Matt Connarton Unleashed 1-25-25 hour 1

0:09 Speaker 1: Met a young lady. She said, her taste of brick. She walked in the streets of London, pleasure she would see. She made the boy so happy, left them with a smile.

0:18 Speaker 2: She earned the most money and the king skinned him out.

0:24 Speaker 1: But I'm met her in her dollhouse, has been congregged.

0:28 Speaker 2: The cold across her eyes was the best that I ever seen. Took her to her restaurant.

0:33 Speaker 1: Her nails were paying the black before the night through. While I was under attack. She gone around, she gone back, she gone and blown, She gone black. She gone around, she gone back, she gone blown, She gone black. Said you might not be sent around. I'm sure you ain't the sink it was written and then the stars I meaning an't to fix said I'm sorry, honey, I don't know what you're big.

1:03 Speaker 2: She said, to give me a whiskey and all the drugs are there? Need a matter in the city. The father was under the ground.

1:17 Speaker 3: Papa's hitting high was a rocker Berry sign.

1:20 Speaker 2: Wrong place, wrong time, into my life. She gone five minutes, saying to show me the night sook off running. I got myself behind, but I could see the cat.

1:34 Speaker 4: But you'd have to be blind.

1:36 Speaker 5: Told me. Bertie Street, that you didn't lie.

1:38 Speaker 2: My toul ain't no problem. Because the cat came home.

1:45 Speaker 2: She gone around, she gon back, she gone and blown, She gone black. She gone who around, She gone back, She gone and blown, She gone black. Said you might not a sinab.

2:01 Speaker 3: I'm sure you ain't.

2:01 Speaker 2: Or sink hips and then stars, I mean in then was fixed.

2:06 Speaker 5: Sad.

2:06 Speaker 2: I'm sorry, honey, I don't know what you mean. She said, give me a whiskey and all the drugs are dead.

2:11 Speaker 6: You eat, You might not be a sin of. I'm sure you ain't. For six tips.

2:48 Speaker 1: Written them stars, I mean the speak sad. I'm sorry, honey, I don't know what you mean. She said, give me a whiskey and all the drugs and.

2:57 Speaker 7: Dig April days of coming gone spring, rain is rolling on. My heart breaks without a song. The road starts to wind. They're funding war, or so they last.

3:45 Speaker 8: The end times are coming fast? Will peaks get a chance?

3:53 Speaker 9: Who lould have known? I've been feeling.

4:00 Speaker 7: Look, something is wrong.

4:04 Speaker 10: The voice in my head has been here for.

4:09 Speaker 9: Two long One day.

4:13 Speaker 11: I will get to live again.

4:34 Speaker 7: Playing in my hospital bed, the sun shine and all my head.

4:41 Speaker 10: The doctor stopped by and said they know what's the cause.

4:48 Speaker 7: I've been feeling Look, something is wrong.

4:55 Speaker 10: The voice in my head has been here.

5:00 Speaker 9: Here for too long. One day I will get.

5:08 Speaker 10: To live again. I'm happy to be alive. The worst days are long behind. He lives from all the time I spent in pain.

5:41 Speaker 7: I've been feeling like something is wrong. The voice in my head has been here for two.

5:56 Speaker 9: One day?

5:58 Speaker 5: How okay?

6:01 Speaker 9: Live love?

6:03 Speaker 12: Yeah, you are.

6:20 Speaker 9: Listening to w m and H ninety four.

6:26 Speaker 13: The Command God Don't get so Green, Leader Maxill Cobby.

7:04 Speaker 3: Good morning, everybody.

7:06 Speaker 9: Here we go.

7:06 Speaker 3: It is that time again, Matt Connorton unleashed and we are live from the studios of wm NH ninety five point three FM and Glorious but very Cold Manchester, New Hampshire. Of course, also streaming online. You can go to wmnhradio dot org or my website Matt connorton dot com slash live for all your live streaming options. Today is Saturday, January twenty five, twenty twenty five. I'm not alone. Good morning, Yes, Jenny is here at the news table and uh, let's see. By the way, so we opened the hour with a couple of radio premieres.

7:52 Speaker 3: The American Radio premiere of the brand new track from Naked Without It There from the UK. They were with us on the show recently skyping in called all the Drugs great song. And then our new friend from Seattle, Mike Frasier, we opened with the world radio premiere of his new song called April Days. And he is going to be with us. I think he's gonna be possibly in studio with us when he's on tour in a few months, if I if I'm not mistaken, But right now now this is uh, We're gonna have a lot of fun.

8:22 Speaker 3: I'm really looking forward to this. We've got actually here, I'm gonna change over the music, fade out your theme music there, Johnny, I'm gonna play a little something else and uh, this will be This isn't as smooth as I wanted it to be. Hang on, Yeah,

8:47 Speaker 3: we have as featured recently in Paper Jam magazine, our wonderful friends at Paper Jam. We have not Lee Crue here with us. Welcome everybody, Yes.

8:56 Speaker 14: Going on, Hell, what's it going?

