Matt Connarton Unleashed 11-29-25 hour 1

0:05 Speaker 1: You're listening to macconnorton Unleashed w n H five point.

0:10 Speaker 2: Three right now, the world radio premiere of the new single from the Marches, Don't Fool Me twice.

0:36 Speaker 3: Here stand out in the dark.

0:38 Speaker 4: You know you sadly and I will have our sparking us sadly.

0:46 Speaker 5: I know that is wrong.

0:48 Speaker 4: Start on money keeps telling me, but no and not got into this.

1:00 Speaker 3: No, say the things.

1:01 Speaker 6: That you wanted to see. I try to say, trying. I mean time, I do it for yourself, ast me I passing, but we would knowing that that's somebody aunt, it's not ecis not.

1:16 Speaker 3: It's not so much talking. I think it through holl meant stuff.

1:21 Speaker 7: From me, But.

1:25 Speaker 5: Don't fro me.

1:26 Speaker 3: It's your person so around.

1:36 Speaker 8: I know it's so they do the isolation in the crowd.

1:41 Speaker 3: The blame is along on.

1:43 Speaker 8: You and all I'm saying it because now you're feeling me was tough.

1:49 Speaker 5: Now we're both going to this smell.

1:58 Speaker 6: No, say the things that you're mister, try say every time.

2:04 Speaker 3: I'll do it.

2:06 Speaker 5: Fastly bad, fastly bad.

2:09 Speaker 6: We must know its last show stop sids nothing so stalking away.

2:16 Speaker 3: I think it's true to me.

2:18 Speaker 5: Let stop for me don't do me little shows say.

2:48 Speaker 3: Don't get a sitting show. No, don't make us see you, don't soon, no if you.

3:17 Speaker 7: Because oh I love it.

3:56 Speaker 2: That is the world radio premiere of the Marches new single Don't Fool Me Twice. You heard it here first on Matt Connorton Unleashed, and we are live from the studios of w m n H ninety five point three FM, Inglorious, Manchester, New Hampshire. Of course, you can stream the show from anywhere. Go to Matt connorton dot com slash live for all your live streaming options, social media links, contact and posh archives, et cetera, et cetera. Today is Saturday, November twenty nine, twenty twenty five.

4:24 Speaker 2: Happy Thanksgiving Day weekend twenty twenty five. And I'm not alone.

4:36 Speaker 3: Jimmy John Show guest.

4:41 Speaker 2: Hope say that again. I said, good morning, sunshine, Yes, good morning, good morning. My brain is frozen. I was a little slow on the on the trigger there with the the micol this morning. Yeah, ye that a little chili. Definitely not ready. Definitely winter. It feels like winter for the first time this season. But so welcome everybody. So we have an exciting show for you coming up in just a few minutes. Let's see, we have Jack Adamant who is in Stockholm. He was going to be joining us via WhatsApp.

5:11 Speaker 2: And then in the second hour, Jeremiah Rouse from the Quality of Mercury, another great band who will be joining us in the second hour via Microsoft Teams. I believe he is in Pennsylvania. And then in the third hour today we have something very special for you. Our friend Brooklyn Mike is going to be coming in, coming in with his guitar and he's gonna play for us, and we're gonna talk and I get to actually do a proper interview with him. Looking forward to that because he's an interesting guy, very very talented.

5:39 Speaker 2: He's got quite the musical background, originally from from Brooklyn. He's a real New Yorker. Can you believe me? Yes, Yes, I love him? Yeah. Absolutely. Coincidentally, so if you happen to turn on the if you happen to turn on the radio, if you put the station on a bit before this show started, you might have heard the end of an old episode to the Morning Show with which coincidentally happened to have Brooklyn Mic on it. And right, that was funny. So a little bit of serendipity there. The Morning Show, of course with Peter White, which airs weekdays from seven to nine am here at wm ANDH, but on Saturday mornings from seven to nine, Peter airs a classic episode of the Morning Show, and the one that was airing this morning was from the end of twenty eighteen, so and it was and it was Brooklyn.

6:27 Speaker 2: Mike was the guest on in the in the last like the last half hour of the show, and and so that was Yeah, so that worked out perfectly. So we'll get to we had to hear him this morning, and we get to we get to see him today. He was on Retrospectrum Radio with us too last Friday night, and I think he's going to be on next Friday night as well. Not not last Friday as in last night, but a week ago Friday.

6:49 Speaker 9: Okay, so you'll get through it.

6:51 Speaker 2: But he's been he's been part of the extended family here at WMNH for a long time. So so great, great guy. We should mention too. So this is a big deal tonight. If for those of you listening live on Saturday, November twenty ninth, we've got a big event tonight at Terminus where actually New Hampshire Underground presents it. I guess it's the same thing at we talked about. Terminis a lot. It's such a great venue in Nashua. Our great friends Eleanor and Andre, they've been on the show talking about it a lot.

