Matt Connarton Unleashed 2-7-26 hour 2

0:00 Speaker 1: W M n H rip the novels.

0:06 Speaker 2: You're listening to Matt Connorton Unleashed on w M and H ninety five.

0:12 Speaker 3: Point three and now exclusively on w M n H ninety five point three f M and Matt Connorton on Leash. It's the world radio premiere of Hurricane. Stand up, Yeah, stand up straight, falling fall, shut your mouth right full forward.

0:28 Speaker 1: Odd's right.

0:28 Speaker 3: So we can't see what's left?

0:30 Speaker 4: What left? What left?

0:31 Speaker 5: What weapons of man destruction to the planet. Paint the little sell to kill us, send out children, but they kept asking for more. Walk the lines of that ad been painted on the ground, the blood that we bleed sailing across the sea. So will tell me now wherever it's the difference of you and me, different colors, different tones, what we can see the differences of you with me, trade troop of flags and pride that allow say, drew de side outside.

0:51 Speaker 1: But we all came from the same place, same place. Even nature has.

0:55 Speaker 5: Had enough of this rivalry, flood in our homes with all his tears set and fisy erupted them. With no more blood on the banners that we salute, no more think they in the ways of its media. You you no more building up walls with our freedom and chains, shackling.

1:08 Speaker 1: Our children for a future of pain.

1:10 Speaker 5: Over the eyes and look to the left. See what happens when we listen to last Watch what everyone dies.

1:15 Speaker 6: It's too much, too much, it's too real.

1:17 Speaker 5: This is what we get from those who feel their pockets and make bloody deal. Stand up, they forward, open both die, make the future better for what the children not heading tools, stand up, fight for what's right.

1:29 Speaker 4: Dand up gainst the corruption of the world.

1:32 Speaker 1: It begins with you when I.

1:40 Speaker 3: And now coming out. Wruary thirteen, twenty twenty six, the Brand News single by isolation burning.

2:00 Speaker 7: It's burning, It's how weekend. It was a fitting my great country. There's a drys off in the hoose. It's as building.

2:13 Speaker 8: Side up here on the streets because of both own.

2:18 Speaker 9: Society's falling out my feet. They wents burning, they can finding shore, the guns.

2:29 Speaker 8: Burning, They cart settle the school and put his bundy like we.

2:37 Speaker 10: Not seen before.

2:40 Speaker 8: And then it's burned so long before.

2:43 Speaker 11: They start.

2:59 Speaker 8: They went him and.

3:01 Speaker 7: Won for the first fiction in my great country, as the crown.

3:08 Speaker 12: Was introduces the four children, broken families on the street.

3:15 Speaker 8: And he's all the signe so is his thirty.

3:19 Speaker 9: Stream of pees. Ingland's burning the child find a shore ingods burninghim. They can't settle the school. England is burning like we never seen before in goodness burn.

3:40 Speaker 4: Him so long before this time.

4:27 Speaker 8: The people to.

4:31 Speaker 9: Call, and the people you fall on, and the people who swam on, and the people who so love.

4:42 Speaker 6: To feel like it's all gone, They feel.

4:46 Speaker 4: Like it's al roight.

4:52 Speaker 12: What have feel about?

4:59 Speaker 13: What ha out.

5:23 Speaker 12: In this buni?

5:25 Speaker 8: They can't find a care.

5:29 Speaker 9: Taking this boone, the car said over the store, angling his bony, like we've never seen it. For taking this boony so long.

5:43 Speaker 6: Before this time.

6:14 Speaker 14: If they get you on the ground, you pull the mask down.

6:19 Speaker 15: Ten eighty pece watching.

6:24 Speaker 14: Everything's been said. We've been shot in the head.

6:27 Speaker 4: Now it's time for doing.

6:33 Speaker 16: We all know they lie on the messy, try to hide from our glacial recognition.

6:42 Speaker 3: These are just the henchmen sitting on the benchmen waiting for decades.

6:51 Speaker 14: When they arrive in town, pull their mask down.

6:55 Speaker 6: I'm serious.

7:00 Speaker 17: Find yourself an old punk who isn't dead or drunk.

7:04 Speaker 18: We've got experienced, but these please, we got something a bustle.

7:11 Speaker 15: You want to see a kettle light.

7:14 Speaker 13: Now do they feel I slid?

7:18 Speaker 14: All the ribs have been cracked. We've been shot in the back. Now we drop alike in the snow. See the try to infiltrate. But the whistles said to Wood,

7:41 Speaker 14: why is it.

