Matt Connarton Unleashed 6-6-26 hour 1

0:04 Speaker 1: You're listening to Matt Connerton unleash an five.

0:09 Speaker 2: Point three right now.

0:12 Speaker 3: It's the world radio premiere of the new single from the radio addicts, Let's party like it's the nineties.

0:44 Speaker 4: Cha story from the fat Other Lena must change.

0:50 Speaker 5: I'll seem strange.

0:51 Speaker 4: As somebody will finally recognize.

0:55 Speaker 6: Me, but.

0:59 Speaker 7: Rush me ease you.

1:01 Speaker 8: But I'll make you priest and go excuse so going broun.

1:06 Speaker 6: And I don't know why to do.

1:07 Speaker 8: So that's Patty Legs in nineties and you want U for us day? So chay yus say, Ascal, are you based chay us? Let's Patty Legis nineties ivery.

1:23 Speaker 9: Onself for us Day.

1:25 Speaker 4: It's so kayos tay Ascal. I love based jay Us ninety one reading.

1:46 Speaker 10: I'm a margin messine.

1:48 Speaker 11: I've talked to you.

1:49 Speaker 8: It's like it's thirteen s my own grace flider and attractive signed my suit by as. Everything is going rundo thing he got third gos right, but the teacha says he wants to start day night and now I don't know what to do.

2:08 Speaker 5: Lass party like just the nineties.

2:11 Speaker 12: Everyone's a blursday o.

2:14 Speaker 6: Chay as jay Aspo. I love it Jayas.

2:20 Speaker 5: Last party just the nineties.

2:23 Speaker 8: Everyone's a blissa so chayus check Aspo.

2:28 Speaker 9: I love it, chayus.

2:33 Speaker 6: Mo like just ninety.

2:36 Speaker 4: Everyone's afful it's so chay as jay Aspho.

2:41 Speaker 5: I love this jay Gus, but I love it.

2:50 Speaker 6: But I love it.

2:51 Speaker 5: It's okay gus jay Aspo.

2:53 Speaker 13: I love it chay as chauss.

2:58 Speaker 3: Next, we have a brand new's angle from dead by Wednesday. You heard it here first. This is called flesh.

3:37 Speaker 9: Sat up by flash my fresh from the bone.

4:00 Speaker 6: My bo.

4:02 Speaker 9: A buys out.

4:04 Speaker 14: Somebody shut up these barn owhi y'all y'all ever, ride all right.

4:09 Speaker 9: By y'all time my boys, I got some boy scout.

4:14 Speaker 14: Out blows born. Oh why y'all y'all ever ride right by y'all yo?

4:24 Speaker 9: Whar yo?

4:28 Speaker 6: Yeah bad?

4:29 Speaker 14: Why not say by that said alight?

4:32 Speaker 6: Why y'all right?

4:34 Speaker 14: Job like y'all somebody Yo'll tell job watch to.

4:37 Speaker 9: Watch out shop boy, watch your brow mom town that something stopping down like we all burned. I fot y'alls run out by gout y'all.

4:49 Speaker 14: Walk jiant dice Yo can't stop to.

4:52 Speaker 9: Shop bjo.

4:56 Speaker 6: Like?

4:57 Speaker 9: Why who a mom?

5:05 Speaker 14: I see I got about story about it?

5:15 Speaker 6: He don't right back.

5:20 Speaker 9: Story about why I don't right back.

5:29 Speaker 14: So as at y'all so once I tall, But like I said, Johnny outside say times because you'll like, sorry, got something, somebody got to go start drop Joey.

5:45 Speaker 6: John me.

6:05 Speaker 9: No turning back said, I'm saying.

6:08 Speaker 15: No, I'm not saying I can't see.

6:14 Speaker 9: I'm not mischiev.

6:19 Speaker 6: I'm not scol can see.

6:23 Speaker 9: Ye say you may say, I say that's by flash all by my law.

7:04 Speaker 6: Story.

7:30 Speaker 3: Next it's the world radio premiere of the new single from Peter the Photographer. This is called Papa.

7:37 Speaker 9: Oh no, Papa look sag made U mass of it all.

7:45 Speaker 12: We have to be ready for anything when.

7:50 Speaker 11: We walk up the door.

7:53 Speaker 7: Us it a wing, all the sacra fasts you made?

8:00 Speaker 16: Did we let you down her again?

8:04 Speaker 11: Is this what you wanted?

8:22 Speaker 9: Oh no, Bob, I nobody knows.