8:58 Speaker 3: Let's see. I'm gonna make sure I get those snikes over there for the for the backup singers. Actually, let's do this. So of course, if you haven't figured it out. Not Lee Crue is a Motley Crue tribute band. And let's start in the in the corner here. I'd like to have everybody introduce yourselves, although I gotta tell you, and I said it off air, but you look, I gotta put the camera on you. You look so much like Eric Carr. And my favorite band is Kiss, as someone else in the room is well aware of.

9:22 Speaker 3: So it's freaking me out. But you are not Eric Carr. But go ahead and introduce yourself.

9:29 Speaker 14: Hey, how's it going?

9:30 Speaker 12: This is?

9:30 Speaker 14: This is Tony Lee over here. I'm the drummer of Not Lee Crue.

9:34 Speaker 3: Tony Lee all right, and you, sir, you're also very familiar.

9:37 Speaker 15: But Chris Chris Neil vocals, Chris Neil, very good.

9:41 Speaker 16: You have Kenny six on the base over here, and you actually play I assume I do all all the tracks, okay, very very good, very.

9:47 Speaker 17: Good, And I'm saying o't no otherwise known as Thick Mars all right, very.

9:53 Speaker 5: Good, very good?

9:54 Speaker 3: And over here, Oh I can't hear you for some reason. Oh go ahead, you gotta Oh that might ended up really far away from you. Let me pull this up here, Go ahead, I'm Nicole in one of the Notley Girls.

10:08 Speaker 18: Okay, welcome Nicole Bretany also not like girl.

10:11 Speaker 3: Okay, welcome, and you're so you're the backup singers for those who can't h I remember to switch these cameras over so everybody can see everybody here. Oh, that's already on you. Okay. So so we've got the whole band here. This is great. That doesn't always work out on a Saturday morning. And uh, you're all gonna play live first. What are you gonna what are you gonna play?

10:32 Speaker 16: Yeah, we figured we do a couple of songs. We'll do some you know, we'll take you back to nineteen eighty five. We figured we do a Home Sweet Home. Everybody knows that one. Oh yes, and then we're gonna go back to nineteen eighty one, do something off the first album, a song called Starry Eyes.

10:45 Speaker 3: Okay, all right, Yeah, you want to play something for us now, and then we'll talk for a bit.

10:49 Speaker 19: Sure, which which one do you wanna do?

10:50 Speaker 15: First?

10:51 Speaker 3: You play?

10:54 Speaker 14: Okay, there we go.

10:55 Speaker 19: We're doing We're doing Home Sweet Home.

10:56 Speaker 3: First, Home Sweet Home, all right, wonderful a song that I'm quite certain it's still played at high school proms to this day.

11:07 Speaker 17: I actually can plug this in. I see a quarter inch down there.

11:10 Speaker 3: Oh yeah, oh that would be fantastic. We can do that. Yeah, let me let me mute that that whole thing over there for a moment. Yeah, if you want to do that. Yeah, just yeah, you can plug right into that and then I'll pull this up. I just got to figure out what channel it's on. Can can you see from there? What channel? Can you tell what channel that that's plugged into? Yeah, it's in four okay, perfect. Let me turn this back on.

11:45 Speaker 15: For for you.

11:45 Speaker 17: There's headphones over here, and you probably hear me better.

11:56 Speaker 3: I think we Oh yeah, that sounds good. Yeah, we've got you. We've got to plug in. Excellent. So if you're just joining us, not Lee Crewe, not Lee Cruez here with us at the studio, Yeah that sounds good.

12:25 Speaker 4: You know, I'm a dreamer, b my to go and run away, so I want to come home.

12:37 Speaker 13: Lo, just win things win und doesn't mean they're always wrong.

12:45 Speaker 9: Just say this sound and you'll never be here left.

12:51 Speaker 5: Don't pick me to your.

12:55 Speaker 8: Fill me in your bones.

12:58 Speaker 13: It's just one month and I'm coming out this long and winding room. Come on my way, Come on my way, O sweet, turn out on my way, come on my way. Oh sweet, you know that a scene too many romantic dreams up, light falling out till the screen from my heart's locking old ben book for the whole world to read. Sometimes nothing you keep feed agather around seems Come on my way, come my.

14:08 Speaker 9: Way, home, sweet.

14:17 Speaker 8: My way, if you'll send me.

14:21 Speaker 5: Free home sweet o sweet home home sweet home. Boom sweet.

15:00 Speaker 9: Um you send me free.

16:14 Speaker 3: Oh very nice, very nice, well done, well done. Everybody, if you are just joining us, we have not Lee Crue here with us live in studio on this Saturday morning. And uh so, uh tell us, uh tell us about the uh the origins of not Lee Crue. Why did you why did you all decide.

16:34 Speaker 9: To uh to do this?

16:36 Speaker 19: So let's see who wants to start.

16:39 Speaker 3: I mean, obviously you're all big Motley Crue fans.

16:41 Speaker 20: Absolutely, I decided to do it because they were already established, they needed a singer, and I grew up on I grew up on Crewe.

16:49 Speaker 15: I love I love Motley Crue.

16:52 Speaker 20: Yeah, it's definitely represents just the raw energy and passion of just good old rock and roll.

16:58 Speaker 15: So yeah, yeah, I am here.

17:00 Speaker 14: Absolutely, I definitely agree with that.

17:01 Speaker 21: It's just it's an explosive kind of music to play. It's it's tons of fun and always goes over.

