Matt Connarton Unleashed 10-19-24 hour 1

0:01 Speaker 1: Was you antor.

1:15 Speaker 2: Catidy the tastycay with Gody we obeyed, b save rive

1:35 Speaker 2: and space backy a god, my.

1:42 Speaker 1: God didn't eat.

1:44 Speaker 2: We rised foren but that's for God.

1:49 Speaker 3: A silver.

1:56 Speaker 2: Cool, no speed said.

2:08 Speaker 4: To be.

2:13 Speaker 5: Expands Moss, recovering.

2:35 Speaker 6: Like many a son of change, a spector star, no

2:51 Speaker 6: flove say, just gone away to drum down in the

2:57 Speaker 6: h to need.

2:59 Speaker 2: The It's well if he's a high see we misten

3:04 Speaker 2: to God. Go back for God.

3:09 Speaker 1: What you must be.

3:16 Speaker 2: Extee ss moss m.

6:54 Speaker 4: M.

6:55 Speaker 7: That is epic, That is Titan's grips. That is questing

6:59 Speaker 7: Beast is the name of the band and we're going

7:01 Speaker 7: to talk to them in a moment.

7:02 Speaker 8: They are in studio with us. Welcome everybody. This is

7:05 Speaker 8: Matt Connorton Unleashed.

7:06 Speaker 7: And we are live from the studios of wm NH

7:10 Speaker 7: ninety five point three FM and Glorious of Manchester, New Hampshire.

7:13 Speaker 7: And of course you can also stream the show. Go

7:15 Speaker 7: to Matt connorton dot com slash live for all of

7:18 Speaker 7: your live streaming options, social media links, contact infoshow archives,

7:21 Speaker 7: et cetera, et cetera. Today is Saturday, October nineteen twenty

7:26 Speaker 7: twenty four, and we've got a big show for you today.

7:29 Speaker 7: We have Questing Beast Second hour, We've got Temple Mountain

7:32 Speaker 7: is coming Back. Third hour, we have Dead by Wednesday.

7:35 Speaker 7: Lots of today's action packed. So Jenny is not here

7:40 Speaker 7: with me this week, but she'll be back next week.

7:42 Speaker 7: But without further ado, joining us in studio, here is

7:46 Speaker 7: Shane and Jane from Questing Beast.

7:49 Speaker 8: Welcome, thanks for having us.

7:51 Speaker 7: So is it just the two of you? Is this

7:54 Speaker 7: the band? Is the the two of you?

7:57 Speaker 9: No, So, as far as right now are full band.

8:00 Speaker 9: We also have Jane's older brother, Joe as our singer.

8:04 Speaker 9: Oh okay, and then we have a drummer who's not

8:07 Speaker 9: related to any of us, but he's kind of like

8:09 Speaker 9: having a grandpa and an uncle in the same person.

8:12 Speaker 7: Okay, what does that mean? Collaborate if you would. I mean,

8:20 Speaker 7: you know, we're not in the South, so this you know,

8:23 Speaker 7: I'm confused.

8:24 Speaker 9: Well, he's fun and goofy like your uncle. Okay, but

8:29 Speaker 9: in many ways.

8:30 Speaker 10: It's very old like your grandpa.

8:32 Speaker 8: Okay, that makes sense, gotcha, gotcha?

8:35 Speaker 11: And that's his Christian He's great.

8:38 Speaker 10: He's a phenomenal drummer.

8:40 Speaker 11: Phenomenal drummer.

8:41 Speaker 8: Well, very good.

8:41 Speaker 7: So so what what do you what do you each

8:44 Speaker 7: do in the band?

8:44 Speaker 10: We both play guitar, You both play guitar.

8:46 Speaker 7: Okay, very cool, and you've got a big show tonight.

8:49 Speaker 7: We should plug that right off the top. You're gonna

8:52 Speaker 7: be playing at Terminus, correct.

8:53 Speaker 8: Yeah, Nashua with Let's see Dad.

8:56 Speaker 7: Harrison, the Vegans, the Gray Curtain, Horror, and able Blood.

9:01 Speaker 8: All great bands. Actually.

9:02 Speaker 7: Out of all those bands, so the Nigans, we have

9:05 Speaker 7: not had them on the show yet, but everyone else

9:07 Speaker 7: has been on the show.

9:08 Speaker 8: Cool. Nice, Yeah, we had the Great Curtain, Horror and

9:10 Speaker 8: able Blood.

9:11 Speaker 7: Jesus was that last week? It becomes a blur. But yeah, yeah,

9:15 Speaker 7: all all great bands and and able Blood has actually

9:17 Speaker 7: been on the show a few times now.

9:19 Speaker 10: We played our first gig with them.

9:21 Speaker 8: Oh with able Blood. Oh very cool.

9:23 Speaker 7: Yeah, yeah, that's awesome that song Titan's Grip and we'll

9:27 Speaker 7: we'll play more later. But really it takes you on

9:30 Speaker 7: a journey, lots of lots of cool changes in it,

9:33 Speaker 7: and very very complex. But let me let me start

9:37 Speaker 7: with this because I kind of have a little bit

9:39 Speaker 7: of an idea just from googling Questing Beast, but what

9:43 Speaker 7: what what is that? What is Questing Beast? Where does

9:45 Speaker 7: the name come from?

9:47 Speaker 9: So the name comes from Arthurian legend. I saw it

9:53 Speaker 9: on a magic card and I was like, that's epic.

9:54 Speaker 9: That's an epic name. It's a great name for a band.

9:57 Speaker 9: And I did some research found out is from the

10:00 Speaker 9: theory and legend read the legend, was like, I don't

10:02 Speaker 9: want to write that story. That story has been written

10:05 Speaker 9: and it's got nothing to do with anything that I

10:08 Speaker 9: want to write music about. So I came up with

10:11 Speaker 9: a different story that's kind of about the birth of

10:16 Speaker 9: the Questing Piece. So I gave it like its own

10:18 Speaker 9: origin story and everything okay, And I basically had that outline,

10:23 Speaker 9: and then we sort of wrote songs based on where

10:26 Speaker 9: we thought it would fit, like within the storyline.

10:30 Speaker 7: So the story came first, and then the songs came Yes,

10:33 Speaker 7: based on the story.

10:34 Speaker 11: Yes.

10:34 Speaker 9: I think that the only song that that may not

10:37 Speaker 9: be true for is call the North, because that was

10:39 Speaker 9: the first one that we wrote. Oh and we had

10:41 Speaker 9: just gotten together and we're like, oh, yeah, big riffs,

10:43 Speaker 9: here we go. Yeah, And so I was like that

10:46 Speaker 9: that song specifically, I was like, what does this make

10:49 Speaker 9: me feel? Like I was like, it makes me feel

10:50 Speaker 9: like I'm actually going on like a long expedition somewhere.

