Field Dispatch
Matt Connarton Unleashed 10-18-25 hour 3
Speaker 1: W m n H rip the noble sis.
Speaker 2: You're listening to Matt Connorton unleash w m n H
Speaker 2: ninety five point three.
Speaker 3: Of course, vampires, of course, children of the night.
Speaker 4: Of course, sleep walkers.
Speaker 5: Of course, living day.
Speaker 6: Hi, hi, Hi, we are the great yard Shift.
Speaker 7: We dare you to join us to bring out the
Speaker 7: dark this again.
Speaker 1: For tonight.
Speaker 8: Bye the sun, just like just like well what beacon, bye.
Speaker 5: Dads, until the day wreaks.
Speaker 1: We are not to know, n.
Speaker 9: I we ure.
Speaker 4: The grank godship.
Speaker 8: With day to join us.
Speaker 4: Bring out the darkness again.
Speaker 8: For tonight. But by the sons.
Speaker 6: We are the great yard Ship.
Speaker 10: We tell him to join us.
Speaker 4: Bring out the darkness again.
Speaker 8: For tonight.
Speaker 6: But by the sun.
Speaker 8: Of course.
Speaker 11: That I.
Speaker 8: Some course children of the night, some.
Speaker 5: Street walks, I colors believing right, alright, we are the
Speaker 5: great yard Ship.
Speaker 8: With that you to join us.
Speaker 4: To bring out the gardeness again.
Speaker 12: Tonight with by the sun, we are the cry out ship.
Speaker 8: Without you to join.
Speaker 13: Us, Oh, bring out the dogs.
Speaker 4: Forget for tonight?
Speaker 14: What night.
Speaker 15: Fie?
Speaker 16: I love it. That is the darkness. The band is
Speaker 16: Dead Harrison, and we're gonna talk with Dead Harrison in
Speaker 16: just a moment, but welcome everybody. We have entered our
Speaker 16: number three New Marrow trace of Matt Connorton Unleashed and
Speaker 16: we are live in studio here at w M n
Speaker 16: H ninety five point three f M and Glorious Manchester,
Speaker 16: New Hampshire. And of course you can stream the show
Speaker 16: from anywhere. Just go to Matt conorton dot com slash
Speaker 16: live for all your live streaming options, social media links,
Speaker 16: contact Infosho, archives, et cetera, et cetera. Today is Saturday,
Speaker 16: October eighteen, twenty twenty five, and Dad Harrison is here.
Speaker 16: Welcome guys. You guys got to be in the five
Speaker 16: timers club by now right for Unleashed, Maybe more than.
Speaker 17: That over our long history together, I'm sure.
Speaker 16: Yeah, yeah, I feel like you've been on the show,
Speaker 16: like might be in the double digits. I don't know.
Speaker 16: I love that song though, I love the ending. That's
Speaker 16: so cool.
Speaker 18: It's thank you, It's definitely it's definitely got a little
Speaker 18: ode typo negative. Yes, you know one of our great influencers.
Speaker 16: Yes, yes, what album is that? From?
Speaker 18: Which one?
Speaker 16: The Darkness?
Speaker 18: Yeah? That would be the story of the Mold Trust
Speaker 18: Oldest Yes, yes.
Speaker 19: So it's not from that at all.
Speaker 18: Oh no, the Darkness, that would be the single, that
Speaker 18: would be, that would be.
Speaker 11: We've been doing this too long, guys, Yeah, yeah, you
Speaker 11: guys have You guys have a lot of music.
Speaker 16: You have a large catalog of music. Uh so let's
Speaker 16: start here, you know, you know the tradition. Andre will
Speaker 16: start with you if you could eat. Please introduce yourselves,
Speaker 16: tell us who you are, what you do in the band.
Speaker 18: I am Andre also known as Dre the Undead. Uh
Speaker 18: lead singer and uh some rhythm guitar playing. Yes, yeah,
Speaker 18: uh yeah, just uh being out there a whole lot
Speaker 18: more than behind the kit. Yes, we have the next
Speaker 18: person in line that's taken that place.
Speaker 20: Yes, yes, I am Thrax and I am one of
Speaker 20: one of the the drummers in this band, because obviously
Speaker 20: you you are a we're the drummer for for Dead Harrison.
Speaker 20: But here I am. I think I've been in since
Speaker 20: what twenty nineteen, Yes, I think it was wave Breakers. Yeah,
Speaker 20: but yeah, it's been wave Breakers on in Hampton. Be
Speaker 20: that the place doesn't exist anymore Cloud nine, Oh no,
Speaker 20: rest of the Teeth. But to the next to me, Hey.
Speaker 17: I am Sean the Dead. I am the lead guitar
Speaker 17: player and do a lot of backup singing and screaming
Speaker 17: and fun stuff like that.
Speaker 11: Yes, yes, Jason, and I'm Jason Skull's the bass player,
Speaker 11: and I also do some backup vocals as well.
Speaker 8: Yes, yes.
Speaker 16: So when did Dead Harrison start? How long is that
Speaker 16: Harrison in?
Speaker 20: Uh?
Speaker 18: In total?
Speaker 16: Because originally because there was before before tracks?
Speaker 18: Is that?
Speaker 17: Yeah?
Speaker 20: Well you went through three names before.
Speaker 16: Well I used to call you at I know, but
Speaker 16: are you? Are you officially like you're just Thracks for
Speaker 16: everything now including this.
Speaker 20: I mean I'm trying to but no, I like it.
Speaker 16: I like it.
Speaker 18: It's cool.
Speaker 16: But so before before Thrax was in the band though,
Speaker 16: so when you were, because you guys were at three
Speaker 16: piece for a long time, right you were, you were
Speaker 16: playing drums and that was so that was the original
Speaker 16: iteration of the band. So when did that start? It
Speaker 16: seems like you guys have been around a long time.
