Matt Connarton Unleashed 12-6-25 hour 3

0:00 Speaker 1: W M N h rips the nobles. We're back from

0:06 Speaker 1: the ground.

0:42 Speaker 2: There's nothing near from me all storm breajas.

0:45 Speaker 3: It is not a thing that they could try to

0:48 Speaker 3: see just well. The will to change the chas this

0:58 Speaker 3: last yeah, we'll always give me some nether landcations that

1:04 Speaker 3: them say yeah and decide honestly.

1:11 Speaker 4: Side nother one not you can know, take.

1:15 Speaker 5: You mine chance up day. It's not dead and some

1:18 Speaker 5: model never comes. At least the stands up to that

1:22 Speaker 5: hid the man John fasts not even though I said,

1:30 Speaker 5: can see the one never'll fix you up.

1:33 Speaker 2: And tom never comes the least the stands out tonight.

2:03 Speaker 4: I don't know God it him?

2:05 Speaker 6: Uh say can I say something?

2:08 Speaker 2: Thats ft out its model? Another jobs the mister.

2:12 Speaker 5: Stay up out tonight.

2:18 Speaker 2: Way you know bests not any us even one get

2:23 Speaker 2: you up in your model.

2:25 Speaker 5: Another times the must to.

2:27 Speaker 6: Stay out out to dins as.

3:33 Speaker 5: The dots the kiss last, the stays stay ste.

3:53 Speaker 7: That's ass the story.

4:18 Speaker 8: I love it.

4:18 Speaker 9: That is not giving up. The band is the Forensics,

4:22 Speaker 9: and the Forensics is our featured artist in this hour

4:26 Speaker 9: we're going to speak with. At least we got one

4:28 Speaker 9: of the guys I think on with us via Microsoft

4:31 Speaker 9: teams and we're gonna speak with them in just a moment.

4:33 Speaker 9: But welcome everybody. This is our number three New Marrow

4:36 Speaker 9: trace of Matt Connorton Unleashed. If you are listening live

4:39 Speaker 9: on Saturday today is December sixth, twenty twenty five. We

4:44 Speaker 9: are live from the studios of wm NH ninety five

4:47 Speaker 9: point three FM in Glorious Manchester, New Hampshire. Of course,

4:51 Speaker 9: you can stream the show from anywhere. Go to Matt

4:52 Speaker 9: connorton dot com slash live for all your live streaming options,

4:56 Speaker 9: social media links, contact info, show archives, et cetera, at

5:00 Speaker 9: et cetera. And let's see. I think we've got Jordan

5:02 Speaker 9: King from the band on the line with us.

5:04 Speaker 10: Hello, yes, hello, thank you for having me.

5:07 Speaker 9: Absolutely welcome. I love that song and as I think

5:11 Speaker 9: you know too, the first single we had played from

5:13 Speaker 9: you guys was Maxine and I love that one too.

5:16 Speaker 9: We had that one in kind of heavy rotation around

5:18 Speaker 9: here for a while, but but I love this track,

5:21 Speaker 9: not giving Up. It's really good. When did this come out?

5:25 Speaker 10: This has only really been out a week, I believe,

5:28 Speaker 10: so not too long at all.

5:30 Speaker 9: Very new. Yeah's depressed outstanding now Jordan, Is it just you?

5:35 Speaker 9: Rs anybody with you?

5:37 Speaker 10: It's just myself today, Yeah, yeah, yeah, I don't know

5:40 Speaker 10: what the rest of the guys are doing.

5:42 Speaker 9: That's all right. Sometimes less is more. Sometimes we get

5:44 Speaker 9: you know, a bunch of people on teams and it's, uh,

5:46 Speaker 9: it becomes confusing. So we're happy to have you. Now,

5:51 Speaker 9: what do you do in the band?

5:53 Speaker 10: So I'm the lead guitarist. Okay, So all the little

5:56 Speaker 10: riffs and stuff you heard in that track was cut myself.

6:00 Speaker 8: So yeah, excellent.

6:02 Speaker 9: What I want to ask you too about is there's

6:04 Speaker 9: a surprise in that song because when you listen to it,

6:08 Speaker 9: you don't really expect, especially you know, hearing your other songs,

6:12 Speaker 9: when that saxophone comes in, you don't see that coming,

6:16 Speaker 9: or perhaps I should say, you don't hear that coming.

6:17 Speaker 9: But it fits a song perfectly. I mean, it works

6:20 Speaker 9: really well. But it's a surprise the first time you

6:23 Speaker 9: listen to the song. Do one of you guys in

6:27 Speaker 9: the band play the sacks or did you bring in

6:29 Speaker 9: somebody outside to do that, or how did that come about.

6:32 Speaker 10: I'm glad that you say it was a surprise. That

6:34 Speaker 10: was kind of the idea. So none of us play saxophone.

6:37 Speaker 10: The where that came from. It was an idea for myself.

6:40 Speaker 10: So we were sat in the studio. I got the

6:43 Speaker 10: lead guitar part down for the breakdown at the end

6:46 Speaker 10: of the track, and I just thought it was missing something.

6:49 Speaker 10: And I've always liked, you know, brass instruments, et cetera.

6:52 Speaker 10: One of my favorite pieces of music is Baker Street.

6:56 Speaker 10: I love the sax on that piece of music. Yes,

7:00 Speaker 10: you know, I wonder if a sax would fit in here.

7:02 Speaker 10: So we went externally, brought someone in to do it,

7:04 Speaker 10: and know it's on the track now.

7:06 Speaker 9: So that's fantastic. Yeah, no, it fits perfectly. Baker's Street

7:10 Speaker 9: is a great example too of where you can do

7:12 Speaker 9: that really effectively. But when you do that, so what

7:16 Speaker 9: happens when you do that song live? Or have you

7:18 Speaker 9: played that song live?

7:20 Speaker 10: So we've been playing that song live for about a

7:22 Speaker 10: year now. I think obviously as a small band, it's

7:27 Speaker 10: difficult to get someone on board that plays saxophone, so

7:30 Speaker 10: we play it slightly different live. It's a lot heavier live,

7:33 Speaker 10: more guitar driven. Obviously, the am eventually would be to

7:37 Speaker 10: have someone play that live with us with the sax

7:39 Speaker 10: that'd be pretty cool, but we can't do that at

7:42 Speaker 10: the moment.

7:43 Speaker 9: At the same time, though, it must be kind of

7:45 Speaker 9: fun too to play it a different way live, just

7:48 Speaker 9: because it you know, I would guess it kind of

7:51 Speaker 9: keeps it fresh for you guys, right, you know, you're

7:53 Speaker 9: kind of it gives you some room to kind of

7:55 Speaker 9: experiment and only, like you said, maybe make it a

7:58 Speaker 9: little heavier live, you know, probably goes over well, I would.

8:01 Speaker 10: Imagine, definitely. Yeah, that's the way we try to play

8:04 Speaker 10: live all the time. It keeps it fresh and exciting.

