Matt Connarton Unleashed 4-4-26 hour 1

0:04 Speaker 1: You're listening to Matt Connorton Unleashed on WM n H

0:09 Speaker 1: ninety five point three.

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2:36 Speaker 6: As sas me travel on the.

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3:37 Speaker 7: To fall power of the.

3:40 Speaker 3: Backup system staight, just staying on the.

3:45 Speaker 4: Tell the surface and such shift WI survives.

3:54 Speaker 7: She'ldren know the testing s strangles. We can home. We

4:06 Speaker 7: will with daily disguise, my.

4:15 Speaker 2: Trading our future for adventure route in space.

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4:27 Speaker 2: What time and races all malorys of home. Then genious

4:33 Speaker 2: surrounds us says we travel on training our future for

4:41 Speaker 2: intention rout in space. We let me ask men four star,

4:47 Speaker 2: I follow away.

4:50 Speaker 4: What time of races on never reason venting sons as

4:58 Speaker 4: sessly so.

5:27 Speaker 6: I love it. That is Starlight.

5:29 Speaker 9: The band is Warhog and they are going to be

5:31 Speaker 9: joining us today in the third hour of the show.

5:34 Speaker 6: Welcome everybody.

5:35 Speaker 9: This is Matt Connorton Unleashed and we are live from

5:38 Speaker 9: the studios of WMNH ninety five point three FM and

5:41 Speaker 9: Glorious Manchester, New Hampshire. Of course, you can stream the

5:44 Speaker 9: show from anywhere. Go to Matt connorton dot com slash

5:46 Speaker 9: live for all of your live streaming options, social media links,

5:50 Speaker 9: contact infos, show archives, et cetera, et cetera. Today is

5:53 Speaker 9: a Saturday, April four, twenty twenty six, and I'm not alone.

6:05 Speaker 10: Jenny, Good morning, Suntime.

6:09 Speaker 6: Jenny is here at the news table. Yes, President, that

6:12 Speaker 6: accounted for and we do have a great show for

6:15 Speaker 6: you today.

6:16 Speaker 9: Like I said, Warhog, our friends from Texas will be

6:19 Speaker 9: here in the third hour. Via via Microsoft teams. Of course,

6:23 Speaker 9: Jenny and I both have our Warhog shirts on. For

6:25 Speaker 9: those of you watching the video, let's see, in just

6:28 Speaker 9: a couple of minutes, we're gonna be joined by Emma Hunter,

6:31 Speaker 9: another great artist from the UK. She's got a new

6:33 Speaker 9: single called Snake which we're going to play for you,

6:36 Speaker 9: which is really really good. In the second hour, we

6:38 Speaker 9: have the Gray Curtain, who they must be in the

6:40 Speaker 9: Five Timers Club by now right, Absol Dennis Layton and

6:44 Speaker 9: whoever from the bandy brings with him today, the Gray Curtain.

6:47 Speaker 9: They will be here with us in the second hour.

6:49 Speaker 9: But Jenny, you wanted to talk about an event coming

6:52 Speaker 9: up at the Mosaic Arts Collective.

6:54 Speaker 10: Yeah, please come and join me at the Mosaic Art

6:57 Speaker 10: Collective coming up at the opening reception to the to

7:00 Speaker 10: Me exhibit which is on display and the open Oh gosh.

7:06 Speaker 10: The opening reception will be April eleventh, from five pm

7:09 Speaker 10: to seven pm. I'm on a Doss will share that

7:12 Speaker 10: I am now the vice president of the board of

7:14 Speaker 10: directors the Mosaic Are Collective and happy to be helping

7:18 Speaker 10: them in a volunteer capacity to grow and keep inviting

7:22 Speaker 10: people in. So please do bring your irk to your hurt. Yeah,

7:26 Speaker 10: your art to us and put it on display. It's

7:29 Speaker 10: worth it. Trust me you will enjoy having it. And

7:33 Speaker 10: the next open call is called Shaping Our Spells. This

7:37 Speaker 10: one is about what shapes are and how you perceive that.

7:42 Speaker 10: Check out the open call at the mosaic Ar Collective

7:46 Speaker 10: dot com. The gallery is located. Sorry, the gallery is

7:52 Speaker 10: located at the sixty six hand over Suite Sweet two

7:56 Speaker 10: one in Manchester, New Hampshire. Back come on buy. We're

7:59 Speaker 10: open Thursday, Friday, Saturday and Sunday. I'll happen to be

8:02 Speaker 10: there Thursday afternoon, so come say hi to me and

8:04 Speaker 10: check out current show.

8:06 Speaker 9: All right, very good, very good, and congratulations. I'm not

8:09 Speaker 9: becoming the vice president there.

8:10 Speaker 6: Thank you, thank you.

8:11 Speaker 10: I'm honored that they thought that I would be a

8:13 Speaker 10: good pace. And I've already had a lot of fun

8:16 Speaker 10: meeting all the other board members and at our first

8:19 Speaker 10: board meeting it was a lot.

8:20 Speaker 3: Of a lot of good fun.

8:22 Speaker 10: You know, it's a really amazing place. The other thing

8:24 Speaker 10: that that we have there is there are community nights.

8:28 Speaker 10: You can come and create with other people or you know,

8:32 Speaker 10: just be in community with others.

8:34 Speaker 3: There are.

8:36 Speaker 6: Things available like you know, we'll we'll.

8:38 Speaker 10: Have some artistic supplies around that you can come and

8:42 Speaker 10: you can create with us. The next community studio is

8:45 Speaker 10: going to be on April fifteenth, and that is from

8:49 Speaker 10: five thirty pm to seven thirty pm. We'll be repeating

8:53 Speaker 10: that once a month. In May thirteenth will be the

8:55 Speaker 10: one after that. But come be in community, sit in

8:58 Speaker 10: the studio, enjoy the environment, and create with us. Community

9:01 Speaker 10: studio is a wonderful way to just enjoy.

9:05 Speaker 6: Art and have a little fun. All right, very good,

9:08 Speaker 6: very good.

9:09 Speaker 9: Well, if you are listening live on Saturday, welcome again.

9:13 Speaker 9: We've got a big show for you. But we're gonna

9:15 Speaker 9: get to our first guest in just a moment, but

9:17 Speaker 9: we're gonna share with you. Her name is Emma Hunter,

9:20 Speaker 9: a great artist from the UK. She's got her newest

9:23 Speaker 9: single is called Snake, and I really like her sound

9:26 Speaker 9: a lot. We're gonna talk all about it, we're gonna

9:28 Speaker 9: play a little bit of We're gonna play one of

9:30 Speaker 9: her other tracks too at the end of our conversation.

9:32 Speaker 9: But I can't wait to talk to her via WhatsApp

9:34 Speaker 9: in just a moment. But here it is Emma Hunter

9:37 Speaker 9: and the single is snake.

9:40 Speaker 7: Ah good.

9:46 Speaker 3: Good nothings say, but will speak anyway, die.

10:02 Speaker 7: Die you are.

10:06 Speaker 11: Diana Please songs gave my son.

