Matt Connarton Unleashed 10-18-25 hour 3

0:00 Speaker 1: W m n H rip the noble sis.

0:06 Speaker 2: You're listening to Matt Connorton unleash w m n H ninety five point three.

1:01 Speaker 3: Of course, vampires, of course, children of the night.

1:17 Speaker 4: Of course, sleep walkers.

1:25 Speaker 5: Of course, living day.

1:35 Speaker 6: Hi, hi, Hi, we are the great yard Shift.

1:49 Speaker 7: We dare you to join us to bring out the dark this again.

2:05 Speaker 1: For tonight.

2:07 Speaker 8: Bye the sun, just like just like well what beacon, bye.

2:46 Speaker 5: Dads, until the day wreaks.

2:55 Speaker 1: We are not to know, n.

3:05 Speaker 9: I we ure.

3:12 Speaker 4: The grank godship.

3:18 Speaker 8: With day to join us.

3:26 Speaker 4: Bring out the darkness again.

3:33 Speaker 8: For tonight. But by the sons.

4:12 Speaker 6: We are the great yard Ship.

4:19 Speaker 10: We tell him to join us.

4:27 Speaker 4: Bring out the darkness again.

4:35 Speaker 8: For tonight.

4:37 Speaker 6: But by the sun.

5:06 Speaker 8: Of course.

5:08 Speaker 11: That I.

5:16 Speaker 8: Some course children of the night, some.

5:28 Speaker 5: Street walks, I colors believing right, alright, we are the great yard Ship.

6:00 Speaker 8: With that you to join us.

6:08 Speaker 4: To bring out the gardeness again.

6:17 Speaker 12: Tonight with by the sun, we are the cry out ship.

6:35 Speaker 8: Without you to join.

6:38 Speaker 13: Us, Oh, bring out the dogs.

6:50 Speaker 4: Forget for tonight?

6:59 Speaker 14: What night.

7:02 Speaker 15: Fie?

7:39 Speaker 16: I love it. That is the darkness. The band is Dead Harrison, and we're gonna talk with Dead Harrison in just a moment, but welcome everybody. We have entered our number three New Marrow trace of Matt Connorton Unleashed and we are live in studio here at w M n H ninety five point three f M and Glorious Manchester, New Hampshire. And of course you can stream the show from anywhere. Just go to Matt conorton dot com slash live for all your live streaming options, social media links, contact Infosho, archives, et cetera, et cetera.

8:04 Speaker 16: Today is Saturday, October eighteen, twenty twenty five, and Dad Harrison is here. Welcome guys. You guys got to be in the five timers club by now right for Unleashed, Maybe more than.

8:16 Speaker 17: That over our long history together, I'm sure.

8:20 Speaker 16: Yeah, yeah, I feel like you've been on the show, like might be in the double digits. I don't know. I love that song though, I love the ending. That's so cool.

8:29 Speaker 18: It's thank you, It's definitely it's definitely got a little ode typo negative. Yes, you know one of our great influencers.

8:43 Speaker 16: Yes, yes, what album is that? From?

8:46 Speaker 18: Which one?

8:47 Speaker 16: The Darkness?

8:48 Speaker 18: Yeah? That would be the story of the Mold Trust Oldest Yes, yes.

8:53 Speaker 19: So it's not from that at all.

8:56 Speaker 18: Oh no, the Darkness, that would be the single, that would be, that would be.

9:10 Speaker 11: We've been doing this too long, guys, Yeah, yeah, you guys have You guys have a lot of music.

9:14 Speaker 16: You have a large catalog of music. Uh so let's start here, you know, you know the tradition. Andre will start with you if you could eat. Please introduce yourselves, tell us who you are, what you do in the band.

9:25 Speaker 18: I am Andre also known as Dre the Undead. Uh lead singer and uh some rhythm guitar playing. Yes, yeah, uh yeah, just uh being out there a whole lot more than behind the kit. Yes, we have the next person in line that's taken that place.

9:46 Speaker 20: Yes, yes, I am Thrax and I am one of one of the the drummers in this band, because obviously you you are a we're the drummer for for Dead Harrison. But here I am. I think I've been in since what twenty nineteen, Yes, I think it was wave Breakers. Yeah, but yeah, it's been wave Breakers on in Hampton. Be that the place doesn't exist anymore Cloud nine, Oh no, rest of the Teeth. But to the next to me, Hey.

10:20 Speaker 17: I am Sean the Dead. I am the lead guitar player and do a lot of backup singing and screaming and fun stuff like that.

10:28 Speaker 11: Yes, yes, Jason, and I'm Jason Skull's the bass player, and I also do some backup vocals as well.

10:34 Speaker 8: Yes, yes.

10:36 Speaker 16: So when did Dead Harrison start? How long is that Harrison in?

