19:52 Speaker 3: Track three? Track four? Track four? What is track four?

19:56 Speaker 3: Awkward situation? Okay? Now the doe rises, Ah, were we go,

20:02 Speaker 3: all right, let's make some toast.

20:04 Speaker 8: Finally, the princess arrives at the bakery after a month

20:08 Speaker 8: long hiatus. They're both excited to be together at long last.

20:13 Speaker 8: The bread man locks the door and the young lover's

20:17 Speaker 8: head to the back room, not realizing that the baker's

20:21 Speaker 8: father had given a key to the egg lady. The

20:25 Speaker 8: egg lady arrives shortly after their rendezvous, only to find

20:30 Speaker 8: the bakery locked up. She uses her key to unlock

20:34 Speaker 8: the door and goes inside to drop off the eggs.

20:37 Speaker 8: She hears a strange noise in the back of the

20:39 Speaker 8: bakery and decides to investigate. She cracks open the back door,

20:44 Speaker 8: and much to her surprise, she realizes what's happening.

20:48 Speaker 9: It was a very situation situation you.

21:15 Speaker 21: Listen situation, I'm listen to juist joustituation.

21:26 Speaker 6: I'm listen, Julis, I'm listen Juish. You ask me.

22:02 Speaker 2: Well Fleish Jewish Jewish.

22:13 Speaker 22: JEWI chek Jewish ship I am Jewish Winston chew awkward

22:21 Speaker 22: sitewiy sh.

22:23 Speaker 23: Jewish bokwards and.

22:25 Speaker 6: Jewish Jewish.

22:50 Speaker 1: Get you know, I feel like, uh that part of

22:56 Speaker 1: the story too. There's a cautionary tale there because obviously

22:58 Speaker 1: you always want to know who keys to your stuff,

23:01 Speaker 1: especially if someone might be delivering eggs.

23:04 Speaker 3: Absolutely, yes, yes, aware of the egg lady, that's right, yeah, yeah, yeah, yes,

23:10 Speaker 3: beware of the egg lady. Yes, the egg lady.

23:13 Speaker 1: And that song to me, it's got kind of a

23:16 Speaker 1: rolling Stones vibe.

23:17 Speaker 3: Which thank you, thank you. Yeah yeah, I like the

23:23 Speaker 3: I like the quicker, more fast stuff, the slower stuff

23:25 Speaker 3: on here. Big fan, yeah, big fan, big fan. But

23:29 Speaker 3: you know where my heart is? I do, I do?

23:31 Speaker 3: But you notice all the different lot of layers. Oh yes, yeah,

23:35 Speaker 3: way out of my wheelhouse. But again thank you to

23:38 Speaker 3: all those musicians that it's stuff on it. Absolutely. Let's

23:42 Speaker 3: let's go. So next we have flowers of flying rocking

23:46 Speaker 3: in the bread. Okay, so what happens now is the

23:49 Speaker 3: egg lady has walked in uh huh, and they are

23:52 Speaker 3: let's say, making yeast you would, all right, dev sure

23:57 Speaker 3: the egg lady walks in awkward situation. Yes, this is

24:01 Speaker 3: what the lady has to say about it. Oh my goodness.

24:03 Speaker 3: All right, let's find out.

24:13 Speaker 2: What have I walked you on?

24:17 Speaker 24: This cannot be here, it's the princess here, the backup

24:22 Speaker 24: one fine flower can't be seen. You're gonna have to

24:29 Speaker 24: pay me or I'll tell all the truth of you

24:34 Speaker 24: with the bickup God, not princess. I was fighting how

24:39 Speaker 24: fast two surpre How is the spire? Those flying all about?

24:52 Speaker 24: Full fly?

24:53 Speaker 6: Mary?

24:53 Speaker 2: Don't cow co hig lady?

24:58 Speaker 19: No secret?

25:02 Speaker 2: Now was flying here we go?

25:05 Speaker 6: I was buying camp kind of funny?

25:12 Speaker 16: How is flying?

25:15 Speaker 6: Power is a fire?

25:19 Speaker 12: It's knock.

25:23 Speaker 6: Off gold.

25:26 Speaker 15: Eighty At the time I say half.

25:29 Speaker 19: A cat up to the time cap saw the flower flying.

25:35 Speaker 2: The fire is a flying.

25:39 Speaker 6: The flower is a flying.

25:57 Speaker 3: Whoa whoa, whoa, whoa, whoa. Oh. I think the egg

26:01 Speaker 3: lady frankly should mind her own business. But that's what Well,

26:04 Speaker 3: if you picked up on the lyrics she said, you

26:07 Speaker 3: are gonna pay me, m h And I'm not gonna.

26:10 Speaker 3: I will not tell what's happening here right, So now

26:13 Speaker 3: the egg lady is now bribing the baker and the

26:17 Speaker 3: princess every time that we see. You're gonna pay up

26:21 Speaker 3: or I'm going to tell the king what's the story?

26:23 Speaker 3: Right right? Oh, hence the love triangle. Well, I don't

26:30 Speaker 3: think the egg lady is really interested in Oh no

26:33 Speaker 3: a baker boy, but she's she's as a subplot and

26:36 Speaker 3: a sub character. Oh okay, she's bribing.

26:39 Speaker 25: Yes, yes she is.

26:40 Speaker 3: She just doesn't know what she's walking into. Maybe maybe

26:45 Speaker 3: should we continue? Oh I think so.

26:47 Speaker 1: I like the next the next song in our story

26:50 Speaker 1: here we should tell people too, if you're just joining us,

26:52 Speaker 1: we have Ricky Mapleton here and the uh this, did we.

26:56 Speaker 3: Establish what this is? Is it a rock opera? Yeah? Yeah,

26:58 Speaker 3: I think, yeah, I like, yeah, I like. I think

27:01 Speaker 3: that was the original concept. It's kind of into more

27:03 Speaker 3: of a we want to do a play, yes, yes,

27:07 Speaker 3: broadway play. So if anybody wants to finance our Broadway play,

27:10 Speaker 3: I already have it envisioned in my mind. Really, oh my,

27:13 Speaker 3: come to be beautiful. Perhaps you could get a national

27:16 Speaker 3: bakery chain to sponsor you. Yes, absolutely, yes, let's go.

27:21 Speaker 3: Let's go Broadway. But for now, Yeah, that's the old

27:24 Speaker 3: yeah rock opera. Yeah, getting back getting back to the

27:26 Speaker 3: original question, rock oper I know that's pretty big shoulders

27:31 Speaker 3: I'm saying. But Quadrophenia Tommy twenty one twelve, Yes, hemispheres.

27:38 Speaker 3: I don't know if anybody knows the those kind of

27:41 Speaker 3: my dating myself on those, but yeah, yeah, yeah, a play.

27:45 Speaker 1: Yeah, and the title is The bread Man a bread

27:49 Speaker 1: Time Story. The bread Man a bread Time Story. Well,

27:52 Speaker 1: let's uh, we'll go to the next part of our

27:56 Speaker 1: story here, and this one is called I Am the

27:58 Speaker 1: egg Lady.

27:58 Speaker 3: Okay, all right, here we get two, three four, I'm mad.

28:14 Speaker 12: Lady, No.

28:19 Speaker 6: Second love plaid know your secret?

28:32 Speaker 10: Let it would gold.

28:36 Speaker 6: Stay sweet me. I laid to.

28:45 Speaker 10: Know, y'all sick.