7:42 Speaker 15: Todd loved anything he does? It's because see things, see can because Congress didn't stop me.

7:53 Speaker 14: It's got just didn't stop me. The people I.

8:00 Speaker 16: Us inside their cans lead salts, methylene, chlora, hexavalent, chromium, cancer and birth effects, reproductive harms. In your bag, the leater of water mixed with five to ten percent sodium bicarbonate or sodium carbonate for rinsing the eyes. Do not rub, Keep flushing with water, Keep flushing, keep flushing.

8:28 Speaker 17: Resist rest, resist rest, and amidst all the resting, and during the resisting, don't forget to keep insisting we work.

8:39 Speaker 16: Together on those blueprints for a just and equitable future. Everyone in mind. Neo Nazis get neo neuremberged when in wear still unconfirmed, when it's coming, and when the tear gas dissipates and the rabbit hold return to the apolitical states that made them such easy targets for the grift.

9:00 Speaker 14: It's important that.

9:01 Speaker 16: We don't get hooked on a hopium are distracted by deals advertising twenty percent more freedom because our rights aren't anyone's to give or to take away. Our rights are non negotiable, Our rights are inalienable.

9:19 Speaker 3: You won't have to do it anymore for four years.

9:21 Speaker 8: You know what, it'll be fan, It'll be fine.

9:24 Speaker 1: You won't have to vote anyone.

9:28 Speaker 19: President Trump has talked twice in recent days, once in the Kennedy Center and then the Reuters again last night about canceling the election.

9:34 Speaker 13: Why is he talking about this?

9:35 Speaker 20: The President was simply joking.

9:37 Speaker 3: The President was simply joking. In four years, you don't have to vote again.

9:41 Speaker 1: Web it fix, You're not gonna have to vote. Web it Fix.

9:45 Speaker 13: You're not gonna have though vote.

9:50 Speaker 21: This is Jesse Rutstein and Caleb Dyer.

9:54 Speaker 22: Oh oh no, okay, we can let's do that one more time. This is Jesse Rutstein and Caleb Dire. Oh crap, hold on, what do you want me to say? Right after that?

10:04 Speaker 21: From Hatchet Act from and then I'll say, you're listening right?

10:07 Speaker 1: Sounds good.

10:08 Speaker 21: This is Jesse Rutstein and oh ah, this is why I'm the Leader.

10:15 Speaker 22: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon Saw Records.

10:20 Speaker 21: You are listening to the Matt Connerton Show on w m n H ninety five point three Manchester.

10:26 Speaker 3: Actually, what did I say? Okay, all right, all right, let's do this again. Let's do this again.

10:34 Speaker 22: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon Saw Records.

10:39 Speaker 21: You are listening to Matt Connorton Unleashed on ninety five to three w NA.

10:45 Speaker 22: Dude, this is Jesse Rutstein and Caleb Dyer from Hatchet Axon Saw Records. You are listening to Matt Connorton Unleashed on ninety five point three w m n H FM.

11:33 Speaker 3: Here we go, everybody, and welcome. We have entered our number two New Marrow trace of Matt Connorton Unleashed and we are live from the studios of wm n H ninety five point three FM, Inglorious and Snowy, Manchester, New Hampshire. And of course you can stream the show from anywhere. Go to Matt connorton dot com slash live for all of your live streaming options, social media links, contact info, show archives, et cetera. Et cetera. Today is Saturday, February seven, twenty twenty six. Jenny is here, of course, at the news table, and we have returning to the show.

12:08 Speaker 3: And you've got to be in the five timers club right now. Ricky Mapleton here with us. Hello, Hello, Hello, hello you. How many times have you been on this over the years?

12:18 Speaker 1: A half dozen? I thought it was a five timer last time, but I'm not sure.

12:22 Speaker 3: Oh you might be.

12:23 Speaker 1: I don't you have a historian on.

12:26 Speaker 3: We may have forgotten to give you.

12:27 Speaker 1: I believe you are approaching the most visited guests.

12:31 Speaker 3: Come on, really, we may have forgotten to give you the five timers jacket. Hence the confusion.

12:36 Speaker 1: How many? How many think what I said sounded better? How many years have you guys been doing this? Oh?

12:42 Speaker 23: Boy?

