Matt Connarton Unleashed 4-25-26 hour 1

Speaker 1: You're listening to Matt Connorton Unleashed on wm n H ninety five point three.

Speaker 2: Good morning everybody, here we go. It is that time again, Matt Connorton Unleashed and we are live from the studios of w m n H ninety five point three FM, Inglorious, Manchester, New Hampshire. And of course you can stream the show anywhere online if you go to Matt connorton dot com, slash live. We're all your live streaming options, social media links, contact and fosh archives, et cetera, et cetera. Today is Saturday, April twenty five, two thousand twenty six, and I am not alone.

Speaker 3: Jenny.

Speaker 4: Good morning, sunshine.

Speaker 2: Jenny is here at the news table and we got a big show for you today. I'm coming up in just a few minutes. We're gonna be talking with Jah Wobble via WhatsApp. Of course. Course you know he was a bass player in Public Image Public Image Limited. Of course, just a legend, a punk rock legend, and he's got a new album that is really good. We're going to talk all about it. I cannot wait to talk to him. Joh Wobble coming up at nine point fifteen, just a few minutes away in the second Well, well, we'll talk about the rest of the show later, but we should mention Jenny of course, the vice president of the board at Mosaic Art Collective.

Speaker 2: Do you want to mention what's coming up before we get into the rest of the show.

Speaker 4: Lots of great things going on to the meaaic Are Collective. They just had a movie night. We're going to be doing that once a month. We'll please stay tuned and if you come to the movie night, you get to pick what the next movie is going on for the Human Canvas excuse me, and this is a really interesting art call. I encourage you to go to misaic Arcollective dot com and read the full description of this call for art. Think about it. Human Canvas Two's how we utilize our bodies that way, really go it.

Speaker 4: We're talking about a timeless tradition, right, how we use our bodies for decoration. So it's going to be an interesting show to see what people come up with, and I am excited to see that as well. Please do go to the Mosaic Our Collective website and check out what's going on. We ought the next event is the Community Studio where you can come together with us and come craft, come craft, campaignt some create right in the gallery with us. It's an amazing experience to be able to be in the gallery and creating at the same time.

Speaker 4: So the connect Community Studio is going to be on May thirteenth, and that is from five thirty pm to seven thirty pm in the gallery at sixty sixty Aniver Street, Sweet two one, right here in the Queen City. And we are going to be expanding and I can't wait to tell you.

Speaker 2: More on those details.

Speaker 4: Lots of fun things going on at Mosaic, lots of great creativity going on. Please come and check it out at Mosaic Oarcollective dot com. Come check out the current exhibit right now called Shaping. Excuse me, clear to me, I got my calls mixed up, forgive me. That's on display until the end of this month, and I'm really excited to see what kind of works come in. Actually, Matt, I found a coffee shop recently called two Moons that I'd never heard of, right here in the Queen City. It's a great little coffee shop.

Speaker 4: You guys should all go check it out. But what was interesting too, is they have artisans in there, and I saw a couple of really great artists in there and actually reached out and contacted them. I'm hoping that they're going to be submitting to this next open call and looking forward to see where the future brings us. A lot of exciting things and growth going on at the Mosaic Are Collective here in the Queen City.

Speaker 2: All right, very good, very good. Well, in just a few minutes, we're gonna be talking with Jah Wobble. He's got brand new album along with John Klein, his collaborator. It's called Automated Paradise. Really good, good. I listened to the entire thing and it's it's excellent and it kind of makes you think. So I'm really looking forward to talking to him. And as I said, you know, he's a legit legend in the music scene, so that will be, I think, a fascinating discussion and we're gonna get him on the line.

Speaker 2: But first we're gonna play this is the new single from Automated Paradise, again his collaboration, joh Wobble's collaboration with John Klein, And listen carefully, this is called Fading Away. And then on the other side of this, we will have joh wobble on the line with us. Stick around. If this is a listen, still woods.

Speaker 5: Still around me, as stars coming too your.

Speaker 6: The your fire below for once.

Speaker 5: A sphere of glue, now raps and flames, civilizations.

