Field Dispatch
Matt Connarton Unleashed 12-13-25 hour 3
Game Plan
Speaker 1: Let go of the way you're supposed to behave the
Speaker 1: things you should walk, the things you should say.
Speaker 2: You shocked us both.
Speaker 3: You open the door, we both walk through, and now
Speaker 3: you're running through my body like the current, like the
Speaker 3: rising time, the fom.
Speaker 4: The something about you.
Speaker 5: Transcence time transcends time.
Speaker 6: Leaps over decades between your.
Speaker 2: Mind. There's a break. We can't tonight.
Speaker 7: We can tonight to try to stop it.
Speaker 2: Would be a food.
Speaker 6: F sumaraniski, the need for retreat.
Speaker 2: Now look in your an.
Speaker 8: Said seat. Chose it out of moday. Nothing good of
Speaker 8: a game? Tu say it inside. You shocked us both
Speaker 8: over the door.
Speaker 3: We both walk and you're running through my body like
Speaker 3: a current rising time.
Speaker 2: Bob, do something.
Speaker 5: About transcence time, transcend time, leave silver.
Speaker 2: Decades between your.
Speaker 4: Smile. There's something can stop stock.
Speaker 9: It's a great track. I love that. That is Fool's
Speaker 9: Fight by Jesse Kilgis, and we're gonna be talking to
Speaker 9: Jesse in just a moment. Welcome everybody. We have entered
Speaker 9: our number three of Matt Connorton Unleashed and we are
Speaker 9: live from the studios of w m n H ninety
Speaker 9: five point three FM and Glorious Manchester, New Hampshire. Today
Speaker 9: is Saturday, December thirteenth, twenty twenty five. Genius here at
Speaker 9: the news table and let's see joining us, joining us
Speaker 9: via WhatsApp. Jesse Kilga is here. Jesse. Can you hear us?
Speaker 10: Yes, I Ken, can you hear me?
Speaker 9: Absolutely? Yes, you sound great. Welcome to the show.
Speaker 10: Thank you, Thank you so much.
Speaker 9: Yeah, I love that song. It's one of those things
Speaker 9: he just kind of sway to you know when you
Speaker 9: hear it, that's really really good. Well, thank you also,
Speaker 9: so we we love your sound. Also excited to talk
Speaker 9: to you because we were playing actually I played at
Speaker 9: the end of the Last Hour Win by Charlie neland
Speaker 9: because I was very as I was reading about you,
Speaker 9: I was quite pleased to see that that you've worked
Speaker 9: with Charlie because he was actually on the show with
Speaker 9: us recently and we had a fascinating conversation. He's an
Speaker 9: amazing guy. Oh great, But he's he's your producer. Is
Speaker 9: that correct?
Speaker 10: Well, he produced this record.
Speaker 2: Yeah.
Speaker 11: I've worked with multiple different people on all the different
Speaker 11: records I've made, but Charlie and I have been working
Speaker 11: on and off for almost twenty years.
Speaker 9: Oh no, kidding. Wow, yeah, Oh that's amazing.
Speaker 10: Yeah, he produced this one.
Speaker 9: What is it about? What is it about working with
Speaker 9: Charlie out? Because the record is great? They have a
Speaker 9: Howard Johnson's there. I love it. What is it about?
Speaker 9: What is it about working with Charlie that that brings
Speaker 9: out out this great music in you?
Speaker 11: Well, Charlie's just multi talented, plays a bunch of different
Speaker 11: instruments and is a great engineer and producer.
Speaker 8: Yeah.
Speaker 11: But yeah, but IM a wonderful person too, So he's
Speaker 11: just very easy to work with.
Speaker 9: Yeah, yeah, no, that makes sense. That makes sense. And
Speaker 9: tell us about the title, by the way of the album.
Speaker 9: I love the title. There's a Howard that they have
Speaker 9: a Howard Johnson's there.
Speaker 11: So that's a line from my song Howard Johnson's and
Speaker 11: I wrote that song. I took a poetry writing workshop
Speaker 11: with the performance artist Karen Finley and the theme of
Speaker 11: the workshop was Dog Day Afternoon and Oh we had
Speaker 11: to watch the movie and then we had his poetry
Speaker 11: workshop inspired by that and this. I took this workshop
Speaker 11: about a month after my father died and his name
Speaker 11: was Howard. And there's a line in the movie where
Speaker 11: al Pacine says something like I'm going to Algeria.
Speaker 10: They have a Howard Johnson's or something.
Speaker 11: I just really stood out to me because my dad's
Speaker 11: name was Howard and it was just so ridiculous to
Speaker 11: the line. Yeah, yeah, I wrote a song kind of
Speaker 11: based around that.
Speaker 9: Oh that's cool. That's funny too. That's such a great film.
Speaker 9: But I haven't watched it in so long, and I
Speaker 9: didn't I didn't even remember that line until you said it.
Speaker 2: It holds up.
Speaker 10: It's such a good movie.
Speaker 9: Yeah, yeah, it does, it does absolutely absolutely. And what
Speaker 9: can you tell us about Fool's Fight? That's a that's
Speaker 9: a great track. I really like that as I thank you. Yeah, yeah, yeah, that's.
Speaker 12: You know.
Speaker 11: That was kind of inspired a little bit by some
Speaker 11: books I was reading by Ellena Ferrante, but it's also
Speaker 11: inspired by my own life and experiences. But I have
Speaker 11: a songwriting club with my friend Rembert Block, who sings
Speaker 11: back up on that song. Okay's She's a great singer, songwriter,
Speaker 11: multi instrumentalist. She and I have a club of two
Speaker 11: people we meet every month and have to share a
Speaker 11: new song.
Speaker 9: Okay.
Speaker 11: So that song came out of that process, which is
Speaker 11: really useful to have you know, a deadline every month.
Speaker 9: Yeah, I'm curious about that because that's such an interesting
Speaker 9: concept to me, because is it like, because obviously everybody
Speaker 9: writes differently. Some people like to some people need to
Speaker 9: feel a little bit of pressure, you know, to really
Speaker 9: get the known writing. Some some people can't stop writing,
Speaker 9: and they actually write more music than they could ever
Speaker 9: or books or whatever it is, than they could ever
Speaker 9: actually use. Like, do you find that useful to have
Speaker 9: that little bit of pressure, like to have that deadline?
Speaker 4: I do.
Speaker 10: E've been REMEMBERT and I have had this club for
Speaker 10: over two years now. It's really useful.
Speaker 11: Just sometimes I feel more productive with writing and like
Speaker 11: I have more ideas. But sometimes it's just useful to
Speaker 11: flex the muscle, even if I don't like the song.
Speaker 10: Yeah, it comes out of it.
Speaker 9: Yeah yeah, yeah, it kind of forces well obviously, and
Speaker 9: you know it's a successful partnership. Clearly. Are any of
Speaker 9: the other songs on the album? Did they also come
Speaker 9: out of that?
Speaker 13: Yes?
Speaker 11: Saint Teresa in Ecstasy from that process?
Speaker 10: Hm, what else is on there?
Speaker 2: Yeah?
Speaker 10: I think all of them except for Howard Johnson's.