12:42 Speaker 3: That well, so that gets complicated a little bit because now which version? Yeah, because it started there's been many iterations of this program. It started as a podcast in twenty eleven. In twenty seventeen. April of twenty seventeen, we won't be April. Before long, we'll be approaching another anniversary. Oh my god. In April of twenty seventeen, we had the opportunity to bring the show to WMNH ninety five point three FM, where we continue to this day. But there's also at one point there was a television version of the show, and there's been all kinds of different versions of the show.

13:11 Speaker 3: But it's been a while. It's been a while, but it's amazing. Thank you, thank you well. It is wonderful to have you here. And we're doing something unique this week because you are here with us, not only for this hour, but the third hour of the show as well, because you have this amazing new project and we're going to we're going to listen to it today and we're going to talk about it as we I appreciate you having me on absolutely absolutely and tell us what this is. Tell us this is.

13:39 Speaker 1: Called The bread Man. A bread time story. Okay, okay, so it is a Victorian setting story about love triangle revolving around bread. Okay, a bread time story.

14:00 Speaker 21: Did you say bread?

14:01 Speaker 1: Bread?

14:02 Speaker 3: Okay?

14:02 Speaker 1: Delicious bread? Oh, I thought so, I thought so, mm hmm. It's uh, it's really I think it's old school meets new school. We have some narration between each song, okay, to set up the scene in the listener's mind. Listener's mind okay, And that's kind of the I think the unique fun part about listening to this as a listener imagination as well as a little direction, which I think we all need in life.

14:32 Speaker 3: Sure, sure, what inspired you to do this? And and oh and clarify for us too, Uh, what do you call this? Is it a is it a concept album? Is it a rock opera?

14:45 Speaker 1: Yes?

14:45 Speaker 3: Okay?

14:46 Speaker 4: And and why?

14:48 Speaker 3: And why is it?

14:49 Speaker 8: And why?

14:50 Speaker 3: Bread and a love triangle?

14:54 Speaker 1: The yeast knows no boundaries. I'm just making that up. It stemmed from an idea during a musical jam session with some friends. In this concept, I just started playing the riff. Like a lot of people that do music and are creative, you get an idea, yes, and you got to write it down. You gotta grab it, you gotta put it somewhere. It vanishes, This idea of the original riff of the bread Man fifteen years ago, really at my friend's house who I work with. Doctor H is his name. I think you've mentioned doctor H. Doctor H. Fantastic Type A personality to the extreme, oh, meaning Type A is a person that is very structured, uniformed, and when they get going on something, that's all.

15:52 Speaker 1: That's happening and you just get you just absorb into it. Yeah, yeah, I'm what's the other what are the other? Type? So I know this type A because the band this I'm not to band this project it's called the bread Man a bread time story band being type A. Okay, okay, So Ricky Mapleton, of course myself is the I originated it. I don't want to grab the whole thing, sure, but the original concept of bread the bread Man coming coming for you. Oh, A lot of different layers in all seriousness, getting away from the money python esque of this, Yes, but there's a lot of layers in this music.

16:34 Speaker 1: Be careful what you wish for. Love may not conquer all. There's just a lot of things that I think people will get out of this if you give it a just give it. I know it's hard to grab some time. But if I think if you, if you listen to this, I think you'll hopefully be moved a little bit and get you thinking about life in retrospective while we getting heavy and there is there also a lot of money python to this good okay. So on the other swing of this, Monty Python, Victorian e there she's a witch burner, Okay, I don't you know, the money, the holy Grail sort of goofiness abstract.

17:13 Speaker 3: Okay.

17:14 Speaker 1: Also, well, that's I don't know if I explained it correctly.

17:18 Speaker 3: Well, that's uh. But uh, we're going to, of course play the whole thing today. Uh so we're we're we're offering the whole loaf. You might say I did that, Yes.

17:30 Speaker 1: Yes, yes, And there are some of those sort of ideas and jokes during this perform I believe, oh, good, good, don't loaf around all sorts of stuff a little in the windo. I'm not in tod those little shots about talking about bread, okay, because bread is the staff of life. Okay, Gluten analogies are not gluten analogies. Bread is been around for a long time.

17:52 Speaker 3: I believe the gluten is.

17:53 Speaker 13: Uh.

17:54 Speaker 1: There is a song called well I don't want to give away No, no, no no, but it does it does veer into the world of gluten, red yeast flower, but it also revolves around l O V E. Love.

18:08 Speaker 3: I don't even know what gluten is. I just like saying the.