8:26 Speaker 17: What they're supposed to believe.

8:30 Speaker 7: Because everyone is in doctor nay and deceased. And you told your daughter go ahead the water spine, but you never knew about their bottom nine.

9:08 Speaker 18: Listen all of it on the sack of fast timid,

9:17 Speaker 18: do me that to down again?

9:21 Speaker 16: Plus it's not too long.

9:22 Speaker 5: There is this not too long.

9:31 Speaker 6: There is this not too loll.

9:47 Speaker 17: Is this not too long?

9:59 Speaker 6: You?

10:00 Speaker 9: All right? Everybody?

10:04 Speaker 3: We are back and if you've been listening since the top of the hour, you got to hear that song twice, one of our world radio premieres brand new from our friends Dead by Wednesday. Let me get these mics on. But first and foremost, of course, I want to thank the morning show host and of course the program director here at WM and H Peter White, who I came to the rescue. We were having an issue in the studio, but he came and fixed it and very very happy and grateful to him for doing that. So everything is fine, and we of course Jenny is here at the news stable.

10:33 Speaker 3: I am still president, and of course we have a Glenn R. J. Willette, the People's mayor in.

10:38 Speaker 17: The technical active. My new name is will Let Glenn the Artist.

10:41 Speaker 10: What you changed your name?

10:43 Speaker 17: No, I have to have a stage name, and that's what I.

10:45 Speaker 19: You're the artist formerly known as Glenn.

10:47 Speaker 17: No, they call me will Let Glenn the artists. Well, let Glenn the artist.

10:52 Speaker 3: So you use your last name first and your first name last.

10:54 Speaker 17: I don't want to be a superstar. I want to make a living.

10:57 Speaker 3: Oh you're afraid people will know you.

10:59 Speaker 17: No, I'm not afraid people know me. They'll know me anyway my last name. This thing is you had to pick a stage name, and that's what I picked today. Oh you know I have to pick a stage name.

11:09 Speaker 3: I thought you can just use your name.

11:10 Speaker 17: You know how artists picked these fake names and then not movie their names.

11:14 Speaker 3: That's why I like, For example, my real name is not Matt Connorton. No, I'm I'm actually uh, I don't know if you know this. I'm actually Swedish. My my last my name is Hans Broschermer. So most people don't know that about me, and that's hard to say. So I picked Matt Connorton because I figure what sounds more like a radio host than Matt Connorton. Such a great name. Uh so I can relate to what you're saying. Went, now, uh, what what are you going to sing for us this morning? We got to get to We're we're a little bit behind because we had some tech issues.

11:43 Speaker 3: So we want to get to some songs because uh, when when I uh, when I told people you know that you were coming on today, they said, we cannot wait to hear him, saying he has the voice of an angel, and you are Would you not consider yourself a I mean, is global icon too strong of a word in the in the world of singing?

12:01 Speaker 17: Well, And I wouldn't say that, but I do.

12:03 Speaker 3: Well, you're very humble.

12:04 Speaker 17: I do do three to four mini concerts a week. Yes, from my home, and I have over nine thousand viewers that listen to that. Yes, around the.

12:16 Speaker 3: World, around the world. Yes, you are global.

12:19 Speaker 17: I mean there's global.

12:20 Speaker 3: That's why I always say in terms of global icons, there's there's Taylor Swift, and there's will let Glenn.

12:25 Speaker 6: Oh.

12:25 Speaker 17: I wouldn't compare message.

12:26 Speaker 3: Well, I'm just I'm just saying you're kind of in that that zone, that stratosphere, if you will. What are you going to sing for us? First? I'm going to do the Big Medley, the BG's Medley. All right, let me queue that up here. I'm playing sound engineer today.

12:41 Speaker 10: Is this?

12:41 Speaker 6: What is this?

12:42 Speaker 3: How Peter does it on the Morning Show too?

12:44 Speaker 2: Yeah?

12:44 Speaker 3: Okay? So, and I will I do over one.

12:47 Speaker 17: Thousand stones now. And I'm not a young chick anymore.

12:51 Speaker 3: You're not a young chick.

12:52 Speaker 4: No.

12:52 Speaker 3: I don't think you ever worried a young chick. I think you've I think you've always been male unless there's something you haven't told us.

12:59 Speaker 17: And I know you may.

13:00 Speaker 3: You know, we're very uh very lgbt Q plus friendly here. So that's fine if that if that's nice. But that's the case, I mean, if you'd like to share something with us about that.

