Matt Connarton Unleashed 11-29-25 hour 2

0:00 Speaker 1: When Matso wakes up in the morning, he gets into the shower and to the top of his lungs he sings.

0:09 Speaker 2: The man, I do what I want because I can.

0:15 Speaker 3: All right back to the radio show.

0:17 Speaker 4: Now all the best.

0:20 Speaker 5: Cherry stranded and distressing, nice supplor sart down.

1:23 Speaker 6: There's a rich.

1:28 Speaker 2: Such smarts b the uncle.

1:35 Speaker 7: Rich.

1:38 Speaker 2: I must thus best several way I can see your shot serious two f.

2:19 Speaker 8: G together with no.

2:21 Speaker 6: Break, just one chance to free.

2:47 Speaker 7: Now went on Si.

3:02 Speaker 6: Si small.

3:05 Speaker 7: Suicide shines pstroms sort by Shan. I love it.

6:29 Speaker 9: That is absolutely epic. That is the quality of mercury. The track is called Radiate and we are going to talk to the man behind that project in just a moment. But welcome everybody. We have entered our number two numarrow dose of Matt Connorton Unleashed and we are live from the studios of wm NH ninety five point three FM and Glorious Manchester, New Hampshire. Of course, you can stream the show from anywhere. Go to Matt connorton dot com slash live for all of your live streaming options, social media links, contact and foshow archives, etc. Et cetera.

6:59 Speaker 9: Today is Saturday, November twenty nine, twenty twenty five, and let's bring in showing us via Microsoft Teams Jeremiah Rouse from the Quality of Mercury. Jeremiah, are you there.

7:12 Speaker 3: Good morning, Matt. Thanks for having me on.

7:14 Speaker 9: Absolutely, it's wonderful to have you. I really really love I love everything you're doing here with the Quality of Mercury. I love the sound. It's just epic. It's so it's so big, and the way that track, the way radiate, the way it ends is so cool. You got that that really long sustain on that guitar that just seems to go on and on and you feel like eventually it's just going to kind of fade out, but then there's that little thing at the end that it kind of seeks up on you. It's just so cool. I really but I listened to the full album and I love the whole thing.

7:41 Speaker 9: It's really really good. So congratulations on that.

7:44 Speaker 3: Well, thank you very much, and thanks for the kind words.

7:46 Speaker 10: You know, it's a it's a love of the art and it's something that I've been trying to really push for it in getting this sound, you know, for a long time now, and I'm really happy with the way the album turned out.

7:58 Speaker 9: Yeah, yeah, absolutely. So the album is called The Voyager. So what can you tell us about this? Obviously, I mean I feel like there's I feel like there's a theme, like there's a story here. But tell us about the album The Voyager. Well, you know, the.

8:13 Speaker 10: Album itself, it kind of explores the idea of longing and needing connection basically always you know, wanting something more or the search for something more grand or fulfilling in life, whether that's like a spiritual connection or human connection. But basically overall theme of the album kind of conveys that idea.

8:40 Speaker 9: Yeah, I was reading too that you kind of tell me if I have this right? When you the way you approach these songs, is it kind of like each one is a movie theme or or I'm sorry, not a theme, but a scene in a film.

8:52 Speaker 8: Is that?

8:53 Speaker 3: Yeah?

8:53 Speaker 10: You know what, I'm a very visual artist when it comes to the music, So like when I put things together, when I write songs, I kind of write a story that I could see, you know, being filmed cinematically and a.

9:06 Speaker 3: Little short stories basically.

9:08 Speaker 10: You know, I come from a film production background and I watch a lot of sci fi stuff and that's kind of like my impetus to put these things together.

9:16 Speaker 3: So you know, I would you know, if I had money.

9:19 Speaker 10: In time, I would love to put like little short films together for all the songs. But that's kind of how I approach the music and the writing.

9:25 Speaker 9: Okay, No, that makes sense given your background. So are you currently working in film?

9:32 Speaker 10: I yes, not, well, not film. I manage an audio video production company.

9:38 Speaker 9: Oh excellent.

9:40 Speaker 3: It's for a good portion of my career.

9:44 Speaker 10: I did film production, mainly a lot of corporate stuff that worked on you know, music videos and commercials and some independent short films and stuff like that. But my bread and butter is in the corporate realm and that's kind of what I do now as I manage large events and provide the av support for large events.