Speaker 17: Yeah, two thousand and eight time frame two thousand and eight.
Speaker 18: Yeah, at least ten years of us, like just the
Speaker 18: three or fifteen Yeah, here's just the three of us yea.
Speaker 18: And it was like after like the ten and eleven years,
Speaker 18: just like I want somebody behind the kit. Yeah, I
Speaker 18: feel like it needs something a little bit more.
Speaker 16: Right, right. So then, so this configuration has existed for
Speaker 16: so since twenty nineteen. Yes, yeah, okay, okay, and then
Speaker 16: we should talk about and we'll we'll circle back to it.
Speaker 16: Of course, we'll mention it a couple of times during
Speaker 16: this hour. But you got a big show tonight and
Speaker 16: you're even giving away some CDs for it, so we
Speaker 16: should tell people about that. And for those watching online,
Speaker 16: if you're watching on Facebook or YouTube or any of
Speaker 16: the other various platforms that we stream the video to,
Speaker 16: you do have some CDs right there in your hands.
Speaker 18: I have, and there will be more whoever comes to
Speaker 18: the show tonight at Terminus Underground for the Shadow Lounge event,
Speaker 18: which is also Eleanor's birthday, Happy birthday, Happy birth Happy birthday.
Speaker 18: And uh so uh this is uh is gonna be
Speaker 18: a fun little gothy dance party night, and uh yeah,
Speaker 18: we'll have some CDs for you. You come over there, you
Speaker 18: come and enjoy some tunes, You come and dance with us,
Speaker 18: and you just say, hey, I heard you on the show,
Speaker 18: and guess what you get a free CD?
Speaker 16: Very nice, very nice? Yes, uh the new CD of course, uh,
Speaker 16: None for All? And this is how many songs are.
Speaker 16: There's a lot of songs.
Speaker 19: Yeah yeah, there's a couple extra tracks, but basically ten songs.
Speaker 16: Okay, okay, great you guys. You guys have done a
Speaker 16: lot of If you've done any EPs or has it
Speaker 16: all been full length albums? I don't remember.
Speaker 6: No.
Speaker 18: The thing is is like, so where the Darkness came
Speaker 18: from was kind of based off of an EP, and
Speaker 18: so what ended up without what did? There was a
Speaker 18: couple of different recording sessions that we did the Darkness
Speaker 18: came out of. Was that the one with Connor, so
Speaker 18: that was.
Speaker 17: Did the Darkness? We did our Bad Moon Rising cover then,
Speaker 17: and then we also did Black Collar Worker in the
Speaker 17: Struggle in the.
Speaker 18: Struggle, and then we did a later session with Joel
Speaker 18: which was Nameless Dream and End of the Bloodline. Those
Speaker 18: two EPs technically will eventually be put together to be
Speaker 18: the first half of None for All. So that EP sect,
Speaker 18: because you have the story of the Mortuus Ortis, was
Speaker 18: the first CD, so that's its own. Then there was
Speaker 18: the six songs that were only put out digitally, never physically.
Speaker 18: Oh okay, so those will eventually be put onto physical gotcha,
Speaker 18: and that will be the first part off for none
Speaker 18: and none for all?
Speaker 16: Oh interesting, interesting, okay? And Mortuous Artists. That was so
Speaker 16: when I when I first met you guys, that was
Speaker 16: the original. That was like the precursor to Dead Harrison, right, correct?
Speaker 16: And then what was the change to becoming Dead Harrison.
Speaker 16: I don't know, and I'm sure you've told the story
Speaker 16: before on the show. I don't remember exactly how it went,
Speaker 16: and of course, you know, new our listeners won't know, like, like,
Speaker 16: how did how did you go from from uh, mortuous
Speaker 16: Artists to becoming Dead Harrison.
Speaker 18: It was nameplay basically, in the first incarnation of trying
Speaker 18: and putting together the guys, I was thinking of a
Speaker 18: Halloween feel and I was just like, oh, you know,
Speaker 18: dead Rising would be cool, But at the same time
Speaker 18: it was a video game. It was yeah, that's not so.
Speaker 18: I just threw Dead Rising through a Latin translator and
Speaker 18: it came back with mortuous okay, and so I was like, oh,
Speaker 18: that sounds cool. We ran with that for like three years.
Speaker 18: Like as the name problem is is everybody kept misspelling it.
Speaker 18: All I remember that they couldn't remember it, and they
Speaker 18: couldn't pronounce it. So it was like, ah, we got
Speaker 18: to do something different. And so that was a brainstorming
Speaker 18: thing where I went back home and I was just like,
Speaker 18: I'm going to throw this back into an English translator
Speaker 18: from Latin. And it gave me Dead having a risen.
Speaker 18: And as I was saying Dead having a risen in
Speaker 18: my head, for some reason, George Harrison popped into my
Speaker 18: head and I was like, Dead having a risen. Dead Harrison, Yep,
Speaker 18: I like that, yeah, and uh yeah, So it had
Speaker 18: like a little bit of a dark dive with beginning
Speaker 18: with Dead, but then Harrison was just kind of like uplifting.
Speaker 18: And I mean we could put Harrison too, like different
Speaker 18: names and faces and whatnot, but it was just like
Speaker 18: it was just developing a character now, you know. Now
Speaker 18: it's a little bit more than just a name.
Speaker 21: Well.
Speaker 16: The great thing too about having a name like that
Speaker 16: is you don't have to worry that somebody else is
Speaker 16: going to have it, you know, whereas what Dead having
Speaker 16: a risen, you know, there's probably some there's probably some
Speaker 16: death metal band somewhere that has that name already, you
Speaker 16: know what I mean, you know, and then then you know,
Speaker 16: you go to upload it to Spotify and oh, somebody
Speaker 16: already has his name, but but Dad Harrison, you know,
Speaker 16: chances are I mean, I assume you have not encountered
Speaker 16: another week.