18:10 Speaker 1: Word gluten basically is flower. Okay, so something made of flower, Oh it's gluten. It's it's so people that have gluten allergies. Yeah, that's a big catchphrase nowadays. Yes, okay, which I understand. But we could talk about gluten analogies for a long time. Yes, I think we might talk about it. As we start to start our rock opera excursion, I want to thank all the musicians before we get started on this. I maybe upset a few people along the way. Oh my, I upset myself. A lot of tension happened throughout the.

18:46 Speaker 3: Years with this.

18:46 Speaker 1: Really, yeah, there was a whole beautiful stuff with the mockumentary we're making. Okay, So in the world and in my world, I want to thank all the musicians though are on this. You guys are awesome, and the listeners that are listening to you guys, and you Matt Favon. Of course, I really hope you guys really like this. Just take five seconds, just sit here for five minutes. Take out some bread. Listeners, sit down for your favorite bread. Let's just listen, listen, get your imagination cap on.

19:12 Speaker 3: Well, very good. So we'll open with the prologue. Yes, baking bread.

19:17 Speaker 1: Now, the prologue, there is about thirty seconds of somebody making bread sounds going into it. Okay, before it breaks into the music. So yeah, so I'm just gonna leave it at that. Did I like that or not? I think it's a it's a whole journey.

19:31 Speaker 3: Let's go, Yes, let's go.

19:32 Speaker 1: Let's go break out some bread and get some jam. And let's go.

19:35 Speaker 3: Let's make some bread.

19:36 Speaker 13: All right, here we go, Welcome to the show.

20:27 Speaker 10: Before we get started, sit back, relax, Grab some of your favorite bread. Maybe put some butter, peanut, butter, jelly, it doesn't matter. Pick your favorite topping, put it on your bread, and get ready for a journey back in time. This story, though timeless, takes place about five hundred years ago. It's a love story, a tragedy of a young.

20:54 Speaker 12: Baker, the bread man who dreams.

20:57 Speaker 19: About living in the castle up on the hill, and a beautiful young princess who lives in that castle and dreams about being with the baker boy.

21:08 Speaker 12: This is their story.

21:14 Speaker 3: So there were there. We have the prologue.

21:16 Speaker 1: Yes, uh, and we're uh.

21:20 Speaker 3: By the way, I learned something there. I didn't even know they had bread five hundred years ago. One was bread invented. It's older than our country. I just assumed it was invented.

21:28 Speaker 1: It was around during uh uh.

21:33 Speaker 3: Even before that. Wow, that's amazing. So we've always had bread.

21:38 Speaker 1: We've always had that yeast of flower. It's been around a long time.

21:42 Speaker 3: Wow, that's amazing. That's amazing. Uh. Should we go right to Uh so this next part? Uh, someday I'm going to live in the castle.

21:50 Speaker 1: Yes, yes, all right, here we go.

22:24 Speaker 4: Standing not knowing, no more.

22:27 Speaker 8: To work.

22:29 Speaker 11: Okay, father, you'll never mean nothing gonna make a boy, but make a boy?

22:34 Speaker 6: What what do you mean you think you're gonna marry the princess?

22:39 Speaker 12: Well, you're never gonna live in a castle.

22:42 Speaker 3: On up, No, father, get back to work.

22:48 Speaker 4: Don't hit me.

22:49 Speaker 18: Father, back to work, go to mine, No, not the back.

23:04 Speaker 18: Some dam gonna live in a castle. Some damn gonna live on him. Someday I'm gonna live in that castle.

23:21 Speaker 4: Some day about him. No more making print for my father, No more bacon the bridge.

23:37 Speaker 15: Some damn gonna some damn gonna some damn.

23:43 Speaker 8: Gonna live.

23:55 Speaker 12: Gorge.

24:00 Speaker 6: Never gonna live in that castle.

24:01 Speaker 8: Down to.

24:11 Speaker 2: That.

24:11 Speaker 14: I again, what do you think you're gonna matter the princess?

24:28 Speaker 18: No more bign no than bread, gonna lit landerstea.

24:38 Speaker 6: Stall, Gonna live in the castle. Still gone live on hill.

24:49 Speaker 18: Fall, gonna live a castle, some of them gone live on.

25:00 Speaker 6: Uh.

25:06 Speaker 3: So our hero, he's, uh, he's got a lot going on there. He doesn't clearly he wants nothing to do with the family business, and his father is uh kind of a jerk. Wow, But he wants to live in the castle. Why does he want to Why does he want to live in the castle?

25:23 Speaker 1: I just he sees the castle from the bakery. Yes, in the bakery, he's looking out the window and he sees the castle up on the hill.