10:53 Speaker 9: So it felt to me like that one specifically, I

10:56 Speaker 9: was like, this is about going to a place, so

10:58 Speaker 9: like Call the North seems like a good, good game,

11:01 Speaker 9: you know.

11:02 Speaker 7: Okay, But the rest of the songs are based on

11:04 Speaker 7: the story or the outline of the story.

11:06 Speaker 10: Yeah, yeah, yeah.

11:07 Speaker 7: Did did the story change at all? Oh yeah, you know,

11:11 Speaker 7: as you're as you're writing these songs, I can see

11:13 Speaker 7: how that might happen. Where As the songs as you're

11:15 Speaker 7: writing them and they kind of evolve and form, the

11:18 Speaker 7: story itself changed as well.

11:19 Speaker 9: Oh yeah, and the story is still changing. The idea

11:22 Speaker 9: is that we want this to be like a trilogy, okay,

11:26 Speaker 9: and so like we're constantly thinking about, like still analyzing

11:30 Speaker 9: like the first album even to be like, you know,

11:33 Speaker 9: how does this dictate where we go on the second album?

11:35 Speaker 10: You know, and.

11:38 Speaker 9: It's it's a really interesting way to write, but it

11:41 Speaker 9: is also increase. I mean, I understand why, like all

11:45 Speaker 9: the Game of Thrones books aren't done, you know, I'm

11:48 Speaker 9: just doing it with an album. This is like nine

11:50 Speaker 9: pages of text maybe, you know, Yeah.

11:54 Speaker 7: Yeah, no, I can imagine, and the songs themselves are

11:59 Speaker 7: are complex. I mean, is that the most challenging part

12:04 Speaker 7: of it is creating the music to go with the story?

12:08 Speaker 12: So kind of because the story dictates so much of what,

12:12 Speaker 12: like our musical decision making is. Yeah, and not just

12:16 Speaker 12: lyrically right lyrics is an entire other realm of added

12:21 Speaker 12: layers of description to the story. The music itself is

12:25 Speaker 12: so dictated by what we're trying to convey in each

12:28 Speaker 12: song as a story point that the music itself. So

12:32 Speaker 12: you say, it sounds like going on a journey, and

12:34 Speaker 12: that's because the music itself is telling a huge bit

12:39 Speaker 12: of story. Yeah, I mean it's not not every song

12:43 Speaker 12: is telling so much as far as information goes, but

12:46 Speaker 12: it's so much world building, and we're trying to convey

12:49 Speaker 12: so many little nuanced emotions and basically explaining something through music.

12:57 Speaker 12: So it came out everything was just so much challenge.

13:02 Speaker 12: Like we would get something down we felt like it

13:05 Speaker 12: explained what we wanted to do, then we'd listen to

13:07 Speaker 12: it and be like, well, this doesn't sound amazing musically, Okay,

13:11 Speaker 12: so we have to change it now to sound it

13:13 Speaker 12: kind of sound amazing musically. But now we feel like

13:15 Speaker 12: it doesn't convey what we wanted to say in the story.

13:18 Speaker 12: You can see how if you're not careful, we would

13:21 Speaker 12: go back to the drawing board on either the music

13:23 Speaker 12: or the story too many times to where like sometimes

13:26 Speaker 12: we had to stop and just like fall back. Some

13:29 Speaker 12: stuff happened naturally, this song being one of them. I

13:34 Speaker 12: didn't want to write this song.

13:37 Speaker 8: What do you mean?

13:38 Speaker 11: I didn't want to write this song because we already

13:40 Speaker 11: had I think we had.

13:41 Speaker 10: We had six songs.

13:42 Speaker 12: Yeah, we had six songs, and I felt like it

13:43 Speaker 12: was good. You know, with the addition of the two

13:45 Speaker 12: instrumentals on the album, it would have been eight songs, right. No, No, no,

13:50 Speaker 12: it would have been So we wrote two more after that, right,

13:54 Speaker 12: because then we wrote Beneath Read Leaves too. But yeah,

13:58 Speaker 12: I didn't want to write this song because I just

13:59 Speaker 12: felt like, like, Okay, we're good, We've written enough. This

14:02 Speaker 12: is our first album. And I actually remember sitting down

14:07 Speaker 12: with a little bit of what he wrote and just

14:09 Speaker 12: everything became so complex, so quick, and I was angry

14:12 Speaker 12: the whole time I wrote. I was like, dang it,

14:16 Speaker 12: this is gonna be so complex.

14:17 Speaker 8: This is awesome.

14:20 Speaker 7: Damn yeah, I would imagine too. You see, I've played

14:26 Speaker 7: a lot of bands, but nothing I never played in

14:28 Speaker 7: anything like this. You know, every band I ever played

14:30 Speaker 7: and it was you know, verse chorus, you know, your

14:32 Speaker 7: standard thing. Yeah, and uh so I've always been kind

14:35 Speaker 7: of fascinated by I mean, just what must go into

14:39 Speaker 7: writing the songs and then learning the songs and then

14:42 Speaker 7: rehearsing the songs.

14:44 Speaker 10: Are definitely two different things.

14:46 Speaker 7: Yeah, oh yeah, I can imagine. Yeah, I mean, you

14:51 Speaker 7: must have to rehearse quite a bit, right for the

14:52 Speaker 7: live shows, because every week you've got to be it,

14:55 Speaker 7: you know. I mean, if you're if you're a punk

14:57 Speaker 7: band and you're playing three chords and you make a mistake,

15:00 Speaker 7: nobody even notice it. Well, with what you're doing. If

15:03 Speaker 7: somebody makes a mistake, it's it's probably hard to even

15:06 Speaker 7: hide that, right.

15:07 Speaker 10: Yeah.

15:07 Speaker 9: There's certain points in different songs where it's almost like

15:10 Speaker 9: you're you're like surfing on a razor's edge, you know

15:13 Speaker 9: what I mean, And like if you fall off, it

15:15 Speaker 9: is not easy to get back on.

15:16 Speaker 8: I can imagine, yeah, you know.

15:18 Speaker 9: Yeah, and we also have like the added challenge of

15:23 Speaker 9: not having a live bass player right now. Okay, so

15:27 Speaker 9: our drummer plays to a click track. Yeah, so we

15:30 Speaker 9: have like bass tracks at the moment. But it allows

15:33 Speaker 9: us to do cool things like it automatically like switches

15:36 Speaker 9: out the synth patch that we're using as we're playing

15:39 Speaker 9: and stuff like that. So oh wow, it allows us

15:41 Speaker 9: to like use all these different sense that we made

15:44 Speaker 9: for the record live too.

15:45 Speaker 12: Okay, Yeah, it makes it a little bit easier. Recording

15:49 Speaker 12: and learning and playing are just a whole three separate things.