8:07 Speaker 10: We like to do things slightly different live, maybe extend

8:10 Speaker 10: tracks or One thing that we do often is we

8:13 Speaker 10: merge songs together. So we've got two new singles coming

8:17 Speaker 10: out next year, and when we play them live, they

8:20 Speaker 10: fade into each other live, which is quite cool. So yeah,

8:23 Speaker 10: we enjoy doing stuff like that when we perform.

8:26 Speaker 9: Oh, excellent, excellent.

8:28 Speaker 8: How long have you guys?

8:30 Speaker 9: I mean it's it's been it's been a few years, right,

8:32 Speaker 9: Like we we've just been getting to know you. I

8:35 Speaker 9: think May was when you were on before and is

8:37 Speaker 9: that around when Maxine came out? Because I love that

8:39 Speaker 9: song too, that's such a great track.

8:41 Speaker 10: Yeah, that came out first half of this year.

8:44 Speaker 9: Yeah, okay, okay, but have you guys been around since

8:46 Speaker 9: what twenty twenty one, twenty twenty two, or.

8:50 Speaker 10: Man, time flies, doesn't it? Yeah that sounds about right.

8:54 Speaker 4: Yeah.

8:55 Speaker 10: So we formed originally me and my friend who's no

8:59 Speaker 10: longer with the band, so he was our first bassist.

9:03 Speaker 10: We met in the pub over a drink, decided we

9:06 Speaker 10: wanted to be in a band, and that's kind of

9:09 Speaker 10: how it came about. So me and him started writing

9:11 Speaker 10: some things. Then Liam, the lead singer joined. He'd played

9:15 Speaker 10: in a band previously with our drummer, so that kind

9:18 Speaker 10: of pulled things together. And yeah, it must have been

9:20 Speaker 10: nearly four years now, which is frightening.

9:23 Speaker 8: Wow.

9:23 Speaker 9: Yeah, no, the time does go quickly. Have you guys

9:28 Speaker 9: been you know, we talked a little bit about touchdown

9:32 Speaker 9: playing live. Have you guys been doing a lot of shows?

9:35 Speaker 7: Yeah?

9:36 Speaker 10: We usually gig quite a lot, although the back end

9:38 Speaker 10: of this year we've taken the foot off the gas

9:41 Speaker 10: a little bit and focused more on studio things. We

9:45 Speaker 10: want to get a few new tracks out next year

9:47 Speaker 10: after not giving up. That's just come out of course,

9:51 Speaker 10: and we're putting a big push on social media I

9:53 Speaker 10: think at the moment as well, to try and grow

9:55 Speaker 10: a bit of a stronger online presence. So we do

9:59 Speaker 10: have two shows like for the start of next year. Well,

10:03 Speaker 10: I guess we'll see what the new year brings, but yeah,

10:05 Speaker 10: a lot of focus on studio stuff at the moment

10:08 Speaker 10: and social media.

10:10 Speaker 9: Where do you guys record? You know, I always like to, uh,

10:13 Speaker 9: I mean, I have a bit of an autoio engineering

10:15 Speaker 9: background myself, so I'm a little bit of a nerd

10:17 Speaker 9: for this kind of stuff. But I'm just curious because

10:19 Speaker 9: there's so many different ways to record now. You know,

10:23 Speaker 9: when I was growing I'm old enough to remember when

10:25 Speaker 9: basically your option was you you go to a studio

10:29 Speaker 9: or you know, you could maybe by yourself a little

10:32 Speaker 9: task scam recorder and make four track recordings at home

10:35 Speaker 9: and that was about it. But because it's obvious in

10:38 Speaker 9: listening to your music and talking with you that that

10:42 Speaker 9: sonically it's very important to get this right. You're you're

10:44 Speaker 9: you're clearly, you're every everything is very everything just sounds

10:50 Speaker 9: like you can you can just tell. You can tell

10:52 Speaker 9: by listening to your songs that you put a lot

10:54 Speaker 9: into not only the writing of the songs, but the

10:57 Speaker 9: recording of them, so you it certainly doesn't sound like

11:01 Speaker 9: a situation where you're just going to a studio for

11:04 Speaker 9: a day and spending a couple of hours and banging

11:06 Speaker 9: these out. I assume a lot goes into them. I

11:08 Speaker 9: don't know if you have a producer that you work

11:09 Speaker 9: with or tell me about the recording process.

11:12 Speaker 10: Yeah, of course, yeah, And we love going in the studio.

11:16 Speaker 10: It's the favorite thing for all members of the band.

11:18 Speaker 10: I think they'd all agree of going into the studio.

11:21 Speaker 10: And you're completely right, it's not a case of going

11:24 Speaker 10: in and banging these out in a couple of hours.

11:27 Speaker 10: A lot of work goes into it. I think to

11:29 Speaker 10: give you an insight as to how we operate as

11:33 Speaker 10: a band, and this is very similar across bands of

11:36 Speaker 10: our size. Studio hire is very expensive for alongside hiring

11:42 Speaker 10: a producer as well, so a lot of the work

11:44 Speaker 10: actually comes pre studio. We do a lot of work

11:48 Speaker 10: in practice rooms beforehand. We'll kind of do our own

11:51 Speaker 10: mixes on our own software first. That's where a lot

11:55 Speaker 10: of the experiment experimental things come into play. Then we

11:59 Speaker 10: can go into this studio get the basic layer of

12:03 Speaker 10: the track down and then that gives us a lot

12:06 Speaker 10: of time to play around with other things and different

12:09 Speaker 10: sounds that you can't produce on your own outside of

12:12 Speaker 10: that studio environment. So that's the way that we tend

12:15 Speaker 10: to do it. So we probably get a track down,

12:18 Speaker 10: as you said, you bang it out in a few hours.

12:21 Speaker 10: But then because we've done all of that leg work beforehand,

12:24 Speaker 10: it gives us that freedom of expression, if you will,

12:27 Speaker 10: in the studio to try different things and maybe get

12:30 Speaker 10: different instruments in there, like the sax idea for example.

12:33 Speaker 10: And so that's how we tend to go about our recording,

12:36 Speaker 10: a lot of legwork beforehand, into the studio, get the

12:40 Speaker 10: track down, and then we can I don't think mess

12:43 Speaker 10: around is the right phrase. Yeah, sometimes it feels.

12:46 Speaker 9: Like it, you know.

12:47 Speaker 10: So that's how we tend to go about it. I

12:49 Speaker 10: think we recording a place called the Grand in Clytherill,

12:53 Speaker 10: which actually has a huge stage attached to it, which

12:57 Speaker 10: is awesome. We've played that live which was really cool. Yeah,

13:02 Speaker 10: it's a quite cool venue. Actually it's in a place

13:04 Speaker 10: called Clitherow, which I appreciate. You got to state size.

13:08 Speaker 10: So it's about forty minutes drive from Manchester, okay, so

13:13 Speaker 10: not too.

