Matt Connarton Unleashed 11-29-25 hour 1

0:05 Speaker 1: You're listening to macconnorton Unleashed w n H five point.

0:10 Speaker 2: Three right now, the world radio premiere of the new

0:15 Speaker 2: single from the Marches, Don't Fool Me twice.

0:36 Speaker 3: Here stand out in the dark.

0:38 Speaker 4: You know you sadly and I will have our sparking

0:44 Speaker 4: us sadly.

0:46 Speaker 5: I know that is wrong.

0:48 Speaker 4: Start on money keeps telling me, but no and not

0:53 Speaker 4: got into this.

1:00 Speaker 3: No, say the things.

1:01 Speaker 6: That you wanted to see. I try to say, trying.

1:05 Speaker 6: I mean time, I do it for yourself, ast me

1:09 Speaker 6: I passing, but we would knowing that that's somebody aunt,

1:14 Speaker 6: it's not ecis not.

1:16 Speaker 3: It's not so much talking. I think it through holl

1:20 Speaker 3: meant stuff.

1:21 Speaker 7: From me, But.

1:25 Speaker 5: Don't fro me.

1:26 Speaker 3: It's your person so around.

1:36 Speaker 8: I know it's so they do the isolation in the crowd.

1:41 Speaker 3: The blame is along on.

1:43 Speaker 8: You and all I'm saying it because now you're feeling

1:48 Speaker 8: me was tough.

1:49 Speaker 5: Now we're both going to this smell.

1:58 Speaker 6: No, say the things that you're mister, try say every time.

2:04 Speaker 3: I'll do it.

2:06 Speaker 5: Fastly bad, fastly bad.

2:09 Speaker 6: We must know its last show stop sids nothing so

2:14 Speaker 6: stalking away.

2:16 Speaker 3: I think it's true to me.

2:18 Speaker 5: Let stop for me don't do me little shows say.

2:48 Speaker 3: Don't get a sitting show. No, don't make us see you,

2:56 Speaker 3: don't soon, no if you.

3:17 Speaker 7: Because oh I love it.

3:56 Speaker 2: That is the world radio premiere of the Marches new

4:00 Speaker 2: single Don't Fool Me Twice. You heard it here first

4:02 Speaker 2: on Matt Connorton Unleashed, and we are live from the

4:05 Speaker 2: studios of w m n H ninety five point three FM, Inglorious, Manchester,

4:10 Speaker 2: New Hampshire. Of course, you can stream the show from anywhere.

4:12 Speaker 2: Go to Matt connorton dot com slash live for all

4:15 Speaker 2: your live streaming options, social media links, contact and posh archives,

4:18 Speaker 2: et cetera, et cetera. Today is Saturday, November twenty nine,

4:23 Speaker 2: twenty twenty five. Happy Thanksgiving Day weekend twenty twenty five.

4:28 Speaker 2: And I'm not alone.

4:36 Speaker 3: Jimmy John Show guest.

4:41 Speaker 2: Hope say that again. I said, good morning, sunshine, Yes,

4:45 Speaker 2: good morning, good morning. My brain is frozen. I was

4:49 Speaker 2: a little slow on the on the trigger there with

4:51 Speaker 2: the the micol this morning. Yeah, ye that a little chili.

4:54 Speaker 2: Definitely not ready. Definitely winter. It feels like winter for

4:58 Speaker 2: the first time this season. But so welcome everybody. So

5:01 Speaker 2: we have an exciting show for you coming up in

5:04 Speaker 2: just a few minutes. Let's see, we have Jack Adamant

5:07 Speaker 2: who is in Stockholm. He was going to be joining

5:10 Speaker 2: us via WhatsApp. And then in the second hour, Jeremiah

5:14 Speaker 2: Rouse from the Quality of Mercury, another great band who

5:17 Speaker 2: will be joining us in the second hour via Microsoft Teams.

5:20 Speaker 2: I believe he is in Pennsylvania. And then in the

5:23 Speaker 2: third hour today we have something very special for you.

5:26 Speaker 2: Our friend Brooklyn Mike is going to be coming in,

5:29 Speaker 2: coming in with his guitar and he's gonna play for us,

5:32 Speaker 2: and we're gonna talk and I get to actually do

5:34 Speaker 2: a proper interview with him. Looking forward to that because

5:37 Speaker 2: he's an interesting guy, very very talented. He's got quite

5:40 Speaker 2: the musical background, originally from from Brooklyn. He's a real

5:43 Speaker 2: New Yorker. Can you believe me? Yes, Yes, I love him? Yeah. Absolutely. Coincidentally,

5:49 Speaker 2: so if you happen to turn on the if you

5:51 Speaker 2: happen to turn on the radio, if you put the

5:54 Speaker 2: station on a bit before this show started, you might

5:57 Speaker 2: have heard the end of an old episode to the

6:00 Speaker 2: Morning Show with which coincidentally happened to have Brooklyn Mic

6:03 Speaker 2: on it. And right, that was funny. So a little

6:06 Speaker 2: bit of serendipity there. The Morning Show, of course with

6:08 Speaker 2: Peter White, which airs weekdays from seven to nine am

6:11 Speaker 2: here at wm ANDH, but on Saturday mornings from seven

6:14 Speaker 2: to nine, Peter airs a classic episode of the Morning Show,

6:18 Speaker 2: and the one that was airing this morning was from

6:20 Speaker 2: the end of twenty eighteen, so and it was and

6:26 Speaker 2: it was Brooklyn. Mike was the guest on in the

6:29 Speaker 2: in the last like the last half hour of the show,

6:31 Speaker 2: and and so that was Yeah, so that worked out perfectly.

6:34 Speaker 2: So we'll get to we had to hear him this morning,

6:36 Speaker 2: and we get to we get to see him today.