15:53 Speaker 12: For this recording is so bit by bit, sentence by sentence. Basically,

15:59 Speaker 12: if you think about it in terms of writing a story,

16:01 Speaker 12: it's like writing sentence by sentence, let alone lyrics. I

16:05 Speaker 12: don't even get in on lyrics. I'm more on the

16:07 Speaker 12: music side of things. I contributed one lyric to this

16:11 Speaker 12: whole album truly, and so yeah, like writing it just

16:17 Speaker 12: is so intensive. And I mean, what, it took us

16:21 Speaker 12: two almost three years to just write this. Any music

16:25 Speaker 12: that we're gonna write that's expanding on this is going

16:27 Speaker 12: to take us probably a similar timeframe. But then learning

16:30 Speaker 12: it is like, okay, now that we have the finished

16:33 Speaker 12: product and all the riffs are what they're going to be,

16:36 Speaker 12: and all the orders of everything is pretty much decided on.

16:40 Speaker 12: Now try to learn all that while standing up, switching

16:44 Speaker 12: effects and doing backing vocals, and then sometimes you're.

16:49 Speaker 11: Like, oh, I can't.

16:50 Speaker 12: You know, we have to figure out, you know, delegate,

16:53 Speaker 12: who's going to play what. Sometimes sometimes we need to

16:56 Speaker 12: put something in a backing track because there's too many

16:58 Speaker 12: parts stuff like that. So it's a whole puzzle.

17:04 Speaker 11: You know.

17:04 Speaker 9: Yeah, like the beginning of Titans Grip, we don't hire

17:06 Speaker 9: three dudes to come up and play play that harmony

17:09 Speaker 9: at the beginning.

17:11 Speaker 11: It would be great. We don't have it, like.

17:14 Speaker 7: Yeah, yeah, so who plays bass on the on the

17:18 Speaker 7: studio tracks?

17:19 Speaker 8: Does one of you do that?

17:20 Speaker 10: Or no?

17:21 Speaker 9: So we got a guy. His name is Chase Bryant.

17:24 Speaker 9: He plays in a band called war Bringer. They're like

17:26 Speaker 9: an l a thrash bandy. Yeah, they're great.

17:30 Speaker 12: I love them, shouts out Chase, nicest guy, amazing bass player.

17:34 Speaker 12: Played the whole album on fretless bass in two days.

17:37 Speaker 10: Yeah, figure style. He's a absolute monster.

17:41 Speaker 11: Absolute monster, absolute great guy.

17:44 Speaker 12: Super super happy to have him just doing his thing.

17:51 Speaker 11: It was awesome.

17:53 Speaker 7: That's another thing that I'm always because I'm a bass player,

17:56 Speaker 7: but I've never played a fretless and that always impresses

17:59 Speaker 7: me too.

18:00 Speaker 10: Oh yeah, yeah.

18:01 Speaker 9: I mean a lot of people when I tell him

18:03 Speaker 9: that he's playing fretless on it, they can't even tell

18:05 Speaker 9: because it's just so in tune, you know.

18:07 Speaker 8: Yeah.

18:07 Speaker 13: Yeah.

18:08 Speaker 7: Our friend Lacey, who I am in the uh in

18:11 Speaker 7: the chat room, says, uh, that's why so much can

18:14 Speaker 7: be lost in studio work so clinical And oh I

18:19 Speaker 7: see Jenny is in there as well. Hello, good morning.

18:23 Speaker 8: Yeah.

18:24 Speaker 10: So when you.

18:27 Speaker 8: Like, do you play these live before you record them

18:30 Speaker 8: or do you do?

18:31 Speaker 7: You? Okay, so you don't, you don't go into the

18:34 Speaker 7: studio and then once that's done start playing them.

18:36 Speaker 10: Live or well we do we do.

18:38 Speaker 9: We like demo out all the tracks, so we've got

18:41 Speaker 9: able to on my computer at the practice space and

18:44 Speaker 9: we just record on that the demo version, send that

18:48 Speaker 9: off to the studio that we actually want to record it.

18:51 Speaker 9: We went to matt Oaks Studio in Austin and recorded

18:54 Speaker 9: with Benny Grotto, who did a great job.

18:57 Speaker 8: Yeah, everything, everything sounds amazing.

18:59 Speaker 9: Yeah, but so it Sometimes we kind of play it

19:05 Speaker 9: live before we put it into the demos, But most

19:07 Speaker 9: of the time we get the demos done, we get

19:09 Speaker 9: that to a point where we like it, and then

19:10 Speaker 9: that's when we start the learning processes. Okay, and then

19:13 Speaker 9: we go in and record for real cities. Yeah, and

19:17 Speaker 9: going to the Big Boys studio. Yeah, but I what,

19:21 Speaker 9: I forget what your name was, but who said something

19:23 Speaker 9: about studios being clinical and oh yeah, yeah lazy. So

19:27 Speaker 9: there's definitely I think one or two. There's there's certain

19:30 Speaker 9: things that I think can be kind of sporadic when

19:33 Speaker 9: you're like actually composing and stuff like that, and there's

19:36 Speaker 9: certain things that are like difficult to replicate non spur

19:43 Speaker 9: of the moment. Like, for example, there's a version of

19:46 Speaker 9: the Corruption solo that I had had a long time

19:50 Speaker 9: ago that I kind of wish I had still had

19:52 Speaker 9: for like, it was just a specific recording where I

19:56 Speaker 9: was like in my room with the amp and it

19:58 Speaker 9: was like super feedback ye yeah, and it like it

20:01 Speaker 9: sounded terrible but awesome because of how like I don't know,

20:05 Speaker 9: rat it sounded, you know what I mean? Yeah, And

20:07 Speaker 9: so like it And it's always like very minute details

20:11 Speaker 9: like that, you know what I mean. It's not like, oh,

20:13 Speaker 9: this song is ruined because we recorded in a good.

20:15 Speaker 7: Space, you right, right, No, that makes sense? How I mean,

20:22 Speaker 7: how many hours do you think? Probably hard to put

20:24 Speaker 7: a number on it, but like like just just learning

20:28 Speaker 7: to play one of these songs proficiently.

20:30 Speaker 10: I mean that's I can tell you.

20:32 Speaker 9: I don't know about that all the songs. I mean,

20:36 Speaker 9: some of them are easier than others. Yeah, but I

20:39 Speaker 9: can tell you that the Beneath Red Leaves, the Beneath

20:43 Speaker 9: Red Leaves solo specifically took me so long.

20:47 Speaker 10: I probably every day leading up to going into play.

20:50 Speaker 9: That in the studio for like two weeks at least,

20:53 Speaker 9: spent like two hours a day just like ripping through

20:55 Speaker 9: that thing trying to get it down. Oh yeah, it's hard.

21:01 Speaker 11: That song taught me.

21:02 Speaker 12: That song taught me how to play rhythm guitar differently, really, Yeah,

21:05 Speaker 12: one hundred percent.

21:06 Speaker 11: I play things.