Speaker 9: Oh No kidding okay, yeah, excellent, excellent And what about
Speaker 9: your approach. You know, I was, I was reading something about,
Speaker 9: you know, nostalgia clever layered nostalgia online. I mean, is
Speaker 9: that is that something that that you might have uh
Speaker 9: said or I forget exactly where I saw that. As
Speaker 9: I was researching you, I thought you had said something
Speaker 9: about that somewhere.
Speaker 10: That doesn't ring a bell.
Speaker 9: Yeah, but.
Speaker 10: I think that you know, some of my songs are
Speaker 10: can be pretty nostalgic.
Speaker 9: Yeah, but yeah, Well it's funny though, because there's almost
Speaker 9: a timelessness to it in a way, like you listen
Speaker 9: to a song like Fool's Fight and and that could
Speaker 9: that could have been any time? Really, you know, that's
Speaker 9: obviously it's it's a current song, but it could have
Speaker 9: been you know, it could have been ten, twenty thirty
Speaker 9: years ago and it would fit in any era if
Speaker 9: if that makes sense, and which I think, which I
Speaker 9: think is cool when you have something that it could
Speaker 9: it could have come out anytime and it would have
Speaker 9: sounded relevant to that period.
Speaker 10: Oh cool, that's a that's a really nice compliment, thank you.
Speaker 9: Yeah, no, no, like I said, I mean, and the
Speaker 9: whole thing is it sounds like that to me. It
Speaker 9: kind of reminds me a little bit of you know,
Speaker 9: it's funny. I remember when I was a kid and
Speaker 9: the MTV at a show called one hundred and twenty
Speaker 9: Minutes on Sunday nights, and it was two hours of
Speaker 9: It was two hours of music that you wouldn't necessarily
Speaker 9: hear on mainstream radio at that time. And uh and
Speaker 9: a lot of the music, you know, the alternative music
Speaker 9: from that period. I remember it. It had that sort
Speaker 9: of sort of that timeless thing about it where it
Speaker 9: was like, Okay, this is this is something happening now
Speaker 9: that's not in the mainstream, but this could have this
Speaker 9: could have happened ten years ago and it would have
Speaker 9: sounded you know, or maybe it would happen in the
Speaker 9: future and it would sound good. So yeah, yeah, yeah, yeah.
Speaker 9: I'm also really curious to ask about your acting career.
Speaker 9: Uh yeah, sure, that's that's it interesting to me and
Speaker 9: and and I'm very interested too in how that informs
Speaker 9: your approach to music or or whether you kind of
Speaker 9: compartmentalize all that as some people do, or or or
Speaker 9: you know, or do the two kind of influence each other.
Speaker 11: Well, I don't act anymore. It used to be my
Speaker 11: prime primary art forum. I haven't acted in about twenty years.
Speaker 9: I all walked out on it, Okay, but I did.
Speaker 11: I did, you know, go to college and graduate school
Speaker 11: for it.
Speaker 10: And I did work professionally on.
Speaker 11: The stage in England, and I did one movie The
Speaker 11: Crucible with Daniel da Lewis, and one on a writer Wow,
Speaker 11: and yeah, and but I had this amazing experience working
Speaker 11: on it. I was part of a Tom Waits musical
Speaker 11: that the star was Mary Unfaithful and the other star
Speaker 11: was Mary Margaret O'Hara, who's another amazing songwriter, singer, songwriter,
Speaker 11: okay Canadian. If you don't know her, she's worth looking up.
Speaker 11: And the band of that show was incredible. The music
Speaker 11: was by Tom Waits and the the band with all
Speaker 11: these musicians who had worked with all of my favorite musicians,
Speaker 11: and Mary and Faithful was one of my favorite.
Speaker 10: Singers at the time.
Speaker 11: And it was an incredible experience and it made me
Speaker 11: think that I wanted to maybe not act anymore real
Speaker 11: kind of yeah, And that's when I started to think
Speaker 11: about focusing on music more because I have always.
Speaker 10: Been a singer.
Speaker 11: But yeah, and in terms of how my acting life
Speaker 11: background perform informs my writing, I think creativity is just
Speaker 11: seamless and you can direct it towards any art form.
Speaker 11: So it's the same energy I use for same energy
Speaker 11: I would have used for acting.
Speaker 10: Just I funnel into music and I perform live all
Speaker 10: the time.
Speaker 11: I still really love performing as a singer, so that
Speaker 11: kind of informs my per formance style.
Speaker 9: When back in acting, when you were really heavy with
Speaker 9: the acting career, when when that was your primary focus,
Speaker 9: was it always kind of in the back of your
Speaker 9: mind that that maybe you might sort of switch to
Speaker 9: a different modality with your creativity or or you know.
Speaker 11: Or yeah, I've always been interested in creative writing, and
Speaker 11: I've always been a singer, so it's and I never
Speaker 11: really liked musical theater. Yeah, I mean Tom Waite's musical
Speaker 11: is different than regular musical theater. But so it was
Speaker 11: always in the back of my mind what to do
Speaker 11: about music, how to incorporate it into my life.
Speaker 9: Yeah, oh okay, okay, very good, very good. So then
Speaker 9: it was so then it was working on that musical
Speaker 9: that made you think, okay, that's the that that kind
Speaker 9: of gave you a push more into that direction.
Speaker 14: Yeah.
Speaker 11: Yeah, and I and after that musical, I actually had
Speaker 11: to move back to the States from England. Okay, and
Speaker 11: because I would get a visa for every acting job
Speaker 11: I got there, but I couldn't get an overriding visa
Speaker 11: to just like get a job while I wasn't acting,
Speaker 11: and so so that was tricky, and I decided to
Speaker 11: move back to the States.
Speaker 10: And the acting world in the States is very different
Speaker 10: from in Europe, and.
Speaker 11: So I just kind of fell out of love with
Speaker 11: that and started experimenting with music.
Speaker 9: Okay, okay, Yeah, when when you say the acting world
Speaker 9: is very different in the United States, what do you mean?
Speaker 9: I mean, you don't have to you don't have to
Speaker 9: get too far into the weeds. But I'm just I'm
Speaker 9: just curious.
Speaker 11: I feel like it's more of a respected art form
Speaker 11: in the UK, especially, there's a real tradition of you know,
Speaker 11: going to drama school and studying the craft, which I loved,
Speaker 11: and here it's very commercial.
Speaker 9: Yeah, no, that makes sense, that makes sense.
Speaker 2: Yeah.
Speaker 9: What was it like working with Tom Waits. He seems
Speaker 9: like he's probably an intense guy, but I don't know.
Speaker 11: Well, he actually wasn't part of our production. He eyed
Speaker 11: from Afar because this was in London and it was
Speaker 11: a remount of The Black Writer, which I think was
Speaker 11: first done in the nineties. Oh. The director was Robert Wilson,
Speaker 11: who just passed away, and it was written by Tom
Speaker 11: Waits and William Burrows. Gotcha, Yeah, but Tom Waits wasn't
Speaker 11: part of the rehearsal process.
Speaker 9: Oh okay, interesting interesting.
Speaker 15: Yeah.