25:35 Speaker 3: Yeah.

25:35 Speaker 1: And he's just like a lot of us when we're younger, even when we get older, we're dreaming about something else. Yes, So he sees his life now, it's not very good. He's making bread for his mean father who hits him over the head with a.

25:50 Speaker 3: Bag at Oh my god, Okay, that's just rude.

25:53 Speaker 1: Yeah. So he's has he's having a rough, rough childhood. Yeah, okay, and that's kind of he's having those dreams of some day. So that was that. That gentleman's name was Ryan Fitzpatrick.

26:06 Speaker 3: Oh okay.

26:07 Speaker 1: She does a lot of the singing on this.

26:08 Speaker 3: Oh okay, wonderful, wonderful, all right. So next we have let's say, feeling low down?

26:15 Speaker 1: Is this track number three? Yes, feeling low down? Feeling low down?

26:19 Speaker 3: All right, let's continue our story.

26:21 Speaker 1: Let's continue eating some nice bread here.

26:25 Speaker 19: The young baker spends his childhood dreaming about living in the castle. At age ten, something magical happens. The princess starts visiting the bakery. She's in charge of picking up the weekly bread for the castle and making sure that it gets delivered safely. She becomes quite smitten with the baker boy. They begin to sneak off to spend time together. The young Baker's father eventually decides to open a new bakery and a far off land, and he leaves the bakery to the young baker, who is now.

27:07 Speaker 12: Officially the bread Man.

27:10 Speaker 19: The princess is excited about being able to visit without the old man around. However, the King decides that he doesn't like her spending so much time away from the castle, and he only allows her to visit town once a month. It's been a month since she last visited the bread man.

28:04 Speaker 20: Oh oh, comment down the mountain's comment down the mountains were in the float, all round the mountain, all around the mountain.

28:45 Speaker 4: That she's gone.

28:54 Speaker 6: And I'm feeling load down so helloa, but a load sooad.

29:21 Speaker 19: As the month wanes, the bread Man struggles with his infatuation with the princess and his goal to someday live in the castle. Will he find a way to marry the princess? Will he be adored by the villagers? Will he someday be the king?

29:44 Speaker 3: Interesting to me that, you know, I thought in the beginning that he didn't want anything to do with the family business. But it's not that he just wanted to get away from his dad. He clearly he still wants to make bread.

29:58 Speaker 1: I don't know. I'm not sure.

30:00 Speaker 3: War I mean, that's that's what it seems like.

30:02 Speaker 1: I don't think he likes his father because he's abusing him. And I don't think he likes making bread. Pull up, and I don't think he likes making bread. Yeah, and I don't think. But he is the bread man. I mean, that's his whole identity, isn't No, that's sort of the identity that we're giving him. Oh Okay, I don't think he walks around with I am the bread man. I love my bread, bread, my bakery. Yeah, okay, he's kind of born into that life. Okay, he's fighting, Yes, but he now is in love with the princess?

30:35 Speaker 13: Well is he?

30:36 Speaker 3: Is he in love with or infatuated? Whether at this point?

30:40 Speaker 1: Well, I don't want to give stuff away, okay, but right now, as far as the listener is concerned, yes, he is infatuated.

30:49 Speaker 3: Okay, And.

30:52 Speaker 1: As the dough rises, if you would, ah, there we got so let's try it. Okay, you're you're the first one, right? What did you say earlier? The wow, the bread, the roll? I don't remember, so we always want to throw in bread reference? Yes, yes, so let's roll along. Well played, sir, yep, I get one a day like all right? Track three, track.

31:19 Speaker 3: Four, Track four four. Awkward situation.

31:24 Speaker 1: Okay, now the door rises, we go, all right, let's make some toast.

31:30 Speaker 19: Finally, the princess arrives at the bakery after a month long hiatus. They're both excited to be together at long last. The bread man locks the door and the young lover's head to the back room, not realizing that the baker's bother had given.

31:48 Speaker 12: A key to the egg lady.

31:51 Speaker 3: The egg lady.

31:51 Speaker 19: Arrives shortly after their rendezvous, only to find the bakery locked up. She uses her key unlock the door and goes inside to drop off the eggs. She hears a strange noise in the back of the bakery and decides to investigate. She cracks open the back door, and much to her surprise, she realizes what's happening.

32:14 Speaker 13: It was a very season.

32:19 Speaker 24: Suckless the Jewish jush hockless juas situation Jewish you cuas lockless juishuph.

