Matt Connarton Unleashed 11-22-25 hour 3

0:15 Speaker 1: Whose emergency is this? And why is it yours? You

0:23 Speaker 1: found someone to play, but you can't find the door.

0:31 Speaker 1: Who is this problem?

0:34 Speaker 2: Child?

0:35 Speaker 3: And why do you resist.

0:39 Speaker 4: The threatening?

0:40 Speaker 1: Who you are inside? The illusion will persist. Songs as

0:48 Speaker 1: a libration become battle cries if they read this, faithful,

0:58 Speaker 1: when you're holding onsw ti.

1:02 Speaker 5: I just want you to win. Go ahead and take

1:11 Speaker 5: my lens to a book and my face. This is

1:19 Speaker 5: how it big.

1:33 Speaker 6: Some the sample lets you don't cool?

1:37 Speaker 4: You play? How this stuff up? Books?

1:42 Speaker 5: You been?

1:43 Speaker 4: It's your canferen? Who's emergency is this?

1:51 Speaker 7: Ask?

1:51 Speaker 4: What's on your face?

1:55 Speaker 8: Think?

1:55 Speaker 4: Can't petrate in? Listen that place?

2:02 Speaker 5: So to l roway shut sound like that's all cries.

2:10 Speaker 4: Everything is good for when you're home.

2:14 Speaker 5: And all soti. I just watch it.

2:24 Speaker 9: Go ahead and take some place.

2:28 Speaker 5: This is how we resche it come always.

3:17 Speaker 10: We are answered jepantence. Yeah, don't exist in space A

3:24 Speaker 10: s Creian cliff hadens in battel place.

3:32 Speaker 11: Those words you've made weapons.

3:36 Speaker 7: Someone else smon. Someone else says sarmon. Someone else says sarma.

3:47 Speaker 7: Someone else says sarmon.

3:51 Speaker 5: Someone else says Sarama.

3:54 Speaker 4: Who's the emergency?

3:55 Speaker 5: What's the urgency what's.

3:56 Speaker 3: Tuburbas, see what's tubermascy?

3:58 Speaker 2: Who's emergency?

3:59 Speaker 12: What's the urgent?

4:00 Speaker 8: See?

4:00 Speaker 9: I want to learn to see what to learn to see?

4:02 Speaker 6: What's the better?

4:02 Speaker 12: Queen of about cries as they know when you're rips

4:05 Speaker 12: so tied, you'll then shame when you're been in my

4:07 Speaker 12: eyes still can't be between your lines and the barbe

4:10 Speaker 12: celebrate your own every.

4:12 Speaker 3: Cook and away he find his own take that length

4:14 Speaker 3: which they get.

4:15 Speaker 9: A boat may get up, a woman may get his.

4:17 Speaker 12: Own bro whatever you know, a prop tied nada.

4:20 Speaker 6: No feel that inside you want your not feel that

4:23 Speaker 6: inside you want you know?

4:24 Speaker 8: You just want shoot twin When.

4:26 Speaker 12: I just want you spin?

4:28 Speaker 7: When I just want you swin, When I just want

4:31 Speaker 7: you to win, When I just want shoot to win,

4:33 Speaker 7: When I just want you to win, twin, I just

4:36 Speaker 7: want you to win.

4:37 Speaker 5: When I just want you to win?

4:39 Speaker 7: When where.

5:14 Speaker 9: Such a great track? That is when Charlie Nyland or Niland?

5:18 Speaker 9: I think it's Niland, but we're going to ask him

5:19 Speaker 9: in just a moment because he is joining us online.

5:22 Speaker 9: Welcome everybody, if you are listening live. Today is Saturday,

5:25 Speaker 9: November twenty two, twenty twenty five. This is Matt Connorton

5:29 Speaker 9: Unleashed and we have entered our number three New Marrow

5:31 Speaker 9: trace of our program this morning from the studios of

5:35 Speaker 9: WMNH ninety five point three FM in Glorious Manchester, New Hampshire.

5:39 Speaker 9: And of course you can stream the show from anywhere.

5:41 Speaker 9: Go to Matt connorton dot com slash live for all

5:44 Speaker 9: of your live streaming options, social media links, contact infosho, archives,

5:47 Speaker 9: et cetera, et cetera. But let's get Charlie in here

5:50 Speaker 9: because I am dying to talk with him. Charlie, are

5:52 Speaker 9: you there, Hi, Matt, Hey, Welcome to the show. First question,

5:57 Speaker 9: how do you say your last name?

5:59 Speaker 3: Nilandland?

6:00 Speaker 9: Okay?

6:01 Speaker 12: Good? I got it right.

6:01 Speaker 9: I thought so, but I wasn't one hundred percent sure.

6:04 Speaker 9: I love that song when and we'll talk about that,

6:06 Speaker 9: and we'll talk about a lot of things. But what

6:09 Speaker 9: a great track. Who is that on the song with

6:11 Speaker 9: you at the end? Who's rapping?

6:13 Speaker 3: His name is Spirit Child. He's based out of Staten Island.

6:17 Speaker 3: I've known him here in the New York City area

6:19 Speaker 3: for about ten years. For we both are in this

6:24 Speaker 3: thing called the Bushwick book Club. It's a performance series. Oh,

6:27 Speaker 3: I'll tell you more about it when we get to

6:28 Speaker 3: the song.

6:29 Speaker 9: But he's great, sure, sure, yeah, no, he's really good.

6:32 Speaker 9: It's kind of it's one of those things where when

6:35 Speaker 9: you listen to the song for the first time, you

6:37 Speaker 9: don't expect that, but it just it's a surprise, but

6:42 Speaker 9: it's so seamless, like it just fits so perfectly.

6:45 Speaker 8: You know.

6:46 Speaker 9: It's it's a nice surprise because sometimes somebody might try

6:48 Speaker 9: to do something like that and you go, I don't know,

6:50 Speaker 9: it seems a little forced or whatever, but that is

6:52 Speaker 9: it just fits in perfectly. So good, so good. Absolutely,

6:58 Speaker 9: And you've got an album, let's see this. I guess

7:02 Speaker 9: this has been out for a little while now, Stories

7:04 Speaker 9: from the Borderlines or this just came out last month, actually, right.

7:08 Speaker 3: Yeah, it's just been a few weeks.

7:09 Speaker 9: Oh yeah, so this is very new. You've got a

7:12 Speaker 9: new single called Shame. I thought about playing that one,

7:14 Speaker 9: but we'll probably play that one a little later in

7:16 Speaker 9: the show because I wanted to play when I wanted

7:18 Speaker 9: to open with that. It's such a great positive song.