10:38 Speaker 20: Uh?

10:40 Speaker 18: In total?

10:40 Speaker 16: Because originally because there was before before tracks?

10:45 Speaker 18: Is that?

10:46 Speaker 17: Yeah?

10:46 Speaker 20: Well you went through three names before.

10:49 Speaker 16: Well I used to call you at I know, but are you? Are you officially like you're just Thracks for everything now including this.

10:56 Speaker 20: I mean I'm trying to but no, I like it.

10:58 Speaker 16: I like it.

10:59 Speaker 18: It's cool.

10:59 Speaker 16: But so before before Thrax was in the band though, so when you were, because you guys were at three piece for a long time, right you were, you were playing drums and that was so that was the original iteration of the band. So when did that start? It seems like you guys have been around a long time.

11:12 Speaker 17: Yeah, two thousand and eight time frame two thousand and eight.

11:16 Speaker 18: Yeah, at least ten years of us, like just the three or fifteen Yeah, here's just the three of us yea. And it was like after like the ten and eleven years, just like I want somebody behind the kit. Yeah, I feel like it needs something a little bit more.

11:33 Speaker 16: Right, right. So then, so this configuration has existed for so since twenty nineteen. Yes, yeah, okay, okay, and then we should talk about and we'll we'll circle back to it. Of course, we'll mention it a couple of times during this hour. But you got a big show tonight and you're even giving away some CDs for it, so we should tell people about that. And for those watching online, if you're watching on Facebook or YouTube or any of the other various platforms that we stream the video to, you do have some CDs right there in your hands.

12:01 Speaker 18: I have, and there will be more whoever comes to the show tonight at Terminus Underground for the Shadow Lounge event, which is also Eleanor's birthday, Happy birthday, Happy birth Happy birthday. And uh so uh this is uh is gonna be a fun little gothy dance party night, and uh yeah, we'll have some CDs for you. You come over there, you come and enjoy some tunes, You come and dance with us, and you just say, hey, I heard you on the show, and guess what you get a free CD?

12:38 Speaker 16: Very nice, very nice? Yes, uh the new CD of course, uh, None for All? And this is how many songs are. There's a lot of songs.

12:49 Speaker 19: Yeah yeah, there's a couple extra tracks, but basically ten songs.

12:52 Speaker 16: Okay, okay, great you guys. You guys have done a lot of If you've done any EPs or has it all been full length albums? I don't remember.

12:59 Speaker 6: No.

12:59 Speaker 18: The thing is is like, so where the Darkness came from was kind of based off of an EP, and so what ended up without what did? There was a couple of different recording sessions that we did the Darkness came out of. Was that the one with Connor, so that was.

13:23 Speaker 17: Did the Darkness? We did our Bad Moon Rising cover then, and then we also did Black Collar Worker in the Struggle in the.

13:31 Speaker 18: Struggle, and then we did a later session with Joel which was Nameless Dream and End of the Bloodline. Those two EPs technically will eventually be put together to be the first half of None for All. So that EP sect, because you have the story of the Mortuus Ortis, was the first CD, so that's its own. Then there was the six songs that were only put out digitally, never physically. Oh okay, so those will eventually be put onto physical gotcha, and that will be the first part off for none and none for all?

14:15 Speaker 16: Oh interesting, interesting, okay? And Mortuous Artists. That was so when I when I first met you guys, that was the original. That was like the precursor to Dead Harrison, right, correct? And then what was the change to becoming Dead Harrison. I don't know, and I'm sure you've told the story before on the show. I don't remember exactly how it went, and of course, you know, new our listeners won't know, like, like, how did how did you go from from uh, mortuous Artists to becoming Dead Harrison.

14:41 Speaker 18: It was nameplay basically, in the first incarnation of trying and putting together the guys, I was thinking of a Halloween feel and I was just like, oh, you know, dead Rising would be cool, But at the same time it was a video game. It was yeah, that's not so. I just threw Dead Rising through a Latin translator and it came back with mortuous okay, and so I was like, oh, that sounds cool. We ran with that for like three years. Like as the name problem is is everybody kept misspelling it. All I remember that they couldn't remember it, and they couldn't pronounce it.

15:21 Speaker 18: So it was like, ah, we got to do something different. And so that was a brainstorming thing where I went back home and I was just like, I'm going to throw this back into an English translator from Latin. And it gave me Dead having a risen. And as I was saying Dead having a risen in my head, for some reason, George Harrison popped into my head and I was like, Dead having a risen. Dead Harrison, Yep, I like that, yeah, and uh yeah, So it had like a little bit of a dark dive with beginning with Dead, but then Harrison was just kind of like uplifting.

15:59 Speaker 18: And I mean we could put Harrison too, like different names and faces and whatnot, but it was just like it was just developing a character now, you know. Now it's a little bit more than just a name.