32:49 Speaker 12: A tuation.

32:52 Speaker 24: Snock listen Julish listen Julie sho u as me.

33:28 Speaker 25: Well lash Jewish jewish less the sitewe talk with sitewation. I am the situation buck with situation awkward, situation talk with situish awkward sit Jewish.

33:53 Speaker 8: Jewish, my my, you.

34:20 Speaker 3: Know, I feel like, uh that part of the story too. There's a cautionary tale there, because obviously you always want to know who has keys to your stuff, especially if someone might be delivering eggs.

34:30 Speaker 1: Absolutely, yes, yes, aware of the egg lady, that's right, yeah, yeah, yeah, yes, beware of the egg lady, Yes, the egg lady.

34:39 Speaker 3: And that song to me, it's got kind of a rolling Stones vibe.

34:43 Speaker 1: Which I thank you, thank you. Yeah, yeah, I like the I like the quicker more fast stuff the slower stuff on here, big fan, yeah, big fan, big fan, But you know I do, I do. But you notice a lot of different, lot of layers. Oh yes, way out of my wheelhouse. But again thank you to all those musicians that it's stuff on it. Absolutely, let's let's go. So next we have flowers of flying rocking in the bread. Okay, so what happens now is the egg lady has walked in. Uh huh and they are let's say, making yeast you would, all right, dev sure the lady walks in awkward situation.

35:26 Speaker 1: Yes, and this is what the egg lady has to say about it.

35:29 Speaker 3: Oh my goodness, all right, let's find.

35:31 Speaker 4: Out walked in all this cannot be it's the princess, the freak.

35:51 Speaker 8: Can't be.

35:52 Speaker 11: See you cannot have to pay me the truth of you with the weak up going princess. And I was fighting now fast to the prince spire. How the surpier.

36:14 Speaker 4: Fou was fighting all about fuss fighting there con couco, I think.

36:25 Speaker 8: Your secret.

36:28 Speaker 4: I was fining you we going, I was buying.

36:32 Speaker 6: Can't this funing.

36:38 Speaker 4: Now?

36:39 Speaker 14: Is balan?

36:41 Speaker 4: How will fan? It's not of gold?

36:52 Speaker 8: Ay? A good time as sea?

36:55 Speaker 6: The up a can of good times.

37:00 Speaker 4: Flower fly is a flying the flower is a flying.

37:23 Speaker 1: Whoa whoa, whoa, whoa, whoa, whoa, whoa whoa.

37:25 Speaker 3: So I think the egg Lady frankly should mind her own business.

37:29 Speaker 1: But that's what Well, if you picked up on the lyrics, she said, you are going to pay me, and I'm not gonna. I will not tell what's happening. Right, So now the egg Lady is now bribing the Baker and the princess. Take every time that we see, you're gonna pay up or I'm going to tell the king? What's the story?

37:49 Speaker 4: Right?

37:50 Speaker 21: Right?

37:51 Speaker 3: Oh, hence the I love triangle.

37:54 Speaker 1: Well, I don't think the egg Lady is really interested in oh no, the baker boy. But she's she's as a subplot and a sub character. Oh okay, she's bribing, Yes, yes she is. She just doesn't know what she's walking into. Maybe maybe should we continue? Oh?

38:12 Speaker 3: I think so? I like so, oh the next the next song in our story here we should tell people too. If you're just joining us, we have Ricky Mapleton here and the uh this did we establish what this is? Is it a rock opera?

38:23 Speaker 1: Yeah? Yeah, I think yeah, I like rock opera yeah, I like I think that was the original concept. It's kind of into more of a we want to do a play, yes, yes, Broadway play. So if a nobody wants to finance our Broadway play, I already have it envisioned in my mind. Really, oh my, come it to be beautiful. Perhaps you could get a national bakery chain to uh sponsor you. Yes, absolutely, yes, let's go. Let's go Broadway. But for now, Yeah, that's the old yeah rock opera. Yeah, getting back, getting back to the original question, rock opera.

38:54 Speaker 1: I know that's pretty big shoulders that I'm saying. But Quadrophenia Tommy twenty one twelve, Yes, hemispheres. I don't know if everybody knows the those kind of my dating myself on those, but yeah, wrong, yeah, yeah, a play. Yeah, And the title is The bread Man a bread Time Story.

39:16 Speaker 3: The bread Man a bread Time Story. Well, let's uh, we'll go to the next part of our story here, and this one is called I Am the egg Lady. Okay, all right, here we go, two, three, four, sick.