7:21 Speaker 9: But you've done You've done a lot of work. You're

7:23 Speaker 9: you've been around a while, you know, you've worked with

7:26 Speaker 9: people like Debbie Harry, Blondie, Rufus, Wainwright, Scissor Sisters. You're

7:32 Speaker 9: a composer. You know, you've done film and television. I

7:36 Speaker 9: really want to know. Tell us a little bit about

7:39 Speaker 9: your background, and then we'll kind of talk about what

7:41 Speaker 9: we're we'll come back to what you're doing now with

7:44 Speaker 9: your music, but I also would like to know more

7:46 Speaker 9: about you.

7:48 Speaker 3: Well, I'm from the Midwest, but I came to the

7:51 Speaker 3: East Coast and graduated from college and moved to New

7:53 Speaker 3: York City, and then I was in a band called

7:57 Speaker 3: her Vanished Grace for about twenty five years, and a

8:00 Speaker 3: couple other bands throughout the nineties and into the two thousands.

8:05 Speaker 3: But in the beginning of the two thousands, I kind

8:08 Speaker 3: of stumbled into a situation where I was working on

8:11 Speaker 3: a film score for this movie called The Safety of Objects,

8:16 Speaker 3: and then I started producing. I became part of a

8:21 Speaker 3: production team, and that's where I worked with Debbie Harry

8:25 Speaker 3: on her solo album called Necessary Evil, which came out

8:29 Speaker 3: in two thousand and seven, and that was a really

8:32 Speaker 3: exciting experience, and basically we just continued writing with her

8:37 Speaker 3: after the album came out and ended up having some

8:43 Speaker 3: of those songs be on the Next Blondie record in

8:46 Speaker 3: twenty eleven.

8:47 Speaker 9: Oh wow.

8:48 Speaker 3: And since since about twenty thirteen, I've been working on

8:54 Speaker 3: being a solo artist in addition to producing people. And

8:59 Speaker 3: that's where I met Yeah. This is my fourth album.

9:02 Speaker 9: Oh no kidding, Okay, what do you find most satisfying?

9:06 Speaker 9: I mean, is working on your own music as a

9:08 Speaker 9: soul artist?

9:08 Speaker 13: Is that?

9:09 Speaker 9: I don't know if more satisfying is probably probably not

9:11 Speaker 9: necessarily how you'd want to put it, but you understand

9:14 Speaker 9: what I'm asking you. I mean, do you get what

9:16 Speaker 9: do you get the most from in terms of what

9:19 Speaker 9: you're doing because you've worked in all these different areas well.

9:24 Speaker 3: It's an interesting challenge because I've been in bands a

9:27 Speaker 3: lot of times where I was I did get to

9:31 Speaker 3: sing my songs, but it was in like a group

9:33 Speaker 3: where there was more than one singer, so I was

9:35 Speaker 3: always like the other singer when there's a female vocalist,

9:38 Speaker 3: you know. And so I've been writing songs for a

9:42 Speaker 3: long time and co writing with people, and in the

9:46 Speaker 3: past ten years I've got involved, as I mentioned, with

9:49 Speaker 3: this performance series called the Bushwick Book Club, where each

9:54 Speaker 3: month the book is selected and songwriters react to the

9:58 Speaker 3: book and write a song and then there's a sh

10:00 Speaker 3: where all the songs are presented, and I sort of

10:05 Speaker 3: got involved in producing that, so I ended up writing

10:08 Speaker 3: a lot of songs that way. Yeah, And I don't know,

10:12 Speaker 3: I've just been expanding my circle and getting involved with

10:16 Speaker 3: things like that and another series called The Loser's Lounge,

10:21 Speaker 3: which is here in New York, where we sing at

10:23 Speaker 3: Joe's Pub with a fantastic backing band. It's it's covers,

10:27 Speaker 3: but it's like there's a theme each for each performance.

10:32 Speaker 3: But I found that these things have helped me kind

10:37 Speaker 3: of find my identity as an artist, as a performing artist,

10:42 Speaker 3: and I'm really excited about it now. I enjoy playing

10:45 Speaker 3: full sets of my own music and I feel like,

10:48 Speaker 3: you know, I'm a vehicle for this thing that's coming

10:51 Speaker 3: through me, and so you know, I do love collaborating those. Yeah,

10:57 Speaker 3: And I get to do that a lot in production.

11:00 Speaker 3: When I produce my own music, it does it gets

11:05 Speaker 3: to be It's interesting because I can really take my

11:09 Speaker 3: time in certain parts of the process and just try

11:13 Speaker 3: a lot of different ideas and slowly build up layers.

11:16 Speaker 3: I think on stories from the borderlines. There's a lot

11:19 Speaker 3: of that it's kind of like a musical diary.

11:21 Speaker 9: Okay, okay, In terms of how you approach how you

11:28 Speaker 9: approach songwriting, I'm curious if do you consciously try to

11:32 Speaker 9: do something that's that's unique and out of the mainstream

11:36 Speaker 9: or does that sort of happen organically because these songs,

11:40 Speaker 9: you know, none of them are anything that you would

11:42 Speaker 9: necessarily hear, Like, I don't know what radio format they

11:46 Speaker 9: would fit into necessarily on commercial radio. You know, they're

11:49 Speaker 9: they're they're different, which is what makes them so interesting.

11:52 Speaker 9: They're very catchy, they're very catchy and listenable. They're accessible,

11:55 Speaker 9: but they're but they're also unique. It kind of reminds

11:57 Speaker 9: me of just a random example, like like if a

12:01 Speaker 9: band like Talking Heads were to exist today and someone

12:04 Speaker 9: asked me, Matt, what would you do with this band?

12:06 Speaker 8: You know?

12:06 Speaker 9: And obviously talking Heads was hugely commercially successful in the eighties,

12:09 Speaker 9: But if someone said, you know, if they were out

12:10 Speaker 9: today and Matt, someone said, Matt, what did you do

12:12 Speaker 9: with this band? I don't. I don't know exactly. You know,

12:14 Speaker 9: I'd want to do like maybe some college radio stuff

12:17 Speaker 9: for them, but I don't know where I would put

12:19 Speaker 9: them in terms of a commercially viable radio genre, and

12:23 Speaker 9: I feel like your music is like that, where it's

12:25 Speaker 9: it's catchy, it's accessible, the songs are great, but I

12:28 Speaker 9: don't I don't know where they fit necessarily, and I'm

12:30 Speaker 9: wondering if that's intentional on your part.