13:12 Speaker 17: But you know, it's just that I I have I've learned to have a listening ear to music.

13:23 Speaker 20: Huh.

13:23 Speaker 17: And now I can hear a song once or twice and it's in my head.

13:27 Speaker 3: Evening listening here is helpful. I have two of them, and that's that's good to have. Yes, yes, okay, So what I'm going to do and I and for those watching the video feed, I've put the camera on me so that you can see. I will put it back on on Glenn in a moment. We'll let Glenn. But I'm turning the screen here so that you can read the lyrics. Well, hang on, I gotta I gotta, I gotta click, I gotta click play and then I'll turn it and then you'll be able to sing for us. And this is a this is very exciting.

13:54 Speaker 3: This is the Beg's medley. All right, very good, Here we go, uh, We'll let Glenn live in studio. O Bees singing Bees.

14:14 Speaker 9: And Joe.

14:16 Speaker 17: There's not lies, a certain kind of lie that never shone on me. And I want my life to be to live with you, To live with you, baby. There's no way. Everybody said to do each and every little thing.

14:49 Speaker 17: But what good does it bring to me if I ain't got you? If I got you, baby, Baby, you you don't know what is live. Baby, You don't know what is like.

15:09 Speaker 21: You love somebody, You love somebody the way that I love you, Pep, I'm going back.

15:24 Speaker 17: You must chooses. There's something that's telling me that I must go on and the life ah and out within massive choosing. The day I love or, I left her standing on her own because I started to cry, which started the whole world laughing, ha ha ha, But I I didn't see.

16:16 Speaker 2: That the joke was on me.

16:22 Speaker 17: I looked at those tides running my head over my eye,

16:32 Speaker 17: and I will. I fell out of my bed, burting my head from things that I've had. No smile and ever lasting smile and smile that can bring you near to w Don't you ever ever let me find you gone? Because that would bring me a tea here to mo

17:04 Speaker 17: these words has lost his glory. Let's start a brand new story now, my love. Right now, they'll see no other time and I can show you how my love.

17:26 Speaker 17: Let's stalk an everlasting worth and dedicated to them all to one, and I will give you all my life. I'm here it. You should call me now. You think that I don't mean a thing, I single a single word. I say it all me word, pen word, they're all. I am you take your heart away?

18:09 Speaker 6: Oh?

18:09 Speaker 17: We worth and word they're all I did you take your heart away? Thank you?

18:21 Speaker 9: Wow?

18:23 Speaker 3: Uh well, let Glenn amazing. By the way, can I just say, of all the performances I've heard you do, that is by far the most recent, the most recent. Yes, I'm just saying so obviously. Oh are you getting some some fan appreciation there on your phone?

18:42 Speaker 17: I am, but I'm taking out the volume.

18:44 Speaker 3: Oh yes, yes, what inspired you to? I like the the song? What's the song? I started to laugh by the beg's you kind of added to your own you said this, I'm like I started to laugh, ha ha ha.

18:56 Speaker 17: All my songs cover songs. You have to change up the word.

19:00 Speaker 3: That is the rule. Yes, everyone who you know we have a lot of musicians on the show who play cover songs and they always change fifteen percent of the wording. Yeah. Yeah, Like Brooklyn Mike when he plays songs, he always changes fifteen percent of the wording. Yeah, sometimes sixteen or even seventeen percent. So that's very good. Good, good on you for doing that. If you are just joining us, we have a global icon and superstar, Glenn. I'm sorry, We'll let Glenn. So we'll let Glenn is officially your stage name.

19:28 Speaker 3: Yes, like Glenn the artist, will let Glenn the artist. Okay. Now it's important to be precise about this because branding is important. Is it will let Glenn Comma the artist, like Glenn the artist, or but is it will let Glenn dash the artist like Glenn the art is any part of that in parentheses like well, let Glenn and then in parentheses the artist. Is there an asterisk next to artists? Okay, I just look, you have to be branding matters and consistency matters of the artists.

20:00 Speaker 9: Why.

20:00 Speaker 3: I don't know. She probably saw a funny meme on her computer. But I'm trying to give you career advice here. Uh, this this is very important, So you know I'm trying to help you, Glenn. You know I have many are awful clients that I work with. I'm why because what so you just assume he knows everything already because he's an older gentleman. I think I have some I think I can help him. I think I have some some wisdom to share.