10:26 Speaker 7: Into so as to be dun talk about song, Give

10:46 Speaker 7: me songs in the old parents the other talk.

11:08 Speaker 12: I no.

11:13 Speaker 7: You no want to be come me sis.

11:31 Speaker 13: Me so.

11:37 Speaker 7: As me.

11:42 Speaker 12: A s john to not so.

11:54 Speaker 3: Give me something.

11:59 Speaker 7: Shut so.

12:06 Speaker 13: Not the other.

12:42 Speaker 7: Give me say.

12:46 Speaker 14: It.

12:48 Speaker 3: That's a beder so about something.

13:44 Speaker 6: That is cool. It is cinematic.

13:46 Speaker 13: Uh.

13:47 Speaker 9: The track is called Snake. The artist is Emma Hunter,

13:51 Speaker 9: and we've got Emma with us via WhatsApp.

13:53 Speaker 6: I think we do. Emma, are you there?

13:56 Speaker 9: I am absolutely absolutely you sound great. Is anyone there

14:00 Speaker 9: from the project with you?

14:02 Speaker 6: Or is it just you?

14:03 Speaker 12: It's just me?

14:04 Speaker 6: All right? Well, very good, very good. So Uh, I

14:07 Speaker 6: love that a lot.

14:09 Speaker 9: That's a sound that we don't often hear, you know,

14:11 Speaker 9: when we're featuring new music on the show, anything quite

14:15 Speaker 9: like that. And it is it is cinematic and I

14:17 Speaker 9: know that it's it's part of a story obviously the

14:20 Speaker 9: album that it comes from. Uh, but can you can

14:23 Speaker 9: you tell us about that song? And then I do

14:25 Speaker 9: want to talk more about the the the Yolanda project.

14:28 Speaker 9: But what can you tell us about that single Snake,

14:31 Speaker 9: that's the newest one from the album?

14:33 Speaker 6: Correct, Yeah, that's right.

14:37 Speaker 12: I'm going to just say if I've got a bit

14:39 Speaker 12: of an echo.

14:40 Speaker 6: Oh, okay, there we go.

14:41 Speaker 12: Let's see how's that?

14:43 Speaker 6: Oh yeah, you sound better? Yeah? Absolutely perfect.

14:47 Speaker 12: So that is the last single that we are releasing

14:51 Speaker 12: from the album.

14:52 Speaker 15: But it comes sort of early on in a story,

14:57 Speaker 15: and essentially that is her asking her partner to stop drinking.

15:03 Speaker 15: Oh so she's comparing the snake to alcohol and she's saying,

15:08 Speaker 15: do you want to pick me instead?

15:10 Speaker 12: Based? Okay, So that's that is the kind of the

15:15 Speaker 12: background of that. She she meets a guy.

15:19 Speaker 15: And the album tells this story of how they meet,

15:25 Speaker 15: and that comes sort of a quarter of the way

15:27 Speaker 15: into the story.

15:28 Speaker 6: Okay, So.

15:33 Speaker 12: I guess quite a cinematic record.

15:37 Speaker 6: It truly?

15:37 Speaker 16: Is it?

15:38 Speaker 6: Truly?

15:38 Speaker 12: Is? Thank you?

15:40 Speaker 9: Is is the h So the album was called Yolanda

15:43 Speaker 9: and I did listen to the entire thing. It's great,

15:45 Speaker 9: It's got ten tracks. It certainly does tell a story.

15:47 Speaker 11: Is it is it.

15:48 Speaker 9: Inspired by anything specific? Is it is it based on anything?

15:52 Speaker 9: Did you did you create this story? I mean it

15:55 Speaker 9: kind of it almost you know, it almost under sells

15:58 Speaker 9: it to call it a story. It's like it as

16:00 Speaker 9: I'm listening to it, because like I said, I listened

16:02 Speaker 9: to the entire thing from start to finish.

16:04 Speaker 6: It kind of creates this whole sort.

16:05 Speaker 9: Of world, which I guess is the point of you know,

16:09 Speaker 9: when you're telling a story, you don't just want to

16:11 Speaker 9: tell what happens, but where it happens, and the environment

16:16 Speaker 9: that it happens in, and all the circumstances and so forth.

16:19 Speaker 9: But I'm curious about the inspiration for Yolanda.

16:24 Speaker 15: I think it was because I was I was writing

16:27 Speaker 15: songs that were quite dark, and I wanted to kind

16:32 Speaker 15: of carry on exploring that. And if I was to

16:35 Speaker 15: write songs about my own life, maybe they'd be a

16:37 Speaker 15: bit boring.

16:39 Speaker 12: So, you know, if I could.

16:41 Speaker 15: Create a character that lived in this kind of combination

16:46 Speaker 15: of all the things that I loved so enim O, Tony,

16:51 Speaker 15: but also David Lynch, you know, the sort of flamenco.

16:55 Speaker 12: Side of things. So I kind of built this story around.

16:59 Speaker 15: Some songs, and then the more I thought about her character,

17:04 Speaker 15: the more the songs came. And it was also a

17:08 Speaker 15: cheeky way for me to write about mine own experience,

17:12 Speaker 15: but you don't know what's mine and you don't know

17:14 Speaker 15: what's hers.

17:15 Speaker 6: Ah.

17:16 Speaker 9: Interesting, interesting, of course. Yeah, it's not just about Yolanda

17:21 Speaker 9: but Danny of the male protagonists and their starcross lovers

17:25 Speaker 9: in nineteen fifties Mexico. And I'm curious about your what

17:31 Speaker 9: came first? Did the story come first and then the

17:34 Speaker 9: sound that you create is sort of to a sort

17:39 Speaker 9: of in service of that story or did you already

17:41 Speaker 9: have this sound, because like I said, your sound is

17:43 Speaker 9: not something that you necessarily hear in twenty twenty six,

17:46 Speaker 9: it is very evocative of another time and that guitar

17:50 Speaker 9: style and whatnot.

17:51 Speaker 6: What came first?

17:54 Speaker 15: I think singing in that particular way and using the

17:59 Speaker 15: Prginian scale, which is sort of what Flamenco music comes from.

18:03 Speaker 12: It's sort of quite ingrained.

18:05 Speaker 15: So my dad's family are Sofardi, so they but from Spain,

18:13 Speaker 15: so I think it literally is kind of genetic thing.

18:17 Speaker 15: But because I really love that kind of music, it

18:24 Speaker 15: was also a cheeky way for me to lean into

18:27 Speaker 15: that and think, what.

18:28 Speaker 12: Can I do that's different? You know, how can I

18:31 Speaker 12: make my music tell a story that has something different

18:36 Speaker 12: to offer?

18:37 Speaker 6: Right?

18:38 Speaker 15: And I really obsessed with films, so I really wanted

18:42 Speaker 15: to write music that was been cinematic. But I think

18:46 Speaker 15: that that style of music came first, and then I

18:50 Speaker 15: thought what's going to fit and the two kind of

18:53 Speaker 15: just came in tandem.

18:56 Speaker 12: If that makes any sense, No.

18:58 Speaker 6: It does.