29:21 Speaker 12: Cop that.

29:30 Speaker 6: The bun COSI.

29:38 Speaker 26: Lor secret, sonnoyal secret.

30:03 Speaker 1: I feel at this one in the story of the

30:04 Speaker 1: egg Lady is really the antagonist. I think so I

30:09 Speaker 1: expected it to be the king well for his father.

30:14 Speaker 3: I think we all have some egg ladies in everyone's life.

30:17 Speaker 1: Sure, right, yeah, yeah, what's your thoughts? Are you connected

30:26 Speaker 1: with the story? I am, I'm very I'm very connected.

30:28 Speaker 1: I'm invested. I'm uh, you know, I'm a little uh bummed.

30:33 Speaker 1: I mean, I'm going to be a little sad next time,

30:35 Speaker 1: you know, I'm eating and you know, scrambled eggs or something,

30:37 Speaker 1: because I'm gonna be thinking about the egg Lady and

30:39 Speaker 1: uh and she's just uh, she's just mean.

30:43 Speaker 3: Yeah. You know, how's that for a response? Yes, you

30:46 Speaker 3: are correct, Matt.

30:47 Speaker 1: Connerton, because I'm looking at the title of the next

30:50 Speaker 1: part of the story and I realize exactly what's happening next,

30:54 Speaker 1: and I think it's wrong. What what a well, it's

30:57 Speaker 1: titled A Little White Envelope.

30:59 Speaker 3: Okay, okay, so Little White Envelope not. This is one

31:05 Speaker 3: of the songs that was done before the actual project

31:11 Speaker 3: took place, was taken from another project. Interesting, we did

31:16 Speaker 3: it on a few songs here. We had some material

31:19 Speaker 3: that we fit in that went along with the tracks

31:23 Speaker 3: that we were working on. And this one is a

31:27 Speaker 3: very dear friend of mine. I'm gonna say his name,

31:30 Speaker 3: Chris Higgins. Okay, Chris Higgins school who who I may

31:33 Speaker 3: have upset? I knew. I've known Chris Higgins since high school.

31:37 Speaker 3: Probably one of the best drummers in the area. Lifelong friends, yep.

31:41 Speaker 3: And I don't want to get into this big thing

31:42 Speaker 3: what happened.

31:43 Speaker 1: But I interviewed Chris Higgins a long time. I forget

31:45 Speaker 1: what band he.

31:45 Speaker 3: Was in, Rocket Waltz. I believe he was in that.

31:49 Speaker 1: That was not the band he was in when I

31:50 Speaker 1: interviewed Lynn Band.

31:52 Speaker 8: No.

31:54 Speaker 3: So, Chris, if you're listening to this again, I apologize.

31:58 Speaker 3: He's he's he's on two tracks. Okay. He did a

32:01 Speaker 3: ton of work on it, and a lot of the

32:03 Speaker 3: material his drummings didn't make it on it. Oh okay, okay,

32:06 Speaker 3: but he's on two tracks. And Chriss, you're the best man.

32:09 Speaker 3: I love you, I love you. Yeah, okay. And this

32:11 Speaker 3: this is a nice updeat song. Quick. It's all about

32:13 Speaker 3: that little envelope that we all have up on the

32:15 Speaker 3: shelves lives all right. This is a little white envelope.

32:20 Speaker 8: The princess and the bread man discuss payments with the

32:23 Speaker 8: egg lady. They make their first payment and send her off.

32:27 Speaker 8: The princess heads home to the castle. As soon as

32:31 Speaker 8: she arrives back at the castle, she gets the bad

32:35 Speaker 8: news that she is being forced to marry the Prince

32:38 Speaker 8: of yeast Land. This arranged marriage between our beloved Princess

32:44 Speaker 8: of Wheatland to the Prince of Yeastland will solidify the

32:48 Speaker 8: King's plans to form a super bread conglomerate. The princess,

32:53 Speaker 8: needless to say, is distraught. She eventually decides to write

32:58 Speaker 8: a letter to her bread man to break the bad

33:01 Speaker 8: news that she will no longer be able to spend

33:05 Speaker 8: time with him. She doesn't have the heart to send

33:08 Speaker 8: the letter, so it sits and awaits delivery inside its

33:13 Speaker 8: little white envelope.

33:27 Speaker 6: Never thank you, just to gas dust.

33:38 Speaker 26: Never never, never.

33:42 Speaker 2: Say every weeks.

33:44 Speaker 5: Yesterday, gad.

34:13 Speaker 24: M.

34:14 Speaker 1: Now that's interesting because I thought the little white envelope

34:17 Speaker 1: was going to refer to the envelope of money of

34:21 Speaker 1: payments made to the awful egg lady.

34:24 Speaker 3: But it turns out no, yes, correct, you are corrector

34:26 Speaker 3: I am correct about what everything? Okay, thank you.

34:30 Speaker 12: No.

34:31 Speaker 3: I never really thought of it about the envelope with

34:33 Speaker 3: the money, and that's what I assumed this was. This

34:36 Speaker 3: is the letter sent by the princess saying, oh, low

34:39 Speaker 3: lover of mine, I have to I'm being forced to

34:43 Speaker 3: marry the Prince of yeast Land. Yes, because his father,

34:49 Speaker 3: the princess's father, all about the business, our business to

34:57 Speaker 3: yeast business. And I love the term international red conglomerate. Yes, yes,

35:03 Speaker 3: I love that. Yes, that's fun.

35:05 Speaker 1: You would think anti trust laws would prevent that, you know,

35:08 Speaker 1: these mergers.

35:09 Speaker 3: I don't know the monopoly trust laws during Victorian time. Oh,

35:13 Speaker 3: but it was. It was a different time. I think

35:16 Speaker 3: if you were the king, you could do what you wanted.

35:20 Speaker 3: That's true, that's probably we're gonna do a quick Python,

35:23 Speaker 3: what made you king? I can recite that whole thing. Really,

35:28 Speaker 3: strange women distributing solds is no basis for gombnance. It

35:33 Speaker 3: comes from a mandate from the masses. If I never mind,

35:36 Speaker 3: see that's that's from the holy ground. Yes. Yes, If

35:39 Speaker 3: I went around saying I was king because some moist

35:41 Speaker 3: and bean gave me a sword, they'd put me away.

35:44 Speaker 3: Strange women there ever, being sold there's no basis for government.

35:50 Speaker 3: It's not wrong. So it's that was kind of my

35:52 Speaker 3: that's kind of my headspace with this. I was burying

35:55 Speaker 3: mighty Python, and then the musicians came in this. They're like,

35:58 Speaker 3: let's go serious, okay, And I said, okay, And I

36:02 Speaker 3: hope everybody's enjoying this. I hope, so, I hope. So

36:05 Speaker 3: it's good seeing your two reactions, which makes me super happy. Yeah. Yeah,

36:09 Speaker 3: you guys are laughing and enjoying. I like it very much.

36:11 Speaker 3: I like it very much.

36:13 Speaker 1: Let's see. So the next part of our story is

36:15 Speaker 1: called how could she Marry him?

36:16 Speaker 3: Okay, so the marriage is going to take place now

36:20 Speaker 3: between the princess and the prince, and they're having this

36:25 Speaker 3: big like everybody else who may be going to the

36:29 Speaker 3: altar or maybe get into a relationship. Here's that moment?

36:34 Speaker 10: Really?

36:35 Speaker 27: What?

36:36 Speaker 24: So?