10:04 Speaker 9: Oh excellent. That must be an exciting field to work in, too, because as technology continues to evolve, I mean, you probably never stop learning, right, You're probably constantly evolving in what you do, and it's got to be I mean, it's got to be just an amazing time to have a career in your field.

10:22 Speaker 3: I would think, Well, I enjoyed a lot.

10:25 Speaker 10: The one aspect that I really enjoys being able to travel a lot, so, I mean, my job takes me to a lot of places. But you know, being immersed in the new and upcoming technology is also really cool. You know. It's it's hard to keep your finger on the pulse of everything because technology is just increasing so rapidly and there's always a new gadget out and by the time you master one thing, it's obsolete.

10:49 Speaker 9: No doubt, no doubt. You're obviously very busy and you've got a lot on your play it. So I'm curious because I know that there was a was it a nine year gap between the first album that you did Transmission? Is that correct?

11:01 Speaker 11: Yeah?

11:02 Speaker 10: Yeah, I mean with my career and the way I travel and family, you know, the music unfortunately is more of a hobby and you know, it takes the back seat to life at this point. So I try to create when I can and record when I can. I'm hoping, you know, keep up the pace a little bit better than I have for the past nine years now with my kids being older and whatnot. And yeah, but it's it's uh, you know, it's it's a great creative outlet for me. I have to do it, but sometimes making the time to do it is just very challenging.

11:34 Speaker 9: I would imagine that can be challenging because you know, you're probably day to day, You've probably got all these ideas in your head right for songs, and you just want to you know, you want to be able to find the time actually record them. Yeah, I would imagine that's uh, I would imagine that's hard in a way. But I mean a good problem to have, and that you've probably got tons of ideas. You strike me as someone who is constantly thinking about this stuff, but but then to find the time to actually record them and really and to really do it right, you know, the the sound that you achieved.

12:04 Speaker 9: I'm also very curious, and I'm a little bit of a recording nerd and audio engineering nerd, so I'm just curious about your process because you really achieve that sort of I think, I use the word epic coming out of that song. I mean, it's just you've got such a big, full sound. How what is your process like in terms of recording?

12:29 Speaker 3: Well, you know, thanks, you know, thanks again for the kind words. I appreciate that.

12:32 Speaker 10: It's you know, I guess I really base what I want to do on the sonic like landscape. I do want to create these lush, you know, big sound and landscape, so that's kind of the priority when I when I record.

12:47 Speaker 3: But my process is, you know, I generally.

12:50 Speaker 10: Start you know, noodling around with some type of rhythm section on an acoustic guitar or an electric guitar and I and then you know, from that, I kind of get the hook or the chorus part of the song, and then I have to build it or out around that. It's probably ninety nine percent of time how I start writing a song. And since I play by myself, you know, a lot of times when I'm recording, I may have only ever played that guitar part once or that you know, that thing one time only. It's not like I'm a rehearsing band or something like that.

13:21 Speaker 10: So I kind of build it as I go, and then you know, just kind of crafted in the box with effects and whatnot. I have a general idea where I want to go with things, but there's a lot of nice surprises that happened along the way.

13:33 Speaker 9: Yeah, I would imagine. I mean, do you sometimes find that what you end up with at the end of it is significantly different than sort of your initial idea, Your initial concept.

13:44 Speaker 10: Yeah, I would say probably most of the time it ends up being quite a bit different than the initial concept, just because you know, the happy accidents happen and you're like, oh, that sounds different than I thought, but it's really good, so let me go with it.

13:58 Speaker 9: Yeah, that must be exciting when that happens. And is it correct? That is it all you like? Do you have any collaborators at all, any guest musicians or do you do everything yourself?

14:08 Speaker 10: So I do everything myself, and I basically program some basic drum beats with some software, and then when I'm all done with the you know, recording process, I'll have somebody actually play real drums and record drums for me.

14:23 Speaker 9: So, oh, okay, for this is.

14:27 Speaker 10: My second record, but for each record, that's that was my process. I wrote, recorded all the instrumentation around some program drum tracks, and then I have the drum tracks replaced by somebody who can actually play.

14:39 Speaker 9: Oh. Interesting, Yeah that makes sense because I was thinking as you were saying that, you know, when you mentioned programming the drums, I was sinking, Wow, these drums they sound amazing. But but so you have is it the same drummer on each track all the way through or.

14:53 Speaker 10: So, yeah, for this record, it was one drummer I actually connect with Mario quint Yeah, Mario Quintero from the band Spotlights.