18:58 Speaker 9: It definitely does. That makes a lot of sense. And

19:02 Speaker 9: when you started this, did you intend for this to

19:05 Speaker 9: be an entire album and an entire story. I'm curious

19:07 Speaker 9: if that was the if that's how you went into

19:09 Speaker 9: this project, or or did it start as maybe a

19:12 Speaker 9: song or two songs and then at some point you

19:14 Speaker 9: thought I could make an entire story out of this.

19:18 Speaker 15: It was it was always to do an album, absolutely,

19:22 Speaker 15: And I think what would happen is I would write

19:25 Speaker 15: a Yolanda song, and then I maybe would write a

19:28 Speaker 15: couple of other, like just Emma songs, and sometimes the

19:33 Speaker 15: style of those other songs would be different. Yeah, And

19:37 Speaker 15: I was kind of creating this body of work for

19:39 Speaker 15: this record, and it's taken about two years because I've

19:44 Speaker 15: written other songs, you know, in the meanwhile, and I

19:50 Speaker 15: thought I was done, and then I recently wrote another

19:53 Speaker 15: song and I was like, oh no, it's another Yland song.

20:00 Speaker 6: But yeah, yeah, well it worked out. It's interesting to

20:06 Speaker 6: me about how.

20:09 Speaker 9: You know, I refer to them, I think as a

20:10 Speaker 9: star across lovers in nineteen fifties Mexico. But there's there's

20:14 Speaker 9: also there's something very relatable in here, and you talked

20:17 Speaker 9: about it when explaining what Snake is about. Something relatable

20:21 Speaker 9: about addiction really kind of interfering, getting in the way,

20:26 Speaker 9: with getting in the way in between two people who

20:30 Speaker 9: are hopefully in some sort of a healthy relationship.

20:34 Speaker 6: But alcohol, I mean again.

20:37 Speaker 9: It's very relatable because so many of us have either

20:39 Speaker 9: experienced that or no people who have experienced that, where

20:44 Speaker 9: alcohol or some other addiction, you know, whether it's drugs

20:48 Speaker 9: or whatever it may be, or even things that are

20:50 Speaker 9: psychologically addictive, not necessarily chemically addictive, but how that can

20:55 Speaker 9: really kind of you know, that one thing can just

20:58 Speaker 9: wreck everything. It can wreck everything in your life, but

21:02 Speaker 9: it can certainly wreck everything in your relationship as well.

21:04 Speaker 9: So I would imagine, and you can tell me if

21:08 Speaker 9: I'm right about this, but I would imagine you've heard

21:10 Speaker 9: from some feedback from people who've listened to this, whether

21:14 Speaker 9: they've listened to that song or they've listened to the

21:16 Speaker 9: entire album. We've said, you know, I understand the story

21:20 Speaker 9: isn't you know? It's from another time in another place.

21:23 Speaker 9: But I can relate to this. I can relate to

21:25 Speaker 9: what this story is about.

21:28 Speaker 12: Oh yeah, absolutely.

21:29 Speaker 15: And I've had some people that have said, You've got

21:33 Speaker 15: You've really got this sort of nailed bef on the hat,

21:36 Speaker 15: and I think it's something that kind of comes up

21:39 Speaker 15: throughout the record. So Marie Ray is also about its

21:44 Speaker 15: final plea, and it's saying, I can see that you

21:48 Speaker 15: are disappearing because the word maria ra is Italian and

21:52 Speaker 15: it means both to die and made okay at the

21:55 Speaker 15: same time. And I think that's what addiction can do.

22:00 Speaker 15: It can make the person just disappear. So absolutely a

22:06 Speaker 15: lot of people have said they relate. And even that

22:09 Speaker 15: Here I Go is about her recognizing do I stick

22:14 Speaker 15: with this? And if I do, am I complicit somehow?

22:19 Speaker 15: Or do I clear off and start again? And that

22:21 Speaker 15: feels really scary, But it's it's also about reflecting on

22:26 Speaker 15: yourself in that situation and saying, oh.

22:31 Speaker 12: Is this to do with me?

22:32 Speaker 6: Is this to do with them?

22:34 Speaker 12: You know? And ultimately you can't get someone else to

22:36 Speaker 12: stop like it's their own.

22:38 Speaker 6: Choice exactly exactly one hundred.

22:41 Speaker 9: I think that's something most well, people who've been in

22:43 Speaker 9: that situation, they wind up up learning, whether they you know,

22:47 Speaker 9: figure it out earlier, they learn it the hard way

22:48 Speaker 9: over time.

22:49 Speaker 6: But yeah, yeah, very very relatable. Absolutely.

22:53 Speaker 9: Can you tell us about your collaborators on the album

22:56 Speaker 9: You you do? You play all the guitar? Is all

22:59 Speaker 9: the guitar you?

23:00 Speaker 12: Yeah?

23:01 Speaker 6: Okay, so you're you're the guitar and all the vocals

23:03 Speaker 6: as well, yeah okay, yeah yeah.

23:07 Speaker 15: And then with some of the older tracks, I've had

23:12 Speaker 15: people like Matt Kosher who produced a lot of the

23:16 Speaker 15: older songs, so things like some Blood where the Roses Grow,

23:21 Speaker 15: and he also played the based on those. And now

23:24 Speaker 15: I have a brilliant new bassis called Haley Wright, so

23:28 Speaker 15: she played based on Hyde, which was the most recent song. Okay,

23:35 Speaker 15: and that's the last song that I wrote. But it's

23:40 Speaker 15: it's it doesn't come at the end of the story,

23:43 Speaker 15: so I wrote it in a really weird order.

23:49 Speaker 9: Well no, you know what though, that makes sense because

23:52 Speaker 9: when when they're making a film, for example, when a

23:55 Speaker 9: director is making a film, they don't they don't shoot

23:57 Speaker 9: the scenes in the order that they're happening in the film.

23:59 Speaker 9: It would be logistically, uh possible, I suppose it would be,

24:05 Speaker 9: but in terms of keeping in with in with their budget.

24:08 Speaker 9: So it's it makes sense to me that you know,

24:10 Speaker 9: you've made something that's cinematic, but yeah, it's it hasn't

24:13 Speaker 9: all been done in order that that makes complete sense

24:15 Speaker 9: to me. Now I'm curious too about in terms of

24:20 Speaker 9: the making of this album, how hard.

24:22 Speaker 15: Is it to.

24:24 Speaker 6: Well, let me ask it this way.

24:26 Speaker 9: Obviously, when you're conceiving of these songs and and they

24:31 Speaker 9: they're creating the story, how hard is it to capture

24:34 Speaker 9: that in the studio what it is that you have

24:37 Speaker 9: in mind?

24:37 Speaker 6: Because it's one thing. You know, it's one thing.

24:40 Speaker 9: If you're just going to record a three chord rock song,

24:45 Speaker 9: you know that's it's pretty standard, and you know, you

24:48 Speaker 9: kind of know what you want, and probably your producer

24:50 Speaker 9: kind of knows what you want, and it's easy. But

24:52 Speaker 9: with something like this, you've really got to bring your

24:56 Speaker 9: idea to life in a way that that not only

25:00 Speaker 9: sounds good and i sonically pleasing to you, but also

25:03 Speaker 9: makes the whole story work as well. So I'm curious

25:06 Speaker 9: how challenging that is with something that's a project that

25:09 Speaker 9: again is unique. This isn't something that you hear every.