6:38 Speaker 2: He was on Retrospectrum Radio with us too last Friday night,

6:42 Speaker 2: and I think he's going to be on next Friday

6:44 Speaker 2: night as well. Not not last Friday as in last night,

6:47 Speaker 2: but a week ago Friday.

6:49 Speaker 9: Okay, so you'll get through it.

6:51 Speaker 2: But he's been he's been part of the extended family

6:54 Speaker 2: here at WMNH for a long time. So so great,

6:57 Speaker 2: great guy. We should mention too. So this is a

7:02 Speaker 2: big deal tonight. If for those of you listening live

7:06 Speaker 2: on Saturday, November twenty ninth, we've got a big event

7:11 Speaker 2: tonight at Terminus where actually New Hampshire Underground presents it.

7:15 Speaker 2: I guess it's the same thing at we talked about.

7:17 Speaker 2: Terminis a lot. It's such a great venue in Nashua.

7:20 Speaker 2: Our great friends Eleanor and Andre, they've been on the

7:22 Speaker 2: show talking about it a lot.

7:24 Speaker 9: It is the pop punk, pop up, live music and

7:29 Speaker 9: arts mark and we're going to be there. Yeah, and

7:32 Speaker 9: I'm excited to see everybody else is going to be there.

7:34 Speaker 9: A lot of different vendors, a lot of different artists,

7:37 Speaker 9: music is coming in. What do we get Grim Island

7:41 Speaker 9: of Alaska.

7:43 Speaker 2: Help me?

7:46 Speaker 9: Oh, there's another being.

7:46 Speaker 2: I was trying to think on what you're on. Yeah, yeah,

7:50 Speaker 2: on the tonight. And by the way, we should just

7:52 Speaker 2: clarify Grim as gr i am. It's a It's an

7:57 Speaker 2: abbreviation for something in an acronym. It's not the same

7:59 Speaker 2: Grim that we talk about on the show. Yeah, not

8:01 Speaker 2: our friend, not our friend Grim Rock from Pennsylvania. This

8:04 Speaker 2: is a band gr Im.

8:06 Speaker 9: And if you want to look them up, it literally

8:08 Speaker 9: is G period R period, I period period.

8:11 Speaker 2: So look up this band.

8:12 Speaker 9: But the doors are going to open at seven, music's

8:15 Speaker 9: going to start at eight.

8:18 Speaker 2: Yep, that's tonight fifteen dollars entry twenty dollars for the

8:21 Speaker 2: VIP lounge. But there's going to be many art vendors there,

8:25 Speaker 2: including Jenny Yes, Jenny will have a table there with

8:28 Speaker 2: her amazing art. Also Dennis Layton, our friend from the

8:34 Speaker 2: Gray Curtain who's been on the show a few times,

8:36 Speaker 2: and he's going to be there as well. Dennis Layton

8:39 Speaker 2: Art with Love from Faith, Elements and Fantasy, Brenda Drew

8:44 Speaker 2: designs Cosmo's creations, and of course Andre Dumont. Yes, yes,

8:48 Speaker 2: he's an amazing artist in his own right. So so

8:51 Speaker 2: that will be the art vendors. And of course as

8:53 Speaker 2: far as bands, yes.

8:53 Speaker 9: And Prosperity Painting and miss sic and.

8:56 Speaker 2: Oh okay Kelsey, I didn't know about those.

9:02 Speaker 9: Uh, I'm sorry forgive me. The type is small and

9:05 Speaker 9: my eyes are being jerks today, so I'm out on

9:07 Speaker 9: a hard time seeing Chelsea photography. And also, oh oh,

9:14 Speaker 9: I wanted to make sure you know how to get

9:16 Speaker 9: there if it looked. It is located right in Nashua

9:21 Speaker 9: at one thirty four Haynes Street. That's the terminus underground

9:24 Speaker 9: you come down see Matt and I would love to

9:26 Speaker 9: see you. Definitely make sure you say hi to us,

9:29 Speaker 9: come check out the bands. They're going to be playing,

9:31 Speaker 9: lots of arts, lots of music.

9:33 Speaker 2: It's going to be a fun evening.

9:36 Speaker 9: And its doors are like I said, doors are opening

9:38 Speaker 9: good seven and this is an all ages show. Everybody

9:42 Speaker 9: is welcome.

9:44 Speaker 2: Yeah, it's part of the holiday Stroll, the Winter's Stroll

9:47 Speaker 2: is that what they call it.

9:48 Speaker 9: Yeah, through nash Or where they have different things going on.

9:50 Speaker 9: So yeah, I've expected it to be a few people there,

9:53 Speaker 9: so I'm looking forward to it. I hope you guys

9:55 Speaker 9: will come down and join Matt and I'd be great

9:57 Speaker 9: to see you. Definitely make sure you stop in and

10:00 Speaker 9: say hello to us.

10:02 Speaker 2: Yes, So that will be tonight. So in just a

10:04 Speaker 2: couple of minutes, we're gonna be joined by Jack Adamant,

10:07 Speaker 2: great artist from He's originally from Italy, but I believe

10:10 Speaker 2: he now resides in Stockholm and we're gonna talk with him.

10:14 Speaker 2: I'm gonna play one of his songs going into the segment.

10:16 Speaker 2: This is probably my personal favorite. But everything he's got

10:21 Speaker 2: on his new album, which is called Helium and Low

10:24 Speaker 2: Voltage Wiring that's a mouthful, but it's a great album.

10:27 Speaker 2: It's on band camp if you want to check it out.

10:29 Speaker 2: I highly recommend it really really good. But I think

10:30 Speaker 2: we're gonna play this track. This is called Inconvenient Times.