Speaker 7: High, the loss that skate pard from a.

Speaker 6: World on fire.

Speaker 8: Fay no vase, no vade, no vay no.

Speaker 5: My own little brown is an artificial mind.

Speaker 9: Coad.

Speaker 5: Digital comfort is all that's left behind, collected wisdom, gids olding into sign, no one to hold, no one to understand.

Speaker 10: Friends of fire, horizon, burning in my chest, drifting into darkness. Human it's his last question. Still wolves surround me, as starts coming into you.

Speaker 6: Be of below, once a sphere of blue.

Speaker 8: Fad no fd, no fade, no fag, no.

Speaker 9: Excyclopic acknoledge, feinning off my screen, every view in the story.

Speaker 11: And ever replace that's been.

Speaker 7: Ever, rhythmic inventions, kind of dry my sins or hold me tidings, trade away my.

Speaker 6: Fists, fade, fade, no fag, fag.

Speaker 2: Empty words from marble halls.

Speaker 9: They promised change, but change nothing at all. Hands him pockets, strings attached, assistant grief. The game is patched.

Speaker 10: Behind globing goals, the deals, the fame.

Speaker 11: While working.

Speaker 9: Both are left of break, not.

Speaker 12: Glover list, pulling springs, deciding and loses.

Speaker 13: These broken promises won't define us.

Speaker 12: The people's voice won't still remind us the power belongs to I'm sustained.

Speaker 5: But token justice.

Speaker 11: Bo weir, Oh well.

Speaker 9: That we forget. We won't stand down.

Speaker 14: From Sisty Streets to every town.

Speaker 13: The light of day will soon reveal what darts twice so heart is to still so great your voice that makes the lies the public masters in the sky, that hunt and soul is not for self.

Speaker 6: Don't do the team we will provel.

Speaker 9: It's broken promises won't define us. The people's voice will still remind us.

Speaker 13: The pound be loss.

Speaker 9: Will others stand but troll forsting a moss?

Speaker 11: The land will please.

Speaker 13: The light of light will soon reveal what dark destroyed, So halt to conceal.

Speaker 2: We love this flag.

Speaker 9: We love this flag.

Speaker 15: We love this flag, We love the flag, We lovely flag, We love flags.

Speaker 13: The light of day will soon reveal what darkness pride so used and still.

Speaker 16: We love this land.

Speaker 2: We love this land, We love this land.

Speaker 9: We love this land. Pensy Pocket Streets attached the systems rint that game is patched, These broken promises, won't you find us? The People's pot will still remind us of how belongs and those who stand for truth and justice.

Speaker 2: I love it. That is who wins. That is Joe Wibble and John Clay their new collaboration, Automated Paradise. And this is Matt Connorton Unleashed, and it is a live radio show. And sometimes things don't go quite as planned. We're having a little trouble getting joh Wobble on the line with us. He's gonna be joining us via whatsapper is supposed to be, but he is in the UK, so maybe time zones got confused, and so forth. It happens. It doesn't happen often, but it does happen. So I'm gonna play another track from We're Gonna Try One more time.

Speaker 2: I'm gonna play one more track from Automated Paradise. I love the whole album. It is on band camp check it out, or of course, on your streaming service of choice. But I'm a big propriet not a proprietor, but a proponent. I wish I were a proprietor. I'd probably be very wealthy. I'm a proponent of band camp because you get a really high quality file if you purchase music on band Camp, much higher quality than say, if you're just streaming it on YouTube or wherever. So I love band camp. But we're gonna play one more from the album Automated Paradise again.

Speaker 2: It's joh Wobble and John Klein, their newest collaboration and very topical. If you didn't notice from what you've heard so far, We're gonna play one more. We're gonna try to get joh Wobble on the line with us one more time, and if not, we'll move on. We do have a great show ahead of us, but this one is called make it Stop. Check this out?

Speaker 6: Who custom out.

Speaker 12: Mentor and I'm not time Love, And there fansy scary that their farms.

Speaker 2: My kick stop, my kickstart.

Speaker 14: The pussion that stops the machine machine a man he's king.