25:12 Speaker 12: Day, Oh thank you. It's definitely something that's come with experience.

25:19 Speaker 15: When I was about twenty something, I recorded an entire

25:23 Speaker 15: album and actually I just I didn't like it. It

25:27 Speaker 15: wasn't it wasn't what I wanted it to be. And

25:30 Speaker 15: I think I really learned from that experience. So I

25:34 Speaker 15: think with this one, I would have guide tracks. So

25:39 Speaker 15: I would say to my producer, I want it to

25:42 Speaker 15: sound like Nancy Sinatra, or I want it to sound

25:46 Speaker 15: like this Ni MORICONI track, you know, or make the

25:50 Speaker 15: guitar sound like this, you know.

25:53 Speaker 12: So I was really really clear about what it was

25:56 Speaker 12: after r you know, can we have a bit of

25:59 Speaker 12: film without the gun you know? On this? So I

26:06 Speaker 12: would have a really clear i'd say vision, but it

26:10 Speaker 12: was an audio vision, you know, of what it was

26:14 Speaker 12: that I was after.

26:16 Speaker 15: And I'm really particular about who I would work with.

26:20 Speaker 15: So We've had different producers on the record, but I

26:25 Speaker 15: know that I can communicate with all of them and

26:28 Speaker 15: be really honest and go, I don't like, can we

26:33 Speaker 15: can we change it? So I I would co produce

26:37 Speaker 15: that wasn't in charge of, you know, all the knobs

26:40 Speaker 15: and the butts, but but it was very much me

26:43 Speaker 15: going more of this, yes, please, you.

26:46 Speaker 12: Know, and I think that's how we ended up the

26:50 Speaker 12: product that we were really proud of.

26:52 Speaker 9: H And what about in terms of who plays on

26:56 Speaker 9: the on the on the album, because again we're you

27:00 Speaker 9: have something very very specific and clear that that you

27:03 Speaker 9: want to create. Uh, you know, like I said, it's

27:06 Speaker 9: not like creating a it's not like you know, just

27:08 Speaker 9: recording a three three chord rock song. Was it was

27:11 Speaker 9: it challenging at all to find the right players to

27:13 Speaker 9: contribute to the album.

27:15 Speaker 6: In that way.

27:17 Speaker 15: So the first so four of the tracks I did

27:20 Speaker 15: before it even formed my band. Oh, and that was

27:24 Speaker 15: about me going, what sound have I got? This is

27:28 Speaker 15: the start of her theory, and I'm going to get

27:32 Speaker 15: it right and then bring it to the table. So

27:35 Speaker 15: then I found the drummer, and then for a long

27:39 Speaker 15: time it was me and Tom Broce the drummer, and

27:42 Speaker 15: then producers that I would work with would then maybe

27:46 Speaker 15: add like a little bit of extra guitar.

27:49 Speaker 12: Or more specifically bass.

27:52 Speaker 15: I would add since bits as well, which we want

27:56 Speaker 15: to reintroduce actually to our live aack now.

28:00 Speaker 16: Yeah.

28:02 Speaker 15: So and then when we met Hatley, because it took

28:05 Speaker 15: a long time to decide if we wanted a bassist

28:09 Speaker 15: because I use a looper live, so I didn't want

28:12 Speaker 15: to throw that element of the live music. And that's

28:16 Speaker 15: what you don't get from the record that when I

28:19 Speaker 15: play live, I leap all of these harmonies.

28:22 Speaker 12: Oh wow, yeah, you should come and come and see,

28:27 Speaker 12: come and hang Outnxford. Yeah.

28:30 Speaker 15: So it's important to me to get that element of

28:33 Speaker 15: layering and of that repetition, you know, different musical components.

28:41 Speaker 12: But it's actually a really small group of us that play.

28:45 Speaker 15: Yeah, and then things like the trumpet is someone that

28:49 Speaker 15: I met through a friend who runs a festival, and

28:54 Speaker 15: Rosie plays the violin and.

28:56 Speaker 12: Then she's Tom's mum, so that works.

28:59 Speaker 6: Out perfect perfect? Is is how hard?

29:03 Speaker 11: Well?

29:04 Speaker 6: How important is it to you?

29:05 Speaker 9: I'll ask it this way, How important is it to

29:07 Speaker 9: you to to be able to recreate that sound when

29:10 Speaker 9: you're playing it live?

29:11 Speaker 6: Or is it?

29:12 Speaker 9: Because obviously you know a lot of artists when they

29:14 Speaker 9: play live, they're not going to get what's on the

29:17 Speaker 9: record exactly, but they're but they're cool with it because

29:19 Speaker 9: it kind of doesn't matter necessarily depending on what they're doing.

29:24 Speaker 9: And some artists are very particular about that. I mean,

29:27 Speaker 9: how important is that to you? Because that's got to

29:29 Speaker 9: be a challenge too. I mean again, you know, we

29:31 Speaker 9: talked about the challenge of creating this in the studio,

29:35 Speaker 9: but but then to recreate that live? Are are you

29:38 Speaker 9: concerned with that? I would imagine you could probably overthink

29:41 Speaker 9: it if you're not careful. But but how much of

29:43 Speaker 9: a concern is that for you? Or do you just

29:45 Speaker 9: not worry about that part?

29:48 Speaker 15: Now? I definitely wanted to get the sound live first, yeah,

29:53 Speaker 15: and then I was like, this is how I want

29:55 Speaker 15: it to sound, and then that that was what I

29:58 Speaker 15: took to the studio. And actually it's been a quicker

30:02 Speaker 15: way of recording. The last song that we recorded was

30:05 Speaker 15: High and before that was Gates of Love and that

30:09 Speaker 15: was a much more live process and using like vintage

30:13 Speaker 15: jamps to you know, get that really lovely weaper surf

30:17 Speaker 15: guitar sound.

30:19 Speaker 12: You know, so.

30:22 Speaker 15: Getting it to sound great live is really important and

30:26 Speaker 15: I am particular.

30:29 Speaker 6: Yeah, yeah, yeah, is that is it really hard to

30:34 Speaker 6: get that?

30:34 Speaker 9: I mean I would imagine some shows are easier to

30:39 Speaker 9: capture that than others depending on the venue and and

30:42 Speaker 9: you know what the house pa is like and all

30:44 Speaker 9: of that. I mean, there's there's so much there's a

30:47 Speaker 9: lot that can go wrong, certainly. And again, what what

30:50 Speaker 9: you're doing is is, uh, you know, because you have

30:53 Speaker 9: a specific sound. I mean, does anything ever go wrong

30:58 Speaker 9: with that? Where you go that really wasn't what I

31:01 Speaker 9: wanted when you're at the end of at the end

31:03 Speaker 9: of a show, or or is it all going pretty smoothly?