15:02 Speaker 3: Oh okay, he also produces and mixes.

15:06 Speaker 10: So he recorded and you know, played the drums for all the songs, and he did the final mixing of the record, which I'm super happy with. I would not have gotten to you know where it is now without Mario's involvement.

15:20 Speaker 9: Yeah, no, it sounds incredible. So he wasn't involved in transmission. I assume he was not. It was not okay, okay, Now, how did you come to work with him? Is he someone that you just know through the industry.

15:31 Speaker 10: Or I've been a big fan of the band Spotlights for a long time and then you know I've been I'm the guy that reads all the record jackets and all the stuff and credits same.

15:41 Speaker 3: And I had seen that he had done drums for.

15:46 Speaker 10: A band called Machines Learning way back when, which I liked it, and so I know he was at one point he was promoting his audio mixing business or it's Audio MQ, and I just I connected through him, I think through his website. Asked him if he'd be interested in working on the project with me.

16:07 Speaker 9: Okay, okay, wow, No, that's fantastic. Yeah, Like I said, the whole thing, it just it sounds really really good. Before prior to Quality of Mercury, had you ever been in a band a full, like normal sort of working situation in a band.

16:24 Speaker 10: Yeah, I mean for a brief period, I was with some friends and we had you know, we called ourselves an emo band back in the late nineties early two thousands. Yeah, you know, we had played a handful of shows throughout a year, and we really enjoyed it. It's just tough being in a band. I would love to be in a band, but you know, different personalities to work with. Everybody's got a different work ethic, and I.

16:53 Speaker 3: Enjoyed it a lot. I found to be a bit frustrating at times.

16:58 Speaker 9: Yeah. Somebody, I wish I could remember who it was, but somebody was on the show who was a solo singer songwriter who had transitioned from being in a band to just doing a solo thing. Who said something about something like, when you're in a band with three other people, it's like being in a relationship with three other people who are also in a relationship with three other people, and it's just it's so difficult. And I know from my own experience too, because you know, if you're in a band with several people, everybody's got you know, you've got varying levels of commitment and vision in terms of where you're going and and you know sometimes and it's not anybody's fault, it's just you know kind of how it goes.

17:38 Speaker 9: But it can be it can be very difficult, you know, and especially too you're someone with with your commitments and your schedule. I'm sure it's it's just easier, you know, to be able to do this on your own and to and to be in control of everything and not have to check with anybody about you know, Hey, are you available to play this show on this state at this event? You Oh, no, you're you can't do that day? Okay, I guess we're not playing that show.

18:04 Speaker 12: You know.

18:05 Speaker 9: That's the kinds of things I would go through when I've played in bands, and it's it can be really hard. But that brings me to the question, So is there any sort of live performance of any of the work that you've done as the quality of Mercury that you've been able to do. I don't know how that would work exactly without a band. But have you ever found a way to do any of this live?

18:28 Speaker 10: You know, I keep exploring that I haven't done it yet. It's not that I don't want to. I think it's, you know, a big challenge to figure out.

18:37 Speaker 3: How to do it.

18:38 Speaker 10: There's definitely I got ideas. I have people that you know would play with me as well. It's it's more about finding the time to make it happen.

18:45 Speaker 3: At this point.

18:47 Speaker 10: That's my biggest chal the challenge with my music. It's just finding time to make all this stuff happen. But I would love to do it, and I hope, you know, hopefully I get a chance to do something live at some point.

18:58 Speaker 9: Yeah, yeah, that would be a well yeah, you know, with with evolving technology, there are there are ways to do it, but like you said, you know, time is uh, you know, time can be uh a barrier to that. I wanted to ask you too about the artwork. Now, you created this yourself? Correct the cover for the Voyager.

19:14 Speaker 3: I did, Yeah, I didn't, you know.

19:16 Speaker 10: Using the the AI tools that are available out there now, I can get some really you know, astonishing results. But you know, I think it kind of really I was able to achieve my vision of the artwork with with the AI tools.

19:31 Speaker 9: Yeah, yeah, no, I like it. It looks like, uh, it's almost hard to describe. It looks like a spaceship landing in some sort of u body of water or river or something or.

19:44 Speaker 3: Ala alien planet like yeah.