Speaker 17: And we've trademarked the website name and everything. So yeah,
Speaker 17: were someone else snagging it right? Yeah, that's good.
Speaker 18: Yeah, And that was.
Speaker 17: Another reason why we change it too, because like the
Speaker 17: mortuous orders, you think it's probably some like really heavy.
Speaker 18: Everybody a black metal band.
Speaker 17: Yeah, you know you listen to us. No, it's not
Speaker 17: quite what we are.
Speaker 18: Just a point.
Speaker 16: So the show tonight, like who else is playing?
Speaker 20: Is it?
Speaker 17: Is it just you guys?
Speaker 22: Or is that the show tonight that we're doing on
Speaker 22: DJ and oh you are so oh okay, Dred the
Speaker 22: Dad's going to be spinning some oh club classics, oh
Speaker 22: club class.
Speaker 17: Oh wow, okay, And we have a show next.
Speaker 18: Week is oh point, that'll be us, That'll be the
Speaker 18: oh okay on the twenty fifth.
Speaker 16: Oh so tell us about that.
Speaker 18: Oh that's going to be fun. Uh. I have to
Speaker 18: kind of pull up the events so I can make
Speaker 18: sure that I get well able.
Speaker 20: Blood's going to be on there, but nice realm oh yeah,
Speaker 20: yeah with septic.
Speaker 16: Benthic Realm. Yeah, they were on last week. They came
Speaker 16: in and played acoustic. I was like, wow, this is impressive.
Speaker 18: Actually, I think Able Blood is not able to play.
Speaker 17: Oh yeah, but we have which is joined oh love
Speaker 17: which Trot.
Speaker 18: Yeah, they're going to be joining us for that one.
Speaker 17: Benthic Realm, Psychomancium that was the other one. Then the
Speaker 17: Concept Core they're really good, and then we'll be we'll
Speaker 17: be headlining. Yeah, and that one starts at seven pm
Speaker 17: and it's the ritual of Sam Hayne.
Speaker 16: Who's Sam Hayne. No, I'm kidding, Harrison's brother. Yeah, very cool.
Speaker 16: We should talk a little bit more too about so
Speaker 16: people who aren't familiar with Terminus Underground, like like what
Speaker 16: should people know about that? But people haven't been there.
Speaker 16: You know what I tell everybody. I always say, the
Speaker 16: first time you walk into that, into that room, it's
Speaker 16: like walking into a different world.
Speaker 18: Yeah, I mean it's pretty much how it is. Because
Speaker 18: what people don't realize is like that place is actually
Speaker 18: our rehearsal spot, and so it's grown as like an
Speaker 18: art of spot. Also because it's like I have my
Speaker 18: art up on the wall. The guys all like we
Speaker 18: have all made it into like this cool room, you know,
Speaker 18: so it has its own feeling it has. I mean,
Speaker 18: granted I spent countless hours in there just decorating, putting
Speaker 18: stuff off feelings. I mean, it's just because that's what
Speaker 18: I do.
Speaker 16: I remember when you were when you were kind of
Speaker 16: still building it.
Speaker 17: Yeah, oh yeah.
Speaker 18: So as it grows, as it like gets new things
Speaker 18: and new pieces and moving stuff around, and like it's
Speaker 18: keeping a very uh homey feel, but at the same
Speaker 18: time it kind of has like a cool little nod
Speaker 18: to horror vibe, Like it has a creepy element, but
Speaker 18: at the same time, like has this really comfortable, like
Speaker 18: you're going to be comfortable dying here.
Speaker 11: It's very it's very inviting there. Yeah, yeah, really inviting spot.
Speaker 16: Yeah yeah.
Speaker 19: Everybody loves it.
Speaker 11: Every every single person I've talked to who's been there,
Speaker 11: they're just blown away.
Speaker 23: You know.
Speaker 11: They come in they're just like, I don't believe how
Speaker 11: incredible this is. And you can tell that, you know,
Speaker 11: Andrea and Ellen or just really care about the scene.
Speaker 11: I really want to make everybody feel part of it.
Speaker 11: Whether you're in a band performing or you're an audience member.
Speaker 11: You know, it's just there, you know, it's just a
Speaker 11: good vibe all around, yeah.
Speaker 16: One hundred percent.
Speaker 18: Yeah, make sure it's loud, impeccable sound, yep, an atmosphere. Yeah,
Speaker 18: and that community of people that are there. I mean
Speaker 18: it's always just been everybody is always because you you
Speaker 18: are a smaller group. So like when you have the
Speaker 18: smaller group of people that people have to bump into
Speaker 18: each other, it stirs conversations, people make new friends. Yeah,
Speaker 18: you know. So yeah, that's what makes it like fun
Speaker 18: and inviting.
Speaker 16: Well, it's kind of a big part of the mission too, right, yeah,
Speaker 16: you know of can you talk a little bit about
Speaker 16: that too, because you know, you mentioned community, which is
Speaker 16: an important word when you're talking about a place like
Speaker 16: that because it's not you know, obviously a sniotypical venue,
Speaker 16: you know, and it's not for people who don't know.
Speaker 16: It's not a bar, it's not you know, it's uh,
Speaker 16: I mean, what how do you describe it to people?
Speaker 17: Private music club?