16:12 Speaker 21: Well.

16:12 Speaker 16: The great thing too about having a name like that is you don't have to worry that somebody else is going to have it, you know, whereas what Dead having a risen, you know, there's probably some there's probably some death metal band somewhere that has that name already, you know what I mean, you know, and then then you know, you go to upload it to Spotify and oh, somebody already has his name, but but Dad Harrison, you know, chances are I mean, I assume you have not encountered another week.

16:35 Speaker 17: And we've trademarked the website name and everything. So yeah, were someone else snagging it right? Yeah, that's good.

16:43 Speaker 18: Yeah, And that was.

16:43 Speaker 17: Another reason why we change it too, because like the mortuous orders, you think it's probably some like really heavy.

16:49 Speaker 18: Everybody a black metal band.

16:51 Speaker 17: Yeah, you know you listen to us. No, it's not quite what we are.

16:55 Speaker 18: Just a point.

16:59 Speaker 16: So the show tonight, like who else is playing?

17:01 Speaker 20: Is it?

17:02 Speaker 17: Is it just you guys?

17:03 Speaker 22: Or is that the show tonight that we're doing on DJ and oh you are so oh okay, Dred the Dad's going to be spinning some oh club classics, oh club class.

17:14 Speaker 17: Oh wow, okay, And we have a show next.

17:17 Speaker 18: Week is oh point, that'll be us, That'll be the oh okay on the twenty fifth.

17:24 Speaker 16: Oh so tell us about that.

17:26 Speaker 18: Oh that's going to be fun. Uh. I have to kind of pull up the events so I can make sure that I get well able.

17:33 Speaker 20: Blood's going to be on there, but nice realm oh yeah, yeah with septic.

17:39 Speaker 16: Benthic Realm. Yeah, they were on last week. They came in and played acoustic. I was like, wow, this is impressive.

17:45 Speaker 18: Actually, I think Able Blood is not able to play.

17:48 Speaker 17: Oh yeah, but we have which is joined oh love which Trot.

17:53 Speaker 18: Yeah, they're going to be joining us for that one.

17:55 Speaker 17: Benthic Realm, Psychomancium that was the other one. Then the Concept Core they're really good, and then we'll be we'll be headlining. Yeah, and that one starts at seven pm and it's the ritual of Sam Hayne.

18:12 Speaker 16: Who's Sam Hayne. No, I'm kidding, Harrison's brother. Yeah, very cool. We should talk a little bit more too about so people who aren't familiar with Terminus Underground, like like what should people know about that? But people haven't been there. You know what I tell everybody. I always say, the first time you walk into that, into that room, it's like walking into a different world.

18:36 Speaker 18: Yeah, I mean it's pretty much how it is. Because what people don't realize is like that place is actually our rehearsal spot, and so it's grown as like an art of spot. Also because it's like I have my art up on the wall. The guys all like we have all made it into like this cool room, you know, so it has its own feeling it has. I mean, granted I spent countless hours in there just decorating, putting stuff off feelings. I mean, it's just because that's what I do.

19:10 Speaker 16: I remember when you were when you were kind of still building it.

19:13 Speaker 17: Yeah, oh yeah.

19:14 Speaker 18: So as it grows, as it like gets new things and new pieces and moving stuff around, and like it's keeping a very uh homey feel, but at the same time it kind of has like a cool little nod to horror vibe, Like it has a creepy element, but at the same time, like has this really comfortable, like you're going to be comfortable dying here.

19:41 Speaker 11: It's very it's very inviting there. Yeah, yeah, really inviting spot.

19:45 Speaker 16: Yeah yeah.

19:46 Speaker 19: Everybody loves it.

19:48 Speaker 11: Every every single person I've talked to who's been there, they're just blown away.

19:52 Speaker 23: You know.

19:52 Speaker 11: They come in they're just like, I don't believe how incredible this is. And you can tell that, you know, Andrea and Ellen or just really care about the scene. I really want to make everybody feel part of it. Whether you're in a band performing or you're an audience member. You know, it's just there, you know, it's just a good vibe all around, yeah.

20:11 Speaker 16: One hundred percent.

20:12 Speaker 18: Yeah, make sure it's loud, impeccable sound, yep, an atmosphere. Yeah, and that community of people that are there. I mean it's always just been everybody is always because you you are a smaller group. So like when you have the smaller group of people that people have to bump into each other, it stirs conversations, people make new friends. Yeah, you know. So yeah, that's what makes it like fun and inviting.

20:41 Speaker 16: Well, it's kind of a big part of the mission too, right, yeah, you know of can you talk a little bit about that too, because you know, you mentioned community, which is an important word when you're talking about a place like that because it's not you know, obviously a sniotypical venue, you know, and it's not for people who don't know. It's not a bar, it's not you know, it's uh, I mean, what how do you describe it to people?