19:48 Speaker 9: Yeah, but I like it. I like that and I really like the colors too. Yeah, it's it's very very cool. How do you feel about I mean, do you have any thoughts about it? A little bit of a side street, but it is a subject. It comes up a lot on the show, and you're working in areas where you know, the technology is, as we discussed earlier, is evolving so rapidly. I mean, how do you feel about the use of AI in all things creative?

20:14 Speaker 3: You know, if you treat it as a tool to you know, enhance your art, I'm all for it. Yeah, I'm really torn, you know.

20:24 Speaker 10: I just started messing around with Suno the audio recording stuff, and I am blown away with the results that give me. But like, at the same time, I don't feel right using it, Like right, it's kind of cool for inspiration and it's just jaw dropping on what it's doing, but at the same time, it's taking it's taking away that artistry. So ah, man, I'm torn. You know, I'm a bit old school, you know.

20:52 Speaker 3: I like analog. I stay analog, so to speak.

20:56 Speaker 10: And I think, you know, after messing with this AI music generator, like, I had a lot of fun and it's it's been, you know, quite an experience mess with music with this souno. But I am going to continue to write my songs record them in the traditional way.

21:14 Speaker 9: Yeah, no, I think I think that's good. Yeah, it is. Uh, Suno is incredible. I always tell people, though, to enjoy these tools while we have them, because the sharks are circling in terms of class action lawsuits all that kind of thing. But not that I think these uh, not that I think these tools are going away. I think it's too late to shove the the genie back in the bottle. But but still, yeah, it's it's.

21:38 Speaker 3: It's crazy times right now.

21:40 Speaker 10: It's I don't know what the future holds, but it's gonna keep evolving and getting better.

21:44 Speaker 3: But does that mean everything's going to be looking and sounding the same?

21:47 Speaker 9: I don't know, right right, Yeah, exactly, Yeah, we'll see you know that the technology, it does move, It does move very quickly. By the way, did I see something about do you have a family member who's also on the album with doing backing vocals?

22:03 Speaker 3: Yeah, my daughter, Violet, she did backing vocals and some of the tracks.

22:06 Speaker 9: Oh that's so cool. That must be that must be a kick.

22:10 Speaker 10: Yes, she kind of You know, I wanted to do backing vocals for almost all the tracks, and she she did like half of them, and then she refused to do the rest. Oh really, yeah, you know at nine years. You know, a young girl changes a lot in nine years. So when she was younger, she was more interested in help me out, and as I got closer to the end of the recording process, she didn't have anything to do with it.

22:35 Speaker 4: Oh, no kidding.

22:36 Speaker 9: Oh that's funny. No, that must be so cool though, having your daughter on the tracks, is she I mean, does she have interest in being a professional musician or or what? Do you what do you think?

22:47 Speaker 8: I don't know.

22:48 Speaker 3: You know, earlier on I thought she she was playing piano.

22:51 Speaker 9: She loves to singing.

22:52 Speaker 10: She still sings constantly, so I think I think she'll have the bug. You know, she's still kind of young. But I think she gets a little bit more into the high school years. I think she's gonna kind of reconsider what she does with music and take it a little bit more seriously.

23:08 Speaker 9: Right right, Yeah, No, that's great, that's that's fantastic. And then so what can you tell us too? I wanted to ask you about these songs because I know Radiate. We opened with Radiate because that's kind of the focus track as we say, what's what can you tell us about that song? And why is that song so significant to you?

23:31 Speaker 10: Well, I mean, I guess for most of these songs, you know, they're all kind of set in a space theme, right, the sci fi space theme, But they're all most of my songs are metaphors for something. Either it's some kind of love lost or longing for something bigger or new. And that's kind of, like I said, the overall theme of this But this particular song, you know, it's it's about this guy who's stuck in this disabled spaceship that's you know, about to explode and he needs to he needs to get out of there, and oft in a distance is a smaller space station that he's gonna try to like kind of use the airlock to eject himself out towards that.

24:16 Speaker 3: Space station for survival.

24:20 Speaker 10: But you know, the tether that he would normally wear doesn't, you know, go that far out, so it would be too short. So he's going to be out in space free and he's hoping to meet someone on the other side halfway basically, So that's kind of just that story there literally, but metaphorically it's about, you know, having all of your options, you know, taken away except for one, and you've got to take the leap of faith to move forward and survive.

24:53 Speaker 9: It's relatable. I think everyone's yeah, been in that position or will at some point certainly, So yeah, yeah, I think that's I think that's that's interesting. And then what about in a moment, So at the end of our segment, we're gonna play uh g made or a Ganymede? How am I saying that? Right?