10:34 Speaker 2: He kind of left it up to us as far

10:36 Speaker 2: as what to play, so I think we're gonna start

10:38 Speaker 2: with this, and then when we come back from the song,

10:42 Speaker 2: we'll have Jack with us via WhatsApp and I can't

10:44 Speaker 2: wait to talk to him. But I love his sound.

10:47 Speaker 2: Check this out. This is Inconvenient Times from Jack Adamant

10:50 Speaker 2: from the album Helium in Low Voltage Wiring.

11:07 Speaker 10: Not afraid to share with that won your boss, well

11:13 Speaker 10: writtencing and live the lawn bar line.

11:19 Speaker 7: Starting with a clucheit, mov into certain.

11:22 Speaker 3: Nipple, dancing among the stars. These days are phasing a

11:27 Speaker 3: big change.

11:28 Speaker 11: All the run.

11:33 Speaker 3: We knew there was a dream of truth feeding.

11:36 Speaker 12: Your eyes, bad stories in red wine under mal.

11:43 Speaker 7: Sunshines, saying you say not enough to getting high in.

11:53 Speaker 3: Your sassful fun.

11:59 Speaker 13: Think of stays on und trains, open train you like,

12:05 Speaker 13: shaking your way out.

12:15 Speaker 10: The clock is chasing your brass as you say, I

12:19 Speaker 10: wake up night, creating new memors to reveal how trouble you.

12:26 Speaker 14: Are, how rows in the back of your hand.

12:31 Speaker 3: That swep through the cracks. Luck of promise, the lettingers

12:36 Speaker 3: to long.

12:37 Speaker 2: On this glane.

12:40 Speaker 3: We knew there was a green or truth in your eyes.

12:47 Speaker 15: That story is say wine and the mallows sound.

12:51 Speaker 16: Shrags, Sorry, God listens lo wa high nostrust one morn

13:07 Speaker 16: console doesn't as strains open backcas.

13:12 Speaker 5: To like shaving your way out.

13:19 Speaker 16: Your fingers says.

13:25 Speaker 3: To kick a bass post and connect.

13:35 Speaker 10: Setting out the ceiling, buzzing off the world.

13:41 Speaker 3: Getting high note just for fun.

13:47 Speaker 16: More constrainstop not bodcake to like shaving your way out.

14:30 Speaker 14: There's nothing worse riding where my mind, No lady go

14:37 Speaker 14: oh the way that started firing across those skies above.

14:45 Speaker 17: Then fun missed the songs away, there's alone, there's no

14:51 Speaker 17: love left to go any side mister songs the one

14:57 Speaker 17: at the phone now sliding back from me.

15:16 Speaker 7: Standing by the side.

15:19 Speaker 12: Over row that grove me half way home, blame like

15:26 Speaker 12: a child and cry a loud and after restro to.

15:34 Speaker 15: Go all I.

15:36 Speaker 3: Heard when I was even born, FI classing faster the girls.

15:45 Speaker 15: I never liked that sound.

16:03 Speaker 18: It from missed chance Away that's so long there's a

16:08 Speaker 18: world left to go and the five mister Chance, the

16:14 Speaker 18: wall I look for.

16:16 Speaker 19: I was lighting the black floor the wall I looked for,

16:23 Speaker 19: and I was sliding black from wall I look for,

16:31 Speaker 19: and I was sliding black.

16:37 Speaker 11: The one I heard when I was.

16:40 Speaker 20: Living born, fire worse, classroom, faster through the clouds.

16:47 Speaker 2: And then I would like that.

16:48 Speaker 7: Sound true.

16:53 Speaker 20: The wall I heard when I was living Born, fire worse, crushy,

17:01 Speaker 20: faster through the clouds.

17:02 Speaker 21: I'm never light that sound.

17:08 Speaker 16: Wall I heard when I.

17:13 Speaker 3: Fun, crushy, fun through the clouds.

17:18 Speaker 21: I'm never light that sound to.

17:24 Speaker 15: Du wall I.

17:25 Speaker 3: Heard when I was even born.

17:32 Speaker 2: I love it. That is back from me, and that

17:35 Speaker 2: is Jack Adamant and the name of the album, which

17:39 Speaker 2: is I want to make sure I get it right

17:40 Speaker 2: helium and low voltage wiring. Like I said, it's a mouthful,

17:44 Speaker 2: but I think we've got Jack on the line with us.

17:45 Speaker 2: H right, Jack, are you there? Hi, I'm here, Hey,

17:49 Speaker 2: welcome to the show. I love your sound. I want

17:52 Speaker 2: to tell you that right up front, really really good.

17:55 Speaker 2: So it's great to have you on.

17:58 Speaker 15: Thanks, thanks, thanks for having me absolutely absolutely.

18:01 Speaker 2: Now where are you joining us from? Are you in Stockholm?

18:03 Speaker 2: Is that correct?

18:05 Speaker 15: That's correct?

18:05 Speaker 2: Okay? And then so you're originally from Italy. Yeah, yeah, yeah, excellent, excellent.

18:12 Speaker 2: So what what uh what took you to Stockholm?

18:16 Speaker 15: I think it was music related? Oh really, yeah, it

18:20 Speaker 15: was because of my previous band.

18:23 Speaker 2: Oh okay.

18:25 Speaker 15: One of the members of the band he moved here

18:27 Speaker 15: before me.

18:29 Speaker 2: Oh okay, so then you moved you moved there for

18:32 Speaker 2: the band.

18:33 Speaker 15: Yeah, yeah, that's correct.

18:35 Speaker 2: Oh interesting. Well obviously you must like it there because

18:37 Speaker 2: you're now you're doing a solo thing. But but you're

18:39 Speaker 2: still there. So is it Is it a great place

18:43 Speaker 2: to live?

18:45 Speaker 15: I think so? Yeah, although now he's getting like dark

18:48 Speaker 15: and cold?

