Matt Connarton Unleashed 5-23-26 hour 1

0:04 Speaker 1: You're listening to Macconnorton Unleashed on wm n H ninety

0:10 Speaker 1: five point three.

0:11 Speaker 2: Right now the world radio premiere brand new from replaced

0:15 Speaker 2: by robots. This is replaced by robots. Theme from zero

0:21 Speaker 2: Joy zero.

0:38 Speaker 3: Coming to budget just as fast as they can their mission.

0:43 Speaker 3: Then the fla, the mushans are something Thedona stands replaced five.

1:07 Speaker 4: Electrical eyes.

1:09 Speaker 5: I have aware assertion, he said, I that you were.

1:22 Speaker 6: Replaced by rows, replaced by rolls, replaced five.

1:31 Speaker 5: Roll too much of their things not no to keep

2:15 Speaker 5: the satisfied.

2:19 Speaker 3: By all the non.

2:23 Speaker 4: Let Loulet love nice Ye replaced by relisted rest.

2:59 Speaker 2: And now another world radio premiere. You heard it here

3:02 Speaker 2: first on w m n H ninety five point three

3:05 Speaker 2: FM and Matt Connerton Unleashed. It is the second single

3:09 Speaker 2: from White Ash, coming out May twenty seven. This is

3:12 Speaker 2: called Blue Skies.

3:27 Speaker 7: You say, got the hedge, it's bad nack co fut words.

3:35 Speaker 7: Let me vitune over the food seven and the back.

3:40 Speaker 7: It is your catsle blue tap, what match is bad?

3:48 Speaker 6: We live in fun?

3:49 Speaker 4: Blue Cat got you to fay.

4:01 Speaker 8: Never botch my.

4:02 Speaker 4: B chasing yet day blady. But you're gonna get there boy.

4:21 Speaker 8: Let me see is immediate.

4:23 Speaker 6: Told it cost that pass that scene to be had.

4:29 Speaker 2: It wants me do so, tell me about you get that?

4:33 Speaker 5: Tell me you had to be.

4:36 Speaker 4: Got see you too, gotchee?

4:41 Speaker 9: Come t.

4:44 Speaker 2: Yeh botch my book chayyday.

4:48 Speaker 4: By what you're gonna get?

4:51 Speaker 6: There? Where the most Where the most where the bots?

5:28 Speaker 2: Mother chasing an.

5:33 Speaker 4: You never get there?

6:09 Speaker 2: Oh that is cool. Welcome everybody, Matt Connorton Unleashed and

6:15 Speaker 2: we are live from the studios of wm NH ninety

6:19 Speaker 2: five point three FM, Inglorious Manchester, New Hampshire. Of course

6:23 Speaker 2: you can also stream the show from anywhere. I go

6:24 Speaker 2: to Matt connorton dot com slash live for all of

6:27 Speaker 2: your live streaming options, social media links, contact and fos,

6:30 Speaker 2: show archives, et cetera, et cetera. Today is Saturday, May

6:34 Speaker 2: twenty third, twenty twenty six. We started out with a

6:37 Speaker 2: couple of big World radio premieres, starting with, of course,

6:42 Speaker 2: a brand new single from Replaced by Robots, which is

6:45 Speaker 2: also called Replaced by Robots, the theme from Zero Joy

6:49 Speaker 2: Zero and that is going to radio right now as

6:53 Speaker 2: we speak. But you heard it here first on WMNH

6:56 Speaker 2: ninety five point three FM. Great band from Boston and

6:58 Speaker 2: they've been on the show. Definitely be having them back

7:01 Speaker 2: in the near future. And then after that, we heard

7:02 Speaker 2: the brand new single from White Ash, which is coming

7:05 Speaker 2: out May twenty seventh, and again you heard it here

7:08 Speaker 2: first first time on American radio, called Blue Skies. I

7:12 Speaker 2: believe they've been on the show with us before, and

7:13 Speaker 2: they will be back in the near future as well,

7:15 Speaker 2: So can't wait to talk with them. And yes, by

7:18 Speaker 2: the way, we are live. I do know, and if

7:21 Speaker 2: you know, you know, and some people will know who

7:24 Speaker 2: I'm referring to. I'm not gonna mention the name, but

7:25 Speaker 2: there is a certain podcaster out of New York who

7:28 Speaker 2: has been telling everyone who will listen that I am

7:32 Speaker 2: no longer on the air, that this show has been canceled,

7:34 Speaker 2: and that I've been run out of town. And that

7:37 Speaker 2: is not true. Of course I am here. The show

7:40 Speaker 2: is live, and here we are, so you know. At first,

7:44 Speaker 2: I thought maybe this, maybe this individual was confused because

7:49 Speaker 2: of a recent change in my schedule, so to speak,

7:51 Speaker 2: and again that's one of those if you know, you

7:52 Speaker 2: know things. But then it occurred to me that they've

7:56 Speaker 2: been saying this about me. I think probably every six

7:58 Speaker 2: months or so, this particular person says this about me,

8:02 Speaker 2: goes online and starts claiming that I no longer have

8:04 Speaker 2: a show. And it's funny, you know, if you're going

8:08 Speaker 2: to make up lies about someone, I was thinking about this.

8:12 Speaker 2: I was thinking about this this morning. You know, if

8:15 Speaker 2: you're old enough to remember what life was like before

8:18 Speaker 2: we had social media and before we had the internet,

8:21 Speaker 2: before we had things like Google, for example, you know,

8:25 Speaker 2: there was a time, a simpler time, when it was

8:28 Speaker 2: very easy to make up lies about someone because there

8:30 Speaker 2: was no way to immediately verify and debunk something if

8:33 Speaker 2: it wasn't true. But now it's very easy to debunk something. So,

8:38 Speaker 2: for example, if someone tells you that this show doesn't

8:40 Speaker 2: exist anymore and that it's been canceled, if you just

8:43 Speaker 2: google the show, you'll see that the show carries on.

8:46 Speaker 2: So so we are here. Do not believe what you've

8:49 Speaker 2: heard from that particular person. Of course, if you believe

8:52 Speaker 2: what you hear from that particular person, that podcast are

8:55 Speaker 2: out of New York, you would probably think all kinds

8:58 Speaker 2: of insane things about me and and Jenny as well

9:01 Speaker 2: and all the people we associate with. But no, the

9:03 Speaker 2: show continues. The show is alive and well it's funny too.

9:06 Speaker 2: The person who was claiming that they also claim that

9:08 Speaker 2: I stole my entire show format from them, which is

9:11 Speaker 2: also very interesting because my show format is nothing like

9:15 Speaker 2: the format of the podcast that he does online. So

9:19 Speaker 2: I don't know. But people say crazy things, So what

9:23 Speaker 2: are you gonna do? But that's part of what keeps

9:24 Speaker 2: life interesting. Not only are we live and on the air,

9:27 Speaker 2: but we have a great show for you. In just

9:29 Speaker 2: a couple of minutes, we're gonna be talking with Danny

9:31 Speaker 2: Shavis from the Velt and we're gonna play their new

9:35 Speaker 2: single in just a moment. Can't wait to do that.

9:37 Speaker 2: Great band originating from North Carolina. They're back with some

9:40 Speaker 2: brand new music. Also, in the second hour, we have

9:44 Speaker 2: two guests joining us. We have nor Addiction or I

9:46 Speaker 2: should new our Addiction, I think would be the correct pronunciation.

9:50 Speaker 2: Really great, great project out of Italy, and I love

9:55 Speaker 2: these guys. They've got kind of an industrial sound and

9:58 Speaker 2: I can't wait to share that with you, really really good.