21:07 Speaker 12: I play that song differently and more efficiently than I

21:11 Speaker 12: did when we went and recorded it. Taught me like

21:15 Speaker 12: deficiencies in how I played certain things.

21:18 Speaker 8: Really.

21:19 Speaker 12: Yeah, So talk about a learning process, like I learned

21:23 Speaker 12: the song, but then I kept learning from it for

21:26 Speaker 12: about a year to where I am now with it. Yeah,

21:29 Speaker 12: same with him, honestly, Like it informs us so much

21:32 Speaker 12: about our ability because you can write something right piece

21:35 Speaker 12: by piece and you can make a demo and then

21:38 Speaker 12: when you go to play it all at once all

21:39 Speaker 12: the way through, you really like find out about yourself.

21:43 Speaker 8: I can imagine that.

21:44 Speaker 12: Yeah, yeah, you know, going from playing all this rhythm

21:47 Speaker 12: to lead and he's you know, playing all the lead

21:50 Speaker 12: and it's crazy.

21:50 Speaker 8: So wow. Yeah. Have you ever written something where or or.

21:56 Speaker 7: Just had an idea where you you know, you maybe

22:00 Speaker 7: record it and everything so you're committed to it and

22:01 Speaker 7: then you kind of have a moment where you go, geez,

22:03 Speaker 7: I don't know, I'm kind of regretting this one a

22:05 Speaker 7: little bit.

22:05 Speaker 10: Yeah really yeah. Yeah, we edit super hard.

22:13 Speaker 9: Do we cut things that we don't like and try

22:15 Speaker 9: and or like try and make it work better?

22:18 Speaker 14: Yeah.

22:19 Speaker 9: I think that one of the things that we really

22:21 Speaker 9: want to focus on going forward is like, I don't know,

22:27 Speaker 9: just getting better at making sure everything fits together.

22:29 Speaker 10: Well yeah, yeah, not that I don't think.

22:32 Speaker 9: That the stuff on the first record fits together well,

22:36 Speaker 9: you know, song by song, but I think that there's

22:39 Speaker 9: always room for improvement, sure, you know.

22:42 Speaker 7: And how important is it to you as players when

22:47 Speaker 7: you when you play live to to replicate exactly like

22:51 Speaker 7: do you try to replicate exactly. Note for note, what's

22:53 Speaker 7: on the recordings or do the songs breathe a little bit?

22:56 Speaker 10: Or how do There's not really a lot of breathing room.

22:58 Speaker 9: There's a lot of very specific harmony that's going on

23:01 Speaker 9: and stuff like that, you know what I mean. So yeah,

23:03 Speaker 9: And that's not to say that there aren't places where

23:06 Speaker 9: we could incorporate.

23:07 Speaker 12: Some sure, yeah, but I'd say as far as NOE choice,

23:12 Speaker 12: it's never different. As far as certain stylistic things, we

23:18 Speaker 12: goof off a little bit here and there, but it's

23:22 Speaker 12: we're still playing pretty much what's written. Okay, almost, i'd

23:25 Speaker 12: say ninety nine percent.

23:27 Speaker 7: Yeah, okay, okay, if you're just joining us, we have

23:30 Speaker 7: Questing Beasts here with us live in studio on the

23:33 Speaker 7: Saturday morning, and I think we should play another track.

23:37 Speaker 7: I'd love to hear another one. So we'll play this

23:39 Speaker 7: so at Crater's Edge.

23:41 Speaker 11: Oh yeah, what what?

23:42 Speaker 8: What should we know?

23:43 Speaker 7: Anything?

23:43 Speaker 8: We should know about this specifically before we hear it.

23:48 Speaker 9: No, I want I want people in the comments to

23:50 Speaker 9: try and guess what the footsteps are.

23:52 Speaker 10: Okay, okay, what's making that sound? People?

23:55 Speaker 7: Okay, all right, So well that's a clue then, So

23:58 Speaker 7: they're not actual footsteps.

24:00 Speaker 10: That's correct.

24:00 Speaker 7: Okay, all right, I pay attention, listen closely everybody. All right,

24:05 Speaker 7: So this is Questing Beast and uh this song is

24:08 Speaker 7: called at Creator's Edge.

24:16 Speaker 15: H chrazed.

24:50 Speaker 2: I stood, I spoke what never cause me good? Don't

24:59 Speaker 2: call a chaos your bel and good.

25:03 Speaker 6: But when the stars from where you can, I.

25:12 Speaker 16: Like miss.

25:15 Speaker 1: Far logic joins.

25:20 Speaker 2: In a moment of fall me the story something my

25:26 Speaker 2: coll stinking birds on black thing of course things cold,

25:32 Speaker 2: my face ran thing my grands.

25:36 Speaker 5: From as climest face, collasting about strength, waste.

25:41 Speaker 14: My falls on face, singing my dispaceing the crime, breaking

25:47 Speaker 14: up my life, I squeen cake.

25:58 Speaker 15: William I was like, oh, the fortune of this starts right.

26:06 Speaker 2: Hip the ram. It's my stairs nevery d look a

26:13 Speaker 2: bar scar.

26:33 Speaker 17: Thank st bloodys de wh I'm drunk it the.

27:03 Speaker 1: Man.

27:04 Speaker 15: So we went down a little too.

27:23 Speaker 8: Why am God, I'm taking a child?

27:26 Speaker 6: Why do you go to the.

27:27 Speaker 1: Chalk your troll and starting I'm taking about.

27:29 Speaker 3: Time, no chop but time drinking my time nor chop

27:32 Speaker 3: is down.

27:34 Speaker 7: Why that is at Creator's Edge by Questing Beasts. We

28:16 Speaker 7: have two members of the band. There's those footsteps again?

28:20 Speaker 7: All right, where did the footsteps come from?

28:24 Speaker 4: Oh?

28:24 Speaker 8: I can't go ahead.

28:26 Speaker 10: Oh no, I just hadn't started yet.

28:28 Speaker 8: I thought it looked like it looked like your mouth

28:30 Speaker 8: was moving, and I'm like, oh no.

28:31 Speaker 10: I didn't. I was trying to think of how I

28:33 Speaker 10: want to do approach the answer?

28:35 Speaker 8: Gotcha, gotcha.

28:36 Speaker 7: I didn't see any guesses.

28:38 Speaker 8: In the chat room.

28:38 Speaker 9: So well, it came from a box of rocks. What

28:43 Speaker 9: you're hearing is a box of rocks, really cardboard box

28:46 Speaker 9: with a bunch of rocks inside of it. It's some

28:48 Speaker 9: advanced studio equipment.

28:50 Speaker 8: Oh very good, very good. Let's see uh in the

28:57 Speaker 8: chat room.

28:57 Speaker 7: Oh, Hans Smith from the band Sepsis was saying that

29:00 Speaker 7: the instrumentals make him feel like he's on an adventure

29:04 Speaker 7: on the sea.