Speaker 18: Yeah, it's a private music club. It's like for people
Speaker 18: who really want music, they don't want to go to
Speaker 18: a place that's just like the bar vibe, right, you know,
Speaker 18: this is not a place for the bar vibe. This
Speaker 18: is a place to have that experience, like you can
Speaker 18: get comfortable, you can sit on a couch, you can
Speaker 18: get right up and be right there with the band,
Speaker 18: you know, yeah, bring your own drinks. So it makes
Speaker 18: it so much more cost effective, and at the same time,
Speaker 18: the cover pays the bands. You know, we're not a
Speaker 18: bar trying to get people to come in and feed
Speaker 18: our business by having bands play. We are about the
Speaker 18: bands and showing the talent to the world and also
Speaker 18: for them to feel like they are able to be
Speaker 18: rewarded with what they do, whether it's you know, monetarily,
Speaker 18: but mainly it's like, if you're a band and you
Speaker 18: play there, your stage sound is mint oh yeah, and
Speaker 18: so getting your stage sound you just play so much better.
Speaker 18: So when people see musicians there, they're seeing them at
Speaker 18: like the top of their game because it's all encompassing
Speaker 18: the feeling of that.
Speaker 20: Yeah. Yeah.
Speaker 16: My favorite night there that the Jenny and I have
Speaker 16: been at was Green Jello of course.
Speaker 18: Oh yeah.
Speaker 20: It was fun.
Speaker 16: And although I was nervous for you guys too, because
Speaker 16: because the whole night, I just it's just how my
Speaker 16: mind works. The whole night I was thinking, I hope
Speaker 16: nothing gets broken. I really hope nothing gets broken. It
Speaker 16: was so many pool noodles, and apparently something did get broken,
Speaker 16: but it wasn't anything anybody was worried about.
Speaker 18: I guess, yeah, just an artifact, but.
Speaker 16: That was a lot of fun. What are kind of
Speaker 16: the criteria for, like, because it seems like you've had
Speaker 16: quite a few different different kinds of of artists play there, Like,
Speaker 16: it's been a wide variety of artists. It's not in
Speaker 16: other words, it's not just all it's not just all metal,
Speaker 16: it's not just all hard rocks.
Speaker 18: That's gonna probably change though, I really yeah. Next year,
Speaker 18: moving forward, I think we're gonna go because fortunately like
Speaker 18: the things, and that was the whole thing, is the
Speaker 18: thing that we wanted to do was just fill that
Speaker 18: hole that was happening in our local community of like
Speaker 18: places to go to see original music and see good
Speaker 18: original music, and everything has been so shut down still
Speaker 18: or dialed back that people just are not going out
Speaker 18: to shows as much. But now things are kind of
Speaker 18: coming back, and we've inspired a couple of other places
Speaker 18: in town to actually start doing shows there, so we're
Speaker 18: gonna start hosting some of them outside of our place.
Speaker 16: Oh excellent, so excellent.
Speaker 18: We have a couple of plays like The Spot and
Speaker 18: kettle Head over there in Nashville are like focusing more
Speaker 18: on like having good equipment and really providing a better
Speaker 18: experienced music listening experience.
Speaker 20: Good.
Speaker 18: So we're kind of like, it's nice to see that
Speaker 18: start happening. But the thing is is, like, you know,
Speaker 18: a main street venue is going to be less inclined
Speaker 18: to do metal and darker rock, right, So now that
Speaker 18: we have those other places out there, we can all
Speaker 18: the musicians that have been looking for and where we've
Speaker 18: been hosting that void can now go out there to
Speaker 18: the general public a little bit easier. But we want
Speaker 18: to continue like staying into like the dark and heavy
Speaker 18: and so we're going to kind of keep it that
Speaker 18: but focus our attention a little bit more into that
Speaker 18: genre for the places that are missing in the public realm.
Speaker 16: Interesting. Yeah, yeah, no, I think that's great. That's very exciting.
Speaker 1: Well, I think we.
Speaker 16: Should play So we're gonna play another Dad Harrison track
Speaker 16: and we're gonna play one three nine. But tell us
Speaker 16: about this. What should we know about this song? Because
Speaker 16: this is an older one, right, this is.
Speaker 11: A much older one from when we used to practice
Speaker 11: at the Morgue over here, you know, Morgan's and and
Speaker 11: we were practicing in this tiny room, like one of
Speaker 11: the smallest rooms you could possibly be in. This was
Speaker 11: this is when we're a three piece, you know, so
Speaker 11: long ago, and it was so small. I'm like I
Speaker 11: had to stand in front of the door to perform
Speaker 11: or you know, to play. Yeah, and I'd have to
Speaker 11: like you know, physically not be in front of the
Speaker 11: door so that we could get in and out. But
Speaker 11: we were in room one thirty nine, and I just yeah,
Speaker 11: and I just had this idea because it was early
Speaker 11: on and we're trying to write songs for a first
Speaker 11: album and songs you know, to play out live. Yeah,
Speaker 11: and I just had this song. You know, like what
Speaker 11: if I wrote something about this room and the music
Speaker 11: the stuff that comes out of this Yeah. And so
Speaker 11: it just kind of came together as a store where
Speaker 11: it turned into this you know, this guy going down
Speaker 11: like a dark cord or like you know, way deep underground,
Speaker 11: just like someplace where nobody is and just in there
Speaker 11: and you know it's just dark as hell, and you know,
Speaker 11: it comes upon a door that's just like like what
Speaker 11: is this? It's just different than everything else. It's just
Speaker 11: like there's something about it, and you know, he's like
Speaker 11: there and he's like checking it out, and it's just like,
Speaker 11: you know, it's like a portal.
Speaker 19: It's like dark.
Speaker 11: It's dark, but there's a glow to it. It's hot
Speaker 11: but it's cold at.
Speaker 19: The same time.
Speaker 11: And then basically he ends up going inside this room
Speaker 11: and then he goes mad, like in the room, he
Speaker 11: can't get out. It's just, you know, all this evil
Speaker 11: stuff is happening. You know.