10:00 Speaker 2: And then in the second half of the second hour,

10:03 Speaker 2: we have John Poussett Dart who's got a show coming up.

10:06 Speaker 2: He's going to be playing right here in Manchester, very

10:09 Speaker 2: very soon next month, I believe, and he is going

10:12 Speaker 2: to be calling in so I can't wait to talk

10:14 Speaker 2: to him. He's been on the show with us, we

10:15 Speaker 2: had an amazing conversation the last time. It'll be really

10:18 Speaker 2: great to welcome him back to the show. Then in

10:20 Speaker 2: the third hour frequency overload out of New York, they're

10:23 Speaker 2: going to be on with us. I cannot wait for that. Also,

10:27 Speaker 2: one other thing, and for those of you who are

10:29 Speaker 2: watching the live stream, be it on YouTube or Facebook

10:33 Speaker 2: or wherever you might see this, I'm going to hold

10:36 Speaker 2: this package up. And of course most of you are

10:38 Speaker 2: audio listeners. Radio is of course an audio medium. But

10:42 Speaker 2: if you do happen to be watching the live stream,

10:43 Speaker 2: I'll hold this package up for you. So this is

10:45 Speaker 2: from our friend grim Rock out of Pennsylvania, the Great

10:49 Speaker 2: State of Pennsylvania. He's been on the show several times.

10:52 Speaker 2: But next week Grimrock will be here with us live

10:56 Speaker 2: in person because he's going on tour, or he is

10:58 Speaker 2: on tour, but he'll be in our area next week.

11:01 Speaker 2: He's gonna be playing a show that night, May thirtieth.

11:04 Speaker 2: He's gonna be playing in Nashua at the Spot Mike McDowell,

11:08 Speaker 2: of course, the owner of the spot. He's been on

11:10 Speaker 2: the show with us too, but he's gonna be playing

11:12 Speaker 2: there that night, so he's going to be here in

11:14 Speaker 2: studio with us next week. I cannot wait to meet him.

11:16 Speaker 2: He's a great guy. He has sent us some amazing

11:19 Speaker 2: care packages over the years, and later in the show.

11:22 Speaker 2: The reason I'm holding this up, I'll probably do it

11:25 Speaker 2: if we don't get to it at the end of

11:27 Speaker 2: this hour, probably in the probably in the third hour.

11:30 Speaker 2: Second hour is gonna be really busy, so we're either

11:32 Speaker 2: gonna do it in the second hour. I'm sorry, you know,

11:35 Speaker 2: We're either gonna do it in the first hour or

11:36 Speaker 2: the third hour. But I will open this live on

11:38 Speaker 2: the air. We'll do a quick live unboxing. I'm pretty

11:41 Speaker 2: sure it's T shirts. In fact, I know for a

11:44 Speaker 2: fact it's T shirts. But I cannot wait to see.

11:46 Speaker 2: Everything that he does for merch is really, really good.

11:50 Speaker 2: Grim Rock does great merch. So we will open this

11:53 Speaker 2: live on the air. We will see what's inside, and

11:56 Speaker 2: if it is T shirts, which again I'm pretty sure

11:58 Speaker 2: it is, Jenny and I will be wring those next week,

12:01 Speaker 2: of course on the show and when we go to

12:03 Speaker 2: see him play live at the Spot in Nashua. So

12:06 Speaker 2: really looking forward to that. So we have an action

12:08 Speaker 2: packed show. We also have a little bit of music

12:10 Speaker 2: industry news for later in the show. We will try

12:12 Speaker 2: to get to There are always many, many things happening.

12:14 Speaker 2: But right now, we're going to go ahead and we're

12:17 Speaker 2: going to play the new single from the Velt. This

12:20 Speaker 2: is called black Girl. We're going to talk about this

12:22 Speaker 2: on the other side with Danny Shaffus. I'm not sure

12:25 Speaker 2: if it's Danny and Daniel who are joining us or

12:27 Speaker 2: just Danny, but we will be talking with them or

12:30 Speaker 2: him via WhatsApp, either one or both. And cannot wait.

12:34 Speaker 2: This is really good. Check this out, brand new single

12:37 Speaker 2: from the Velt.

13:13 Speaker 4: Shoy Ship you just.

13:23 Speaker 10: Just be.

13:28 Speaker 11: This sh.

13:37 Speaker 4: Sh s.

15:05 Speaker 2: All right. That is brand new from the Velt. The

15:08 Speaker 2: song is called black Girl. And we've got oh I

15:10 Speaker 2: think he's we are having a little bit of an

15:14 Speaker 2: issue with WhatsApp. It looks like it keeps connecting and disconnecting.

15:18 Speaker 2: So I think what we're gonna do. I'm gonna go

15:20 Speaker 2: ahead and try I'm gonna play another another track here

15:23 Speaker 2: they sent us some Oh you know what, let's play this.

15:26 Speaker 2: We actually have a couple new singles. We'll play this one.

15:30 Speaker 2: This is another track from the Velt and we'll see

15:32 Speaker 2: if we can get Danny on the line.

16:03 Speaker 4: You again that.

16:05 Speaker 2: Say it makes no existence?

16:09 Speaker 4: You knew?

16:10 Speaker 5: Uh?

16:10 Speaker 2: I seen you on the dices up your gis and

16:14 Speaker 2: good way we an o.

16:16 Speaker 3: Wo wait we.

16:18 Speaker 4: We know you again, Jim.

16:25 Speaker 5: If the fid.

16:27 Speaker 4: Out to see pricif those dances oh by by, I

16:33 Speaker 4: know you know.

16:34 Speaker 8: The sea done west and the sudamn thing that's.

16:38 Speaker 9: I'm gone you boys do.

17:04 Speaker 4: I don't I know do the other stuff foul.

17:19 Speaker 10: It?

17:19 Speaker 4: It's nice, it's se.

17:31 Speaker 3: So you a a kid?

17:33 Speaker 11: Can I sa.

17:37 Speaker 5: A teacher?

17:38 Speaker 2: I started for I heard don't go I few ways if.

17:45 Speaker 12: By about.

17:48 Speaker 4: A daughter? You gonna sit down?

18:15 Speaker 9: M said, more.

19:07 Speaker 8: Sad songs for the huge.

19:20 Speaker 6: Let be more.

19:23 Speaker 5: More a truss, but go away.

20:08 Speaker 4: So by a way?

20:23 Speaker 11: You know waiting here?

20:28 Speaker 4: What some very long but some very long?

20:30 Speaker 5: What's some very long.

20:34 Speaker 3: Waiting bout your side?

20:37 Speaker 1: Are you having a brown?

20:40 Speaker 4: Are you having a bye?

20:44 Speaker 8: Since I seen you?

20:45 Speaker 5: Girl?

20:47 Speaker 9: On and on and on and on and on on

20:50 Speaker 9: and on and on.

20:53 Speaker 5: And yeah.

20:57 Speaker 4: And so sial a way by h.

22:51 Speaker 2: All right, another great song from the Velt. That is

22:53 Speaker 2: Angel Heart. Let's see if we've got uh, I think

22:55 Speaker 2: we've got Danny on the line with us. Danny, are

22:57 Speaker 2: you there?

22:58 Speaker 11: Yeah?

22:58 Speaker 12: Hey?

22:59 Speaker 11: How you doing? Man?

22:59 Speaker 12: Hey?

23:00 Speaker 4: Goo?

23:00 Speaker 2: Good?

23:00 Speaker 3: Yeah?

