Matt Connarton Unleashed 2-7-26 hour 2

0:00 Speaker 1: W M n H rip the novels.

0:06 Speaker 2: You're listening to Matt Connorton Unleashed on w M and

0:11 Speaker 2: H ninety five.

0:12 Speaker 3: Point three and now exclusively on w M n H

0:15 Speaker 3: ninety five point three f M and Matt Connorton on Leash.

0:18 Speaker 3: It's the world radio premiere of Hurricane. Stand up, Yeah,

0:23 Speaker 3: stand up straight, falling fall, shut your mouth right full forward.

0:28 Speaker 1: Odd's right.

0:28 Speaker 3: So we can't see what's left?

0:30 Speaker 4: What left? What left?

0:31 Speaker 5: What weapons of man destruction to the planet. Paint the

0:35 Speaker 5: little sell to kill us, send out children, but they

0:37 Speaker 5: kept asking for more. Walk the lines of that ad

0:39 Speaker 5: been painted on the ground, the blood that we bleed

0:41 Speaker 5: sailing across the sea. So will tell me now wherever

0:43 Speaker 5: it's the difference of you and me, different colors, different tones,

0:46 Speaker 5: what we can see the differences of you with me,

0:48 Speaker 5: trade troop of flags and pride that allow say, drew

0:50 Speaker 5: de side outside.

0:51 Speaker 1: But we all came from the same place, same place.

0:54 Speaker 1: Even nature has.

0:55 Speaker 5: Had enough of this rivalry, flood in our homes with

0:58 Speaker 5: all his tears set and fisy erupted them. With no

1:00 Speaker 5: more blood on the banners that we salute, no more

1:03 Speaker 5: think they in the ways of its media. You you

1:05 Speaker 5: no more building up walls with our freedom and chains, shackling.

1:08 Speaker 1: Our children for a future of pain.

1:10 Speaker 5: Over the eyes and look to the left. See what

1:12 Speaker 5: happens when we listen to last Watch what everyone dies.

1:15 Speaker 6: It's too much, too much, it's too real.

1:17 Speaker 5: This is what we get from those who feel their

1:19 Speaker 5: pockets and make bloody deal. Stand up, they forward, open

1:22 Speaker 5: both die, make the future better for what the children

1:27 Speaker 5: not heading tools, stand up, fight for what's right.

1:29 Speaker 4: Dand up gainst the corruption of the world.

1:32 Speaker 1: It begins with you when I.

1:40 Speaker 3: And now coming out. Wruary thirteen, twenty twenty six, the

1:43 Speaker 3: Brand News single by isolation burning.

2:00 Speaker 7: It's burning, It's how weekend. It was a fitting my

2:06 Speaker 7: great country. There's a drys off in the hoose. It's

2:11 Speaker 7: as building.

2:13 Speaker 8: Side up here on the streets because of both own.

2:18 Speaker 9: Society's falling out my feet. They wents burning, they can

2:26 Speaker 9: finding shore, the guns.

2:29 Speaker 8: Burning, They cart settle the school and put his bundy

2:36 Speaker 8: like we.

2:37 Speaker 10: Not seen before.

2:40 Speaker 8: And then it's burned so long before.

2:43 Speaker 11: They start.

2:59 Speaker 8: They went him and.

3:01 Speaker 7: Won for the first fiction in my great country, as

3:07 Speaker 7: the crown.

3:08 Speaker 12: Was introduces the four children, broken families on the street.

3:15 Speaker 8: And he's all the signe so is his thirty.

3:19 Speaker 9: Stream of pees. Ingland's burning the child find a shore

3:28 Speaker 9: ingods burninghim. They can't settle the school. England is burning

3:35 Speaker 9: like we never seen before in goodness burn.

3:40 Speaker 4: Him so long before this time.

4:27 Speaker 8: The people to.

4:31 Speaker 9: Call, and the people you fall on, and the people

4:37 Speaker 9: who swam on, and the people who so love.

4:42 Speaker 6: To feel like it's all gone, They feel.

4:46 Speaker 4: Like it's al roight.

4:52 Speaker 12: What have feel about?

4:59 Speaker 13: What ha out.

5:23 Speaker 12: In this buni?

5:25 Speaker 8: They can't find a care.

5:29 Speaker 9: Taking this boone, the car said over the store, angling

5:35 Speaker 9: his bony, like we've never seen it. For taking this

5:41 Speaker 9: boony so long.

5:43 Speaker 6: Before this time.

6:14 Speaker 14: If they get you on the ground, you pull the

6:17 Speaker 14: mask down.

6:19 Speaker 15: Ten eighty pece watching.

6:24 Speaker 14: Everything's been said. We've been shot in the head.

6:27 Speaker 4: Now it's time for doing.

6:33 Speaker 16: We all know they lie on the messy, try to

6:36 Speaker 16: hide from our glacial recognition.

6:42 Speaker 3: These are just the henchmen sitting on the benchmen waiting

6:48 Speaker 3: for decades.

6:51 Speaker 14: When they arrive in town, pull their mask down.

6:55 Speaker 6: I'm serious.

7:00 Speaker 17: Find yourself an old punk who isn't dead or drunk.

7:04 Speaker 18: We've got experienced, but these please, we got something a bustle.

7:11 Speaker 15: You want to see a kettle light.

7:14 Speaker 13: Now do they feel I slid?

7:18 Speaker 14: All the ribs have been cracked. We've been shot in

7:22 Speaker 14: the back. Now we drop alike in the snow. See

7:28 Speaker 14: the try to infiltrate. But the whistles said to Wood,

7:41 Speaker 14: why is it.

7:42 Speaker 15: Todd loved anything he does? It's because see things, see

7:48 Speaker 15: can because Congress didn't stop me.

7:53 Speaker 14: It's got just didn't stop me. The people I.

8:00 Speaker 16: Us inside their cans lead salts, methylene, chlora, hexavalent, chromium,

8:06 Speaker 16: cancer and birth effects, reproductive harms. In your bag, the

8:11 Speaker 16: leater of water mixed with five to ten percent sodium

8:14 Speaker 16: bicarbonate or sodium carbonate for rinsing the eyes. Do not rub,

8:21 Speaker 16: Keep flushing with water, Keep flushing, keep flushing.

8:28 Speaker 17: Resist rest, resist rest, and amidst all the resting, and

8:35 Speaker 17: during the resisting, don't forget to keep insisting we work.

8:39 Speaker 16: Together on those blueprints for a just and equitable future.

8:44 Speaker 16: Everyone in mind. Neo Nazis get neo neuremberged when in

8:49 Speaker 16: wear still unconfirmed, when it's coming, and when the tear

8:53 Speaker 16: gas dissipates and the rabbit hold return to the apolitical

8:57 Speaker 16: states that made them such easy targets for the grift.

9:00 Speaker 14: It's important that.