7:24 Speaker 9: It is the pop punk, pop up, live music and arts mark and we're going to be there. Yeah, and I'm excited to see everybody else is going to be there. A lot of different vendors, a lot of different artists, music is coming in. What do we get Grim Island of Alaska.

7:43 Speaker 2: Help me?

7:46 Speaker 9: Oh, there's another being.

7:46 Speaker 2: I was trying to think on what you're on. Yeah, yeah, on the tonight. And by the way, we should just clarify Grim as gr i am. It's a It's an abbreviation for something in an acronym. It's not the same Grim that we talk about on the show. Yeah, not our friend, not our friend Grim Rock from Pennsylvania. This is a band gr Im.

8:06 Speaker 9: And if you want to look them up, it literally is G period R period, I period period.

8:11 Speaker 2: So look up this band.

8:12 Speaker 9: But the doors are going to open at seven, music's going to start at eight.

8:18 Speaker 2: Yep, that's tonight fifteen dollars entry twenty dollars for the VIP lounge. But there's going to be many art vendors there, including Jenny Yes, Jenny will have a table there with her amazing art. Also Dennis Layton, our friend from the Gray Curtain who's been on the show a few times, and he's going to be there as well. Dennis Layton Art with Love from Faith, Elements and Fantasy, Brenda Drew designs Cosmo's creations, and of course Andre Dumont. Yes, yes, he's an amazing artist in his own right.

8:50 Speaker 2: So so that will be the art vendors. And of course as far as bands, yes.

8:53 Speaker 9: And Prosperity Painting and miss sic and.

8:56 Speaker 2: Oh okay Kelsey, I didn't know about those.

9:02 Speaker 9: Uh, I'm sorry forgive me. The type is small and my eyes are being jerks today, so I'm out on a hard time seeing Chelsea photography. And also, oh oh, I wanted to make sure you know how to get there if it looked. It is located right in Nashua at one thirty four Haynes Street. That's the terminus underground you come down see Matt and I would love to see you. Definitely make sure you say hi to us, come check out the bands. They're going to be playing, lots of arts, lots of music.

9:33 Speaker 2: It's going to be a fun evening.

9:36 Speaker 9: And its doors are like I said, doors are opening good seven and this is an all ages show. Everybody is welcome.

9:44 Speaker 2: Yeah, it's part of the holiday Stroll, the Winter's Stroll is that what they call it.

9:48 Speaker 9: Yeah, through nash Or where they have different things going on. So yeah, I've expected it to be a few people there, so I'm looking forward to it. I hope you guys will come down and join Matt and I'd be great to see you. Definitely make sure you stop in and say hello to us.

10:02 Speaker 2: Yes, So that will be tonight. So in just a couple of minutes, we're gonna be joined by Jack Adamant, great artist from He's originally from Italy, but I believe he now resides in Stockholm and we're gonna talk with him. I'm gonna play one of his songs going into the segment. This is probably my personal favorite. But everything he's got on his new album, which is called Helium and Low Voltage Wiring that's a mouthful, but it's a great album. It's on band camp if you want to check it out. I highly recommend it really really good.

10:30 Speaker 2: But I think we're gonna play this track. This is called Inconvenient Times. He kind of left it up to us as far as what to play, so I think we're gonna start with this, and then when we come back from the song, we'll have Jack with us via WhatsApp and I can't wait to talk to him. But I love his sound. Check this out. This is Inconvenient Times from Jack Adamant from the album Helium in Low Voltage Wiring.

11:07 Speaker 10: Not afraid to share with that won your boss, well writtencing and live the lawn bar line.

11:19 Speaker 7: Starting with a clucheit, mov into certain.

11:22 Speaker 3: Nipple, dancing among the stars. These days are phasing a big change.

11:28 Speaker 11: All the run.

11:33 Speaker 3: We knew there was a dream of truth feeding.

11:36 Speaker 12: Your eyes, bad stories in red wine under mal.

11:43 Speaker 7: Sunshines, saying you say not enough to getting high in.

11:53 Speaker 3: Your sassful fun.

11:59 Speaker 13: Think of stays on und trains, open train you like, shaking your way out.

12:15 Speaker 10: The clock is chasing your brass as you say, I wake up night, creating new memors to reveal how trouble you.

12:26 Speaker 14: Are, how rows in the back of your hand.

12:31 Speaker 3: That swep through the cracks. Luck of promise, the lettingers to long.

12:37 Speaker 2: On this glane.

12:40 Speaker 3: We knew there was a green or truth in your eyes.

12:47 Speaker 15: That story is say wine and the mallows sound.

12:51 Speaker 16: Shrags, Sorry, God listens lo wa high nostrust one morn console doesn't as strains open backcas.

13:12 Speaker 5: To like shaving your way out.

13:19 Speaker 16: Your fingers says.