31:07 Speaker 12: I mean it tends to.

31:08 Speaker 15: Go easily because I've got like a particular sound, like

31:12 Speaker 15: I used to my guitar that I've made. I did

31:17 Speaker 15: have a gig the other day where I break my

31:20 Speaker 15: rule and I switched guitars. I got the acoustic out

31:24 Speaker 15: and I couldn't hear it when I was playing, and

31:26 Speaker 15: I stopped the song.

31:28 Speaker 12: And I've never done that before, but I just went, no,

31:30 Speaker 12: I can't hear a thing.

31:32 Speaker 6: Oh no, kidding.

31:34 Speaker 15: Yeah, And sometimes the leaper won't always work. You've got

31:38 Speaker 15: to really stamp on it. And so that that's the

31:41 Speaker 15: thing that it makes the sound, because it creates that lush,

31:46 Speaker 15: you know, kind of soundscape of like layered vocals, but

31:52 Speaker 15: that also has potential to be a bit of a gremlin.

31:56 Speaker 9: Technology will fail us at times, certainly, but that's that's

31:59 Speaker 9: the enture of it all. Yeah, and you're now, do

32:03 Speaker 9: you have some festivals coming up or you're going to

32:04 Speaker 9: be doing some festivals.

32:07 Speaker 12: Yeah, so we're playing at wood Festival, We're playing at

32:12 Speaker 12: a Riverside festival as well, into my Yeah, so we

32:18 Speaker 12: might we might add some more festivals into the mix.

32:21 Speaker 12: We'll see.

32:22 Speaker 9: Yeah, that's that's fantastic. I've noticed all the all the

32:26 Speaker 9: guests that we have on the show. You know, we

32:28 Speaker 9: have a lot of guests from the UK and and

32:30 Speaker 9: there's always a heavy emphasis on on playing festivals, which

32:33 Speaker 9: I think is which I think is fantastic. And we

32:35 Speaker 9: have a lot of festivals in the United States too.

32:37 Speaker 9: But you know, the thing that I tell everybody, you know,

32:39 Speaker 9: because I'm a music industry guy, is festivals are are

32:43 Speaker 9: amazing because not only does it get you in front

32:45 Speaker 9: of a potentially huge crowd and exposes you to a

32:48 Speaker 9: large audience that might not otherwise be aware of you

32:51 Speaker 9: or or maybe somewhat aware of you, but now they're

32:53 Speaker 9: going to going to get to see you live and

32:54 Speaker 9: be very aware of you. But also just the the

32:57 Speaker 9: networking opportunities, you know, in terms of the industry side

33:00 Speaker 9: of it, the other artists that you'll meet, the other

33:03 Speaker 9: UH promoters and and everybody managers and this. You can

33:07 Speaker 9: make so many incredible connections at a festival. So I

33:10 Speaker 9: think it's great that you're doing festivals. Like I said,

33:12 Speaker 9: that seems to be the trend with all the UK

33:14 Speaker 9: artists that we have on the show. Seemed to really

33:16 Speaker 9: understand how important that is. And UH and and that's fantastic.

33:19 Speaker 9: And you're already having some success anyway, right like Snake

33:22 Speaker 9: has been getting or I don't know, Snake is the

33:26 Speaker 9: newest single I know, but but you've gotten some some

33:28 Speaker 9: radio airplay over there with this album.

33:30 Speaker 6: Correct, Oh yeah, yeah, good good.

33:34 Speaker 15: We've we've done We've done well with it. It's breaking

33:37 Speaker 15: the national radio shows and that that what's tricky.

33:43 Speaker 9: Yeah, no doubt, because again you have a sound that

33:46 Speaker 9: it doesn't necessarily comport with, you know, with with a

33:51 Speaker 9: lot of what's out today who.

33:52 Speaker 6: Which reminds me too, I'm curious.

33:54 Speaker 9: About who inspires you, who inspires your sound, Who's a

33:58 Speaker 9: big influence on you sonically.

34:02 Speaker 12: So we've talked about an your Money. Yes, I absolutely

34:07 Speaker 12: love Anna Colvey.

34:09 Speaker 15: She's she's amazing and does similar things with sort of

34:13 Speaker 15: exploring a bit of flamenco.

34:16 Speaker 12: Kind of influencing that David Lynch darkness.

34:21 Speaker 15: I also absolutely loved David Bowie, just from the perspective

34:25 Speaker 15: of being an amazing songwriter, you know, having really good

34:29 Speaker 15: melodies and songs, and that idea of it being quite

34:33 Speaker 15: character driven.

34:35 Speaker 12: Love p J. Harvey, She's been a massive influence for

34:39 Speaker 12: a really really long time.

34:41 Speaker 15: But also things like trip hop, you know, massive attack

34:44 Speaker 15: point his head, so like a really big old range,

34:49 Speaker 15: you know, Johnny Cash. You know, there's a lot of

34:54 Speaker 15: I've really got into the milk cart and recently as well.

34:57 Speaker 12: Okay, yeah, who were from the state So excellent? Yeah, all.

35:05 Speaker 9: Very good, very good, Emma. We're gonna so we'll let

35:08 Speaker 9: you go in a moment. This has been wonderful. Like

35:10 Speaker 9: I said, I really I listened to the whole album.

35:12 Speaker 9: I think it's amazing. Absolutely, So a couple just a

35:17 Speaker 9: couple more things before we let you go. So uh,

35:19 Speaker 9: we are going to end our conversation with another track

35:23 Speaker 9: from the album, Yolanda, but kind of putting you on

35:26 Speaker 9: the spot here, what should we play at the end

35:28 Speaker 9: of the segment, I'll let you pick.

35:31 Speaker 12: I would say here, I go, here, I go Okay,

35:35 Speaker 12: all right, ye catches.

35:37 Speaker 9: One okay, the catchiest one. Okay, very good, very good.

35:40 Speaker 9: So the other thing, of course, I want to make

35:41 Speaker 9: sure our listeners know where should they go online? Where's

35:44 Speaker 9: the best place to go online to keep up with

35:45 Speaker 9: everything that you are doing, Emma Hunter. Whether they want

35:49 Speaker 9: to find uh the album Yolanda, or they just want

35:51 Speaker 9: to follow you and and they want to know where

35:53 Speaker 9: they can see you live and what you're up doing

35:55 Speaker 9: all of that. Where should people go online?

35:59 Speaker 15: So if you follow us on Instagram, I'm much better

36:03 Speaker 15: at updating that else. So it's Emma Hunter Music is

36:08 Speaker 15: our is our tagline on Instagram?

36:11 Speaker 6: Okay.

36:12 Speaker 12: But also so if you look up Emma Hunter music

36:16 Speaker 12: on band camp, you'll find us. You can get in

36:22 Speaker 12: the States.

36:22 Speaker 6: Company absolutely yeah.

36:24 Speaker 15: And then we are on all the other things you know,

36:28 Speaker 15: Apple Music, Spotify, but band Camp and Instagram is probably

36:33 Speaker 15: the best place outstanding.