20:21 Speaker 17: Oh my yes, yes, do you know why I won't get it. I won't get an agent. Why because they tell you what to do.

20:29 Speaker 3: That's right, That's what I'm doing. I'm trying to tell you what I.

20:31 Speaker 17: Do your own money. I print my own tickets. Now you do, yes, cost a lot less.

20:37 Speaker 3: Well, you're practically printing your own money at the same time. Then if you're saving money, yes, I say you save fifteen percent. All right.

20:46 Speaker 17: I do my own posters, you do. I I recommend that I when I go to our city, that I play on their FM station for nothing.

20:55 Speaker 2: In turn, I'm.

20:57 Speaker 3: Getting your excellent well, very good, very good. You have you been on other FM stations?

21:04 Speaker 2: Oh?

21:04 Speaker 3: Really? You've performed live? Or you just send them some music?

21:07 Speaker 22: No live?

21:08 Speaker 3: Oh wow?

21:09 Speaker 17: I give them an hour?

21:10 Speaker 3: You give them an hour?

21:11 Speaker 17: Well the one in Springfield, there's three of them. I do all three in the morning.

21:14 Speaker 3: So there's a station in Springfield. You do a three hour concert.

21:17 Speaker 17: No, you're three FM stations.

21:19 Speaker 3: Oh I thought you meant three hours. No, No, each one hour Springfield, Massachusetts or Springfield, Illinois.

21:25 Speaker 17: Springfield, Massachusetts.

21:27 Speaker 3: Now so three hours. So three stations in Springfield. So you have a very strong presence in Springfield. I do like if you if you were to book like the Springfield Megadome, you'd probably sell it out.

21:38 Speaker 17: I would feel it.

21:39 Speaker 3: You would fill it, you would fill it. You know, it holds eighty thousand people, right, the Springfield Megadome.

21:45 Speaker 17: In Springfield, Massachusetts.

21:46 Speaker 3: No, the Megadome there is it? The ultra Dome?

21:49 Speaker 17: What is that called? It doesn't see see eighty.

21:54 Speaker 3: Oh No, it's like seventy five thousand I exaggerated. No, but you could fill that in Springfield. No, what's the population of Springfield?

22:01 Speaker 17: One hundred fifty five thousand?

22:03 Speaker 3: So how many of them would you say, are your fans? Of that percentage? Probably half? So I'm not good at math. So yeah, I'm thinking seventy thousand.

22:10 Speaker 17: I've I've sold ten thousand tickets before.

22:12 Speaker 3: You have you sold ten thousand tickets though.

22:15 Speaker 17: One but my tickets down one hundred and twenty five dollars either.

22:18 Speaker 3: Were you the headliner, you probably had a strong opener though, to do that kind of tickets, I mean, that's pretty good. I have a thousand tickets.

22:23 Speaker 17: My cars is are two hours, okay, and in the half in the middle of it, I do a half hour comedy.

22:29 Speaker 2: You do I do?

22:30 Speaker 17: It's so funny?

22:31 Speaker 3: Well, I would hope so.

22:32 Speaker 17: Because I don't do it the way that I'd look at people's eyes and I pick someone. I said, you're ready to be embarrassed, get on stage?

22:39 Speaker 3: Really well, call them up. That's your hook. Are you ready to be embarrassed? Get on stage?

22:44 Speaker 22: What's your problem?

22:45 Speaker 3: Us say, what's your problem?

22:49 Speaker 17: I'm a realistic person.

22:50 Speaker 3: So you're so it's a form of crowd work. It is, but you're actually Jenny knows I love CrowdWork. So that's exciting. He's so lying.

22:57 Speaker 17: But the thing is, I call him on stage. Didn't do that? So you make people get on stage? Yeah?

23:04 Speaker 3: Wow, I don't like you.

23:05 Speaker 16: Wow.

23:06 Speaker 17: Why that's scary.

23:07 Speaker 3: Oh it's fir Oh no, my goodness, I'll kill people if I do that.

23:12 Speaker 17: Behind you sing one note? Lit ear drums will just shut her. They're not singing, they're just telling them what their problem is.

23:19 Speaker 3: And yeah, and then you solve the joke or whatever.

23:21 Speaker 17: I thought you were going to have them sing with you.

23:22 Speaker 3: No, no, no, no, wow. So this is quite a show. You do, so you so you sing, and then in the middle you do you do this half hour form of comedy and then you sing again.