23:00 Speaker 2: Sorry about I don't know what was happening. It was

23:02 Speaker 2: like we were trying to connect with you before and

23:03 Speaker 2: the line kept dropping. But so I'm relieved that we

23:06 Speaker 2: get to talk to you because I, I really I'd

23:08 Speaker 2: never really listened to much of the Velt, and I've

23:10 Speaker 2: been listening to your music and I really love it,

23:13 Speaker 2: especially the new single h Black Girl. And but you

23:16 Speaker 2: guys have been You guys have been around a long time.

23:22 Speaker 11: Today will mark the sixtieth year.

23:24 Speaker 2: Man, you know, Oh my god, that's that's incredible. So

23:28 Speaker 2: you guys, so now now you and your your brother Daniel,

23:31 Speaker 2: you guys are twins. Is that correct?

23:34 Speaker 11: Yeah?

23:34 Speaker 8: Yeah, so you're you're.

23:37 Speaker 2: Your parents actually chose to name you Danny and Daniel.

23:41 Speaker 11: Well, my ods name my oz named is you know,

23:46 Speaker 11: you know, I still think that it's a different name.

23:50 Speaker 11: But I've been, you know, conditioned to be the way

23:52 Speaker 11: since since birth.

23:53 Speaker 2: Oh, I got you.

23:56 Speaker 11: If he's he's Christopher and Cornelia?

23:59 Speaker 3: Oh?

23:59 Speaker 2: Interest saying okay, I mean, because when I realized when

24:02 Speaker 2: I was reading about you guys, I was trying to

24:03 Speaker 2: figure out, now, who, uh who would do that to

24:06 Speaker 2: their to their twin size.

24:08 Speaker 11: No, no, we've been getting a lot, I can imagine.

24:13 Speaker 2: No, it's cool though. So now, so you guys when

24:16 Speaker 2: you when you released the new single which we did,

24:21 Speaker 2: uh feature at the top of the show, Black Girl,

24:23 Speaker 2: is this? Is this like the first song after after

24:26 Speaker 2: how many years? Because again, you guys have have been

24:28 Speaker 2: around for that, as you said, a very very long time,

24:31 Speaker 2: longer than I realized. But has it been a while?

24:34 Speaker 11: I mean when I say sixty you we just turned

24:36 Speaker 11: sixty today, gotcha?

24:37 Speaker 1: Okay?

24:37 Speaker 2: So you so literally you guys, but you probably started

24:40 Speaker 2: making music at a very young age.

24:42 Speaker 11: I would imagine in nineteen eighty six, eighty five or

24:45 Speaker 11: something like that. Okay, Chapel Hill, North Carolina, and we

24:51 Speaker 11: you know, the Trionga area was a was a a

24:54 Speaker 11: good place for like hardcore music and punk rock. And

24:57 Speaker 11: they had a little scene over here in our first

24:59 Speaker 11: show was good to called pursonal conformity. You know, we

25:02 Speaker 11: had it's like your kids matinee things like that, you know,

25:07 Speaker 11: but they didn't really do that anymore, like you know

25:09 Speaker 11: that that we know all kind of thing. But right,

25:11 Speaker 11: we came from that kind of the kind of the

25:14 Speaker 11: kind of you know scene back in the day opening

25:16 Speaker 11: for a cursion and conformity, like I said, so, oh wow,

25:19 Speaker 11: and we just didn't know when we just didn't get

25:21 Speaker 11: the memo there was time to stop.

25:22 Speaker 2: So no, I'm glad you're still going now. When was so,

25:26 Speaker 2: when was the last time you released something? Prior to Black.

25:28 Speaker 11: Girl, we released something on this label called Little Cloud

25:33 Speaker 11: called Entropy is the main Line to God, which we

25:37 Speaker 11: did during the you know, during the pandemic and whatnot.

25:41 Speaker 11: And it was a bunch of something that we have

25:42 Speaker 11: been writing during that time. So that was like the

25:45 Speaker 11: latest thing that we did. But before that, we released

25:49 Speaker 11: something called Shocking Fuzz or Electric Fur, which came out

25:53 Speaker 11: like twenty I think twenty fourteen something like that. Okay,

25:56 Speaker 11: in sixteen, you know, right before I toured the brand

25:59 Speaker 11: jumps Masacre.

26:00 Speaker 2: Oh wow, okay, okay, excellent, So can you can you

26:03 Speaker 2: talk about the song and again we'll play it at

26:05 Speaker 2: the end of our conversation for anyone who missed it.

26:07 Speaker 2: I really like it. It's very I mean, uh, the

26:09 Speaker 2: first word this might sound cliche, but the first word

26:11 Speaker 2: that comes to my mind is is atmospheric? But oh yeah,

26:16 Speaker 2: but can you tell us about the song and and

26:18 Speaker 2: and it's connection to does it? Is it connected to

26:20 Speaker 2: the nineteen seventy two film Black Girl, If I under.

26:22 Speaker 11: Sound correctly, yes, exactly, Yes, yes it is. Yeah. It

26:27 Speaker 11: was like you know, we said, seen it back in

26:29 Speaker 11: the day, you know, and we thought, you know, what

26:32 Speaker 11: would be a good idea to have a kind of

26:33 Speaker 11: like a talk to a Twins kind of sounding soul

26:36 Speaker 11: song like that in which we kind of like, you know,

26:41 Speaker 11: you know, like that kind of vibe you know, like

26:42 Speaker 11: some of these sounds and things like that we get

26:44 Speaker 11: from what we used to call the Quiet Storm on

26:47 Speaker 11: black radio, you know, kind of like it was the

26:49 Speaker 11: R and B moment and it was always on late night,

26:53 Speaker 11: like most of the black college stations play stuff like that,

26:55 Speaker 11: you know, Anita Baker, Luther Vandross and the theme was

27:00 Speaker 11: welcome to the Quiet Storm. And then so we heard

27:04 Speaker 11: the song black Girl, and we thought it might be good,

27:05 Speaker 11: a good way to you know, you know that kind

27:08 Speaker 11: of like replicate that kind of sound, you know, like

27:11 Speaker 11: kind of more like like a so called shoegaz sound,

27:14 Speaker 11: you know. And I say shoegates because the term came

27:17 Speaker 11: out a long time ago, before it was called you know, alternative, alternative,

27:23 Speaker 11: something like that, you know, space rock or you want

27:25 Speaker 11: to call it. But the term shoegaze, I put it

27:28 Speaker 11: lightly because I mean, you know, because everything shoegaates now,

27:31 Speaker 11: so you know, but a long time ago, you can

27:33 Speaker 11: even you can give it away. But yet the song,

27:37 Speaker 11: it's a screenplay by Ozzie Davis about a young black

27:41 Speaker 11: girl whose cousin comes home from from college and she's

27:46 Speaker 11: up against you know, the neighbor the neighborhood hood, telling

27:49 Speaker 11: her that she can't do what she wants to do,

27:51 Speaker 11: and and it's kind of like reflective about how we

27:54 Speaker 11: came up, kind of like you know, you know, you

27:56 Speaker 11: grew up in a black neighborhood. You tell people you're

27:58 Speaker 11: playing music, You're like, you need to get a real jobs,

28:00 Speaker 11: so and so and so, and you're never gonna make it,

28:02 Speaker 11: you know. So it's a boy, a young girl who

28:04 Speaker 11: wants to go to college and be a ballerina, and uh,

28:07 Speaker 11: you know, her peers don't really believe in it. But

28:09 Speaker 11: it's just another example of how you have to keep

28:12 Speaker 11: trying to you know, keep going, you know, just despite

28:15 Speaker 11: your environment. You know. But yeah, man, we made it

28:19 Speaker 11: kind of an aterial kind of song.