Speaker 19: I was like, I took the.
Speaker 11: Idea of us performing and then it's like, you know,
Speaker 11: it made it a lot darker, not about us at all,
Speaker 11: but yeah, it turned out really well. And you know,
Speaker 11: I'm proud of of writing that one.
Speaker 19: Yeah, for sure.
Speaker 16: Nice.
Speaker 17: That one's from the story of Mortuus ortis our first album.
Speaker 16: Okay, gotcha, gotcha?
Speaker 18: That is the one then my wrong Call.
Speaker 16: Yes, yes, all right, fantastic. If you're just joining us,
Speaker 16: Dad Harrison is here and we're going to give this
Speaker 16: a spand this is called one three nine.
Speaker 21: Don't days to do the s long Dog cordor.
Speaker 1: It was then I came afore a door, not none.
Speaker 9: The love sis.
Speaker 21: As hot, don't know, should I open it A Holls
Speaker 21: doesn't well, but it's so very dull.
Speaker 1: I think I give a starve sooner.
Speaker 14: Dollar this song deep like I do ain't my side,
Speaker 14: m nah.
Speaker 9: You more flooded guys.
Speaker 10: Like your voice is like being side.
Speaker 1: This is where about this begins.
Speaker 10: This room is so.
Speaker 1: Foo seems.
Speaker 8: Do the snob for no.
Speaker 14: This some I Not'm losing the by.
Speaker 24: No sting as something stung as.
Speaker 15: M stoke up.
Speaker 9: I got use it for good, don't.
Speaker 14: Know my god, then.
Speaker 1: The stout be high would develop the best.
Speaker 16: Lo that is one three nine and the band is
Speaker 16: dead Harrison and we have Dad Harrison here with us
Speaker 16: live in studio, and that that truck goes back aways
Speaker 16: and Jason, you were talking off here about why why
Speaker 16: you guys wanted to play that today?
Speaker 11: Yeah, I would like to tracks to get a little
Speaker 11: airtime and discuss that song.
Speaker 20: That was a one of the harder songs back in
Speaker 20: the day, at least from when I when I was
Speaker 20: first starting off that Uh, that was like one of
Speaker 20: the the more challenging songs. That and Evil Things too,
Speaker 20: That was a when I was getting into playing these
Speaker 20: songs like those are like the very challenging songs because
Speaker 20: they're not They're not just uh regular like rock metal songs,
Speaker 20: like yeah, there's a there's crescendos de crescendos, there's arts,
Speaker 20: there's stops, there's goes in like, yeah.
Speaker 16: There's a lot of dynamics to it.
Speaker 20: Back then I did, I didn't have that mindset, I
Speaker 20: guess really I wasn't. I was more like an ald
Speaker 20: kid at least getting into like just getting into regular
Speaker 20: punk again. And yeah, uh like even back then, like
Speaker 20: I wasn't really like a big Typo fan. Back then
Speaker 20: I liked them, but I wasn't like a huge fan.
Speaker 20: But now that I've grown accustomed to like how Drey
Speaker 20: used to play and how these guys jam, well yeah
Speaker 20: that like I've I've had to not only like make
Speaker 20: my drumming better, but also like my musicianship, my composition
Speaker 20: because these guys don't think the same way as like
Speaker 20: oh ab ab here you go. There's many different like
Speaker 20: nuances that they do on purpose. So with one three nine,
Speaker 20: it was very you know, step by step, like it
Speaker 20: wasn't good when I did it the first first time,
Speaker 20: wasn't good. These guys have allowed me to make myself
Speaker 20: better and put my own stamp on it. Eventually, Like
Speaker 20: the first like year year, maybe two years, I was
Speaker 20: like meticulously just playing what what what what Dre would play.
Speaker 20: But after after a while I was kind of like,
Speaker 20: all right, well I could do this this, but I
Speaker 20: still play to the same you know, idea, the same
Speaker 20: vibe as it is. I don't I don't like go
Speaker 20: too much out of the realm of it. And that
Speaker 20: goes with all the songs too, So like whatever I
Speaker 20: try to do, I try to do in earnest to
Speaker 20: what you did first, and then like try to like
Speaker 20: all right, maybe I can punch in here or yeah,
Speaker 20: you know, Meldon.
Speaker 18: Will differently we have a little of your own flavor.
Speaker 20: Yeah, yeah, yeah, of course, yeah.
Speaker 17: Well and that I think it was driven a lot
Speaker 17: by what we would choose to play live too write.
Speaker 17: So a song like one thirty nine is a longer song.
Speaker 17: We've really only mostly recently started to bring it out
Speaker 17: and play it live, so it was really never prioritized.
Speaker 17: But when we wrote our new album None for All,
Speaker 17: that is where Thraxel really really shines, because those are
Speaker 17: songs he took part in a writing, yeah, right, in
Speaker 17: the creation process. There may have been one or two
Speaker 17: that were previous carryovers that we didn't necessarily record, but
Speaker 17: that is where first it was him learning everything, this
Speaker 17: is what we've recorded so far so you can play
Speaker 17: it live. And then with none for all, it was like, Okay,
Speaker 17: now you get to put your creative touch into defining
Speaker 17: like what these songs are. Yeah, from the rhythm.