23:33 Speaker 17: All right, my first, my first comedy show. I got a couple of divorced. Okay, it was appropriate the mayor twenty six years Yeah, And on the wedding night he told her to go take a shower. I'm gonna get some beer. He came back three hours later. I can smell the other woman. And twenty six years later, he still does it.

23:52 Speaker 3: Right, So I had him twenty six years later, she can still smell the other woman.

23:55 Speaker 2: No, he still her.

23:57 Speaker 17: Okay, I was gonna say they had bought two tickets. Saturday, I had two concerts, Yeah, that day in the same arena. And uh, he promised her he would quit.

24:06 Speaker 3: Huh.

24:06 Speaker 17: So I said, would you stand up please? Yeah, yes, would you come to the stage.

24:11 Speaker 2: Please.

24:12 Speaker 17: Remember there's ten thousand people here, ten thousand people. You can't embarrass me.

24:15 Speaker 3: You're playing the big room.

24:16 Speaker 17: Uh, well that's the biggest epide.

24:18 Speaker 3: Okay. Uh, you're so modest, the average of five six thousand. Yeah, all right, you're killing it out there.

24:26 Speaker 17: That was the whole plan.

24:27 Speaker 3: So what of course? So what did so you brought him up up on stage? And what did you do? Did you get him him a good school day?

24:34 Speaker 17: You kill your wife because I've talked to her before, uh that you were no longer going to cheat on her? So you last cheated on Thursday? What yes, I did, and you're gonna go again on Sunday because you're you told her you wouldn't cheat anymore. But the tickets are only for Friday Saturday. So I suspect Sunday after church you're gonna go cheat.

24:56 Speaker 3: Uh huh how do you know that?

24:59 Speaker 17: Are you?

25:00 Speaker 6: I am?

25:01 Speaker 17: Wow? Why even bother going to church?

25:04 Speaker 9: Right?

25:04 Speaker 17: Talk about being a hypocrite.

25:05 Speaker 3: Right, well, you got to set yourself up for the next week of sin.

25:09 Speaker 17: You know they're divorced. Is you've got the house?

25:11 Speaker 3: Okay?

25:12 Speaker 17: Yeah, eating wanted to counsel right right? Wow?

25:15 Speaker 3: Okay?

25:16 Speaker 17: Yeah, and there and they're sent in twenty six years old. Well we have a child. Yeah, but he's twenty six years old, no longer a child? Right, move on, right?

25:23 Speaker 3: Yeah he can Yeah, he can probably fend for himself at this point. Well that that's great. So you're you're effectively you're doing God's work with your comedy. That too, nestled in the middle of of your your singing. That's very exciting. When's your next show?

25:41 Speaker 17: My next show is at June twenty eight?

25:44 Speaker 3: Where will that be?

25:45 Speaker 17: In Providence?

25:46 Speaker 3: In Providence?

25:47 Speaker 17: I love Providence at the uh the uh outdoor outdoor concerts.

25:53 Speaker 3: Oh, are you doing a festival?

25:55 Speaker 17: I'm doing two festivals. Why he's going to have about five thousand. I'm gonna have about six thousands.

25:59 Speaker 9: Wow.

26:00 Speaker 17: And then I'll be in a parade which is three miles long. And it's a night parade. That's all it up, almost like they do it in Miami. They do it at night and uh and there's fifty thousand people in the streets that there's three miles wow side. So that's one way they get exposed.

26:18 Speaker 3: How do you how do you say festival in French? Is it festival fest fest of all? Wow? Well, see, I kind of knew.

26:26 Speaker 17: I do a lot of songs in English and in French at the same time.

26:29 Speaker 3: Yes, I also not a suitor. In the BJ's the BJS, the Beg's medley. You rolled your r with which I can't do. That's impressive.

26:38 Speaker 17: And I changed my knee to moir.

26:41 Speaker 3: I noticed that too. Yes, So are you trying to appeal to the celindion crowd.

26:46 Speaker 17: I'm trying to appeal. For example, I now do a couple of Asian songs, and I will say, you do Asian, so I will want to do one paragraph.

26:53 Speaker 3: Are you doing k pop songs because that's a big market right now.

26:56 Speaker 17: They're they're a ballads.

26:59 Speaker 3: Okay, uh I.

27:01 Speaker 17: There's an artist in China that I do. There's one in in Kakistan. There's a couple in the Philippines I do. I do a song called Don't Stop the Car. I do it in French, English and in it's East from Australia, so they call it the the carpet, the carpet, the basket carpet, the basket carpet. It's their way words, the way of words.