28:21 Speaker 2: Okay, Yeah, no, I really like it. Yeah, yeah, no,

28:24 Speaker 2: it's it's it's really good. And it's interesting too because

28:28 Speaker 2: you mentioned being inspired by, you know, some of what

28:31 Speaker 2: you would hear on college radio, and that that really

28:33 Speaker 2: popped out to me because I'm a big Anyone who

28:36 Speaker 2: knows me knows I'm a big uh purveyor and fan

28:39 Speaker 2: of college radio. And you hear things on college radio

28:42 Speaker 2: that you don't hear in the mainstream. And I find

28:44 Speaker 2: that a lot of you know, a lot a lot

28:46 Speaker 2: of bands that or solo artists who have a sound

28:49 Speaker 2: that is unusual that you don't typically hear in commercial radio.

28:54 Speaker 2: It's it's very often a product of that person being inspired,

28:58 Speaker 2: you know, from a young age by what they would

28:59 Speaker 2: hear on colle college radio.

29:02 Speaker 11: Oh, Cobrid has been supportive. So that's back in the

29:05 Speaker 11: day too, man, like, which was really cool because no

29:08 Speaker 11: no more else will play our stuff or either like

29:10 Speaker 11: even acknowledge or even existed. Man, you know, yeah, the gatekeepers,

29:13 Speaker 11: the racial stuff. Man, It's like there was always a

29:16 Speaker 11: big part of like, you know, why we haven't been

29:19 Speaker 11: out because you know, we've ran into so many obstacles.

29:21 Speaker 11: But that didn't really stop us though, because we we

29:23 Speaker 11: always thought that the music would prevail, and ironically it

29:26 Speaker 11: did prevail. So you know, despite you know, all the

29:30 Speaker 11: racial stuff and whatnot, you know, absolutely, we just came

29:33 Speaker 11: off the tour of the Comeleions and there's a lot

29:37 Speaker 11: of love idea. Man in the United States. I think

29:39 Speaker 11: that the press and the media kind of ruins the

29:44 Speaker 11: idea about how America is, like, you know, a hateful

29:48 Speaker 11: place to be. But you know, I can't really say

29:50 Speaker 11: that because we got so much respect and love from

29:52 Speaker 11: people in the in the crowds when we came to

29:55 Speaker 11: play with Comeleions. You know, the people who love the

29:57 Speaker 11: Cocktail Twins and loved the so called sugar these bands

30:00 Speaker 11: like Slow Dive, My Buddy, roll On Time. You know,

30:02 Speaker 11: you know, we were all around at the same time.

30:04 Speaker 11: You know, people always ask me, are you influenced by

30:07 Speaker 11: these bands that I have to have to say no,

30:08 Speaker 11: because they came out at the same time as we did.

30:11 Speaker 8: Peers.

30:13 Speaker 11: Yeah, I mean, you know, it's kind of hard to

30:14 Speaker 11: say you're influenced by somebody when you were out at

30:17 Speaker 11: the same time. But I've influenced them. I'm influenced by

30:19 Speaker 11: them and the fact that you know, we're like the

30:21 Speaker 11: same music or whatever else, you know, But it definitely

30:23 Speaker 11: come from different kinds of backgrounds, right, So, But I

30:27 Speaker 11: can appreciate any any band. I think anybody that plays music,

30:31 Speaker 11: you know, has to have an audience, no matter what

30:33 Speaker 11: kind of music you do. So I've never really prejudiced

30:35 Speaker 11: to that kind of stuff like that, you know, especially

30:37 Speaker 11: coming from our background, you know, like you know, being

30:40 Speaker 11: in church and soul music and stuff like that. You know.

30:43 Speaker 2: Absolutely, I'm really curious you would ask you about this

30:46 Speaker 2: this Eph tell me if I'm saying this right, span

30:50 Speaker 2: of Copadah, Yeah, okay, cool.

30:54 Speaker 11: It's a it's a spinach and cheese kind of kind

31:00 Speaker 11: of food.

31:01 Speaker 2: Gotcha, gotcha?

31:02 Speaker 11: Okay, it's it's a playoff of slow dog flud rocky

31:07 Speaker 11: space station kind of thing.

31:08 Speaker 2: Oh, okay, gotcha? Gotcha? Now, So this was a tour exclusive,

31:12 Speaker 2: is that correct? You could only get this at your

31:13 Speaker 2: live shows.

31:15 Speaker 11: Yeah, I mean we wanted to do it like it

31:17 Speaker 11: because we have a record turning out in September called

31:21 Speaker 11: White Noise Supremacy, Okay, and we're going to have like

31:24 Speaker 11: some of the tracks from this EP on that. Oh

31:27 Speaker 11: so we kind of wanted to make you know, I

31:29 Speaker 11: think it might put it up for sale online at

31:31 Speaker 11: some point, you know. But other than that, we've been

31:35 Speaker 11: working on a new, a new, a new record for that.

31:37 Speaker 11: But uh, yeah, it's a two only kind of CD.

31:40 Speaker 2: I like that concept because it kind of because it

31:42 Speaker 2: has tracks from the next record. You're kind of giving

31:45 Speaker 2: the you know, the fans who obviously are true are

31:48 Speaker 2: invested enough in what you're doing, you know that they're

31:50 Speaker 2: going to come and see you live. Those are the

31:52 Speaker 2: fans that you want to give kind of a sneak

31:54 Speaker 2: peak of what because those are the real diehards, right,

31:56 Speaker 2: those are the ones that you want to give them

31:57 Speaker 2: a sneak peak of what's to come. Yeah, that's a

31:59 Speaker 2: great concept.

32:00 Speaker 11: Definitely, man. And to my surprise, they really are out there, man.

32:04 Speaker 11: I mean yeah, I have to reiterate that, man. There's

32:07 Speaker 11: so much great people out there, man, and it's like

32:09 Speaker 11: really good to see them come and enjoy what you do.

32:12 Speaker 11: You know what I'm saying. It's like it always any

32:18 Speaker 11: kind of monetary feeling that I've ever had, you know,

32:20 Speaker 11: because at the end of the day, you know, it's like,

32:22 Speaker 11: you know, people come on there like your music. It's

32:24 Speaker 11: like leaving with a million dollars, you know what I

32:26 Speaker 11: mean the money. Don't get me wrong, money would help,

32:28 Speaker 11: But I'm just saying as far as the appreciation is concerned,

32:31 Speaker 11: is like really eye opening things. And also the age

32:34 Speaker 11: of the people, like they're like really young man, you know,

32:37 Speaker 11: They're like they're liking this stuff, and I'm like, man,

32:39 Speaker 11: I wish you got to go around a long time.

32:41 Speaker 2: Ago, you know, right right, I'm curious you to ask

32:44 Speaker 2: you about some of the collaboration on the EP. I've

32:46 Speaker 2: seen some names, Carlos Bass, Will Brooks, yeah, Jason Furlow, Will.

32:52 Speaker 11: Brooks, yeah. Well, Will Brooks is a guy named it's

32:55 Speaker 11: called delk Okay. He's like a kind of alternative kind

32:59 Speaker 11: of hip hop kind of EMC. You know, he used

33:03 Speaker 11: he used a static and feedback and stuff like that

33:06 Speaker 11: in his raps, like you know, and his in his programming.

33:10 Speaker 11: And we always thought that, like you know, from Robin

33:14 Speaker 11: Guthrie playing on this song called Lorelei that he had

33:19 Speaker 11: a you know, the beat was in it and the

33:20 Speaker 11: guitars in it. So this so will does it already.