Speaker 20: Standpoint, especially with even the early concepts. It kind of
Speaker 20: has a story to it too, because doom Train was
Speaker 20: the first one that I was like incorporated into because
Speaker 20: like as you said, some of the other songs were
Speaker 20: already like there already, but like you guys didn't do
Speaker 20: anything with doom Train was like an organic song that
Speaker 20: just happened out of not out of nowhere, but it
Speaker 20: just random. So like I think that was the my
Speaker 20: third gig I had with these guys up in northern
Speaker 20: Maine somewhere for Doom Days. It was like three days
Speaker 20: of like just the most awesome doom rock and metal
Speaker 20: but also like one of the some of the most
Speaker 20: like caring people to at a lot of good people. Yeah,
Speaker 20: but like one morning me and Jason were just like
Speaker 20: just waking up trying to have coffee, and like there
Speaker 20: was a a train offset from the property and it
Speaker 20: was coming in, but it was making it like a
Speaker 20: certain uh beat just naturally happen, and me and him
Speaker 20: were like, man, we should probably like make a song
Speaker 20: about that.
Speaker 16: That's cool.
Speaker 20: And then like like we really thought everything about it,
Speaker 20: Like we didn't want to just make it a bam bam,
Speaker 20: here's a song. He really wanted to have something to present.
Speaker 20: It took it took us what two years to make
Speaker 20: that make that song fully into fruition, between jamming it
Speaker 20: uh creating the different platforms that it would it would
Speaker 20: jump up to the lyrics of itself, and you know,
Speaker 20: that creativity that I didn't think would like not even
Speaker 20: just come from me, but like organically from all of
Speaker 20: us was like a very unique experience I didn't have
Speaker 20: up until that point. That that kind of like the
Speaker 20: precursor of the of that album, because there's a lot
Speaker 20: that goes into that album. There's a lot of things
Speaker 20: that you can take from it. Sure, a lot of dissonance,
Speaker 20: but there's a lot of like good stuff that happens,
Speaker 20: and it kind of wraps up at the end and yeah,
Speaker 20: anything you really wanted, Yeah.
Speaker 11: Yeah, yeah, that's actually another song that I personally put
Speaker 11: the lyrics to Ye, I'm not the primary songwriter, but
Speaker 11: you know, Sean writes songs on Relight writes songs too,
Speaker 11: so I'm just one of the pieces. But that particular
Speaker 11: one I kind of took the helmet. I was like, okay,
Speaker 11: doom train, we'll call it doom train. And then I
Speaker 11: had to think, well, what is a doom train? And
Speaker 11: I kind of went from there, and you know, it's like,
Speaker 11: on the surface, it's just about this train that rolls
Speaker 11: through like and just causes destruction and devastation everywhere it goes,
Speaker 11: just in its wake.
Speaker 19: Now to me, you know, whether anyone out there believes
Speaker 19: us or.
Speaker 11: Not, it doesn't matter. But you know, for me, it
Speaker 11: was more about climate change is what the doom train became.
Speaker 11: So it's like it's off in the distance, it doesn't
Speaker 11: really mean anything. Most people dismiss it, but then it,
Speaker 11: you know, it rolls through and it's like, oh, here
Speaker 11: it is. You know, this thing is upon us now
Speaker 11: and that's and it's just like everything behind it is
Speaker 11: destructive and you know, what have you. So that's where
Speaker 11: lyrically that came from. But yeah, to Thracks's point, musically, organically.
Speaker 11: It just kind of came together. It's like, okay, let's
Speaker 11: start slow where the lyrics are slow and it's like
Speaker 11: in the distance, and then it picks up and it
Speaker 11: you know, it ramps up and turns on like a
Speaker 11: metal song.
Speaker 20: Yeah.
Speaker 11: And then by the end when all the destructions come
Speaker 11: and it's just going full bores, going off the rails,
Speaker 11: it's just you know, here we go, and then it
Speaker 11: just moves on to the next town.
Speaker 4: Yeah.
Speaker 16: Oh no, I like that. Wow, that's great. Let's see
Speaker 16: how much time. I want to make sure we get
Speaker 16: so before we run out of time. I want to
Speaker 16: make sure we talk about tonight again. Tonight and the
Speaker 16: twenty fifth, but tonight first.
Speaker 18: Saturday Saturday Night. Saturday Saturday, come to Terminus Underground for
Speaker 18: Shadow Lounge Golf Dance, where you can come and pick
Speaker 18: up your free CD Dead Hairson.
Speaker 19: Tell people where it is. They don't know the address one.
Speaker 18: Four Haynes Street, Nashaua, New Hampshire, and uh yeah, you're
Speaker 18: gonna have some fun trying to find the place. It's
Speaker 18: a uh, it's definitely. Google Maps will send you on
Speaker 18: a little uh chase and you'll be figuring out where
Speaker 18: the heck you're going. You're like, is this the end
Speaker 18: of the building. And if you're at the place and
Speaker 18: you don't see a bunch of cars parked in front,
Speaker 18: if you don't see a big sign that says Predium
Speaker 18: packaging up on the building, you're at the wrong end
Speaker 18: of the building.
Speaker 20: Now you're an actual terminus, and you might possibly.
Speaker 18: And then oh, I'm true old terminous. I'm trying to see.
Speaker 20: Oh look.
Speaker 18: We talked about that, did it. You know what, nobody's
Speaker 18: gonna hear it. Nobody's gonna hear my mistake.
Speaker 16: Well, they'll hear it on the podcast for a mistake.
Speaker 18: But yeah, I mean Google will try and send you
Speaker 18: around the block and put you at the wrong end
Speaker 18: of the building. Sometimes it'll put people right at the
Speaker 18: front door, and then other times it won't. And I
Speaker 18: discovered why because if you look at the map itself,
Speaker 18: if not the satellite view, but you look at like
Speaker 18: the topographical kind of map of the roads or the
Speaker 18: drawn out Yeah, it doesn't show our driveway connecting with
Speaker 18: Hain Street. There's like a dead spot. Oh and I
Speaker 18: think Google is seeing that dead spot and sends them
Speaker 18: down the other connecting roads.
