Matt Connarton Unleashed 2-7-26 hour 3
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Speaker 1: WMNH will rip the novels.
Speaker 2: All right, here we go.
Speaker 3: Hello everybody, We have entered our three new Marrow trace of Matt Connorton unleashed and we are live from the studios of wm NH ninety five point three FM and Glorious Manchester, New Hampshire. Of course, you can stream the show from anywhere. Go to Matt connorton dot com slash live for all your live streaming options, social media links, contact in posho archives, et cetera, et cetera. Today is Saturday, February seven, twenty twenty six. Jenny is here of course at the news table president that account of book, and also with us, of course, we have Ricky Mapleton and today we are featuring his new his rock opera bread Man a bread Time Story.
Speaker 3: Did I get the title right, Tody?
Speaker 1: Yes?
Speaker 4: I did.
Speaker 3: Yes. Now, if you are listening live on Saturday, you might have heard in the second hour of today's show we've been playing songs in order from the rock opera and talking about each one, and we're going to continue to that. We've never continued that in.
Speaker 4: The third hour.
Speaker 3: We've never done that before on this show, but this project I think deserves the attention. Absolutely absolutely, we're really enjoying it. So when we left off in our story, how can she marry him?
Speaker 5: Was the.
Speaker 3: Last song that we played, and then the next one is King's speech hip hop comedy song.
Speaker 6: Okay, so now the wedding has taken place. Okay, the wedding is done in the king is going to give his speech.
Speaker 3: Okay, much like the title, yes, yes, and enjoy all right, the king enters the story.
Speaker 2: Here, here we go.
Speaker 7: The princess for Peter vows and reluctantly says yes to the Prince of Yeastland. The king steps forward to give a celebrations speech.
Speaker 8: We are here to celebrate the mixing of Wheatland with Yeastland. This was truly needed to help create the best bread in the land. Let us raise our bread and with warmth in our hearts, toast the prince and princess, who, with help from the Prince, will soon have a bun in the oven and the next heir to the kingdom. Long live the Prince.
Speaker 7: Long live the King, and the feast begins.
Speaker 4: Now it's time to dance, well, they say here pop comedy song.
Speaker 5: Don't you all sing along your head?
Speaker 9: Pop comedy comedy.
Speaker 10: Let me outside.
Speaker 5: This tam pop comedy song don't you all sing along?
Speaker 11: Has ahead of Cony and the comedy Bother.
Speaker 5: I have hop comedy, so why don't you all sing along?
Speaker 12: HiT's a hit bob comedy comedy song.
Speaker 13: Bo what you meat Pup?
Speaker 14: I told you once, I told you twice? Well way I feel. Here's my advice, mother truck, just keep it cool, keep.
Speaker 13: It rid, keep that next to the shelf.
Speaker 5: You see you don't be afraid.
Speaker 15: If you got the rock, I have.
Speaker 5: To break out that god, break out that break out that.
Speaker 15: It's a d bock out the sard that's about saying as a hand.
Speaker 13: Bringing out the.
Speaker 10: Pack on the.
Speaker 15: Dup saying it's a haircut cot the cot your son, break.
Speaker 10: Out the army outside him.
Speaker 13: Stiff him him heads, if him heads, it's kind of a manly Here we go the.
Speaker 5: It's a hip hop comedy song. But don't your mom saying he lou. It's a hip hop comedy comedy song.
Speaker 14: Tod you once to twice one where I feel. Here's mydrise, a mother.
Speaker 5: And comedy song.
Speaker 3: All right, the King's Speech and hip hop comedy song. The next part of our story here in the bread Man a bread time story. Yes, so why why is uh? Does the king just really like a humorous hip hop.
Speaker 6: Or I love the kind of change we've done, very slow melodic stuff on this hip hop comedy song was a song that was not originally made for this.
Speaker 2: Oh and.
Speaker 6: We find a great spot for it where it kind of changes the whole now where hip hop and where it kind of goes away from the Victorian thing.
Speaker 2: It's okay, this was this is happening at the.
Speaker 6: Reception, yes, yes, and now we're we're dancing, we're singing, we're having fun.
Speaker 2: Okay, little hip hop comedy song going on.
Speaker 3: All right, but not everyone is having fun. Well, it depends in theory. And yes, very insightful, sir, Thank you insight thank you, thank you.
Speaker 8: Well.
Speaker 3: Next, so we have more plastic in the ocean than fish. One ain't what it seems. I'm very curious where this part of the story is going. Here we go.