12:33 Speaker 3: I think it's natural, but I do. I'm aware of

12:36 Speaker 3: that definitely. I mean, I think for me, I think

12:42 Speaker 3: the most I think of genre as like a geography.

12:45 Speaker 3: You know, there are certain kinds of music that that's

12:48 Speaker 3: right in the middle of it of a genre, and

12:50 Speaker 3: you're like, oh, that's definitely dance pop, or that's definitely

12:54 Speaker 3: e DM or that's definitely you know, metal. But I

13:00 Speaker 3: think out of the edges of the borders of these genres,

13:05 Speaker 3: it's there are artists who are doing stuff that kind

13:09 Speaker 3: of freely mixes things and comes up with their own hybrids.

13:14 Speaker 3: I mean. And that's that's where someone like Prince came from,

13:17 Speaker 3: or Bowie True or Talking Heads, where like the Talking

13:21 Speaker 3: Heads weren't commercially successful at first, right, it took a while, Yeah,

13:27 Speaker 3: but now they're remembered because they did succeed as a

13:32 Speaker 3: college rock band, and again that was college rock became

13:37 Speaker 3: alternative you know, in the eighties, alternative didn't necessarily mean

13:42 Speaker 3: what it meant in the nineties, it was kind of

13:46 Speaker 3: a catch all for stuff that wasn't in a specific,

13:50 Speaker 3: you know, central style. That they often mixed a lot

13:53 Speaker 3: of different things together, and so that's kind of my

13:55 Speaker 3: natural that's my resting place kind of.

13:58 Speaker 4: Yeah, and I've just.

14:02 Speaker 3: There's been times when I've been in bands where we

14:05 Speaker 3: sort of really focused our sound into something that was,

14:10 Speaker 3: you know, the her vanished grace. We called it power

14:12 Speaker 3: dream pop, So we were kind of zeroing in on

14:15 Speaker 3: a certain subset of alternative of post punk and dream pop,

14:20 Speaker 3: and those are still strong influences in my music. But yeah,

14:24 Speaker 3: I think especially in this album, I just allowed each

14:27 Speaker 3: song to have its own character and its own landscape,

14:32 Speaker 3: and it's kind of like a series of different movies

14:36 Speaker 3: or stories. So my girlfriend said it, it's like they're

14:39 Speaker 3: all different stories, and that kind of led to the

14:41 Speaker 3: title of the album.

14:42 Speaker 9: Yeah, yeah, excellent, excellent. I do want to hear more

14:46 Speaker 9: about the Bushwick Book Club because I'm curious if when

14:51 Speaker 9: you when you bring a song into that that forum,

14:54 Speaker 9: I mean, is that is that intimidating it all? Because

14:57 Speaker 9: obviously other people are gonna are gonna have there there

15:00 Speaker 9: there are judgments or assessments of it.

15:03 Speaker 3: Well, it's fun because everybody has a different approach and

15:08 Speaker 3: the book. For me, I always write a song that

15:12 Speaker 3: can stand outside the Busher book Club performance. You don't

15:15 Speaker 3: have to have read the book to enjoy it, you know,

15:18 Speaker 3: and to relate to it. Usually I use some aspect

15:22 Speaker 3: of the story or a character or an idea from

15:26 Speaker 3: the book. Sometimes it's just one page in the book

15:28 Speaker 3: like sets me off and I'm like, oh, this will

15:30 Speaker 3: be good imagery for this thing that I've already been

15:33 Speaker 3: thinking about. And that's kind of what happened with Wyn

15:38 Speaker 3: and uh. That was part of an interesting uh, an

15:44 Speaker 3: interesting thing that happened where we got invited to the

15:47 Speaker 3: Kurt Vonnegut Museum and Library for a whole week for

15:53 Speaker 3: a residency.

15:54 Speaker 9: Oh wow.

15:55 Speaker 3: And they have a series where they have a banned

15:59 Speaker 3: book band book week.

16:01 Speaker 9: Oh nice.

16:03 Speaker 3: And usually usually it's writers that come and participate, but

16:08 Speaker 3: since we've done a lot of Vonnegut in Bushwick book Club,

16:11 Speaker 3: they invited a group of us. It was five of us,

16:14 Speaker 3: and we spent the week there and at the end

16:18 Speaker 3: of the week we presented songs that we had written

16:20 Speaker 3: that week, all inspired by band books, and we had

16:23 Speaker 3: a concert Oh wow, And it was to make a

16:28 Speaker 3: long story short, I was like, the last one to

16:30 Speaker 3: finish my song. Everyone's gonna got a song going, and

16:32 Speaker 3: I was like, I'm having really struggling. It was a

16:35 Speaker 3: great book I was working on I was working with

16:38 Speaker 3: called All Boys Aren't Blue. It was one of the

16:41 Speaker 3: most banned books in two thousand and twenty two, really,

16:47 Speaker 3: and yeah, it was a it's a coming of age story,

16:50 Speaker 3: it's a ya book about being young, black and queer,

16:54 Speaker 3: and it was really a beautifully written book, but at

16:59 Speaker 3: the time there was a strong book banning thing going

17:03 Speaker 3: on in schools. So anyway, I woke up in the

17:09 Speaker 3: middle of the night with the chorus words to that

17:12 Speaker 3: song I Just want You to Win, and I kind

17:16 Speaker 3: of like just wrote it down in the notes app

17:18 Speaker 3: on my phone. I got up in the morning and

17:20 Speaker 3: I was like, whoa is this really feels good? And

17:22 Speaker 3: then I'd also been thinking about some other stuff and

17:25 Speaker 3: the song just all like poured out that morning, and

17:29 Speaker 3: we all supported each other in terms of being each

17:33 Speaker 3: other's backup musicians for the concert. At the end of

17:36 Speaker 3: the week, and so we started working on my song

17:39 Speaker 3: and spirit Child was there doing his music and I

17:43 Speaker 3: was like, you know, I think this would sound great

17:46 Speaker 3: if you came up with something for this, And so

17:51 Speaker 3: at the show it was a kind of a combination

17:53 Speaker 3: of stuff he had written, you know, in response to

17:57 Speaker 3: my lyrics and freestyled kind of at the same time.

18:00 Speaker 3: Oh okay, And that got recorded, and then when I

18:05 Speaker 3: went to record the and it was so great, you know.