21:01 Speaker 17: Private music club?

21:02 Speaker 18: Yeah, it's a private music club. It's like for people who really want music, they don't want to go to a place that's just like the bar vibe, right, you know, this is not a place for the bar vibe. This is a place to have that experience, like you can get comfortable, you can sit on a couch, you can get right up and be right there with the band, you know, yeah, bring your own drinks. So it makes it so much more cost effective, and at the same time, the cover pays the bands. You know, we're not a bar trying to get people to come in and feed our business by having bands play.

21:41 Speaker 18: We are about the bands and showing the talent to the world and also for them to feel like they are able to be rewarded with what they do, whether it's you know, monetarily, but mainly it's like, if you're a band and you play there, your stage sound is mint oh yeah, and so getting your stage sound you just play so much better. So when people see musicians there, they're seeing them at like the top of their game because it's all encompassing the feeling of that.

22:19 Speaker 20: Yeah. Yeah.

22:21 Speaker 16: My favorite night there that the Jenny and I have been at was Green Jello of course.

22:28 Speaker 18: Oh yeah.

22:28 Speaker 20: It was fun.

22:29 Speaker 16: And although I was nervous for you guys too, because because the whole night, I just it's just how my mind works. The whole night I was thinking, I hope nothing gets broken. I really hope nothing gets broken. It was so many pool noodles, and apparently something did get broken, but it wasn't anything anybody was worried about.

22:43 Speaker 18: I guess, yeah, just an artifact, but.

22:50 Speaker 16: That was a lot of fun. What are kind of the criteria for, like, because it seems like you've had quite a few different different kinds of of artists play there, Like, it's been a wide variety of artists. It's not in other words, it's not just all it's not just all metal, it's not just all hard rocks.

23:07 Speaker 18: That's gonna probably change though, I really yeah. Next year, moving forward, I think we're gonna go because fortunately like the things, and that was the whole thing, is the thing that we wanted to do was just fill that hole that was happening in our local community of like places to go to see original music and see good original music, and everything has been so shut down still or dialed back that people just are not going out to shows as much. But now things are kind of coming back, and we've inspired a couple of other places in town to actually start doing shows there, so we're gonna start hosting some of them outside of our place.

23:52 Speaker 16: Oh excellent, so excellent.

23:53 Speaker 18: We have a couple of plays like The Spot and kettle Head over there in Nashville are like focusing more on like having good equipment and really providing a better experienced music listening experience.

24:11 Speaker 20: Good.

24:11 Speaker 18: So we're kind of like, it's nice to see that start happening. But the thing is is, like, you know, a main street venue is going to be less inclined to do metal and darker rock, right, So now that we have those other places out there, we can all the musicians that have been looking for and where we've been hosting that void can now go out there to the general public a little bit easier. But we want to continue like staying into like the dark and heavy and so we're going to kind of keep it that but focus our attention a little bit more into that genre for the places that are missing in the public realm.

24:55 Speaker 16: Interesting. Yeah, yeah, no, I think that's great. That's very exciting.

25:00 Speaker 1: Well, I think we.

25:00 Speaker 16: Should play So we're gonna play another Dad Harrison track and we're gonna play one three nine. But tell us about this. What should we know about this song? Because this is an older one, right, this is.

25:10 Speaker 11: A much older one from when we used to practice at the Morgue over here, you know, Morgan's and and we were practicing in this tiny room, like one of the smallest rooms you could possibly be in. This was this is when we're a three piece, you know, so long ago, and it was so small. I'm like I had to stand in front of the door to perform or you know, to play. Yeah, and I'd have to like you know, physically not be in front of the door so that we could get in and out. But we were in room one thirty nine, and I just yeah, and I just had this idea because it was early on and we're trying to write songs for a first album and songs you know, to play out live.

25:50 Speaker 11: Yeah, and I just had this song. You know, like what if I wrote something about this room and the music the stuff that comes out of this Yeah. And so it just kind of came together as a store where it turned into this you know, this guy going down like a dark cord or like you know, way deep underground, just like someplace where nobody is and just in there and you know it's just dark as hell, and you know, it comes upon a door that's just like like what is this? It's just different than everything else.

26:21 Speaker 11: It's just like there's something about it, and you know, he's like there and he's like checking it out, and it's just like, you know, it's like a portal.

26:28 Speaker 19: It's like dark.

26:29 Speaker 11: It's dark, but there's a glow to it. It's hot but it's cold at.

26:33 Speaker 19: The same time.

26:34 Speaker 11: And then basically he ends up going inside this room and then he goes mad, like in the room, he can't get out. It's just, you know, all this evil stuff is happening. You know.

26:44 Speaker 19: I was like, I took the.