36:35 Speaker 9: I'm a big advocate for band camp because what I

36:37 Speaker 9: what I like to tell everyone. You you realize this,

36:40 Speaker 9: I'm sure, but what what some people don't know. Is

36:42 Speaker 9: that the file If you download a track on on

36:45 Speaker 9: band camp, if you purchase a file, you're getting you're

36:48 Speaker 9: getting a high quality file. And it's a much better

36:50 Speaker 9: way to listen to music than to say, you know,

36:52 Speaker 9: just streaming it on YouTube or something where you're getting

36:55 Speaker 9: you know, not not as not as good quality. And

36:57 Speaker 9: to some people that doesn't matter. But if or someone

37:00 Speaker 9: like me, obviously that matters, and so I encourage everyone. Yeah,

37:05 Speaker 9: definitely check you out on band Camp. You can get

37:08 Speaker 9: access to the entire album there. And like I said,

37:11 Speaker 9: I think it's I think it's really really good. And

37:14 Speaker 9: one other thing. So, what what's kind of the future

37:17 Speaker 9: trajectory for you? Are you already working on the next album.

37:21 Speaker 12: I've already written it.

37:22 Speaker 15: Oh wow, yeah yeah, and it's got a bit more

37:25 Speaker 15: of a kind of dark folk vibe. Okay, but yeah,

37:31 Speaker 15: and it's very sort of brutally honest, no hiding behind

37:36 Speaker 15: Ylando anymore.

37:38 Speaker 12: Oh you know Emma Hunter's dark thoughts.

37:41 Speaker 6: Oh okay, all right, cool, cool.

37:44 Speaker 12: So we're going to start recording that in gene Oh

37:47 Speaker 12: pretty exciting.

37:48 Speaker 9: Oh fantastic. Well, when that's ready to go, we'll definitely

37:51 Speaker 9: have to have you back on the show.

37:53 Speaker 12: Oh, we would absolutely love that.

37:54 Speaker 6: Thanks you definitely count on it, count on it.

37:57 Speaker 9: All right, very good. So we're going to hit this

37:58 Speaker 9: track here I Go from the Yolanda album Emma Hunter again,

38:02 Speaker 9: Thank you so much. It is wonderful to have you

38:04 Speaker 9: on the show. And we will talk again soon, I'm.

38:07 Speaker 6: Sure, brilliant.

38:08 Speaker 12: Thank you so much for having me.

38:10 Speaker 6: You gotta take care, bye bye, Thank you. All right.

38:14 Speaker 9: That was Emma Hunter. And we're gonna play this again.

38:17 Speaker 9: This is from the album Yolanda. This is called here

38:19 Speaker 9: I Go.

38:37 Speaker 3: Here I go, Here I go wandering again? Should I

38:40 Speaker 3: leave this place?

38:42 Speaker 12: So?

38:42 Speaker 3: Should I forget wondering? Wondering?

38:46 Speaker 17: What was it for your empty nights covering the kitchen floor?

39:08 Speaker 17: If here I go, here I go dragging my feet?

39:11 Speaker 17: Should have follow out the side?

39:13 Speaker 3: You are black covered streets now you were the girls there?

39:18 Speaker 17: You grow up too soon, unfortunately, Dunny.

39:21 Speaker 7: Now I am your fool. You say tumble me.

39:57 Speaker 14: It said I was black, died, I can't seeped agains see.

40:11 Speaker 3: Stay doesn't mean said stin.

40:15 Speaker 7: No, I'm bled.

40:16 Speaker 18: I can't see then now I'm lied against see still

40:28 Speaker 18: as stop black and stop time saying stop.

40:47 Speaker 7: The back.

40:53 Speaker 14: Set man Sana was Bline Online account sabine.

41:07 Speaker 3: Line account see.

41:34 Speaker 6: All right, that is Emma Hunter.

41:36 Speaker 9: The track is called Here I Go. It is from

41:38 Speaker 9: the album Yolanda. And thank you again to Emma Hunter

41:41 Speaker 9: for joining us this morning, all the way from.

41:43 Speaker 6: The UK via What's App.

41:46 Speaker 9: And I really enjoyed speaking with her, and I do

41:48 Speaker 9: encourage everybody go to band camp, look up Emma Hunter

41:51 Speaker 9: and check out the full album Yolanda. I listened to

41:53 Speaker 9: the whole thing from beginning to end. It's really good.

41:55 Speaker 9: That was a great story and she's got such a

41:57 Speaker 9: cool sound, not something you hear every day, that's for sure.

42:01 Speaker 6: This is Matt Connorton Unleashed.

42:02 Speaker 9: We are live from the studios of wm NH ninety

42:06 Speaker 9: five point three FM and Glorious Manchester, New Hampshire, and

42:08 Speaker 9: you can stream the show from anywhere. Go to Matt

42:10 Speaker 9: connorton dot com slash live for all your live streaming options,

42:13 Speaker 9: social media links, contact infosh archives, et cetera, et cetera.

42:16 Speaker 9: It is Saturday April four, twenty twenty six. Jenny and

42:20 Speaker 9: I are here with you and we've got coming up

42:23 Speaker 9: in the second hour. For those of you listening live

42:25 Speaker 9: the gray Curtain will be here. And in the third

42:27 Speaker 9: hour we have Warhog, who's gonna be with us via

42:29 Speaker 9: Microsoft teams all the way from the great state of

42:31 Speaker 9: Texas and love those guys, one of my favorite. Oh yeah,

42:35 Speaker 9: we've both got our Warhog shirts on. Let's see. So

42:40 Speaker 9: Jenny sent me a couple of things. We have time

42:42 Speaker 9: for a little bit of music news. This looks interesting.

42:45 Speaker 9: This is from Digital Musicnews dot com Music Publishers x

42:48 Speaker 9: copyright lawsuit officially on pause following the Supreme Courts Cox

42:52 Speaker 9: decision all Deadlines shelved as a social media platform as

42:57 Speaker 9: dismissal so recently on the show, was it last week?

43:01 Speaker 9: It was last week, right the Supreme Court, which you know,

43:06 Speaker 9: we live in a time where I don't necessarily agree

43:08 Speaker 9: with a lot of the rulings. We won't get into that,

43:10 Speaker 9: but they got that one right, in my opinion, they

43:12 Speaker 9: ruled that an Internet service provider cannot be held liable

43:16 Speaker 9: for what its users do in terms of.

43:18 Speaker 10: That would have been grotesquely awful of it in terms.

43:21 Speaker 9: Of in terms of yeah, in terms of downloading pirated

43:24 Speaker 9: music and so forth. But looks like, uh, looks like

43:30 Speaker 9: that might uh, well, that.

43:32 Speaker 10: Could knock the stuff out of the water. That's yeah,

43:34 Speaker 10: ben pending people who have been trying.

43:36 Speaker 9: To Yeah, so there's a news story here. So according

43:41 Speaker 9: to this, a presiding judge made the pause official.

43:46 Speaker 6: Oh wait, let me back up.