18:07 Speaker 3: So when I recorded the album like a year or

18:11 Speaker 3: two later, I asked Spiritual to contribute to it. And

18:15 Speaker 3: now recently we just at our album release show, he

18:19 Speaker 3: was able to join us live on stage and it

18:21 Speaker 3: was fantastic. It really kicked the room into overdrive. It

18:24 Speaker 3: was so good.

18:25 Speaker 9: I can imagine, yeah, I can imagine, Yeah, that song

18:27 Speaker 9: must go over well live anyway, I would think, because

18:30 Speaker 9: it's got such an energy to it. And you know,

18:33 Speaker 9: I really like the lyrics, and I think, you know,

18:35 Speaker 9: you talked about what the lyrics are about, and I

18:37 Speaker 9: think you even referenced this that you know, obviously they're

18:41 Speaker 9: about that book, but also there's relatable themes within those

18:46 Speaker 9: lyrics that anyone can relate to. And and anyone who's

18:49 Speaker 9: ever felt marginalized in some way or actually a lot

18:52 Speaker 9: of a lot of your music I think is probably

18:54 Speaker 9: relatable for anyone who's ever felt marginalized or ostracized or

18:59 Speaker 9: I mean, I I feel like that's kind of a theme.

19:02 Speaker 9: You know, you've kind of you've got everybody's back, you know,

19:05 Speaker 9: you're in terms of what they're going through.

19:08 Speaker 3: Well, I think, in my view and I envision that

19:18 Speaker 3: we've created identities for ourselves that make it feel like

19:24 Speaker 3: we're all separate from each other, but there's an underlying

19:29 Speaker 3: thing that we're all part of one energy wave. So

19:33 Speaker 3: if all these things that we've taught ourselves about other

19:37 Speaker 3: people and the way we relate to people that we

19:41 Speaker 3: feel our adversaries or our enemies, actually they become very

19:45 Speaker 3: close to us. You know, we really wrap ourselves up

19:49 Speaker 3: and identifying ourselves in opposition to things, and if that

19:54 Speaker 3: dissolves a little bit, that's really a solvent for a

19:59 Speaker 3: lot of the strife that's going on. And I just

20:03 Speaker 3: want to be a part of that.

20:05 Speaker 9: Yeah, I notice that, you know, these ongoing sort of

20:10 Speaker 9: cultural battles around gender identity and and all of it,

20:15 Speaker 9: you know, which is seems like it's it's become so

20:18 Speaker 9: heightened in these times, and I feel like the music

20:21 Speaker 9: that you're making is really this is kind of the

20:23 Speaker 9: moment for it, right.

20:27 Speaker 3: Yeah, I think I think we can be playful about it.

20:31 Speaker 3: And I understand that a lot of it is comes

20:35 Speaker 3: from fear and fear of people that we feel are

20:40 Speaker 3: opposed to us or are you know, symbolize something of

20:44 Speaker 3: an other. But so I'm sympathetic to that. I don't

20:49 Speaker 3: think people should be ostracized because of that, but I

20:53 Speaker 3: also feel like, I don't know, I think everybody has

20:58 Speaker 3: because there's there's been a the systems in place of

21:05 Speaker 3: systematic racism and stuff like that. We all have work

21:08 Speaker 3: to do, but it's it's something that we can all

21:11 Speaker 3: give each other some space to do instead of, you know,

21:14 Speaker 3: being cruel to each other.

21:16 Speaker 9: No, I like the way you say that. I like

21:18 Speaker 9: the way you say that because I think it's important

21:19 Speaker 9: to you know, not everything. I mean, obviously, no one

21:24 Speaker 9: should be ostracized and marginalized and all of that, but

21:28 Speaker 9: I think that there's a difference, you know, fear, use

21:31 Speaker 9: that term fear, and I think that's an important word

21:33 Speaker 9: to use because people tend to fear what they don't understand,

21:35 Speaker 9: or what they've never been exposed to, or what seems

21:38 Speaker 9: unusual to them. And you know, not all of that

21:42 Speaker 9: stems from not all of it stems from hate. You know,

21:44 Speaker 9: some people are just blinded with hate for the you know,

21:47 Speaker 9: the quote unquote the other. And some people are just

21:49 Speaker 9: you know, they're just afraid. And I think music is

21:53 Speaker 9: a great music is a great vehicle to reach them.

21:55 Speaker 3: I think, Yeah, I think. I mean, we're only fifty

22:00 Speaker 3: fifty hundred thousand years away from the Savannah, you know,

22:04 Speaker 3: we were. There's a lot of evolutionary imperatives that were

22:08 Speaker 3: still that created this amazing survival instinct that we have

22:15 Speaker 3: as Homo sapiens. And but those things can really create

22:21 Speaker 3: problems for us too, right, And so we're still we

22:26 Speaker 3: have all these instincts that cause us to be tribal

22:29 Speaker 3: and cause us to to over identify with groups. I mean,

22:35 Speaker 3: at the same time, we have a lot of wisdom

22:37 Speaker 3: that comes through with and I think a lot of

22:39 Speaker 3: it comes through culture and comes through art, and I

22:44 Speaker 3: think that helps dissolve some of this stuff and helps people,

22:51 Speaker 3: you know, kind of forget to be so hateful.

22:55 Speaker 9: Yeah, yeah, absolutely, do you see reactions with your music,

22:58 Speaker 9: Do you see reactions from advocates, see groups, and is

23:02 Speaker 9: there any any contact from anybody wanting you to get

23:06 Speaker 9: involved with their organizations or anything because of your music specifically?

23:10 Speaker 3: Well, yeah, I did. In fact, I when I did

23:13 Speaker 3: an interview with a journalist who has a series called

23:16 Speaker 3: on Tyranny, and it was about artists and their reactions

23:21 Speaker 3: to authoritarianism. So I said a bunch of this stuff

23:25 Speaker 3: that I just said, you know, But at the same time,

23:27 Speaker 3: I'm an artist, I'm not I'm getting more engaged politically,

23:33 Speaker 3: just on a local level here where I live in

23:35 Speaker 3: New Jersey. But yeah, that's just I think it's I

23:39 Speaker 3: think getting hand ringing and doom scrolling about the national

23:44 Speaker 3: political and world political situation can be a little overwhelming,

23:51 Speaker 3: and I think if you just get involved on your

23:52 Speaker 3: local level, that's way more helpful. So I've been doing

23:56 Speaker 3: that too.

23:56 Speaker 9: No, that's great, I think that's I think that's great advice.