25:10 Speaker 3: Ganymede it's yeah, named after one of the moons.

25:15 Speaker 9: Oh okay, yeah, Well, and and what can you tell us about that track?

25:22 Speaker 10: Well, that track that's essentially a love story and it's

25:29 Speaker 10: it's basically about this guy who or yeah, it meets a partner on a like a space station and basically falls in love with her, follows her around, and then he she she's kind of reckless and loose and wants to get off planet Jupiter and go to the moon, uh Ganymede, which is this ice planet, and and he follows her, but uh, you know, he hates going there and things don't work out, they don't see eye to eye, and then she ends up leaving him.

26:07 Speaker 3: That's kind of what the story is about, Okay.

26:09 Speaker 10: And the significance of this track, you know, I think this was this was my initial single. I think this track really captures, you know, what the album's about, and like what the landscape is of the album and the journey is of the album.

26:27 Speaker 3: So this is why it was the lead track.

26:29 Speaker 10: It kind of has all that in there, you know, the space, the metaphorical story, plus the sonical landscape, so it kind of laid out what the albums are all about.

26:39 Speaker 9: Okay, Okay, that makes sense. Yeah, yeah, it's another great track. We're gonna play that in just a couple of minutes. But now, what is uh, what's kind of your future trajectory with this track? I mean, I mean not with this track, but with with your music, with the quality of Mercury because obviously, I'm sure you don't want to wait another nine years until the next one. But I mean, do you have do you have plans for the next album or are you obviously in the moment you're focused on this one, But I mean, are you already thinking about songs for the next the next record, or where are you with that?

27:11 Speaker 10: Yeah, I'm not sure if I'm going to do another record right away. You know, I just started recording a new song. I want to release a single, Oh in the next few months.

27:19 Speaker 9: So good.

27:19 Speaker 10: I'm going to do a single and then I have an idea for an EP that I want to do some things that I've already recorded but want to recreate, you know, older things that I've I liked in my shelved a long time ago that I want to kind of.

27:35 Speaker 3: Give new life to and do an EP.

27:37 Speaker 8: Oh.

27:38 Speaker 9: Very nice. Yeah, there's so many different ways to release music now and so many different strategies you can use. And I think the album format is great for what you're doing because obviously all these songs, you know, there's there's a theme, there's a story here with everything. But but releasing singles is great too, And you know, as soon as the next single is ready, we'd love to play it here and have you back on the show to talk about it, because you know, we really like what you're doing a lot.

28:00 Speaker 9: But no, that's great. I'm glad you're I'm glad you're already working on something new. So that's fantastic. That's good to hear, Jeremiah, where should people go online to?

28:09 Speaker 13: Uh?

28:09 Speaker 9: Where's the best place to go to keep up with everything that you're doing? Uh, be it with the quality of Mercury or anything else you want people to be aware of and know about.

28:19 Speaker 10: Yeah, I'm most active on Facebook. I'm not real great at social media, but I'm most active on Facebook. If you want to listen to my music, I always try to get people to go to band camp first, but music's available on all the streaming platforms.

28:34 Speaker 9: So yeah, yeah, band camp is a great resource. And uh, yeah, the album is the album is there and it sounds great. A lot of people don't know too. Something people don't realize about band camp is you actually get a higher quality You'll get a higher quality file if you get it from band camp. Then if you're just say streaming it on YouTube or something like that, and I've noticed that people don't seem to realize that, but that's one of the reasons that band camp is so great, so I like to direct people there.

28:59 Speaker 3: Absolute yeah, and then you know, I have vinyl for sale. Oh you do my first Yeah, my first album.

29:05 Speaker 10: And then there's pre orders for this record, so I will be releasing the vinyl.

29:09 Speaker 3: Oh hopefully. I'm waiting.

29:12 Speaker 10: You know, the pressing companies are all backed up all the time, but I'm hoping to have those in hand by the end of December, early January.

29:19 Speaker 9: Oh that is so cool, very cool. Yeah, that's awesome. I love to hear that is Are you also doing physical CDs? Physical discs of no no CDs?

29:27 Speaker 3: So it's just digital and then the vinyl.