33:24 Speaker 11: He also noted that that element of a distortion and

33:28 Speaker 11: feedback was was always in hip hop some way, like say,

33:32 Speaker 11: for example, being Rakeem's lyrics for Fury, it's like a

33:35 Speaker 11: like a bunch of static and feedback in the background,

33:38 Speaker 11: and you're thinking to yourself, man, there was louder that

33:40 Speaker 11: would be kind of hot, right, So he took our

33:43 Speaker 11: stuff and like made it more like that, you know. Yeah,

33:46 Speaker 11: And that's what that came out, like with a song

33:48 Speaker 11: called Evergreen. And then Jason Furlough Uh and Colas Best

33:52 Speaker 11: worked on the track that we did called Tikini. Jason

33:55 Speaker 11: Furlough used to be in this band called a New Kingdom.

33:59 Speaker 11: Oh he's in the band now call uh what is it?

34:02 Speaker 11: What is it called Daniel?

34:04 Speaker 8: Uh?

34:05 Speaker 11: Hold on? Hold on? Let me.

34:08 Speaker 12: Yeah?

34:08 Speaker 11: Look, Wave Generators?

34:11 Speaker 2: Gotcha? Gotcha? Okay, okay, excell He's in.

34:15 Speaker 11: Wave Generators and he did that uh production on that

34:18 Speaker 11: with College Best. Colas Best is he he's one of

34:22 Speaker 11: the engineers for for Wu Tang Clan. And I was

34:25 Speaker 11: doing some session where Wu Tang back in the day

34:28 Speaker 11: and I played on like ghost like a couple of

34:31 Speaker 11: tracks that ghost Face did Face Killer. Yeah, this song

34:35 Speaker 11: called Shakes Shellergo. She can't really hear the guitar in it,

34:37 Speaker 11: but it's I played like little background the background in it. Yeah, Okay,

34:41 Speaker 11: thirty six Chambers studio of Wu Tang Studio back in

34:44 Speaker 11: the day.

34:45 Speaker 2: Okay.

34:45 Speaker 11: And and uh, this guy named spined Forth for a

34:49 Speaker 11: band called Jack Fou Front DJ. He made the track

34:52 Speaker 11: for black Girl Gotcha. And so we've been keeping kind

34:56 Speaker 11: of close to that kind of feeling, you know. But

34:59 Speaker 11: we also have a up the tracks coming up from

35:02 Speaker 11: uh the guy is that produced in the latest Communions

35:06 Speaker 11: records to Christophe b Okay, you know, more or less

35:09 Speaker 11: of a band kind of sound.

35:11 Speaker 2: Okay.

35:13 Speaker 11: And Todd Dema from the Communions played drums on some

35:17 Speaker 11: of those things. We don't really have a drum at

35:19 Speaker 11: this point. We use a lot of programming, right, Right,

35:22 Speaker 11: Is that.

35:23 Speaker 2: Hyato nikos am I saying that correctly? Does he does?

35:27 Speaker 11: He do the high and back round, does most of

35:30 Speaker 11: the programming for us a band. He plays bass and

35:33 Speaker 11: he plays guitar and a lot of stuff. But uh,

35:36 Speaker 11: he's the guy that works on most of the stuff

35:38 Speaker 11: with with us, right rights where there's too but the

35:41 Speaker 11: EP always starts off with production stuff.

35:44 Speaker 2: With him for so oh, okay, okay. Is it important

35:47 Speaker 2: to you guys to work with a lot of different people,

35:50 Speaker 2: you know, because over the years, obviously again you know,

35:53 Speaker 2: you've been around a long time. You know, it sounds

35:55 Speaker 2: like you've you've worked with quite a few You've collaborated

35:57 Speaker 2: with quite a few different people over the years. And

35:58 Speaker 2: I would imagine, you know, everyone you work with brings

36:01 Speaker 2: in their own ideas and their own influence. And I

36:03 Speaker 2: assume because I went back and listened to you know,

36:06 Speaker 2: there's a lot of a lot of your stuff is

36:08 Speaker 2: on band camp and I was going back and listening

36:10 Speaker 2: to a lot of it, and it really runs the

36:12 Speaker 2: gamut in terms of you know, you call it shoegaze,

36:15 Speaker 2: but there's a lot of you hear a lot of

36:16 Speaker 2: other influences in these different songs that some of them

36:20 Speaker 2: are very different than everything else. So it sounds like

36:23 Speaker 2: you've really worked.

36:24 Speaker 11: With a lot of different people. Well, I liked a

36:27 Speaker 11: lot of stuff that we're doing now because back in

36:29 Speaker 11: the day, we will always kind of like told what

36:31 Speaker 11: not to do kind of thing.

36:32 Speaker 2: Gotcha, Like, you know, this.

36:33 Speaker 11: Whole concept of working with DJs isn't a new idea,

36:36 Speaker 11: but even when we were on in nineteen eighty nine,

36:40 Speaker 11: eighty eight, we always wanted to work with DJs because

36:42 Speaker 11: you know, the beats and things were always natural to us.

36:45 Speaker 11: But they will always say too many, too many styles,

36:47 Speaker 11: and no one's gonna like it, you know, all this

36:49 Speaker 11: kind of stuff like that. Man, You know, I feel

36:51 Speaker 11: we feel a little bit more liberated these days than

36:53 Speaker 11: we did that game, because working in a band kind

36:55 Speaker 11: of like format like bass, drums, guitar and going into

36:58 Speaker 11: a place and running together, is that the way we

36:59 Speaker 11: do things anymore? So right right, the production value is

37:04 Speaker 11: more or less what we do now that we're like,

37:06 Speaker 11: you know it kind of like we're mass Attack.

37:07 Speaker 4: You know.

37:08 Speaker 11: I played guitar on Massive Attacks four hundred window. Yeah,

37:13 Speaker 11: my friend Liz Fraser from the Cocktao Twins got me

37:16 Speaker 11: that job. So I played some incidental guitars on that

37:19 Speaker 11: on that record, and they worked the same way with

37:21 Speaker 11: the engineer. So if you have a great engineer, you

37:25 Speaker 11: have some ideas together, you can come up with a

37:27 Speaker 11: lot of stuff such as the way like you know

37:29 Speaker 11: Lincoln Fong did with Robin. He's his main sound guy

37:33 Speaker 11: and studio person, Lincoln Fong was the one that did

37:37 Speaker 11: all the production for all the four A D bands,

37:40 Speaker 11: Gang Press to Lush to the Cockta Twins live.

37:43 Speaker 2: Sound Oh wow, oh okay, yeah, excellent.

37:46 Speaker 11: He didn't did all that stuff Pale Saints and you know,

37:49 Speaker 11: he did all the all the production work on that,

37:51 Speaker 11: you know, for four AD back in the day. Okay,

37:53 Speaker 11: So we got we got a little bit of that

37:56 Speaker 11: in US too, you know, as far as sound and

37:58 Speaker 11: music is concerned, you know, because that's where you know,

38:01 Speaker 11: our roots come play through from net. Yeah, you haven't

38:04 Speaker 11: record't haven't recorded with Robin Guthrie at that time.

38:07 Speaker 2: Oh okay, okay, Now the new album, So when is it?

38:10 Speaker 2: Do you have an e t A on when it's

38:11 Speaker 2: going to be out?

38:13 Speaker 11: September?

38:14 Speaker 2: September? Okay, excellent, excellent?

38:16 Speaker 11: Yeah, yeah?