13:25 Speaker 3: To kick a bass post and connect.

13:35 Speaker 10: Setting out the ceiling, buzzing off the world.

13:41 Speaker 3: Getting high note just for fun.

13:47 Speaker 16: More constrainstop not bodcake to like shaving your way out.

14:30 Speaker 14: There's nothing worse riding where my mind, No lady go oh the way that started firing across those skies above.

14:45 Speaker 17: Then fun missed the songs away, there's alone, there's no love left to go any side mister songs the one at the phone now sliding back from me.

15:16 Speaker 7: Standing by the side.

15:19 Speaker 12: Over row that grove me half way home, blame like a child and cry a loud and after restro to.

15:34 Speaker 15: Go all I.

15:36 Speaker 3: Heard when I was even born, FI classing faster the girls.

15:45 Speaker 15: I never liked that sound.

16:03 Speaker 18: It from missed chance Away that's so long there's a world left to go and the five mister Chance, the wall I look for.

16:16 Speaker 19: I was lighting the black floor the wall I looked for, and I was sliding black from wall I look for, and I was sliding black.

16:37 Speaker 11: The one I heard when I was.

16:40 Speaker 20: Living born, fire worse, classroom, faster through the clouds.

16:47 Speaker 2: And then I would like that.

16:48 Speaker 7: Sound true.

16:53 Speaker 20: The wall I heard when I was living Born, fire worse, crushy, faster through the clouds.

17:02 Speaker 21: I'm never light that sound.

17:08 Speaker 16: Wall I heard when I.

17:13 Speaker 3: Fun, crushy, fun through the clouds.

17:18 Speaker 21: I'm never light that sound to.

17:24 Speaker 15: Du wall I.

17:25 Speaker 3: Heard when I was even born.

17:32 Speaker 2: I love it. That is back from me, and that is Jack Adamant and the name of the album, which is I want to make sure I get it right helium and low voltage wiring. Like I said, it's a mouthful, but I think we've got Jack on the line with us. H right, Jack, are you there? Hi, I'm here, Hey, welcome to the show. I love your sound. I want to tell you that right up front, really really good. So it's great to have you on.

17:58 Speaker 15: Thanks, thanks, thanks for having me absolutely absolutely.

18:01 Speaker 2: Now where are you joining us from? Are you in Stockholm? Is that correct?

18:05 Speaker 15: That's correct?

18:05 Speaker 2: Okay? And then so you're originally from Italy. Yeah, yeah, yeah, excellent, excellent. So what what uh what took you to Stockholm?

18:16 Speaker 15: I think it was music related? Oh really, yeah, it was because of my previous band.

18:23 Speaker 2: Oh okay.

18:25 Speaker 15: One of the members of the band he moved here before me.

18:29 Speaker 2: Oh okay, so then you moved you moved there for the band.

18:33 Speaker 15: Yeah, yeah, that's correct.

18:35 Speaker 2: Oh interesting. Well obviously you must like it there because you're now you're doing a solo thing. But but you're still there. So is it Is it a great place to live?

18:45 Speaker 15: I think so? Yeah, although now he's getting like dark and cold?

18:49 Speaker 2: Yeah, well same here. Yeah, I can relate. Yeah, absolutely absolutely. How long have you lived in Stockholm?

18:57 Speaker 15: It's more than ten years now, Oh.

18:59 Speaker 2: Okay, yeah, so you're used to the dark and cold by now. I would imagine if if you ever truly get used to it, you know, it gets dark and cold here, and and uh, we're right where we live. Where we live, we're in that time of year where it's dark at four o'clock in the afternoon, and it's like, uh, we never quite get used to it. But but uh, I feel your pain. How cold does it get there? I must get pretty cold?

19:24 Speaker 15: Right this week is getting a little bit warmer, as you say, but it's been minus last week in snow. Oh yeah, well it's pretty fine.

19:35 Speaker 2: Now, it's fine, but at least you're uh yeah, well you're making some great music from there, and that's that's wonderful. Can you tell us about So I'm really curious about the title. Like I said, it's a mouthful the title of the album helium in low voltage wiring. Uh what does that mean? I'm super curious.

19:53 Speaker 15: It came pretty quick. I think we had a list with my drummer Jed and the bass player Vicks, both of them they're still based in Italy, and we were discussing about the title this new album, and we wanted to make a list, and on the top of the list there was this one Helium. Think. Yeah, in the beginning was just helium, and it was more like I was dreaming and all of a sudden, like I woke up and I was back to reality, and I was trying to describe the kind of feeling of dreaming, and you know, it's like weightless.

20:43 Speaker 15: Yeah, you feel light and there are no rules and you can dream about anything limitations, and then all of a sudden you woke up and the reality like put you down. But I think Ilium was more like the contrast between something that is like clothing and electric wires that's like ground that we know that's like eating, doesn't belong to any wires, to any kind of restriction. It was that kind of imagery or the picture of something floading being ground that there was like weird and at the same time was the right fit for the weirdness of this album.