Speaker 11: Don let him against his Rodya says.

Speaker 2: It's not being.

Speaker 12: Coy mentor in his part of world information constantly on

Speaker 12: govnor and I'm not turn Love. I then fansy scary that their farms my kick stop stops of.

Speaker 14: The stops they showing shafts Niceness, grumble by Rob the money Boss any.

Speaker 6: Is rise just as his Bye Boy fashion.

Speaker 9: The wat no one else nto. It is part of the world.

Speaker 6: In contaction custant layout.

Speaker 12: I'm in mentor and I'm not a love and Melia thanks you Scary at the farms.

Speaker 2: My kid stop, my kid stop? The pressure that stopped the line machine schwein a.

Speaker 11: Man is an.

Speaker 6: Oh my goodness.

Speaker 3: In words to the.

Speaker 11: Going man.

Speaker 6: Sure it is part of the world. In colction custom layout.

Speaker 17: Firm showing on kick stop kick stop.

Speaker 9: Going to.

Speaker 2: Okas that is make it stop. That is from joh Wobble's new collaboration with John Klein called Automated Paradise. And we were supposed to have joh Wobble with us this morning, but unfortunately, uh, something has gone awry. We've we've been trying to call him via WhatsApp and he has not picked up. Uh, so we're gonna have to move on with the show, obviously, But I hope everything's okay with him. But you know, I was looking forward to talking with him. But you know, like I said, I don't I don't make any judgments until and someone's ringing our doorbell.

Speaker 2: Wow, someone must need some bus tickets. But uh, anyway, I don't make any I don't make any judgments about you know, if somebody doesn't make it, because for all we know, something horrible could have happened. So we will go on with the show. Uh, we do have a great show for you today. And there's always things happening too in music news.

Speaker 9: Uh.

Speaker 2: This is from Digitalmusicnews dot com. Following Cox versus Sony decision, both cases voluntarily dismissed with prejudice. It says here just like that at least two music industry infringement lawsuits against Internet service providers Verizon and Altis USA have drawn to an abrupt close following the Supreme Courts Cox versus Sony decision. We've been covering those copyright complaints plus multiple others filed against ISPs for years now. Spearheaded by Warner Brothers Music and Sony Music. The Altis case set sale in twenty twenty three and accuse the company of failing to adequately address subscriber's alleged repeat infringement.

Speaker 2: Now, the reason we're talking about this, and there's obviously much more to this article, but the reason we've been talking about this on the show. Is one of the things that has been happening in the music industry is there's this idea that if you are an Internet service provider in ISP and people are using your service, your internet service, to do things that are theoretically illegal. I say theoretically because there's some disagreement about I mean, you know, file sharing and what is you know, what is illegal or legal or what is wrong, you know, the ethics of it, and and so forth.

Speaker 2: If you're downloading pirated music, allegedly pirated music, there's this idea that these Internet service providers should somehow be held responsible for that. And you've had major labels like Sony and Universal Music Group suing these Internet service providers, and in a recent landmark decision that well, basically there was a court that actually found in favor of these companies that were suing Cox Communications in this case, the internet service provider who was named in the lawsuit and was a target of this lawsuit, and they actually won.

Speaker 2: They beat Cox Communications, so they were owed this award. But then it went all the way to the Supreme Court and the Supreme Court and again, you know, we don't do politics on this iteration of the show. But we have a Supreme Court in this era that I might disagree with more often than not, But in this case, I think they got it right because I don't think it's reasonable for I don't think it's reasonable for these internet service providers to be held responsible for little thing that they do. By the way, before we go any further.

Speaker 9: I have some news.

Speaker 2: Well, I'm just dis messaging you. I think I think we I think we have Josh. We've got him. Oh, let me bring this up. Job is that you?

Speaker 8: Yes?

Speaker 9: Sorry about that. You know, I've got my phone on, got my headphones on. Ready, And then I say, miss Cole, I've not got on anyway? Are you great?

Speaker 2: Great? No, It's wonderful to have you. I'm excited that you're here. I love the I love the album.

Speaker 15: Uh.