9:01 Speaker 16: We don't get hooked on a hopium are distracted by

9:04 Speaker 16: deals advertising twenty percent more freedom because our rights aren't

9:08 Speaker 16: anyone's to give or to take away. Our rights are

9:12 Speaker 16: non negotiable, Our rights are inalienable.

9:19 Speaker 3: You won't have to do it anymore for four years.

9:21 Speaker 8: You know what, it'll be fan, It'll be fine.

9:24 Speaker 1: You won't have to vote anyone.

9:28 Speaker 19: President Trump has talked twice in recent days, once in

9:30 Speaker 19: the Kennedy Center and then the Reuters again last night

9:32 Speaker 19: about canceling the election.

9:34 Speaker 13: Why is he talking about this?

9:35 Speaker 20: The President was simply joking.

9:37 Speaker 3: The President was simply joking. In four years, you don't

9:40 Speaker 3: have to vote again.

9:41 Speaker 1: Web it fix, You're not gonna have to vote. Web

9:44 Speaker 1: it Fix.

9:45 Speaker 13: You're not gonna have though vote.

9:50 Speaker 21: This is Jesse Rutstein and Caleb Dyer.

9:54 Speaker 22: Oh oh no, okay, we can let's do that one

9:57 Speaker 22: more time. This is Jesse Rutstein and Caleb Dire. Oh crap,

10:01 Speaker 22: hold on, what do you want me to say? Right

10:03 Speaker 22: after that?

10:04 Speaker 21: From Hatchet Act from and then I'll say, you're listening right?

10:07 Speaker 1: Sounds good.

10:08 Speaker 21: This is Jesse Rutstein and oh ah, this is why

10:12 Speaker 21: I'm the Leader.

10:15 Speaker 22: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

10:19 Speaker 22: Saw Records.

10:20 Speaker 21: You are listening to the Matt Connerton Show on w

10:23 Speaker 21: m n H ninety five point three Manchester.

10:26 Speaker 3: Actually, what did I say? Okay, all right, all right,

10:32 Speaker 3: let's do this again. Let's do this again.

10:34 Speaker 22: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

10:38 Speaker 22: Saw Records.

10:39 Speaker 21: You are listening to Matt Connorton Unleashed on ninety five

10:43 Speaker 21: to three w NA.

10:45 Speaker 22: Dude, this is Jesse Rutstein and Caleb Dyer from Hatchet

10:52 Speaker 22: Axon Saw Records. You are listening to Matt Connorton Unleashed

10:56 Speaker 22: on ninety five point three w m n H FM.

11:33 Speaker 3: Here we go, everybody, and welcome. We have entered our

11:36 Speaker 3: number two New Marrow trace of Matt Connorton Unleashed and

11:40 Speaker 3: we are live from the studios of wm n H

11:45 Speaker 3: ninety five point three FM, Inglorious and Snowy, Manchester, New Hampshire.

11:49 Speaker 3: And of course you can stream the show from anywhere.

11:51 Speaker 3: Go to Matt connorton dot com slash live for all

11:54 Speaker 3: of your live streaming options, social media links, contact info,

11:57 Speaker 3: show archives, et cetera. Et cetera. Today is Saturday, February seven,

12:01 Speaker 3: twenty twenty six. Jenny is here, of course, at the

12:04 Speaker 3: news table, and we have returning to the show. And

12:09 Speaker 3: you've got to be in the five timers club right now.

12:11 Speaker 3: Ricky Mapleton here with us. Hello, Hello, Hello, hello you.

12:15 Speaker 3: How many times have you been on this over the years?

12:18 Speaker 1: A half dozen? I thought it was a five timer

12:21 Speaker 1: last time, but I'm not sure.

12:22 Speaker 3: Oh you might be.

12:23 Speaker 1: I don't you have a historian on.

12:26 Speaker 3: We may have forgotten to give you.

12:27 Speaker 1: I believe you are approaching the most visited guests.

12:31 Speaker 3: Come on, really, we may have forgotten to give you

12:34 Speaker 3: the five timers jacket. Hence the confusion.

12:36 Speaker 1: How many? How many think what I said sounded better?

12:39 Speaker 1: How many years have you guys been doing this? Oh?

12:42 Speaker 23: Boy?

12:42 Speaker 3: That well, so that gets complicated a little bit because

12:45 Speaker 3: now which version? Yeah, because it started there's been many

12:48 Speaker 3: iterations of this program. It started as a podcast in

12:51 Speaker 3: twenty eleven. In twenty seventeen. April of twenty seventeen, we

12:56 Speaker 3: won't be April. Before long, we'll be approaching another anniversary.

12:58 Speaker 3: Oh my god. In April of twenty seventeen, we had

13:01 Speaker 3: the opportunity to bring the show to WMNH ninety five

13:03 Speaker 3: point three FM, where we continue to this day. But

13:06 Speaker 3: there's also at one point there was a television version

13:08 Speaker 3: of the show, and there's been all kinds of different

13:10 Speaker 3: versions of the show. But it's been a while. It's

13:12 Speaker 3: been a while, but it's amazing. Thank you, thank you well.

13:17 Speaker 3: It is wonderful to have you here. And we're doing

13:19 Speaker 3: something unique this week because you are here with us,

13:23 Speaker 3: not only for this hour, but the third hour of

13:25 Speaker 3: the show as well, because you have this amazing new

13:28 Speaker 3: project and we're going to we're going to listen to

13:31 Speaker 3: it today and we're going to talk about it as

13:34 Speaker 3: we I appreciate you having me on absolutely absolutely and

13:37 Speaker 3: tell us what this is. Tell us this is.

13:39 Speaker 1: Called The bread Man. A bread time story. Okay, okay,

13:45 Speaker 1: so it is a Victorian setting story about love triangle

13:56 Speaker 1: revolving around bread. Okay, a bread time story.

14:00 Speaker 21: Did you say bread?

14:01 Speaker 1: Bread?

14:02 Speaker 3: Okay?

14:02 Speaker 1: Delicious bread? Oh, I thought so, I thought so, mm hmm.

14:08 Speaker 1: It's uh, it's really I think it's old school meets

14:11 Speaker 1: new school. We have some narration between each song, okay,

14:16 Speaker 1: to set up the scene in the listener's mind. Listener's

14:20 Speaker 1: mind okay, And that's kind of the I think the

14:23 Speaker 1: unique fun part about listening to this as a listener

14:28 Speaker 1: imagination as well as a little direction, which I think

14:31 Speaker 1: we all need in life.

14:32 Speaker 3: Sure, sure, what inspired you to do this? And and

14:36 Speaker 3: oh and clarify for us too, Uh, what do you

14:39 Speaker 3: call this? Is it a is it a concept album?

14:41 Speaker 3: Is it a rock opera?

14:45 Speaker 1: Yes?

14:45 Speaker 3: Okay?

14:46 Speaker 4: And and why?

14:48 Speaker 3: And why is it?