13:14 Speaker 9: Far away, not bad, No, And it's great that you

13:17 Speaker 9: go there prepared. You know, you can save a lot

13:19 Speaker 9: of time and money if you're well prepared going to

13:25 Speaker 9: the studio. Yeah, it's cool too that it's got a

13:28 Speaker 9: venue there as well. I don't know why. I mean,

13:32 Speaker 9: there's definitely examples here of places like that, but I

13:36 Speaker 9: can't think of any off the top of my head

13:37 Speaker 9: where you know, there's a recording studio and there's a

13:40 Speaker 9: stage and they you know, and it kind of works

13:42 Speaker 9: as both a studio and a venue. It's such a

13:46 Speaker 9: it's such a great concept and it seems so obvious,

13:48 Speaker 9: but it's probably a lot to do correctly. But I wish, like,

13:55 Speaker 9: like I said, I know this place is like that

13:56 Speaker 9: here too. I just can't think of many. I can't

13:58 Speaker 9: think of any off the top of my head. But

14:01 Speaker 9: have you been have you always worked like from the

14:03 Speaker 9: beginning of this project, has it always been the same studio?

14:07 Speaker 6: No?

14:07 Speaker 10: So we recorded a different studio once and this was

14:11 Speaker 10: a long time ago to when our first single came out,

14:13 Speaker 10: so I actually can't recall what the name was. It was.

14:17 Speaker 10: It was somewhere near Warrington, but I don't know. And

14:20 Speaker 10: then since then there was another place I believe in

14:25 Speaker 10: clude Throw that we recorded in, and then so yeah,

14:29 Speaker 10: we're recorded in quite a few actually, now I think

14:31 Speaker 10: about it. One studio was particularly cool because the studio

14:36 Speaker 10: was right at the top of a three story building

14:38 Speaker 10: and the first floor had a bar, so it was great.

14:40 Speaker 10: So once you've done, once you've done, let's say i'd

14:43 Speaker 10: finished my guitar part, so I don't have to sit

14:45 Speaker 10: and listen to Dan bash on the drums or le

14:49 Speaker 10: and du vocals, I can slip away and grab myself

14:51 Speaker 10: a beer and then come back in a few hours

14:54 Speaker 10: time and see what they've cracked on with, which was

14:55 Speaker 10: quite a cool setup. So right, I liked that place,

14:58 Speaker 10: so it was cool.

14:59 Speaker 9: Oh that's cool.

14:59 Speaker 8: That's well.

15:01 Speaker 9: I'm sure I've asked you this before. I think the

15:04 Speaker 9: last time you were on. I'm pretty sure I asked,

15:05 Speaker 9: but I don't remember what the answer was. And you know,

15:08 Speaker 9: obviously we have newer listeners who aren't familiar with you.

15:10 Speaker 10: Yet.

15:10 Speaker 9: Where does the name come from the forensics.

15:14 Speaker 10: That's a really good question. I'm actually not undred percential myself.

15:18 Speaker 10: I'm completely honest with you. We've had that name for

15:21 Speaker 10: a good number of years. I think we just who

15:24 Speaker 10: I think it might have been Liam's idea, and obviously

15:29 Speaker 10: he's not with us today, so I actually don't know

15:31 Speaker 10: where it came from. Obviously, forensics has that tie into

15:34 Speaker 10: police work and that kind of stuff, but we've never

15:39 Speaker 10: We did a bit of that stuff for Maxine. When

15:41 Speaker 10: we released Maxine, some of our artwork was was in

15:45 Speaker 10: forensic suits and we have played we have played live

15:48 Speaker 10: in forensic suits as well, which is quite cool. But

15:52 Speaker 10: by gosh, did they get warm halfway through a show?

15:55 Speaker 10: Really likes pointing at you?

15:57 Speaker 9: Yeah, I can imagine.

15:58 Speaker 10: But as far as the name goes, I don't know

16:00 Speaker 10: where it came from. But when someone pitched the idea

16:02 Speaker 10: forensics to me, I just thought, yeah, it's pretty cool. Yeah,

16:05 Speaker 10: And then the fingerprint as the logo, I thought, yeah,

16:09 Speaker 10: that's quite cool as well. So where it comes from,

16:12 Speaker 10: I have no idea, but I quite like it.

16:14 Speaker 9: Yeah, No, it's excellent. Is that the name that the

16:17 Speaker 9: band had right from the beginning.

16:19 Speaker 10: So we were originally called Riley James and the Summer

16:23 Speaker 10: Tones because Liam was a solo artist before he joined

16:28 Speaker 10: the band, so we played a lot of his solo

16:31 Speaker 10: stuff as a band when we initially came together, so

16:34 Speaker 10: it was called Riley James. That was his single stuff,

16:37 Speaker 10: and the Summer Tones was the idea for the rest

16:39 Speaker 10: of the band. But eventually I think we all came

16:42 Speaker 10: together and thought, no, we want to write music as

16:45 Speaker 10: a band, and if we're going to do that, you know,

16:48 Speaker 10: we need to have a defined name, and so we

16:50 Speaker 10: decided on the Forensics.

16:53 Speaker 9: Was that challenging at all for Liam? I mean, not

16:55 Speaker 9: that you want to speak for him, I'm sure, but

16:57 Speaker 9: I'm just curious because that's obviously an adjustment.

16:59 Speaker 10: For him, right, I think it was and adjustment.

17:02 Speaker 4: Yeah.

17:02 Speaker 10: I don't think he struggled with it. I think it

17:04 Speaker 10: was a conversation that happened over a good number of weeks.

17:07 Speaker 10: There was a bit of back and forth, of course,

17:09 Speaker 10: on which way we wanted to take the band. I

17:12 Speaker 10: think looking back now over the years, it was certainly

17:15 Speaker 10: the right decision, and I think we've got a really

17:18 Speaker 10: unique sound now as a band. It's interesting to watch

17:21 Speaker 10: how we progress from what you could define as quite

17:25 Speaker 10: light indie pop to almost rocky in a sense, which

17:29 Speaker 10: is quite a cool development. Yeah, and I don't think

17:32 Speaker 10: that would have happened if it was driven by one individual.

17:35 Speaker 10: I think that's because as a group we have very

17:39 Speaker 10: unique and individual inspirations, which when you put them all together,

17:44 Speaker 10: is quite a good recipe.

17:46 Speaker 9: So yeah, absolutely, absolutely, so yeah, so not giving up

17:52 Speaker 9: is really new. And then what's kind of the do

17:54 Speaker 9: you know when the next single is going to be

17:56 Speaker 9: or what's kind of the forward? Tragic as far as

18:02 Speaker 9: because I assume, I mean, it strikes me that you

18:04 Speaker 9: guys probably have a lot of ideas in the band.

18:08 Speaker 9: I mean you're probably always writing, I would guess.

18:11 Speaker 10: Always writing. Yeah, many many songs. If we jumped into

18:15 Speaker 10: the studio tomorrow and had unlimited time. I think we

18:19 Speaker 10: have about ten tracks right now that we could record.

18:22 Speaker 10: So obviously a lot of that makes up our live performances,

18:26 Speaker 10: which is it keeps it fresh as well, because you

18:29 Speaker 10: can rotate songs in and out, so you never get

18:32 Speaker 10: bored of the tracks you're playing with. Regards to future plans,

18:37 Speaker 10: unconfirmed as to when we're going to release them, but

18:40 Speaker 10: we are in the studio in two weeks time to

18:43 Speaker 10: finish off three tracks that we got down a few

18:46 Speaker 10: months ago. Oh so we went went to the studio

18:48 Speaker 10: a few months back, got three quarters of them done,

18:52 Speaker 10: I would say. So we're going back in two weeks

18:54 Speaker 10: to get vocals and lead guitar finished, which I'm excited for.