Speaker 9: So then so then when you came back to the
Speaker 9: United States, I mean, was that was it right away
Speaker 9: that you that you got out of acting or did
Speaker 9: you kind of work your way out slowly or it.
Speaker 10: Was gradual I would say within a year or so.
Speaker 11: Yeah, Wow, Yeah, I just I stopped liking it. Yeah,
Speaker 11: And I feel like it's such a tricky profession that
Speaker 11: if I figured, if I wasn't enjoying it, then it
Speaker 11: wasn't worth putting my energy into anymore.
Speaker 9: Right, absolutely, I mean everything always looks so glamorous from
Speaker 9: the outside, right, but when you're actually doing it, you know,
Speaker 9: people don't see what really goes into it. Yeah, and
Speaker 9: it's it's yeah, I can imagine, it's you know, it's
Speaker 9: enormously challenging when you so when you made that switch,
Speaker 9: you know, and then you're doing music, did you ever
Speaker 9: or maybe even today, like, do you ever think back
Speaker 9: and do you ever feel like getting back into acting
Speaker 9: or is that definitely completely behind you.
Speaker 10: It's definitely completely behind me. Yeah.
Speaker 11: I just burnt out on it, and the whole idea
Speaker 11: of that makes me feel uncomfortable.
Speaker 9: Yeah.
Speaker 11: Yeah, yeah, so no, I mean, if somebody offered me
Speaker 11: a million dollars to be in a movie, I would
Speaker 11: do it.
Speaker 9: Well, of course. Yeah. Yeah. Somebody offered you a role
Speaker 9: in a superhero franchise or something, you know, you'd have
Speaker 9: to say yes to that.
Speaker 11: Yeah, yeah, but but yeah, I've I put that to
Speaker 11: rest a while ago, and I haven't looked back.
Speaker 10: Yeah.
Speaker 9: Yeah, Well you're on a great path now. Like I said,
Speaker 9: I love I love what you're doing. Have do you
Speaker 9: do you write any song? Like have you written any
Speaker 9: specific songs about your experience in in acting?
Speaker 5: I have not?
Speaker 11: Okay, okay, yeah no I haven't, but you know what
Speaker 11: I am doing now. Also in addition to music, is
Speaker 11: I just trained to be a breathwork practitioner. I saw
Speaker 11: that you're a hypnotherapist.
Speaker 9: I am, yes, yes, yeah, oh good for you.
Speaker 11: So that's kind of yeah, And I would say that
Speaker 11: that's maybe influencing the way I write or the way
Speaker 11: I saying even.
Speaker 9: Well, that makes sense, that makes sense. Yeah, yeah, breathing
Speaker 9: is such an important part of of how you're saying.
Speaker 9: I've been looking into breath work myself actually because I
Speaker 9: use it cool. Well, I use a little bit of
Speaker 9: it in my sessions, you know, when I tell the
Speaker 9: client to you know, focus on your breathing and focus
Speaker 9: on the rhythm of your breathing and all of that.
Speaker 9: But but I've been thinking about really learning, you know,
Speaker 9: really getting into it and learning more about breath work
Speaker 9: because I think it would be helpful and everything else
Speaker 9: I do, or or even you know, even doing the
Speaker 9: radio show, just not running out of air when I'm
Speaker 9: you know, talking and you know sometimes if you're talking
Speaker 9: a lot, you know. Yeah, but uh no, that's that's
Speaker 9: really cool that you're doing that, And yeah, I would
Speaker 9: imagine that would be very helpful with your singing.
Speaker 11: Actually, yeah, it's actually it's not any sort of like
Speaker 11: gentle meditation that I'm doing. It's yeah, it's this three
Speaker 11: part proniama all through the mouth, and you oxygenate your
Speaker 11: brain so much that that your brain shuts off and
Speaker 11: just all your feelings come out. So people people don't
Speaker 11: find it gentle. It's often kind of like, uh, people
Speaker 11: often cry oh wow, but it's it's really intense but
Speaker 11: powerful and useful.
Speaker 9: Yeah about that. That's very very interesting. That's very interesting. Well,
Speaker 9: that's wild. That's wild.
Speaker 11: Yeah.
Speaker 9: And as far as your your music, are you do
Speaker 9: you play out? Do you play these songs out? Excellent
Speaker 9: all the time.
Speaker 10: I just had a record release.
Speaker 11: Actually, Charlie and I shared a bill for both of
Speaker 11: our record releases at this club in New York that's
Speaker 11: called Berlin, okay. And I sing regularly with this band
Speaker 11: called the Loser's Lounge at Joe's Pub, and I sing
Speaker 11: with a couple other bands too, But yeah, I perform
Speaker 11: almost once a week these days.
Speaker 9: Oh wonderful, good good.
Speaker 11: Yeah you're in New York, right, Yeah, I am in
Speaker 11: New York.
Speaker 9: Yeah, excellent, excellent.
Speaker 5: Oh.
Speaker 9: The other thing I wanted to ask you to getting
Speaker 9: back to they a Howard Johnson's there. The artwork. I
Speaker 9: really like the cover.
Speaker 11: Oh thanks, Yeah, that was my friend Scott MX Turner
Speaker 11: did that. I love it too.
Speaker 9: It's very retro it is it is maybe maybe that's
Speaker 9: where I got the idea about the nostalgia, but yeah,
Speaker 9: it is very retro. Yeah, it's very cool. Yeah, that
Speaker 9: is excellent. That is excellent. And then what about what
Speaker 9: do you have in the future, what's kind of your trajectory.
Speaker 9: I mean, obviously, you know this album hasn't been out
Speaker 9: that long.
Speaker 11: Right right, Well, you know, I did an artist residency
Speaker 11: this summer in Iceland. I was in East Iceland for
Speaker 11: a month, oh wow, and I was writing all new
Speaker 11: songs there, and they gave me this beautiful space, this
Speaker 11: recording studio and all the instruments. But I brought these
Speaker 11: tiny synths that I was playing. So I've written a
Speaker 11: whole bunch of new songs on these tiny synths. Found
Speaker 11: nothing like like the current record that I'm really excited
Speaker 11: about this new stuff. So I'm gonna be recording that
Speaker 11: with my friend John Kengla, who plays guitar in my band.
Speaker 11: We're going to be recording that sometime this year and
Speaker 11: hoping to put that out. I don't know when, but
Speaker 11: that's what I'm into right now. Okay, synth music, Yeah.
Speaker 9: Okay, very good, very good.
Speaker 11: Yeah.
Speaker 9: Well, Jesse, it's it's been wonderful speaking with you. We're
Speaker 9: going to you know, in a moment, we're going to
Speaker 9: play this other track after We Let You Go, we're
Speaker 9: going to play Saint Teresa in Ecstasy.
Speaker 10: Oh cool?
Speaker 9: What should we know about that song? It's with such
Speaker 9: an interesting title, oh thank you.
Speaker 11: Well, that was inspired by I was in Rome and
Speaker 11: two different friends said, Oh, you have to go see
Speaker 11: this sculpture in this little church and it's just magnificent.
Speaker 10: This culture. It's called the Ecstasy of Saint Teresa.