14:49 Speaker 8: And why?

14:50 Speaker 3: Bread and a love triangle?

14:54 Speaker 1: The yeast knows no boundaries. I'm just making that up.

14:59 Speaker 1: It stemmed from an idea during a musical jam session

15:05 Speaker 1: with some friends. In this concept, I just started playing

15:11 Speaker 1: the riff. Like a lot of people that do music

15:14 Speaker 1: and are creative, you get an idea, yes, and you

15:19 Speaker 1: got to write it down. You gotta grab it, you

15:20 Speaker 1: gotta put it somewhere. It vanishes, This idea of the

15:24 Speaker 1: original riff of the bread Man fifteen years ago, really

15:29 Speaker 1: at my friend's house who I work with. Doctor H

15:34 Speaker 1: is his name. I think you've mentioned doctor H. Doctor H.

15:39 Speaker 1: Fantastic Type A personality to the extreme, oh, meaning Type

15:47 Speaker 1: A is a person that is very structured, uniformed, and

15:50 Speaker 1: when they get going on something, that's all. That's happening

15:53 Speaker 1: and you just get you just absorb into it. Yeah, yeah,

15:57 Speaker 1: I'm what's the other what are the other? Type? So

16:00 Speaker 1: I know this type A because the band this I'm

16:03 Speaker 1: not to band this project it's called the bread Man

16:05 Speaker 1: a bread time story band being type A. Okay, okay,

16:10 Speaker 1: So Ricky Mapleton, of course myself is the I originated it.

16:15 Speaker 1: I don't want to grab the whole thing, sure, but

16:17 Speaker 1: the original concept of bread the bread Man coming coming

16:22 Speaker 1: for you. Oh, A lot of different layers in all seriousness,

16:28 Speaker 1: getting away from the money python esque of this, Yes,

16:30 Speaker 1: but there's a lot of layers in this music. Be

16:34 Speaker 1: careful what you wish for. Love may not conquer all.

16:40 Speaker 1: There's just a lot of things that I think people

16:41 Speaker 1: will get out of this if you give it a

16:45 Speaker 1: just give it. I know it's hard to grab some time.

16:47 Speaker 1: But if I think if you, if you listen to this,

16:49 Speaker 1: I think you'll hopefully be moved a little bit and

16:52 Speaker 1: get you thinking about life in retrospective while we getting

16:56 Speaker 1: heavy and there is there also a lot of money

16:58 Speaker 1: python to this good okay. So on the other swing

17:02 Speaker 1: of this, Monty Python, Victorian e there she's a witch burner, Okay,

17:07 Speaker 1: I don't you know, the money, the holy Grail sort

17:11 Speaker 1: of goofiness abstract.

17:13 Speaker 3: Okay.

17:14 Speaker 1: Also, well, that's I don't know if I explained it correctly.

17:18 Speaker 3: Well, that's uh. But uh, we're going to, of course

17:22 Speaker 3: play the whole thing today. Uh so we're we're we're

17:25 Speaker 3: offering the whole loaf. You might say I did that, Yes.

17:30 Speaker 1: Yes, yes, And there are some of those sort of

17:33 Speaker 1: ideas and jokes during this perform I believe, oh, good, good,

17:37 Speaker 1: don't loaf around all sorts of stuff a little in

17:41 Speaker 1: the windo. I'm not in tod those little shots about

17:43 Speaker 1: talking about bread, okay, because bread is the staff of life. Okay,

17:48 Speaker 1: Gluten analogies are not gluten analogies. Bread is been around

17:51 Speaker 1: for a long time.

17:52 Speaker 3: I believe the gluten is.

17:53 Speaker 13: Uh.

17:54 Speaker 1: There is a song called well I don't want to

17:56 Speaker 1: give away No, no, no no, but it does it

17:59 Speaker 1: does veer into the world of gluten, red yeast flower,

18:04 Speaker 1: but it also revolves around l O V E. Love.

18:08 Speaker 3: I don't even know what gluten is. I just like

18:10 Speaker 3: saying the.

18:10 Speaker 1: Word gluten basically is flower. Okay, so something made of flower,

18:16 Speaker 1: Oh it's gluten. It's it's so people that have gluten allergies. Yeah,

18:22 Speaker 1: that's a big catchphrase nowadays. Yes, okay, which I understand.

18:26 Speaker 1: But we could talk about gluten analogies for a long time. Yes,

18:30 Speaker 1: I think we might talk about it. As we start

18:32 Speaker 1: to start our rock opera excursion, I want to thank

18:36 Speaker 1: all the musicians before we get started on this. I

18:40 Speaker 1: maybe upset a few people along the way. Oh my,

18:42 Speaker 1: I upset myself. A lot of tension happened throughout the.

18:46 Speaker 3: Years with this.

18:46 Speaker 1: Really, yeah, there was a whole beautiful stuff with the

18:50 Speaker 1: mockumentary we're making. Okay, So in the world and in

18:53 Speaker 1: my world, I want to thank all the musicians though

18:55 Speaker 1: are on this. You guys are awesome, and the listeners

18:57 Speaker 1: that are listening to you guys, and you Matt Favon.

18:59 Speaker 1: Of course, I really hope you guys really like this.

19:02 Speaker 1: Just take five seconds, just sit here for five minutes.

19:05 Speaker 1: Take out some bread. Listeners, sit down for your favorite bread.

19:08 Speaker 1: Let's just listen, listen, get your imagination cap on.

19:12 Speaker 3: Well, very good. So we'll open with the prologue. Yes,

19:16 Speaker 3: baking bread.

19:17 Speaker 1: Now, the prologue, there is about thirty seconds of somebody

19:21 Speaker 1: making bread sounds going into it. Okay, before it breaks

19:24 Speaker 1: into the music. So yeah, so I'm just gonna leave

19:28 Speaker 1: it at that. Did I like that or not? I

19:30 Speaker 1: think it's a it's a whole journey.

19:31 Speaker 3: Let's go, Yes, let's go.

19:32 Speaker 1: Let's go break out some bread and get some jam.

19:35 Speaker 1: And let's go.

19:35 Speaker 3: Let's make some bread.

19:36 Speaker 13: All right, here we go, Welcome to the show.

20:27 Speaker 10: Before we get started, sit back, relax, Grab some of

20:31 Speaker 10: your favorite bread. Maybe put some butter, peanut, butter, jelly,

20:36 Speaker 10: it doesn't matter. Pick your favorite topping, put it on

20:40 Speaker 10: your bread, and get ready for a journey back in time.

20:44 Speaker 10: This story, though timeless, takes place about five hundred years ago.

20:49 Speaker 10: It's a love story, a tragedy of a young.

20:54 Speaker 12: Baker, the bread man who dreams.

20:57 Speaker 19: About living in the castle up on the hill, and

21:00 Speaker 19: a beautiful young princess who lives in that castle and

21:05 Speaker 19: dreams about being with the baker boy.