29:05 Speaker 11: Oh very nice.

29:07 Speaker 8: Yeah, yeah nice.

29:08 Speaker 7: Lacey says a strong Queen's Reich vibe. Is that one

29:12 Speaker 7: of your influences Queen's Reke.

29:13 Speaker 12: I wouldn't say specifically, but love Queen's Reke.

29:17 Speaker 11: Yeah, yeah, and that's a huge compliment.

29:20 Speaker 8: Yeah, absolutely, absolutely. Let's see.

29:23 Speaker 7: I saw somebody else in here too.

29:24 Speaker 10: Oh.

29:24 Speaker 7: Be Pinard is in the chatroom. Big support of the show. Hello,

29:29 Speaker 7: nice to see you in there, and also Mariam Bannish

29:31 Speaker 7: joins us in the chat room. Yeah, tell tell me

29:36 Speaker 7: more about influences I imagine, I mean a lot of

29:39 Speaker 7: a lot of prog and really complex stuff for both

29:42 Speaker 7: of you, I would, I would.

29:43 Speaker 9: Guess, yeah, yeah, sure, I'm just gonna do a quick

29:45 Speaker 9: top five. So for me, like my favorite two bands

29:51 Speaker 9: are Death Clock and Queens of the Stone Age. Yeah,

29:55 Speaker 9: and so I feel like my guitar playing is kind

29:58 Speaker 9: of like somewhere in between mean those two sort of bands.

30:02 Speaker 9: But outside of that, I mean, Baroness is Great, master

30:07 Speaker 9: Don as well. Both of those bands I think were

30:11 Speaker 9: actually very influential to me throughout the writing process of

30:14 Speaker 9: this first one, just as far as their ability to

30:17 Speaker 9: take these big, sprawling concepts, like from start to finish

30:20 Speaker 9: on these records, you know, in their own ways. And

30:24 Speaker 9: I guess I have to think of I said five,

30:26 Speaker 9: You did say five. Yeah, there is another one, I

30:28 Speaker 9: know for sure. I don't know, just various. There's lots

30:35 Speaker 9: of stuff, to be honest with you, Like, I'm all

30:37 Speaker 9: over the place as far as like listening to like

30:40 Speaker 9: technical death metal and like all these various things. Yeah, Jane,

30:45 Speaker 9: why don't you take over while I think of what

30:46 Speaker 9: a definitive five is.

30:49 Speaker 12: I'd say early on when I first started getting into

30:53 Speaker 12: progressive music was high school, and my big three would

30:57 Speaker 12: be Dream Theater, m Rush, and Porcupine Tree. Okay, and

31:07 Speaker 12: just as far as progressive music goes. And I was

31:09 Speaker 12: in a band in high school where we didn't cover

31:12 Speaker 12: any dream Theater, but that was my aspiration, you know.

31:16 Speaker 12: I was in a band with this guy, Adam Susie,

31:21 Speaker 12: amazing drummer, shouts out Adam Susie, and we just covered

31:27 Speaker 12: these prog songs and that's a huge influence on me.

31:30 Speaker 11: I religiously listened to Dream Theater, Rush. I grew up

31:35 Speaker 11: on Rush.

31:36 Speaker 12: My mom introduced me to Rush when I was really young.

31:39 Speaker 12: And then the heavier side of things I started to

31:43 Speaker 12: get into. Like I started off with some like metalcore bands.

31:45 Speaker 12: I think my earliest like real heavy band influence was

31:48 Speaker 12: a band called as Blood Runs Black, an old metal

31:51 Speaker 12: core band. But I started to really get into more

31:58 Speaker 12: technical death metal and stuff like that I got into college.

32:00 Speaker 12: But I come from a very diverse background, Like I

32:04 Speaker 12: was a jazz musician growing up, and I love hip hop.

32:07 Speaker 12: I made a lot of hip hop too, so I

32:09 Speaker 12: really yeah, for sure, And that was a humongous portion

32:15 Speaker 12: of my education in music. You know what I mean,

32:20 Speaker 12: was all those influences, so huge love for hip hop,

32:25 Speaker 12: huge love for technical death metal. I'd say the band

32:28 Speaker 12: that really bridged the gap for me when I was

32:31 Speaker 12: young between all that progue stuff and the more heavy

32:36 Speaker 12: stuff was a band called Born of Osiris. And that's

32:41 Speaker 12: when I learned about like Jason Richardson as a guitar

32:43 Speaker 12: player and started to kind of you know, all my

32:46 Speaker 12: favorite rhtters played the same guitars now and really got

32:52 Speaker 12: into a lot of that stuff. So huge influence on me,

32:55 Speaker 12: those guys John Patrucci obviously, but all that stuff.

33:00 Speaker 7: Yeah, yeah, I.

33:00 Speaker 9: Thought my number five. Okay, it's definitely war Bringer. Okay, cool, Okay, Yeah,

33:05 Speaker 9: I don't know why that took me so long.

33:07 Speaker 7: Well, it's early, very good, very good if you are

33:12 Speaker 7: just joining us. Of course, we do have Questing Beasts

33:15 Speaker 7: here with us live in studio and they're playing a

33:17 Speaker 7: big show tonight. Of course, our friends at Terminus Underground

33:21 Speaker 7: in Nashua. Let's see this is the show has a

33:26 Speaker 7: specific name, the Haunted, oh Hollowed and haunted. Yes, want

33:31 Speaker 7: to make sure.

33:32 Speaker 8: I want to make sure I got the name right. Yeah.

33:33 Speaker 8: Terminus is a great place.

33:34 Speaker 1: Have you been there yet?

33:35 Speaker 10: No, not yet.

33:36 Speaker 8: I tell everybody the same thing.

33:38 Speaker 7: When you walk in, it's like walking into a different

33:40 Speaker 7: world when you walk into that room specifically, it's really cool.

33:44 Speaker 9: Apparently they're decorating it all up and stuff, or they

33:47 Speaker 9: were last night and everything, so it should be all

33:49 Speaker 9: good to go now. So it's gonna look awesome in

33:51 Speaker 9: there tonight.

33:52 Speaker 7: Yeah, yeah, there you go. Yeah, that's gonna be tonight.

33:55 Speaker 7: Questing Beast along with Dad Harrison, the Vegans, The Gray Curtain, Horror,

33:59 Speaker 7: and Able Blood. Tickets are twenty dollars.

34:03 Speaker 8: You can get them.

34:04 Speaker 7: You have to go to Midnight Creatives Collective dot com.

34:08 Speaker 7: Tickets are available there. And that is show starts at

34:13 Speaker 7: eight pm.

34:14 Speaker 11: So I think show starts at six?

34:18 Speaker 8: Oh does it?

34:19 Speaker 11: Yes?

34:19 Speaker 10: Oh yeah, I think doors are six.