27:31 Speaker 3: They have a way of words.

27:31 Speaker 17: I tried it, and and and I'll do it. I'll do it one paragraph in Spanish. I have to learn that stuff. And then morrow more and don't ask me to do it again.

27:41 Speaker 3: By the way, I've always liked the way you say the Philippines, the way you say the Philippines. Oh, yes, that too.

27:48 Speaker 17: What do you want to so?

27:49 Speaker 3: Unfortunately we don't have as much time I see, but we can, uh, we can do another song? What would you like to? Uh sing? At least you at least because it forces you to choose like the very best. I feel like we're getting the very best of Well, let Glenn the artist.

28:05 Speaker 17: I gave you six song inspect to do for it. I'm doing too, I.

28:08 Speaker 3: Know, well, no, no, not to No, we'll We'll have time for a couple more. I'm just saying, let's let's get to another one and then probably at least one more after that. Let me go to but uh, but I did want to get an update from you on your virgeoning career, my virgin career. No, not virgining, burgeoning.

28:23 Speaker 17: I'm not making a bundle yet.

28:25 Speaker 3: Virgining would have implied that you know you're the.

28:28 Speaker 17: Minute not making enough money to replace home Dupo. Then I can leave home Dupo.

28:32 Speaker 3: Home dup home Dupo home, dup home duplot Ah we we or something. That's all you know is we we uh no, I know, like French fries and French toast.

28:45 Speaker 17: And but that's English French.

28:47 Speaker 3: Oh, English French. That's the thing.

28:49 Speaker 17: So I promised Chris Martin that I would do Uh.

28:52 Speaker 3: Chris Martin of Cold Play. Yes, he's your new best friend, right, my friend. You were telling us off air you've been in contact with him.

28:58 Speaker 17: It's that it last night. Wow. Uh he just popped right of he found one on, he found me doing he found a version of me doing yellow.

29:07 Speaker 3: Any threatened to sue you No, oh okay, he knew White Kings. Oh gotcha right, because you always changed fifteen percent.

29:13 Speaker 17: He worn't happy. Yeah, yeah, anyway, So I'm gonna do Yellow.

29:16 Speaker 3: Okay, let me find it here. If you are just joining us, we have We'll let Glenn the artist here with us in a studio live during the first hour here of Matt Connorson Unleashed on this uh Saturday morning.

29:33 Speaker 17: Here.

29:33 Speaker 3: It is, of course June sixth, twenty twenty six. We are live from the studios of wmn H ninety five point three FM, and you can stream the show from anywhere. Go to Matt connorton dot com. Slash Live or the new Matt connorton unleashed dot com. And I will go ahead and make this full screen so you can see the lyrics, and I will turn the monitor here for those of you watching the video feed you can see what we do. I'm playing sound engineer this morning. And uh are you are you ready? We'll let Glenn the artist.

29:59 Speaker 3: I am all right, here we go.

30:03 Speaker 17: And dedicated this you Chris Martin.

30:05 Speaker 3: Dedicated to Chris Martin. Wow, do you think he's listening?

30:08 Speaker 9: He is all right.

30:09 Speaker 3: See if you can get him on the show for me. Thank you.

30:14 Speaker 16: Oo oh.

30:29 Speaker 17: Do do do do do do do do do yellow.

30:34 Speaker 2: Enjoy.

30:36 Speaker 17: Look at those sard Look how they shine for you

30:45 Speaker 17: and everything that you do, do do, Yeah, they were all called yellow. I came along and I wrote that song for you and all the things that you do,

31:07 Speaker 17: and it was called yellow. So then I took my turl and what a thing you have done? And it was called yellow. Your skin, your skin, yeah, your skin and bone they turned into such a beautiful And you know, you know that I loved you, so.

31:49 Speaker 2: You know you know I love you so oh oh,

32:08 Speaker 2: because you know I love you, So.

32:16 Speaker 17: I swam across I jumped across for you, and what a thing you do? Because they were all yellow. I drew a line. I drew a line for you. Oh what a thing you do? And it was all yellow

32:53 Speaker 17: and your sin, your skin, oh yeah, you're skin and boat they turn into something so beautiful. And you know, you know, I bleed myself dry.

33:15 Speaker 6: For you.

33:16 Speaker 17: I myself draw.

33:28 Speaker 12: O.