Speaker 2: You know, I listen to the whole thing. It's it's absolutely excellent, and you know it's it's very interesting, it's very very topical obviously. And can you tell us about about this collaboration with John Klein.

Speaker 9: Uh?

Speaker 2: We played Uh, I'll tell you what we played from it so far this morning. Uh, this collaboration automated Paradise. We played Fading Away, who wins and make it stop. And I told our audience, I said, make sure you're paying attention to the lyrics of this because, uh, you know, these guys are saying a lot. But can you tell us about this project, this release Automated Paradise and and what the theme of it is?

Speaker 9: Well, dystopia is the theme. I suppose the world Samsara is really heating up and everything's pretty crazy now, isn't it. There isn't any sense of that you can take refuge anywhere in this world and find peace. Everywhere is troubled, it seems, you know. So we had that time in the studio. Me and John. I started a community project for music in an auth of England quite a few years years ago. Okay, moved it to London where a very good friend of mine is involved with a local council and he's very good friends with John and I met.

Speaker 9: I met John fluss All actually doing a He came to video a show that we did. He's a very good video maker, John, I've got all the qualifications. E makes corporate video sometimes that kind of stuff. So we met, we became friends, started working on a community project, built a studio, so we have lots of times together to record and hang out, and we get on very well. We did first the first thing we did together like that, I think was metal Box Rebuilt in Duba, and that worked really well, and we've just continued and this we had some dead time.

Speaker 9: Every time we had some dead time, there was a decent drummer about, and that actually makes a huge difference, you know, to a session. Just having my son was was around on one occasion. Then we had this Japanese gil with Zumi was around on another occasion, and a really modest Italian guy called Gilberto, and just having a real drum, not spectacular, not tribes spectActor, just just a good drive. It gives it a bit of air to begin with, so you have a bit of a real vibe. You can't you haven't got the options to go and change because it is what it is.

Speaker 9: And I just felt, this is what it is. This is in the moment for once, let's look at the external world rather than the inner world to find in a lights or something, which is actually the sensible thing to do and write about how crazy things are. And it's very easy actually for me to write about how crazy things are and not offer a solutions id the one you know, I wish I could. Well, the only thing else would be turn inside. There's no refuge in the outer world matters of an insane time that we're living in.

Speaker 9: You know, so much information. I find it hard to read a book.

Speaker 3: Now.

Speaker 9: I can read a book, but I find it difficult to sit down and allow my mind to settle in a calm fashion because they're so used to fragmented information coming at me from a bloody telephone. You're not.

Speaker 2: I think that's part of what I really enjoy about the album and what I'm sure that people who listen to it, one of the things that they relate to is well that it is so relatable because so many people feel that way the way that you just described it. And that's interesting. What you said too about reading a book. You know, even that can be difficult because how do you calm your mind and not think about everything else is going on in the world. And you also mentioned too, we have more access you know, for better or worse.

Speaker 2: We have more access to information more quickly than ever before. And you don't even know if the information that you're accessing is correct or not. And you know, with the rise of AI and deep fakes and all of it, and it's and I think that I think the album really kind of speaks to that sense of overwhelm. And as you mentioned too, you know, there's no there's no solutions necessarily offered, because what is what is the solution? I don't know, and it doesn't sound like you do either. I don't think anyone really does necessarily other than to just try to unplug from it all.

Speaker 2: But that's that's pretty challenging in this world in which we live.

Speaker 9: Well, I mean you just what you did. There is might a build up for me to Buddhism, actually, which is I mean, all the religions have something to offer. The biggest religion of our time is materialist atheism of colts. That's the actually the biggest religion. People between to it with not a huge amount of information, but clean desperately that there's there's nothing.

Speaker 2: Right, not.

Speaker 9: You know, in a nihilistic kind of way, you could say. But I think with Buddhism, you know, Buddhism actually teaches that Samsarah. All the stuff we're talking about, this external manifestation, how we perceive things. We in fact, we make this world, We interact with it, we make it so the only Buddhism, the first one all phenomena lacking here in existence, a second phenomena that they're in permanent, permanent. And thirdly, all condition phenomena are suffering because we suffer because we cling onto things thinking that they're definite and they're real when they're stable.