38:18 Speaker 2: How many? How many songs are gonna be on it?

38:20 Speaker 2: Or do you know that yet? I mean, is it

38:21 Speaker 2: all done at this point or is it ready to go?

38:23 Speaker 11: Is it? We got we got a couple of there's

38:28 Speaker 11: so much, so many songs we have, man, we have

38:30 Speaker 11: we have like at least four or five records are

38:32 Speaker 11: in US, you know, even more than that, songs that

38:35 Speaker 11: we got that we never did really uh put out.

38:38 Speaker 11: And also the new stuff is just like you know,

38:41 Speaker 11: just developing as we go, you know, but we don't

38:44 Speaker 11: always have the the the capacity to to get it

38:49 Speaker 11: out right now financially. But we're working with a small

38:52 Speaker 11: label called Little Cloud and helping us get you know,

38:54 Speaker 11: put out.

38:54 Speaker 2: A few things here and there, so you know, oh, excellent, excellent.

38:58 Speaker 11: So yeah, we got a lot of songs, a lot

38:59 Speaker 11: of a lot of stuff.

39:01 Speaker 2: I'm curious to ask you about this too, So a

39:03 Speaker 2: little geography question. So you guys are in you're currently

39:07 Speaker 2: in North Carolina? Correct?

39:09 Speaker 11: What between New York and in North Carolina? My mom

39:13 Speaker 11: lives in North Carolina. Okay, she's uh, she's getting up

39:16 Speaker 11: in age and whatnot, and so I'm here to I

39:18 Speaker 11: go back and forth to New York because I have

39:19 Speaker 11: to watch her sometimes.

39:20 Speaker 2: Oh okay, that's what I was curious about. Yeah, because

39:22 Speaker 2: I kept seeing North Carolina show up when I was

39:24 Speaker 2: reading about you guys. Okay, well that's that's a nice area.

39:29 Speaker 2: I've I've been through there. That's that's a nice place.

39:31 Speaker 2: But but obviously, uh, you know, I assume so you

39:36 Speaker 2: must be spending a lot of time in New York,

39:37 Speaker 2: like you said, though, right, I'm not.

39:40 Speaker 11: Really, I mean I do. I mean I'm going next

39:43 Speaker 11: week because my my apartments there. Yeah, I stay part

39:47 Speaker 11: a part time with my brother sometimes the studios here,

39:50 Speaker 11: our little studios here in his apartment, so you know, yeah, yeah,

39:54 Speaker 11: most of the production. Yeah, it's ironic that after the

39:57 Speaker 11: pandemic we started to get really really busy, you know

40:01 Speaker 11: a little bit. Even like before that, we were on

40:03 Speaker 11: like I said, to what the Brian Jonestown Massacre, Modern

40:05 Speaker 11: English and we did a couple of the spot dates

40:08 Speaker 11: here and there, and that was really a good experience

40:12 Speaker 11: for us. And then after the pandemic, people were hundred

40:14 Speaker 11: for music and being out and we were really really

40:16 Speaker 11: busy man.

40:17 Speaker 2: Yeah, you know yeah, yeah, so that's great.

40:20 Speaker 11: Well we can't really can't really complain, but I mean

40:24 Speaker 11: other you know, but it's been it's been nice man.

40:27 Speaker 11: You know, it's nice to play music as well, like

40:30 Speaker 11: to do you know.

40:31 Speaker 2: Absolutely by the way too, for people who aren't familiar

40:33 Speaker 2: and I'm learning a lot about you guys, but for

40:35 Speaker 2: for people who aren't familiar with the VELT. I was

40:38 Speaker 2: looking at this you guys are Afrodisiac is included in

40:44 Speaker 2: Pitchfork's list of one of the top fifty shoegaze albums

40:48 Speaker 2: ever released. That's pretty cool. Yeah yeah, yeah, yeah, yeah,

40:54 Speaker 2: yeah yeah yeah Pitchfork. Yeah, one of the top, one

40:57 Speaker 2: of the top fifty shoegaze albums. That's it's amazing. And

41:00 Speaker 2: then can you tell me about too, because I was

41:02 Speaker 2: listening to this on band camp the album Illuminated nineteen

41:07 Speaker 2: eighty nine. Is this all? Is this old songs that

41:09 Speaker 2: were remastered?

41:10 Speaker 11: Or oh man, it's a really old record we did

41:14 Speaker 11: with Robin Giffrey that was never released. Okay, we in

41:17 Speaker 11: nineteen eighty nine we went to England to with the

41:20 Speaker 11: cockto Twins and that record was shelved by Capitol and

41:25 Speaker 11: we had been trying to get it out since nineteen

41:27 Speaker 11: eighty nine. Wow, trying to get it out and get

41:29 Speaker 11: it out and get it out, man, And we went

41:31 Speaker 11: into so many walls. We just said, you know what,

41:34 Speaker 11: let's just put it out. You know, any kind of

41:36 Speaker 11: press we get from anybody else's will be amazing. Look

41:39 Speaker 11: I can see the headline now black Band takes record

41:42 Speaker 11: back for record company. I mean, I don't make a

41:44 Speaker 11: good headline, you know, electual. When is it any black

41:48 Speaker 11: musician taking anything to anybody?

41:50 Speaker 2: You know, well, you know it's interesting too us. What

41:53 Speaker 2: a lot of people don't know is because people outside

41:55 Speaker 2: of the industry think that, oh, you get signed to

41:57 Speaker 2: a record label and everything's great and you know, and

42:00 Speaker 2: now you're gonna be rich and famous and all that.

42:02 Speaker 2: But there's there are pitfalls, and one of them is

42:04 Speaker 2: they can just decide, you know, you could record an

42:07 Speaker 2: entire album and they could just decide not to release it.

42:10 Speaker 2: And then you've got to you've got to go through

42:13 Speaker 2: and and like you said, you know, to finally get

42:15 Speaker 2: it out. That's a big hassle. And it took many,

42:18 Speaker 2: many years.

42:21 Speaker 11: It took so many years.

42:22 Speaker 13: Man.

42:22 Speaker 11: Somebody was always pregnant, or somebody was on vacation, or

42:25 Speaker 11: somebody went to another job and just said, you know what, dude,

42:28 Speaker 11: just put the job. You know, they don't come out

42:31 Speaker 11: to me. I don't. I don't have anything anyway. It's

42:33 Speaker 11: a parent, it's a parent. I don't have anything because

42:36 Speaker 11: I'm doing this, you know what I'm saying. So put

42:38 Speaker 11: the music out, damn man, you know. And that's all

42:40 Speaker 11: we did, was the masters Robert Getti Ge was the

42:43 Speaker 11: masters to do it, okay, and we made it, you know,

42:46 Speaker 11: eliminated nine eighty nine because it says the standpoint of

42:50 Speaker 11: which when that music came out, that we really were dead.