18:59 Speaker 10: When the will come out, I'm not too sure, but

19:01 Speaker 10: there's three singles that within two weeks time should be

19:04 Speaker 10: pretty close to to mastard and ready for release.

19:08 Speaker 9: Oh fantastic, Yeah, no, I can't can't wait to hear them. Man,

19:13 Speaker 9: you know, we we'd love to continue to be sort

19:15 Speaker 9: of your your conduit here into the American radio market

19:18 Speaker 9: because we love what you're doing. I remember the response

19:21 Speaker 9: that we got when we played Maxine for the first time,

19:24 Speaker 9: and we you know, we heard a lot of positive

19:26 Speaker 9: response on that here. It's such a great song, gets

19:28 Speaker 9: really gets stuck in your head. You know, it's so good,

19:32 Speaker 9: so so absolutely love it. And then so are you

19:35 Speaker 9: are you do you have live shows like this weekend.

19:38 Speaker 10: Or no, not this weekend. So we're not doing any

19:43 Speaker 10: live shows now until next year. Okay, So I think

19:46 Speaker 10: our first show is April. I think the main focus

19:50 Speaker 10: is get in the studio, get these tracks finished, and

19:52 Speaker 10: then figure out a release schedule for them, you know,

19:55 Speaker 10: understanding what we want to do for social media promotion

20:00 Speaker 10: and vinyl pressing and that kind of stuff, So I

20:04 Speaker 10: think that'll be our main focus for the next few months.

20:07 Speaker 9: Yeah, that makes a lot of sense. Absolutely absolutely well Jordan,

20:11 Speaker 9: you know, we appreciate you joining us, love the new track,

20:13 Speaker 9: not giving up and in a moment, well, like I said,

20:16 Speaker 9: we'll end the conversation with Maxine, another great song. Where's

20:21 Speaker 9: the best place for people to go online to keep

20:23 Speaker 9: up with everything that the Forensics is doing?

20:26 Speaker 10: So the best place to find us for understanding a

20:29 Speaker 10: bit more about us on a personal level is definitely TikTok.

20:33 Speaker 10: So that's just at Forensics Band. Find us on TikTok.

20:37 Speaker 10: We post on their very regularly once a day probably.

20:41 Speaker 10: If you want more official updates, gigs, single releases, all

20:46 Speaker 10: that kind of good stuff, Instagram's probably the best place

20:50 Speaker 10: for that. That would be the same handle that would

20:52 Speaker 10: be at Forensics Band. So either of them Facebook not Facebook,

20:57 Speaker 10: So I didn't mention that Instagram or TikTok would be

20:59 Speaker 10: the best place.

21:00 Speaker 9: Okay, wonderful, wonderful, Well, Jordan, thank you again so much.

21:04 Speaker 9: We'll let you go and we're gonna hit this track, Maxine.

21:07 Speaker 9: But we appreciate you talking with us today and we'll

21:10 Speaker 9: definitely do it again in the future. And you know,

21:12 Speaker 9: like I said, whenever the next single's ready, we'll we'll

21:14 Speaker 9: have you back on and we'll we'd love to do

21:16 Speaker 9: the American radio premiere here and keep up the great work.

21:19 Speaker 9: We're big fans here.

21:21 Speaker 10: Yeah, for sure. No, I appreciate it. Thank you very

21:23 Speaker 10: much for having me. It's great to shot.

21:24 Speaker 9: All right, Jordan, thank you, take care, thanks you too,

21:27 Speaker 9: Bye bye bye bye. All right. That is Jordan from

21:30 Speaker 9: the band The Forensics, and we're gonna play now the

21:34 Speaker 9: first single that we played from the band here on

21:37 Speaker 9: the show again. This is a personal favorite of mine.

21:39 Speaker 9: I know Jenny really loves this one too. This is

21:41 Speaker 9: called Maxine and the band is The Forensics.

21:47 Speaker 3: Just ge't again on the places where we've been, and

21:53 Speaker 3: I just get a ready all.

21:55 Speaker 5: The things out we have seen. No at you away,

22:02 Speaker 5: because I've seen you with my dreams.

22:06 Speaker 8: Oh please not.

22:08 Speaker 5: I see sat near free.

22:41 Speaker 2: Gody fish swimming against the side.

22:48 Speaker 5: The morning rings mean.

22:50 Speaker 7: Green sleeves, us wondering why.

22:55 Speaker 2: Mess by decrease and stee averring things something.

23:02 Speaker 5: It's an even.

23:04 Speaker 4: Don't we.

23:06 Speaker 6: That so being said?

23:08 Speaker 11: Li tells gut Age then he said, its loving these things.

23:15 Speaker 11: Then I'll try to step away some things. We have scenes,

23:23 Speaker 11: No you say the teams.

23:29 Speaker 5: Go please are Class.

23:33 Speaker 7: Seven scene.

23:44 Speaker 6: See standing around the ceiling.

23:56 Speaker 5: You feel like it's all boom. You bought those Acevenings.

24:03 Speaker 4: They still there.

24:04 Speaker 6: They know soun.

24:07 Speaker 5: You wet un slee and this house says day bout.

24:14 Speaker 4: Some say the Leadings got away your mess, and no.

24:23 Speaker 7: Say seven free.

24:49 Speaker 4: Se say.

25:51 Speaker 9: I love that track so much. That is Maxie. The

25:53 Speaker 9: band is the Forensics. I love that band so much too,

25:56 Speaker 9: so I'm gonna play one more from them. This track

25:59 Speaker 9: is called LSF and this is the Forensic and Forensics sorry,

26:04 Speaker 9: and then after that we're gonna come back in a

26:07 Speaker 9: little bit of interesting music news actually uh music, Well

26:12 Speaker 9: you'll it's interesting. I'll just leave it at that. That's

26:15 Speaker 9: my teaser, uh that we will come back and tackle

26:19 Speaker 9: just briefly after this track. But here it is. This

26:22 Speaker 9: is the Forensics. One more for you. This is called LSF.

26:25 Speaker 8: This is a great songs.

26:46 Speaker 5: I'm interestingly.

26:49 Speaker 2: Elexnic Certifika.

26:55 Speaker 5: I'm waiting, go on it, get on it.

27:08 Speaker 12: I'm traving through a Bamba Nada, black Ussis and Bishops.

27:13 Speaker 12: I just said, we go on it electronics, houllify across

27:19 Speaker 12: the shoot the boss all by messigh your body.

27:38 Speaker 6: We come.

28:00 Speaker 4: Scald this celi fire know.

28:04 Speaker 8: What need it. It's closer.

28:06 Speaker 7: I'm saying to stand and I.

28:08 Speaker 5: Don'tmost step out likening this, you.

28:11 Speaker 12: Sell fire the deeper, the sleepert besideing fen.