21:34 Speaker 2: Okay, okay, no, I like it.

21:36 Speaker 22: I like it.

21:38 Speaker 2: I was reading about you so is now? Is this true that you you started playing guitar when you were twelve and you began writing when you you were learning to mix on a on a tape recorder, that you wanted a street raffle? Is that true?

21:51 Speaker 15: Yeah, that's true. That's true. Oh wow, funny memories.

21:57 Speaker 2: Do you think you would have I mean, had that had you not won that recorder and the street raffle, do you think you would have you would have gone forward with your I mean that was literally the start of your recording career, right, Like, do you think that? Do you think you still would have found your way there to doing what you're doing now? Because it's so interesting now Sometimes these little moments you know that happened when we're kids. You know, they can they can set up a series of events in motion that shape your whole life and career.

22:23 Speaker 15: I know, my parents they didn't really want me to buy a guitar. So I was already struggling there to find a way to either to buy a new guitar, to buy a guitar that was my first one, or to build my own guitar.

22:38 Speaker 23: Yeah.

22:39 Speaker 15: So I remember that I was like carving a hole in a biscuits tin. Yeah, and I was trying to make my own, my own guitar, but it was a kind of a failure. It didn't work out. Yeah, So the the easiest way was just to bag my parents and it's like, please, I'm going to behave at school, I'm gonna do whatever you asked me for, but just buy me a guitar. They were a little bit skeptical because you don't know how to play guitar. What what you have to do with your guitar? Just yeah, it's just my way to start learning and yeah and not being distructed, but to do something new.

23:23 Speaker 23: Yeah.

23:24 Speaker 2: Yeah. So they so obviously they ultimately relented, and I'm sure looking back, they're very glad that they did, or at least I would hope so right, So yeah, yeah, absolutely so. And then did you like growing up, did you kind of dabble in different genres or because I hear a, I definitely hear a mix of influences in your music. I'm really curious about about your you know, the process of you know, learning the guitar, and then like, what did you get into musically, what were some of your influences growing up?

23:56 Speaker 2: And while you were learning?

23:58 Speaker 15: Uh we se in my English band, I was playing bass and singing and it was more like a hard rock band, but heavily inspired by bands like Dinosaur, Junior, nir Vana, and Mad Honey. I would saying, but I always like these songs that they really didn't fit the groove of the nature of this band. So I was planning to release them in a in some way or in some format, and that was like the reason why I started this solo project. And so the influences then changed a little bit. I was more liking to j Mask is like solo acoustic project that he had beside then beside Junior or a neutral milk hotel.

24:52 Speaker 15: This kind of like the first release that I had, like launch a twelve since me too and we were talking about twenty seventeen. The one was like a kind of five songs, uh stripped down. Yeah, And from there it's like I felt, I fact, there was something missing, Like I enjoyed the fact that like there was an epy acoustic and very intimate, but I felt that it was the sound was not really there was something need to be able to be evolved a little bit more. And then when you when I get in touch with my actual drummer Judd, and we started working on that on a new sound and more like inspired by Smashing Pumpings, moving into that kind of direction.

25:51 Speaker 15: We wanted to have like more heavy guitars and drums, like really in front of everything. We always like play. We always joke about like having the snare sound is at the same level of a voice the vocals right right and drastic. So that was the Still like I think it's still like grunge and alternative rock. Yeah, still like enjoy listening to Dinas Junior, Sebbadel or the Smashing Pumpkins and weub Nothings can be like a good influence too, or the Get Up Kids as well.

26:33 Speaker 2: Yeah, it's definitely evocative of those bands. Yeah, I definitely hear the Dinosaur Junior influence absolutely so. Now the so the band you have now, are any of these members from from the band you were in before you went solo, any of the same people or.

26:54 Speaker 15: I think maybe they were. One of them was one of the founders, but then he left the band okay later on, Okay, so the bass player of it. It was one of the founders of the bally Riano, my first like my first band, gotcha and they're still in Italy. So the only time that we actually have time to gig and to record and rehearse together is like when we are all like in the same place, and this usually ups upends like three four times a year. But yeah, we have managed far.

27:31 Speaker 2: Yeah, I mean, you know, we live in a time obviously too where you know, you can as far as recording, you know, you can send tracks back and forth and whatnot, But do you restrict that to when those few times that you're actually able to get together or do you ever do you record remotely where you're sending tracks back and forth via dropbox or anything like that.

27:50 Speaker 15: He has changed a little bit. It's not the same anymore. But I'll say we try to do everything when we are together, so it is more like the idea of the band and working together on the same on the same thing. After that we were we have released this new record. Now it's just the goal is mainly like rehearsing and play live yeah shows.

28:16 Speaker 7: Yeah.