26:46 Speaker 11: Idea of us performing and then it's like, you know, it made it a lot darker, not about us at all, but yeah, it turned out really well. And you know, I'm proud of of writing that one.

26:58 Speaker 19: Yeah, for sure.

26:59 Speaker 16: Nice.

27:00 Speaker 17: That one's from the story of Mortuus ortis our first album.

27:02 Speaker 16: Okay, gotcha, gotcha?

27:03 Speaker 18: That is the one then my wrong Call.

27:08 Speaker 16: Yes, yes, all right, fantastic. If you're just joining us, Dad Harrison is here and we're going to give this a spand this is called one three nine.

28:47 Speaker 21: Don't days to do the s long Dog cordor.

29:00 Speaker 1: It was then I came afore a door, not none.

29:11 Speaker 9: The love sis.

29:41 Speaker 21: As hot, don't know, should I open it A Holls doesn't well, but it's so very dull.

29:51 Speaker 1: I think I give a starve sooner.

29:53 Speaker 14: Dollar this song deep like I do ain't my side, m nah.

30:32 Speaker 9: You more flooded guys.

30:48 Speaker 10: Like your voice is like being side.

30:52 Speaker 1: This is where about this begins.

30:54 Speaker 10: This room is so.

30:57 Speaker 1: Foo seems.

31:05 Speaker 8: Do the snob for no.

31:55 Speaker 14: This some I Not'm losing the by.

32:01 Speaker 24: No sting as something stung as.

34:00 Speaker 15: M stoke up.

34:07 Speaker 9: I got use it for good, don't.

34:21 Speaker 14: Know my god, then.

34:32 Speaker 1: The stout be high would develop the best.

34:48 Speaker 16: Lo that is one three nine and the band is dead Harrison and we have Dad Harrison here with us live in studio, and that that truck goes back aways and Jason, you were talking off here about why why you guys wanted to play that today?

35:49 Speaker 11: Yeah, I would like to tracks to get a little airtime and discuss that song.

35:54 Speaker 20: That was a one of the harder songs back in the day, at least from when I when I was first starting off that Uh, that was like one of the the more challenging songs. That and Evil Things too, That was a when I was getting into playing these songs like those are like the very challenging songs because they're not They're not just uh regular like rock metal songs, like yeah, there's a there's crescendos de crescendos, there's arts, there's stops, there's goes in like, yeah.

36:28 Speaker 16: There's a lot of dynamics to it.

36:29 Speaker 20: Back then I did, I didn't have that mindset, I guess really I wasn't. I was more like an ald kid at least getting into like just getting into regular punk again. And yeah, uh like even back then, like I wasn't really like a big Typo fan. Back then I liked them, but I wasn't like a huge fan. But now that I've grown accustomed to like how Drey used to play and how these guys jam, well yeah that like I've I've had to not only like make my drumming better, but also like my musicianship, my composition because these guys don't think the same way as like oh ab ab here you go.

37:08 Speaker 20: There's many different like nuances that they do on purpose. So with one three nine, it was very you know, step by step, like it wasn't good when I did it the first first time, wasn't good. These guys have allowed me to make myself better and put my own stamp on it. Eventually, Like the first like year year, maybe two years, I was like meticulously just playing what what what what Dre would play. But after after a while I was kind of like, all right, well I could do this this, but I still play to the same you know, idea, the same vibe as it is.

37:49 Speaker 20: I don't I don't like go too much out of the realm of it. And that goes with all the songs too, So like whatever I try to do, I try to do in earnest to what you did first, and then like try to like all right, maybe I can punch in here or yeah, you know, Meldon.

38:05 Speaker 18: Will differently we have a little of your own flavor.

38:07 Speaker 20: Yeah, yeah, yeah, of course, yeah.

38:09 Speaker 17: Well and that I think it was driven a lot by what we would choose to play live too write. So a song like one thirty nine is a longer song. We've really only mostly recently started to bring it out and play it live, so it was really never prioritized. But when we wrote our new album None for All, that is where Thraxel really really shines, because those are songs he took part in a writing, yeah, right, in the creation process. There may have been one or two that were previous carryovers that we didn't necessarily record, but that is where first it was him learning everything, this is what we've recorded so far so you can play it live.

38:50 Speaker 17: And then with none for all, it was like, Okay, now you get to put your creative touch into defining like what these songs are. Yeah, from the rhythm.

38:59 Speaker 20: Standpoint, especially with even the early concepts. It kind of has a story to it too, because doom Train was the first one that I was like incorporated into because like as you said, some of the other songs were already like there already, but like you guys didn't do anything with doom Train was like an organic song that just happened out of not out of nowhere, but it just random. So like I think that was the my third gig I had with these guys up in northern Maine somewhere for Doom Days. It was like three days of like just the most awesome doom rock and metal but also like one of the some of the most like caring people to at a lot of good people.