36:36 Speaker 3: Okay, there we go, all right, let's go all right?

36:39 Speaker 3: Here it is.

36:44 Speaker 8: Finally, once the wedding date has been set, the princess

36:49 Speaker 8: has a little white envelope delivered to the bread man

36:52 Speaker 8: on the day of their next plant rendezvous, much to

36:56 Speaker 8: the bread man's chagrin. Instead of the princess said as door,

37:00 Speaker 8: he finds a delivery boy who hands him a letter.

37:06 Speaker 16: How good she married? How good she married? How good

37:16 Speaker 16: she married?

37:20 Speaker 2: How good she be?

37:22 Speaker 12: So?

37:24 Speaker 16: How good ship be?

37:26 Speaker 12: So?

37:32 Speaker 8: Today is the day of the big wedding. Princess. Here

37:39 Speaker 8: she is at the wedding, at the altar, getting ready

37:46 Speaker 8: to marry the prince from Yeastland. She just can't believe

37:51 Speaker 8: that it's happening. She missed the bread man.

37:59 Speaker 23: How can na marry him?

38:03 Speaker 8: How can I marry?

38:08 Speaker 10: How can I marry him?

38:12 Speaker 6: What can it be?

38:14 Speaker 24: So?

38:16 Speaker 2: What can I be?

38:18 Speaker 12: So?

38:19 Speaker 8: Bread The bread man arrives at the wedding. He's made

38:29 Speaker 8: the wedding cake. He's so sad, but he has to

38:35 Speaker 8: deliver the cake otherwise people might get suspicious.

38:40 Speaker 25: And here he is.

38:43 Speaker 8: Delivering the cake, looks over at the princess. How can she?

38:55 Speaker 16: How could she marry? How good she marriage? How good

39:05 Speaker 16: ship be so? How good should be so bad?

39:30 Speaker 8: How cann be so?

39:35 Speaker 16: How cann be so?

39:39 Speaker 1: B hmm, that is sad? How could she marry him?

39:46 Speaker 1: From The bread Man A Bread Time Story? And Ricky

39:49 Speaker 1: Mapleton is here with us.

39:50 Speaker 3: Thank you.

39:51 Speaker 1: Well, we are approaching for our live listeners the top

39:54 Speaker 1: of the hour, so we do need to take a

39:56 Speaker 1: break and show some love to our amazing sponsors. But

39:58 Speaker 1: if you are listening lot on Saturday, coming up in

40:02 Speaker 1: the third hour, we're going to continue listening and talking

40:06 Speaker 1: about The brad Man, A Bread Time Story, the new

40:09 Speaker 1: rock opera from Ricky Mapleton, and many others. So you

40:11 Speaker 1: mentioned many of this contributed to this.

40:14 Speaker 3: Is that is that the good volume right there for you?

40:16 Speaker 8: Right there?

40:16 Speaker 3: Yeah? Yeah, okay, okay, yeah again, I just want to

40:19 Speaker 3: reiterate that's my big word of the day. Yes again,

40:23 Speaker 3: thank you everybody that took part in this, probably twenty

40:27 Speaker 3: different musicians. Oh no, finally, the core base was myself,

40:33 Speaker 3: doctor h and Ryan Fitzpatrick with a three that started this.

40:36 Speaker 3: But there's probably I would say, twenty twenty thirty musicians

40:41 Speaker 3: on this and again, thank you guys for doing it. Oh, absolutely,

40:45 Speaker 3: I want to thank the musicians for doing it. Yeah.

40:47 Speaker 3: Just I'm hearing it here on different headphones, Yeah, different thing,

40:52 Speaker 3: and I haven't listened to it in probably a week.

40:54 Speaker 3: Yeah you know, Yeah, I've heard it thousands of times. Yeah,

40:58 Speaker 3: you know, preparing this, but just tearing it fresh on

41:01 Speaker 3: this just and watching you guys reacting. Hope everybody's really yeah,

41:04 Speaker 3: getting something out of it on this snowy on the

41:06 Speaker 3: snowy Saturday.

41:07 Speaker 1: I sure hope, So, I sure hope. So all right

41:08 Speaker 1: for our live listeners, stick around. Coming on an hour

41:10 Speaker 1: number three, we will continue with our story Don't go Anywhere.

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47:49 Speaker 3: All right, here we go. Hello everybody.

47:51 Speaker 1: We have entered our three nu marrow trace of Matt

47:54 Speaker 1: Connorton unleashed, and we are live from the studios of

47:58 Speaker 1: w m n H ninety five point three FM and

48:00 Speaker 1: Glorious Manchester, New Hampshire. Of course, you can stream the

48:03 Speaker 1: show from anywhere. Go to Matt Connorton dot com, slash

48:05 Speaker 1: live for all your live streaming options, social media links,

48:09 Speaker 1: contact infosho, archives, et cetera, et cetera. Today is Saturday,

48:12 Speaker 1: February seven, twenty twenty six. Jenny is here, of course

48:15 Speaker 1: at the news table, present account of and also with us.

48:19 Speaker 1: Of course, we have Ricky Mapleton and today we are

48:23 Speaker 1: featuring his new his rock opera bread Man A bread

48:27 Speaker 1: Time Story.

48:28 Speaker 3: Did I get the title?

48:29 Speaker 1: Right, tod et cetera.

48:30 Speaker 3: Yes, I did. Yes.

48:31 Speaker 1: Now, if you are listening live on Saturday, you might

48:34 Speaker 1: have heard in the second hour of today's show, we've

48:37 Speaker 1: been playing songs in order from the Rock Opera and

48:41 Speaker 1: talking about each one, and we're going to continue to that.

48:43 Speaker 1: We've never continued that in the third hour. We've never

48:45 Speaker 1: done that before on this show. But this project I

48:48 Speaker 1: think deserves Thank you, Merrit's the attention. Absolutely absolutely, we're

48:52 Speaker 1: really enjoying it. So when we left off in our story,

48:57 Speaker 1: how can she Marry Him? Was the last last song

49:01 Speaker 1: that we played, and then the next one is King's

49:04 Speaker 1: speech hip hop comedy song.

49:06 Speaker 3: Okay, So now the wedding has taken place, the wedding

49:11 Speaker 3: is done, and the king is going to give his speech. Okay,

49:17 Speaker 3: much like the title.

49:19 Speaker 1: Yes and enjoy, all right, the King enters the story.

49:24 Speaker 3: Here here we go.

49:25 Speaker 8: The princess for Pieter vows and reluctantly says yes to

49:30 Speaker 8: the Prince of Yeastland. The King steps forward to give

49:33 Speaker 8: a celebrations speech.

49:44 Speaker 34: We are here to celebrate the mixing of wheatland with yeastland.

49:51 Speaker 34: This was truly needed to help create the best bread

49:56 Speaker 34: in the land. Let us raise our bread and with

49:59 Speaker 34: warmth in our hearts, toast the Prince and princess, who,

50:03 Speaker 34: with help from the prince, will soon have a bun

50:07 Speaker 34: in the oven, and the next heir to the kingdom

50:11 Speaker 34: long lives the prince.

50:13 Speaker 8: Long the king, and the feast begins. Now it's time

50:28 Speaker 8: to dance.

50:30 Speaker 2: Well, it's a here Bob karm, I'll say, pop.

50:39 Speaker 35: Outside, don't, I'll says a head of counting them.