Speaker 11: Okay, And it has like this panel of gold above
Speaker 11: the sculpture and there's a window above it and when
Speaker 11: the sunlight hits the gold that lights up the statue.
Speaker 11: It's just really incredible. And the song is about that,
Speaker 11: just being really moved by seeing that.
Speaker 9: Okay, Okay, yeah, outstanding?
Speaker 11: Thank you?
Speaker 9: And where's before We Let you Go? Where's the best
Speaker 9: place for people to go online to keep up with
Speaker 9: everything that you're doing, all your music and everything.
Speaker 11: I post the most stuff on Instagram, Okay, so it's
Speaker 11: just Jesse Jesse Kilgus on Instagram. And then the best
Speaker 11: place to check out my music is band camp, especially
Speaker 11: if people want to buy it, because band camp gives
Speaker 11: the artists the most money. Yeah, But in terms of
Speaker 11: staying up to do up to date on news, I
Speaker 11: would say Instagram.
Speaker 9: And I like to tell people too, I love band camp,
Speaker 9: and I like to tell people not only does band
Speaker 9: camp give the artists the most money, but you get
Speaker 9: you get a high quality file, You get a better
Speaker 9: sounding file than you do if you just you know,
Speaker 9: stream on YouTube or whatever. So I really encourage people
Speaker 9: to use band camp as well.
Speaker 10: Nice.
Speaker 9: Yeah, absolutely all right, Jesse killed Gus, thank you so much. Well,
Speaker 9: definitely when you've got some new stuff, when you got
Speaker 9: some new music, we'll definitely have you back. Absolutely love
Speaker 9: what you're doing, what we enjoyed speaking with you this morning.
Speaker 9: Absolutely we're gonna hit this track Saint Teresa in ecstasy
Speaker 9: will let you go. Oh and and again, congratulations on
Speaker 9: the breath work. And I got to learn more about that.
Speaker 9: I'm very curious about that. So we might have to.
Speaker 5: Oh very good.
Speaker 9: I'll check out the site and we we might we
Speaker 9: might have to have you back to to talk about
Speaker 9: that too, so we might we might have you back.
Speaker 9: Really outstanding. All right, all right, Jesse, thank you so much,
Speaker 9: Bye bye, all right, very cool. That was Jesse killed
Speaker 9: Gus from New York City. Check out her album. They
Speaker 9: have a Howard Johnson's there. It is available on band
Speaker 9: camp and we're gonna play this track, uh, this is
Speaker 9: a Saint Teresa in Ecstasy, and then when we come back,
Speaker 9: we're gonna have Evan's from Audio Gust with us on
Speaker 9: Microsoft Teams. Hopefully we don't have any tech issues with teams.
Speaker 9: That was unusual what happened there with with WhatsApp. We
Speaker 9: don't usually have any trouble. But I'll clean it up
Speaker 9: on the on the podcast version. But here it is.
Speaker 9: This is Saint Teresa in Ecstasy by Jesse Kilgas.
Speaker 7: In roam, I found expansion. My heart exploded in till
Speaker 7: night like one of those room and candles.
Speaker 3: Let flicker and brighten up the night, or like.
Speaker 11: Saint Theresa, and next to see the.
Speaker 1: Day she had her epiphany the agel, shein an row
Speaker 1: into her.
Speaker 3: Heart, and the sky lit up with the great event
Speaker 3: and danced over the monuments, and the world passed for
Speaker 3: a day and selebration, and she fell overwhelmeding joy and.
Speaker 16: Love and exquisite pain coming from above.
Speaker 3: And everything combined into the supply.
Speaker 4: Until eryyterrecer.
Speaker 3: Be came divol, walking around the room and form listening
Speaker 3: to sinnate or con I do not want, but I
Speaker 3: haven't got, making a pilgrimage of Palatine Hill on my.
Speaker 10: Way to see the Bernie that came.
Speaker 7: Sohly recommended to me.
Speaker 4: A humble priest let me in the tiny.
Speaker 3: Tool box of a church, where statues line in the
Speaker 3: walls and gold.
Speaker 4: Paint crumbles from the ceiling.
Speaker 6: I carry on down the.
Speaker 8: Aisle, chast any feed or so, and as a.
Speaker 6: Ray of light pierces through the window, and it catches.
Speaker 2: The gold and rays on fire.
Speaker 5: And aluminaid the sculpture's face, and I lose myself.
Speaker 3: And of this transit and brains.
Speaker 16: I see say Toresa and acts to see the day
Speaker 16: she had her apuffany.
Speaker 2: The angel shooting in her arrow.
Speaker 3: Enter her heart, and the sky lit up with the
Speaker 3: great event and danced over the.
Speaker 16: Manument, and the world stopped in time, ceased to exist,
Speaker 16: and I felt over aware, enjoyed love, an exquisite.
Speaker 5: Pain coming from about thverything combined.
Speaker 2: Into the sublie. As I see a narrator recon they
Speaker 2: can't dev they can't divide.
Speaker 17: You're listening to Matt Connorton unleashed on double im an
Speaker 17: h ninety five point three.
Speaker 18: Just look at your smile, keep listening eyes then Nicklas
Speaker 18: on you, but get from last year. I see your
Speaker 18: lips moving as I not approving, but in your eyes
Speaker 18: a narrow.
Speaker 2: And oh if you are a narrow.
Speaker 14: This is the point where I want to disappear.
Speaker 2: You just roll out I was anywhere, but he Doey
Speaker 2: has to do the stands gain.
Speaker 12: We're playing the arguments you I don't know where in
Speaker 12: disrespect to you with not my side.
Speaker 2: Sorry, I hear what he was saying.
Speaker 13: Another statis meeting and I'm just stair eating.
Speaker 2: I'm shocking to attention when you ask my opinion.
Speaker 9: This is the point where I wanna disappear.
Speaker 12: You just found out that I was anywhere with he
Speaker 12: do We has to do the stance again. We're playing
Speaker 12: arguments from my don't know disrespect to you as they chance.
Speaker 2: Time.
Speaker 12: Sorry, I hear what you said.
Speaker 19: I'm sorry I didn't he I'm sorry I.
Speaker 20: Didn't you want Tom said, I'm sorry I didn't he.
Speaker 6: I'm sorry I didn't you want.
Speaker 20: He said, I'm sorry I didn't here.
Speaker 2: I'm sorry I.
Speaker 12: Didn't you want. You said, you know what you have
Speaker 12: to do this dance again. Argument from I don't know why.
Speaker 2: I don't know what to with my chance.
Speaker 4: Time.
Speaker 12: I'm sorry, I hear what he was saying. Do we
Speaker 12: have to do this hands again?
Speaker 9: How catchy?
Speaker 1: Is that?
Speaker 11: Wow?
Speaker 9: That is I didn't hear what you said. The project
Speaker 9: is Audio Guest and let's see. We have Chris Evans
Speaker 9: from Audio Guests here with us via Microsoft Team.
Speaker 20: Hello Chris, Hello, what are you doing?
Speaker 2: Good?