43:48 Speaker 9: Major music publishers long running copyright infringement lawsuit against x

43:52 Speaker 9: so x, of course, being formerly Twitter, is now on

43:55 Speaker 9: a hard pause following the Supreme Court's Cocks versus Sony

43:58 Speaker 9: Music decision, which is the case I was talking about

44:01 Speaker 9: last week. And by the way, that wasn't just Sony Music,

44:05 Speaker 9: but UMG was involved in that lawsuit as well as

44:08 Speaker 9: other labels. But okay, So this says the presiding judge

44:11 Speaker 9: made that pause official in a recent order after the

44:13 Speaker 9: publishers and the Elon Musk owned social platform asked the

44:16 Speaker 9: court to stay all current deadlines. And the stay request

44:21 Speaker 9: didn't come out of left field, as we previously broke down.

44:24 Speaker 9: The Supreme Court, in a unanimous unanimous ruling in favor

44:29 Speaker 9: of Cox Communications, the internet service provider that was in

44:32 Speaker 9: the other lawsuit, found that service providers can be held

44:38 Speaker 9: contributorily liable only if they induced user infringement or tailored

44:44 Speaker 9: their core offerings to enable infringement. And by the way,

44:47 Speaker 9: that's one of the reasons I said I agreed with

44:49 Speaker 9: the Supreme Court's unanimous ruling in that case because to me,

44:53 Speaker 9: and the analogy I used, is holding Internet service providers

44:57 Speaker 9: responsible for everything that their users do. That would be

45:02 Speaker 9: akin to holding auto manufacturers responsible every time somebody gets

45:07 Speaker 9: into a car accident where somebody accidentally gets killed on

45:10 Speaker 9: the highway. You know, oh, you created a product that

45:14 Speaker 9: was used in this accident. Therefore you are responsible.

45:17 Speaker 13: You know.

45:17 Speaker 6: It's absurd. So I agree with the Supreme Court's ruling.

45:21 Speaker 6: It says here.

45:21 Speaker 9: Naturally, the decisions significance for similar isp repeat piracy cases

45:26 Speaker 9: took center stage out of the gate, but the narrow

45:29 Speaker 9: secondary liability definition is already factoring into a number of

45:33 Speaker 9: copyright cases in and beyond the music world. One of

45:38 Speaker 9: the non music cases, textbook publishers copyright and trademark infringement

45:43 Speaker 9: show down with Google, which promptly moved to stay discovery

45:47 Speaker 9: pending the resolution of the Cocks versus Sony related motion

45:51 Speaker 9: for partial judgment. Enter exis push to toss the remainder

45:56 Speaker 9: of publishers infringement claims due to the perceived lack of

46:00 Speaker 9: secondary liability. So if I'm understanding this correctly, and again

46:03 Speaker 9: I'm not a legal expert of any kind, but if

46:05 Speaker 9: I understand this correctly, so the argument from X is that, Okay,

46:11 Speaker 9: you're not going to hold Cox Communications responsible, you also

46:15 Speaker 9: cannot hold X responsible for what our users do on

46:19 Speaker 9: our platform if they are infringing on copyright.

46:23 Speaker 6: And again I would agree.

46:24 Speaker 9: You know, I'm not a big fan of Elon Musk,

46:26 Speaker 9: but again I would agree with with that argument.

46:29 Speaker 6: You you should not this.

46:31 Speaker 9: This has come up, but this has been coming up

46:33 Speaker 9: for years, by the way, in terms of social media platforms.

46:36 Speaker 6: This concept that some people really believe in.

46:41 Speaker 9: That social media platforms should be somehow held responsible for

46:45 Speaker 9: everything that their users do, and that they should be

46:49 Speaker 9: held liable for that that everything that their users do

46:51 Speaker 9: on their platforms. And these social media platforms already police

46:56 Speaker 9: that stuff. But if you're going to make it so

47:00 Speaker 9: that these social media platforms are liable for every single

47:04 Speaker 9: thing that users do that might infringe on a copyright

47:08 Speaker 9: or or may break some law, or then or you

47:12 Speaker 9: will end you will end social media.

47:15 Speaker 10: Yeah, you say boo about somebody and suddenly there's a lawsuit.

47:19 Speaker 10: But the Internet company is going to heck of a

47:22 Speaker 10: lot more money than the average person. So if there's

47:24 Speaker 10: a street to their bank account, everybody's gonna get off

47:27 Speaker 10: and take it.

47:28 Speaker 6: Yeah. Yeah, you would end social media if you're gonna

47:32 Speaker 6: hold you know, if you're gonna hold everything responsible for

47:34 Speaker 6: every little thing that people post.

47:36 Speaker 12: How does YouTube do boo do videos?

47:38 Speaker 6: Right?

47:39 Speaker 10: Because then if it's running on Exfinity, Exfinity is liable

47:43 Speaker 10: for everything that gets played on YouTube.

47:44 Speaker 6: Right. Yeah, you can't. Yeah, you can't do it. You

47:46 Speaker 6: can't do it.

47:48 Speaker 10: Oh every once in a while to get something right.

47:50 Speaker 6: Oh yeah, says here. It's against this backdrop.

47:53 Speaker 9: With a dismissal demand looming large that both sides requested

47:57 Speaker 9: a stay of all deadlines in the current schedule so

48:00 Speaker 9: they could meet and confer regarding the appropriate next steps

48:03 Speaker 9: for this litigation, and with Judge Aletta Trouger having signed

48:08 Speaker 9: off on the request as mentioned, the litigants are expected

48:11 Speaker 9: to submit a joint schedule proposal by next Wednesday, April eighth,

48:15 Speaker 9: So this Wednesday coming up actually, besides addressing X's anticipated

48:20 Speaker 9: attempt to end the litigation, said schedule will cover the

48:24 Speaker 9: plaintiff's opposition and possible motions to amend the complaint and

48:28 Speaker 9: or seek reconsideration of the prior partial dismissal. On the

48:32 Speaker 9: latter front, it's been two years in change since the

48:35 Speaker 9: court dismissed vicarious and direct infringement claims against X, and

48:40 Speaker 9: while it's unclear what the reconsideration requests may look like,

48:43 Speaker 9: the possible descriptor is important here. The plaintiffs only indicated

48:48 Speaker 9: that they may file related motions. Time will tell where

48:52 Speaker 9: this definitive pause leads the year's running case and what's

48:57 Speaker 9: in store for other infringement disputes impacted by Cox versus Sony.

49:02 Speaker 9: As noted, different isp disputes jump out. The major label

49:06 Speaker 9: suit against Altis was gearing up for a jury trial

49:10 Speaker 9: until being stayed pending the Supreme Court's determination, But so

49:14 Speaker 9: do complaints like Epidemic Sounds nearly four year old first

49:19 Speaker 9: copyright action against Meta. Last week, the Facebook parent formally

49:24 Speaker 9: moved to invoke Cox versus Sony into its summary judgment motion.