28:17 Speaker 2: Now as far as playing live, because you know, because they're in Italy, I mean, do you do solo acoustic shows or do you play with another band or how does that work? I mean, are you actively playing live shows without the rest of the guys or how does that? How does that work?

28:33 Speaker 15: Yeah? I enjoy doing doing both.

28:35 Speaker 2: Yeah.

28:36 Speaker 15: So it's like when when I'm there with them, then it's like it's the perfect time to play together. When when I'm one my own, then if there is any chance of playing live, then I can. I can do like a stripped down version of those songs and it works as well.

28:50 Speaker 2: Yeah. Yeah, I would imagine that these songs work well if you're just doing a solo acoustic uh presentation. I would imagine. I mean, when you're writing these, do you I assume you start out as you and the guitar, right,

29:10 Speaker 2: it would be different.

29:10 Speaker 15: I played bass, I play a little bit of ukulele.

29:13 Speaker 2: You do you play the ukulele. Interesting, Oh, that's interesting too that you play the ukulele. That's wild.

29:24 Speaker 15: Yeah, So then you can start from from any instrument. I can play a little bit of piano twos okay. Uh, it's not really like exclusively playing like the first chords and a guitar. So it can also be like humming a melody and then start writing the lyrics. So I don't really have I don't really have like a routine or a rule that I follow strictly every time. So it's like if I have, yeah, I would say the most important thing that I have a story or I heard something from from someone, or if me myself experiencing like something that uh there's a mark in me and uh, and then I start from there.

30:09 Speaker 2: Yeah.

30:10 Speaker 15: When when I usually like start on a guitar, I usually experiment a little bit with the with the tuning or staying away from like the normal chord shapes or the shapes or any chords can you use like a cape or Yeah. But just even if it sounds weird at the at the beginning, I don't care. Just for me, it's important that it doesn't sound. Uh, this sounds a little bit unusual. That's what what I'm I'm looking for.

30:41 Speaker 2: Yeah, I get the impression that that's important to you is to be able to experiment and and create different sounds, different textures that you know that are maybe outside of the mainstream or because you know, instead of just kind of doing your standard sort of you know, three chord rock or whatever. Not that there's anything wrong with that, obviously, but but but it does seem like it's important. Even just listening to the album. Uh, you know, I listened to the whole thing all the way through, and and each song has unique elements that make them stand out, but they all form a very, very much a cohesive listening experience, which brings me to the question is there is there a theme to the album itself?

31:20 Speaker 2: I mean, you talked about the title, but what about the album itself? I mean, is there is there kind of a theme or a story running through the album? Because I kind of feel like there might be, but I'm not quite sure.

31:32 Speaker 15: For so, Matt, I appreciate the commitment in going through the old album. Yeah you appreciate it.

31:37 Speaker 2: Oh yeah, no, I love it. It's great.

31:40 Speaker 15: But for sure there is like a team, and uh, when I'm I'm writing, I'm mean it's my meme mainly that he's writing these songs. And I always like having mind the idea of writing a full album, full record. So when I start writing she lines or the few chords for songs and many be the structure of songs, I always keep in mind like, Okay, this is going to end up in the record. So also it's like if the team is like depression or anxiety. So I already touched this theme on my in my previous songs for considering that it's gonna be in the in the same record.

32:23 Speaker 15: Next them is gonna be different and the same with the structure of the songs. It's like if I have already songs starting with the with the intro with a verse, then I try to have that kind of a variety so that it doesn't follow the same structure, and when someone goes to the the full record, it doesn't feel like Okay, now it's the same song over and over again. It just is boring, you know what I mean?

32:50 Speaker 2: Yeah, no, that makes sense, that makes sense. Now, what what's kind of the future trajectory for you? You know, the album is great, I imagine you're you focused on on promoting the current album, but I'm curious, I mean, do you already have because you strike me as someone who's probably constantly writing. I'm sure you've got a lot of ideas, yes, for the next for the next album or the next ep already are you? Are you already thinking that far ahead? Are you kind of focused on the moment or what's what's kind of the short term or even the long term future for you.

33:20 Speaker 15: Actually, we were discussing with the with the other guys about the promotion of this record, and now we are releasing like an acoustic version of Touching Nothing because as we as we said, some songs they were born like on an acoustic guitar, so it's nice to share also how they sounded in the in the very beginning before being produced. And then we have a lot of b sides as well. It's like we usually don't restrict ourselves and writing only ten songs for the record, and then you you're going to release the record, leave something missing or you need to change a song, and then you have to write like a last minute song.

34:02 Speaker 15: It's always good for us to have like plank your songs for the record and then deciding which one they will be in there in the in the in the record, right, So all those songs that they've been left behind, so we want to release them in like a kind of B side album in the future. Oh cool, So that's yeah, that would be it'll be cool.