34:22 Speaker 7: Oh I'm sorry, yeah, I was looking at the wrong thing. Yeah,

34:25 Speaker 7: all the right doors are five. Yeah, music starts at six.

34:27 Speaker 1: Oh.

34:28 Speaker 7: It's good you corrected me, because yeah, we don't want

34:30 Speaker 7: people showing up there late.

34:31 Speaker 10: Of us is paying attention.

34:32 Speaker 7: You're welcome, exactly, exactly yeah, and you know, there's a

34:36 Speaker 7: lot of bands, so it's good that it's starting early.

34:39 Speaker 7: That makes sense.

34:39 Speaker 9: Oh, yes, and we're we're actually opening this one, which

34:43 Speaker 9: is which is nice because we'll be able to get

34:46 Speaker 9: there set up immediately and then hang out forever.

34:50 Speaker 8: Do you that's right?

34:53 Speaker 1: Is there?

34:54 Speaker 8: Do you have a complex set up?

34:58 Speaker 10: Yeah?

34:58 Speaker 9: I mean so all four of us us do vocals,

35:02 Speaker 9: and then we've got the computer that our drummer like

35:08 Speaker 9: triggers all the tracks from and everything. Yeah, it's kind

35:11 Speaker 9: of it's kind of a pain.

35:12 Speaker 7: I can imagine.

35:13 Speaker 11: Yeah, I mean it's a pain for us.

35:17 Speaker 12: I mean, if we cut out a vocal, it would

35:18 Speaker 12: still just be three vocals and then a few xlrs

35:21 Speaker 12: to the house. But like it's more of a pain

35:23 Speaker 12: for us, then it should be more of a pain

35:25 Speaker 12: for us than any sound guy.

35:28 Speaker 8: Or girl.

35:29 Speaker 10: But that has not been the case so far.

35:31 Speaker 8: Yeah, right right, Yeah, I can see how.

35:39 Speaker 7: Yeah, I can imagine, you know, And I think usually

35:43 Speaker 7: when it's when it's a band with kind of a

35:44 Speaker 7: you know, a really complex sophisticated sound, there's usually more

35:47 Speaker 7: to it, like I said, you know, compared to say,

35:50 Speaker 7: for example, just a punk band, you know, Yeah, when we.

35:54 Speaker 12: Get booked on gigs like that, we do feel a

35:59 Speaker 12: unique kind of pressure, especially if we're right in the

36:02 Speaker 12: middle of the bill. Oh yeah, just because and it's

36:07 Speaker 12: and it's not like we're not quick, and it's not

36:09 Speaker 12: like we haven't done this before, you know.

36:11 Speaker 8: Yeah, and we have.

36:12 Speaker 11: I couldn't have streamlined.

36:14 Speaker 12: I set up our ableton session that has the click track,

36:19 Speaker 12: that has all of our sins on it, that has

36:21 Speaker 12: all of the bass tracks on it, and we have

36:23 Speaker 12: some simple stuff.

36:24 Speaker 11: We just have to run cables to the house. That's it.

36:26 Speaker 11: We have to set up all the hard stuff.

36:28 Speaker 12: Right right, And it's a huge brain puzzle for me,

36:32 Speaker 12: you know, to like troubleshoot stuff in real time, yeah,

36:36 Speaker 12: if anything's wrong, and then also set up my own

36:40 Speaker 12: guitar stuff in my own microphone and make sure I

36:42 Speaker 12: can hear myself and all that good stuff.

36:43 Speaker 11: Oh no doubt.

36:44 Speaker 18: Yeah.

36:44 Speaker 7: Yeah. Does that ever happen where something goes wrong on

36:46 Speaker 7: the text pend and you got to, like you said,

36:49 Speaker 7: troubleshoot on the spot in real time.

36:52 Speaker 11: Thankfully, we've It's pretty funny.

36:54 Speaker 12: I think we have nine of those issues at home

36:58 Speaker 12: when we're practicing, Yeah, which is nice.

37:01 Speaker 8: Good good. Yeah, Well that's that's what how it should go.

37:04 Speaker 4: Yeah.

37:04 Speaker 9: Yeah, And I think it's all set up at this

37:06 Speaker 9: point so well as far as like like something really

37:09 Speaker 9: tragic would have to happen to like move the click

37:13 Speaker 9: track so it's like not in the right spot or

37:15 Speaker 9: something like that. Yeah, So I think it's I think

37:18 Speaker 9: we've got it pretty solid at this point.

37:20 Speaker 7: Yeah.

37:21 Speaker 9: I think there's also, like I said, you know, there's

37:25 Speaker 9: always improvements to be made, especially once you start thinking

37:27 Speaker 9: about like gear, you know, I mean that's an endless

37:30 Speaker 9: rabbit hole that'll leave you homeless if you go too far.

37:34 Speaker 7: Yep, yep, well said, Well said, Now what is uh?

37:39 Speaker 7: So this this album here, this has not been out

37:43 Speaker 7: that long, right, this is relatively new.

37:44 Speaker 9: Yeah, it came out in June, in June, okay, okay

37:48 Speaker 9: new to everybody else.

37:49 Speaker 1: Yeah. Yeah.

37:51 Speaker 7: Are you already thinking about the next one in terms

37:53 Speaker 7: of like are you already writing for it?

37:55 Speaker 1: Or uh?

37:56 Speaker 10: Yeah?

37:57 Speaker 9: Yeah, I mean we're always writing, yeah, I mean we

38:00 Speaker 9: play guitar. I play guitar personally at least like like

38:03 Speaker 9: three hours a day is like a bad day for me,

38:05 Speaker 9: And so I'm writing on an accident, you.

38:09 Speaker 12: Know, yeah, and then we're also purpose at least once

38:19 Speaker 12: to a couple of times a week. Right now, we're

38:20 Speaker 12: definitely back in the we're back in the shop.

38:24 Speaker 9: This is like gonna be our last show I think

38:27 Speaker 9: for this year, and you know, we'll have a bunch

38:29 Speaker 9: of stuff to announce for next year obviously and everything

38:32 Speaker 9: when the time comes. But we're gonna take this like

38:35 Speaker 9: hibernation time, I think is like a nice writing period,

38:39 Speaker 9: you know, just to kind of hang out and not

38:41 Speaker 9: necessarily even think about the first record for.

38:44 Speaker 11: A little bit, right right, Maybe play it and that's

38:47 Speaker 11: about it.

38:47 Speaker 7: Play it some right right, Yeah, you're gonna have to

38:49 Speaker 7: even even during your your hibernation period, shall we say,

38:52 Speaker 7: you're gonna you're still gonna have to play it or

38:54 Speaker 7: because you don't want to risk forget anything.

38:56 Speaker 10: Yeah, you definitely got to keep the Coles stoked.