Speaker 9: Good, Welcome to the show. I love that song. I
Speaker 9: love the whole album of course, that is from Falling
Speaker 9: from Down, and it's just so like, you know, it's
Speaker 9: the kind of song you tell people, at least I
Speaker 9: tell people, you know, if that didn't make you move,
Speaker 9: you know, check your pulse, you might be dead. It's
Speaker 9: just really really catchy. And I love the vocals, the
Speaker 9: layered vocals, everything about that is just it's just really good.
Speaker 9: I love that.
Speaker 20: Thank you. I appreciate that a song.
Speaker 9: Absolutely absolutely. And you are in Seattle, is that correct?
Speaker 20: Yeap?
Speaker 9: Just outside, just outside it's yeah, ah wow, quite a
Speaker 9: music scene there. Yeah, absolutely absolutely. What can you tell
Speaker 9: us about the album Falling from Down? I did listen
Speaker 9: to the whole thing. I really really like it. Like
Speaker 9: I said, I love what you're doing. Sonically, and there's
Speaker 9: nothing that I've heard recently that sounds quite like it,
Speaker 9: But what can you tell us about it?
Speaker 13: This is my third album, that one this year, and yeah,
Speaker 13: it's sort of a it's it's it's sort of a
Speaker 13: song about the times these days.
Speaker 20: Basically, like with all sort of angst and and and
Speaker 20: sort of.
Speaker 13: Sort of angst about communication, about what's going on in
Speaker 13: the world and things like that, and then how people
Speaker 13: are pretty stressed about this. And it starts off, you know,
Speaker 13: with just sort of a set of a darker set
Speaker 13: of songs and than all my previous albums, I think,
Speaker 13: songs like Isotope and Falling from Down. And then it
Speaker 13: hits a song called Easier, which is sort of it's
Speaker 13: sort of a reflection of the whole album, which sort
Speaker 13: of asked the question, man, it seems like it could
Speaker 13: be if I didn't know what was going on, like
Speaker 13: if you weren't paying attention to the news and things
Speaker 13: like that, it seems like life might be easier. But
Speaker 13: yet you really can't avoid it because it sort of
Speaker 13: keeps coming back to you. But the whole sort of
Speaker 13: shift in that song where it goes from being this
Speaker 13: sort of introspective thing to the sort of pop punk
Speaker 13: banger of a.
Speaker 20: Ridge, and then it comes back into the sort of
Speaker 20: the final verse there, and.
Speaker 13: Then the whole album sort of shifts at that point
Speaker 13: where it sort of goes into, hey, things are a
Speaker 13: little bit more. You know, it's as if you weren't
Speaker 13: paying attention to all of that, and we could just
Speaker 13: sort of get back to songs about people and about
Speaker 13: relationships and about the way you feel. And that's sort
Speaker 13: of where you know, I didn't hear what you say
Speaker 13: comes in sort of in that middle part of the album, right,
Speaker 13: and then it sort of slides.
Speaker 20: Back towards the end of the album.
Speaker 13: So it's you know that the whole album is sort
Speaker 13: of a reflection of the song Easier Written Large.
Speaker 9: Okay, okay, yeah, we'll play that one at the end
Speaker 9: of our conversation because that's another great track. Like I said,
Speaker 9: I like the whole thing. But but yeah, it's interesting too,
Speaker 9: how you know you're able to uh take these themes
Speaker 9: of of angst and and all of it that that
Speaker 9: people feel and but but do something that's actually fun
Speaker 9: and interesting to listen to, you know, because it's it's uh,
Speaker 9: if if you can take something that's dark or negative
Speaker 9: or however you want to think about it, but make
Speaker 9: something positive out of it.
Speaker 21: You know.
Speaker 9: That's that's the best way I think to be able
Speaker 9: to relate to people and and say here, here, here's
Speaker 9: what I'm saying. But but I'm putting it in a
Speaker 9: package that that you're going to enjoy listening to, and
Speaker 9: maybe we can kind of connect and relate on that level.
Speaker 9: And uh so I think it's great. You know, it's
Speaker 9: melodic and like a lot of these tracks are really fun.
Speaker 9: What about now, specifically that song, I didn't hear what
Speaker 9: you said. I'm curious to know more about that. It
Speaker 9: seems to address, as is evidenced by the title, you know,
Speaker 9: miscommunication and misunderstanding And and was there something specific that that,
Speaker 9: uh sort of pushed you to write that, or or
Speaker 9: maybe just more of a general thing.
Speaker 13: Like like many people, I'm a bit on the ady
Speaker 13: d side, and and I've certainly run issues where my head,
Speaker 13: you know, sort of my mind wandered in the middle
Speaker 13: of a conversation and I realized that I'm not quite
Speaker 13: paying attention to this person that I'm supposed to be
Speaker 13: talking to right now. They don't know this yet, but
Speaker 13: it's true, and so I am sort of nodding along,
Speaker 13: and yet my head is somewhere else, just sort of
Speaker 13: like in the beginning of that song where it's like
Speaker 13: this sort of persons just start talking to a girl
Speaker 13: and sort of daydreaming and thinking about her and looking
Speaker 13: at the you know, the necklace that she's wearing.
Speaker 20: Oh yeah, I got that for her back.
Speaker 3: What was that?
Speaker 20: When was that back in June? I think it was.
Speaker 13: And then she's saying something and you're realizing I'm not
Speaker 13: hearing this, And in the song, she realizes that she's
Speaker 13: not being listened to, and yet she's looking right at
Speaker 13: her right. She gets a little b upset about it,
Speaker 13: which is understandable. Any feels bad about this. I feel
Speaker 13: bad about this, but it's it's not a it's not on.
Speaker 9: Purpose, right, right exactly.
Speaker 20: And then the second verse is the same thing happens,
Speaker 20: except for your at work.
Speaker 1: Right.
Speaker 13: You're in a meeting somewhere and you're just sort of daydreaming.
Speaker 13: You didn't expect anybody talking to you in the first place,
Speaker 13: and so you're just sort of in some meeting and
Speaker 13: then they ask you a question.
Speaker 20: You're like, oh, wait, what I have no idea what
Speaker 20: he was talking about.
Speaker 13: And you're sort of, you know, sort of embarrassing to
Speaker 13: get caught in one of those moments there of you
Speaker 13: were supposed to be paying attention and you weren't.
Speaker 20: Right totally, everybody knows this now and what are you
Speaker 20: gonna do?
Speaker 21: Right?
Speaker 9: And it's and it's universal. Everyone's been in situations like that.
Speaker 9: But you know, it's all stuff that happens to everybody. Absolutely,
Speaker 9: But yeah, in the moment, though, it feels it's such
Speaker 9: a terrible feeling.
Speaker 20: Yeah, exactly.
Speaker 9: I'm curious too about your history. So you you were
Speaker 9: you played guitar and bass in some eighties bands, Is
Speaker 9: that correct?
Speaker 20: Yeah?
Speaker 13: I was in a few bands back in the eighties
Speaker 13: actually a little bit in the end of the nineties
Speaker 13: as well, Okay, And nothing big though, I mean, you know,
Speaker 13: just we were all sort of thlearning and getting better
Speaker 13: and playing things and planning clubs and and uh this
Speaker 13: this is like back in Ohio and Michigan and places
Speaker 13: like that.