42:54 Speaker 11: We threw up with the talk to the twins, he

42:56 Speaker 11: threw up the juice and Mary than we're opening up

42:58 Speaker 11: for like you know, love, uh, you know, the Saints

43:02 Speaker 11: throwing muses. You know, we did all these things, man,

43:06 Speaker 11: you know, but because people are so hung up on

43:08 Speaker 11: what color we are, some of that does not even

43:10 Speaker 11: come out because it's really people are really really stupid

43:13 Speaker 11: and ignorant, you know, And we just had to ignore

43:15 Speaker 11: all that because the music I felt at the time

43:18 Speaker 11: was actually timeless, because I felt like that it was

43:21 Speaker 11: just beginning to get going. For example, when we took

43:24 Speaker 11: it with Seafield, that was really a good exposure because

43:27 Speaker 11: they've been there like with us, like us, you know

43:29 Speaker 11: what I'm saying, you know, the music, I said, the

43:31 Speaker 11: test of time, you know, and we and I felt

43:34 Speaker 11: that we were the music of the future, so to speak,

43:36 Speaker 11: because I think the music had like that kind of

43:39 Speaker 11: vibe and passion that was beginning to develop more like

43:43 Speaker 11: you know, electronically, so you know, but since we are

43:46 Speaker 11: who we are, no one, no one took us seriously,

43:48 Speaker 11: you know what I'm saying. It's like, you know, when

43:50 Speaker 11: people see me now, they're like, oh man, you guys

43:52 Speaker 11: are really living in your dream so and so and so,

43:54 Speaker 11: And I'm like, what that guy was gonna do when

43:56 Speaker 11: when I was when I was at the bar and

43:58 Speaker 11: I told you that I'm a musician.

43:59 Speaker 2: You think it was joke with you, right right exactly.

44:02 Speaker 11: It's like me telling you, like, hey, man, I like,

44:04 Speaker 11: you know, you know, I used to be ashamed of

44:06 Speaker 11: what I did, man, because of the connotations of being

44:10 Speaker 11: a poor musician, not only that a black one. Dad,

44:12 Speaker 11: you know what I'm saying. So it's not really the

44:14 Speaker 11: easiest lifestyle, so to speak. I mean, you lose people

44:19 Speaker 11: along the way because they don't see what you want

44:21 Speaker 11: to do that you can't live, make them live your

44:23 Speaker 11: dream for you, because not everybody's really built for that

44:25 Speaker 11: kind of thing, you know. But in the interim, now

44:28 Speaker 11: everything is all shoegaze. Now, someone someone some some people acknowledges,

44:32 Speaker 11: some people don't. You know what I'm saying, right right?

44:34 Speaker 11: I mean, you know, but I can say if I

44:36 Speaker 11: was in a room with some people, Okay, yeah, you're

44:38 Speaker 11: not a real shoegaze band, I said, I raise my

44:40 Speaker 11: hand and say, who are here too? The Cocka Twins

44:42 Speaker 11: raise your hand and I'd be like, okay, I rest

44:44 Speaker 11: my case. You know what I'm saying. I have to

44:46 Speaker 11: go to that kind of thing. Like, for example, if

44:50 Speaker 11: the Jeesus Merchante did a remix for us sold in

44:54 Speaker 11: the Jar back in nineteen ninety four, ninety five, and

44:58 Speaker 11: I want to go see them, and actually I did.

44:59 Speaker 11: Any you were Brooklyn Vegan saying that we would like

45:03 Speaker 11: to play with him again in the future because they

45:05 Speaker 11: were obviously about to come back out to do something right. Yeah,

45:08 Speaker 11: So then then then president Manager went on. He went

45:12 Speaker 11: on the Brooklyn Vegan and said, well, you guys are aligning,

45:16 Speaker 11: they don't you know, they don't you attempt at getting

45:19 Speaker 11: some some kind of publicity is going to be You're

45:22 Speaker 11: gonna want to fail. And I said, here's the remix

45:27 Speaker 11: nineteen ninety four with the drug Store mix and he

45:29 Speaker 11: and he was like, they don't remember, you said, they

45:32 Speaker 11: don't remember me. I'm like, how many black people had

45:35 Speaker 11: to play with you know? I have to say something

45:39 Speaker 11: like that, you know what I'm saying, and he and

45:41 Speaker 11: then he shut the up, you know, like that.

45:44 Speaker 2: Man, it's just you know, man, you know, well very good. Yeah, No,

45:48 Speaker 2: I like I said, I mean, I've learned a lot

45:50 Speaker 2: about you guys, just just as I was prepping for

45:52 Speaker 2: the show, and I I really, I really like what

45:55 Speaker 2: you're doing. Really good stuff.

45:56 Speaker 11: And man, thanks. You know, it's like telling it like

45:59 Speaker 11: Arthur Lee and love.

46:00 Speaker 2: Kind of you know, and you know music kind of.

46:03 Speaker 2: One of the great things about music is it transcends everything,

46:05 Speaker 2: you know, color and class and and all of it.

46:08 Speaker 2: And I think that it absolutely I've seen it, man,

46:12 Speaker 2: I've seen it absolutely one.

46:15 Speaker 11: Yeah, just two of the communions. Man, I saw it.

46:19 Speaker 11: I saw it work, you know what I'm saying. That's

46:21 Speaker 11: why I want to keep doing it, because I saw

46:24 Speaker 11: how it touches people. You know what I'm saying. You know,

46:27 Speaker 11: I don't mean it sound cheesy anything like that, but

46:29 Speaker 11: it supersedes anything and any criticism because I visually saw

46:34 Speaker 11: how our music moves people and how people like like

46:37 Speaker 11: like it, you know what I'm saying, and how you know,

46:40 Speaker 11: it's no words for how beautiful it is. You know

46:44 Speaker 11: what I'm saying right. And the guy from the Communions Rocks,

46:47 Speaker 11: he's one of the biggest supporters. Man, God bless his soul.

46:50 Speaker 2: Yeah, yeah, oh that's that's excellent. Now the tour, now

46:53 Speaker 2: that tour is.

46:53 Speaker 11: Completed, correct, yes, yes, two weeks ago.

46:57 Speaker 2: Okay, And do you have plans to go back out

46:59 Speaker 2: on the road or are you kind of focused on

47:00 Speaker 2: the on the album right now.

47:03 Speaker 11: And we'll focus on the album right now and there

47:06 Speaker 11: might be like a UK two or something like that.

47:08 Speaker 11: Oh interesting, spot Diggs and the.

47:10 Speaker 2: Okay, okay, very cool, very cool. Well, Danny, this has

47:13 Speaker 2: been wonderful. This has been wonderful. I'm really glad you're

47:15 Speaker 2: able to join us this morning. And I'm glad we

47:17 Speaker 2: got the phone. We got the phone situation figured out

47:19 Speaker 2: and everything, and we are going to play at the

47:21 Speaker 2: at the end of our conversation, I'm going to hit

47:23 Speaker 2: that track again, black Girl, for anyone who missed it.

47:25 Speaker 2: Really really good. Of course, brand new from the brand

47:28 Speaker 2: new from the Velt. People can find it on band camp.

47:30 Speaker 2: And by the way, I'm a big I'm glad you

47:31 Speaker 2: guys have everything on band camp. I'm a big I'm

47:34 Speaker 2: a big fan of band camp. Because what a lot

47:36 Speaker 2: of people don't realize is if you stream something on

47:39 Speaker 2: band Camp or better yet, if you buy the music

47:41 Speaker 2: and download it from band Camp, you get a better

47:43 Speaker 2: quality file than you do from, say, if you just

47:45 Speaker 2: stream it on YouTube or something like that. So so

47:48 Speaker 2: I really, I really encourage people to use band Camp.

47:50 Speaker 2: And you know, the way they pay the artists is

47:52 Speaker 2: fair and everything. It's better than you know, better to

47:54 Speaker 2: use band Camp than something like Spotify. Nothing against it,

47:57 Speaker 2: but but band Camp is the way to go. So

47:59 Speaker 2: I'm glad you guys are on there, and and I

48:01 Speaker 2: encourage everyone to check you out there.

48:04 Speaker 11: It's really great because I gotta check for six gig

48:07 Speaker 11: books from Spotify, so right, you know, but we appreciate

48:13 Speaker 11: the support, man, we really do. So if you ever

48:15 Speaker 11: need anything, just let us know.