29:29 Speaker 9: Yeah, I think that's really cool, very very cool, excellent. Well listen, Jeremiah, thank you so much. We're gonna play this track get a meat in just a moment. We'll let you go, but like I said, when you've got the next single ready, please come back. We'd love to have you back on to play it and talk about it. And like I said, we're fast fans here. I love your sound, I love everything you're doing, so we definitely want to stay in touch.

29:52 Speaker 3: Well, I appreciate you, Matt, thanks for having me on. It was a great time.

29:54 Speaker 9: Absolutely, we'll talk to you soon, my friend. Take care, take care, all right. That was Jeremiah Rouse and the project is The Quality of Mercury. And we're gonna play this track. So this was the first single from the album The Voyager, and this is called Ganymede. Let me try that again. My brain is cold here, my brain is still frozen. Here we go here it is.

30:24 Speaker 14: Chicken, You're young, stars.

31:26 Speaker 15: Sip you explore how the fathers, but you groups about the stars, nice the crystals as a joyous stron Street STOs talk about.

33:57 Speaker 7: Les c Do you have dad?

34:25 Speaker 6: After all?

34:26 Speaker 9: Was charged to fight.

34:28 Speaker 6: I was going and a.

35:04 Speaker 2: S s, schools, school, shops, school and stop stop stop.

36:25 Speaker 9: I love that. That is Ganymede from the Quality of Mercury. Thank you again to Jeremiah Rous for joining us. And hey, little bonus for you. I'm gonna play one more. We have time. I'm gonna play one more from the Quality of Mercury. This is another great single from or a great track from the album. I don't think this has been no, this hasn't been a single yet, I don't think. But it's from the album The Voyager. This is called Heaven's Gate. We're gonna play this one too. One more track from the Quality of Mercury.

36:49 Speaker 9: This is so good. Check this out, xpen.

38:12 Speaker 16: True tell me.

38:17 Speaker 7: Miss t.

38:21 Speaker 2: Speaks sty searching my salvation.

38:47 Speaker 15: Class times as desperate.

39:04 Speaker 7: Just away.

39:19 Speaker 16: SnO three.

39:26 Speaker 2: Way away.

39:31 Speaker 6: If you fu.

39:44 Speaker 2: Si the guy spe.

39:48 Speaker 6: Still trap nice.

39:52 Speaker 16: She spell.

39:55 Speaker 6: Nice time.

40:01 Speaker 7: A way.

40:09 Speaker 16: Stop side.

41:16 Speaker 6: Us that was making desperates us.

41:56 Speaker 10: Well.

41:57 Speaker 9: I don't know if you're honoring w honor.

42:00 Speaker 7: As we landed here with the struggle in the heartland, in our.

42:05 Speaker 17: Disconnected fear, we got politicians scream insanity, lying cold watch truth right through that seat.

42:12 Speaker 3: I thought we were all in this.

42:14 Speaker 9: Together, huddled around this liberty.

42:17 Speaker 6: Is this my marriedel?

42:20 Speaker 9: Is this my Maryel?

42:22 Speaker 6: Shouldn't we stand two together? The rest war?

42:27 Speaker 2: This is my Mary Cole, This is my Mary.

42:33 Speaker 9: If it is, then we ain't even close to done.

42:37 Speaker 18: We gotta take it to the city's We gotta take it to the streets because these profits of division.

42:44 Speaker 9: Are tearing down all our hopes and dreams.

42:47 Speaker 6: I don't care if you're a Democrat.

42:50 Speaker 9: I don't care if you love the states right. I don't care if you're independence.

42:55 Speaker 6: I don't care if you're black old.

42:57 Speaker 2: Why this is my Mary, This is my very come home of the brain of breathe.

43:08 Speaker 6: This is my very cole, this is my very.

43:14 Speaker 9: Huddle around, Miss Liberty. We have not forgotten who we are.

43:22 Speaker 3: We are bound together near and.

43:24 Speaker 10: For you and me, You and me, you and me, you and me, you and me.

43:30 Speaker 9: Will we ride a ica as our own?

43:38 Speaker 16: So what is the truth? What is the truth?

43:43 Speaker 6: What is a meica?

43:46 Speaker 16: Through and through?

43:48 Speaker 3: Will you just open your eyes?

43:51 Speaker 6: Will you just letter in? Because I hear the blowing of the wind.

44:00 Speaker 19: Maybe it was just a pink house.

44:02 Speaker 3: Maybe it was just a pink coat.

44:05 Speaker 1: Maybe we should.

44:06 Speaker 6: Try to go.