18:49 Speaker 2: Yeah, well same here. Yeah, I can relate. Yeah, absolutely absolutely.

18:54 Speaker 2: How long have you lived in Stockholm?

18:57 Speaker 15: It's more than ten years now, Oh.

18:59 Speaker 2: Okay, yeah, so you're used to the dark and cold

19:02 Speaker 2: by now. I would imagine if if you ever truly

19:08 Speaker 2: get used to it, you know, it gets dark and

19:09 Speaker 2: cold here, and and uh, we're right where we live.

19:13 Speaker 2: Where we live, we're in that time of year where

19:14 Speaker 2: it's dark at four o'clock in the afternoon, and it's like, uh,

19:18 Speaker 2: we never quite get used to it. But but uh,

19:21 Speaker 2: I feel your pain. How cold does it get there?

19:23 Speaker 2: I must get pretty cold?

19:24 Speaker 15: Right this week is getting a little bit warmer, as

19:28 Speaker 15: you say, but it's been minus last week in snow.

19:31 Speaker 15: Oh yeah, well it's pretty fine.

19:35 Speaker 2: Now, it's fine, but at least you're uh yeah, well

19:38 Speaker 2: you're making some great music from there, and that's that's wonderful.

19:40 Speaker 2: Can you tell us about So I'm really curious about

19:43 Speaker 2: the title. Like I said, it's a mouthful the title

19:45 Speaker 2: of the album helium in low voltage wiring. Uh what

19:49 Speaker 2: does that mean? I'm super curious.

19:53 Speaker 15: It came pretty quick. I think we had a list

19:56 Speaker 15: with my drummer Jed and the bass player Vicks, both

20:03 Speaker 15: of them they're still based in Italy, and we were

20:08 Speaker 15: discussing about the title this new album, and we wanted

20:11 Speaker 15: to make a list, and on the top of the

20:16 Speaker 15: list there was this one Helium. Think. Yeah, in the

20:21 Speaker 15: beginning was just helium, and it was more like I

20:27 Speaker 15: was dreaming and all of a sudden, like I woke

20:30 Speaker 15: up and I was back to reality, and I was

20:34 Speaker 15: trying to describe the kind of feeling of dreaming, and

20:41 Speaker 15: you know, it's like weightless. Yeah, you feel light and

20:46 Speaker 15: there are no rules and you can dream about anything limitations,

20:53 Speaker 15: and then all of a sudden you woke up and

20:56 Speaker 15: the reality like put you down. But I think Ilium

21:04 Speaker 15: was more like the contrast between something that is like

21:07 Speaker 15: clothing and electric wires that's like ground that we know

21:13 Speaker 15: that's like eating, doesn't belong to any wires, to any

21:17 Speaker 15: kind of restriction. It was that kind of imagery or

21:25 Speaker 15: the picture of something floading being ground that there was

21:29 Speaker 15: like weird and at the same time was the right

21:31 Speaker 15: fit for the weirdness of this album.

21:34 Speaker 2: Okay, okay, no, I like it.

21:36 Speaker 22: I like it.

21:38 Speaker 2: I was reading about you so is now? Is this

21:40 Speaker 2: true that you you started playing guitar when you were

21:42 Speaker 2: twelve and you began writing when you you were learning

21:46 Speaker 2: to mix on a on a tape recorder, that you

21:49 Speaker 2: wanted a street raffle? Is that true?

21:51 Speaker 15: Yeah, that's true. That's true. Oh wow, funny memories.

21:57 Speaker 2: Do you think you would have I mean, had that

21:58 Speaker 2: had you not won that recorder and the street raffle,

22:00 Speaker 2: do you think you would have you would have gone

22:02 Speaker 2: forward with your I mean that was literally the start

22:04 Speaker 2: of your recording career, right, Like, do you think that?

22:08 Speaker 2: Do you think you still would have found your way

22:09 Speaker 2: there to doing what you're doing now? Because it's so

22:11 Speaker 2: interesting now Sometimes these little moments you know that happened

22:14 Speaker 2: when we're kids. You know, they can they can set

22:16 Speaker 2: up a series of events in motion that shape your

22:19 Speaker 2: whole life and career.

22:23 Speaker 15: I know, my parents they didn't really want me to

22:26 Speaker 15: buy a guitar. So I was already struggling there to

22:30 Speaker 15: find a way to either to buy a new guitar,

22:33 Speaker 15: to buy a guitar that was my first one, or

22:36 Speaker 15: to build my own guitar.

22:38 Speaker 23: Yeah.

22:39 Speaker 15: So I remember that I was like carving a hole

22:43 Speaker 15: in a biscuits tin. Yeah, and I was trying to

22:50 Speaker 15: make my own, my own guitar, but it was a

22:54 Speaker 15: kind of a failure. It didn't work out. Yeah, So

22:57 Speaker 15: the the easiest way was just to bag my parents

23:00 Speaker 15: and it's like, please, I'm going to behave at school,

23:03 Speaker 15: I'm gonna do whatever you asked me for, but just

23:07 Speaker 15: buy me a guitar. They were a little bit skeptical

23:10 Speaker 15: because you don't know how to play guitar. What what

23:14 Speaker 15: you have to do with your guitar? Just yeah, it's

23:16 Speaker 15: just my way to start learning and yeah and not

23:20 Speaker 15: being distructed, but to do something new.

23:23 Speaker 23: Yeah.

23:24 Speaker 2: Yeah. So they so obviously they ultimately relented, and I'm

23:27 Speaker 2: sure looking back, they're very glad that they did, or

23:29 Speaker 2: at least I would hope so right, So yeah, yeah,

23:35 Speaker 2: absolutely so. And then did you like growing up, did

23:40 Speaker 2: you kind of dabble in different genres or because I

23:44 Speaker 2: hear a, I definitely hear a mix of influences in

23:47 Speaker 2: your music. I'm really curious about about your you know,

23:50 Speaker 2: the process of you know, learning the guitar, and then like,

23:53 Speaker 2: what did you get into musically, what were some of

23:54 Speaker 2: your influences growing up? And while you were learning?