24:00 Speaker 9: I do want to talk a bit about the song Shame,

24:03 Speaker 9: and we'll we'll play that at the end of our conversation. Actually,

24:06 Speaker 9: I'm probably going to play both that and Brutalist Monuments

24:10 Speaker 9: because at the end of our conversation because I love

24:12 Speaker 9: both those songs, so I'll probably just play those two

24:15 Speaker 9: back to back. But but I do want to talk

24:17 Speaker 9: about Shame because officially Shame is the current single. Is

24:20 Speaker 9: that correct?

24:21 Speaker 3: Yeah, it was the second single. Yes, it's the current

24:24 Speaker 3: single led the album.

24:27 Speaker 9: Okay, okay, yeah, I want to ask you about this.

24:30 Speaker 9: This is another great track. There's an interesting line in

24:33 Speaker 9: it too, we eroticize what we despise, and I'm I'm

24:37 Speaker 9: curious about that. And uh, and if you can talk

24:40 Speaker 9: to about the song and you know, in a broader

24:41 Speaker 9: sense about what it's about, what the theme is, and

24:43 Speaker 9: and how it relates to everything that we've been discussing.

24:47 Speaker 3: Well, again, I think that this was a song that

24:51 Speaker 3: was written. It's part of a Busherik book club event

24:56 Speaker 3: based around a book called When brook When Brooklyn Was Queer,

24:59 Speaker 3: and it was a history of queer and gay experience

25:05 Speaker 3: in Brooklyn for the past few hundred years. And I

25:11 Speaker 3: was just really struck by There was a part in

25:13 Speaker 3: the book where they described how there was a really

25:16 Speaker 3: thriving waterfront scene in Brooklyn in like the eighteen eighties

25:22 Speaker 3: and eighteen nineties, where and in the river on the

25:28 Speaker 3: Hudson River part of Brooklyn, or the Gowanis River. Maybe

25:33 Speaker 3: I'm sorry getting getting lost there, but that there was

25:38 Speaker 3: a lot of drag performing and there was these were

25:43 Speaker 3: kind of like bars and clubs where people would meet.

25:48 Speaker 3: But at the same time, there were a lot of

25:50 Speaker 3: people just came for the culture and came for the

25:53 Speaker 3: for the entertainment. And then at that time, there wasn't

25:57 Speaker 3: even a word homosexual had really been coined yet, and

26:03 Speaker 3: starting around I think it came into use around the

26:07 Speaker 3: time Freud was writing, and after that it became a diagnosis.

26:12 Speaker 3: And after that they started putting gays in jail in

26:17 Speaker 3: the New York area. They even made a special penitentiary

26:20 Speaker 3: for them, did they really? I didn't know that really

26:23 Speaker 3: in Brooklyn. Yeah, And it to me that just struck

26:28 Speaker 3: me as like once the name got coined, then a

26:33 Speaker 3: lot of people were able to focus in on that

26:37 Speaker 3: and say, oh, this is the thing we're afraid of.

26:40 Speaker 3: And it just reminded me of now how there's so

26:44 Speaker 3: much like sort of a fetishization of trans culture. And

26:51 Speaker 3: like RuPaul's drag race was like water cooler TV. You know,

26:56 Speaker 3: everybody talked about and everyone watched it and found it

26:59 Speaker 3: really entertaining. But then when the transidentities got weaponized by politics,

27:06 Speaker 3: all of a sudden, those same people who are so

27:09 Speaker 3: fascinated and kind of titillated by it were full of like, Okay,

27:13 Speaker 3: let's get these people out of public of public view.

27:17 Speaker 3: And I just think there's a real that my little phrase,

27:21 Speaker 3: we eroticize what we despise again, it's like we get

27:26 Speaker 3: wrapped up in identification with something that we are opposed to,

27:31 Speaker 3: and when actually there's a lot there's an extreme similarity

27:37 Speaker 3: between what we think of as our shadow, you know. Yeah,

27:43 Speaker 3: So this song is sort of like creates a couple

27:46 Speaker 3: of different identities and the verses like one person is

27:51 Speaker 3: going to see the entertainment and the other person is

27:54 Speaker 3: the entertainer, and they come together in the chorus where

28:00 Speaker 3: one says you'll know what you are when I give

28:04 Speaker 3: you a name, and the other says you'll know what

28:06 Speaker 3: you are when you give me a name, and it

28:08 Speaker 3: kind of goes back and forth, and then at the

28:12 Speaker 3: end it's like, you know, we're basically the same, right.

28:17 Speaker 9: I love that. I love that. Oh, I want to

28:21 Speaker 9: ask you about the video too, because I love the

28:23 Speaker 9: video and I was reading that you worked with Hypno

28:26 Speaker 9: Doll as the director and editor and Alice Teepele as cinematographer,

28:31 Speaker 9: if I have that correct.

28:32 Speaker 7: Yeah.

28:32 Speaker 3: Yeah. Hypna Doll is a friend of mine who has

28:36 Speaker 3: been doing my artwork for the past couple albums and

28:39 Speaker 3: has done several videos for me, and we just relate

28:42 Speaker 3: really well. And she came up with the concept for

28:45 Speaker 3: the video of a band that kind of exists in

28:47 Speaker 3: several different time zone timelines. Yeah, and so, and then

28:53 Speaker 3: we had a whole bunch of our friends kind of

28:55 Speaker 3: join us at the end, like the band sort of

28:57 Speaker 3: explodes into a bunch of different identities. But we did it.

29:02 Speaker 3: You know, we did it in my recording studio.

29:04 Speaker 8: You know.

29:05 Speaker 3: It was definitely not trying to look high budget, but

29:09 Speaker 3: it the editing is so good, has a great energy.

29:12 Speaker 9: It does it really does. No, it's great. I love it.

29:16 Speaker 9: And uh yeah, that's it's so important too. I think

29:21 Speaker 9: it's it to some people. It might sound odd to

29:23 Speaker 9: say this in the year twenty twenty five, but I

29:25 Speaker 9: think music videos are more important than they've ever been,

29:29 Speaker 9: you know, especially now. I mean MTV is apparently going

29:31 Speaker 9: away permanently, but they haven't played music videos in forever,

29:34 Speaker 9: but uh, I've noticed, and I don't know if you've

29:36 Speaker 9: noticed this. People outside the music industry, a lot of

29:38 Speaker 9: people have this perception that music video as an art

29:42 Speaker 9: form is dead, you know, because MTV gave up on it,

29:45 Speaker 9: you know, a couple decades ago. But in reality, because

29:48 Speaker 9: of social media, I think making videos and making a

29:51 Speaker 9: great video, it's a great video, even if it's low budget,

29:53 Speaker 9: it's I think it's fantastic, like like the video for Shame.