21:08 Speaker 12: This is their story.

21:14 Speaker 3: So there were there. We have the prologue.

21:16 Speaker 1: Yes, uh, and we're uh.

21:20 Speaker 3: By the way, I learned something there. I didn't even

21:22 Speaker 3: know they had bread five hundred years ago. One was

21:24 Speaker 3: bread invented. It's older than our country. I just assumed

21:27 Speaker 3: it was invented.

21:28 Speaker 1: It was around during uh uh.

21:33 Speaker 3: Even before that. Wow, that's amazing. So we've always had bread.

21:38 Speaker 1: We've always had that yeast of flower. It's been around

21:41 Speaker 1: a long time.

21:42 Speaker 3: Wow, that's amazing. That's amazing. Uh. Should we go right

21:45 Speaker 3: to Uh so this next part? Uh, someday I'm going

21:48 Speaker 3: to live in the castle.

21:50 Speaker 1: Yes, yes, all right, here we go.

22:24 Speaker 4: Standing not knowing, no more.

22:27 Speaker 8: To work.

22:29 Speaker 11: Okay, father, you'll never mean nothing gonna make a boy,

22:33 Speaker 11: but make a boy?

22:34 Speaker 6: What what do you mean you think you're gonna marry

22:37 Speaker 6: the princess?

22:39 Speaker 12: Well, you're never gonna live in a castle.

22:42 Speaker 3: On up, No, father, get back to work.

22:48 Speaker 4: Don't hit me.

22:49 Speaker 18: Father, back to work, go to mine, No, not the back.

23:04 Speaker 18: Some dam gonna live in a castle. Some damn gonna

23:12 Speaker 18: live on him. Someday I'm gonna live in that castle.

23:21 Speaker 4: Some day about him. No more making print for my father,

23:31 Speaker 4: No more bacon the bridge.

23:37 Speaker 15: Some damn gonna some damn gonna some damn.

23:43 Speaker 8: Gonna live.

23:55 Speaker 12: Gorge.

24:00 Speaker 6: Never gonna live in that castle.

24:01 Speaker 8: Down to.

24:11 Speaker 2: That.

24:11 Speaker 14: I again, what do you think you're gonna matter the princess?

24:28 Speaker 18: No more bign no than bread, gonna lit landerstea.

24:38 Speaker 6: Stall, Gonna live in the castle. Still gone live on hill.

24:49 Speaker 18: Fall, gonna live a castle, some of them gone live on.

25:00 Speaker 6: Uh.

25:06 Speaker 3: So our hero, he's, uh, he's got a lot going

25:08 Speaker 3: on there. He doesn't clearly he wants nothing to do

25:11 Speaker 3: with the family business, and his father is uh kind

25:14 Speaker 3: of a jerk. Wow, But he wants to live in

25:19 Speaker 3: the castle. Why does he want to Why does he

25:22 Speaker 3: want to live in the castle?

25:23 Speaker 1: I just he sees the castle from the bakery. Yes,

25:29 Speaker 1: in the bakery, he's looking out the window and he

25:32 Speaker 1: sees the castle up on the hill.

25:35 Speaker 3: Yeah.

25:35 Speaker 1: And he's just like a lot of us when we're younger,

25:39 Speaker 1: even when we get older, we're dreaming about something else. Yes,

25:44 Speaker 1: So he sees his life now, it's not very good.

25:47 Speaker 1: He's making bread for his mean father who hits him

25:49 Speaker 1: over the head with a.

25:50 Speaker 3: Bag at Oh my god, Okay, that's just rude.

25:53 Speaker 1: Yeah. So he's has he's having a rough, rough childhood. Yeah, okay,

25:59 Speaker 1: and that's kind of he's having those dreams of some day.

26:03 Speaker 1: So that was that. That gentleman's name was Ryan Fitzpatrick.

26:06 Speaker 3: Oh okay.

26:07 Speaker 1: She does a lot of the singing on this.

26:08 Speaker 3: Oh okay, wonderful, wonderful, all right. So next we have

26:13 Speaker 3: let's say, feeling low down?

26:15 Speaker 1: Is this track number three? Yes, feeling low down? Feeling

26:18 Speaker 1: low down?

26:19 Speaker 3: All right, let's continue our story.

26:21 Speaker 1: Let's continue eating some nice bread here.

26:25 Speaker 19: The young baker spends his childhood dreaming about living in

26:30 Speaker 19: the castle. At age ten, something magical happens. The princess

26:38 Speaker 19: starts visiting the bakery. She's in charge of picking up

26:43 Speaker 19: the weekly bread for the castle and making sure that

26:46 Speaker 19: it gets delivered safely. She becomes quite smitten with the

26:51 Speaker 19: baker boy. They begin to sneak off to spend time together.

26:56 Speaker 19: The young Baker's father eventually decides to open a new

27:01 Speaker 19: bakery and a far off land, and he leaves the

27:04 Speaker 19: bakery to the young baker, who is now.

27:07 Speaker 12: Officially the bread Man.

27:10 Speaker 19: The princess is excited about being able to visit without

27:13 Speaker 19: the old man around. However, the King decides that he

27:18 Speaker 19: doesn't like her spending so much time away from the castle,

27:22 Speaker 19: and he only allows her to visit town once a month.

27:25 Speaker 19: It's been a month since she last visited the bread man.

28:04 Speaker 20: Oh oh, comment down the mountain's comment down the mountains

28:28 Speaker 20: were in the float, all round the mountain, all around

28:43 Speaker 20: the mountain.

28:45 Speaker 4: That she's gone.

28:54 Speaker 6: And I'm feeling load down so helloa, but a load sooad.

29:21 Speaker 19: As the month wanes, the bread Man struggles with his

29:25 Speaker 19: infatuation with the princess and his goal to someday live

29:29 Speaker 19: in the castle. Will he find a way to marry

29:33 Speaker 19: the princess? Will he be adored by the villagers? Will

29:37 Speaker 19: he someday be the king?

29:44 Speaker 3: Interesting to me that, you know, I thought in the

29:48 Speaker 3: beginning that he didn't want anything to do with the

29:51 Speaker 3: family business. But it's not that he just wanted to

29:53 Speaker 3: get away from his dad. He clearly he still wants

29:55 Speaker 3: to make bread.

29:58 Speaker 1: I don't know. I'm not sure.

30:00 Speaker 3: War I mean, that's that's what it seems like.

30:02 Speaker 1: I don't think he likes his father because he's abusing him.

30:06 Speaker 1: And I don't think he likes making bread. Pull up,

30:08 Speaker 1: and I don't think he likes making bread. Yeah, and

30:11 Speaker 1: I don't think. But he is the bread man. I mean,

30:13 Speaker 1: that's his whole identity, isn't No, that's sort of the

30:16 Speaker 1: identity that we're giving him. Oh Okay, I don't think

30:20 Speaker 1: he walks around with I am the bread man. I

30:22 Speaker 1: love my bread, bread, my bakery. Yeah, okay, he's kind

30:26 Speaker 1: of born into that life. Okay, he's fighting, Yes, but

30:31 Speaker 1: he now is in love with the princess?