23:58 Speaker 15: Uh we se in my English band, I was playing

24:01 Speaker 15: bass and singing and it was more like a hard

24:04 Speaker 15: rock band, but heavily inspired by bands like Dinosaur, Junior,

24:11 Speaker 15: nir Vana, and Mad Honey. I would saying, but I

24:17 Speaker 15: always like these songs that they really didn't fit the

24:22 Speaker 15: groove of the nature of this band. So I was

24:25 Speaker 15: planning to release them in a in some way or

24:28 Speaker 15: in some format, and that was like the reason why

24:33 Speaker 15: I started this solo project. And so the influences then

24:38 Speaker 15: changed a little bit. I was more liking to j

24:42 Speaker 15: Mask is like solo acoustic project that he had beside

24:48 Speaker 15: then beside Junior or a neutral milk hotel. This kind

24:53 Speaker 15: of like the first release that I had, like launch

24:59 Speaker 15: a twelve since me too and we were talking about

25:02 Speaker 15: twenty seventeen. The one was like a kind of five songs,

25:07 Speaker 15: uh stripped down. Yeah, And from there it's like I felt,

25:15 Speaker 15: I fact, there was something missing, Like I enjoyed the

25:18 Speaker 15: fact that like there was an epy acoustic and very intimate,

25:25 Speaker 15: but I felt that it was the sound was not

25:28 Speaker 15: really there was something need to be able to be

25:31 Speaker 15: evolved a little bit more. And then when you when

25:35 Speaker 15: I get in touch with my actual drummer Judd, and

25:39 Speaker 15: we started working on that on a new sound and

25:42 Speaker 15: more like inspired by Smashing Pumpings, moving into that kind

25:50 Speaker 15: of direction. We wanted to have like more heavy guitars

25:53 Speaker 15: and drums, like really in front of everything. We always

26:01 Speaker 15: like play. We always joke about like having the snare

26:04 Speaker 15: sound is at the same level of a voice the

26:08 Speaker 15: vocals right right and drastic. So that was the Still

26:15 Speaker 15: like I think it's still like grunge and alternative rock. Yeah,

26:20 Speaker 15: still like enjoy listening to Dinas Junior, Sebbadel or the

26:25 Speaker 15: Smashing Pumpkins and weub Nothings can be like a good

26:29 Speaker 15: influence too, or the Get Up Kids as well.

26:33 Speaker 2: Yeah, it's definitely evocative of those bands. Yeah, I definitely

26:37 Speaker 2: hear the Dinosaur Junior influence absolutely so. Now the so

26:42 Speaker 2: the band you have now, are any of these members

26:46 Speaker 2: from from the band you were in before you went solo,

26:50 Speaker 2: any of the same people or.

26:54 Speaker 15: I think maybe they were. One of them was one

26:56 Speaker 15: of the founders, but then he left the band okay

27:00 Speaker 15: later on, Okay, so the bass player of it. It

27:03 Speaker 15: was one of the founders of the bally Riano, my

27:07 Speaker 15: first like my first band, gotcha and they're still in Italy.

27:11 Speaker 15: So the only time that we actually have time to

27:15 Speaker 15: gig and to record and rehearse together is like when

27:19 Speaker 15: we are all like in the same place, and this

27:25 Speaker 15: usually ups upends like three four times a year. But yeah,

27:28 Speaker 15: we have managed far.

27:31 Speaker 2: Yeah, I mean, you know, we live in a time

27:34 Speaker 2: obviously too where you know, you can as far as recording,

27:37 Speaker 2: you know, you can send tracks back and forth and whatnot,

27:40 Speaker 2: But do you restrict that to when those few times

27:42 Speaker 2: that you're actually able to get together or do you

27:44 Speaker 2: ever do you record remotely where you're sending tracks back

27:47 Speaker 2: and forth via dropbox or anything like that.

27:50 Speaker 15: He has changed a little bit. It's not the same anymore.

27:53 Speaker 15: But I'll say we try to do everything when we

27:57 Speaker 15: are together, so it is more like the idea of

28:01 Speaker 15: the band and working together on the same on the

28:04 Speaker 15: same thing. After that we were we have released this

28:09 Speaker 15: new record. Now it's just the goal is mainly like

28:13 Speaker 15: rehearsing and play live yeah shows.

28:16 Speaker 7: Yeah.

28:17 Speaker 2: Now as far as playing live, because you know, because

28:21 Speaker 2: they're in Italy, I mean, do you do solo acoustic

28:23 Speaker 2: shows or do you play with another band or how

28:25 Speaker 2: does that work? I mean, are you actively playing live

28:29 Speaker 2: shows without the rest of the guys or how does that?

28:31 Speaker 2: How does that work?

28:33 Speaker 15: Yeah? I enjoy doing doing both.

28:35 Speaker 2: Yeah.

28:36 Speaker 15: So it's like when when I'm there with them, then

28:38 Speaker 15: it's like it's the perfect time to play together. When

28:41 Speaker 15: when I'm one my own, then if there is any

28:44 Speaker 15: chance of playing live, then I can. I can do

28:46 Speaker 15: like a stripped down version of those songs and it

28:49 Speaker 15: works as well.

28:50 Speaker 2: Yeah. Yeah, I would imagine that these songs work well

28:53 Speaker 2: if you're just doing a solo acoustic uh presentation. I

28:59 Speaker 2: would imagine. I mean, when you're writing these, do you

29:04 Speaker 2: I assume you start out as you and the guitar, right,

29:10 Speaker 2: it would be different.