51:00 Speaker 2: Hit comedy song, Why don't you'll sing along? It's a

51:04 Speaker 2: hit by comedy comedy song.

51:08 Speaker 6: What you great buck?

51:10 Speaker 22: I told you once, I told you twice, won way

51:18 Speaker 22: I feel. Here's my advice, mother drug, just keep it cool,

51:27 Speaker 22: keep it d keep that next.

51:29 Speaker 2: To Michelle, do see, don't.

51:31 Speaker 23: Be afraid that you got the rock.

51:34 Speaker 2: I have to break out that god, break out that

51:38 Speaker 2: break out that.

51:40 Speaker 26: It's a hit, mark out the song that's sang the.

51:48 Speaker 23: Breaking out.

51:50 Speaker 2: A hit bat comy song. I'll say it's a hair

51:56 Speaker 2: Brock com comy song. Break out the time out nine.

52:01 Speaker 23: Then there man.

52:03 Speaker 2: Stiff there here man pants, it's time.

52:08 Speaker 23: It's a man a man here we go in here

52:38 Speaker 23: there there man.

52:40 Speaker 12: Man.

52:41 Speaker 2: It's a hip hop comedy song. But don't you all

52:45 Speaker 2: saying a lot? It's a hip hop comic comedy song.

52:50 Speaker 10: What part to you?

52:54 Speaker 19: Once?

52:55 Speaker 3: Two to twice one? Where I fee here's my.

53:08 Speaker 1: Comedy all right, the King's speech and hip hop comedy song.

53:17 Speaker 1: The next part of our story here and the bread

53:19 Speaker 1: Man bread time story. Yes, so why why is uh?

53:24 Speaker 1: Does the King just really like a humorous hip hop or.

53:29 Speaker 3: I love the kind of change we've done very slow

53:32 Speaker 3: melodic stuff on this hip hop comedy song was a

53:37 Speaker 3: song that was not originally made for this and we

53:42 Speaker 3: found a great spot for it where it kind of

53:44 Speaker 3: changes the whole Now we're hip hop and where it

53:47 Speaker 3: kind of goes away from the Victorian thing. It's okay,

53:49 Speaker 3: this was this is happening at the reception. Yes, yes,

53:53 Speaker 3: we're we're dancing, we're singing, we're having fun. Okay, little

53:57 Speaker 3: hip hop comedy song going on, all right, but not

54:00 Speaker 3: everyone is having fun? Well it depends in theory, right, Yes,

54:04 Speaker 3: very insightful, sir, Thank you, thank you. Well.

54:08 Speaker 1: Next, so we have more plastic in the ocean than fish.

54:11 Speaker 1: One ain't what it seems. I'm very curious where this

54:16 Speaker 1: part of the story is going.

54:18 Speaker 3: Here we go.

54:22 Speaker 8: The wedding is over. Weeks have passed since the bread

54:26 Speaker 8: Man has last seen the princess. The princess takes a

54:30 Speaker 8: huge risk and visits the bread Man late one evening.

54:36 Speaker 8: Draped in peasants clothing, she knocks at the bakery door.

54:44 Speaker 8: The bread man slowly opens the door. He's a mixed

54:50 Speaker 8: bag of emotions, sad, angry, befuddled, and elated all at once.

55:01 Speaker 8: He beckons her to the back room. He quietly murmurs,

55:07 Speaker 8: how could you marry him? At first, she's apologetic, but

55:13 Speaker 8: soon they begin to argue about everything and how it

55:16 Speaker 8: all went down, how she had no choice in the matter.

55:21 Speaker 8: The bread man, he disagrees, and the princess is no

55:25 Speaker 8: longer sure that it was a good idea to visit

55:29 Speaker 8: the bread man. Well, the bread Man and the princess,

55:36 Speaker 8: they begin to argue. They tell each other how they feel,

55:40 Speaker 8: and things get pretty heated. All the pieces they don't fit.

55:48 Speaker 14: Maybe we just need to quit.

55:50 Speaker 8: Sometimes I don't give it, ish, What do you think

55:52 Speaker 8: I love should be?

55:54 Speaker 9: Things ain't always what they see.

55:55 Speaker 6: You see blue and I sea green.

55:57 Speaker 9: When you laugh, it.

55:58 Speaker 14: Makes me scream.

56:00 Speaker 36: Just keep chasing those dreams, You just keep chasing those dreams.

56:23 Speaker 8: I can't recall what you said.

56:24 Speaker 14: I wish we could just stay in bed.

56:27 Speaker 37: Sometimes that's just regret all the things that you have done, things.

56:31 Speaker 14: Saying always what they see.

56:32 Speaker 2: You see Lou and I.

56:33 Speaker 37: See green When you're laugh it makes me scream.

56:36 Speaker 14: And you just keep.

56:37 Speaker 8: Chasing those dreams. Yeah, you just keep chasing those dreams.

56:45 Speaker 2: And don't care if you stay or go.

57:18 Speaker 37: You put on a real good show. Sometimes you just

57:21 Speaker 37: don't know what it is that you need. Things ain't

57:24 Speaker 37: always what they see. You see blue and I see green.

57:27 Speaker 37: When you laugh, it makes me scream.

57:29 Speaker 10: Don't make no sense to me.

57:31 Speaker 14: Your vision on what we should be.

57:33 Speaker 38: Why can't you just let me be? Why can't you

57:36 Speaker 38: just let me be? Why can't you just said me be? Oh,

57:42 Speaker 38: why can you just let me be?

57:49 Speaker 1: So things that not go as planned for the no

57:51 Speaker 1: no no process and no no no.

57:55 Speaker 3: I do have a question. Why is it?

57:56 Speaker 1: Why is it called more plastic in the ocean than fish?

58:02 Speaker 3: I did not name that song. I think it's cool.

58:07 Speaker 3: That's a very good question. I questioned that myself. When

58:09 Speaker 3: I see it, I believe one of my fabulous people

58:12 Speaker 3: that I worked with. I think either doctor H. Or

58:15 Speaker 3: Ryan f and I have learned when you work with

58:20 Speaker 3: other creative people, you need to be understanding of their thoughts.

58:28 Speaker 3: There and okay, yeah, there's a lot of backstory to

58:33 Speaker 3: any project. This one had. This project had many backstories

58:37 Speaker 3: as far as getting along with people getting on, of

58:40 Speaker 3: musicians getting along, understanding other musicians and creative people. And again,

58:46 Speaker 3: I just want to say again thank you for all

58:49 Speaker 3: the musicians that are on. Here's the pedal steel that

58:53 Speaker 3: was just on there. Oh yeah that was great. It's

58:56 Speaker 3: just guys, thank thank you again for the musicians that

59:01 Speaker 3: we're on here.

59:02 Speaker 1: We love doing this. Does does bread cause great at tension?

59:05 Speaker 3: You think, yes, it could be a twist.

59:09 Speaker 5: It's the yeast.

59:10 Speaker 3: Aren't you paying attention?

59:12 Speaker 6: East?

59:14 Speaker 14: It's the yeast?

59:16 Speaker 1: Well our next uh, our next song in the story?

59:19 Speaker 1: Here is uh more plastic in the ocean than fish

59:23 Speaker 1: to the plan.

59:25 Speaker 3: Okay, so now the plot, now they're gonna make okay, well,

59:29 Speaker 3: let's can take it.

59:29 Speaker 1: I feel like there's a twist coming. Very good, All right,

59:32 Speaker 1: very good. Let's see a braided issue.