39:01 Speaker 12: The upkeep on this stuff is unlike anything I've ever had,

39:07 Speaker 12: you know, I can imagine. Yeah, it's impossible for me

39:10 Speaker 12: to store certain things in a spot in my brain

39:14 Speaker 12: that's gonna stay forever unless I play it all the time.

39:19 Speaker 12: There's so much stuff up here.

39:21 Speaker 8: So yeah, yeah, no, that makes sense, that makes sense.

39:24 Speaker 8: Do you play the full album.

39:26 Speaker 1: Live we have.

39:27 Speaker 9: Yeah, we did it at our release show. Okay, we

39:30 Speaker 9: did it front to back. I wouldn't mind doing that again.

39:33 Speaker 9: But a lot of the times it seems, I don't know,

39:36 Speaker 9: it doesn't seem like the most pertinent way to get

39:38 Speaker 9: through a show. And a lot of times we're only

39:40 Speaker 9: getting like half hour sets and stuff like that.

39:42 Speaker 7: Yeah, yeah, what is it because some of some of

39:45 Speaker 7: the songs are pretty long. But yeah, right, what does

39:47 Speaker 7: a clock out out?

39:48 Speaker 10: Do?

39:48 Speaker 4: You know?

39:48 Speaker 12: Forty three minutes? It's not that bad as a whole.

39:52 Speaker 12: There's a lot of like interlude stuff. Yeah, and as

39:54 Speaker 12: far as what we're playing, it's probably closer to like

39:56 Speaker 12: forty minutes.

39:57 Speaker 8: Okay.

39:58 Speaker 12: The issue is to play this album in the timespan

40:03 Speaker 12: that's outlined as it is for everybody to listen to live,

40:07 Speaker 12: is you know, pretty exhausting.

40:10 Speaker 8: Yeah, I can imagine.

40:11 Speaker 11: Yeah, you need like a few.

40:13 Speaker 12: Minutes in between to take a deep breath. And because

40:16 Speaker 12: we do go song to songs sometimes, oh yeah, oh

40:19 Speaker 12: for sure.

40:19 Speaker 7: Yeah.

40:20 Speaker 9: I don't think that the album itself is in the

40:22 Speaker 9: best order for a live show though, yes, okay.

40:26 Speaker 7: So it's in the order for the story obviously, but

40:30 Speaker 7: not necessarily for the live show.

40:31 Speaker 10: Correct.

40:32 Speaker 4: Yeah.

40:32 Speaker 9: Yeah, yeah, It's like it's like a good vibe to

40:34 Speaker 9: listen to, but it's it's like awkward to play through

40:37 Speaker 9: in that order.

40:38 Speaker 10: I think.

40:39 Speaker 7: Okay, no, that makes sense. Uh yeah, Hans Smith and

40:43 Speaker 7: the chat says, let the hibernation begin. Yeah, well, I

40:46 Speaker 7: mean that is what a lot of bands do though,

40:47 Speaker 7: at at least in this part of the country, you know,

40:49 Speaker 7: in the winter, you know, focusing on writing.

40:51 Speaker 9: And recording exactly. I mean, what am I going to do?

40:53 Speaker 9: Go drive, you know, five hours to play for fifty bucks?

40:57 Speaker 9: In New York it wants like snowy outside, Like, yeah,

41:00 Speaker 9: it's gonna be cold. I'm gonna smash my fingers while

41:02 Speaker 9: it's cold.

41:03 Speaker 10: Who wants to do that?

41:04 Speaker 19: You know?

41:05 Speaker 7: Yeah, that's something I don't miss about There are things

41:09 Speaker 7: that I miss about playing live, but that's one of

41:10 Speaker 7: the things I don't miss is doing shows in the

41:13 Speaker 7: winter and and you know, if the weather's bad, and

41:16 Speaker 7: then you know, and then you don't know is it

41:17 Speaker 7: gonna be canceled? You're gonna get there and find out

41:19 Speaker 7: it's canceled. It's right, there's a lot that that goes

41:22 Speaker 7: with it, that can be quite miserable.

41:26 Speaker 10: Yeah, no, exactly, well, we will, we'll.

41:28 Speaker 7: Begin to wrap up, we'll play I was thinking we

41:31 Speaker 7: to end the segment. Maybe we'll play corruption.

41:34 Speaker 11: Oh sure, Oh that would be amazing.

41:35 Speaker 7: Yeah yeah, I like this one a lot.

41:38 Speaker 10: Thank you.

41:38 Speaker 7: So, of course, uh oh, where should people go to

41:42 Speaker 7: find you online? What's the best place to go? Because

41:44 Speaker 7: if you just google Questing Beast, a lot comes up.

41:47 Speaker 9: So if you google Questing Beast banned, We've got a

41:50 Speaker 9: website up and we'll have a online store there within

41:54 Speaker 9: the next week.

41:55 Speaker 7: Excellent.

41:55 Speaker 9: We just got vinyl in, so we're gonna be trying

41:59 Speaker 9: to get rid of that as soon as we possibly can.

42:01 Speaker 7: Oh, very good, very good.

42:02 Speaker 10: Yeah, Yeah, it's awesome.

42:04 Speaker 4: Yeah.

42:04 Speaker 8: Yeah.

42:05 Speaker 12: And you can find us on any social media Facebook, Instagram,

42:08 Speaker 12: you can stream those the Yeah, you can stream our

42:11 Speaker 12: music basically anywhere Spotify, Apple Music, even Title if you

42:16 Speaker 12: want to listen to some high quality audio.

42:18 Speaker 7: Excellent, excellent, very good.

42:20 Speaker 10: Shout out to title.

42:21 Speaker 7: Yeah, yes, yes, and we'll remind everybody, of course. The

42:25 Speaker 7: Hallowed and Haunted Halloween Show tonight and Questing Beasts opening

42:30 Speaker 7: doors open at five. The show goes to midnight and

42:34 Speaker 7: also with Dead Harrison, then Egan's Able Blood, Horror and

42:38 Speaker 7: the Gray Curtain. So I have a great show tonight.

42:42 Speaker 7: It'll go fantastically.

42:44 Speaker 8: Yeah and uh and and thank you so much for

42:46 Speaker 8: coming in.

42:47 Speaker 7: This has been great.

42:48 Speaker 10: Thank you for having us.

42:49 Speaker 7: Absolutely I'm definitely a fan. So I really like, really

42:52 Speaker 7: like what you're doing. So if you are listening live

42:54 Speaker 7: on Saturday morning, we have Eric from Temple Mountain is

42:58 Speaker 7: going to be joining us and I think he's gonna

43:00 Speaker 7: be playing live in studio. I think he brought his

43:01 Speaker 7: guitar and he has a brand new single to debut

43:04 Speaker 7: on the show. So, but we are going to end

43:06 Speaker 7: this segment with this, uh. This is called this is

43:10 Speaker 7: from the album is Birth. By the way, where does

43:13 Speaker 7: where does the title come from? I assume it relates

43:16 Speaker 7: to the story.