29:10 Speaker 15: I played bass, I play a little bit of ukulele.

29:13 Speaker 2: You do you play the ukulele. Interesting, Oh, that's interesting

29:19 Speaker 2: too that you play the ukulele. That's wild.

29:24 Speaker 15: Yeah, So then you can start from from any instrument.

29:27 Speaker 15: I can play a little bit of piano twos okay. Uh,

29:31 Speaker 15: it's not really like exclusively playing like the first chords

29:36 Speaker 15: and a guitar. So it can also be like humming

29:39 Speaker 15: a melody and then start writing the lyrics. So I

29:43 Speaker 15: don't really have I don't really have like a routine

29:46 Speaker 15: or a rule that I follow strictly every time. So

29:51 Speaker 15: it's like if I have, yeah, I would say the

29:53 Speaker 15: most important thing that I have a story or I

29:56 Speaker 15: heard something from from someone, or if me myself experiencing

30:02 Speaker 15: like something that uh there's a mark in me and uh,

30:08 Speaker 15: and then I start from there.

30:09 Speaker 2: Yeah.

30:10 Speaker 15: When when I usually like start on a guitar, I

30:12 Speaker 15: usually experiment a little bit with the with the tuning

30:16 Speaker 15: or staying away from like the normal chord shapes or

30:21 Speaker 15: the shapes or any chords can you use like a

30:25 Speaker 15: cape or Yeah. But just even if it sounds weird

30:29 Speaker 15: at the at the beginning, I don't care. Just for me,

30:32 Speaker 15: it's important that it doesn't sound. Uh, this sounds a

30:36 Speaker 15: little bit unusual. That's what what I'm I'm looking for.

30:41 Speaker 2: Yeah, I get the impression that that's important to you

30:43 Speaker 2: is to be able to experiment and and create different sounds,

30:46 Speaker 2: different textures that you know that are maybe outside of

30:51 Speaker 2: the mainstream or because you know, instead of just kind

30:54 Speaker 2: of doing your standard sort of you know, three chord

30:57 Speaker 2: rock or whatever. Not that there's anything wrong with that, obviously,

30:59 Speaker 2: but but but it does seem like it's important. Even

31:02 Speaker 2: just listening to the album. Uh, you know, I listened

31:05 Speaker 2: to the whole thing all the way through, and and

31:07 Speaker 2: each song has unique elements that make them stand out,

31:10 Speaker 2: but they all form a very, very much a cohesive

31:15 Speaker 2: listening experience, which brings me to the question is there

31:18 Speaker 2: is there a theme to the album itself? I mean,

31:21 Speaker 2: you talked about the title, but what about the album itself?

31:23 Speaker 2: I mean, is there is there kind of a theme

31:25 Speaker 2: or a story running through the album? Because I kind

31:27 Speaker 2: of feel like there might be, but I'm not quite sure.

31:32 Speaker 15: For so, Matt, I appreciate the commitment in going through

31:34 Speaker 15: the old album. Yeah you appreciate it.

31:37 Speaker 2: Oh yeah, no, I love it. It's great.

31:40 Speaker 15: But for sure there is like a team, and uh,

31:44 Speaker 15: when I'm I'm writing, I'm mean it's my meme mainly

31:48 Speaker 15: that he's writing these songs. And I always like having

31:52 Speaker 15: mind the idea of writing a full album, full record.

31:57 Speaker 15: So when I start writing she lines or the few

32:01 Speaker 15: chords for songs and many be the structure of songs,

32:05 Speaker 15: I always keep in mind like, Okay, this is going

32:08 Speaker 15: to end up in the record. So also it's like

32:12 Speaker 15: if the team is like depression or anxiety. So I

32:16 Speaker 15: already touched this theme on my in my previous songs

32:19 Speaker 15: for considering that it's gonna be in the in the

32:22 Speaker 15: same record. Next them is gonna be different and the

32:24 Speaker 15: same with the structure of the songs. It's like if

32:26 Speaker 15: I have already songs starting with the with the intro

32:30 Speaker 15: with a verse, then I try to have that kind

32:34 Speaker 15: of a variety so that it doesn't follow the same structure,

32:38 Speaker 15: and when someone goes to the the full record, it

32:43 Speaker 15: doesn't feel like Okay, now it's the same song over

32:46 Speaker 15: and over again. It just is boring, you know what

32:48 Speaker 15: I mean?

32:50 Speaker 2: Yeah, no, that makes sense, that makes sense. Now, what

32:52 Speaker 2: what's kind of the future trajectory for you? You know,

32:55 Speaker 2: the album is great, I imagine you're you focused on

33:00 Speaker 2: on promoting the current album, but I'm curious, I mean,

33:03 Speaker 2: do you already have because you strike me as someone

33:04 Speaker 2: who's probably constantly writing. I'm sure you've got a lot

33:07 Speaker 2: of ideas, yes, for the next for the next album

33:10 Speaker 2: or the next ep already are you? Are you already

33:12 Speaker 2: thinking that far ahead? Are you kind of focused on

33:14 Speaker 2: the moment or what's what's kind of the short term

33:16 Speaker 2: or even the long term future for you.