17:08 Speaker 14: Well.

17:09 Speaker 3: Yeah, you even kind of talk like Eric Carr, you got to freaking tribute and it's freaking me out.

17:20 Speaker 14: Maybe you're going to join a Kiss tribute?

17:23 Speaker 3: Exactly, exactly.

17:25 Speaker 16: Yeah, basically, you know it got it got started out of out of I won't say a joke, but we we were in a different band. We kind of we we decided on a Halloween to to actually dress up as Motley Crue and do do kind of a one set of their music. We realized we had so much fun playing it and loved the music so much that it kind of it evolved into this. You know, it's kind of how it happened twenty nineteen.

17:50 Speaker 3: Yeah, yep, Oh, very cool. So that's when it's so so you got you guys been at this a while?

17:54 Speaker 5: Yep.

17:54 Speaker 3: Has it been the same line up the entire time?

17:56 Speaker 19: No, We've had some changes. Yeah, we have had some changes over the years.

18:00 Speaker 16: For you know, we we needed people who were completely dedicated to it to pull it off live, because we do do you do.

18:09 Speaker 14: You do, do you know, we do.

18:12 Speaker 16: We do a full tribute, so we're we're getting you know, we we have the full shout, the Double era costumes we use, so we you know, we needed people who were dedicated to out look, who are gonna you know, gonna shave when needed, who were gonna you know, perform the part and and and act the part.

18:31 Speaker 3: Well, now, Vince Neil.

18:31 Speaker 20: Has had a beard at some point, right, yeah, well we're not on tour right now. This is this is my hangout. This is my hangout at the at the beach. Don't have to worry about it. But obviously theatrical makeup doesn't work on a beard, so right to go back to the theatrical makeup. Ye, So yeah, yeah, we uh, we were anti anti shaving for the for the promo, but when we do the gigs, it's.

18:57 Speaker 15: It's you know, as you can see from the shirt. Yeah, it's all. It's all showed at the Devil.

19:02 Speaker 3: Yeah, you guys brought us surets. Thank you so much. Yes, you got it and some picks too. You got picks?

19:07 Speaker 17: Did you guys charge them?

19:09 Speaker 21: No?

19:09 Speaker 3: Of course not, what the hell you can invoice us.

19:15 Speaker 3: We're not doing this for free.

19:18 Speaker 18: I thought the picks were led or something.

19:20 Speaker 8: I'm like, charge them.

19:23 Speaker 3: That's a good idea.

19:24 Speaker 15: Also wrong tribute Gene Simmons over here, right.

19:30 Speaker 3: Oh yeah, I just came up with a million dollar there you go. Now, what what's kind of the range in terms of the songs that that you play, Like, do you cover like? I assume you don't do anything from the Krabbier era, right, because certainly Vince Neil would not do that. But well, we're not opposed to it.

19:50 Speaker 16: We've talked about it, We've done I think what the most recent stuff is What Afraid? Maybe yeah, oh yeah, we do that one. But we kind of we kind of I mean, the people want the earlier stuff. Yeah, so we because we're at that shot at the double era costume, we definitely start out with a lot more songs from those two the first two albums, okay, and then we kind of we mix in the other stuff to hit so obviously and yeah, and then we'll do whatever people want.

20:13 Speaker 9: The goal the goal in the.

20:15 Speaker 16: Future we will, Yeah, the people will do. What we want is to expand you know, expand into the other era costumes as well. Yeah, so we're starting out with this we think this is the strongest era for them, This is what made the mark for them. So that's where it's at, you know, so we'll start there.

20:30 Speaker 3: That makes sense. That makes sense. How many how many songs as a band? Do you know? How many Motley Cruz songs?

20:36 Speaker 19: Do you everyone want to take a stab good exander.

20:40 Speaker 17: I'd say like thirty, probably.

20:44 Speaker 3: Quite a bit.

20:45 Speaker 17: I mean we know all the hits. Yeah, everything that had a video for the most part, except for You're All I.

20:51 Speaker 16: Need Okay, we you know we I forgot about that song. Yeah, I literally forgot about you. Yeah, it's such a huge that song, such a huge production.

21:00 Speaker 17: As far as anything that had a video, we pretty much have, you know, for the most part. Down there's a few that you know, it's like we we played it and then we're like, I did it go over and then it's like, you know, we're going to keep working on it.

21:16 Speaker 3: So yeah, you know, that makes sense.

21:20 Speaker 21: We've got a lot of deep cuts on the on the set as well, which a lot of people in the crowd appreciate, especially true crew crew fans.

21:27 Speaker 14: They love that stuff, like like what we just actually added danger to the list.

21:32 Speaker 15: A round up show to the Devil yeah, we were playing all the show the Devil.

21:37 Speaker 14: All right, Yeah, it might as well just finish it off.

21:41 Speaker 16: Now we can do the We can do the whole album in the show if we wanted to know.

21:47 Speaker 3: Oh that's cool. Yeah, yeah, very cool.

21:50 Speaker 15: We can. Ok.

21:51 Speaker 3: Yeah with the current draft, do you do like, do you have any special effects that you used during the show. Is there any kind of uh, other than you know, lights.

22:04 Speaker 17: His pants on.