Speaker 16: The map it is hit or missed though, because for
Speaker 16: some reason, I seem to remember the first time Jenny
Speaker 16: and I went there, it did. It worked like it
Speaker 16: took us straight there, It brought us straight there. But
Speaker 16: but maybe it wasn't the first time. Maybe it was
Speaker 16: the second time, maybe the first time we had to
Speaker 16: look for it. I don't know, but I feel like
Speaker 16: there was a time where it actually did bring us
Speaker 16: straight there.
Speaker 20: But who knows.
Speaker 18: So just remember when you're going down Haynes Street and
Speaker 18: you go past the big ball fields on your left
Speaker 18: and you start going down the hill, keep going straight.
Speaker 18: Do not turn with the road it turns into another road. Yeah,
Speaker 18: going straight, you'll see a big brick building straight in
Speaker 18: front of you. And that's the side that we're on.
Speaker 16: Yeah, yeah, outstanding.
Speaker 20: It's an uber driver's nightmare.
Speaker 16: Oh I can imagine.
Speaker 20: It's an over driver's nightmare.
Speaker 16: I can I can imagine, no doubt, no doubt. So
Speaker 16: that what time does that start tonight? I believe seven o'clock,
Speaker 16: doors seventh.
Speaker 18: Yeah, we're gonna just like and it's just going to
Speaker 18: be a night of fun Cothy dance music and yep
Speaker 18: party end.
Speaker 16: It up and they get a free CD if they
Speaker 16: mentioned that they heard the show abs outstanding, outstanding, and
Speaker 16: then what's coming up the twenty fifth?
Speaker 18: Twenty fifth is our Halloween show? Also a terminus underground
Speaker 18: which you would be able to catch. Somebody say all the.
Speaker 20: Names again, my brain is the ethnic realm.
Speaker 19: Witch Trot, yes, and that herrions.
Speaker 20: They oh, oh psychomantheum okay, okay, yeah, witch Trot.
Speaker 16: It's funny, you know, they were on the show, like Jues.
Speaker 16: It must have been three years ago now, but I
Speaker 16: but I still have the shirt. And I was wearing
Speaker 16: the shirt one day and Jenny and I were doing
Speaker 16: our grocery shopping at Market Basket and Bedford, and somebody
Speaker 16: stopped me and said, hey, witch Trot. Somebody knew the band,
Speaker 16: and it was very excited to see me wearing the shirt.
Speaker 8: Yeah.
Speaker 16: Absolutely, yeah.
Speaker 11: I actually have a little funny story similar to that.
Speaker 11: So a few weeks ago, my sister was visiting from
Speaker 11: Colorado and I was with the family and we went
Speaker 11: out to Parker's Maple Barn as some people probably know
Speaker 11: in Mason, and you know, I come home and you know,
Speaker 11: I'm just like whatever, and I'm like, oh, you know,
Speaker 11: chat from the band, you know, what's going on?
Speaker 19: And Thrax had a picture of my back at Parker's
Speaker 19: and I.
Speaker 17: Just like, huh.
Speaker 19: It was like kind of did not really compute.
Speaker 11: And it turned out like one of his friends saw me,
Speaker 11: and I don't know if if they knew it was
Speaker 11: me or if they just thought it was a fan,
Speaker 11: but they saw Dead Harrison on the back of my shirt,
Speaker 11: which is why it says dead Harrison on my shirt,
Speaker 11: so people see it. And it was just kind of
Speaker 11: this this funny thing that's like wow, it's like, you know,
Speaker 11: I haven't been here in like a couple of years.
Speaker 11: I'm hearing this other guy at the exact same time,
Speaker 11: and he recognized the shirt friends with Tracks and like
Speaker 11: sends him the picture. So so your point with the
Speaker 11: witch Trot shirt, it was like one of those things
Speaker 11: that I just recognized. Yeah, you just ever know, You
Speaker 11: just never know, That's what and that's why we wear
Speaker 11: these shirts.
Speaker 20: Yes, Yes, shout out to Don Richardson for being at
Speaker 20: Parkers at the exact same time. So he's also like
Speaker 20: a recorder producer.
Speaker 16: And I've heard the name Don Richardson.
Speaker 20: Has shout outs to Midlife Crisis Production Productions, Okay Studios,
Speaker 20: he has his own recording studio and.
Speaker 17: Oh okay, very cool, very cool.
Speaker 16: Where should people go online to keep up with everything
Speaker 16: Dad Harrison is doing?
Speaker 17: So they should go to our website dead Harrison dot com.
Speaker 17: Also our Facebook page gets a ton of updates on there,
Speaker 17: and then you can listen to us. We're on Spotify,
Speaker 17: you know, We're on Pandora, most streaming platforms, iTunes, and
Speaker 17: then we have physical copies of discs, mostly just of
Speaker 17: the new one. You know, if you if you come
Speaker 17: see us in person, we have a bunch of copies
Speaker 17: of the new one. And I do want to talk
Speaker 17: a little bit about the new album. Yeah, yeah, absolutely
Speaker 17: none for all. So that's that's Uh. We recorded that
Speaker 17: twenty fourteen.
Speaker 13: Uh.
Speaker 17: This was done at Blackheart Sound in Manchester.
Speaker 16: Oh yeah, that's a name that comes up a lot
Speaker 16: on the show.
Speaker 13: Yeah.
Speaker 17: Yeah, So definitely this was like the probably the most
Speaker 17: that we've put into for an album. Okay, but both
Speaker 17: financially and just I think preparation of writing new material
Speaker 17: for an album, making sure we were super sharp with it,
Speaker 17: and then really having a professional experience to put it
Speaker 17: together and have some really good sounding music for people
Speaker 17: to listen to. Not that what we did before didn't
Speaker 17: sound good, but it was more of a d DIY
Speaker 17: type of setup that we had done before with our
Speaker 17: previous stuff. So this was really doing the legit studio experience.