Speaker 9: When they're not, nothing is right. The world is constructed real concepts of nirvana, so that once once you go beyond that, once you see beyond that, you're you're in pain. So price is possible, I think, actually, but it's not a prostatizing record. It's a record where I love the negativity and the craziness and enjoy pointing fingers and and and and being being an angry man. I'm enjoyed it.

Speaker 8: Role.

Speaker 2: Yeah, I think who wins especially, uh really kind of connected with me because you asked, you know, you asked the question, Well, you know, we have these people who are in power, these politicians and whomever. But but in the end, who wins? And of course we know who wins. The only ones who really win are the people in power, because you know, as they continue to amass more power. But I think that distrust and power structures. Again, I think it's just very relatable for for people regard regardless of where they sat ideologically.

Speaker 2: I think everyone can connect with that.

Speaker 9: Yeah, well, I think a lot of people fed up with ideologies.

Speaker 3: Now.

Speaker 9: I was very left wing kind of guy when I was younger, and then it's actually so you're left with this kind of bare bones ideology, but that roadmap doesn't fit anymore in the modern world, so you know. And then on the other hand, you have what's called right wing kind of nationalistic as well, and if you apply it with this country, where very angry at the way the country's turning out, and this, that and the other. But the very hero that they followed, Margaret Thatcher, was the person who deregulated everything, attacked the working class, smashed the unions, sold, made sure everything council houses, what you call projects in America could be sold off, and we sold our utility works so become everything was as probably as privatized as America.

Speaker 9: The public basically you probably you know, just about as privatized as America. And of course people at the time make a little bit of money. A lot of people were able to own their own home and all that. But Eventually, of course, it catches up with you and the rich get the richer get much much richer, seems to be the demographic, you know, and the poorer get really put in the middle class. It's not even the American middle class is very squeezed now financially, is it. You know so, And of course, you know, there's one a lot of the world leaders now remind me of that comic book film Sin City.

Speaker 9: You know, they're sort of you know, you look at all of them, they all they're all they're all kind of parodies. They're that bad, you know, they're all parodies.

Speaker 2: You know, well, certainly, I mean when you look at American politics, it's especially easy, too easy to see that, you know that they're they've become caricatures of of what what I thought a politician was growing up. It's it's it's unbelievable.

Speaker 9: Yeah, well, I remember coming across one or two labor So that's the rough approximate of the Democrat Party in America. And of course I always grew up. I grew up in a very very left wing area, very left wing, and you had you probably had to wade of votes rather than count them. It was it was hardly anybody voted voted for the other parties. It was all labor and you look at those guys from the Labor Party, but even some for the Conservative They'd seen the horrors of the depression, the terrible, terrible poverty and what they did to people, breaking families up, terrible things happening, and they and they'd seen the horrors of the Second World War, so they really had a municipal they had a thing in them that really wanted to put something back in and make a better society.

Speaker 9: At the end of the war, Churchill would have been the big war time leader here was heavily defeated, and the Labor Party, the Socialist Party got in, you know, because people just wanted to change at that point. You know, when you compare the politicians we have now the politicians then they come up very very short because a lot of politicians were either on a big level or a lower level, are just kind of hustlers. Politics is a hustle. Obviously, we know that. You know, America, America talks, you know, so it's pretty ugly.

Speaker 9: But the more of us, it's kind of nice, I think to put a voice into well, say yeah, if there's any message in the record, it's like, yeah, this is all it's too shall pass it too? Shell pass one way or the other. It will pass, you know, right.

Speaker 2: Well, assuming it doesn't continue to just get worse with each generation. I don't know.

Speaker 9: I mean, you know, everything's everything cycles. You have relative you have relative levels of peace, where every with with the Cold War, everything felt very static. There were literal walls in place. You had the Soviet system, you had the Western system, and then the China was always this flow of scury place. You know, that even clashed with Soviet Russia. So you had three kind of you know, world power, but the two made well ours obviously Soviet Russia and the West America and the West. And now, of course that's all with Trump's attitudes of beauty, that's all breaking down, the NATO alliances severely weakened, and everything kills in a state of flux.