59:36 Speaker 8: The princess hastily leaves the bakery and heads back to

59:40 Speaker 8: the castle. A month passes by both the bread Man

59:46 Speaker 8: and the princess agonize over their last meeting, each trying

59:51 Speaker 8: to rationalize their position. Suddenly, simultaneously, the princess and the castle,

59:59 Speaker 8: the bread Man, and the bakery come up with a

1:00:01 Speaker 8: plan to overcome the obstacles and to finally be together

1:00:06 Speaker 8: at last. First, they'll need to get rid of the prince,

1:00:10 Speaker 8: but that still leaves the egg lady. Then, under the

1:00:17 Speaker 8: cover of night, the princess sneaks off to the bakery

1:00:21 Speaker 8: to share her plan with the bread man. The bread

1:00:25 Speaker 8: Man is ecstatic to see the princess, and he can't

1:00:29 Speaker 8: wait to share his plan with her. As soon as

1:00:32 Speaker 8: they see each other, they warmly embrace and begin excitedly

1:00:37 Speaker 8: to share the same exact plan. Wow, don't we just

1:01:00 Speaker 8: poison the prince?

1:01:03 Speaker 2: I was thinking the same thing?

1:01:06 Speaker 12: Why care of dreams come true?

1:01:11 Speaker 6: Will go around? It's time all to come.

1:01:23 Speaker 12: And we all go round, and.

1:01:29 Speaker 11: It's all the poorson and.

1:01:49 Speaker 27: Of the lady.

1:01:52 Speaker 14: She knows the truth?

1:01:55 Speaker 23: Do you know what to do?

1:01:57 Speaker 12: If you want? Don't you come true?

1:02:03 Speaker 2: You will go around in the game.

1:02:16 Speaker 6: Real out?

1:02:32 Speaker 1: My goodness, I knew it, I knew it.

1:02:36 Speaker 3: It was the well will they succeed?

1:02:41 Speaker 20: Mm?

1:02:42 Speaker 3: Hmm, good question. Good question.

1:02:46 Speaker 1: I didn't expect it. I didn't expect bread bacon to

1:02:49 Speaker 1: lead to murder. My goodness, I know, squie a twist,

1:02:52 Speaker 1: all right?

1:02:53 Speaker 3: I believe it is the last song and scene one?

1:02:57 Speaker 3: What is what?

1:02:57 Speaker 39: What is this?

1:02:58 Speaker 3: Silver fox? The silver far? Okay, so this ends scene

1:03:01 Speaker 3: one of our fabulous journey into bread. Yes, again, thank

1:03:07 Speaker 3: you all the musicians that did this. Thank you. I

1:03:09 Speaker 3: can't thank you guys enough. Yes, I hope you all

1:03:13 Speaker 3: enjoying this listening. Thank you.

1:03:15 Speaker 1: Question in regards to that the music itself, did all

1:03:18 Speaker 1: of the artists work with you to develop the music

1:03:21 Speaker 1: or was this something that you wrote and then taught

1:03:23 Speaker 1: them to play?

1:03:25 Speaker 3: Both? Okay, both. Some of this was done even without me,

1:03:31 Speaker 3: even was drawn from different projects. There's something called the

1:03:36 Speaker 3: family album that doctor h or doctor Holton has and

1:03:41 Speaker 3: he's the type A of of type the band type A,

1:03:45 Speaker 3: which is kind of the moniker of this. It's the

1:03:47 Speaker 3: bread Man a bread story type A because Larry Holton

1:03:52 Speaker 3: type A took this, ran with it and did all

1:03:55 Speaker 3: these amazing overdubs and put the whole thing together. And yeah,

1:04:00 Speaker 3: so I forgot what the original question was, but you

1:04:04 Speaker 3: answered thank you. So here is the climax of scene one.

1:04:12 Speaker 8: All right, weeks go by and no one's getting their eggs.

1:04:19 Speaker 8: Everyone's wondering, where's the ugly Finally someone goes to the

1:04:24 Speaker 8: sheriff the silver fox.

1:04:29 Speaker 29: He comes to the silver fox, Silver Fox. The runs

1:04:36 Speaker 29: to night, comes fox.

1:04:41 Speaker 8: The sheriff decides invest gate. He gets his hounds and

1:04:45 Speaker 8: he begins to search the outskirts of town. He searches

1:04:49 Speaker 8: night and day. It's getting dark and the fox pouring in.

1:04:54 Speaker 8: The silver fox continues to hunt for the ugly silver fox.

1:04:58 Speaker 8: Now by lantern.

1:05:00 Speaker 12: He's on the hunts.

1:05:18 Speaker 6: Silver fox.

1:05:20 Speaker 40: He's on the runs at night he comes the silver fox.

1:05:34 Speaker 40: Comes a silver fox. It comes a silver fox. It

1:05:41 Speaker 40: comes the silver fox. It comes a silver fox.

1:06:03 Speaker 26: Pelophox, all the frons a silver fox.

1:06:10 Speaker 6: Silver fox. He's on the us tonight.

1:06:14 Speaker 26: He splopho.

1:06:25 Speaker 23: Loved not Christ, look right, comes.

1:06:29 Speaker 12: A silver fox.

1:06:47 Speaker 6: It comes a silbophox.

1:06:50 Speaker 12: It comes a.

1:06:51 Speaker 11: Silver fog.

1:06:54 Speaker 6: And CON's so fox.

1:06:57 Speaker 2: It comes a silver fall.

1:07:01 Speaker 14: He's coming to kitchen.

1:07:04 Speaker 12: He's coming to kitchen.

1:07:08 Speaker 6: He's coming to kitchen.

1:07:15 Speaker 2: Go away, man.

1:07:19 Speaker 14: Away the chickens.

1:07:23 Speaker 2: Way acrost.

1:07:28 Speaker 6: Runs.

1:07:42 Speaker 2: He's coming to catch.

1:07:48 Speaker 3: So fox.

1:07:50 Speaker 8: He finds his way to the swamp from the outskirts

1:07:53 Speaker 8: of town, Fog rolling in pitch, black dogs barking, barking, barking. Finally,

1:08:05 Speaker 8: he holds his lamp up and he looks down on

1:08:08 Speaker 8: the shore of the water. Astonished, he sees the egg

1:08:14 Speaker 8: Lady dead, their mouths stuffed with bread.

1:08:24 Speaker 3: So that is the end of scene one. Scene one

1:08:26 Speaker 3: is done. The egg Lady has been murdered. Oh my goodness,

1:08:31 Speaker 3: there we go. Let's be ready to jump right into

1:08:34 Speaker 3: scene too.

1:08:35 Speaker 1: Let's go right into scene two. Okay, we're starting with

1:08:39 Speaker 1: a seaweed instrumental poison yeasts.

1:08:42 Speaker 3: Okay, oh my goodness. All right, let's see. Joy, let's

1:08:45 Speaker 3: see where we go.

1:08:46 Speaker 8: In scene two, the Princess and the bread Man sneak

1:09:00 Speaker 8: off to the beach to discuss their plan further. Though

1:09:06 Speaker 8: the plan has many, many parts, it has become abundantly

1:09:10 Speaker 8: clear that with the egg Lady out of the picture,

1:09:14 Speaker 8: it's going to be all about the poison yeast. After

1:09:19 Speaker 8: a long discussion and walk on the beach, finally feeling

1:09:24 Speaker 8: like things are going to be the way they've always hoped,

1:09:29 Speaker 8: it's time for the bread Man to head back to

1:09:31 Speaker 8: the bakery and begin preparing the bread for the castle

1:09:37 Speaker 8: for the prince. The plan is quick to rise now

1:09:43 Speaker 8: that the poison yeast is fully prepared and active. Beware

1:09:49 Speaker 8: the poison yeast.