29:56 Speaker 9: It's so it's so important as a as a tool

30:00 Speaker 9: to get your you know, people. Still it's always been

30:04 Speaker 9: the case, at least since I was a kid, and

30:05 Speaker 9: it's still the case today. People listen with their eyes

30:08 Speaker 9: just as much as they do with their ears exactly.

30:11 Speaker 3: There's been a lot of notice that came from exerpting

30:16 Speaker 3: the video and putting up in little bites and then

30:18 Speaker 3: sharing the whole video, but just also just that it

30:22 Speaker 3: had a performance aspect involved all these other people. I mean,

30:26 Speaker 3: but there are other videos that Himnadala has done for me,

30:29 Speaker 3: like for the song Drown, that were more just full

30:33 Speaker 3: of images and stuff, So I mean, I think they're different.

30:35 Speaker 3: There's room for different ways to approach it, But I agree.

30:38 Speaker 3: I want to make some more videos myself for some

30:40 Speaker 3: of the for some more of the songs.

30:42 Speaker 9: Yeah, yeah, no doubt, no doubt. So what's kind of

30:47 Speaker 9: the future trajectory? Do you have another? Is there another

30:50 Speaker 9: single that's going to be coming after Shame or what's

30:53 Speaker 9: what's kind of the short term or even the long

30:56 Speaker 9: term plan.

30:57 Speaker 3: Yeah, that there'll be one more single. I'm trying to

31:01 Speaker 3: decide which one it is. It might be Brutalless Monuments,

31:03 Speaker 3: or might be another completely different kind of song that's

31:06 Speaker 3: called Today that's on the album as well. But I

31:12 Speaker 3: don't know. I've put together a really great band and

31:15 Speaker 3: we've started performing, and we have another show this month,

31:20 Speaker 3: I'm sorry, in December. It's almost December, and I just

31:23 Speaker 3: want to keep playing out and just bringing in new

31:29 Speaker 3: possibilities by putting myself out there and playing the music.

31:35 Speaker 3: And you know, I'm sure at some point I'll have

31:38 Speaker 3: enough songs to do another release. I might not do

31:41 Speaker 3: full albums. I said that this time. Yeah, I did

31:45 Speaker 3: throughout full album, but I think you know, a lot

31:48 Speaker 3: of times people just put on EPs now and they

31:50 Speaker 3: don't have to take us long between releases. That's intriguing

31:54 Speaker 3: to me. Yeah, But you know, I have a besides

31:58 Speaker 3: the next show I have of as Charlie Eland for

32:01 Speaker 3: my band, I'm doing a Loser's Lounge performance at the

32:05 Speaker 3: beginning of December where they're doing Brian Wilson and the

32:08 Speaker 3: Beach Boys, and I'm singing a Beach Boys song I

32:11 Speaker 3: really love called All I Want to Do. And that's

32:14 Speaker 3: really exciting to sing. It's really nerve wracking just to

32:18 Speaker 3: sing one song in front of a crowded room, you know, yeah,

32:22 Speaker 3: with a great, great band, But it's It's taught me

32:24 Speaker 3: a lot about how to breathe and be in the moment,

32:29 Speaker 3: and it's really helped my own performing for my music too.

32:33 Speaker 9: Oh excellent, excellent, Charlie. Where's the best place for people

32:37 Speaker 9: to go online to keep up with everything that you're doing?

32:40 Speaker 3: Well?

32:40 Speaker 8: Is it?

32:41 Speaker 3: Charlie land website and I E L A and d

32:45 Speaker 3: yes And you know, I sell the music through band camp,

32:50 Speaker 3: which isn't not all people know about that. I mean,

32:53 Speaker 3: of course I'm on streaming all the streaming platforms, but

32:57 Speaker 3: band camp is a way you can stream and you

32:59 Speaker 3: can all so buy the music as a digital release.

33:03 Speaker 3: In any form that you like. Yeah, and I you

33:07 Speaker 3: know a lot of my artists friends work on that too,

33:11 Speaker 3: and we all kind of support each other on that.

33:12 Speaker 3: So check out band camp. I'm on band camp, I'm

33:15 Speaker 3: on Apple Music and Spotify and all those places.

33:19 Speaker 9: Absolutely, absolutely well Charlie neland thank you so much for

33:23 Speaker 9: joining us this morning. This has been fantastic. I'm actually

33:26 Speaker 9: gonna play I will have time, so I'm gonna play

33:28 Speaker 9: both Shame and then I'm gonna play Brutalist Monuments as well,

33:31 Speaker 9: but both both great tracks. But I really appreciate you

33:35 Speaker 9: joining us. This has been a fascinating discussion. I love

33:37 Speaker 9: your music, and hey, when the next single is ready

33:40 Speaker 9: to go, I definitely want to have you back on

33:42 Speaker 9: if you're amenable.

33:44 Speaker 3: To that, I'd love that. Thank you so much, Matt.

33:46 Speaker 3: This has been a total pleasure, wonderful.

33:48 Speaker 9: All right, thanks Charlie. We'll let you go and now

33:50 Speaker 9: have a great have a great weekend.

33:52 Speaker 3: You too, all right, take care, bye bye bye bye.

33:55 Speaker 9: All right, that was Charlie Niland And let's play these.

33:58 Speaker 9: I'm gonna play both of these. We're gonna play Shame.

34:01 Speaker 9: This is a great track. Yeah, pay attention to the lyrics,

34:03 Speaker 9: and I appreciate I appreciate the song even more now

34:05 Speaker 9: that I know after talking to Charlie, now that I

34:07 Speaker 9: know exactly what's going on, uh in these lyrics and

34:11 Speaker 9: the different characters. But yeah, this is this is interesting,

34:13 Speaker 9: so pay attention. But this is really good. This is

34:16 Speaker 9: shame by Charlie Neland yeah, m hm, you're.

34:25 Speaker 3: A perfect fit for my misinformed rage scanning down the page,

34:36 Speaker 3: dancing on the stage. We tend to be replaced by

34:41 Speaker 3: this catestriphizing space. I want to mask a rade.

34:48 Speaker 4: And disappearing worlds.

34:54 Speaker 3: You're looking like a man, but.

34:55 Speaker 2: Just sound just like a girl by meed of the

35:02 Speaker 2: things that I could never tame.