Speaker 9: But you're still essentially you're dinner with constructs and ideas in your head of how the world is. You know, when the Romans invaded Britain and eventually all the rebellions kind of died down, there was a long period of relative peace until until you know, the Roman Empire started to fall. The barbarians got in through the gate, so to speak, and normally the barbarians I think were invited in actually to some extent in history, right, the thing itself have a cell by date and wants a change.

Speaker 9: Does that make sense?

Speaker 8: You know?

Speaker 9: And the West has been going for I think you get two hundred and fifty three hundred years of these civilizations, Chinese dynasties, they all fall. It's how do you fall? You know, what do you fall into? You know, Plato's with the republic into you know, He's very clear you have democracy. Once democracy goes, then you get into plutocracy, rich people running the world, and then comes totalitarianism. Well it looks a little bit to me like that's how we're going right now.

Speaker 2: It does to me as well. Now what is if you're just joining us? Of course we're talking to John Wobble about his the brand new album, his collaboration with John Klein, Automated Paradise, which is just fantastic. I can't recommend it enough. What's the touring situation for you? Are you are you playing these songs out live or or do you plan to?

Speaker 9: I've got a show tonight I'm playing all the time Alby of Invaders at Heart. We will play this live if there's a if there's a demand, me and John will go out and play it, okay, because it's not not too difficult to pull off. We may made an album a couple of years ago called Last x In and we were dreading being asked to play that live. In fact, it's called a Brief History of Now, A Brief History Now. We dreaded that because it was quite involved the production, whereas this is eminently doable, you know, so if there's a demand, will go out and do it.

Speaker 9: But yeah, I'm planned tonight. I've got a gig tonight. It's lovely day year, lovely spring day, very warm. I will I'm playing shows all the time. Was in America a couple of years ago. Twenty twenty four was the last time we toured. You know, traveling is now getting kind of difficult, you know, one word, even going into Europe because you have to have a customs again because of Brexit, which was ridiculous. Yes, but even the last time in Belgium, we get there and we find out we need a go box. If you've got a commercial sized vehicle, it's not that big a bus commercial side record.

Speaker 9: You have to have a go box to allow you to go on the highways in Belgium, and that means you have to have the log book, ownership, registration of the van, the insurance details, everything you know, all the engine number, the works. Oh wow, I come out to join the tour manager, who's a very good tour manager, who's just on the verge of tiers. For the frustration of this, you know, so everything you know traveling, everything gets more and more. The eurocracy gets worse. Traveling becomes more of a vassal.

Speaker 9: Whereas in the nineties with Brexit, we had open borders in Europe and you felt you could travel. At one time before ninety eleven, I had an in definite visa for America. You know, it's incredible, and that the border some guy or at the MT eight it's jammed. You go into America a lot of times, you never make any trouble. Is we're going to give you a multipoint. Can you imagine multiple indefinite visa? You know,

Speaker 9: And when I was living in in North of England and I would run, I'd get to the airport fifteen minutes before the plane left and they'd play to the eighth the flight to British Airways, the flight to Heathro's not left you if you want to get that, yes please, we'll call the gate tell them to hold. You know, it was incredible and you zoomed down to London really fast.

Speaker 8: You know.

Speaker 9: Now obviously we know lying is not right, you know. And and I was lucky enough to use Spirit Airlines when I was in America and that was was like right. I thought Ryan air was hard, Yeah, Spirit Spirit Airlines was wow. Oh good, this is budget flying was It was quite memorable, more than.

Speaker 2: You know, no doubt, no doubt. Well, Joe Wibble, it's wonderful talking with you. I'm glad. I'm glad you're able to join us this morning. We should definitely do this again in the future. But again, I love the album Automated Paradise. Are you do you have any anything else in the works with John Klein? I know you've always got a lot going on, but are you guys going to continue to work together?