34:24 Speaker 2: Yeah, that's that's very cool. That's very cool. By the way, Jack, how do you say your last name, because I don't know if I'm saying it? Is it Adamant Adamin?

34:33 Speaker 15: Yeah, that's correct Edamant?

34:34 Speaker 2: Okay, good, I just want to make sure I was saying it correctly. Very good, Very good. Well where should people go to keep up with everything that you're doing? Where's the best place for people to go online to keep up with everything that Jack Adamant is doing.

34:49 Speaker 15: We try to be a little bit everywhere because we never know where people can be more active. So we are on Instagram, we are like on Twitter, we are on Facebook of course, Spotify, YouTube or an Apple Music, a little bit everywhere. So yeah, we use like we have a distributor. So every time that we uphload our music, at least we hope that you will ended up in as many platforms as possible, so that people can easily find us and listen to.

35:20 Speaker 2: Every music right absolutely.

35:22 Speaker 15: Uh.

35:22 Speaker 2: You know, there's there's a term that I like to use, discoverability. It's so important to have your music everywhere so that people can discover it. Absolutely that that's that's really the key. Well, Jack, thank you so much. This has been wonderful to talk with you. Like I said, I do love the album, and I'm also going to I haven't had a chance yet to listen to your your earlier work, but I am going to. It's all on band camp, which is very convenient, but I do. But I do encourage everyone to check out Helium and Low Voltage Wiring.

35:52 Speaker 2: Great great album, listen to it all the way through it. It really it's just really good. And like I said, each individual song, you know, it's it's it comes together. It forms a cohesive listening experience, but each song also has its own unique elements that I love, and it's just it's a great listen So I encourage everybody to check it out. But and I really appreciate you joining us, Jack, and we will definitely do this again in the future as soon as you have something new. We absolutely need to have you back because we really love what you're doing.

36:23 Speaker 15: Thanks a lot, very appreciate absolutely.

36:26 Speaker 2: I think I'm gonna close out our segment with this track Taught You Nothing. This is another favorite of mine from the album Anything. We should know about this song before before we play it.

36:36 Speaker 15: Oh, that's a story of one of my best friends who moved to Sydney and uh oh yeah, he always had like such interesting stories about his life and tattoos and yeah, so.

36:52 Speaker 2: So he moved to Sydney, Australia. That's a that's a that's a long way. Well, very good. Yeah, so we'll we'll we'll close out the segment with this, and but we'll let you go, Jack Adamant again, thank you so much, and we will talk to you again soon, I'm sure.

37:07 Speaker 15: Yeah.

37:08 Speaker 2: Bye now, all right, bye bye, all right. That is Jack Adamant. Make sure you check out his album Helium and Low Voltage Wiring. And let's play this again. This is another one of my favorites from the album. This is called Taught You Nothing.

37:29 Speaker 10: Seriously drifting life salesphone noise feels to belong. The term means astray, police captured and compelled.

37:42 Speaker 7: To drown towards well this yet to come.

37:49 Speaker 17: I thought you enough thanks to so think you resilus Joe shape soon.

37:55 Speaker 24: Disguy with.

38:00 Speaker 20: From where you were gliding, Yeah, standing pomp to farm along the infants.

38:19 Speaker 7: Vers a stand to face.

38:21 Speaker 10: We'd experiencing views like her now tattoos in black and gray, and like Grelecy when you had him.

38:33 Speaker 15: To screaming and smile and all.

38:39 Speaker 5: I got seen enough things to.

38:42 Speaker 3: So sick you as relation, Joe.

38:45 Speaker 15: She stand the sky with a.

38:50 Speaker 3: Fro from one you're griding, Yeah.

38:55 Speaker 10: Standing prompt to palm along with infant bars.

39:00 Speaker 3: The wadis suits.

39:02 Speaker 13: You died in a bottom watching us the glide away from us.

39:10 Speaker 3: A life bleak.

39:12 Speaker 2: The sact same amount as we test the minds of.

39:16 Speaker 3: Blon the shore.

39:20 Speaker 2: I thought you enough to some sick resolution, Joe.

39:25 Speaker 10: Ships in the skies all.

39:30 Speaker 5: The fall far away we were gliding.

39:35 Speaker 20: Stay found upon around it bart seamless lead.

39:41 Speaker 10: Drifting like sails upon the waves, feels still belowst theterment histray.

40:00 Speaker 5: She started.

40:02 Speaker 10: Visiting much range, dressing orange blaziness to me and calls me with my old name.

40:09 Speaker 7: Her skin needs moisturis man, can't you see.

40:17 Speaker 3: What I think I can comfortably away.

40:19 Speaker 15: From the shore.

40:20 Speaker 5: We haven't got a lot of sign.

40:23 Speaker 3: Was it for the bass more than you could have wished for.

40:30 Speaker 24: Wish for.

40:33 Speaker 7: Stars on the range.