35:12 Speaker 10: You know what you are?

35:13 Speaker 3: When give you name down by the waterfront, you cannot

35:27 Speaker 3: go away.

35:30 Speaker 2: Today is just the day you found a part two

35:35 Speaker 2: play same space, dying to be heard by an adverse.

35:43 Speaker 10: Flirt black bilt in cell work of.

35:51 Speaker 14: Art, footing forward, taste of your collective blame, shame, don't

36:06 Speaker 14: know what you are?

36:07 Speaker 9: Wind give me a name, shame.

36:13 Speaker 2: See if bizarre to you will disguise.

36:16 Speaker 7: Your own pain.

36:24 Speaker 2: Call it little darling, I call a little child for

36:31 Speaker 2: your attention with starving.

36:35 Speaker 3: Cool so composed the cools full of rage? Who is

36:39 Speaker 3: in control? Who is in the cage? Push the button

36:44 Speaker 3: when it plays.

36:44 Speaker 2: Out on the stage.

36:46 Speaker 10: Shame, You don't know who you are when you find

36:52 Speaker 10: him what you're blame? Shame, you know what you.

36:57 Speaker 9: Are when you mean name.

37:00 Speaker 8: Shame where exactly exactly exactly the same?

37:07 Speaker 15: Shame when you kidder, when you're kidder, until you're kidder,

37:16 Speaker 15: When you kidder when.

37:18 Speaker 4: You're kidder the name when you.

37:20 Speaker 5: Kid show.

37:36 Speaker 4: Shows fiction and destruction.

38:15 Speaker 3: We can't seem to give more than we take.

38:21 Speaker 6: We are so constructed, designed to reveal our dead mistakes,

38:30 Speaker 6: the form expressing nothing except to stay alive at derny cars.

38:39 Speaker 6: Could it be we're bluffing, picking up for something that

38:45 Speaker 6: we've lost.

38:49 Speaker 2: Our groups lest.

38:51 Speaker 10: One hundred thousand years surviving?

38:55 Speaker 4: Just what didly?

38:57 Speaker 2: We cannot find the soul in side of.

39:10 Speaker 4: See how fun we travel?

39:13 Speaker 6: We were starstaand slimed in things with brains, all our

39:20 Speaker 6: plans on level.

39:22 Speaker 4: How are we social? We're not the same?

39:28 Speaker 2: How are we superior? We can't even see just what

39:34 Speaker 2: we are.

39:37 Speaker 1: Enjoy the plush interior, rows and rows of monkey head

39:43 Speaker 1: some jobs.

39:47 Speaker 2: We are roots less, severn hearts in my connection.

39:53 Speaker 4: Now here comes the twiz.

39:56 Speaker 2: He become the architecture, biking monuments to miss the direction.

40:05 Speaker 10: So bred.

40:08 Speaker 4: Victory by the this section.

40:24 Speaker 6: Fiction by destruction, we just cannot help but take that shape.

40:33 Speaker 6: We are so constructed, designed to reveal our big mistakes.

40:42 Speaker 4: We our roots less.

40:45 Speaker 11: Severn hearts, and by connection now becomes twist.

40:51 Speaker 4: He become the architecture.

40:55 Speaker 7: He became.

40:58 Speaker 1: Monuments to mister Boutell best.

41:04 Speaker 13: Mom, you man.

41:11 Speaker 9: Foodte thats.

41:14 Speaker 2: Ma, you man, booto.

41:25 Speaker 9: Mom, you man Buchell, thats.

41:36 Speaker 4: Mom, you man.

42:24 Speaker 9: It's just epic. That is brutalist monuments, that is Charlie Neland.

42:28 Speaker 9: And before that we heard Shame, the current single from

42:31 Speaker 9: Charlie Neland, and really loved talking with him. If you

42:34 Speaker 9: missed any of it, definitely go back and check it out.

42:36 Speaker 9: I want to thank everybody who joined us today on

42:38 Speaker 9: Matt Connorton Unleashed. Of course, in the first hour we

42:40 Speaker 9: had six minds combined, and then in the second hour

42:44 Speaker 9: we had let's see, Jamie Higgs joined us to talk

42:47 Speaker 9: about his newest single. We talk followed by Adam Adam

42:51 Speaker 9: Hughes from at H and I really enjoyed talking with

42:54 Speaker 9: him too, so fun show today. If you missed any

42:57 Speaker 9: part of it, it'll be up in just a little

42:58 Speaker 9: bit at WMMH Radio dot organ in my website Matt

43:01 Speaker 9: Connorton dot com. Jenny should be back with us next week.

43:04 Speaker 9: If you want to keep up with everything that she's doing,

43:07 Speaker 9: go to Jencoffee dot com. And if you want to

43:09 Speaker 9: keep up with everything I'm doing, go to Matt Connorton

43:11 Speaker 9: dot com. And uh, really appreciate everyone who joined us today.

43:15 Speaker 9: Like I said, a couple other quick things. Uh, my dad,

43:20 Speaker 9: if he's listening, Dad, I love you, uh quick shout

43:23 Speaker 9: out to him. He did say he was going to

43:25 Speaker 9: listen this morning. I don't want to say too much

43:27 Speaker 9: about it because I want to protect his privacy, but

43:29 Speaker 9: he's been under the weather quite severely, so I appreciate

43:34 Speaker 9: any prayer's positive energy, whatever you would like to send

43:37 Speaker 9: my dad's way. He could certainly use it now.

43:40 Speaker 16: You know.

43:40 Speaker 9: I think he's going to make it through it. But

43:42 Speaker 9: again I don't want to say too too much, but

43:44 Speaker 9: but he's you know, things, things have been tough for him,

43:47 Speaker 9: so to say the very least. So uh So, hello Dad,

43:51 Speaker 9: if you're listening this morning, and uh uh thinking of you,

43:55 Speaker 9: of course. And the other thing I want to mention too,

43:57 Speaker 9: just briefly, is uh, come see Monday nights at Shorty's

44:02 Speaker 9: Mexican Roadhouse in Manchester. It's right on the Manchester Hooks

44:06 Speaker 9: at border. But if you don't know, I run trivia

44:09 Speaker 9: there every Monday night from six to eight pm. It's

44:12 Speaker 9: a lot of fun and come see me and you

44:15 Speaker 9: can win a gift card for Shorties. The food is amazing,

44:18 Speaker 9: the staff there is incredible, and you get to hang

44:20 Speaker 9: out with me for a couple hours. So king trivia

44:23 Speaker 9: every Monday night at Shorty's Mexican Roadhouse from six to

44:27 Speaker 9: eight pm. I think that's gonna do it for now.