43:16 Speaker 10: It's about the birth of the Questing Beast.

43:18 Speaker 8: Okay, makes sense? Ye makes sense? All right. So we're

43:22 Speaker 8: going to uh end the segment with this track.

43:25 Speaker 7: This is really good. This is called Corruption from Questing Beast.

43:29 Speaker 7: Here on, Matt Connorton unleashed.

43:54 Speaker 3: The titles how Lost My Thoughts and Time She Sold

44:01 Speaker 3: as got your Store, Our Trainer.

44:03 Speaker 20: No local not I saw, I say.

44:10 Speaker 21: Me down.

44:12 Speaker 1: Now, I ain't married.

44:15 Speaker 15: Now I'm telling.

44:17 Speaker 1: My start was tag.

44:22 Speaker 15: Shots shut.

44:29 Speaker 1: It's I don't war birth and the.

44:37 Speaker 3: Boat said, and stone god dot way take back car

44:44 Speaker 3: roads first boat flash and stone god don't wait, take

44:51 Speaker 3: it back.

44:52 Speaker 15: O roads.

45:02 Speaker 1: Rise work.

45:53 Speaker 2: When you came back.

45:56 Speaker 1: Through three that's.

46:00 Speaker 2: Shot to.

46:03 Speaker 15: Hand the ball flash shut stuff go down.

46:07 Speaker 3: Away, take you back, horrow.

46:26 Speaker 4: You go.

46:38 Speaker 1: About that dive like that die.

46:43 Speaker 4: Got that ries.

47:37 Speaker 1: Let's go big crimson does a little somebody.

47:39 Speaker 11: Ies, cats do outside h throw cucaondas could.

47:44 Speaker 1: Birds across the little.

47:46 Speaker 3: Colder little child us burst or rust, the joy and

47:50 Speaker 3: the rest.

47:50 Speaker 22: All tack all the types of brace.

47:52 Speaker 1: I go, I tid, I started very.

47:56 Speaker 13: All.

47:56 Speaker 3: Let's start at birds.

47:59 Speaker 1: Or so for breaking back.

48:07 Speaker 22: Shut moll them.

48:11 Speaker 4: Shut s about.

48:21 Speaker 15: Bring them back right in to.

48:28 Speaker 3: Sure you'll turn to go stand.

48:31 Speaker 2: The bone sun stuff, don't go away, get stroll horble.

50:06 Speaker 1: M hmmm mm hmmm.

50:28 Speaker 23: Well you know, well you know, well you know that

50:33 Speaker 23: you got this, I said, well you know, well, you

50:43 Speaker 23: know well you know that you got.

50:45 Speaker 24: This running through a mansion answer in a standing question

50:52 Speaker 24: left alone through room through bob, Yes, I know you

50:54 Speaker 24: left me question as to mees fessed the ring, obsessing

50:57 Speaker 24: all my lessons learned. I think I've earned some respectus.

50:59 Speaker 24: It's time to burn the desperate yearning for a little

51:01 Speaker 24: stoe to cope with later greater understanding. Handling matters as

51:04 Speaker 24: a man is standing up for what we know is right,

51:06 Speaker 24: and making not demands, and never given into ghosts, just

51:09 Speaker 24: hoping for change. It never comes as long as you

51:11 Speaker 24: don't run. It's fundamentally u central central Intel spelled it out.

51:14 Speaker 24: It sounds a bit like self half wellness.

51:16 Speaker 10: You've already won.

51:16 Speaker 1: It's all about to combine.

51:18 Speaker 24: Some time is an illusion. You can do it because

51:20 Speaker 24: you've done it someday. Some say, prove it to yourself,

51:22 Speaker 24: and that's enough to use. The runway claims be taking

51:25 Speaker 24: off of oft these guys and lives to try to

51:26 Speaker 24: find us, flying freely, feeling finding finding fly past, not

51:29 Speaker 24: to find us, Climbing higher than we dared you, scared

51:31 Speaker 24: to fall back to the ground, resounding off the atmosphere.

51:33 Speaker 16: It's clear, will never come back down. Ooh no, we're

51:45 Speaker 16: all lord painting on this Cannes.

51:56 Speaker 1: Our spots. Let we'll burn.

52:00 Speaker 25: They lack the starf We've got scars we've from them, working.

52:14 Speaker 1: So well you know, well, you know, will you know

52:22 Speaker 1: that you got this?

52:28 Speaker 4: Said?

52:28 Speaker 1: Well, you know, well, you know, will you know that

52:33 Speaker 1: you got this?

52:36 Speaker 24: M I feel a little bit of I've just read

52:40 Speaker 24: a lot a lot of lyrics. Need a bit to

52:42 Speaker 24: sit and settle myself down before I hear it fears

52:45 Speaker 24: nothing to do with the science system. Listen, serious, gear up,

52:47 Speaker 24: dust off, strict the rust off.

52:48 Speaker 1: You can drive a nunkin.

52:49 Speaker 24: Versis off this path that at last, I I've found

52:53 Speaker 24: so many floors and the doors are going down? How

52:56 Speaker 24: many more before I'm forced to lay down and take

52:58 Speaker 24: a break before I break fade out listening that this

53:01 Speaker 24: has got me thinking about what's missing. It's insensitive, obsessing

53:04 Speaker 24: over every single mistake, taking time and making rhymes to

53:07 Speaker 24: take my minds up all the sickness witness in between

53:09 Speaker 24: the lines of something written, you got this, you got this?

53:26 Speaker 10: M h.

53:33 Speaker 23: Well you know, well, you know, well, you know that

53:39 Speaker 23: you got this? Said well you know, well, you know well.

53:49 Speaker 1: You know that you got this mm hmm.

53:55 Speaker 24: Youking through these windows, watching people fall, waring wind blows,

53:58 Speaker 24: holding on the hope that no win. Folks been need

54:00 Speaker 24: a way of carving and their burdens hurting inside endout,

54:02 Speaker 24: trying trying to be something someday, some way, somehow, someone

54:05 Speaker 24: that they can be proud of, showing the work what

54:07 Speaker 24: they climbed out of, holding onto who they were while

54:09 Speaker 24: turning into something more. Be put in keys in their

54:11 Speaker 24: own doors, ensuring needs to just.

54:12 Speaker 1: Be sure so they won't need to need no more.

54:14 Speaker 24: Indeed, we p need to leave this more, imploring we

54:16 Speaker 24: don't need to work and we can be without being worced,

54:19 Speaker 24: without being forced, without being worced, pig without being forced,

54:22 Speaker 24: pig without being warmed, without being poor, think without being poor.

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57:06 Speaker 4: Midnight Seven times out of ten we listened to our

57:11 Speaker 4: music at night. That's one titled business program Late.

57:17 Speaker 18: Night to Light with DJ Midas right here on WMNH, Manchester.

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58:55 Speaker 10: Won Dude,