30:35 Speaker 13: Well is he?

30:36 Speaker 3: Is he in love with or infatuated? Whether at this point?

30:40 Speaker 1: Well, I don't want to give stuff away, okay, but

30:43 Speaker 1: right now, as far as the listener is concerned, yes,

30:47 Speaker 1: he is infatuated.

30:49 Speaker 3: Okay, And.

30:52 Speaker 1: As the dough rises, if you would, ah, there we

30:55 Speaker 1: got so let's try it. Okay, you're you're the first one, right?

30:59 Speaker 1: What did you say earlier? The wow, the bread, the roll?

31:03 Speaker 1: I don't remember, so we always want to throw in

31:05 Speaker 1: bread reference? Yes, yes, so let's roll along. Well played, sir, yep,

31:14 Speaker 1: I get one a day like all right? Track three, track.

31:19 Speaker 3: Four, Track four four. Awkward situation.

31:24 Speaker 1: Okay, now the door rises, we go, all right, let's

31:29 Speaker 1: make some toast.

31:30 Speaker 19: Finally, the princess arrives at the bakery after a month

31:33 Speaker 19: long hiatus. They're both excited to be together at long last.

31:39 Speaker 19: The bread man locks the door and the young lover's

31:43 Speaker 19: head to the back room, not realizing that the baker's

31:47 Speaker 19: bother had given.

31:48 Speaker 12: A key to the egg lady.

31:51 Speaker 3: The egg lady.

31:51 Speaker 19: Arrives shortly after their rendezvous, only to find the bakery

31:57 Speaker 19: locked up. She uses her key unlock the door and

32:01 Speaker 19: goes inside to drop off the eggs. She hears a

32:04 Speaker 19: strange noise in the back of the bakery and decides

32:06 Speaker 19: to investigate. She cracks open the back door, and much

32:10 Speaker 19: to her surprise, she realizes what's happening.

32:14 Speaker 13: It was a very season.

32:19 Speaker 24: Suckless the Jewish jush hockless juas situation Jewish you cuas

32:44 Speaker 24: lockless juishuph.

32:49 Speaker 12: A tuation.

32:52 Speaker 24: Snock listen Julish listen Julie sho u as me.

33:28 Speaker 25: Well lash Jewish jewish less the sitewe talk with sitewation.

33:42 Speaker 25: I am the situation buck with situation awkward, situation talk

33:49 Speaker 25: with situish awkward sit Jewish.

33:53 Speaker 8: Jewish, my my, you.

34:20 Speaker 3: Know, I feel like, uh that part of the story too.

34:22 Speaker 3: There's a cautionary tale there, because obviously you always want

34:25 Speaker 3: to know who has keys to your stuff, especially if

34:28 Speaker 3: someone might be delivering eggs.

34:30 Speaker 1: Absolutely, yes, yes, aware of the egg lady, that's right, yeah, yeah, yeah, yes,

34:36 Speaker 1: beware of the egg lady, Yes, the egg lady.

34:39 Speaker 3: And that song to me, it's got kind of a

34:42 Speaker 3: rolling Stones vibe.

34:43 Speaker 1: Which I thank you, thank you. Yeah, yeah, I like

34:48 Speaker 1: the I like the quicker more fast stuff the slower

34:51 Speaker 1: stuff on here, big fan, yeah, big fan, big fan,

34:54 Speaker 1: But you know I do, I do. But you notice

34:58 Speaker 1: a lot of different, lot of layers. Oh yes, way

35:02 Speaker 1: out of my wheelhouse. But again thank you to all

35:04 Speaker 1: those musicians that it's stuff on it. Absolutely, let's let's go.

35:09 Speaker 1: So next we have flowers of flying rocking in the bread. Okay,

35:13 Speaker 1: so what happens now is the egg lady has walked in.

35:17 Speaker 1: Uh huh and they are let's say, making yeast you would,

35:21 Speaker 1: all right, dev sure the lady walks in awkward situation. Yes,

35:26 Speaker 1: and this is what the egg lady has to say

35:28 Speaker 1: about it.

35:29 Speaker 3: Oh my goodness, all right, let's find.

35:31 Speaker 4: Out walked in all this cannot be it's the princess,

35:48 Speaker 4: the freak.

35:51 Speaker 8: Can't be.

35:52 Speaker 11: See you cannot have to pay me the truth of

36:00 Speaker 11: you with the weak up going princess. And I was

36:04 Speaker 11: fighting now fast to the prince spire. How the surpier.

36:14 Speaker 4: Fou was fighting all about fuss fighting there con couco,

36:21 Speaker 4: I think.

36:25 Speaker 8: Your secret.

36:28 Speaker 4: I was fining you we going, I was buying.

36:32 Speaker 6: Can't this funing.

36:38 Speaker 4: Now?

36:39 Speaker 14: Is balan?

36:41 Speaker 4: How will fan? It's not of gold?

36:52 Speaker 8: Ay? A good time as sea?

36:55 Speaker 6: The up a can of good times.

37:00 Speaker 4: Flower fly is a flying the flower is a flying.

37:23 Speaker 1: Whoa whoa, whoa, whoa, whoa, whoa, whoa whoa.

37:25 Speaker 3: So I think the egg Lady frankly should mind her

37:29 Speaker 3: own business.

37:29 Speaker 1: But that's what Well, if you picked up on the lyrics,

37:32 Speaker 1: she said, you are going to pay me, and I'm

37:35 Speaker 1: not gonna. I will not tell what's happening. Right, So

37:39 Speaker 1: now the egg Lady is now bribing the Baker and

37:43 Speaker 1: the princess. Take every time that we see, you're gonna

37:46 Speaker 1: pay up or I'm going to tell the king? What's

37:48 Speaker 1: the story?

37:49 Speaker 4: Right?

37:50 Speaker 21: Right?

37:51 Speaker 3: Oh, hence the I love triangle.

37:54 Speaker 1: Well, I don't think the egg Lady is really interested

37:58 Speaker 1: in oh no, the baker boy. But she's she's as

38:01 Speaker 1: a subplot and a sub character. Oh okay, she's bribing, Yes,

38:05 Speaker 1: yes she is. She just doesn't know what she's walking into.

38:08 Speaker 1: Maybe maybe should we continue? Oh?

38:12 Speaker 3: I think so? I like so, oh the next the

38:15 Speaker 3: next song in our story here we should tell people too.

38:17 Speaker 3: If you're just joining us, we have Ricky Mapleton here

38:20 Speaker 3: and the uh this did we establish what this is?

38:22 Speaker 3: Is it a rock opera?