44:30 Speaker 9: So we'll do our world radio premieres. We have a

44:32 Speaker 9: few premieres to share that we shared at the top

44:35 Speaker 9: of the show today, but if you missed them, I'm

44:36 Speaker 9: going to play them again right now. Some amazing artists

44:40 Speaker 9: who again these are artists who they have not been

44:42 Speaker 9: heard prior to today on American radio. And we here

44:48 Speaker 9: on Matt Connorton Unleashed and at WMNH ninety five point

44:51 Speaker 9: three have the honor and privilege of being the first

44:54 Speaker 9: American radio stations to play these incredible new singles from

44:57 Speaker 9: these artists and very very excited about that. So appreciate

45:01 Speaker 9: all the support, Love you all, and that's gonna do

45:04 Speaker 9: it for this. Matt Connorton Unleashed here and again. If

45:07 Speaker 9: you missed any part of it, go to wmnhradio dot

45:10 Speaker 9: org to get the show, or you can go to

45:12 Speaker 9: my website Mattconnorton dot com, or get the podcast version

45:16 Speaker 9: on the podcast platform of your choice. It is very

45:20 Speaker 9: easy to find, and it's very easy to find my

45:22 Speaker 9: name because Connorton is not a common name, So if

45:25 Speaker 9: you google Matt Connorton, chances are you're going to find me.

45:29 Speaker 9: There are not many Connortons. All right, that's gonna do

45:31 Speaker 9: it for us for now. We'll talk to you a

45:33 Speaker 9: little bit later. Here's some world premieres for you. Bye, everybody.

45:38 Speaker 13: You're listening to Matt Connorton Unleashed on WMNHW five point.

45:44 Speaker 9: Three and now the world radio premiere of the new

45:48 Speaker 9: single from Rivia Something in the Water.

46:12 Speaker 17: Oh you can see me now, fit out would make

46:15 Speaker 17: you proud. Trum so far from Mona yesterday, I feel

46:21 Speaker 17: me still not clear? How the hell do we get here?

46:25 Speaker 17: The rest of years it'sern in suahge.

46:31 Speaker 9: It's a concerning.

46:32 Speaker 7: Family and I mean none.

46:34 Speaker 4: There's nothing from me in a still.

46:37 Speaker 5: I don't want a time for got. I've got a

46:42 Speaker 5: good train way.

46:44 Speaker 4: Get up to the Free.

46:46 Speaker 15: It's just a dot of pro.

46:51 Speaker 7: Sting.

46:53 Speaker 4: It's not.

46:56 Speaker 9: Always chasing something.

46:58 Speaker 4: You got to something in the view.

47:01 Speaker 7: Am I going on my way?

47:05 Speaker 8: Not want to the awful look that you never thought

47:08 Speaker 8: that you I am lunch to you.

47:11 Speaker 5: And all your games me, I mean it all.

47:19 Speaker 7: There's nothing for me.

47:20 Speaker 9: I said, I don't want to tell you that I wanted.

47:26 Speaker 11: I gotta got the train anyway, got on to the Free.

47:31 Speaker 11: Just a dot croly the sots not.

48:19 Speaker 5: Fick out about that track you want to do.

48:24 Speaker 11: It's just a down.

48:28 Speaker 5: The south.

48:33 Speaker 7: I don't want.

48:34 Speaker 4: That's out.

48:37 Speaker 12: The south.

48:42 Speaker 3: Don't want that's.

48:46 Speaker 4: The Southern.

48:52 Speaker 9: Here's another exclusive, the new single by the forensics. This

48:56 Speaker 9: is called not giving up. There's nothing near.

49:22 Speaker 5: I found me your own school breed chance.

49:24 Speaker 4: It's not the thing that they could try to teach us.

49:28 Speaker 12: Well, the will it's changed.

49:30 Speaker 15: She chance to dig.

49:35 Speaker 4: Got me.

49:36 Speaker 8: It's something lost on her share where always meaning so

49:41 Speaker 8: we never lend day, he said, let him save He

49:44 Speaker 8: had decided honestly.

49:50 Speaker 7: Cause I know not you didn't know.

49:53 Speaker 4: It's take an chance, Nay, it's not dead and.

49:57 Speaker 3: Some problem that it comes the least stay up tonight.

50:05 Speaker 5: When Dolph says.

50:06 Speaker 8: There's not even though to bee the one you will

50:10 Speaker 8: figure out to mom never comes us to stands out tonight,

50:42 Speaker 8: I know why God if he no say nine says

50:47 Speaker 8: it's my and some mom never comes. There's the stands

50:52 Speaker 8: out tonight?

50:56 Speaker 11: Why Dolf fast there's not even though.

51:03 Speaker 8: It's a lot of times stout that TODs to stay,

52:32 Speaker 8: listens to stay.

52:55 Speaker 9: Here's another exclusive premiere for you this week, the new

52:58 Speaker 9: single from Paul Nasal neighbor Cadnezzar.

53:20 Speaker 18: Found Forever. Like member Connessa, I know that whereever you go,

53:28 Speaker 18: that's is the distance, and you find.

53:31 Speaker 12: The difference so much less than you know.

53:36 Speaker 18: I said the under the Cognac thunder serenity.

53:42 Speaker 9: Or instead.

53:45 Speaker 4: My life found the break the ships. I still see

53:49 Speaker 4: no thoughts.

53:50 Speaker 2: Left to say.

54:17 Speaker 18: It's not a dream of a distance between us, and

54:21 Speaker 18: still I cannot.

54:22 Speaker 5: Let you come.

54:25 Speaker 18: Stops making notions and sicklical oceans.

54:29 Speaker 12: See how the watters.

54:31 Speaker 8: Can leave in my love on the shop, Fly home

54:38 Speaker 8: to answer a cold.

55:06 Speaker 4: Days of confusion, the love the illusion with est into.

55:11 Speaker 18: The shows through blo disentition to see revelation about it

55:19 Speaker 18: is open to you.

55:50 Speaker 16: When Matso wakes up in the morning, he gets into

55:53 Speaker 16: the shower and to the top of his lungs.

55:56 Speaker 7: He sings.

56:01 Speaker 8: The radio show Now all the Best and Jammy.

56:15 Speaker 13: You're listening to Matt Connordson Unleashed on WM and AH

56:21 Speaker 13: five point three.

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