Speaker 4: The wedding is over.
Speaker 7: Weeks have passed since the bread Man has last seen the princess. The princess takes a huge risk and visits the bread Man late one evening. Draped in peasants' clothing, she knocks at the bakery door. The bread man slowly opens the door. He's a mixed bag of emotions, sad, angry, befuddled, and elated all at once.
Speaker 4: He beckons her to the back room. He quietly murmurs, how could you marry him?
Speaker 7: At first, she's apologetic, but soon they begin to argue about everything and how it all went down, how she had no choice in the matter. The bread man, he disagrees, and the princess is no longer sure that it was a good idea to visit the bread man. Well, the bread man and the princess, they begin to argue. They tell each other how they feel, and things get pretty heated.
Speaker 1: All the pieces they don't fit. Maybe we just need to quit.
Speaker 16: Sometimes I don't give it ish what you think I love should be. Things ain't always what they seem. You see blue and I see green. When you laugh, it makes me scream.
Speaker 12: You just keep chasing those dreams, You just keep chasing those dreams.
Speaker 1: I can't recall what you said.
Speaker 13: I wish we could just stay in bed.
Speaker 16: Sometimes that's just regret all the things that you have done. Things ain't always what they see. You see blue and I see green When you're laugh It makes me scream.
Speaker 1: And you just keep.
Speaker 13: Chasing those dreams.
Speaker 4: Yeah, you just keep chasing those dreams.
Speaker 1: And don't care if you stay or go.
Speaker 16: You put on a real good show. Sometimes you just don't know what it is that you need. Things ain't always what they see. You see blue and I see green. When you laugh, it makes me scream.
Speaker 1: Don't make no sense to me. Your vision of what we should be. Why can't you just let me be?
Speaker 5: Why can't you just let me be?
Speaker 16: Why can't you just said, oh, why can you just let me be?
Speaker 3: So things that not go as planned for the uh no, no, no process and no, no no.
Speaker 8: I do have a question.
Speaker 2: Why is it?
Speaker 3: Why is it called more plastic in the ocean than fish?
Speaker 2: I did not name that song. Oh, okay, I think it's cool.
Speaker 15: It is it is.
Speaker 6: That's a very good question. I questioned that myself. When I see it, I believe one of my fabulous people that I worked with, I think either doctor h or Ryan f.
Speaker 8: Yeah.
Speaker 6: And I have learned when you work with other creative people, you need to be understanding of their thoughts. There and okay, yeah, there's a lot of backstory to any project.
Speaker 2: This one had.
Speaker 6: This project had many backstories as far as getting along with people, getting on of musicians getting along, understanding other musicians and creative people. And again, I just want to say again thank you for all the musicians that are on. Here's the pedal steel that was just on there.
Speaker 2: Oh yeah that was great. It's just guys, thank thank you again for for the musicians that were on here.
Speaker 3: We love doing this. Does does Brad cause creative tension?
Speaker 8: You think?
Speaker 2: Yes, it could be a twist.
Speaker 17: It's the yeast, aren't you paying attention?
Speaker 4: Yeast?
Speaker 2: It's the yeast.
Speaker 3: Well, our next, our next song in the story? Here is uh more plastic in the ocean than fish too?
Speaker 8: The plan?
Speaker 2: Okay, so now now they're gonna make it. Okay, well, let's con take it.
Speaker 3: I feel like there's a twist coming. Very good, All right, very good, let's see a braided issue.
Speaker 7: The princess hastily leaves the bakery and heads back to the castle. A month passes by, Both the bread man and the princess agonize over their last meeting, each trying to rationalize their position. Suddenly, simultaneously, the princess and the castle, the bread man and the bakery come up with a plan to overcome the obstacles and to finally be together at last. First they'll need to get rid of the prince, but that still leaves the egg lady. Then, under the cover of night, the Princess sneaks off to the bakery to share her plan with the bread man.
Speaker 7: The bread man is ecstatic to see the princess, and he can't wait to share his plan with her. As soon as they see each other, they warmly embrace and begin excitedly to share the same exact plan.
Speaker 13: Why don't we just buzz the prince our second?
Speaker 18: Same thing?
Speaker 13: Walk can of dreams come around?
Speaker 15: Plan to comments and wills go round and plans. It's all the poorson.
Speaker 13: And and of gold.
Speaker 4: The lady, she knows the truth.
Speaker 1: Do you know what to do?
Speaker 13: If you want to dreams to come true? Will go round? And the game is son, son, all up? Plant you coming?