39:53 Speaker 8: No sick, stays with me allio sheep cropping.

40:51 Speaker 4: That was not that.

40:56 Speaker 6: The bucksack.

41:29 Speaker 3: I feel at this one. In the story of the egg Lady is really the antagonist?

41:34 Speaker 1: Absolutely, yeah, I think so.

41:35 Speaker 3: I expected it to be the king well for his father.

41:40 Speaker 1: I think we all have some egg Ladies in everyone's life.

41:43 Speaker 3: Sure, sure, oh yeah, yeah yeah.

41:49 Speaker 1: What's your thoughts? Are you connected with the story?

41:52 Speaker 3: I am, I'm very I'm very connected. I'm invested. I'm uh you know, I'm a little uh bummed. I mean, I'm gonna be a little next time, you know, I'm eating and you know, scrambled eggs or something, because I'm gonna be thinking about the egg Lady and and she's just she's just mean.

42:09 Speaker 1: Yeah, you know. How's that for a response?

42:12 Speaker 3: Yes, you are correct, Matt Connerton, because I'm looking at the title of the next part of the story and I realize exactly what's happening next, and I think it's wrong. What what a Well, it's titled A Little White Envelope.

42:25 Speaker 1: Okay, okay, so Little White Envelope not This is one of the songs that was done before the actual project took place. Is taken from another project. Oh interesting, We did it on a few songs here. We had some material that we fit in that went along with the tracks that we were working on.

42:51 Speaker 3: Okay.

42:52 Speaker 1: And this one is a very dear friend of mine. I'm gonna say his name, Chris Higgins. Okay, Chris Higgins, who who I may have upset? I I've known Chris Higgins since high school, probably one of the best drummers in the area. Lifelong friends, yep. And I don't want to get into this big thing what happened.

43:09 Speaker 3: But I interviewed Chris Sigans a long time. I forget what band was in a Rocket Waltz.

43:13 Speaker 1: I believe he was in that.

43:15 Speaker 3: That was not the band he was in when I interviewed Lynn band.

43:18 Speaker 1: No, So, Chris, if you're listening to this again, I apologize. He's he's he's on two tracks.

43:26 Speaker 3: Okay.

43:26 Speaker 1: He did a ton of work on it, and a lot of the material his drummings didn't make it on it. Oh okay, okay, but he's on two tracks. And Chris, you're the best man. I love you.

43:35 Speaker 13: I love you?

43:36 Speaker 1: Yeah, okay. And this is this is a nice updeat song. Quick. It's all about that little envelope that we all have up on the shelves lives.

43:43 Speaker 21: All right.

43:44 Speaker 19: This is a little white envelope, the princess and the bread man discuss payments with the egg lady. They make their first payment and center off. The princess heads home to the castle. As soon as she arrives back at the castle, she gets the bad news that she is being forced to marry the Prince of yeast Land. This arranged marriage between our beloved Princess of Wheatland to the Prince of Yeastland will solidify the King's plans to form a super bread conglomerate. The princess, needless to say, is distraught.

44:22 Speaker 19: She eventually decides to write a letter to her bread man to break the bad news that she will no longer be able to spend time with him. She doesn't have the heart to send the letter, so it sits and awaits delivery. Inside its little white envelope.

45:00 Speaker 6: Us there to get users.

45:06 Speaker 20: Get every weeks yesterday.

45:35 Speaker 4: Down. M.

45:40 Speaker 3: Now, that's interesting because I thought the little white envelope was going to refer to the envelope of money of payments made to the awful egg lady.

45:50 Speaker 1: But it turns out no, yes, correct, you are corrector I am correct about what everything?

45:54 Speaker 3: Okay? Thank you?

45:56 Speaker 1: No, I never really thought of it about the envelope with the money that's what I assumed. This This is the letter sent by the princess saying, oh, low lover of mine, I have to I'm being forced to marry the Prince of yeast Land because his father, the princess's father,

46:19 Speaker 1: all about the business, our business to yeast business. And I love the term international red conglomerate. Yes, yes, I love that term. Yes, that's fun.

46:31 Speaker 3: You would think anti trust laws would prevent that. You know, these mergers.

46:35 Speaker 1: I don't know the monopoly trust laws during Victorian time, but it was it was a different time. I think if you were the king, you could do what you wanted.

46:46 Speaker 3: That's true.