1:10:02 Speaker 6: East two yeast on the east, the east past.

1:10:34 Speaker 41: Tweas, yes, yeasts, ye beware of the poison.

1:10:53 Speaker 1: Well, now we know what poison yeast sounds like. And

1:10:57 Speaker 1: then let's see the next part of our story. King

1:10:59 Speaker 1: up in the castle, bad bread shoot.

1:11:05 Speaker 8: As the princess rises from the baker's bed, they begin

1:11:09 Speaker 8: to make the poison bread. Add the flour, add the sugar,

1:11:13 Speaker 8: don't forget the poison yeast. Soon the prince will be dead.

1:11:20 Speaker 6: Down sEH, just.

1:11:31 Speaker 12: Just king up in that castle, Princess to the got so, sash,

1:11:46 Speaker 12: got so, sash.

1:12:04 Speaker 2: Thou show good water.

1:12:08 Speaker 6: Soon we'll s's just.

1:12:13 Speaker 23: Yes, just.

1:12:17 Speaker 8: The bread man's plan begins to rise. Soon the prince

1:12:23 Speaker 8: will die.

1:12:57 Speaker 6: The bread is man.

1:13:00 Speaker 36: The prid mens coming, the prid mens coming, He's coming

1:13:07 Speaker 36: for you. The brids coming, The bred Man's coming, the

1:13:15 Speaker 36: breds coming.

1:13:17 Speaker 8: He's coming for you.

1:13:21 Speaker 38: Put away that sugar, put away the yeast, away the flower.

1:13:28 Speaker 8: Because you're not gonna kill the beast.

1:13:31 Speaker 36: Because the bridman coming the Pridmn's coming, the brand Man's coming.

1:13:40 Speaker 36: He's coming for you. He's coming for you, He's.

1:13:46 Speaker 6: Coming for you.

1:13:53 Speaker 1: Well, that song is kind of taking a different taking

1:13:56 Speaker 1: on a different meaning in the scene too. Now you

1:14:00 Speaker 1: know he's coming for you. He's coming to kill you.

1:14:01 Speaker 1: I guess right, Well, that's how you interpret That's how

1:14:06 Speaker 1: I take that, all right. The next part of our

1:14:09 Speaker 1: story is saying do.

1:14:12 Speaker 8: Over time, the poison yeast begins to take its toll

1:14:14 Speaker 8: on all those who consume the royal bread. The poison

1:14:18 Speaker 8: quickly overtakes the Prince of Yeastland due to his bread gluttony,

1:14:23 Speaker 8: and he expires like stale, outdated bread. The servants find

1:14:28 Speaker 8: him on the floor, stiff as a weak old baguette.

1:14:33 Speaker 8: The King himself too feels the effects of the poison yeast. However,

1:14:38 Speaker 8: due to his slight gluten allergies, he consumes bread only

1:14:43 Speaker 8: on special occasions, though over time he becomes frail. A

1:14:49 Speaker 8: funeral is held for the Prince and the princess and

1:14:53 Speaker 8: the baker the bread man starts sneaking off together more often.

1:14:58 Speaker 8: Rumors are abound. The princess and the bred man begin

1:15:05 Speaker 8: to spend a lot of time with each other, and

1:15:08 Speaker 8: they don't really care what other people think. At this point,

1:15:10 Speaker 8: the prince is dead and it's their time to be together.

1:15:15 Speaker 20: It doesn't really mad what this sabout me and you.

1:15:30 Speaker 42: He doesn't rely mad even it's all true.

1:15:44 Speaker 12: We can have just this mom.

1:15:50 Speaker 14: Together.

1:16:00 Speaker 39: Yes, differs, get sa win the good fall each other.

1:16:25 Speaker 6: That we could have had.

1:16:28 Speaker 12: Been. People say down long together, that.

1:16:38 Speaker 20: We can't.

1:16:41 Speaker 2: All the albums.

1:16:48 Speaker 6: Look out, said.

1:17:05 Speaker 43: Said, said, said, saved, said, said.

1:17:29 Speaker 20: Said.

1:17:55 Speaker 8: Things are really looking up for the Princess and the

1:17:58 Speaker 8: brad Man. It turns out out that the bread Man's

1:18:01 Speaker 8: father has died and left a fortune of yeast to

1:18:04 Speaker 8: the bread Man. Where and how his father accumulated his

1:18:08 Speaker 8: vast scores of yeast his only rumor at this point,

1:18:12 Speaker 8: but it is believed that when the bread Man was young,

1:18:16 Speaker 8: he sold off the baker boy's mother and gained a

1:18:20 Speaker 8: fortune and yeast. Granted, this is only speculation regardless. In

1:18:27 Speaker 8: return for the Princess's hand in marriage, the bread Man

1:18:31 Speaker 8: offers the frail king a promise to supply all of

1:18:35 Speaker 8: wheatland with his yeast import and export monopoly on the

1:18:39 Speaker 8: worldwide bread market. Of course, with recent death of the prince.

1:18:44 Speaker 8: The king has no choice but to accept, as he

1:18:48 Speaker 8: no longer has access to yeast from the prince's family

1:18:51 Speaker 8: in Yeastland. The King agrees to let them get married.

1:19:03 Speaker 8: The princess and the bread man get married. It seems

1:19:09 Speaker 8: as though both of their dreams finally come true. And

1:19:15 Speaker 8: the bread man is in the.

1:19:17 Speaker 44: Castle, smelled the fum and that cry, I said, and

1:19:53 Speaker 44: that's why.

1:20:00 Speaker 14: Take it?

1:20:06 Speaker 10: And so high.

1:20:12 Speaker 6: I sail said, freeing.

1:20:20 Speaker 14: The question why.

1:20:27 Speaker 10: Not nine.

1:20:30 Speaker 14: M If you try, won't make you.

1:20:53 Speaker 12: Tell me?

1:20:54 Speaker 10: That man smell and the dull.

1:22:29 Speaker 8: After the wedding celebration, the princess and the bread man

1:22:34 Speaker 8: ride in a carriage down the cobblestone streets of the

1:22:37 Speaker 8: Wheatland village, and when they pass through the village, the

1:22:43 Speaker 8: villagers half heartedly celebrate. They seem jealous. They seem to

1:22:50 Speaker 8: think that the princess thinks a little too highly of

1:22:53 Speaker 8: her so and that the bread man, coming from the

1:22:57 Speaker 8: bakery on the streets, maybe he's a little too uh,

1:23:02 Speaker 8: he's risen a little too high for them, And so

1:23:05 Speaker 8: they start to sink.

1:23:08 Speaker 6: You develop me in.

1:23:09 Speaker 23: The eye, turn your head when I walk by, your.

1:23:12 Speaker 45: Perfect, so perfect, You develop me in the eye, turn

1:23:18 Speaker 45: your head when I walk by your purpose, I.

1:23:20 Speaker 6: Don't look a.

1:23:23 Speaker 2: Perfect You're not that.

1:23:25 Speaker 45: Purpose so purpose. You're not that perfect perfect. You're not

1:23:32 Speaker 45: that perfect so perfect.