Speaker 20: Sure, uh yeah.
Speaker 13: And then and then I sort of, you know, once
Speaker 13: I once I finished university and at the University of Michigan,
Speaker 13: I was, uh, you know, we're trying to do something
Speaker 13: interesting I wanted. I wanted to do a recording thing.
Speaker 13: We started a company doing podcasts, but it was a
Speaker 13: little bit early for podcasts because it was.
Speaker 20: The late eighties.
Speaker 5: Wow.
Speaker 13: So yeah, I mean the thing we made were if
Speaker 13: you listen to the now you like, those are podcasts,
Speaker 13: but it was wow, way too early for that. We
Speaker 13: shipped them out on audio cassettes to like there's company communication.
Speaker 20: Kind of thing. Okay, but it was definitely too early
Speaker 20: for that.
Speaker 13: So I sort of shifted into writing software and uh
Speaker 13: uh you know, was in this is the Massachusetts actually
Speaker 13: this is in Boston and Cambridge area, and uh yeah.
Speaker 13: So I worked you know for a company doing you know,
Speaker 13: router tech support and then writing code and building applications
Speaker 13: and building things in the Mac. And then eventually one
Speaker 13: of the things that we did caught the eye of
Speaker 13: Apple and Microsoft, and they flew me out to California
Speaker 13: and ended up working for Microsoft for twenty years off
Speaker 13: and on, wow, and and some other places in between
Speaker 13: some startups and some personal projects. And then a few
Speaker 13: years ago I finally finished that and said I really
Speaker 13: want to do the music thing again, and so yeah,
Speaker 13: I sort of left Microsoft and software at that point
Speaker 13: and started writing songs. And that's what the last it's
Speaker 13: been pretty much for the last three years.
Speaker 9: Oh, excellent, excellent. Now, was that always kind of in
Speaker 9: the back of your mind that you would end up
Speaker 9: back with doing music, or was there a moment of
Speaker 9: epiphany where you realized you had to get back to it,
Speaker 9: or how did you, like just kind of mentally, how
Speaker 9: did you get back to a place where you said, no,
Speaker 9: I need I need to really jump back into this
Speaker 9: full force, I need to do music.
Speaker 13: I'd always I bounced back and forth doing music at
Speaker 13: different times during that the you know, the software times,
Speaker 13: so you have you never I would.
Speaker 9: You never disengaged entirely from it.
Speaker 13: Well, I mean there were years where I did almost
Speaker 13: nothing with it, and the guitar sort of stayed in
Speaker 13: the closet. But I had the guitars, and then every
Speaker 13: few years I would sort of you know, open up
Speaker 13: like logic pro and and try to figure out some
Speaker 13: more stuff on it and maybe do a few songs
Speaker 13: on it.
Speaker 20: And then.
Speaker 13: And then stopped for a while and sort of would
Speaker 13: it would come and go. And we had you know,
Speaker 13: a family in there, we had kids in there, so
Speaker 13: a whole bunch of things happened, ye, But I always
Speaker 13: loved that. And there was an aspect of creating, writing
Speaker 13: songs and creating songs and recording them and doing the
Speaker 13: whole thing that that I loved. And you know, back
Speaker 13: in back in the University of Michigan, I ended up
Speaker 13: in a dorm that had a recording studio in the basement,
Speaker 13: the student run recording studio, and learned a whole bunch
Speaker 13: of stuff back then about doing this on you know,
Speaker 13: reil the real tape recording and things like that, and
Speaker 13: I just love doing it. And so every once in
Speaker 13: a while I would, you know, do some more of that.
Speaker 13: And then it was the point where it's like I've
Speaker 13: I think I'm done with the full time software thing.
Speaker 13: It wasn't more that I really wanted to get out
Speaker 13: of it. And and during the pandemic, we bought a
Speaker 13: place up here on Widbey Island and it had a
Speaker 13: four car garage and I don't have four cars, so
Speaker 13: took half of that.
Speaker 20: And made it into a little studio.
Speaker 13: Nice made it soundproof so that when when you're recording
Speaker 13: a song, I think musician will know this that you
Speaker 13: play the same part over and over and over and
Speaker 13: over and over again, and to anybody who's not involved
Speaker 13: in that, it's really annoying. But if you're doing it,
Speaker 13: you need to do that so you can hear it.
Speaker 13: Then you're making all these little fine tweets and stuff
Speaker 13: like that. So building a room that was soundproofed meant
Speaker 13: that I could do that and not bother anybody else.
Speaker 13: And I could do that without having any you know,
Speaker 13: cars or dogs or whatever it is barking well and
Speaker 13: trying to record vocals or guitars or something like that.
Speaker 13: And so once I sat up the space, it was like, okay, wait,
Speaker 13: I could do this for real now. And that sort
Speaker 13: of coincided with the hey, I'm sort of feel like
Speaker 13: I'm done with the software business, and which has an
Speaker 13: ironic twist on that one, but we'll get that later, okay, okay,
Speaker 13: And yeah, so I started I just started writing songs
Speaker 13: and realized that I can.
Speaker 20: I can do this full time now.
Speaker 13: And I think that's what you know, twenty to thirty
Speaker 13: years and software will do for at least, let's set
Speaker 13: up we can we can dedicate time with this. Yeah,
Speaker 13: I'm very appreciative of that, and so yeah, so I
Speaker 13: started doing this all the time, and then writing with
Speaker 13: other people and getting involved with, you know, a bunch
Speaker 13: of different songwriter communities and collaborating and and writing with
Speaker 13: other groups of people and and producing the songs. And
Speaker 13: did my first album very early. Actually, I go back
Speaker 13: and look at them, like, there's some songs in therely
Speaker 13: I love, but it's it's clearly early.
Speaker 9: Yeah.
Speaker 13: But then I spend a bunch you know, I just
Speaker 13: did a lot of writing, and you knew a lot
Speaker 13: of it, and you keep you know, keep at it,
Speaker 13: and you get better at it. And yeah, so the
Speaker 13: songs have gotten better, the production has gotten better, the
Speaker 13: collaborations have gotten better, and uh yeah, so I just
Speaker 13: love that. It's just so satisfying to be able to
Speaker 13: come in here each day and just work on it
Speaker 13: and write some new songs. And and the tough part
Speaker 13: is keeping track of all of it.
Speaker 9: Because there's a lot right right, no doubt are you?
Speaker 9: Are you doing everything yourself in terms of the instruments,
Speaker 9: is all the playing on these?
Speaker 13: Is that all you yeah, these are all me okay,
Speaker 13: and uh and and I as you'll you know, you've
Speaker 13: listened to it. So there's a few songs where I
Speaker 13: have some guest vocalists in yeah, and those usually off
Speaker 13: off of those people that I write with. You know,
Speaker 13: they'll they'll they'll join in for for you know, one
Speaker 13: of the songs we collaborate on. But most of the
Speaker 13: songs there are just me. I wrote to myselves and
Speaker 13: produce the whole thing and recorded and it's on me.