28:31 Speaker 6: We we.

28:57 Speaker 5: Set s.

30:00 Speaker 10: S S.

30:17 Speaker 6: S.

31:04 Speaker 1: You're listening to Matt Connorton Unleashed on WM and H

31:09 Speaker 1: ninety five point three.

31:18 Speaker 9: Hey, everybody, you are listening to Matt Connorton Unleashed, and

31:21 Speaker 9: we are live from the studios of wm NH ninety

31:25 Speaker 9: five point three FM and Glorious Manchester, New Hampshire. Of course,

31:29 Speaker 9: you can stream the show from anywhere. Go to Matt

31:31 Speaker 9: connorton dot com slash live for all your live streaming options,

31:34 Speaker 9: social media links, contact info, show archives, et cetera, et cetera.

31:38 Speaker 9: I do want to thank everyone who has joined us

31:40 Speaker 9: on the show today, for those of you listening live

31:42 Speaker 9: on Saturday. Of course, in the first hour we had

31:44 Speaker 9: Rob critch Lee from the band The Fods, and we're

31:47 Speaker 9: actually going to close out the show in just a

31:49 Speaker 9: few minutes with another track from The Fods. In the

31:52 Speaker 9: second hour, let's see. In the second hour, of course,

31:54 Speaker 9: we had the guys from Baron Kismo love their new

31:57 Speaker 9: single Easy that just came out pretty recently. We did

32:00 Speaker 9: the American radio premiere for that on the show I

32:02 Speaker 9: think a week or two ago. It becomes a bit

32:04 Speaker 9: of a blur, but love talking to those guys. And

32:06 Speaker 9: then of course we talked with Jordan from the band

32:09 Speaker 9: The Forensics. We just heard two songs from the Forensics

32:12 Speaker 9: to close out that conversation, Max Scene their first single

32:16 Speaker 9: and LSF.

32:17 Speaker 8: And then we.

32:19 Speaker 9: Had a great conversation with Jordan. So love that band.

32:23 Speaker 9: Right now though, since we have time, a little bit

32:26 Speaker 9: of music news, but this particular item, this news item

32:32 Speaker 9: actually combines well, we could do this on two different shows.

32:38 Speaker 9: This is appropriate for Matt connorton Unleashed because we do

32:42 Speaker 9: talk about things going on in the music industry on

32:44 Speaker 9: this show. I also, of course host along with our

32:48 Speaker 9: friend Eric Pilcher, the podcast called Tough Bumps, which is

32:52 Speaker 9: about wrestling, and we do that on the weekend. We'll

32:55 Speaker 9: probably do one this weekend sometime on Sunday. That is

32:59 Speaker 9: completely effort from WM ANDH. Of course, that is strictly

33:02 Speaker 9: a podcast. You can find it on the IPM Nation

33:04 Speaker 9: YouTube channel. We share it out on Facebook and everywhere

33:07 Speaker 9: else so and you can subscribe to it on your

33:09 Speaker 9: podcast platform of choice. Please subscribe to the Tough Bumps podcast.

33:14 Speaker 9: We would love your support, So we do that every

33:16 Speaker 9: weekend and this particular news item. So we're gonna talk

33:21 Speaker 9: about this now, but we might also talk about it

33:23 Speaker 9: on Tough Pumps with Eric. This is from Billboard. John

33:27 Speaker 9: Cena hit with lawsuit over famed horns sample in theme

33:32 Speaker 9: song The Time Is Now. The WWE wrestler turned movie

33:36 Speaker 9: star is facing legal claims that the intro to his

33:40 Speaker 9: theme song is based on a sample of a nineteen

33:43 Speaker 9: seventy four recording that was never properly cleared. Now you

33:48 Speaker 9: hear about this, well, you don't hear about it nearly

33:50 Speaker 9: as much anymore because everyone's gotten a lot smarter about

33:53 Speaker 9: it legally. But you know, I remember growing up there

33:56 Speaker 9: were always stories about in hip hop, a hip hop

34:00 Speaker 9: artist releases a song, there's a sample in the song,

34:04 Speaker 9: very often from an early R and B song, or

34:07 Speaker 9: you know, it could be from anything. But so these

34:11 Speaker 9: artists would release this music, these hip hop songs with

34:14 Speaker 9: samples in them that were not cleared with the rights

34:18 Speaker 9: holder of whoever owns that audio, whether it be the

34:20 Speaker 9: original artist who did that song that the sample is

34:24 Speaker 9: taken from, or a record label or whomever. Right, so

34:28 Speaker 9: uncleared samples became a problem. And then you know, obviously

34:33 Speaker 9: there's been a lot of litigation about that over the years,

34:36 Speaker 9: and I think you don't really hear about that much today.

34:39 Speaker 9: That is a story that you heard a lot in

34:42 Speaker 9: the eighties and the nineties and even in the two thousands,

34:45 Speaker 9: But today you don't really hear a lot of stories

34:47 Speaker 9: about while this artist is getting sued because they have

34:50 Speaker 9: an uncleared sample on their song or on their album.

34:55 Speaker 9: But here now John Cena. Of course, John, he has

35:00 Speaker 9: become a mainstream celebrity. He is one of the celebrities.

35:03 Speaker 9: He's one of the wrestlers who professional wrestlers who's has

35:06 Speaker 9: transcended wrestling and gone on to be a mainstream celebrity.

35:10 Speaker 9: Obviously the biggest example of that being The Rock. The

35:13 Speaker 9: Rock one of the highest, if not the highest paid

35:15 Speaker 9: movie star in Hollywood who initially became famous because of wrestling.

35:21 Speaker 9: That's why we call him the Rock, even though his

35:22 Speaker 9: real name is Dwayne Johnson, Dwayne the Rock Johnson. But

35:28 Speaker 9: you know, he's the greatest example of that. And then

35:30 Speaker 9: of course there's other people who you know, hull Cogan

35:33 Speaker 9: who passed away not too long ago, hul Cogan, who

35:36 Speaker 9: did not find mainstream success in cinema. His movies were

35:40 Speaker 9: largely panned because of the films that he starred in.

35:44 Speaker 9: Not you know, I'm not talking about Rocky, I'm talking

35:46 Speaker 9: about the films where Hogan was actually the star are

35:48 Speaker 9: generally pretty awful. So but that doesn't change the fact

35:53 Speaker 9: that hul Cogan, despite not really finding success outside of

35:57 Speaker 9: professional wrestling, absolutely one of the most fas people on

36:00 Speaker 9: the planet. So, but John Cena has also Now John

36:05 Speaker 9: Cena is not he has not hit the stratosphere that

36:07 Speaker 9: the Rock has hit, of course, but John Cena very

36:10 Speaker 9: successful in Hollywood and has transcended professional wrestling. He also

36:17 Speaker 9: had and this was really sort of a part of

36:21 Speaker 9: his professional wrestling career. He did release an album. He

36:24 Speaker 9: has one hip hop album that he released on WWE's

36:29 Speaker 9: label at the time, and one of the tracks from

36:32 Speaker 9: that album is called the Time is Now, and the

36:36 Speaker 9: Time Is Now is the song that John Cena comes

36:40 Speaker 9: out to. Now. John Cena has also been in the news.