1:23:37 Speaker 6: Perfect. I'm not so perfect perfect. I'm just so perfect perfect.

1:23:46 Speaker 2: Not just so perfect perfect. I'm just a purpose.

1:23:59 Speaker 12: Yeah.

1:24:01 Speaker 6: Give it be canedy, Yeah.

1:24:10 Speaker 2: Give me see see.

1:24:13 Speaker 45: I'm perfect. You get your son, perdet perfect. You got

1:24:18 Speaker 45: that perfect perfect, so.

1:24:24 Speaker 26: Perfect perfect, so perfect.

1:24:34 Speaker 2: Excuse made me walking down the street. Don't well, no.

1:24:38 Speaker 6: You're perfect.

1:24:42 Speaker 2: You see me walking down the street. You just not

1:24:45 Speaker 2: leave me on purpose?

1:24:49 Speaker 45: Connect your daughter so perfect, so perfectly is not so perfect?

1:25:00 Speaker 12: M m m hm hm hm.

1:25:42 Speaker 37: Not so.

1:25:46 Speaker 1: All right if you are just joining us. This is

1:25:49 Speaker 1: the bread Man a bread Time Story? Or is it

1:25:52 Speaker 1: the bread Man or just bread Man?

1:25:53 Speaker 3: The bread Man a bread Time Story? Yes? Again, thank

1:25:57 Speaker 3: you all the musicians and everybody digging this who had

1:25:59 Speaker 3: a part of it. Let's let's go. Let's go man

1:26:01 Speaker 3: click click.

1:26:02 Speaker 1: Yeah, we're gonna We're not gonna be able to get

1:26:03 Speaker 1: the whole thing in I'm looking at the time, and

1:26:06 Speaker 1: I'm not good at math, but I know we cannot

1:26:09 Speaker 1: get the whole thing, and we will, we will play

1:26:10 Speaker 1: a little bit more. But I want to make sure,

1:26:12 Speaker 1: especially for people who are just joining us who don't

1:26:14 Speaker 1: know that, you know, you can get the whole thing.

1:26:17 Speaker 1: Where should people go to listen to the entire.

1:26:19 Speaker 3: It's on YouTube, Spotify, all our any digital platform. It's

1:26:24 Speaker 3: up to you for you to enjoy.

1:26:25 Speaker 1: Yes, the entire rock opera and its entirety. And what

1:26:28 Speaker 1: is happening at this point in the story that we

1:26:30 Speaker 1: just heard that that song perfect.

1:26:33 Speaker 3: There's a lot going on. I think we just click

1:26:36 Speaker 3: a click ahead, the narration will take us home. Okay,

1:26:39 Speaker 3: all right?

1:26:39 Speaker 1: So this next song is called the next part of

1:26:41 Speaker 1: the story is called coming Home.

1:26:44 Speaker 3: So let's see.

1:26:46 Speaker 8: The princess and the bread man are so enamored with

1:26:49 Speaker 8: each other that they don't even notice that the townspeople

1:26:53 Speaker 8: are singing or what they're singing. They only have eyes

1:26:57 Speaker 8: for each other. And they finally arrive back at the castle.

1:27:01 Speaker 8: The bread man expresses his love for princess insult.

1:27:15 Speaker 27: Come in, Oh dear, oh, oh dear, No, lady, you're

1:27:54 Speaker 27: a you're all lady.

1:28:02 Speaker 6: You're old.

1:28:03 Speaker 23: God said God, you.

1:28:11 Speaker 6: Come home, God.

1:28:19 Speaker 27: Come home to.

1:28:58 Speaker 6: Jas said.

1:29:02 Speaker 37: I ever saw.

1:29:06 Speaker 6: It was your sweet face. Then I open the dome.

1:29:15 Speaker 4: Zach got you.

1:29:19 Speaker 6: To come on, Yeah, got.

1:29:28 Speaker 23: To come on.

1:29:50 Speaker 8: Not long after, the princess and the bread man are married,

1:29:55 Speaker 8: living up in the castle. The frail king, who still

1:29:59 Speaker 8: occasionally he eats his bread, the poison bread, finally dies

1:30:06 Speaker 8: and at the funeral there's a lot of sadness from

1:30:11 Speaker 8: the villagers. Everyone's a little bit concerned that the princess

1:30:17 Speaker 8: and the bread man will be taking over, and they're

1:30:22 Speaker 8: really quite concerned. Nevertheless, they hold this beautiful funeral procession

1:30:29 Speaker 8: for the king, and off in the distance you can

1:30:32 Speaker 8: hear the sounds of ancient river.

1:30:36 Speaker 1: I have to just comment that that's a beautiful song.

1:30:39 Speaker 1: I mean, that's one of the standout moments. And you know,

1:30:41 Speaker 1: just in terms of the artistry in the in the

1:30:44 Speaker 1: entire thing, that's that's really nice.

1:30:46 Speaker 3: Again, again, thank you for all the musicians. Now we're

1:30:48 Speaker 3: on This kind of gave me a.

1:30:50 Speaker 1: Chill, absolutely really incredible. We do have a little bit

1:30:53 Speaker 1: of time left.

1:30:53 Speaker 3: Let's go to it.

1:30:55 Speaker 1: Because he does the narrator, does mention it? And did

1:30:57 Speaker 1: Ryan do the narration?

1:30:59 Speaker 12: No?

1:31:00 Speaker 3: Doctor doctor oh doctor h doctor eight ah, very good,

1:31:04 Speaker 3: very good master mind behind this whole thing. The producer, Yeah,

1:31:08 Speaker 3: let's let's go man all.

1:31:10 Speaker 1: Right, so this is uh, we'll go ahead and because

1:31:12 Speaker 1: again the narrator mentions this, this is ancient river.

1:31:14 Speaker 3: The next part of our story.

1:32:02 Speaker 6: We have a stake and you were taken.

1:32:06 Speaker 12: You went the.

1:32:15 Speaker 21: Spat hours often new agent filmer perfectly mol meeds them

1:32:53 Speaker 21: like you mean nothing.

1:33:08 Speaker 2: Ch from most fi.

1:33:22 Speaker 6: Got er just.

1:33:57 Speaker 12: Be as Oh the.

1:34:07 Speaker 46: All the huschool we battland asking of it time.

1:35:06 Speaker 3: Ooh that's cool. I like that a lot too. That's

1:35:10 Speaker 3: really good.

1:35:11 Speaker 1: Ancient river from the bread Man a bread Time Story.

1:35:15 Speaker 1: Ricky Mapleton is here with us. We are approaching the

1:35:18 Speaker 1: top of the hour. So again if people want to know,

1:35:21 Speaker 1: because I'm really curious to know what happens next. Now,

1:35:23 Speaker 1: we're not gonna have time to share the rest of it,

1:35:25 Speaker 1: but people should go online and check it out. Yes,

1:35:28 Speaker 1: remind people again where they can find it.

1:35:30 Speaker 3: You can find The Breadman a bread Time Story. Go

1:35:33 Speaker 3: to Ricky Mapleton or just go The bread Man a

1:35:36 Speaker 3: bread Time Story on YouTube, Spotify, any digital platform. It's

1:35:40 Speaker 3: out there. Yes, how many more tracks are left in

1:35:43 Speaker 3: this fabulous story? A bunch? Can we do another one?