Speaker 9: Okay, wow. I mean that must be incredibly liberating. I mean,
Speaker 9: it sounds like you enjoy collaboration, but at the same time,
Speaker 9: I would imagine to be able to do so much
Speaker 9: of it yourself, aside from you know, guest vocalists as
Speaker 9: you mentioned. I mean, that's got to be pretty pretty satisfying,
Speaker 9: I would guess.
Speaker 11: And it is.
Speaker 13: I think it comes from a you know, I don't know,
Speaker 13: maybe not the best place of I don't like getting
Speaker 13: stuck or I'm blocked on waiting for someone.
Speaker 20: Else to be able to finish something right, yep.
Speaker 13: And if it was a point where it's like, oh,
Speaker 13: I'd love to do more, but oh this person's I
Speaker 13: need them to do this, but they're busy, or that
Speaker 13: you know, I can't get back, they won't get back
Speaker 13: in touch with me, or those kinds of things.
Speaker 20: And I just I hate the idea of being stuck.
Speaker 9: Yes, yes, blocked on it.
Speaker 20: And so by being able to do any of.
Speaker 13: The parts, I'm never blocked, right, So I can always
Speaker 13: finish songs and release them and and those kinds of things,
Speaker 13: and I'm not stuck by someone else. But at the
Speaker 13: same time, you know, a having there are songs that
Speaker 13: I write sometimes that we write that are songs to
Speaker 13: be sung by a woman, and I can't do that,
Speaker 13: and so that's you know, it's it's having having a
Speaker 13: group of people that I can write with or or
Speaker 13: call on say hey, I think the song would be
Speaker 13: amazing with your voice, and having to be able to
Speaker 13: jump in is just wonderful.
Speaker 9: Well with AI tools though, and and you know this,
Speaker 9: you probably could.
Speaker 11: Uh.
Speaker 20: I've played around with that a little bit, but I
Speaker 20: don't like. I don't like the results. I mean, they're
Speaker 20: getting better, but it's.
Speaker 13: There's something that's that definitely feels more, uh, you know,
Speaker 13: connecting yes, an actual person singing it with the A.
Speaker 20: I mean, sometimes the A voices are a little bit
Speaker 20: too perfect.
Speaker 13: Sometimes they're you know, they don't they don't breathe because
Speaker 13: they don't have to breathe.
Speaker 9: That's true.
Speaker 13: The way that they see something, you know it it
Speaker 13: starts to feel something just a little bit off in it.
Speaker 13: And so yeah, it's it's you know, so I've tried
Speaker 13: it and and for you know, when if I'm writing
Speaker 13: something for a film or a TV show or something
Speaker 13: like that, then you know, something for for a sinc opportunity.
Speaker 13: It doesn't quite matter as much if you use some
Speaker 13: of those things sometimes. But yeah, but if but if
Speaker 13: I can get it, you know, actual person seeing it,
Speaker 13: it's always going to feel a bit more connected.
Speaker 9: Right, right. Have you been surprised by by the reception
Speaker 9: I saw Let's see I saw something here from Spill
Speaker 9: magazine said it's infectious, feel good rock introspection and hope
Speaker 9: A Sonics Morgas Sport. That's pretty cool. That's that's that's
Speaker 9: definitely I praise.
Speaker 20: Yeah, it's been great. Yeah, it's been just a little
Speaker 20: over months since the album came out.
Speaker 13: Uh, and yeah, it's been really just wonderful to see
Speaker 13: you know, the the reviews of it and great, Uh,
Speaker 13: the people I've heard from who've listened to it, I've
Speaker 13: really enjoyed it. It's it's a it's there's a lot
Speaker 13: of different sort of It's a little bit more stylistically
Speaker 13: diverse than my second album, which is a little bit
Speaker 13: more sort of power pop pop, you know, uh pop
Speaker 13: punk type stuff, and this album has some of that certainly,
Speaker 13: but you know, with with songs like you know, Isotope
Speaker 13: and Falling from Down, which are definitely harder rock kind
Speaker 13: of songs, which and I come from, you know, in
Speaker 13: in in those bands in the eighties, we've played a
Speaker 13: lot of you know, hard rock metal songs like Black
Speaker 13: Sabbath and you know whatever, and so I love a
Speaker 13: good crunchy guitar part. Yeah, uh, and so I was
Speaker 13: really I loved doing those tunes. But then songs like
Speaker 13: You at My Door, which has Lana Tani singing on it,
Speaker 13: is you know, a more sort of traditional piano ballad
Speaker 13: song but with a bit of a shift in it, uh,
Speaker 13: twist in the story, and that's you know, that was
Speaker 13: sort of a different thing. But I just loved that
Speaker 13: song so much that that partument was like, I just
Speaker 13: want to have it on the album. And then when
Speaker 13: I and I got heart to sing it was great.
Speaker 9: Yeah. Yeah, I'm curious too. I have to ask you
Speaker 9: and you probably got this question a lot. But being
Speaker 9: where you are geographically, I mean, has that influenced your
Speaker 9: sound at all or I mean being in Seattle or
Speaker 9: Seattle A Jason, Are you actually in Seattle or even
Speaker 9: one of those suburbs.
Speaker 20: I was in Seattle.
Speaker 13: I lived in Seattle, you know, we lived in Seattle
Speaker 13: until until we bought this place up here and we
Speaker 13: and uh so, I you know, I've been in the
Speaker 13: area for since the nineties, so it's yeah, yeah, I've
Speaker 13: been all of the airplace in the area basically. But yeah,
Speaker 13: we were in in in Seattle proper for a while,
Speaker 13: which was great. U until the pandemic Yeah, yep, yep,
Speaker 13: less so I mean it was still fine, but it
Speaker 13: was you know, you couldn't go do a lot of
Speaker 13: the things that that were great about being in the city,
Speaker 13: right uh and uh yeah, so I mean I I
Speaker 13: you know, I love the Seattle bands, particularly from the
Speaker 13: nineties of Pearl Jam and and and Nirvana and Sound
Speaker 13: Garden and.
Speaker 20: You know, all of that sound is just you know,
Speaker 20: was huge. And yeah, there's a lot of nineties sound
Speaker 20: in what I do.
Speaker 9: Yeah, yeah, absolutely, so yeah, absolutely.
Speaker 20: You know, it was it's a huge influence.
Speaker 13: I wasn't actually here for most of the nineties, so
Speaker 13: I wasn't here during the early nineties when all the
Speaker 13: stuff was happening because I was in Massachusetts then, but
Speaker 13: it was uh, yeah, it's it's it's still part of
Speaker 13: the feel here. Going to go to the airport and
Speaker 13: there's all sorts of you know, pictures in the airport
Speaker 13: of of Pearl.
Speaker 20: Jam and Nirvana.
Speaker 13: I can imagine, yeah, Hendrix and and all these you
Speaker 13: know things, because it's just a big part of what
Speaker 13: Seattle is and uh and the feel is still there
Speaker 13: for that.
Speaker 9: Yeah, yeah, no doubt. Well, by the way, where does
Speaker 9: the name audio Guests come from? What's the meaning behind
Speaker 9: audio Gusts?
Speaker 20: So I guess there's two parts of it.