36:43 Speaker 9: When I say it comes out to I mean when

36:44 Speaker 9: he comes out of the entrance and goes to the ring.

36:47 Speaker 9: For people who are like, what if you're not a

36:49 Speaker 9: wrestling fan, you don't know that, So that's what I

36:52 Speaker 9: mean by come out to Now. John Cena also has

36:56 Speaker 9: been relevant within wrestling recently because he's on his retire

37:00 Speaker 9: Ironment tour. He's about to have his final wrestling match

37:04 Speaker 9: ever in the WWE, and you know, he's forty eight

37:08 Speaker 9: years old and this is it. He's going to commit

37:11 Speaker 9: to Hollywood full time, which makes sense. And of course

37:16 Speaker 9: there was the John Cena heel turn that happened a

37:19 Speaker 9: while back, which actually got a lot of mainstream media attention,

37:23 Speaker 9: even though it was part of a professional wrestling storyline,

37:27 Speaker 9: but it was such a big deal that the mainstream

37:29 Speaker 9: media paid attention to it. So a lot of interesting

37:32 Speaker 9: things in a heel turn. Again, for people who don't know,

37:34 Speaker 9: that's when a good guy becomes a bad guy. So

37:36 Speaker 9: John Cena during his final year in WWE became for

37:41 Speaker 9: a short time, he became a bad guy. He became

37:43 Speaker 9: a villain, which I thought was very entertaining, but not

37:46 Speaker 9: everyone liked it. But anyway, So John Cena is pretty

37:49 Speaker 9: relevant these days on multiple levels. He just apparently he

37:54 Speaker 9: just was on the Joe Rogan podcast Joe Rogan. I mean,

37:58 Speaker 9: I know his stock has fallen a little bit, but

38:00 Speaker 9: he's still one of the if not the biggest podcasts

38:03 Speaker 9: in the world. And Johnsena was just on there. So

38:05 Speaker 9: so John Cene is very relevant right now. But this

38:09 Speaker 9: theme song that he's been using for twenty years, apparently

38:13 Speaker 9: there is a problem with the sample the horn section.

38:17 Speaker 9: Now I should what I'll do is I should have

38:20 Speaker 9: had this ready, but let me grab his theme song,

38:24 Speaker 9: The Time is Now. I think he says in the

38:27 Speaker 9: song you can't see me the Time is Now, because

38:30 Speaker 9: that's you know, his thing too, you can't see me? Okay.

38:34 Speaker 9: I thought it was called My Time is Now, but

38:35 Speaker 9: apparently it's actually called the Time is Now. So there's

38:38 Speaker 9: there's horns in it, even though it's a hip hop song.

38:42 Speaker 9: Let's see here it is the Time is Now. I'll

38:44 Speaker 9: just play a little bit of it for you. Why

38:46 Speaker 9: does this have a parental advisory on it? There's no? Uh,

38:48 Speaker 9: all right, well, here's definitely a clean version. I was

38:50 Speaker 9: gonna say, I don't think there's any swears in it.

38:52 Speaker 9: Here's a clean this. This one's definitely clean though, except

38:56 Speaker 9: there might be a commercial to sit through before I

38:58 Speaker 9: play this. But just so if you're not familiar with

39:00 Speaker 9: the song, So you can hear the horns, I don't

39:06 Speaker 9: hear anything. Oh, here we go. Hang on, all right,

39:11 Speaker 9: here it comes. You can hear the horns right, Your

39:25 Speaker 9: time now? Okay, So he actually does say my time

39:31 Speaker 9: is now, but the song is called the Time is Now.

39:34 Speaker 9: All right, let's pause that. Uh so there's an uncleared

39:40 Speaker 9: sample on that apparently. So here's the here's the article again.

39:45 Speaker 9: This is from Billboard. WWE superstar and actor John Cena

39:48 Speaker 9: is facing a lawsuit over the iconic horn riff from

39:52 Speaker 9: his entrance theme, The Time is Now. A questionable legal case,

39:56 Speaker 9: but one that shines a light on a tortured history

39:59 Speaker 9: of sam and credits behind the famed song. That's interesting.

40:04 Speaker 9: So apparently there have been other legal issues with the

40:06 Speaker 9: song that I was not aware of, says. The lawsuit

40:09 Speaker 9: was filed by the daughter of Pete Schofield, who's nineteen

40:12 Speaker 9: seventy four recording of the Night the Lights Went Out

40:15 Speaker 9: in Georgia. Everybody knows that song right That's the Night

40:18 Speaker 9: that the lights went out in Georgia is the undisputed

40:22 Speaker 9: source of the blaring horn blasts at the start of

40:26 Speaker 9: Sina's two thousand and five track. In it, she claims

40:30 Speaker 9: that Sina and the WWE failed to properly clear the

40:35 Speaker 9: sample and breached an earlier fifty thousand dollars settlement over

40:39 Speaker 9: the dispute. Now, I did not know. This is news

40:43 Speaker 9: to me. I did not know that that had ever happened.

40:45 Speaker 9: I think they kept it very quiet. I did not

40:48 Speaker 9: know that there was ever a problem established previously over

40:53 Speaker 9: that horn section. I do want to and I didn't

40:56 Speaker 9: know that there was a settlement. Now you might be thinking,

40:58 Speaker 9: though I do know this, might be thinking, why if

41:01 Speaker 9: this was already settled, why is this coming up again.

41:04 Speaker 9: There's a very good reason. There's a very good reason.

41:07 Speaker 9: But we'll come back to that, because I want to

41:09 Speaker 9: pull this up. Now. I know the song the Nights

41:14 Speaker 9: the night the lights went out in Georgia, I do

41:17 Speaker 9: not know. I can't remember though, like I haven't heard

41:22 Speaker 9: it in a long time. Is that like if I

41:25 Speaker 9: pull that song up, which I'm going to do now,

41:28 Speaker 9: and we listen to that, are we going to hear

41:31 Speaker 9: that exact I just want to hear it for myself.

41:34 Speaker 9: Is it really sampled from that? Because I haven't heard

41:37 Speaker 9: that song in forever, But I don't remember hearing in

41:40 Speaker 9: that song, you know, the horns. So let's let's find out.

41:48 Speaker 9: Pete Schofield and the Canadians The Night the Lights Went

41:51 Speaker 9: Out in Georgia. Let's see. I don't know where in

41:56 Speaker 9: the song the horns appear, but let's uh, let's find out.

42:35 Speaker 9: So this is obviously not the version of the song

42:39 Speaker 9: that we're used to hearing. I can't remember because the

42:41 Speaker 9: version we're used to hearing, the big hit song The

42:43 Speaker 9: Night the Lights Went Out in Georgia has vocals. I

42:46 Speaker 9: can't remember who does it, but this is Pete Schofield,

42:48 Speaker 9: you know, jazz musician doing his version of it, which

42:51 Speaker 9: is an instrumental. I'm hearing a lot of horns, and

42:53 Speaker 9: the horns sound similar in tone and timbore to the

42:58 Speaker 9: horns in John seen As theme. But I don't hear

43:02 Speaker 9: so far. I don't hear that actual.