Speaker 13: Will sc round? And a plan is.
Speaker 3: My goodness, I knew it.
Speaker 4: I knew it.
Speaker 13: It was the east.
Speaker 2: Well will they succeed? Mm hmm, good question, good question.
Speaker 3: I didn't expect it, uh, I didn't expect bread bacon to lead to murder. My goodness, I know quide a twist.
Speaker 2: All right, I believe it is this the last song and scene one?
Speaker 13: What is what?
Speaker 19: What is this?
Speaker 2: Silver Fox?
Speaker 3: The silver Fox?
Speaker 6: Okay, so this ends Scene one? Okay, fabulous journey into Bread. Yes again, thank you all the musicians that did this.
Speaker 2: Thank you. I can't thank you guys enough. Yes, I hope you're all enjoying this listening.
Speaker 17: Thank you question in regards to that the music itself. Did all of the artists work with you to develop music or was this something that you wrote and then taught them to play?
Speaker 3: Both?
Speaker 2: Okay both.
Speaker 6: Some of this was done even without me, even was drawn from different projects. There's something called the family album that doctor h or doctor Houghton has and he's the type A of of type the band Type A, which is kind of the moniker of this. It's the bread Man of bread story type A because Larry Holton type A took this, ran with it and did all these amazing overdubs and put the whole thing together.
Speaker 2: And yeah, so I forgot what the original question was, but you answered, thank you. So uh And here is the climax of scene one.
Speaker 7: All right, weeks go by and no one's getting their eggs everyone's wondering where's the ugly. Finally someone goes to the sheriff. The silver fox.
Speaker 12: It comes the silver fox, Silver Fox, the Rutson Night, silver Fox.
Speaker 4: The sheriff decides in best Gate.
Speaker 7: He gets his hounds and he begins to search the outskirts of town. He searches night and day. It's getting dark and the fox pouring in. The silver fox continues to hunt the ugly. The silver fox now by lantern.
Speaker 13: He's on the hunts night.
Speaker 5: Silver fox. He's on the tonight.
Speaker 9: It comes the silver fox. It comes a silver fox. It comes a silver fox. It comes a silver fox. It comes a silver fox.
Speaker 13: Pelobox is all the rod tonight.
Speaker 5: It cons a silver box.
Speaker 13: Selo fox.
Speaker 5: He's on the tonight.
Speaker 13: It comes.
Speaker 15: Slow loved christs As.
Speaker 13: He comes a silver fox. It comes a silba fox. It comes a.
Speaker 5: Silver fog.
Speaker 13: And comes silb fox. It comes a silver fox. He's coming a kitchen. He's coming a kitchen. He's coming to kitchen.
Speaker 13: Mo away, hends go away, the chickens.
Speaker 7: Watch the soap focks finds his way to the swamp from the outskirts of town.
Speaker 4: The fog rolling in pitch, black dogs.
Speaker 7: Barking, barking, barking. Finally holds his lamp up and he looks down on the shore of the water.
Speaker 4: Astonished when he sees the egg lady dead, their mouths stuffed with bread.
Speaker 3: So that is the end of scene one.
Speaker 6: Seeing one is done. The egg Lady has been murdered. Oh my goodness, and there we go. Let's be ready to jump right into scene too. Let's go right into scene two. Okay, we're starting with a seaweed instrumental poison yeast.
Speaker 2: Okay, oh my goodness.
Speaker 3: All right, let's see, joy, let's see where we go.
Speaker 7: In scene two, the Princess and the bread Man sneak off to the beach to discuss their plan further. Though the plan has many, many parts, it has become abundantly clear that with the egg Lady out of the picture, it's going to be all about the poison yeast. After a long discussion and walk on the beach, finally feeling like things are going to be the way they've always hoped, it's time for the bread man to head back to the bakery and begin preparing the bread for the castle for the prince. The plan is quick to rise now that the poison yeast is fully prepared and active.
Speaker 4: Beware the poison yeast.
Speaker 2: Beware of the poison.
Speaker 3: Well, now we know what poison yeast sounds like. And then let's see you the next part of our story. King up in the castle, bad bread.
Speaker 7: As the princess rises from the baker's bed, they begin to make the poison bread. Add the flour, add the sugar, don't forget the poison yeast.
Speaker 4: Soon the prince will be dead.
Speaker 18: Good too, specially just for you, special just for you.
Speaker 18: Came up, been knock as princess to win.
Speaker 1: Yeah, I got so spash. Oh I got so fash.