39:48 Speaker 20: Yeah, but like one morning me and Jason were just like just waking up trying to have coffee, and like there was a a train offset from the property and it was coming in, but it was making it like a certain uh beat just naturally happen, and me and him were like, man, we should probably like make a song about that.

40:09 Speaker 16: That's cool.

40:10 Speaker 20: And then like like we really thought everything about it, Like we didn't want to just make it a bam bam, here's a song. He really wanted to have something to present. It took it took us what two years to make that make that song fully into fruition, between jamming it uh creating the different platforms that it would it would jump up to the lyrics of itself, and you know, that creativity that I didn't think would like not even just come from me, but like organically from all of us was like a very unique experience I didn't have up until that point.

40:50 Speaker 20: That that kind of like the precursor of the of that album, because there's a lot that goes into that album. There's a lot of things that you can take from it. Sure, a lot of dissonance, but there's a lot of like good stuff that happens, and it kind of wraps up at the end and yeah, anything you really wanted, Yeah.

41:07 Speaker 11: Yeah, yeah, that's actually another song that I personally put the lyrics to Ye, I'm not the primary songwriter, but you know, Sean writes songs on Relight writes songs too, so I'm just one of the pieces. But that particular one I kind of took the helmet. I was like, okay, doom train, we'll call it doom train. And then I had to think, well, what is a doom train? And I kind of went from there, and you know, it's like, on the surface, it's just about this train that rolls through like and just causes destruction and devastation everywhere it goes, just in its wake.

41:40 Speaker 19: Now to me, you know, whether anyone out there believes us or.

41:46 Speaker 11: Not, it doesn't matter. But you know, for me, it was more about climate change is what the doom train became. So it's like it's off in the distance, it doesn't really mean anything. Most people dismiss it, but then it, you know, it rolls through and it's like, oh, here it is. You know, this thing is upon us now and that's and it's just like everything behind it is destructive and you know, what have you. So that's where lyrically that came from. But yeah, to Thracks's point, musically, organically.

42:15 Speaker 11: It just kind of came together. It's like, okay, let's start slow where the lyrics are slow and it's like in the distance, and then it picks up and it you know, it ramps up and turns on like a metal song.

42:25 Speaker 20: Yeah.

42:25 Speaker 11: And then by the end when all the destructions come and it's just going full bores, going off the rails, it's just you know, here we go, and then it just moves on to the next town.

42:36 Speaker 4: Yeah.

42:37 Speaker 16: Oh no, I like that. Wow, that's great. Let's see how much time. I want to make sure we get so before we run out of time. I want to make sure we talk about tonight again. Tonight and the twenty fifth, but tonight first.

42:52 Speaker 18: Saturday Saturday Night. Saturday Saturday, come to Terminus Underground for Shadow Lounge Golf Dance, where you can come and pick up your free CD Dead Hairson.

43:06 Speaker 19: Tell people where it is. They don't know the address one.

43:09 Speaker 18: Four Haynes Street, Nashaua, New Hampshire, and uh yeah, you're gonna have some fun trying to find the place. It's a uh, it's definitely. Google Maps will send you on a little uh chase and you'll be figuring out where the heck you're going. You're like, is this the end of the building. And if you're at the place and you don't see a bunch of cars parked in front, if you don't see a big sign that says Predium packaging up on the building, you're at the wrong end of the building.

43:41 Speaker 20: Now you're an actual terminus, and you might possibly.

43:44 Speaker 18: And then oh, I'm true old terminous. I'm trying to see.

43:50 Speaker 20: Oh look.

43:59 Speaker 18: We talked about that, did it. You know what, nobody's gonna hear it. Nobody's gonna hear my mistake.

44:06 Speaker 16: Well, they'll hear it on the podcast for a mistake.

44:12 Speaker 18: But yeah, I mean Google will try and send you around the block and put you at the wrong end of the building. Sometimes it'll put people right at the front door, and then other times it won't. And I discovered why because if you look at the map itself, if not the satellite view, but you look at like the topographical kind of map of the roads or the drawn out Yeah, it doesn't show our driveway connecting with Hain Street. There's like a dead spot. Oh and I think Google is seeing that dead spot and sends them down the other connecting roads.

44:51 Speaker 16: The map it is hit or missed though, because for some reason, I seem to remember the first time Jenny and I went there, it did. It worked like it took us straight there, It brought us straight there. But but maybe it wasn't the first time. Maybe it was the second time, maybe the first time we had to look for it. I don't know, but I feel like there was a time where it actually did bring us straight there.

45:09 Speaker 20: But who knows.