Speaker 17: So we're super proud of that. And we talked about
Speaker 17: doom Train earlier that there's a few other songs where
Speaker 17: we really got to put some of our experimentation into
Speaker 17: play where you really get kind of an auditory journey
Speaker 17: when you're listening through the song. We really kind of
Speaker 17: spent that time to take care and make sure everything
Speaker 17: flowed together well right, Yeah, and we had that creative
Speaker 17: license to do that there with a really good recording
Speaker 17: engineer and mastering Eric amazing.
Speaker 16: Yeah, Absolutely everything he does is great and well in
Speaker 16: a moment, So we're gonna yea the time time goes quick,
Speaker 16: but in a moment we're gonna wrap up with Terror
Speaker 16: Grinder and anything we should know about that specifically other
Speaker 16: than sure my personal favorite, it sounds like it's a
Speaker 16: favorite of a lot of people.
Speaker 17: Yeah, and I actually wrote that song quite a few
Speaker 17: years back, but we never really materialized it into kind
Speaker 17: of the heavy song that it was. It was when
Speaker 17: we kind of just played with that first probably a
Speaker 17: good I don't know, five or six years ago, yeah,
Speaker 17: maybe even longer. And and we for this one, we
Speaker 17: really put it together, made sure we had some turn
Speaker 17: into kind of this heavy song and it's sort of
Speaker 17: about this this terror Grinder, this big sort of hard
Speaker 17: to describe but massive force, just kind of going through
Speaker 17: and destroying everything in its wake. And you can probably
Speaker 17: draw different analogies too. Is this something physical? Is this
Speaker 17: something like with the world around us right now? Stuff
Speaker 17: like that. I'll leave that for the listener to decide
Speaker 17: how they feel about it. But it more is just
Speaker 17: it's a cool tune as well to listen to and
Speaker 17: kind of go you know oo, you know, you kind
Speaker 17: of go around with it, and we have a good
Speaker 17: time with it live like getting people to get involved
Speaker 17: with it and stuff. So yeah, that's why I think
Speaker 17: it's it's a favorite, because people like singing along with
Speaker 17: songs and you know, yeah, going along with it.
Speaker 16: So yeah, absolutely, no, great great track. Well Dead, Harrison,
Speaker 16: thank you all so much, Thank you all four of
Speaker 16: you for coming in. This has been amazing, Thanks for
Speaker 16: having us, having us absolutely absolutely we will close out
Speaker 16: the segment with Tara Grinder and by Dead Harrison And
Speaker 16: thanks to everyone who uh checked us out today, everyone
Speaker 16: who listened, and of course are our wonderful guests.
Speaker 25: Uh.
Speaker 16: And if you miss any part of today's show, it
Speaker 16: will be up in just a little bit at w
Speaker 16: M and hradio dot org and at my website Matt
Speaker 16: Connorton dot com. And that's gonna do it for us.
Speaker 16: For now, we'll talk to ya a little bit later.
Speaker 12: Bye, everybody.
Speaker 1: Yeah, song the gates and all the city.
Speaker 26: The chamber rob God, we see a sleep out time
Speaker 26: the days a round jobs on far.
Speaker 1: Far ahead, receive basic. That's with the mastive handle.
Speaker 14: I'll be bread take by.
Speaker 1: But the biternoty of a row. Let's sil riders rolling.
Speaker 1: It's tasteful.
Speaker 4: God, it's real.
Speaker 8: But go and I trail and.
Speaker 1: It's quick and victory you can feel.
Speaker 23: But so let's settle ryder your milkings on its wrong. Now,
Speaker 23: I'm John, don send this battle by make goods.
Speaker 14: It's no said, open.
Speaker 1: My guy knows and make journey to see there.
Speaker 14: He brought to ways.
Speaker 1: Of thous the self turn of the US, A.
Speaker 23: Long tagan race, not bride spans lad. It came to
Speaker 23: us about us space.
Speaker 1: It's bid. The rage had to around there and came
Speaker 1: to a human race.
Speaker 10: Looked up the sky around us.
Speaker 1: It's falling through the sea.
Speaker 4: This thing you call your nighttime will soon be just
Speaker 4: a tree.
Speaker 24: The tror line the taken and give it up to
Speaker 24: the When all the world is gadic gone, one thing.
Speaker 1: Was still Rookie said.
Speaker 9: Rider.
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Speaker 1: Oh say.
Speaker 15: I got t.
Speaker 24: Got ta.
Speaker 15: Sa sa.
Speaker 14: Sa sa.
Speaker 8: Sa sad.
Speaker 16: Today's show is dedicated to the memory of Ace Frehley.
Speaker 2: If you're listening to macconnorton Unleashed on WM and Ahnwy.
Speaker 16: Five point three and now the world radio premiere of
Speaker 16: the new single from Box of Trash, This is called Nightmare.
Speaker 6: Hello, wis me how you playing dinner?
Speaker 1: It's my bye, not only time. UH leave.
Speaker 25: That before I say it's meaning this, it said Jazz.
Speaker 25: Picky Jazz reassesses now as something checks me, awaken out
Speaker 25: and rouse me.
Speaker 14: By I left you.
Speaker 6: I'm such a hot there.
Speaker 27: I just swam to the best, she said. She said me, Yeah,
Speaker 27: what you wish for the games, saying.
Speaker 14: That I will.
Speaker 1: When I've sold you.
Speaker 12: Wow, So right now.
Speaker 8: I still town.
Speaker 6: Were the crown of the lonely crowd.
Speaker 14: Sething chasing me awake, you let it roused me from
Speaker 14: the book over.
Speaker 4: I never you know I was such a.
Speaker 6: Din Now
Speaker 14: I just swamped you to car
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