Speaker 18: Thou wo shug good water up to special needs.
Speaker 13: Just for you, Yes, special needs, just for you.
Speaker 4: The bread man's plan begins to rise. Soon the prince will die.
Speaker 11: The bread is coming, The bred miss comment, the prid miss coming. He's coming for you, The breds coming. The bread mass comment, the bread.
Speaker 13: Miss coming, He's coming for you.
Speaker 20: But away that sugar, but away the yeast, away the flower because you know it's not gonna kill the beast.
Speaker 11: Because the bread coming, the bs coming.
Speaker 4: Then he's.
Speaker 13: He's coming, follow you, He's coming.
Speaker 3: Well, that song is kind of taking a different taking on a different meaning in the scene too. Now when he's you know, he's coming for you, He's coming to kill you, I guess, right, well, that's uh how you interpret That's that's how I take that, all right. The next part of our story is saying do.
Speaker 7: Over time, the poison yeast begins to take its toll on all those who consume the royal bread. The poison quickly overtakes the Prince of yeast Land, and due to his bread gluttony and he expires like stale, outdated bread. The servants find him on the floor, stiff as a weak old bagette. The King himself too feels the effects of the poison yeast. However, due to his slight gluten allergies, he consumes bread only on special occasions, though over time he becomes frail. A funeral is held for the Prince, and the princess and the baker the bread man start sneaking off together more often.
Speaker 4: Rumors are abound.
Speaker 7: The princess and the bread man begin to spend a lot of time with each other, and they don't really care what other people think. At this point, the prince is dead and it's their time to be together.
Speaker 20: It doesn't really.
Speaker 13: Man, mhm, what this say bout me and you?
Speaker 20: He doesn't really mad.
Speaker 13: Even if it's all true, we can have just this mom man together, she.
Speaker 1: Says.
Speaker 13: Differ says, you get s when the milk good all each other. That we coulda had been people say down long together.
Speaker 1: That we can.
Speaker 20: All the albums.
Speaker 13: Look out.
Speaker 1: Together together, said.
Speaker 13: Said, said.
Speaker 21: Said to.
Speaker 7: Save said, Well, things are really looking up for the princess and the bread Man. It turns out that the bread Man's father has died and left a fortune of yeast to the bread Man's Where and how his father accumulated his vast scores of yeast his only rumor at this point, but it is believed that when the bread Man was young, he sold off the baker boy's mother and gained a fortune in yeast. Granted, this is only speculation regardless. In return for the Princess's hand in marriage, the bread Man offers the frail king a promise to supply all of wheatland with his yeast import and export monopoly on the worldwide bread market.
Speaker 7: Of course, with recent death of the prince, the king has no choice but to accept, as he no longer has access to yeas from the prince's family in Yeastland.
Speaker 4: The King agrees to let them get married.
Speaker 7: The princess and the bread man get married, it seems as though both of their dreams finally come true, and the bread man is in the castle.
Speaker 2: Smelled the flow.
Speaker 7: And that grind.
Speaker 13: I feel save brething, and that's why.
Speaker 1: We take and so have.
Speaker 13: I feel sad freeing.
Speaker 1: The question why.
Speaker 13: Does no.
Speaker 21: If you try.
Speaker 1: Wone make you.
Speaker 21: Tell me not?
Speaker 13: Then tell how.
Speaker 18: Smell the fu.
Speaker 21: And I die?
Speaker 11: I fall free things.
Speaker 7: After the wedding celebration, the princess and the bread man ride in a carriage down the cobblestone streets of the Wheatland village.
Speaker 4: And when they pass through the village.
Speaker 7: The villagers half heartedly celebrate, but they think they seem jealous.
Speaker 4: They seem to think that the princess thinks.
Speaker 7: A little too highly over so, and that the bread man, coming from the bakery on the streets, maybe he's a little too uh, he's risen a little too high for them, and so they start to sink.
Speaker 1: You.
Speaker 22: Work your purpose perfect, you by your perfect You're not that purpose a purpose, You're not that purpose perfect. You're not that perfect, So perfect.
Speaker 13: Perfect. I'm not so perfect perfect. I'm just so perfect. Who perfect? I'm just so perfect perfect. I'm just so perfect.
Speaker 13: Get me, can it be? Give it me? Yeah, give me eye.
Speaker 22: I'm perfect. It's just so perfect perfect. You're not that perfect.
Speaker 19: So I'm like, cause met me walking down the street. Don't well looking your perfect? You see me walking down the street.