22:05 Speaker 14: Yeah, I haven't played naked yet.

22:07 Speaker 3: Yeah, yeah, I mean we do.

22:11 Speaker 5: We bring the whole thing in.

22:13 Speaker 16: We've got the smoke, we've got the lights, we've got the we we use video so we like to you know, obviously you know we're we're we're impersonating them, but we like to bring the videos into the performance so that people kind of get transported. They're like, oh, you know there, I remember this now, and we we provide that soundtrack while they're kind of watching the movie, you know. So it's kind of a you know, I think I think it creates a cool aura.

22:36 Speaker 20: Yeah, it's a it's an event. We've got our show to the Devil. Red light boxes we stand on as we start in the beginning to start the show. We you know, we have you know, the modern led lights and those are sometimes in sync with the music, so we get you know, strobing and effect.

22:55 Speaker 15: From from the from those lights.

22:57 Speaker 17: Uh.

22:58 Speaker 20: Plus you know all our banners, as he said, we either use TVs or projectors to show the you.

23:05 Speaker 15: Know, the time period and the influence.

23:06 Speaker 20: So it's kind of you're watching us do it as a tribute and you're remembering, you know, if you haven't seen you know, the videos, and certainly MTV doesn't play videos anymore.

23:16 Speaker 15: Right, if you haven't been on YouTube recently, it brings brings.

23:20 Speaker 20: You back, especially if you were you know, you were there during the eighties a day right, yeah, time man, Yes, it's pretty cool the spectacle.

23:28 Speaker 3: Are there any Are there any Molly Cruz songs that were challenging to learn as a band? I mean, I would tend to doubt it, but you never know. So I'm curious, what are there any songs that you've learned that had anything about them that was kind of unusual, that was trickier than maybe some.

23:43 Speaker 17: Of the others or Mick Mars is very unorthodox.

23:47 Speaker 5: Yeah.

23:48 Speaker 17: Yeah, Like you listen to it and you go, oh, it sounds fairly simple. But he because of his influence as his playing is to me, I would say, not in a negative way, but backwards from what the average guitarist would would play. So a lot of times I'm like, how this is weird, you know, So I'm playing something as close as possible because it's just my brain won't let me play this weird this weird run that he does exactly the way he does it. So I'm like, I got to do this as close as possible. But when you're digging through it and nitpicking everything like that, it's he has a very unique style that you know, I've always appreciated his his writing and his playing, but when we started doing one, well, when I joined and started really nitpicking, it was like, Wow, that's weird.

24:44 Speaker 17: That's weird that he plays it that way.

24:46 Speaker 3: Is he not one of kind of the unsung heroes? Absolutely? I mean one of the most underrated.

24:51 Speaker 17: Yeah, especially for how big the band is as a whole. You know, he's you know, he not like a Steve I or Eddie van Halen or you know, Rest and Beast.

25:05 Speaker 16: You know, yeah, yeah, he's just he's a nasty player. It's like, yeah, he's got that high overdrive sound. I mean, that's that's critical to the band, you know.

25:12 Speaker 3: Yeah, Well, like you look at a song like Home Sweet Home. So personally, even when I was a kid, I never really liked that song very much.

25:19 Speaker 15: Get Out.

25:22 Speaker 3: Shows over except for the solo. The solo is magnificent. The rest of it, I never I never liked the way Vince Neil. I like the way you sing it, Chris, but you're a better but you are, I mean, you're a better singer than Vince Neil ever was.

25:38 Speaker 15: Yeah, in his heyday, I mean it was it was a character. It's a character voice.

25:42 Speaker 20: Yeah, it's a very specific sound that he had, and you know the look and the high energy.

25:47 Speaker 15: You know, he had his he had his moment in the sun. Obviously they're still they're still playing. But you know your question.

25:54 Speaker 20: Some of the things are some of those songs, if you don't sing it in character, like Shouted the Devil Doctor feel Good, there's no place to breathe. I'm assuming if Nicky wrote those lyrics, he did not write him from the point of view of a singer. It's just rambling on and there's just nowhere to stop. So it's difficult. You can, you know, see it in some of the crew performances. Vince doesn't try for that stuff, and oh I know yeah, like.

26:19 Speaker 3: Uh yeah, he kind of just talks his way through the through the songs.

26:23 Speaker 20: Now, yeah, I sing I sing it, you know, I want to sing it adapt you know, to that high vocal and the range, like you sound like him, But I want to I want to belt it out.

26:33 Speaker 3: But from a technical standpoint, you're nailing it, whereas he no longer. Yeah, like I would, I would argue you're singing it better than he even sang it.

26:40 Speaker 15: Yeah, thank you, but you're but you sound like him.

26:44 Speaker 3: You know what I mean?

26:45 Speaker 17: Yeah, suddenly we all can't fit in the room.

26:47 Speaker 15: Yes, well that fits with the that fits with Vince.

26:55 Speaker 3: Right, Yes, you're thinner than he is as well.

26:58 Speaker 14: Yes heard these days we can't call you Vince Neil.

27:03 Speaker 12: But.

27:06 Speaker 22: That is already taken by.

27:10 Speaker 19: Yeah, that's the challenge too. So see we have that as a built in excuse.