48:16 Speaker 2: We'll send it to you absolutely absolutely all right, Danny

48:20 Speaker 2: from the Velt, Thank you so much, my friend, and

48:21 Speaker 2: I'm sure we'll talk. We'll talk again when the when

48:23 Speaker 2: it's signed for the album to come out. We'll definitely

48:25 Speaker 2: have you.

48:25 Speaker 11: Back on no doubt.

48:27 Speaker 2: Man, Please call me all right, you got it, brother,

48:29 Speaker 2: all right, take care, thanks man, Bye bye.

48:32 Speaker 8: All right.

48:33 Speaker 2: That was Danny from the Velt, and we're gonna play

48:35 Speaker 2: this again if you miss it at the top of

48:37 Speaker 2: the show. This is called brand New from the Velt.

48:40 Speaker 2: Oh and I should tell people too, for anyone who's

48:42 Speaker 2: looking up the Velt if you have any trouble finding

48:44 Speaker 2: because the way that the Velt is spelled, I should

48:47 Speaker 2: have asked him where the name comes from. Uh, totally

48:49 Speaker 2: didn't think of it. But V E l d T

48:52 Speaker 2: that is how you spell the Velt. V E l

48:55 Speaker 2: d T. And this is called Black Girl. This is

48:58 Speaker 2: inspired by the nineteen seventy two film of the same name.

49:02 Speaker 2: But this is really, like I said, atmospheric is the

49:05 Speaker 2: word that I would use to describe this. As cliche

49:08 Speaker 2: as that might sound, but it's interesting. You can kind

49:11 Speaker 2: of just close your eyes and get lost in it.

49:12 Speaker 2: This is called Black Girl, and this is the Velt.

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50:11 Speaker 4: Should take me?

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54:04 Speaker 9: Everything's feels so right.

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54:11 Speaker 15: stands by your side. With over forty years of experience,

54:14 Speaker 15: Craigan Getzulis is dedicated to fighting for your rights. As

54:18 Speaker 15: former state prosecutors, our attorneys have the knowledge and trial

54:21 Speaker 15: experience to provide an aggressive defense against any charge, from

54:25 Speaker 15: duys to homicides. If you've been injured, our compassionate team

54:29 Speaker 15: will assess your case and fight for the compensation you deserve.

54:33 Speaker 15: Serving all of New Hampshire, Craigan Getzulis is here when

54:36 Speaker 15: you need us most. Visit Craigatzulis dot com for a

54:39 Speaker 15: free consultation. Craigan Getsulus, your advocates, your allies.

54:44 Speaker 9: Bring your kitchen to life with Queen City Cabinetry, located

54:48 Speaker 9: at eighty seven Elm Street in the historic Sunbeam Law

54:51 Speaker 9: in Manchester, open Monday through Friday eight nine am to

54:55 Speaker 9: five thirty pm, in Saturdays ten am to two pm.

55:00 Speaker 9: Can be reached at six oh three two two two

55:03 Speaker 9: to zero zero seven. We're on the web at Queen

55:06 Speaker 9: citycabinatree nh dot com.

55:10 Speaker 14: Come see the possibility.

55:11 Speaker 9: It's Queen City Cabinet Tree, another crown sponsor of w MNH.

55:16 Speaker 13: Hey everyone, there's Rob Azevedo, host of Grantite State of Mind,

55:19 Speaker 13: and I want to tell you about Pembrook City Limits

55:21 Speaker 13: and the historic Suncook Village.

55:23 Speaker 2: PCL's an award winning bar.

55:24 Speaker 13: Restaurant and music venue where there's live music five days

55:27 Speaker 13: a week and twice on Saturdays, everything from blues, country, folk, funk,

55:31 Speaker 13: and a whole lot of jazz. We have twelve craft

55:34 Speaker 13: beers on tap dedicated to the local brewers in the

55:36 Speaker 13: area and some of the friendliest bartenders around.

55:39 Speaker 2: Please come visit.

55:40 Speaker 13: Pembrook City Limits at one thirty four Main Street, the

55:42 Speaker 13: historic sunk Cook Village, only six miles outside of Manchester.

55:46 Speaker 13: Open Tuesdays to Wednesdays four to ten Thursday's Sunday eleven

55:50 Speaker 13: to ten, Pembrook City limits.

55:52 Speaker 8: Where it's all about the music.

55:54 Speaker 14: Business cafe is the place to put a smile.

55:56 Speaker 8: On your face.

55:57 Speaker 16: Judy and the crew will take care of you. Bring

55:59 Speaker 16: your intrigue, your taste, bus right. Disney's Cafe is always

56:04 Speaker 16: a winning choice. Breakfast, lunch or supper Dizze's Cafe at

56:09 Speaker 16: eight sixty Elm Street in downtown Manchester.

56:12 Speaker 14: Dine in, takeout or make a reservation. Call six oh three,

56:16 Speaker 14: six oh six two five three two.

56:19 Speaker 16: Eat, drink and be happy Dizze's Cafe.

56:23 Speaker 10: When it comes to keeping WMNH on the air and

56:25 Speaker 10: your own personal or business computer needs, trust growl In

56:29 Speaker 10: Computers located on Elm Street in Manchester. Grolin handles computer repair,

56:33 Speaker 10: virus removal and custom built systems. Are you looking for

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56:40 Speaker 10: used computers. We offer tailored on site solutions no unnecessary

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56:51 Speaker 10: Your tech your way trust groll in Computers.

57:01 Speaker 8: Midnight.

57:02 Speaker 10: Seven times out of ten we listened to our music

57:06 Speaker 10: at night.

57:09 Speaker 14: That's titled Bosiness Program.

57:12 Speaker 9: Late Night to Light with DJ Midas right here on WMNH, Manchester.

57:17 Speaker 4: Because Saturdays and Sunday nights midnight.

57:21 Speaker 8: To four am.

57:23 Speaker 12: This hour on WMNH is sponsored by CGI Business Solutions,

57:29 Speaker 12: located at five Dartmouth Drive in Auburn. They serve all

57:33 Speaker 12: your business needs including employee benefits, planning, corporate design and

57:38 Speaker 12: business administration, investments and wealth management and customized business insurance solutions.

57:44 Speaker 12: Their phone number is eight six six eighty four to

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57:51 Speaker 12: business Solutions dot com.

57:55 Speaker 1: Behold the harmony of airwaves as you immerse yourself in

57:59 Speaker 1: the captiveating frequencies of w m NHLP. The sonic heartbeats

58:03 Speaker 1: of manchesters transcending through the ether at ninety five point

58:07 Speaker 1: three megahurtz frequency modulation or transmissions M and E from

58:10 Speaker 1: the ZEEDE at the one thousand Elm Streets ensure into

58:13 Speaker 1: the hearts of our creative realm at one nineteen Canal Street,

58:16 Speaker 1: where innovation and sound colloge. They're the impro moder of

58:20 Speaker 1: Manchester Public Television Service in the venerable City of Manchester,

58:24 Speaker 1: New Hampshire, USA. Enrich your auditory journey with the depth

58:28 Speaker 1: of our license to wesidens you spent your missives to

58:31 Speaker 1: w m n H ninety five to three at gmail

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58:41 Speaker 1: us through the digital channels or radio beckons eager to

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58:47 Speaker 1: a sympony of foundless auditories.

58:49 Speaker 12: One dude, WMNH rip the novels.

58:59 Speaker 4: We're back from a brain.

59:01 Speaker 8: You want to say last