40:36 Speaker 19: Stars their fragments, glittery eyes.

40:41 Speaker 3: They can not sica gloves.

40:42 Speaker 23: Stars on the really stars they're fragments, fragments.

40:51 Speaker 15: With glittery eyes.

40:55 Speaker 3: After the sign, you see goods.

40:57 Speaker 7: Every time she gets start sailing this losing go to clouds, one of the ladies.

41:01 Speaker 5: She misses her hands and run see guitars.

41:04 Speaker 16: Don't the mothers hear this?

41:07 Speaker 23: Pas don't say him the light but as no sound like they would dicussing the wrong around the way or the room to day for on that o s the news.

41:18 Speaker 7: This is why she.

41:20 Speaker 18: Still in the calm ste this it may or pay many spaces.

42:02 Speaker 7: This was.

42:05 Speaker 16: She still.

43:00 Speaker 7: I'm standing in the air shull.

43:05 Speaker 3: I'm listening to the land.

43:09 Speaker 5: And one the last girl.

43:13 Speaker 7: I wad spell by Okay, I been.

43:26 Speaker 5: Standing in their side.

43:30 Speaker 22: Fasten the time, Ben, I'm coming a back, staying in the side.

44:21 Speaker 25: See to you.

45:26 Speaker 7: Seel me a god miss it?

45:30 Speaker 3: What's father at the time.

45:35 Speaker 7: He got he got to.

45:58 Speaker 15: Be.

46:32 Speaker 1: You're listening to Matt Connorton Unleashed on wm and Ah ninety.

46:37 Speaker 3: Five point three.

46:49 Speaker 26: Nana's Kitchen at Pizzeria.

46:52 Speaker 3: From Nana's hands to your plate.

46:56 Speaker 8: Traditional love and taste That's great, so from men, flavor so true.

47:06 Speaker 3: Each bite us story made.

47:09 Speaker 15: Just for you.

47:11 Speaker 26: Six oh three two three two nine three six six Nana's Kitchen and Pizzerie fifteen yartmuth Dry Auburn, New Hampshire, Kichens.

47:28 Speaker 27: The two greatest rock and roll bands of all time face off as the Chubb Theater hosts tributes to the Beatles and the Rolling Stone. Beatles Versus Stones, a musical Showdown comes to Chub Theater at the Capitol Center for the Arts on Thursday, December eleventh at seven thirty pm. Tickets can be purchased at the theater box office or online at CCANH dot com. The Capital Center for the Arts is located at forty four South Main Street, Conquered, New Hampshire.

47:58 Speaker 11: The show was appropriate for all agents. Luigi's Pizza Barren Grill.

48:06 Speaker 12: Under one Let's Praise a Slyesan hides with top and t all the Round Pizza Pizza.

48:14 Speaker 11: Baro Mine Luigi's Pizza Barren Grill seven to twelve Valley Street, Manchester. Come on in or call six two two one zero two one Luigi, keeping the tradition alive since nineteen seventy five.

48:30 Speaker 3: Pizza for every one. Come join a beast to night with each lye sense of it, everything feels so.

48:40 Speaker 21: Right in times of crisis. You need a law firm that stands by your side. With over forty years of experience, Craig and Getzulis is dedicated to fighting for your rights. As former state prosecutors, our attorneys have the knowledge and trial experience to provide an aggressive defense against any charge, from d to homicides. If you've been injured, our compassionate team will assess your case and fight for the compensation you deserve. Serving all of New Hampshire, Craigan Getzulis is here when you need us most.

49:11 Speaker 21: Visit Craigatzulis dot com for a free consultation. Craigan getsulus, your advocates, your.

49:17 Speaker 25: Allies, bring your kitchen to life with Queen Citycabinetry, Located at eighty seven Elm Street in the historic Sunbeam Wall in Manchester, open Monday through Friday nine am to five thirty pm, in Saturdays ten am to two pm. They can be reached at six oh three two two two to zero zero seven or on the web at Queen citycabinatree nh dot com. Come see the possibilities Queen Citycabinetry, another crowd sponsor of WMNH.

49:51 Speaker 28: Hey everyone, there's Rob Azevedo, host of Grantite State of Mind, and I want to tell you about Pembroke City Limits in the historic Suncook Village.

49:57 Speaker 11: PCL's an award winning bar.

49:59 Speaker 28: Restaurant and mew music venue where there's live music five days a week and twice on Saturdays, everything from blues, country, folk, funk, and a whole lot of jazz. We have twelve craft beers on tap dedicated to the local brewers in the area and some of the friendliest bartenders around. Please come visit Pembrook City Limits at one thirty four Main Street, the historic sunk Cook Village, only six miles outside of Manchester. Open Tuesdays to Wednesdays four to ten, Thursday's a Sunday eleven to ten.

50:25 Speaker 28: Pembrook City Limits where it's all about the music.