27:13 Speaker 16: So if we do, if you know, if Chris does hit a wrong note, we can just say, well, he's trying to be authentic, right exactly?

27:21 Speaker 3: Do you want to play another one?

27:23 Speaker 15: Sure, I just need to grab.

27:27 Speaker 3: Yes, we brought we brought her Jack, but.

27:33 Speaker 17: Right yeah, I didn't sign on for that.

27:39 Speaker 3: Yeah you can have that on. Yeah you have it on the tour bus, you know, not while driving exactly exactly What do you guys if you are just joining us, not Lee Cruz here with us in studio? What are you guys going to play now?

27:57 Speaker 15: I was thinking starry eyes.

27:59 Speaker 17: I was Thinkingthoven's fifth.

28:06 Speaker 12: Go for it.

28:22 Speaker 22: When she left.

28:24 Speaker 13: She's got the power of a chown in her ass.

28:29 Speaker 13: When you crying now, she'll hold you like a man supposed to.

28:34 Speaker 9: Be him.

28:37 Speaker 18: That he get in towards out field.

28:40 Speaker 22: I can't writing the song, no, no, no set up. She needed a brand to jump back to me, the story.

28:52 Speaker 9: Ass whoa oh star eyes?

29:03 Speaker 23: Whoa standing alone in the lunch you can see her drive win the spiling a wink and a spike of Lena else She calmly said, I will be already. Well, child, you been a sick pain of a man on the streets.

29:43 Speaker 9: You gotta let me.

29:46 Speaker 18: She needed a brand, even just for one night. The starry eyes, whoa stary eyes?

30:02 Speaker 8: Well, who know blabs that.

30:30 Speaker 5: Know who.

30:34 Speaker 9: Know?

30:35 Speaker 8: Who?

31:09 Speaker 13: Oh?

31:10 Speaker 24: No?

31:13 Speaker 9: Whoa no whoa start as, whoa.

31:27 Speaker 13: Fame starn as whoa road down? Famous? Starnus.

31:39 Speaker 25: Whoa, whoa, whoa, whoa, Oh.

32:20 Speaker 21: Stoy, that's not the Crue at the coffeehouse open mic session.

32:29 Speaker 3: Oh my god, that was great.

32:31 Speaker 14: It's awesome.

32:32 Speaker 3: Thank you Rachel. Last someone someone asked to keep us in time.

32:42 Speaker 15: That's right.

32:46 Speaker 19: How many drums have been played on that chair?

32:48 Speaker 15: Killing it? Good question, shoulders. I think that was the first.

32:57 Speaker 3: Very cool if you if you are just joining us not Lee crew is here with us alive in studio today and uh no, that that sounded really good. That song, well, I haven't heard that song and forever is Molly Creue ever played that live? Yes?

33:13 Speaker 20: Yeah, it was actually we played the live version. They have a live version. Okay, that's excellent and we we do that for the live show.

33:22 Speaker 3: Very yeah.

33:22 Speaker 19: People seem to like it.

33:24 Speaker 15: Yeah, big energy.

33:26 Speaker 20: Yeah, it's a it's a it's a great, great performance and like what did you say eighty four?

33:30 Speaker 3: Yeah, yeah, it's a great song. And that's another one I'd forgotten about.

33:33 Speaker 20: But yeah, it's kind of a deep track. But yeah, yeah, it was fun to play front But that's that's fun. Yeah, we're just trying to think of something that you could deliver in here on acoustic yeah. Yeah, it's a great, great, a ton of stuff that we don't have, the the electrification.

33:47 Speaker 15: So yeah, live wire, that's that.

33:53 Speaker 14: I'd probably do it.

33:56 Speaker 3: You want to, you want, we have time. If you want to play. You gotta sound fantastic. I'd love to hear more.

34:05 Speaker 15: Yeah, go for it.

34:30 Speaker 9: Plug me in.

34:31 Speaker 13: I'm laugh to night, hut on the streets again, him turn me out. I'm hot to stop something you'll never forgive. To take my fence and break the walls, laptop to night.

34:43 Speaker 9: No, no, bet it's something loose.

34:47 Speaker 18: You bet it's sent me free because.

34:48 Speaker 13: I'm hout of the young, running free a little bit bitter than it used to be, because I'm alive, because.

34:58 Speaker 9: I'm alive, and while.

35:02 Speaker 26: I'm alive, because I'm alive, I'm a live while you.

35:30 Speaker 13: Please to break your feast and take down then skim my waist.

35:34 Speaker 18: Will you go for the throat and never let Louise join in for the kill, To take my fist, to break down walls.

35:42 Speaker 13: I'm talk tone No, no, you better tell me loose, you better send me freezing. I'm holderly young, running free a little bit better than it used to be because I'm alive.

35:56 Speaker 12: He wi.

35:59 Speaker 8: Life I'm a live while.

36:03 Speaker 9: I'm alive.

36:05 Speaker 5: There, so I'm alive.

36:09 Speaker 8: I'm a live who.

36:24 Speaker 9: Kill I be there? You gotta play with men?

36:28 Speaker 18: Well, I'm your live wire. Yeah been locky dolls.

36:35 Speaker 8: Come on the proud man.

36:38 Speaker 9: We'll be back filling lives.