38:23 Speaker 1: Yeah? Yeah, I think yeah, I like rock opera yeah,

38:26 Speaker 1: I like I think that was the original concept. It's

38:28 Speaker 1: kind of into more of a we want to do

38:30 Speaker 1: a play, yes, yes, Broadway play. So if a nobody

38:34 Speaker 1: wants to finance our Broadway play, I already have it

38:37 Speaker 1: envisioned in my mind. Really, oh my, come it to

38:40 Speaker 1: be beautiful. Perhaps you could get a national bakery chain

38:43 Speaker 1: to uh sponsor you. Yes, absolutely, yes, let's go. Let's

38:47 Speaker 1: go Broadway. But for now, Yeah, that's the old yeah

38:50 Speaker 1: rock opera. Yeah, getting back, getting back to the original question,

38:53 Speaker 1: rock opera. I know that's pretty big shoulders that I'm saying.

38:58 Speaker 1: But Quadrophenia Tommy twenty one twelve, Yes, hemispheres. I don't

39:04 Speaker 1: know if everybody knows the those kind of my dating

39:08 Speaker 1: myself on those, but yeah, wrong, yeah, yeah, a play. Yeah,

39:12 Speaker 1: And the title is The bread Man a bread Time Story.

39:16 Speaker 3: The bread Man a bread Time Story. Well, let's uh,

39:19 Speaker 3: we'll go to the next part of our story here,

39:22 Speaker 3: and this one is called I Am the egg Lady. Okay,

39:25 Speaker 3: all right, here we go, two, three, four, sick.

39:53 Speaker 8: No sick, stays with me allio sheep cropping.

40:51 Speaker 4: That was not that.

40:56 Speaker 6: The bucksack.

41:29 Speaker 3: I feel at this one. In the story of the

41:30 Speaker 3: egg Lady is really the antagonist?

41:34 Speaker 1: Absolutely, yeah, I think so.

41:35 Speaker 3: I expected it to be the king well for his father.

41:40 Speaker 1: I think we all have some egg Ladies in everyone's life.

41:43 Speaker 3: Sure, sure, oh yeah, yeah yeah.

41:49 Speaker 1: What's your thoughts? Are you connected with the story?

41:52 Speaker 3: I am, I'm very I'm very connected. I'm invested. I'm

41:55 Speaker 3: uh you know, I'm a little uh bummed. I mean,

41:59 Speaker 3: I'm gonna be a little next time, you know, I'm

42:01 Speaker 3: eating and you know, scrambled eggs or something, because I'm

42:04 Speaker 3: gonna be thinking about the egg Lady and and she's

42:06 Speaker 3: just she's just mean.

42:09 Speaker 1: Yeah, you know. How's that for a response?

42:12 Speaker 3: Yes, you are correct, Matt Connerton, because I'm looking at

42:15 Speaker 3: the title of the next part of the story and

42:17 Speaker 3: I realize exactly what's happening next, and I think it's wrong.

42:21 Speaker 3: What what a Well, it's titled A Little White Envelope.

42:25 Speaker 1: Okay, okay, so Little White Envelope not This is one

42:31 Speaker 1: of the songs that was done before the actual project

42:37 Speaker 1: took place. Is taken from another project. Oh interesting, We

42:42 Speaker 1: did it on a few songs here. We had some

42:44 Speaker 1: material that we fit in that went along with the

42:49 Speaker 1: tracks that we were working on.

42:51 Speaker 3: Okay.

42:52 Speaker 1: And this one is a very dear friend of mine.

42:55 Speaker 1: I'm gonna say his name, Chris Higgins. Okay, Chris Higgins,

42:58 Speaker 1: who who I may have upset? I I've known Chris

43:01 Speaker 1: Higgins since high school, probably one of the best drummers

43:05 Speaker 1: in the area. Lifelong friends, yep. And I don't want

43:07 Speaker 1: to get into this big thing what happened.

43:09 Speaker 3: But I interviewed Chris Sigans a long time. I forget

43:11 Speaker 3: what band was in a Rocket Waltz.

43:13 Speaker 1: I believe he was in that.

43:15 Speaker 3: That was not the band he was in when I

43:16 Speaker 3: interviewed Lynn band.

43:18 Speaker 1: No, So, Chris, if you're listening to this again, I apologize.

43:23 Speaker 1: He's he's he's on two tracks.

43:26 Speaker 3: Okay.

43:26 Speaker 1: He did a ton of work on it, and a

43:28 Speaker 1: lot of the material his drummings didn't make it on it.

43:31 Speaker 1: Oh okay, okay, but he's on two tracks. And Chris,

43:34 Speaker 1: you're the best man. I love you.

43:35 Speaker 13: I love you?

43:36 Speaker 1: Yeah, okay. And this is this is a nice updeat song. Quick.

43:39 Speaker 1: It's all about that little envelope that we all have

43:41 Speaker 1: up on the shelves lives.

43:43 Speaker 21: All right.

43:44 Speaker 19: This is a little white envelope, the princess and the

43:47 Speaker 19: bread man discuss payments with the egg lady. They make

43:50 Speaker 19: their first payment and center off. The princess heads home

43:55 Speaker 19: to the castle. As soon as she arrives back at

43:58 Speaker 19: the castle, she gets the bad news that she is

44:02 Speaker 19: being forced to marry the Prince of yeast Land. This

44:07 Speaker 19: arranged marriage between our beloved Princess of Wheatland to the

44:12 Speaker 19: Prince of Yeastland will solidify the King's plans to form

44:15 Speaker 19: a super bread conglomerate. The princess, needless to say, is distraught.

44:22 Speaker 19: She eventually decides to write a letter to her bread

44:25 Speaker 19: man to break the bad news that she will no

44:29 Speaker 19: longer be able to spend time with him. She doesn't

44:32 Speaker 19: have the heart to send the letter, so it sits

44:36 Speaker 19: and awaits delivery. Inside its little white envelope.

45:00 Speaker 6: Us there to get users.

45:06 Speaker 20: Get every weeks yesterday.

45:35 Speaker 4: Down. M.

45:40 Speaker 3: Now, that's interesting because I thought the little white envelope

45:43 Speaker 3: was going to refer to the envelope of money of

45:47 Speaker 3: payments made to the awful egg lady.

45:50 Speaker 1: But it turns out no, yes, correct, you are corrector

45:52 Speaker 1: I am correct about what everything?

45:54 Speaker 3: Okay? Thank you?

45:56 Speaker 1: No, I never really thought of it about the envelope

45:59 Speaker 1: with the money that's what I assumed. This This is

46:02 Speaker 1: the letter sent by the princess saying, oh, low lover

46:05 Speaker 1: of mine, I have to I'm being forced to marry

46:10 Speaker 1: the Prince of yeast Land because his father, the princess's father,

46:19 Speaker 1: all about the business, our business to yeast business. And

46:23 Speaker 1: I love the term international red conglomerate. Yes, yes, I

46:29 Speaker 1: love that term. Yes, that's fun.