33:20 Speaker 15: Actually, we were discussing with the with the other guys

33:22 Speaker 15: about the promotion of this record, and now we are

33:26 Speaker 15: releasing like an acoustic version of Touching Nothing because as

33:32 Speaker 15: we as we said, some songs they were born like

33:36 Speaker 15: on an acoustic guitar, so it's nice to share also

33:39 Speaker 15: how they sounded in the in the very beginning before

33:42 Speaker 15: being produced. And then we have a lot of b

33:47 Speaker 15: sides as well. It's like we usually don't restrict ourselves

33:52 Speaker 15: and writing only ten songs for the record, and then

33:55 Speaker 15: you you're going to release the record, leave something missing

33:58 Speaker 15: or you need to change a song, and then you

34:00 Speaker 15: have to write like a last minute song. It's always

34:03 Speaker 15: good for us to have like plank your songs for

34:06 Speaker 15: the record and then deciding which one they will be

34:08 Speaker 15: in there in the in the in the record, right,

34:11 Speaker 15: So all those songs that they've been left behind, so

34:14 Speaker 15: we want to release them in like a kind of

34:17 Speaker 15: B side album in the future. Oh cool, So that's yeah,

34:22 Speaker 15: that would be it'll be cool.

34:24 Speaker 2: Yeah, that's that's very cool. That's very cool. By the way, Jack,

34:29 Speaker 2: how do you say your last name, because I don't

34:30 Speaker 2: know if I'm saying it? Is it Adamant Adamin?

34:33 Speaker 15: Yeah, that's correct Edamant?

34:34 Speaker 2: Okay, good, I just want to make sure I was

34:36 Speaker 2: saying it correctly. Very good, Very good. Well where should

34:41 Speaker 2: people go to keep up with everything that you're doing?

34:43 Speaker 2: Where's the best place for people to go online to

34:45 Speaker 2: keep up with everything that Jack Adamant is doing.

34:49 Speaker 15: We try to be a little bit everywhere because we

34:51 Speaker 15: never know where people can be more active. So we

34:55 Speaker 15: are on Instagram, we are like on Twitter, we are

34:58 Speaker 15: on Facebook of course, Spotify, YouTube or an Apple Music,

35:05 Speaker 15: a little bit everywhere. So yeah, we use like we

35:08 Speaker 15: have a distributor. So every time that we uphload our music,

35:12 Speaker 15: at least we hope that you will ended up in

35:15 Speaker 15: as many platforms as possible, so that people can easily

35:19 Speaker 15: find us and listen to.

35:20 Speaker 2: Every music right absolutely.

35:22 Speaker 15: Uh.

35:22 Speaker 2: You know, there's there's a term that I like to use, discoverability.

35:27 Speaker 2: It's so important to have your music everywhere so that

35:29 Speaker 2: people can discover it. Absolutely that that's that's really the key. Well, Jack,

35:35 Speaker 2: thank you so much. This has been wonderful to talk

35:37 Speaker 2: with you. Like I said, I do love the album,

35:39 Speaker 2: and I'm also going to I haven't had a chance

35:41 Speaker 2: yet to listen to your your earlier work, but I

35:44 Speaker 2: am going to. It's all on band camp, which is

35:46 Speaker 2: very convenient, but I do. But I do encourage everyone

35:50 Speaker 2: to check out Helium and Low Voltage Wiring. Great great album,

35:53 Speaker 2: listen to it all the way through it. It really

35:55 Speaker 2: it's just really good. And like I said, each individual song,

35:59 Speaker 2: you know, it's it's it comes together. It forms a

36:02 Speaker 2: cohesive listening experience, but each song also has its own

36:06 Speaker 2: unique elements that I love, and it's just it's a

36:08 Speaker 2: great listen So I encourage everybody to check it out.

36:11 Speaker 2: But and I really appreciate you joining us, Jack, and

36:14 Speaker 2: we will definitely do this again in the future as

36:16 Speaker 2: soon as you have something new. We absolutely need to

36:18 Speaker 2: have you back because we really love what you're doing.

36:23 Speaker 15: Thanks a lot, very appreciate absolutely.

36:26 Speaker 2: I think I'm gonna close out our segment with this

36:28 Speaker 2: track Taught You Nothing. This is another favorite of mine

36:31 Speaker 2: from the album Anything. We should know about this song

36:33 Speaker 2: before before we play it.

36:36 Speaker 15: Oh, that's a story of one of my best friends

36:39 Speaker 15: who moved to Sydney and uh oh yeah, he always

36:43 Speaker 15: had like such interesting stories about his life and tattoos

36:48 Speaker 15: and yeah, so.

36:52 Speaker 2: So he moved to Sydney, Australia. That's a that's a

36:55 Speaker 2: that's a long way. Well, very good. Yeah, so we'll

36:59 Speaker 2: we'll we'll close out the segment with this, and but

37:02 Speaker 2: we'll let you go, Jack Adamant again, thank you so much,

37:04 Speaker 2: and we will talk to you again soon, I'm sure.

37:07 Speaker 15: Yeah.

37:08 Speaker 2: Bye now, all right, bye bye, all right. That is

37:11 Speaker 2: Jack Adamant. Make sure you check out his album Helium

37:13 Speaker 2: and Low Voltage Wiring. And let's play this again. This

37:16 Speaker 2: is another one of my favorites from the album. This

37:18 Speaker 2: is called Taught You Nothing.

37:29 Speaker 10: Seriously drifting life salesphone noise feels to belong. The term

37:37 Speaker 10: means astray, police captured and compelled.

37:42 Speaker 7: To drown towards well this yet to come.

37:49 Speaker 17: I thought you enough thanks to so think you resilus

37:54 Speaker 17: Joe shape soon.

37:55 Speaker 24: Disguy with.

38:00 Speaker 20: From where you were gliding, Yeah, standing pomp to farm

38:06 Speaker 20: along the infants.

38:19 Speaker 7: Vers a stand to face.

38:21 Speaker 10: We'd experiencing views like her now tattoos in black and gray,

38:29 Speaker 10: and like Grelecy when you had him.

38:33 Speaker 15: To screaming and smile and all.

38:39 Speaker 5: I got seen enough things to.

38:42 Speaker 3: So sick you as relation, Joe.

38:45 Speaker 15: She stand the sky with a.