36:46 Speaker 18: Because I'm alive.

36:48 Speaker 9: There, s alive. I'm a live.

36:55 Speaker 5: Summer live.

36:57 Speaker 9: Here wi him.

37:01 Speaker 23: I'll be my baby be mount tonight because some of that Loda love you baby.

37:07 Speaker 13: What if I go around tonight llive everything you all inside?

37:14 Speaker 9: Let me in, Let me in. I want Tonight gloom all Tonight.

37:31 Speaker 27: Shop.

37:50 Speaker 14: Oh nice, He's couch drums are fantastic.

37:56 Speaker 3: Yeah, we needed we needed it for that one.

38:00 Speaker 14: I think this is the quietest I've ever played.

38:04 Speaker 7: My fa.

38:05 Speaker 20: He is definitely to lee on the drums. Yeah, he's a hard hitter on the couch trying to get there.

38:11 Speaker 3: Get it.

38:12 Speaker 20: Tell he's not at seft hitter. So we have that high energy, big thunder his drums.

38:16 Speaker 14: Yeah.

38:16 Speaker 21: Yeah, Tommy can be very explosive. So I try to in his pants. Oh my, I try to imitate the way he plays. He's just he's incredible.

38:29 Speaker 3: Is it hard to play like him? Because he is? I mean, you know he's another guy who kind of doesn't get his dude just because he's in Motley Crue. But he is technically, I mean, he's an incredible drummer. Yeah, yeah, he can.

38:39 Speaker 21: He he could be pretty technical in a lot of songs. There's I wouldn't narrow it down to a particular song, but there's a lot of accents that he does, symbol chokes, certain fills. You really, when you're learning them, you gotta feel them rather than just going into it because they're just they're so particular.

38:59 Speaker 14: Yeah, in a lot of tunes.

39:01 Speaker 17: And the other great thing about our drummers he can't play to a click either.

39:04 Speaker 14: Oh really, that's not.

39:10 Speaker 3: Lee Crue is here with us live in studio. And so you guys were recently featured in Paper Jam Paper Jam magazine. Are wonderful friends and yes, yes, how did that come about? Did they find you? Did you find them?

39:21 Speaker 12: Or?

39:21 Speaker 5: Yeah?

39:21 Speaker 19: I think a little mutual. We were talking.

39:23 Speaker 16: I met Sheila online and we actually went back and forth a little bit and she said, yeah, you guys should come down and do it.

39:29 Speaker 19: So we said why not.

39:31 Speaker 3: Yeah, yeah, oh that's very cool. Yeah, they're amazing, you know, they're they're doing great things in the scene. And now so speaking of the scene, like where where do you all play?

39:41 Speaker 14: Where?

39:41 Speaker 3: Where does uh? Where does not Lee Cruz perform? Like are there certain places that you go back to on a regular basis?

39:46 Speaker 17: That's a little personal ye.

39:50 Speaker 3: Together, all of you together on that's even more personal.

39:54 Speaker 19: Yes, So there's not.

39:56 Speaker 16: I mean, there's there's a couple of places we've done repeat stuff at. Where more we're looking for the kind of the bigger venue to play in the production is so huge, it's tough for people to get the actual you know, you you scale it down, it's not the same yea, So we can do it and the music will still hold up, but it's but it's like we like people to have that whole experience. So we're looking to do like the theater circuit things like that. So we kind of try to reserve it for bigger.

40:21 Speaker 3: Places, okay, okay, and not as much.

40:23 Speaker 16: We don't want to oversaturate. We know there's a lot of bands that go out there and to be gigging every weekend, but we don't want, you know, we don't want to do that. It's such a you know, we want to want to keep it real and keep it, keep it new every.

40:32 Speaker 15: Time, you know, right, right.

40:34 Speaker 3: I'm always curious about this too. So with tribute bands, is there anything like like legally like does anybody from Monty Crew?

40:42 Speaker 17: Well, now you're you're opening up a can of worms. You're you're you're putting the word out talking about we don't own the rights to anything, right right?

40:51 Speaker 3: But you so, but you don't hear from anybody right like nobody?

40:54 Speaker 16: No, I think it's I think so I'll tell you if Facebook is strange, So the best thing to do in like the social media world, if you label yourself strange, if you labor yourself as satire, as a parody, then you kind of you're you're protected. So I have another friend who's in another Martley Creature bit band who had a similar thing happened.

41:14 Speaker 19: But we both had our pages taken down in the beginning.

41:17 Speaker 16: Yeah, and and that was because in the beginning, it was because we're not labeled as satire. Okay, okay, So now we are and we haven't had that problem. So we've built a good following where I think we're closing it on five thousand people.

41:29 Speaker 3: Excellent, right now, that's really good.

41:32 Speaker 17: And a thousand of them are actual people and the other four thousand.

41:35 Speaker 14: That's not.

41:38 Speaker 5: Liar.

41:41 Speaker 3: Now that's great though. No, you guys are doing great. By the way, paper Jam is in the chat room and says, hi, not Lee Crue, great band, great, we love you guys. Sorry for coffee. I had a I was sick like back in December, and uh, this cough just lasts for weeks and weeks and weeks. So I'm not sick. I just I was sick.