Speaker 9: Oh yeah, I'm absolutely certain. Well we get on. We have fun. Oh, I mean, hey, every week were recording because we run this community venture called Tuned in. So we're we're running stuff all the time. Uh re called in every every other Tuesday, we have sessions for people coming. Jenny Bell Starts came in last week. She's been coming to Chrue so we did this stuff. Jenny Bill, so Meg Lee Chin who was around on that Chicago scene many years it and she comes and her hands out. There's a lot so we work with a lot of people from the community.

Speaker 2: So excellent.

Speaker 9: Definitely. Be will definitely be doing some some stuff over the over the years to come, well while the world's still turning. Yes, will be, will be. We'll be working together for sure.

Speaker 2: Yeah, excellent. No, that's good to hear. That's good to hear. And you know, as you're putting out new stuff and you know, it gives us a reason to have you back and we, you know, would love to have you back soon. Definitely. And h where where's the best place to go online to keep up with everything that you're doing.

Speaker 9: Josh, I've got oh, I've got a band campage, I've got a website. Like a lot of people, I don't ever update it. It's terrible. Social media kind of took over. Yeah, so you know, sort of the combined social media kind of becomes a website, but I'm a real job obble on Twitter. I've got a Facebook, a Facebook page, so that's probably the best bang camp band camp page as well. There's a shop and e Bay shop. I can't remember the address of it. Have a really nice one with call whoever runs out for me. We're doing something, doing stuff with my sons.

Speaker 9: All my sons have got a band, Ti and Ky. They're starting to get they're a duo. They're getting some traction now. They're playing WOEMD this year and they come out with me and play live as well at times, you know. So yeah, we'll be we'll be doing stuff if you want to laugh. By the way, me and John did some versions for Clear Patra Records. Check out start me Up. We did a cover version of the Rolling Stuff, which so there's some fun stuff. We did Pink Lloyd's cover. There's a few couple of covers that are up there on online.

Speaker 9: And I even Clear Patrick set me up to play with rit Weightman. You believe that?

Speaker 2: Oh no kidding? Oh wow?

Speaker 9: With Fusion Syndicate, Yeah, which is really an amazing project that was going over there on the West coast. So if you check out start me up, you'd have a good laugh. I will.

Speaker 2: I am going to check that out. I'm very, very curious. I was thinking about, uh, I do want to play one more track At the end of our conversation today, I was thinking about playing terminal, terminal the end, what do you think?

Speaker 9: Swearing at the swearing at the very end at the end, I used the F word. I'm not I'm not proud of myself.

Speaker 2: I bet I gotta I gotta avoid that one that it's FM American radio. What about read between the lines like that one a lot too? Did I play that one?

Speaker 9: HB I was earlier, Yeah, I was earlier Doctor of HBO. It's a kind of piano kind of tribute to HBO, which I love. I live in an HBO world. Was the earlier Doctor of HBO, remember oz, I think was the first? Yes, the old production. I love American TV. I watched up the American literature. That's kind of what the and then know why this is much so it's homage between the lines.

Speaker 2: Oh oh cool, very cool? Yeah, all right, yeah, we'll play that. All right, joh wobble, We will let you go, my friend, Thank you so much for joining us. Today. We'll have to do this again soon, especially Matt.

Speaker 9: You've got good energy.

Speaker 2: Thank you for having me absolutely absolutely all right, take care, bye bye, Thanks Matt, thank you you got it all right. That was the great joh Wobble. That was wonderful to speak with him, and I'm glad that it worked out. So uh, we're gonna play this track and again, I really encourage everybody check out the album Automated Paradise. It is on band camp by joh Wobble and John Klein, and I really listen to the whole thing. It's really really good. But let's give this a spin. This is called a read between the line.

Speaker 9: Gray morning, likely Venetian blinds. Every conversation leads me wondering read between the lines. My friends all have secrets they're desperate to hide open. In this post problem world, we just let it right. The tension builds you of every scene, everyone's flawed, nothing says, it seems. Living in my HBO reality where all my relationships come with gravity, facing moral dilemmas constantly. Sometimes I float above the drama, way down below, levitated past of problems I just don't want to know.

Speaker 9: The camera follows as I saw across the sky, just another surreal moment. As I fly so high, then our eyes.