45:10 Speaker 18: So just remember when you're going down Haynes Street and you go past the big ball fields on your left and you start going down the hill, keep going straight. Do not turn with the road it turns into another road. Yeah, going straight, you'll see a big brick building straight in front of you. And that's the side that we're on.

45:28 Speaker 16: Yeah, yeah, outstanding.

45:30 Speaker 20: It's an uber driver's nightmare.

45:32 Speaker 16: Oh I can imagine.

45:33 Speaker 20: It's an over driver's nightmare.

45:35 Speaker 16: I can I can imagine, no doubt, no doubt. So that what time does that start tonight? I believe seven o'clock, doors seventh.

45:43 Speaker 18: Yeah, we're gonna just like and it's just going to be a night of fun Cothy dance music and yep party end.

45:50 Speaker 16: It up and they get a free CD if they mentioned that they heard the show abs outstanding, outstanding, and then what's coming up the twenty fifth?

45:57 Speaker 18: Twenty fifth is our Halloween show? Also a terminus underground which you would be able to catch. Somebody say all the.

46:05 Speaker 20: Names again, my brain is the ethnic realm.

46:12 Speaker 19: Witch Trot, yes, and that herrions.

46:19 Speaker 20: They oh, oh psychomantheum okay, okay, yeah, witch Trot.

46:27 Speaker 16: It's funny, you know, they were on the show, like Jues. It must have been three years ago now, but I but I still have the shirt. And I was wearing the shirt one day and Jenny and I were doing our grocery shopping at Market Basket and Bedford, and somebody stopped me and said, hey, witch Trot. Somebody knew the band, and it was very excited to see me wearing the shirt.

46:42 Speaker 8: Yeah.

46:43 Speaker 16: Absolutely, yeah.

46:44 Speaker 11: I actually have a little funny story similar to that. So a few weeks ago, my sister was visiting from Colorado and I was with the family and we went out to Parker's Maple Barn as some people probably know in Mason, and you know, I come home and you know, I'm just like whatever, and I'm like, oh, you know, chat from the band, you know, what's going on?

47:03 Speaker 19: And Thrax had a picture of my back at Parker's and I.

47:09 Speaker 17: Just like, huh.

47:11 Speaker 19: It was like kind of did not really compute.

47:14 Speaker 11: And it turned out like one of his friends saw me, and I don't know if if they knew it was me or if they just thought it was a fan, but they saw Dead Harrison on the back of my shirt, which is why it says dead Harrison on my shirt, so people see it. And it was just kind of this this funny thing that's like wow, it's like, you know, I haven't been here in like a couple of years. I'm hearing this other guy at the exact same time, and he recognized the shirt friends with Tracks and like sends him the picture.

47:40 Speaker 11: So so your point with the witch Trot shirt, it was like one of those things that I just recognized. Yeah, you just ever know, You just never know, That's what and that's why we wear these shirts.

47:49 Speaker 20: Yes, Yes, shout out to Don Richardson for being at Parkers at the exact same time. So he's also like a recorder producer.

47:57 Speaker 16: And I've heard the name Don Richardson.

48:00 Speaker 20: Has shout outs to Midlife Crisis Production Productions, Okay Studios, he has his own recording studio and.

48:07 Speaker 17: Oh okay, very cool, very cool.

48:10 Speaker 16: Where should people go online to keep up with everything Dad Harrison is doing?

48:13 Speaker 17: So they should go to our website dead Harrison dot com. Also our Facebook page gets a ton of updates on there, and then you can listen to us. We're on Spotify, you know, We're on Pandora, most streaming platforms, iTunes, and then we have physical copies of discs, mostly just of the new one. You know, if you if you come see us in person, we have a bunch of copies of the new one. And I do want to talk a little bit about the new album. Yeah, yeah, absolutely none for all. So that's that's Uh. We recorded that twenty fourteen.

48:43 Speaker 13: Uh.

48:44 Speaker 17: This was done at Blackheart Sound in Manchester.

48:48 Speaker 16: Oh yeah, that's a name that comes up a lot on the show.

48:50 Speaker 13: Yeah.

48:51 Speaker 17: Yeah, So definitely this was like the probably the most that we've put into for an album. Okay, but both financially and just I think preparation of writing new material for an album, making sure we were super sharp with it, and then really having a professional experience to put it together and have some really good sounding music for people to listen to. Not that what we did before didn't sound good, but it was more of a d DIY type of setup that we had done before with our previous stuff. So this was really doing the legit studio experience.

49:25 Speaker 17: So we're super proud of that. And we talked about doom Train earlier that there's a few other songs where we really got to put some of our experimentation into play where you really get kind of an auditory journey when you're listening through the song. We really kind of spent that time to take care and make sure everything flowed together well right, Yeah, and we had that creative license to do that there with a really good recording engineer and mastering Eric amazing.