46:46 Speaker 1: That's probably we're gonna do a quick python. What made you king? I can recite that whole thing. Really h Strange women distributing soul. This is no basis for gomvenance. It comes from a mandate from the masses. If I never mind, see that's that's from the Holy graund. Yes. Yes, if I went around saying I was king because some moist and bean gave me a sword, they'd put me away. Strange women there ever, being sold, there's no basis for government.

47:16 Speaker 3: It's not wrong.

47:16 Speaker 1: So it's that was kind of my that's kind of my headspace with this. I was made mighty pothon. And then the musicians came in this. They're like, let's go serious, okay, And I said, okay, And I hope everybody's enjoying this.

47:29 Speaker 3: I hope, so, I hope.

47:30 Speaker 1: So it's good. Seeing your two reactions makes me super happy.

47:34 Speaker 3: Yeah.

47:35 Speaker 1: Yeah, I see that you guys are laughing and enjoying.

47:36 Speaker 3: I like it very much. I like it very much. Let's see. So the next part of our story is called how could she Marry Him?

47:42 Speaker 1: Okay, so the marriage is going to take place now between the princess and the prince, and they're having this big Like everybody else who may be going to the altar or maybe get into a relationship, here's that moment rarely what So okay, there we go. All right, let's go all right.

48:05 Speaker 23: Here it is.

48:10 Speaker 19: Finally, once the wedding date has been set, the princess has a little white envelope delivered to the bread man on the day of their next plant rendezvous, much to the bread Man's chagrin. Instead of the princess at his door, he finds a delivery boy who hands him a letter, how.

48:33 Speaker 15: Good she married how good she married? How good she married?

48:45 Speaker 8: Now good? Sit bee.

48:50 Speaker 6: Loo good?

48:51 Speaker 15: Shit be so bad?

48:58 Speaker 12: Today is the day of the big wedding Princess.

49:05 Speaker 19: Here she is at the wedding, at the altar, getting ready to marry the prince from Yeastland.

49:15 Speaker 12: She just can't believe that it's happening. She missed the bread man.

49:25 Speaker 26: How can I marry him?

49:29 Speaker 4: How can I marry?

49:33 Speaker 15: How can I marry him?

49:38 Speaker 14: What can be so?

49:42 Speaker 4: What can it be?

49:44 Speaker 19: So?

49:45 Speaker 9: Bread?

49:50 Speaker 12: The bread man arrives at the wedding. He's made the wedding cake.

49:58 Speaker 19: He's so sad, but he has to deliver the cake otherwise people might get suspicious.

50:06 Speaker 27: And here he is.

50:09 Speaker 12: Delivering the cake, looks over at the princess.

50:17 Speaker 15: How good she married? How could she marry? How good she married? How good she be?

50:32 Speaker 19: So?

50:34 Speaker 6: How good?

50:35 Speaker 15: Should be so bad?

50:56 Speaker 14: How can I be so.

51:01 Speaker 15: A canny?

51:09 Speaker 3: Hmm? That is sad? How could she marry him? From the bread Man? A bread time story, And Ricky Mapleton is here with us.

51:16 Speaker 1: Thank you well.

51:18 Speaker 3: We are approaching for our live listeners the top of the hour, so we do need to take a break and show some love to our amazing sponsors. But if you are listening live on Saturday. Coming up in the third hour, we're going to continue listening and talking about The bread Man, a bread Time Story, the new rock opera from Ricky Mapleton, and many others. So you mentioned many other contributed to this.

51:40 Speaker 1: Is that Is that the good volume right there for you? Right there? Yeah? Yeah, okay, okay, yeah again, I just want to reiterate that's my big word of the day. Yes, again, thank you everybody that took part in it. It's probably twenty different musicians.

51:53 Speaker 3: Oh no.

51:54 Speaker 1: Finally, the core base was myself, doctor h and and Fitzpatrick with the three that started this, but there's probably I would say twenty oh twenty thirty musicians on this. And again, thank you guys for doing it. Oh absolutely, I want to take the musicians for doing it. Yeah. Just I'm hearing it here on different headphones, yeah, different thing, and I haven't listened to it in probably a week. Yeah you know, yeah, I've heard it thousands of times. Yeah, you know, preparing this, but just tearing it fresh on this.

52:27 Speaker 1: It just and watching you guys react and I hope everybody's really yeah, getting something out of it. On the Snowy on the snowy Saturday.

52:33 Speaker 3: I sure hope, so, I sure hope. So all right for our live listeners, stick around. Coming to an hour number three, we will continue with our story. Don't go anywhere.

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