46:31 Speaker 3: You would think anti trust laws would prevent that. You know,

46:34 Speaker 3: these mergers.

46:35 Speaker 1: I don't know the monopoly trust laws during Victorian time,

46:39 Speaker 1: but it was it was a different time. I think

46:42 Speaker 1: if you were the king, you could do what you wanted.

46:46 Speaker 3: That's true.

46:46 Speaker 1: That's probably we're gonna do a quick python. What made

46:49 Speaker 1: you king? I can recite that whole thing. Really h

46:54 Speaker 1: Strange women distributing soul. This is no basis for gomvenance.

46:59 Speaker 1: It comes from a mandate from the masses. If I

47:02 Speaker 1: never mind, see that's that's from the Holy graund. Yes. Yes,

47:05 Speaker 1: if I went around saying I was king because some

47:07 Speaker 1: moist and bean gave me a sword, they'd put me away.

47:10 Speaker 1: Strange women there ever, being sold, there's no basis for government.

47:16 Speaker 3: It's not wrong.

47:16 Speaker 1: So it's that was kind of my that's kind of

47:19 Speaker 1: my headspace with this. I was made mighty pothon. And

47:22 Speaker 1: then the musicians came in this. They're like, let's go serious, okay,

47:25 Speaker 1: And I said, okay, And I hope everybody's enjoying this.

47:29 Speaker 3: I hope, so, I hope.

47:30 Speaker 1: So it's good. Seeing your two reactions makes me super happy.

47:34 Speaker 3: Yeah.

47:35 Speaker 1: Yeah, I see that you guys are laughing and enjoying.

47:36 Speaker 3: I like it very much. I like it very much.

47:39 Speaker 3: Let's see. So the next part of our story is

47:41 Speaker 3: called how could she Marry Him?

47:42 Speaker 1: Okay, so the marriage is going to take place now

47:46 Speaker 1: between the princess and the prince, and they're having this

47:51 Speaker 1: big Like everybody else who may be going to the

47:54 Speaker 1: altar or maybe get into a relationship, here's that moment

48:00 Speaker 1: rarely what So okay, there we go. All right, let's

48:04 Speaker 1: go all right.

48:05 Speaker 23: Here it is.

48:10 Speaker 19: Finally, once the wedding date has been set, the princess

48:15 Speaker 19: has a little white envelope delivered to the bread man

48:18 Speaker 19: on the day of their next plant rendezvous, much to

48:22 Speaker 19: the bread Man's chagrin. Instead of the princess at his door,

48:26 Speaker 19: he finds a delivery boy who hands him a letter, how.

48:33 Speaker 15: Good she married how good she married? How good she married?

48:45 Speaker 8: Now good? Sit bee.

48:50 Speaker 6: Loo good?

48:51 Speaker 15: Shit be so bad?

48:58 Speaker 12: Today is the day of the big wedding Princess.

49:05 Speaker 19: Here she is at the wedding, at the altar, getting

49:11 Speaker 19: ready to marry the prince from Yeastland.

49:15 Speaker 12: She just can't believe that it's happening. She missed the

49:20 Speaker 12: bread man.

49:25 Speaker 26: How can I marry him?

49:29 Speaker 4: How can I marry?

49:33 Speaker 15: How can I marry him?

49:38 Speaker 14: What can be so?

49:42 Speaker 4: What can it be?

49:44 Speaker 19: So?

49:45 Speaker 9: Bread?

49:50 Speaker 12: The bread man arrives at the wedding. He's made the

49:56 Speaker 12: wedding cake.

49:58 Speaker 19: He's so sad, but he has to deliver the cake

50:02 Speaker 19: otherwise people might get suspicious.

50:06 Speaker 27: And here he is.

50:09 Speaker 12: Delivering the cake, looks over at the princess.

50:17 Speaker 15: How good she married? How could she marry? How good

50:26 Speaker 15: she married? How good she be?

50:32 Speaker 19: So?

50:34 Speaker 6: How good?

50:35 Speaker 15: Should be so bad?

50:56 Speaker 14: How can I be so.

51:01 Speaker 15: A canny?

51:09 Speaker 3: Hmm? That is sad? How could she marry him? From

51:12 Speaker 3: the bread Man? A bread time story, And Ricky Mapleton

51:15 Speaker 3: is here with us.

51:16 Speaker 1: Thank you well.

51:18 Speaker 3: We are approaching for our live listeners the top of

51:20 Speaker 3: the hour, so we do need to take a break

51:22 Speaker 3: and show some love to our amazing sponsors. But if

51:25 Speaker 3: you are listening live on Saturday. Coming up in the

51:28 Speaker 3: third hour, we're going to continue listening and talking about

51:33 Speaker 3: The bread Man, a bread Time Story, the new rock

51:35 Speaker 3: opera from Ricky Mapleton, and many others. So you mentioned

51:38 Speaker 3: many other contributed to this.

51:40 Speaker 1: Is that Is that the good volume right there for you?

51:42 Speaker 1: Right there? Yeah? Yeah, okay, okay, yeah again, I just

51:44 Speaker 1: want to reiterate that's my big word of the day. Yes, again,

51:49 Speaker 1: thank you everybody that took part in it. It's probably

51:52 Speaker 1: twenty different musicians.

51:53 Speaker 3: Oh no.

51:54 Speaker 1: Finally, the core base was myself, doctor h and and

52:00 Speaker 1: Fitzpatrick with the three that started this, but there's probably

52:03 Speaker 1: I would say twenty oh twenty thirty musicians on this.

52:07 Speaker 1: And again, thank you guys for doing it. Oh absolutely,

52:11 Speaker 1: I want to take the musicians for doing it. Yeah.

52:13 Speaker 1: Just I'm hearing it here on different headphones, yeah, different thing,

52:18 Speaker 1: and I haven't listened to it in probably a week.

52:20 Speaker 1: Yeah you know, yeah, I've heard it thousands of times. Yeah,

52:24 Speaker 1: you know, preparing this, but just tearing it fresh on this.

52:27 Speaker 1: It just and watching you guys react and I hope

52:29 Speaker 1: everybody's really yeah, getting something out of it. On the

52:31 Speaker 1: Snowy on the snowy Saturday.

52:33 Speaker 3: I sure hope, so, I sure hope. So all right

52:34 Speaker 3: for our live listeners, stick around. Coming to an hour

52:36 Speaker 3: number three, we will continue with our story. Don't go anywhere.

52:44 Speaker 27: Nana's kitchened Pizzaia.

52:47 Speaker 14: From Nana's hands to your play tradition.

52:51 Speaker 15: Love and taste.

52:53 Speaker 11: That's great, so fermented dough flavor, so true.

53:00 Speaker 14: Each bite the story made just for you.