42:01 Speaker 17: But the dry weather doesn't help.

42:03 Speaker 3: No, well that's the thing, Yeah exactly, that's what it is. I have this dry cough and every week it's a little bit better.

42:09 Speaker 9: He has this magic thing called a humidifier.

42:11 Speaker 12: He just doesn't actually turn it on.

42:13 Speaker 4: Yeah.

42:14 Speaker 3: You have to put governed mail, you have to put water into it and then turn it on. It's it's a lot. It's a lot cleaning.

42:19 Speaker 17: Every once in a while it gets molding.

42:21 Speaker 3: Oh yeah, exactly. Well the one we have is new, newish, right, but brand new. Buy a new one every year and throw it out at the end of the season.

42:28 Speaker 9: Yeah.

42:28 Speaker 3: Yeah, I'm not kidding. I won't I won't keep them. Yeah, I worked in a nice U s see you. Nope.

42:36 Speaker 9: Oh, yeah, bye.

42:40 Speaker 3: Do you guys, do you have anything coming up? Do do you have some shows uh booked for twenty twenty five?

42:46 Speaker 19: Yeah, we've got to.

42:46 Speaker 16: We've got a couple of things we're working on, which we're branching out to some other states too. We're looking at New York right now, a couple of things like that putting together. And we want to put together, like I said, some theater shows with two or three band type shows, you know, bigger houses.

42:59 Speaker 19: Yeah, bigger productions.

43:00 Speaker 12: We do.

43:01 Speaker 19: We do have one right now in the calendar for June. Let's see.

43:06 Speaker 16: That's it in Worcester at Ralph's. And we also haven't we have something else coming up on potentially uh at the end of June. Okay, And that's that's the New York show. We're working on something trying to work with the Rochester Opera House, so I'm in communication with them right now. So we're hoping to put together something over there also with a couple of the bands.

43:24 Speaker 3: Oh, very cool, yep, very cool, excellent, excellent.

43:27 Speaker 15: That Ralph show is a summer it's an outdoor show, right yeah, outdoor. Yeah, it's outdoor, so outdoors.

43:31 Speaker 3: Yep, that'll be fine.

43:32 Speaker 15: It'll be cool in the summer. Yeah.

43:33 Speaker 3: Absolutely absolutely. Is it a lot of work to get into because because you do the whole uh you know what, what do you play live? Obviously you're in full full costume. I mean, is that a lot of work to get into that?

43:45 Speaker 14: Or yeah?

43:46 Speaker 3: Pretty definitely absolutely.

43:48 Speaker 16: We We have our costume designer, Brittany over here in the room. If it weren't from her or for her, we wouldn't make it. So we her and the other girls help us out a lot. Brittany actually designed and made all the costumes pretty much for us.

43:59 Speaker 3: Okaddy, it's very very frustrating.

44:02 Speaker 18: You cannot find anything of eight.

44:06 Speaker 3: Rock really yeah, you actually like hands stitch.

44:09 Speaker 18: I literally went the.

44:14 Speaker 3: Oh that's incredible.

44:15 Speaker 22: Wow that so chains on everything made fringe from scratch because that's pretty You.

44:20 Speaker 5: Learned real quick.

44:20 Speaker 19: You have to look up women's stuff.

44:22 Speaker 22: Oh yeah, definitely, and I just took stuff from there and then made modifications to it.

44:29 Speaker 3: Oh wow, okay, I just wanted to look very authentic.

44:32 Speaker 17: Yeah yeah, yeah, my heart does all the makeup to Oh really yeah, we help, but I mean she's okay.

44:42 Speaker 5: I'm very good at like.

44:43 Speaker 18: You give me a picture, I can make something like the picture got.

44:47 Speaker 4: Them all done?

44:48 Speaker 3: Oh excellent, excellent, very cool.

44:50 Speaker 16: Yeah, so that's that's another thing. I mean, these lovely ladies here. We have the third one who couldn't be with us today, but we we've been.

44:57 Speaker 19: They're in our show.

44:58 Speaker 16: I mean, they come out, they do backups for most of the set now, which is really good. Adds another depth and dimension kind of what not Motley Crue does anyway. Yeah, but but we're even adding them to some of the earlier stuff and you know, it's it's sounding good.

45:10 Speaker 19: It's just bring bringing everything to.

45:12 Speaker 14: A new level.

45:12 Speaker 17: And Motley Crue had the nasty habits and we have.

45:21 Speaker 15: Right my vocal backup support and gives me a chance to breathe.

45:26 Speaker 5: Yeah.

45:27 Speaker 3: Yeah.

45:27 Speaker 20: On stage, you know, the costumes they're great. Yeah, put you in character. It feels awesome. But they're they're hot, they're they they you know, they're not very super functional.

45:42 Speaker 20: So yeah, the ladies help us a lot, as you said, you know, whether it's hair, makeup, costume design, all the all the ladies are not used.

45:52 Speaker 18: To having long hair, a face full of makeup and wearing leather.

45:56 Speaker 26: Right.

45:56 Speaker 17: Yeah, I pretty much come out and I say hello to everybody in the band at the beginning of the show, and then I put the wig on and and that's it. I don't see them again until the end of the night. I can't see anything.

46:11 Speaker 9: Yeah.