Speaker 6: Fly where quad casual.

Speaker 3: Then I rise.

Speaker 6: And flyer with so magicly.

Speaker 9: I floats above the drama way down below, levitating past problems. I just don't want to know. Three dimensional villains with sympathetic pass the golden Asian television that's moving way too fast.

Speaker 7: Then I rise and fly o w.

Speaker 6: Why pasurely?

Speaker 3: Then I rise.

Speaker 6: And flyer with so tragically.

Speaker 9: The writers love to talture me with charges I can't make. My lord hast strings underscore my each and every mustagan.

Speaker 7: The camera follows as I saw across the sky and other surreal moments Carlin Cgi.

Speaker 6: Then I write, fly oh way so pleasure. Then I rise up and fly way way so stragically. I rise,

Speaker 6: fly O way.

Speaker 7: My casual, smirking of righteous m when no one's around, write myself out of corners. And when my plot gets.

Speaker 9: Too profound, My dialogue's too clever, too clever, my heart.

Speaker 7: My critics called it genius because I play for the sheeplands.

Speaker 15: When I was a boy, all I think about this one a stupid boy that I was when I was a kid, I got.

Speaker 18: My face up here not toilets with the gem. I wasn't the always a stool pup, but when I was, I was a jump I didn't always look as some I used to laugh and both filled manu was.

Speaker 3: I remember all the mad times and picked them a lot.

Speaker 18: It feels like someone is shomping.

Speaker 3: Their tack fuck off of my arm.

Speaker 11: Right done your ass?

Speaker 3: Go where no scene down? Nobby Road alive by r W miss. I go when no scene down now Boby Road up live. Yes, when I was in school didn.

Speaker 18: Make good grades.

Speaker 15: I was, yes, still big dumb fool.

Speaker 18: When I was still young, all I cared out round one girls, but stainty and like my pimples.

Speaker 3: I used to be sun just a move before day.

Speaker 2: At nine crying on the floor.

Speaker 18: Then you used to wear a fants be me of my milk honey taken. When I I was growing up,

Speaker 18: I remember the band times and picked Emma m. It feels like someone is shoping.

Speaker 11: That same my moms of my heart.

Speaker 3: I ride down you Nas side called where no scene down? No Bob you roll alive?

Speaker 18: You ride Donnas side called ware no scene down, Bob rode up life.

Speaker 9: You know.

Speaker 2: When I was a boy, My father used to look down.

Speaker 3: At me and say, what don hell is ebran? Why I didn't cut some grass?

Speaker 9: Why don't you go kids? A girl?

Speaker 2: You stupid losers.

Speaker 3: Rhynas I call way, no scene, no road a line, rhyme down you nass I go way have no scene, down no road lies.

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Speaker 11: For e breed one.

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Speaker 6: It's a pizza barr line.

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Speaker 9: We listened to our music at.

Speaker 16: Night don titled book Business Program.

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Speaker 24: Behold the harmony of airwaves as you immerse yourself in the captivating frequencies of w MNHLP, the sonic heartbeats of Manchester transcending through the ether at ninety five point three megahertz frequency modulation. Our transmissions emanated from the zenith of one thousand Elm Streets. It's insurant to the hearts of our creative realm at one nineteen Canal Street, where innovation and sound Cologne. They're the impro moder of Manchester Public Television Service in the venerable city of Manchester, New Hampshire, USA.

Speaker 24: Enrich your auditory jourity with the depth of our license to wesidens spect your missives did w m n H ninety five three at gmail dot com, or to reverse the virtual corridors of w m nhradio dot org. Engage with our sonic vibrations by communing with us through the digital channels.

Speaker 3: Or radio beckond.

Speaker 24: Its eager to enthrall you with its mesmerizing kidence and envelop you with a symmony of foundless.

Speaker 2: All that's horns, won dude, w m N h rip the novels.

Speaker 18: What Matso wakes up in the morning, He gets into the shower and to the top of his lungs he sings,

Speaker 18: want because I can't.

Speaker 3: All right, I'm back

Speaker 18: Doing a radio show now, all the best, Jerry