53:06 Speaker 27: Six o three two three two nine three six six

53:10 Speaker 27: Nana's Kitchen and Pizza Reeve fifteen Dartleth Dry Auburn, New Hampshire.

53:17 Speaker 8: Kitchen and piz.

53:23 Speaker 23: Luigi's Pizza Barren Grill Under every.

53:26 Speaker 3: One, let's raise a slice.

53:29 Speaker 8: On hide with top and toll the ground.

53:32 Speaker 12: It's a pizza barrio.

53:34 Speaker 23: Mine Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester.

53:39 Speaker 23: Come on in or call six two two one zero

53:43 Speaker 23: two one Luigi keeping the tradition alive since nineteen seventy five.

53:49 Speaker 4: Pizza for every one. Come join a piece to night

53:55 Speaker 4: with each slice, sense of it.

53:57 Speaker 9: Everything feels so right.

54:02 Speaker 28: In times of crisis, you need a law firm that

54:04 Speaker 28: stands by your side. With over forty years of experience,

54:07 Speaker 28: Craigan Getsulis is dedicated to fighting for your rights. As

54:11 Speaker 28: former state prosecutors, our attorneys have the knowledge and trial

54:14 Speaker 28: experience to provide an aggressive defense against any charge, from

54:18 Speaker 28: DUIs to homicides. If you've been injured, our compassionate team

54:23 Speaker 28: will assess your case and fight for the compensation you deserve.

54:26 Speaker 28: Serving all of New Hampshire. Craigan Getzulis is here when

54:29 Speaker 28: you need us most. Visit craigatzulis dot com for a

54:32 Speaker 28: free consultation. Craigan getsulus, your advocates, your.

54:36 Speaker 26: Allies, bring your kitchen to life with Queen City Cabinetry,

54:40 Speaker 26: located at eighty seven Elm Street in the historic Sunbeam

54:44 Speaker 26: Wall in Manchester, open Monday through Friday nine am to.

54:48 Speaker 1: Five thirty pm, in Saturdays ten am to two pm.

54:53 Speaker 1: They can be reached at.

54:54 Speaker 26: Six h three two two two to zero zero seven

54:58 Speaker 26: or on the web at Queen Citycabina Tree NH dot com.

55:03 Speaker 1: Come see the possibility.

55:04 Speaker 26: It's Queen City Cabinet treat another crowd sponsor of MNH.

55:09 Speaker 29: Hey everyone, there's Rob Azevedo, host of Grantite State of Mind,

55:12 Speaker 29: and I want to tell you about Pembrooke City limits

55:14 Speaker 29: and the Historic Suncook Village. PCL is an award winning bar,

55:18 Speaker 29: restaurant and music venue where there's live music five days

55:21 Speaker 29: a week and twice on Saturdays. Everything from blues, country, folk, funk,

55:24 Speaker 29: and a whole lot of jazz. We have twelve craft

55:27 Speaker 29: beers on tap dedicated to local brewers in the area

55:30 Speaker 29: and some of the friendliest bartenders around. Please come visit

55:33 Speaker 29: Pembrook City Limits at one thirty four Main Street, the

55:35 Speaker 29: historic sunk Cook Village, only six miles outside of Manchester.

55:39 Speaker 29: Open Tuesdays to Wednesdays four to ten Thursday's a Sunday

55:43 Speaker 29: eleven to ten.

55:44 Speaker 1: Pembrook City Limits, where it's all about the music.

55:47 Speaker 23: Business Cafe is the place to put a smile on

55:49 Speaker 23: your face. Judy and the crew will take care of you,

55:52 Speaker 23: bring your appetite and treat your.

55:54 Speaker 1: Taste buds right.

55:55 Speaker 21: Business Cafe is always a winning choice.

55:58 Speaker 23: Breakfast, lunch, or supper Dizze's Cafe at eight sixty Elm

56:03 Speaker 23: Street in downtown Manchester. Dine in, take out or make

56:07 Speaker 23: a reservation. Call six oh three, six oh six two

56:11 Speaker 23: five three two, Eat, drink and be happy Dizze's Cafe.

56:16 Speaker 30: When it comes to keeping WMNH on the air and

56:19 Speaker 30: your own personal or business computer needs. Trust growl In Computers,

56:23 Speaker 30: located on Elm Street in Manchester. Grolin handles computer repair,

56:27 Speaker 30: virus removal and custom built systems. Are you looking for

56:30 Speaker 30: budget friendly options? Check out our selection of fully inspected

56:33 Speaker 30: used computers. We offer tailored on site solutions no unnecessary

56:37 Speaker 30: expenses here. Visit growlind dot com or call Grolling Computers

56:41 Speaker 30: at six zero three six four five zero one zero one.

56:45 Speaker 30: Your Tech, Your Way Trust groll In Computers.

56:55 Speaker 11: Seven times out of ten we listened to our music.

57:02 Speaker 16: Donentitloo Business program.

57:05 Speaker 23: Late Night to Light with DJ Mitas right here on

57:08 Speaker 23: w NH Manchester.

57:09 Speaker 4: Do you want to know?

57:10 Speaker 23: Because Saturdays and Sunday nights midnight to four am.

57:16 Speaker 27: This hour on wm NH is sponsored by CGI Business

57:21 Speaker 27: Solutions located at five Dartmouth Drive in Auburn. They serve

57:26 Speaker 27: all your business needs including employee benefits, planning, corporate design

57:31 Speaker 27: and business administration, investments and wealth management and customized business

57:36 Speaker 27: insurance solutions. Their phone number is eight sixty six eighty

57:39 Speaker 27: four to one forty six hundred, or on the web

57:43 Speaker 27: at CGI business Solutions dot com.

57:49 Speaker 2: Behold the harmony of airwaves as you immerse yourself in

57:52 Speaker 2: the captivating frequencies of w m n HLP. Their sunic

57:56 Speaker 2: cards of Manchester Twins, sending through the ether tinety five

58:00 Speaker 2: point three megahertz frequency modulation or transmissions emanate from the

58:04 Speaker 2: zedith of one thousand Elm Streets, insure into the hearts

58:07 Speaker 2: of our creative realm at one nineteen Canal Street, where

58:10 Speaker 2: innovation and sound collage. They're the impro moder of Manchester

58:14 Speaker 2: Public Television Service in the venerable city of Manchester, New Hampshire, USA.

58:19 Speaker 2: Enrich your auditory journey with the depth of our license

58:22 Speaker 2: to WESDENSSPT. Your missives did w m n H ninety

58:25 Speaker 2: five three at gmail dot com or traverse the virtual

58:29 Speaker 2: corridors of wmnhradio dot org. Engage with our sonic vibrations

58:33 Speaker 2: by communing with us through the digital channels or radio beckons,

58:37 Speaker 2: eager to enthrall you with its mesmerizing cadence and envelop

58:40 Speaker 2: you with a symphony of foundless auditories.

58:43 Speaker 1: Won Dude, wmn H rip the novels