46:13 Speaker 3: By the way, our friend Bruce Heberlin is in the chat room from Legion of Solace. They're a great organization that does a lot of promotion. I don't know if you know those guys, but he said, here's an idea book all theaters and play theater of pain in its entirety.

46:28 Speaker 17: I'm down with that.

46:30 Speaker 19: Great idea.

46:32 Speaker 3: There you go, there you go. Well, guys, it is it is already approaching the top of the hour. So I want to make sure people know where should they go online to keep up with everything that you're doing, your shows and anything. You want them to know. Where should they go?

46:45 Speaker 20: Well, our Facebook site would be the first place to go to see any you know, pictures, videos, any show postings.

46:52 Speaker 15: Definitely there.

46:54 Speaker 16: Follow us on Facebook, but it's at we are not Lee Crue, okay. And that's the same with the website. The website is we are not like crew dot com. Okay, okay, very cool, very cool?

47:05 Speaker 3: And when is that? When's the next Because you mentioned. Uh, is the Ralph Show the next one you have?

47:11 Speaker 16: Yeah, next thing on the calendar for now. Yeah, so we're actively working on some other stuff in the pipeline. We'll see if it pops up.

47:16 Speaker 3: Yeah, yeah, outstanding, outstanding. Not to put you on the spot, but do you want to play one more to finish out the segment or do you? Guys?

47:26 Speaker 15: What do you think?

47:26 Speaker 17: Share what we got?

47:29 Speaker 3: I think you sound so good. I'm selfishly I want to hear one more.

47:33 Speaker 17: How about this one?

47:39 Speaker 3: Well, you got one guy over here. Part of it is the jacket. Part of it is the jacket. That's totally an Eric car jacket.

47:44 Speaker 14: I dressed up like the wrong guy today.

47:46 Speaker 3: I guess the jacket, the hair, of the sunglasses, everything you have hot hot Machede era. You look like Eric Carr from the Hot Machine Tour.

47:53 Speaker 5: Yeah.

47:57 Speaker 3: Nice, get to the right tribute later he's like, I got this, Chris could sing that. If he knows it, you can definitely sing it.

48:07 Speaker 19: Alright, what do you know?

48:09 Speaker 15: What works up? What works on the acoustic we'll do we'll figure it out quick one.

48:13 Speaker 14: Uh.

48:15 Speaker 15: Coming through, I'm trying to think of what don't I did?

48:17 Speaker 12: I did?

48:17 Speaker 3: Put you guys on the spot.

48:19 Speaker 15: Oh all right, we do that.

48:21 Speaker 3: There you go, not we true.

48:50 Speaker 13: Living on at making love to someone else's dream?

48:55 Speaker 18: See it again, she put, will tell it out?

49:00 Speaker 9: You know what has to mean? Do you remain willy? Were what no?

49:16 Speaker 18: Dreem sne soon seaking tone the nice the money begets the money you needs?

49:24 Speaker 8: Do you know what I mean?

49:27 Speaker 9: Do you remain worry? Well?

49:36 Speaker 7: You know.

49:38 Speaker 12: What I.

49:41 Speaker 13: Too fast, too fast?

49:43 Speaker 9: Below the two big love.

49:48 Speaker 26: Too fast, too fast, below the two kids things love.

49:55 Speaker 5: Too fast, too fast, below, the.

49:58 Speaker 26: Two things to face belove too fast, too fast, below, the.

50:05 Speaker 9: Two fancy two face below, who no.

50:11 Speaker 23: Why no se streamline queen on the sex graze movie scream all say it again to use it, tummer have nothing show will make mond once?

50:27 Speaker 9: Do you remember where? Remember?

50:35 Speaker 14: Who know?

50:40 Speaker 24: No?

50:42 Speaker 26: Too fast too fast?

50:44 Speaker 9: Below the two.

50:46 Speaker 17: Fast too face below, too fast too fast?

50:50 Speaker 9: Below, the two face to face below, too fast too fast, below the too fancy too things love.

51:02 Speaker 26: Too fast, too fast below, too fast too fast below.

51:12 Speaker 11: O baby ball, No baby bad too fast too fast below,

51:22 Speaker 11: too fast too fast below my.

51:25 Speaker 9: Baby ball baby ball too fast too.

51:30 Speaker 26: Fast below, too fast too fast below to.

51:39 Speaker 18: The fast come on over the mad.

51:42 Speaker 11: Too fast, too fast below, too fasty, too fast below.

51:57 Speaker 3: Oh fantastic, not not Ley crew, every buddy, guys, thank you so much, and ladies, thank you, thank you, everybody, thank you very much.

52:05 Speaker 19: Thanks for having us.

52:06 Speaker 3: All right, absolutely, what's the website? One more time?

52:09 Speaker 19: We are not Lecrue dot com and Facebook and Instagram is at We are not lee Crue.

52:14 Speaker 3: Outstanding, outstanding And if you are listening live, we've got Mercury Burns first coming up in the second hour. But thanks guys and everybody listening live, stick around plenty more to come.

53:01 Speaker 27: Back cost us.

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59:31 Speaker 7: Seven times out of ten. We listened to our music at night.

59:38 Speaker 28: That's on the title book business program Late.

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