44:07 Speaker 9: Maybe we should take it so, maybe we should just have some fun. Maybe we were both born to run. Maybe we should just take a chance. What else, maybe we should just get up and dance.

44:22 Speaker 2: Is this my Mary?

44:24 Speaker 14: Come?

44:24 Speaker 2: This is myna Mery, Come, whome of the brave and of the free.

44:32 Speaker 6: It's the Soromery Come. It's this arm Mary.

44:36 Speaker 2: Come around as Liberty.

44:41 Speaker 16: Who so Mary?

44:44 Speaker 2: Because some men fara Mary, because some men let weare.

44:49 Speaker 15: Every voice every year, mister smerycause some men.

44:55 Speaker 6: All Mary come then go praying to you.

45:00 Speaker 8: Guy.

45:00 Speaker 6: Hit us clean.

45:06 Speaker 2: So every eye, every month, every years, rain two.

45:20 Speaker 3: The Lord to guide us clean.

45:23 Speaker 4: This is the police department. You are violating state and post curfew.

45:29 Speaker 17: You must continue to disperse peacefully or you will be subject to arrest and all other actions.

45:41 Speaker 9: I'm here protesting for Mike Brown. He was wrongfully killed.

45:46 Speaker 17: There's a lot of unity going on that they're not broadcasting.

45:50 Speaker 9: It's not a race state.

45:53 Speaker 17: I never thought I'd get political, but life in my city right now is just so critical.

45:57 Speaker 6: Man.

45:57 Speaker 20: It's a war zone in my backyard.

46:00 Speaker 17: Why I get in justice gotta be this hard hoigh the lesson that they care about.

46:04 Speaker 4: Tell you that that's why the police always.

46:06 Speaker 7: Use their cloud.

46:07 Speaker 8: They do that.

46:07 Speaker 17: My grandma said, don't fear with another man. I never will, but they will shoot with nothing in my.

46:12 Speaker 10: Hand about see the media, you show the bad part and.

46:15 Speaker 4: They blocking out the good.

46:16 Speaker 6: That's the sad part.

46:17 Speaker 7: Man.

46:17 Speaker 10: I can tell you this. We're fed up.

46:19 Speaker 4: But if no one never told you, keep your head up. Hope you understand.

46:24 Speaker 9: Take me to your leader.

46:26 Speaker 4: I hope you understand.

46:29 Speaker 7: Take me to your leader.

46:32 Speaker 4: I hope you understand.

46:34 Speaker 6: Take me to your leader. Yeah, you finally should Yeah, take me.

46:40 Speaker 9: To your lead up at once once once, brothers and sisters, brothers and sisters, brothers and sisters.

46:52 Speaker 4: I guess you finally heard.

46:54 Speaker 10: Yeah.

46:54 Speaker 9: Yeah, I'm just a youth in the society.

46:56 Speaker 17: But since my skin dunk and thugs by novoriety and treated the fable turn into the propriety, we act moretifiably.

47:03 Speaker 9: Man, tell me that ain't notty.

47:05 Speaker 17: So many accusations because of from alien nations, the complications we're facing, the verdicts a maid by racist. I'm just a proud to go my nation and because of my pigmentation, and I'm bound to live life with adaptation to allegations because what you see is on the surface.

47:17 Speaker 20: Try to make me feel as if my skin was just a verdict.

47:19 Speaker 4: I'm the judge and the children.

47:21 Speaker 9: Yeah, I got a verdict, just as it's just a sending. In the end, I'm still a person. I hope you want to stand. Yeah, take me to your leader.

47:27 Speaker 6: Yeah, oh this stand. Take me to your leader.

47:33 Speaker 4: Yeah, I hope you understand.

47:36 Speaker 9: Yeah yeah, take me to your leader. Yeah you find me shure, Yeah yeah, yeah, take me to your leader.

47:43 Speaker 3: I have once one brothers and sisters, brothers, brothers, the world.

47:54 Speaker 17: I guess you finally heard kids were on our front line, shot them in the head.

47:58 Speaker 13: That the media I ain't been showing all the stuff that goes down here.

48:01 Speaker 9: I want to see love in America. I want to see togetherness in America.

48:05 Speaker 4: We're not gonna stand for it.

48:07 Speaker 3: They can kill us all, kill them dead, cold blood in the head.

48:11 Speaker 9: I need answers tonight.

48:12 Speaker 11: It's about some justice.