33:31 Speaker 17: I would bleed myself help dry. Hi, It's true, that's what How they shine for you? Look how they shine for us all. Look how they shine for Look how they they shine for you? Look how they shine for

34:10 Speaker 17: Look how they shine Look at the dard. Look how they shine for you and all the things that you do.

34:28 Speaker 17: Thank you?

34:29 Speaker 3: Wow, Glennard. I'm sorry. We'll let Glenn the artist doing his rendition of yellow and now I think it's probably inevitable that you'll You'll be receiving some further communication from Chris Martin, probably this time wanting to do a duet with you. Can you imagine re releasing that song Coldplay featuring Will let Glenn the artist.

34:53 Speaker 17: He's had gifts before doing duets from the audience.

34:57 Speaker 3: Yes, well, there you go, So it only makes sense that he would invite you to do such. What do you think, now, would you accept an opportunity like that or do you feel that you're a sort of.

35:09 Speaker 22: Why wouldn't I?

35:10 Speaker 3: I don't know, I mean, of course. I okay, Well, all right, well very good.

35:15 Speaker 17: Think of all the exposure You've.

35:18 Speaker 3: Been talking about being exposed a lot this morning, and I think that's great. Yeah, I agree, I agree. You don't want to violate terms of service of any of these social media sites.

35:29 Speaker 17: Should I do Open Arms Journey or should I do I probably should do that. Should I do it? I should do better Roses because you're heard it in January and it's a different song.

35:39 Speaker 3: Now, Oh it's a different So this will be this will be a I mean, this will be a new version of Bed.

35:45 Speaker 17: Of Roses, the same versions that I've improved it. You've improved it, you're thinking it often enough, and it gets better.

35:51 Speaker 3: Have you sang the new and improved version on the radio before, Yes, in the morning show? Oh okay, but you probably sang it differently on the morning show than you're going to sing it here because you're always improving it. Right, all right, there's a reason I'm asking you that. So you're gonna do uh, you're gonna do bet of Roses, Bet of Roses by bon Jovi. This will be the last one, unfortunately, going Glenn, we don't have time to do more than this, but we had if you are just joining us, we had some little tech issue earlier.

36:24 Speaker 3: Peter came and helped us with that. But because this will be the first time you singing bet of Roses on the radio exactly the way that you're about to do it, you're gonna get the world premiere treatment, the world radio premiere of Glenn r J will let I'm sorry of old habits, all old habits, the world radio premiere of We'll let Glenn the artist performing bet of Roses.

36:47 Speaker 9: You are listening to till Um and world premiere.

37:01 Speaker 3: Here it comes.

37:01 Speaker 17: You gotta move it.

37:12 Speaker 22: Oh be sure Beta Roses.

37:40 Speaker 17: Being here, wasted and wounded additional again. Oh, I'm trying hard to capture that moment this morning that I don't.

37:53 Speaker 2: Know because a bottle of but care still logged.

38:00 Speaker 17: In my head as some blonde girl gave me nightmares, and I think that she's still in my bed, but she's not. As I dream about movies they won't make of me when I'm dead. But I can't fist. I wake up and frenchiss that morning while some watching banks. He sits on the in my head while we're talking,

38:37 Speaker 17: and all of the things that I long to believe above all the love and.

38:42 Speaker 19: Truth and do you mean to me?

38:45 Speaker 17: And the truth is my baby, You're all that, all theever me. I want to lay you down, lay you down on the better broses fortune knight, just where I fleet on a.

39:09 Speaker 9: Bed of day.

39:14 Speaker 17: I want to be just as close as that food goes by Lord, and you down down on a bed a better bruise.

39:34 Speaker 2: Will I so?

39:35 Speaker 17: I want excuse me each time that takes on my I can't say the words a king's ransom in domes I give each night to see there's the pay from

39:51 Speaker 17: I still run out of time and it's hard to get through till the bird on the wireflies me back to you and I close my eyes and whisper, baby, I'm blind love to you. I want to lay you down, lay you down to a better bed of rosie for to night, just why I sleep on a better bed of day. I want to see just as close as if holly ghost see is.

40:33 Speaker 12: My lord, and lay you down down on a bed of rosy well, the hotel bar hangover, whiskey's gone.

40:52 Speaker 17: Dry, and the bark keeper's wist cook and she's getting me the eye. And I might have said, ya a laugh haha, so hard I think that I could die?

41:06 Speaker 11: Oh yeah, med off roads, what.

41:17 Speaker 12: To night to night the square? Oh hon, lay you down?