1:35:48 Speaker 1: Oh, We're gonna do another one to close out. Yeah,

1:35:50 Speaker 1: we got one, two, three, four, five, six seven. So

1:35:54 Speaker 1: there's still a bunch of story to go. So if

1:35:56 Speaker 1: you want to hear how it ends, you got to

1:35:58 Speaker 1: go online and check it out. And I encourage people

1:36:01 Speaker 1: to do that, really really good stuff.

1:36:04 Speaker 3: What are you taking away from this right now? What

1:36:06 Speaker 3: do you what's your Well?

1:36:07 Speaker 1: I'm curious how it all ends up, because you know,

1:36:09 Speaker 1: the the main the heroes here quote unquote anti heroes,

1:36:13 Speaker 1: I suppose are protagonists because they are murderers. They've poisoned people,

1:36:18 Speaker 1: and they you know, and they've done it for love.

1:36:19 Speaker 1: It's a crime of passion. But they have poisoned people. Yes,

1:36:23 Speaker 1: so they are morally uh compromised severely.

1:36:29 Speaker 3: Beautifully said, thank you.

1:36:31 Speaker 1: Yeah, Beautifully said, yes, I mean you can sympathize with them, but.

1:36:35 Speaker 3: It's some more twist and turns coming down the pipe.

1:36:38 Speaker 3: Very good, very good. I always said it's a million times.

1:36:40 Speaker 3: But thank you Matt for having us on. All the musicians.

1:36:45 Speaker 3: You know, be creative. I want to thank family, my wife.

1:36:49 Speaker 3: Just be creative. People, get out there and be creative.

1:36:52 Speaker 3: Can we we do another one?

1:36:53 Speaker 34: Yeah?

1:36:54 Speaker 1: Yeah, we're gonna We're gonna do one more in a moment,

1:36:55 Speaker 1: but actually, well maybe a couple more. What I'm gonna

1:36:58 Speaker 1: do is I'm gonna to end the show. I'm just

1:37:00 Speaker 1: going to see what we can cram in. But because

1:37:02 Speaker 1: we want to make both again, I definitely encourage everyone

1:37:05 Speaker 1: go check out the story online. And that's really the

1:37:07 Speaker 1: best way to support your work anyway. Sure is just

1:37:10 Speaker 1: you know, through plays Spotify plays and so, you.

1:37:12 Speaker 3: Know, making money off of this not really my goal,

1:37:17 Speaker 3: I know, you know, I just want to. I think

1:37:19 Speaker 3: this is this project is in spot hopefully inspires.

1:37:22 Speaker 1: Yeah, love me, love love and you got to get

1:37:25 Speaker 1: in that algorithm, right, So we so we will do

1:37:29 Speaker 1: that in just a moment. But I do want to

1:37:32 Speaker 1: quickly thank everyone who participated in today's show today and

1:37:35 Speaker 1: of course hush Money who was with us in the

1:37:37 Speaker 1: first hour. If you missed anything that we did today,

1:37:40 Speaker 1: you can go to Matt Conorton dot com and of

1:37:42 Speaker 1: course Wmnhradio dot org to get the show. You can

1:37:45 Speaker 1: learn more about me at Matt Connorton dot com. Jenny,

1:37:49 Speaker 1: thank you, thank you. Want to mention your website, Jenny.

1:37:51 Speaker 4: Absolutely, you can check out all the good trouble I

1:37:54 Speaker 4: get into at Jencoffee dot com.

1:37:56 Speaker 1: J E N N C O F f e y

1:37:58 Speaker 1: dot com.

1:37:59 Speaker 3: And there is a new video from this week and

1:38:01 Speaker 3: the things if you guys do for society as a whole,

1:38:04 Speaker 3: getting artist on here, what you do as far as

1:38:08 Speaker 3: working with all your projects, that's what life's about, right.

1:38:12 Speaker 1: Absolutely well, thank you, thank you, and humans for humanity.

1:38:16 Speaker 3: Human that's right, that's right. My phone number is six

1:38:19 Speaker 3: oh three seven eight five oh two five nine. Call

1:38:25 Speaker 3: me today say you dug it? Okay, all right, and

1:38:28 Speaker 3: I hope everybody can maybe finish it up on the

1:38:30 Speaker 3: snowy day maybe yeah, finished listening to it. But let's

1:38:35 Speaker 3: let's do another one.

1:38:36 Speaker 1: Absolutely absolutely so we will. Let's see this next one

1:38:39 Speaker 1: is a drunk and disillusion What about me? I have

1:38:42 Speaker 1: a feeling another dark turn is coming.

1:38:45 Speaker 3: Indeed it is. We'll see check this out and thanks everybody.

1:38:49 Speaker 8: With the death of the king, the princess becomes the queen.

1:38:55 Speaker 8: She's in charge, and everyone seems to be respecting queen,

1:39:01 Speaker 8: and really the bread man is in the back of

1:39:05 Speaker 8: the scenes. Nobody's really paying attention to the bread man.

1:39:09 Speaker 8: He's getting a little frustrated that even the queen is

1:39:13 Speaker 8: not taking his advice. He's become jealous, and he's losing

1:39:18 Speaker 8: affection for the queen. The bread man stares into the mirror.

1:40:00 Speaker 8: He looks at himself, perplexed, wondering why the queen is

1:40:06 Speaker 8: getting so much attention and none for him.

1:40:10 Speaker 14: I know, will beautiful?

1:40:14 Speaker 6: Every one gainsy.

1:40:18 Speaker 14: I know, will beautiful?

1:40:22 Speaker 6: What about me?

1:40:26 Speaker 2: What about me?

1:40:28 Speaker 23: What about me?

1:40:30 Speaker 35: About me?

1:40:32 Speaker 46: What about me?

1:40:34 Speaker 23: What about me?

1:40:36 Speaker 14: What about me?

1:40:38 Speaker 12: What about me?

1:40:58 Speaker 24: I know?

1:41:00 Speaker 6: More beautiful?

1:41:02 Speaker 12: Everyone can see?

1:41:06 Speaker 14: No beautiful?

1:41:10 Speaker 2: What about see? We're bouncy?

1:41:16 Speaker 27: Are abound me?

1:41:18 Speaker 12: For about me?

1:41:20 Speaker 23: For abound me?

1:41:22 Speaker 1: For bounding?

1:41:24 Speaker 5: What a boucy?

1:41:26 Speaker 6: For a bound?

1:41:28 Speaker 12: Bound?

1:41:30 Speaker 6: Bounding?

1:41:32 Speaker 2: What bound me?

1:41:34 Speaker 6: What bound? You are abounding?

1:41:38 Speaker 39: What bout me?

1:41:53 Speaker 8: The bread Man's mental health continues to decline. He doesn't

1:41:59 Speaker 8: know what to do.

1:42:02 Speaker 19: Thoughts are taking over seeking cortroll.

1:42:11 Speaker 10: No never long term.

1:42:25 Speaker 22: Let's make my.

1:42:32 Speaker 10: Little man.

1:42:42 Speaker 19: Ri from raw.

1:42:47 Speaker 12: On me.

1:42:54 Speaker 19: TOCs the no.

1:43:11 Speaker 28: Think it strange, so.

1:43:16 Speaker 23: In the word, let take.

1:43:23 Speaker 14: A thinking strange.

1:44:50 Speaker 8: As the bread Man's jealousy of the Queen consumes him,

1:44:54 Speaker 8: he decides that it's time to break bread with the

1:44:57 Speaker 8: Queen to discuss his role in the kingdom.