43:06 Speaker 3: Do you.

43:07 Speaker 9: I don't hear the actual riff. But let's listen to

43:09 Speaker 9: a little bit more of this. Not hearing it.

43:49 Speaker 8: Where is it?

43:51 Speaker 9: Is it right at the beginning, because I failed to

43:53 Speaker 9: unmute this right at the beginning. Let's go back to

43:55 Speaker 9: the very beginning. We're not going to listen to a

43:57 Speaker 9: whole thing, I promise, because just kill me. I don't

43:59 Speaker 9: like this kind of stuff. But here, oh there it is.

44:05 Speaker 9: It's in the beginning. Okay, here, all right, okay, guilty. Yeah,

44:17 Speaker 9: they definitely took it from that, all right, no getting

44:20 Speaker 9: around it. I'm glad I went back to the beginning.

44:25 Speaker 9: Let's see, let's go back to this article. Okay, so

44:28 Speaker 9: they settled. They settled that for fifty grand. Now there's

44:33 Speaker 9: more to this article. Let's back up a little bit actually, Okay.

44:41 Speaker 9: So the lawsuit was filed by the daughter of Pete Schofield,

44:45 Speaker 9: who's nineteen seventy four recording is the undisputed source of

44:49 Speaker 9: the Blaring Horns Horn blasts at the start of Sina's

44:52 Speaker 9: two thousand and five track. In it, she claims that

44:54 Speaker 9: SENA and the WWE failed to properly clear the sample

44:57 Speaker 9: and reached an earlier fifty thousand dollar settlement over the dispute. Okay, so,

45:03 Speaker 9: Kim Schofield rights. This is from her December second lawsuit

45:10 Speaker 9: obtained by Billboard, which names both John Cena and WWE

45:15 Speaker 9: as defendants. Quote. Every effort at informed resolution has been

45:19 Speaker 9: met with threats, misrepresentations, and intimidation tactics, leaving plaintiff with

45:24 Speaker 9: no recourse but to seek relief from this court. Unquote.

45:30 Speaker 9: Now again, this was previously settled, So why is this

45:32 Speaker 9: coming up again? Says here The time is now, in

45:36 Speaker 9: which Sina wraps over a beat created by producer Jake

45:39 Speaker 9: One was released in two thousand and five by Columbia

45:42 Speaker 9: House Records and WWE Music Group. The track served as

45:45 Speaker 9: a theme song during Sena's rise to superstardom and later

45:48 Speaker 9: became a popular track in social media memes. The track

45:52 Speaker 9: will likely play at some point during his final WWE

45:55 Speaker 9: appearance next week before he retires from wrestling. The song

45:58 Speaker 9: is something of a crediting nightmare. The famed horns are

46:02 Speaker 9: pulled from Schofield's recording of the Night Went Out in

46:05 Speaker 9: Georgia I'm Sorry the Night the Lights Went Out in Georgia,

46:09 Speaker 9: which is a cover of a composition by songwriter Bobby

46:12 Speaker 9: Russell that's also been released by multiple other artists, including

46:15 Speaker 9: Vicky Lawrence, Oh, Vicky Lawrence. She's the one who had

46:18 Speaker 9: the big hit with it, Vicky Lawrence and Reba McIntyre.

46:21 Speaker 9: Sena song also samples heavily the mop's two thousand hip

46:25 Speaker 9: hop classic Anti Up, which itself drew on samples from

46:28 Speaker 9: Sam and Dave's soul sister Brown Sugar. Yeah, that's a

46:33 Speaker 9: lot of sampling. The complex audio lineage has already led

46:38 Speaker 9: to previous legal battles. Back in two thousand and eight,

46:41 Speaker 9: MOP sued WWE Oversena's use of the Anti Up sample,

46:45 Speaker 9: claiming that they had expressly refused to approve the use

46:50 Speaker 9: of their track and that WWE had cleared it by

46:53 Speaker 9: getting a signature from a receptionist at an unaffiliated company.

46:58 Speaker 9: I didn't know about any of this. This is fast,

47:00 Speaker 9: but that case was quickly dropped a few months later

47:03 Speaker 9: on undisclosed terms. In Schofield's lawsuit, filed with the help

47:10 Speaker 9: of lawyers Kim, Schofield paints a complicated picture of her allegations.

47:14 Speaker 9: She says she finally didn't know about seeing his use

47:18 Speaker 9: of the song until twenty fifteen, and that they had

47:22 Speaker 9: signed a settlement deal in twenty seventeen. This is important

47:26 Speaker 9: with WWE for fifty thousand dollars covering the sample of

47:30 Speaker 9: the sound recording, but at some point later, she claims,

47:35 Speaker 9: they realized they also owned publishing rights two aspects of

47:41 Speaker 9: Schofield Scofield's nineteen seventy four song that were distinct from

47:47 Speaker 9: Russell's original composition. This guet's very complicated. Such allegations could

47:52 Speaker 9: face an uphill climb in court. Decade old claims of

47:55 Speaker 9: copyright infringement could very likely be barred in the statute

47:59 Speaker 9: of limitations or by earlier settlement. Yeah, I mean copyright law,

48:04 Speaker 9: trademark law, intellectual property law. All of it gets very,

48:07 Speaker 9: very complicated. I find it fascinating. I hope some of

48:11 Speaker 9: you do. It's also not legally clear that Schofield can

48:15 Speaker 9: claim the rights she says she owns, nor that she

48:17 Speaker 9: can blame WWE for the fact that she was unaware

48:20 Speaker 9: of them when she signed the earlier deal. Reps for

48:26 Speaker 9: Sena and the WWE did not immediately return her request

48:29 Speaker 9: for a comment on Friday. In her lawsuits, Schofield says

48:33 Speaker 9: lawyers for WWE told her that the twenty seventeen settlement

48:38 Speaker 9: was final and binding on any claims related to the

48:43 Speaker 9: time is now, and that she could not later reopen

48:46 Speaker 9: negotiations merely because she had seller's remorse. They also allegedly

48:51 Speaker 9: told her that they had fully cleared the sample by

48:54 Speaker 9: inking a license with the airs of Bobby Russell, the

48:58 Speaker 9: songwriter who wrote the song that Schofield recorded. The lawsuit

49:03 Speaker 9: also names Russell's airs as defendants. The younger Schofield claims

49:08 Speaker 9: they have improperly been receiving the royalties for seen as

49:11 Speaker 9: use of the sample, and that they have recently threatened

49:13 Speaker 9: to sue her if she does not stop claiming her

49:16 Speaker 9: own rights to the song. The Russell Airs could not

49:19 Speaker 9: immediately be located for comment. While cover artists can get

49:23 Speaker 9: sound recording copyrights to their specific performances, they cannot typically

49:27 Speaker 9: claim composition rights, a common sense rule, since the underlying

49:31 Speaker 9: music in a cover was necessarily written by someone else.