Speaker 22: You never not wed me at Purdon connect your daughter? No, perfectly so perfectly, not so perfect?
Speaker 4: H not so perfect?
Speaker 2: All right?
Speaker 3: If you are just joining us, this is the bread Man a bread Time Story or is it the bread Man or just bread Man?
Speaker 2: The Breadman a bread Time Story?
Speaker 8: Yes?
Speaker 6: Again, thank you all the musicians and everybody digging this who had a part of it.
Speaker 2: Let's go. Let's go man click click.
Speaker 3: Yeah, we're gonna We're not gonna be able to get the whole thing in I'm looking at the time and I'm not good at math, but I know we cannot get the whole thing, and we will, we will play a little bit more. But I want to make sure, especially for people who are just joining us, who don't know that you know, you can get the whole thing. Where should people go to listen to the.
Speaker 6: Entire it's on YouTube spot by all our any digital platform.
Speaker 2: It's up to you for you to enjoy.
Speaker 3: Yes, the entire rock opera in its entirety. And what is happening at this point in the story that we just heard that that song perfect.
Speaker 6: There's a lot going on. I think we just click a click ahead the narration will take us home.
Speaker 3: Okay, all right, So this next song is called the next part of the story is called coming Home. So let's see.
Speaker 7: The princess and the bread man are so enamored with each other that they don't even notice that the townspeople are singing or what they're singing.
Speaker 4: They only have eyes for each other.
Speaker 7: When they finally arrive back at the castle, the bread man expresses his love for the.
Speaker 13: Princess in song, Oh come home.
Speaker 1: To you.
Speaker 13: You don't live me, you all won't you all love me?
Speaker 13: You're all God side God, you come home to.
Speaker 1: And I got you.
Speaker 13: Come home to.
Speaker 23: Stay elder song, it's your sweet face.
Speaker 13: Then I opened the door because I got you.
Speaker 1: Come home.
Speaker 13: Yeah, God.
Speaker 1: Come.
Speaker 7: Not long after, the princess and the bread man are married, living up in the castle, the frail king, who still occasionally eats his Bread the boys, and Bread finally dies and at the funeral there's a lot of sadness from the villagers. Everyone's a little bit concerned that the princess and the bread man will be taking over, and they're really quite concerned. Nevertheless, they hold this beautiful funeral procession for the king, and off in the distance you can hear the sounds of Ancient River.
Speaker 3: I have to just comment that that's a beautiful song. I mean, that's one of the standout moments, and you know, just in terms of the artistry in the in the entire thing, that's that's really nice.
Speaker 2: Again, again, thank you for all the musicians. Now we're on this kind of gave me a.
Speaker 3: Chill, absolutely, really incredible. We do have a little bit of time left. Let's go to because he does the narrator does mention it? And did Ryan do the narration?
Speaker 16: No?
Speaker 6: Doctor doctor oh doctor h doctor ah, very good, very good behind this whole thing.
Speaker 2: The producer.
Speaker 3: Yeah, but let's go man, all right, so this is uh, we'll go ahead and meet because again the narrator mentions us, this is ancient river. The next part of our story.
Speaker 20: Nature film. We have a sake and you are taken you Fran spat hours often New Nature film perfectly Blae Mester do you mean notcy Nature from Mo trick By.
Speaker 13: Got youa sall?
Speaker 18: Just do.
Speaker 1: Be a.
Speaker 13: Won for the first we had the land.
Speaker 5: Ask me.
Speaker 2: So that's cool.
Speaker 3: I like that a lot too. That's really good. Ancient River from The bread Man A bread Time Story. Ricky Mapleton is here with us. We are approaching the top of the hour. So again, if people want to know, because I'm really curious to know what happens next. Now we're not gonna have time to share the rest of it, but people should go online and check it out. Yes, remind people again where they can find it.
Speaker 6: You can find The bread Man a bread Time Story. Go to Ricky Mapleton or just go The bread Man a bread Time Story on YouTube, Spotify, any digital platform.
Speaker 2: It's out there.
Speaker 8: Yes.
Speaker 2: Oh, how many more tracks are left in this fabulous story?
Speaker 3: A bunch?
Speaker 2: Can we do another one?
Speaker 5: Oh?
Speaker 3: We're gonna do another one to close out. Yeah, we got one, two, three, four, five, six seven. So there's still a bunch of story to go. So if you want to hear how it ends, you got to go online and check it out. And I encourage people to do that really really good stuff.