49:54 Speaker 16: Yeah, Absolutely everything he does is great and well in a moment, So we're gonna yea the time time goes quick, but in a moment we're gonna wrap up with Terror Grinder and anything we should know about that specifically other than sure my personal favorite, it sounds like it's a favorite of a lot of people.

50:10 Speaker 17: Yeah, and I actually wrote that song quite a few years back, but we never really materialized it into kind of the heavy song that it was. It was when we kind of just played with that first probably a good I don't know, five or six years ago, yeah, maybe even longer. And and we for this one, we really put it together, made sure we had some turn into kind of this heavy song and it's sort of about this this terror Grinder, this big sort of hard to describe but massive force, just kind of going through and destroying everything in its wake.

50:40 Speaker 17: And you can probably draw different analogies too. Is this something physical? Is this something like with the world around us right now? Stuff like that. I'll leave that for the listener to decide how they feel about it. But it more is just it's a cool tune as well to listen to and kind of go you know oo, you know, you kind of go around with it, and we have a good time with it live like getting people to get involved with it and stuff. So yeah, that's why I think it's it's a favorite, because people like singing along with songs and you know, yeah, going along with it.

51:08 Speaker 16: So yeah, absolutely, no, great great track. Well Dead, Harrison, thank you all so much, Thank you all four of you for coming in. This has been amazing, Thanks for having us, having us absolutely absolutely we will close out the segment with Tara Grinder and by Dead Harrison And thanks to everyone who uh checked us out today, everyone who listened, and of course are our wonderful guests.

51:27 Speaker 25: Uh.

51:28 Speaker 16: And if you miss any part of today's show, it will be up in just a little bit at w M and hradio dot org and at my website Matt Connorton dot com. And that's gonna do it for us. For now, we'll talk to ya a little bit later.

51:37 Speaker 12: Bye, everybody.

51:38 Speaker 1: Yeah, song the gates and all the city.

51:52 Speaker 26: The chamber rob God, we see a sleep out time the days a round jobs on far.

52:20 Speaker 1: Far ahead, receive basic. That's with the mastive handle.

52:31 Speaker 14: I'll be bread take by.

52:37 Speaker 1: But the biternoty of a row. Let's sil riders rolling. It's tasteful.

52:47 Speaker 4: God, it's real.

52:49 Speaker 8: But go and I trail and.

52:51 Speaker 1: It's quick and victory you can feel.

52:55 Speaker 23: But so let's settle ryder your milkings on its wrong. Now, I'm John, don send this battle by make goods.

53:05 Speaker 14: It's no said, open.

53:17 Speaker 1: My guy knows and make journey to see there.

53:49 Speaker 14: He brought to ways.

53:53 Speaker 1: Of thous the self turn of the US, A.

54:00 Speaker 23: Long tagan race, not bride spans lad. It came to us about us space.

54:16 Speaker 1: It's bid. The rage had to around there and came to a human race.

54:28 Speaker 10: Looked up the sky around us.

54:31 Speaker 1: It's falling through the sea.

54:33 Speaker 4: This thing you call your nighttime will soon be just a tree.

54:39 Speaker 24: The tror line the taken and give it up to the When all the world is gadic gone, one thing.

54:49 Speaker 1: Was still Rookie said.

54:56 Speaker 9: Rider.

54:58 Speaker 15: Still fine?

55:00 Speaker 1: Oh say.

55:02 Speaker 15: I got t.

55:05 Speaker 24: Got ta.

55:38 Speaker 15: Sa sa.

56:45 Speaker 14: Sa sa.

56:51 Speaker 8: Sa sad.

57:16 Speaker 16: Today's show is dedicated to the memory of Ace Frehley.

57:23 Speaker 2: If you're listening to macconnorton Unleashed on WM and Ahnwy.

57:28 Speaker 16: Five point three and now the world radio premiere of the new single from Box of Trash, This is called Nightmare.

58:02 Speaker 6: Hello, wis me how you playing dinner?

58:07 Speaker 1: It's my bye, not only time. UH leave.

58:15 Speaker 25: That before I say it's meaning this, it said Jazz. Picky Jazz reassesses now as something checks me, awaken out and rouse me.

58:31 Speaker 14: By I left you.

58:36 Speaker 6: I'm such a hot there.

58:40 Speaker 27: I just swam to the best, she said. She said me, Yeah, what you wish for the games, saying.

58:54 Speaker 14: That I will.

59:00 Speaker 1: When I've sold you.

59:02 Speaker 12: Wow, So right now.

59:05 Speaker 8: I still town.

59:07 Speaker 6: Were the crown of the lonely crowd.

59:12 Speaker 14: Sething chasing me awake, you let it roused me from the book over.

59:19 Speaker 4: I never you know I was such a.

59:22 Speaker 6: Din Now

59:25 Speaker 14: I just swamped you to car