38:50 Speaker 3: Fro from one you're griding, Yeah.

38:55 Speaker 10: Standing prompt to palm along with infant bars.

39:00 Speaker 3: The wadis suits.

39:02 Speaker 13: You died in a bottom watching us the glide away

39:07 Speaker 13: from us.

39:10 Speaker 3: A life bleak.

39:12 Speaker 2: The sact same amount as we test the minds of.

39:16 Speaker 3: Blon the shore.

39:20 Speaker 2: I thought you enough to some sick resolution, Joe.

39:25 Speaker 10: Ships in the skies all.

39:30 Speaker 5: The fall far away we were gliding.

39:35 Speaker 20: Stay found upon around it bart seamless lead.

39:41 Speaker 10: Drifting like sails upon the waves, feels still belowst theterment histray.

40:00 Speaker 5: She started.

40:02 Speaker 10: Visiting much range, dressing orange blaziness to me and calls

40:07 Speaker 10: me with my old name.

40:09 Speaker 7: Her skin needs moisturis man, can't you see.

40:17 Speaker 3: What I think I can comfortably away.

40:19 Speaker 15: From the shore.

40:20 Speaker 5: We haven't got a lot of sign.

40:23 Speaker 3: Was it for the bass more than you could have

40:27 Speaker 3: wished for.

40:30 Speaker 24: Wish for.

40:33 Speaker 7: Stars on the range.

40:36 Speaker 19: Stars their fragments, glittery eyes.

40:41 Speaker 3: They can not sica gloves.

40:42 Speaker 23: Stars on the really stars they're fragments, fragments.

40:51 Speaker 15: With glittery eyes.

40:55 Speaker 3: After the sign, you see goods.

40:57 Speaker 7: Every time she gets start sailing this losing go to clouds,

41:00 Speaker 7: one of the ladies.

41:01 Speaker 5: She misses her hands and run see guitars.

41:04 Speaker 16: Don't the mothers hear this?

41:07 Speaker 23: Pas don't say him the light but as no sound

41:10 Speaker 23: like they would dicussing the wrong around the way or

41:14 Speaker 23: the room to day for on that o s the news.

41:18 Speaker 7: This is why she.

41:20 Speaker 18: Still in the calm ste this it may or pay

41:23 Speaker 18: many spaces.

42:02 Speaker 7: This was.

42:05 Speaker 16: She still.

43:00 Speaker 7: I'm standing in the air shull.

43:05 Speaker 3: I'm listening to the land.

43:09 Speaker 5: And one the last girl.

43:13 Speaker 7: I wad spell by Okay, I been.

43:26 Speaker 5: Standing in their side.

43:30 Speaker 22: Fasten the time, Ben, I'm coming a back, staying in

44:17 Speaker 22: the side.

44:21 Speaker 25: See to you.

45:26 Speaker 7: Seel me a god miss it?

45:30 Speaker 3: What's father at the time.

45:35 Speaker 7: He got he got to.

45:58 Speaker 15: Be.

46:32 Speaker 1: You're listening to Matt Connorton Unleashed on wm and Ah ninety.

46:37 Speaker 3: Five point three.

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53:34 Speaker 1: You're listening to Mattconnorton Unleashed on WMNH ninety five point.

53:40 Speaker 2: Three right now, the world radio premiere of the new

53:44 Speaker 2: single from the Marches. Don't fool me twice.

54:00 Speaker 5: I'm saying.

54:05 Speaker 3: Here, you know, stand out in the dark.

54:08 Speaker 4: You know Seraly and I will en, I spark and

54:15 Speaker 4: certainly and all that is wrong.

54:18 Speaker 3: Start A buddy keeps saving me. But no, not God

54:23 Speaker 3: into this.

54:25 Speaker 5: You no say the things that she wanted to show.

54:33 Speaker 3: Are trying to trust.

54:34 Speaker 6: Trying every time to yourself pass me by passing, but

54:40 Speaker 6: were knowing.

54:41 Speaker 3: That there's somebody an't you.

54:43 Speaker 5: It's not the saddest not it's had.

54:46 Speaker 3: It's too much time to do anything, and I think

54:48 Speaker 3: it only want stop for me, But.

54:54 Speaker 5: Don't fo me.

54:56 Speaker 8: It's a present so theround. I know it's so do

55:08 Speaker 8: The isolation in.

55:10 Speaker 4: The crowd of blamees al on you and all I'm

55:15 Speaker 4: saying it because now you're feeling me.

55:18 Speaker 5: It was tough.

55:19 Speaker 3: Now we're both going to do this.

55:22 Speaker 30: Smile.

55:27 Speaker 5: No, say the things that.

55:29 Speaker 6: Showed to try shops like every time.

55:33 Speaker 7: I'll do it.

55:36 Speaker 5: Beastly lastly. But we won't know a things on your show.

55:41 Speaker 3: It's not the sadness nothing.

55:44 Speaker 5: Stop reading.

55:45 Speaker 3: I think it through for me.

55:47 Speaker 5: What's not going?

55:52 Speaker 3: Don't don't know me sing o control. No, don't missus

56:24 Speaker 3: because you don't want to know.

56:28 Speaker 6: If you're read, you a shame.

56:37 Speaker 3: Is a ruse. No, don't go.

56:42 Speaker 6: Don't saying you got trouble. Don't be testing me because

56:47 Speaker 6: you don't want to.

56:52 Speaker 5: Play away.

56:53 Speaker 7: Oh you know me.

57:24 Speaker 24: When Mattso wakes up in the morning, he gets into

57:27 Speaker 24: the shower and to the top of his lungs, he sings,

57:35 Speaker 24: I do what.

57:36 Speaker 2: I want because I can't.

57:40 Speaker 16: All right, back to

57:41 Speaker 3: The radio show now, all the best Jerry