Speaker 2: What are you taking away from this right now? Do you what's your Well?
Speaker 3: I'm curious how it all ends up because you know, the main the heroes here quote unquote anti heroes, I suppose, yes, are protagonists because they are murderers. They've poisoned people, and they you know, and they've done it for love. It's a crime of passion. But they have poisoned people. Yes, so they are morally uh compromised severely. Beautifully said, thank you, Yeah, Beautifully said, yes, I mean you can sympathize with them, but.
Speaker 2: It's some more twist and turns coming down the pipe.
Speaker 3: Very good, very good.
Speaker 6: I always said it's a million times. But thank you Matt for having us on, all the musicians. You know, be creative. I want to thank family, my wife.
Speaker 2: Just be creative. People, get out there, be creative. Can we we do another one?
Speaker 8: Yeah?
Speaker 3: Yeah, we're gonna. We're gonna do one more in a moment, but actually, well maybe a couple more. What I'm gonna do is I'm gonna to end the show. I'm just gonna see what we can cram in. But because we want to make both again, I definitely encourage everyone go check out the story online and that's really the best way to support your work anyway. Sure is just to you know, through plays Spotify plays and.
Speaker 2: So you know, making money off of this not really my.
Speaker 6: Goal, I know, you know, I just want to I think this is is this project distance spot hopefully inspires.
Speaker 3: Yeah, love me, love love and you got to get in that algorithm. Yeah right, So we will do that in just a moment. But I do want to quickly thank everyone who participated in today's show today and of course hush Money who was with us in the first hour. If you missed anything that we did today, you can go to Matt Connorton dot com and of course Wmnhradio dot org to get the show. You can learn more about me at Matt Connorton dot com. Jenny amazing, Thank you, Thank you. Want to mention your website, Jenny.
Speaker 17: Absolutely, you can check out all the good trouble I get into at Jencoffy dot com.
Speaker 3: J E n n c o f f e Y dot com. And there is a new video from this week and.
Speaker 6: The things if you guys do first society as a whole getting artist on here, what you do as far as working with all your projects.
Speaker 3: That's what life's about, right, absolutely well, thank you, thank you, and humans for humanity.
Speaker 2: Hum, that's right, that's right.
Speaker 6: My phone number is six oh three seven eight five, two five nine. Call me today, say you dug it? Okay, all right, and I hope everybody can maybe finish it up on the snowy day. Maybe yeah, finished listening to it, but let's let's let's do another one.
Speaker 3: Absolutely absolutely so we will. Let's see this next one is a drunk and disillusion What about me? I have a feeling another dark turn is coming.
Speaker 2: Indeed it is.
Speaker 3: We'll see check this out and thanks everybody.
Speaker 7: With the death of the king, the princess becomes the queen. She's in charge, and everyone seems to be respecting the queen, and really the bread man is in the back of the scenes. Nobody's really paying attention to bread Man. He's getting a little frustrated that even the queen is not taking his advice. He's become jealous and he's losing affection for the queen. The bread Man stares into the mirror. He looks at himself, perplexed, wondering why the queen is getting so much attention and none for him.
Speaker 13: Will beautiful? Every one gainsie. I know, well, what about me? What about me?
Speaker 10: What about me? About me?
Speaker 20: What about me?
Speaker 10: What about me?
Speaker 13: What about me?
Speaker 20: What about me?
Speaker 2: I know you all beautible?
Speaker 18: Everyone can see.
Speaker 5: Yo all beautiful?
Speaker 21: What about me?
Speaker 13: What about me?
Speaker 24: What about me?
Speaker 13: What about me?
Speaker 1: What about me?
Speaker 13: What bounding on boucy for a bous.
Speaker 18: Bound bouncy?
Speaker 13: What bounding?
Speaker 15: What bound abounding fou.
Speaker 24: Mean?
Speaker 7: The bread Man's mental health continues to decline.
Speaker 4: He doesn't know what to do, and thoughts are taking over.
Speaker 11: You can controul.
Speaker 21: No never long term.
Speaker 10: That makes mine that.
Speaker 1: It's a man even.
Speaker 10: Rise for raw.
Speaker 1: For me.
Speaker 9: To word.
Speaker 21: You know, it is old, verynoy, thinking strange.
Speaker 1: So the wind blow to.
Speaker 24: An under.
Speaker 21: So thinking strange.
Speaker 13: Word.
Speaker 7: As the bread Man's jealousy of the Queen consumes him, he decides that it's time to break bread with the Queen to discuss his role in the kingdom.
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