49:35 Speaker 9: In fact, making substantial changes to the underlying song can

49:38 Speaker 9: turn a legal cover track into an unauthorized derivative. Now

49:43 Speaker 9: there's something else to this that this article leaves out.

49:47 Speaker 9: That I was reading last night, and that is and

49:52 Speaker 9: I'm surprised it is not included in this article. Part

49:55 Speaker 9: of what Kim Schofield is mad about is that she

49:59 Speaker 9: claims that when that fifty thousand dollars settlement was reached,

50:05 Speaker 9: because that seems like a low number to me for

50:07 Speaker 9: this kind of case. When she agreed and her lawyers

50:11 Speaker 9: agreed to that fifty thousand dollars settlement, they were unaware,

50:17 Speaker 9: and she has claimed that WWE and their attorneys intentionally

50:22 Speaker 9: tried to hide this from her. She was unaware that

50:26 Speaker 9: that song was about to be used in a national

50:31 Speaker 9: advertising campaign for I Think It's Toyota, that I Think

50:37 Speaker 9: there were Toyota ads with John Cena's voice in the

50:41 Speaker 9: ad is the voiceover, and that that song is playing

50:44 Speaker 9: in the ad, specifically with that horn riff that's in

50:49 Speaker 9: the ad, and she agreed to that fifty thousand dollars figure,

50:56 Speaker 9: not knowing that. Two days later, two days after she

51:02 Speaker 9: agreed to that settlement, that ad campaign rolls out and

51:07 Speaker 9: on televisions throughout the United States. People are seeing this

51:11 Speaker 9: ad with that song and that horns sample in the

51:15 Speaker 9: ad for Toyota, and and she claims that they intentionally

51:22 Speaker 9: tried to hide that from her. They concealed that from

51:24 Speaker 9: her because they knew she would ask for a bigger

51:28 Speaker 9: number if she knew that that song was about to

51:31 Speaker 9: be used in a national advertising campaign, a high profile

51:34 Speaker 9: national advertising campaign, so she's mad about that. So that's

51:38 Speaker 9: also part of her claim here. But so there you go.

51:45 Speaker 9: That is again that is from Billboard dot com. So

51:49 Speaker 9: there's a lot a lot there. All right, we are

51:50 Speaker 9: going to begin to wrap up. I want to fit

51:53 Speaker 9: in one more track from the Fods, great song called Shopping.

51:58 Speaker 9: This was the first single that we ever played them

52:00 Speaker 9: on the show. But again, I do want to thank

52:01 Speaker 9: everybody who joined us today, Rob Critch Lee from the

52:04 Speaker 9: Fods of course in the first hour, and then we

52:07 Speaker 9: had Jordan from the Forensics in the third hour, and

52:10 Speaker 9: we had the whole band of Baron Kismo in the

52:13 Speaker 9: second hour who joined us today. So a fun show today.

52:16 Speaker 9: I hope everyone is well. If you want to know

52:18 Speaker 9: more about me and all the things I'm up to,

52:20 Speaker 9: Matt Coonorton dot com is my website. Jenny is not

52:23 Speaker 9: here with us today, she's at home, but she'll be

52:25 Speaker 9: back soon. But her website is Jencoffee dot com. Please

52:29 Speaker 9: check that out because she's always up to a lot

52:31 Speaker 9: of really good stuff, important work that she is doing.

52:34 Speaker 9: And oh and this weekend, I believe Eric Pilter and

52:38 Speaker 9: I will be doing a new episode of Tough Bumps,

52:40 Speaker 9: a new live stream on Sunday night, so be sure

52:43 Speaker 9: to tune in for that and please subscribe to that

52:45 Speaker 9: podcast on your podcast platform of choice. And Eric, of

52:51 Speaker 9: course is you know, he's still he hasn't been directly involved,

52:54 Speaker 9: but he's still an important part of Matt Connorton Unleashed

52:56 Speaker 9: as well, which is to say that those classic film

52:59 Speaker 9: are views that were very popular on the show, those

53:02 Speaker 9: will be coming back, I believe in January as Eric's plan.

53:05 Speaker 9: So so Eric is still very much with us as well,

53:08 Speaker 9: very very much involved. Dad, if you're listening, I love you.

53:11 Speaker 9: I hope you're well or will be well. You're not well,

53:14 Speaker 9: but that's why you're in mass general, but but you

53:16 Speaker 9: had surgery. I hope your recovery goes well and there

53:20 Speaker 9: is a path forward for you coming out of what

53:22 Speaker 9: you've been going through. And thank you everyone who's been

53:26 Speaker 9: very supportive with that.

53:27 Speaker 8: Appreciate you.

53:28 Speaker 9: And if you missed any part of today's show, we'll

53:30 Speaker 9: be up in just a little bit at wmnhradio dot

53:32 Speaker 9: org and at my website Matt Connorton dot com, and

53:36 Speaker 9: we will leave you with this track again. This is

53:39 Speaker 9: from the Fodds. This is the first single that we

53:42 Speaker 9: played on the show and I love this a lot.

53:44 Speaker 9: This is called shopping. To close out this week's Matt

53:46 Speaker 9: Connorton Unleashed Bye everybody.

53:53 Speaker 5: She wears goo car.

53:58 Speaker 1: And he's one of them.

53:59 Speaker 5: Thank you, burned time.

54:03 Speaker 6: No, as soon as buy your brand new too.

54:09 Speaker 13: You're just su same all the races. I see you

54:14 Speaker 13: by that brand new dress. Something's going wrong. I know

54:19 Speaker 13: they shouldn't take this roll.

54:21 Speaker 5: Somebody give me out all right by while crazy? You

54:50 Speaker 5: mustn't ray.

54:54 Speaker 14: Ill this farming just want to follow me to be the.

55:02 Speaker 10: May?

55:02 Speaker 8: What about?

55:03 Speaker 5: Says? I don't see some does some especially within me,

55:10 Speaker 5: especially with ly sep ly do sils just got some

56:11 Speaker 5: time le sills got some time. Hole. So what we

56:24 Speaker 5: do and made ourselves just passes? Stop that leave si

57:32 Speaker 5: sa when we do any little souls listen lexee me No,

58:00 Speaker 5: did I would make you proud? Come so far from

58:03 Speaker 5: Mona yesterday? Still not clear?

58:08 Speaker 1: How the hell are we get here the rest of years?

58:11 Speaker 5: Ancern in sua age's concerning me? Mean, go hon there's

58:20 Speaker 5: nothing from me? So I don't want a time.

58:27 Speaker 14: So got about the trainway, got up to the Free

58:32 Speaker 14: just a dot of cr.

58:36 Speaker 5: Something's not.

58:42 Speaker 2: Always chasing something new, got to something.

58:45 Speaker 4: In of you.

58:46 Speaker 5: And am I going on my way? Not not to

58:51 Speaker 5: me over look that you never thought I should. I

58:55 Speaker 5: am lunching you and all go gasserted me. I mean

59:04 Speaker 5: there's nothing.

59:05 Speaker 14: From me, I said, I want to tell you I

59:12 Speaker 14: got I got the train. Anyway you go to the Free,

59:16 Speaker 14: it's just a dollar cross

59:20 Speaker 8: The st