50:28 Speaker 11: Disneys Cafe is the place to put a smile on your face. Judy and the crew will take care of you, bring your appetite and treat your taste buds fry. Disney's Cafe is always a winning choice breakfast, lunch or supper Dizze's Cafe at eight sixty Elm Street in downtown Manchester. Dine in, take out or make a reservation call six oh three, six oh six two five three two, Eat, drink and be happy Dizzney's Cafe.

50:57 Speaker 29: When it comes to keeping WMNH on the air and your own personal or business computer needs, trust growl Ind Computers, located on Elm Street in Manchester. Grolin handles computer repair, virus removal and custom built systems. Are you looking for budget friendly options? Check out our selection of fully inspected used computers. We offer tailored on site solutions, no unnecessary expenses here. Visit Groland dot com or call Grolling Computers at six zero three six four five zero one zero one. Your tech, your way Trust Rolling Computers.

51:36 Speaker 3: Seven times out of ten. We listened to our music at night.

51:43 Speaker 2: That's titled business program.

51:46 Speaker 30: Late Night to Light with DJ Midas right here on WMNH, Manchester.

51:50 Speaker 3: You want to know why because Saturdays and Sunday nights midnight to four.

51:56 Speaker 31: Am, This hour on wm NH sponsored by CGI Business Solutions, located at five Dartmouth Drive in Auburn. They serve all your business needs including employee benefits, planning, corporate design and business administration, investments and wealth management and customized business insurance solutions. Their phone number is eight sixty six eight four one forty six hundred, or on the web at CGI Business Solutions dot com.

52:30 Speaker 30: Behold the harmony of airwaves as you immerse yourself in the captivating frequencies of w MNHLP the sonic cards of Manchesters. They're transcending through the ether at ninety five point three megahertz frequency modulation or transmissions emanate from the z F one thousand ELM streets insur into the hearts of our creative realm at one nineteen Canal Street, where innovation and sound colowe. They're the improm mod of Manchester Public Television Service in the venerable city of Manchester, New Hampshire, USA.

53:00 Speaker 30: Enrich your auditory journey with the depth of our license to wesnon WESPT Your missives did w m n H ninety five three at gmail dot com or traverse the virtual corridors of w m n Hradio dot or engage with our sonic vibrations by communing with us through the digital channels or radio beconds, eager to enthrall you with its mesmerizing kidence and envelop you with a symphony of foundless auditories.

53:24 Speaker 7: Won dude, w MNH rip the novels.

53:34 Speaker 1: You're listening to Mattconnorton Unleashed on WMNH ninety five point.

53:40 Speaker 2: Three right now, the world radio premiere of the new single from the Marches. Don't fool me twice.

54:00 Speaker 5: I'm saying.

54:05 Speaker 3: Here, you know, stand out in the dark.

54:08 Speaker 4: You know Seraly and I will en, I spark and certainly and all that is wrong.

54:18 Speaker 3: Start A buddy keeps saving me. But no, not God into this.

54:25 Speaker 5: You no say the things that she wanted to show.

54:33 Speaker 3: Are trying to trust.

54:34 Speaker 6: Trying every time to yourself pass me by passing, but were knowing.

54:41 Speaker 3: That there's somebody an't you.

54:43 Speaker 5: It's not the saddest not it's had.

54:46 Speaker 3: It's too much time to do anything, and I think it only want stop for me, But.

54:54 Speaker 5: Don't fo me.

54:56 Speaker 8: It's a present so theround. I know it's so do The isolation in.

55:10 Speaker 4: The crowd of blamees al on you and all I'm saying it because now you're feeling me.

55:18 Speaker 5: It was tough.

55:19 Speaker 3: Now we're both going to do this.

55:22 Speaker 30: Smile.

55:27 Speaker 5: No, say the things that.

55:29 Speaker 6: Showed to try shops like every time.

55:33 Speaker 7: I'll do it.

55:36 Speaker 5: Beastly lastly. But we won't know a things on your show.

55:41 Speaker 3: It's not the sadness nothing.

55:44 Speaker 5: Stop reading.

55:45 Speaker 3: I think it through for me.

55:47 Speaker 5: What's not going?

55:52 Speaker 3: Don't don't know me sing o control. No, don't missus because you don't want to know.

56:28 Speaker 6: If you're read, you a shame.

56:37 Speaker 3: Is a ruse. No, don't go.

56:42 Speaker 6: Don't saying you got trouble. Don't be testing me because you don't want to.

56:52 Speaker 5: Play away.

56:53 Speaker 7: Oh you know me.

57:24 Speaker 24: When Mattso wakes up in the morning, he gets into the shower and to the top of his lungs, he sings,

57:35 Speaker 24: I do what.

57:36 Speaker 2: I want because I can't.

57:40 Speaker 16: All right, back to

57:41 Speaker 3: The radio show now, all the best Jerry