Speaker 13: One, I can't use my regular name, Chris Evans, because
Speaker 13: there's an awful lot of them out there.
Speaker 9: Yeah, common common name, one of them being very famous.
Speaker 13: Some of them are very well known depending on where
Speaker 13: you are. There's another one in England who's very well known.
Speaker 8: Uh.
Speaker 13: And so I needed to have an artist named that
Speaker 13: was something else. So audio gust is a it was
Speaker 13: something that I could that I could get that was
Speaker 13: you know available. Yeah, and you know, there weren't a
Speaker 13: lot of other people doing it. But you could think
Speaker 13: of like singing as just sort of a combination of wind,
Speaker 13: air and sound. Yeah, and all sound really is sort
Speaker 13: of waves and it's just sort of vibrations through the air.
Speaker 13: So it's you know, it's moving air. It is is
Speaker 13: sort of a sound. It is motion.
Speaker 12: It is.
Speaker 20: Yeah, just sort of a cross of of of sound
Speaker 20: and motion.
Speaker 9: Yeah, that makes sense, makes sense.
Speaker 19: I like it.
Speaker 9: It's a cool name. Definitely a cool name. We're almost
Speaker 9: out of time, Chris, it goes quickly. What's the ironic
Speaker 9: twist about your software career?
Speaker 20: Ah?
Speaker 13: So, as I was writing all of these songs, and
Speaker 13: when you write a song, there's a whole bunch of
Speaker 13: information you need to track along with it, like for
Speaker 13: of course, what are the lyrics and what key is
Speaker 13: it in? But also like what do I need to
Speaker 13: do still on this recording of it? And you know
Speaker 13: where if I registered it with the different all the
Speaker 13: different places you register songs with, and what's the link
Speaker 13: to it on Spotify versus Apple Music versus whatever else?
Speaker 13: And so I did what a software guy does as
Speaker 13: I wrote an app. Ah, I used to track all
Speaker 13: of my songs and all of my recordings and all
Speaker 13: the people that I write with and and the current
Speaker 13: state of all of them. And I've recently realized, after
Speaker 13: you know, showing a bunch of people and letting them
Speaker 13: sort of play around with it, that I need to
Speaker 13: release this app because it's a really really useful tool
Speaker 13: for songwriters and music producers and such to do this.
Speaker 13: So sometime in the next month or two, I'm going
Speaker 13: to be releasing this app called studio Notes, which is
Speaker 13: exactly that. It's an app for organizing all of your
Speaker 13: songs and and it's not you know, we don't, I
Speaker 13: don't store the music on there. They's playing a place
Speaker 13: where you can anxious store the files. But it's yeah,
Speaker 13: it's all of the information about all of the songs
Speaker 13: you write, and the recordings of them, in the current
Speaker 13: state of them, and the collaborations and who has signed
Speaker 13: what agreements and all of those kinds of things.
Speaker 9: Oh, that is extremely cool and very useful, and I'm
Speaker 9: sure a lot of our listeners will enjoy hearing about
Speaker 9: that because you know, a lot of a lot of musicians,
Speaker 9: and you know, people who make up our audience. There's
Speaker 9: a lot of musicians, a lot of industry people, so
Speaker 9: that's that's very cool. So it's called Studio Notes.
Speaker 20: Yeah, and and the website is up right now.
Speaker 13: You can't actually the store app is not in the
Speaker 13: story yet, Okay, studio is Studio notes dot app. Oka
Speaker 13: probably shouldn't have said that, but I did, because the
Speaker 13: website's up there. The link to go to the store
Speaker 13: course doesn't work yet because yea, it's not in the store.
Speaker 13: But if you know, if anybody's curious, you can go
Speaker 13: and sort of see what it's about, and you know,
Speaker 13: send me a comment or whatever if your just did.
Speaker 13: And I'll make sure to let everybody who does know
Speaker 13: when it's actually a up in life of the story.
Speaker 20: But I'm sort of finishing nothing.
Speaker 9: Oh, extremely cool, very good, very good, Chris. This is
Speaker 9: I wish we had more time. I could definitely talk
Speaker 9: to you longer. You're you're an interesting guy and I'm
Speaker 9: very I love your love your music. But but yes, yes,
Speaker 9: we are approaching the top of the hour, so we'll
Speaker 9: start to wind down. I'm gonna close the segment with
Speaker 9: this track Easier that we were talking about. This is
Speaker 9: another another great song from the album.
Speaker 2: But where's the.
Speaker 9: Best place for people to go to learn? More and
Speaker 9: keep up with everything that that you're doing as audio guests.
Speaker 13: Uh, audio gust dot com is the website perfect sort
Speaker 13: of the center of everything. You can follow me of
Speaker 13: course on audio guest music, on on Instagram or you know,
Speaker 13: I'm in Threads and a bunch of those places, but uh, yeah,
Speaker 13: the the core of that would be your guest dot
Speaker 13: com is where I usually try to keep everything.
Speaker 20: Yeah up to date.
Speaker 9: Yeah, absolutely, absolutely well, Chris, thank you so much. We're
Speaker 9: going to play this track in a moment easier. Love
Speaker 9: love the love the song, and I love the album,
Speaker 9: and congratulations on everything that you're doing. And we look
Speaker 9: forward to having you back when you've got new music
Speaker 9: or jeez, we might even have you back on sooner
Speaker 9: to talk about the app when when it comes out,
Speaker 9: because like I said, I think a lot of our
Speaker 9: listeners would be very interested in that. But I love
Speaker 9: the album Falling from Down. Everyone should listen to the
Speaker 9: whole thing. It's it's really really good. So we'll hit
Speaker 9: that track and we'll let you go for now. But
Speaker 9: Chris Evans Audio Gust, thank you so much and we'll
Speaker 9: talk to you soon.
Speaker 20: Thank you. I appreciate that much, all right.
Speaker 9: Absolutely take care, Bye bye. All right, what an interesting guy,
Speaker 9: Chris Evans. His project is Audio Gust. We're gonna play
Speaker 9: this track easier and we are rapidly approaching the end
Speaker 9: of the show, so that'll probably be it for this week.
Speaker 9: Thank you to everybody who joined us today. Of course
Speaker 9: the guys from Down Boys, they were in studio with us.
Speaker 9: That was wonderful. We talked to Jesse Kill Gus and
Speaker 9: Dots and Moon and a nice busy show. And let's
Speaker 9: see if you want to keep up with everything I'm doing.
Speaker 9: Sometimes I forget to plug my own website, Matt connorton
Speaker 9: dot com. If you miss any part of today show,
Speaker 9: it will be up in just a little bit w
Speaker 9: MNH Radio dot org and at my website Matt Connorton
Speaker 9: dot com. And uh, that's gonna do it for us
Speaker 9: for now. We're gonna talk to you a little bit
Speaker 9: later by everybody. And here it is. This is easier
Speaker 9: and the project is Audio Guest.
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Speaker 12: I know anything I want to need.
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Speaker 20: You are listening to W and H N.
Speaker 18: Command God, don't get supprimely maxill coming.
Speaker 17: You are listening to Matt Connorton Unleashed on W M
Speaker 17: n H ninety five point three.
Speaker 20: Point three.
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