48:14 Speaker 9: My whole thing is that if it was me and you.

48:17 Speaker 17: And they had two eye witnesses, sweet because both of those eye witnesses described the same thing, thing thing, thing thing thing.

48:25 Speaker 10: They said, he.

48:26 Speaker 6: Goutting that man down and shot him.

48:28 Speaker 9: Guy, I don't see white boys, you know, laying on the curb, you know, police messing.

48:34 Speaker 6: With them, willing them over for no reason.

48:36 Speaker 8: No reason.

48:37 Speaker 17: If they don't, it's not getting broadcasts.

48:41 Speaker 9: But I see that with black.

48:42 Speaker 3: Folks every day, and I see them get shot.

48:45 Speaker 6: Down every day. I'm not saying it's not happening to white people, white.

48:49 Speaker 4: People, but if it is, we don't see it.

48:54 Speaker 20: I don't see it.

48:58 Speaker 7: Revolution, it be revolution.

49:02 Speaker 6: It begins tonight.

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49:51 Speaker 4: The two greatest rock and roll bands of all time face off as the Chubb Theater hosts tributes to the Beatles and the Rolling Stone. Beatles Versus Stones, a musical Showdown comes to Chubb Theater at the Capitol Center for the Arts on Thursday, December eleventh at seven thirty pm. Tickets can be purchased at the theater box office or online at CCANH dot com. The Capital Center for the Arts is located at forty four South Main Street, Conquered, New Hampshire. The show was appropriate for all ages.

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52:11 Speaker 1: I'll you mnh Hey everyone, there's Rob Azevido, host of Grantite State of Mind, and I want to tell you about Pembrooke City Limits and the Historic Suncook Village. PCL is an award winning bar, restaurant and music venue where there's live music five days a week and twice on Saturdays, everything from blues, country, folk, funk, and a whole lot of jazz. We have twelve craft beers on tap dedicated to local brewers in the area and some of the friendliest bartenders around. Please come visit Pembrook City Limits at one thirty four Main Street, the Historic Suncook Village, only six miles outside of Manchester.

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54:08 Speaker 17: Late Night to Light with DJ Mitas right here on WMNH Manchester.

54:14 Speaker 4: Because Saturdays and Sunday nights midnight to four am.

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55:22 Speaker 13: Enrich your auditory journey with the depth of our license to wesidens when you spent your missives did w m n H ninety five three at gmail dot com or traverse the virtual corridors of w mnhradio dot org. Engage with our sonic vibrations by communing with us through the digital channels or radio beckons eager to enthrall you with its mesmerizing cadence and envelop you with a symphony of foundless auditories.

55:46 Speaker 3: Won dude, wmnh rip the.

55:53 Speaker 13: Novels you're listening to Mattconnorton on why five point.

56:03 Speaker 9: Three right now the world radio premiere of the new single from the Marches Don't fool me.

56:10 Speaker 23: Twice shot.

56:28 Speaker 6: He stand out in the dark. You know you sadly and I will have.

56:35 Speaker 11: Our spark issue sadly and all that is long start, but it keeps taving me.

56:44 Speaker 6: No, I'll not go into this.

56:47 Speaker 2: You no say the things that showed to show.

56:55 Speaker 9: I try to shut that shy every time.

56:58 Speaker 2: I so passing by pasting.

57:02 Speaker 6: But we were going and thats something launch.

57:06 Speaker 16: It's not ecadest, not sad.

57:08 Speaker 6: It's not too much time to do anything. And I think it through poll means talk from me, but.

57:17 Speaker 2: Don't fool me.

57:18 Speaker 11: It's a present so theround. I know it's so well you do the isolation in the crowd of blame it all luck on you and all I'm saying it because now you're feeling me was tough.

57:42 Speaker 6: Now we both going to do this smile.

57:50 Speaker 7: No, say the.

57:51 Speaker 6: Things that showed me to try.

57:54 Speaker 2: Shats like every time, I'll do it, passing best, but.

58:01 Speaker 6: We will know it s not suns not stopping away. I think it true to me. What's not going? Don't

58:19 Speaker 6: say don't get me sitting control.

58:45 Speaker 8: No, don't miss because.

58:47 Speaker 24: You don't want to know if you're ready. You isn't really because no stopping Say you guys said, don't be testing because you don't.

59:13 Speaker 6: Get mad.

59:15 Speaker 2: All made