49:29 Speaker 9: The presiding judge granted the request, and Meta has until

49:32 Speaker 9: April sixteenth to file a supplemental brief addressing the impact

49:36 Speaker 9: of Cox communications, in other words, addressing the impact of

49:40 Speaker 9: that ruling. So the Supreme Court has effectively set a

49:43 Speaker 9: precedent here with their ruling in Cox versus Sony, saying

49:48 Speaker 9: that you cannot hold you cannot hold Internet service providers,

49:53 Speaker 9: whether it be an ISP or perhaps whether it be

49:55 Speaker 9: a social media platform, you cannot hold them liable and

49:58 Speaker 9: responsible for every little thing that every user does on

50:01 Speaker 9: their platform that might be illegal or you know, or

50:07 Speaker 9: maybe not necessarily illegally illegal, but might be something that

50:11 Speaker 9: might cause a civil action, you know, defaming someone's character,

50:15 Speaker 9: et cetera. And by the way, all these social media

50:17 Speaker 9: platforms already have rules against that kind of thing, but

50:20 Speaker 9: it's up to them to enforce them, and they're not

50:23 Speaker 9: always going to get it right, and sometimes they sometimes

50:26 Speaker 9: is almost an overcorrection, if that's the right term, because

50:30 Speaker 9: sometimes people get caught up in a net. You know,

50:32 Speaker 9: it's happened to me. I mean, I've run into problems

50:35 Speaker 9: with YouTube. Not recently, not for a while, but I've

50:38 Speaker 9: run into problems with YouTube where I've been flagged for

50:40 Speaker 9: things in my YouTube videos where it's like, well, wait

50:42 Speaker 9: a minute, I'm being flagged for something I didn't too

50:45 Speaker 9: or I'm being flagged for saying something I'm not allowed

50:47 Speaker 9: to say on YouTube, but I wasn't saying it. I

50:49 Speaker 9: was actually quoting someone else who had said it, and

50:52 Speaker 9: I was using that as an example of what that

50:54 Speaker 9: person said. That particular thing has caught me a few

50:56 Speaker 9: times because they have the bots that patrol the videos,

50:59 Speaker 9: and then a hears me say something that again, it's

51:02 Speaker 9: not me saying it, it's me repeating something someone else said,

51:05 Speaker 9: and then I'm refuting it that exact thing has happened

51:08 Speaker 9: to me, and then YouTube flags it, and then I

51:11 Speaker 9: get a strike on my account, and then I have

51:13 Speaker 9: to appeal to strike, and da da da da da,

51:15 Speaker 9: And it's a whole thing. But I would not expect

51:21 Speaker 9: anyone as frustrated as I might get with YouTube. I

51:23 Speaker 9: would not expect there to be I would not expect

51:25 Speaker 9: YouTube to be legally liable for anything that I do.

51:32 Speaker 9: You know, whether I'm being held accountable for something I

51:34 Speaker 9: actually did or something that a bot has decided that

51:37 Speaker 9: I did. But I kind of vented a little bit

51:40 Speaker 9: about YouTube because I have gotten caught up in that net.

51:42 Speaker 9: But my point being, these social media companies already police

51:45 Speaker 9: that It's never going to be perfect, but we don't

51:49 Speaker 9: need laws or rulings in terms of civil penalties that

51:54 Speaker 9: hold them accountable for something that.

51:57 Speaker 12: You couldn't.

51:59 Speaker 9: It would be an unreasonable standard. Old any business or

52:02 Speaker 9: industry to that standard, it would be unreasonable. All right,

52:07 Speaker 9: we are going to take a break. We're going to

52:08 Speaker 9: show some love to our amazing sponsors. And when we

52:10 Speaker 9: come back in the second hour, for those of you

52:12 Speaker 9: listening live, the Gray Curtain will be here with us

52:16 Speaker 9: live in studio. Love those guys, such a great band,

52:20 Speaker 9: and I cannot wait to catch up with them. And

52:24 Speaker 9: I do hear it's somebody's birthday today as well.

52:28 Speaker 6: So oh, here we go.

52:32 Speaker 9: Sorry, little technical issue there I was having. If it

52:35 Speaker 9: sounded like I was stalling, it's because I was, but

52:37 Speaker 9: I fixed it.

52:38 Speaker 6: Here we go. All right, we'll talk to you in

52:39 Speaker 6: a few minutes.

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55:14 Speaker 22: Limits and the Historic Suncook Village. PCL is an award

55:17 Speaker 22: winning bar, restaurant and music venue where there's live music

55:20 Speaker 22: five days a week and twice on Saturdays, everything from blues, country, folk, funk,

55:25 Speaker 22: and a whole lot of jazz. We have twelve craft

55:27 Speaker 22: beers on tap, dedicated to the local brewers in the

55:29 Speaker 22: area and some of the friendliest bartenders around.

55:32 Speaker 6: Please come visit.

55:33 Speaker 22: Pembrook City Limits at one thirty four Main Street, the

55:35 Speaker 22: historic sunk Cook Village, only six miles outside of Manchester.

55:39 Speaker 22: Open Tuesdays to Wednesdays, four to ten Thursday's a Sunday

55:43 Speaker 22: eleven to ten Pembrook City Limits where it's all about

55:46 Speaker 22: the music.

55:47 Speaker 19: Disneys Cafe is the place to put a smile on

55:50 Speaker 19: your face. Judy and the crew will take care of you,

55:52 Speaker 19: bring your appetite and treat your taste. Buds Fry Business

55:56 Speaker 19: Cafe is always a winning choice. Breakfast, lunch or supper

56:01 Speaker 19: Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

56:05 Speaker 19: Dine in, take out or make a reservation call six

56:08 Speaker 19: oh three, six oh six two five three two, eat,

56:13 Speaker 19: drink and be happy Dizze's Cafe.

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56:55 Speaker 13: N seven times out of ten we listened to our

56:59 Speaker 13: music entitleo business program.

57:05 Speaker 19: Late Night to Light with DJ Mitas right here on

57:08 Speaker 19: w MNH Manchester.

57:10 Speaker 21: Because Saturdays and Sunday nights midnight to four am.

57:16 Speaker 24: This hour on wm NH is sponsored by CGI Business Solutions,

57:22 Speaker 24: located at five Dartmouth Drive in Auburn. They serve all

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57:49 Speaker 16: Behold the harmony of airwaves as you immerse yourself in

57:52 Speaker 16: the captivating frequencies of w m NHLP. Their sonic cards

57:57 Speaker 16: of Manchester is the transcending through the ether ninety five

58:00 Speaker 16: point three megahertz frequency modulation. Our transmissions EM and E

58:04 Speaker 16: from the zenith of one thousand Dolm Streets insure into

58:06 Speaker 16: the hearts of our creative realm at one nineteen Canal Street, where.

58:10 Speaker 24: Innovation and sound collode.

58:12 Speaker 16: They're the impro moder of Manchester Public Television Service in

58:16 Speaker 16: the venerable city of Manchester, New Hampshire, USA. Enrich your

58:19 Speaker 16: auditory journey with the depth of our license to WESDENSSPT.

58:23 Speaker 16: Your missives do WMNH ninety five three at gmail dot com,

58:28 Speaker 16: or traverse the virtual corridors of wmnhradio dot org. Engage

58:32 Speaker 16: with our sonic vibrations by communing with us through the

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58:43 Speaker 24: One dude, WMNH rip the novels