41:40 Speaker 17: What a behead of roads? Now you close your eyes. No, I'll be thinking about you tonight, the squire while my mistress, she called me to stand in her spartlight again. How dare her? Tonight? I won't be alone. But you know I don't mean that I'm not lonely. I've gotten nothing to proof for it you that I die to defend.

42:20 Speaker 12: I want to lay you down down on a bed of bed of roses.

42:29 Speaker 17: For you night, just whay.

42:31 Speaker 12: I sleep on a mad of me.

42:38 Speaker 17: I want to just as float as the bully ghosted my look.

42:47 Speaker 19: And may you down down. I want to lay you down, down down.

42:59 Speaker 9: On a roads.

43:04 Speaker 17: Or doing night the plan. I sleep on a maid of me. I want to be just as float as the holy good my oh, and lay you down.

43:27 Speaker 9: On a bid of rout.

43:36 Speaker 3: I forget how long that song is? Well?

43:40 Speaker 17: The words are kind of dark Huh. Everything should be in white and black background. Yes, oh, I thought you meant the lyrics and scene through this. I gotta go up and down, right up and down, you know what, I'm on stage. Yeah, it's a totally difference.

43:55 Speaker 3: I know I've seen I've seen you on stage. Yes, uh, we'll like lend the artists. Thank you so much. We are out of time, unfortunately, we will have you back of course. Always wonderful to see you, my friend. Thanks so absolutely sorry about the tech issues earlier, but you know, but we got a few in and it was wonderful to get caught up with you. If you are listening live on Saturday, stick around. We've got the Lurks coming up in the second hour and in the third hour. Today Volley will be here with us a live in studio.

44:22 Speaker 3: There is plenty more to come, and we're going to show some love to our amazing sponsors and uh and we will be back with a lot more show. So h don't go anywhere. Thanks Glenn.

44:34 Speaker 17: You're welcome.

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48:51 Speaker 7: Seven times out of ten.

48:54 Speaker 12: We listened to our music at night.

48:58 Speaker 6: That's gone.

49:01 Speaker 28: Late night to light with DJ Mitas right here on w MNH Manchester because.

49:09 Speaker 11: Saturdays and Sunday nights midnight to four am.

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49:45 Speaker 1: Behold the harmony of airwaves as you immerse yourself in the captivating frequencies of w m NHLP. Their sunic Carteats of Manchester is transcending through the ether ninety five point three megahurtz frequency modulation. Our transmissions M and E from they see at the one thousand elm streets ensure into the hearts of our creative realm at one nineteen Canal Street, where innovation and sound colde. They're the impro moder of Manchester Public Television Service in the venerable city of Manchester, New Hampshire, USA.

50:15 Speaker 16: Enrich your auditory journey with the depth of our.

50:17 Speaker 1: License to wesn't spent your missivest w m n H ninety five three at gmail dot com or traverse the virtual corridors of w m n hradio dot org. Engage with our sonic vibrations by communing with us through the digital channel or radio beconds eager to enthrall you with its mesmerizing kidence and develop you sympony of foundless auditories.

50:39 Speaker 16: Won dude, w m n H rip the novels, dance ry brats.

51:01 Speaker 5: By your lie.

51:03 Speaker 2: But then.

51:07 Speaker 6: We know what we want.

51:09 Speaker 3: We're not gonna half a size.

51:12 Speaker 6: We got it up all.

51:15 Speaker 4: We're gon final the fat done and are not our luck If we're not so successful, we don't get up.

51:26 Speaker 6: And no lines. We know what we want.

51:31 Speaker 10: We're not gonna half a line.

51:34 Speaker 6: We got it. Oh my here, I like, wait, don't

51:59 Speaker 6: we are quelling?

52:01 Speaker 5: Do come from my solderes my sad?

52:05 Speaker 10: We ain't quelling to come.

52:07 Speaker 14: From my saldars were no fice.

52:12 Speaker 10: We don't want, we want, we're not living half a line.

52:18 Speaker 6: We got.

52:20 Speaker 15: Whoa whoa, whoa whoa.

52:26 Speaker 6: You try to.

52:28 Speaker 16: Compits us.

52:31 Speaker 6: For our.

52:34 Speaker 5: Compit shows.

52:37 Speaker 10: Away say a.

52:40 Speaker 15: Line my compos I've come back.

52:49 Speaker 9: Trying a computer's kind of like.

52:51 Speaker 15: Comielu marry bass.

52:57 Speaker 6: I an.

53:00 Speaker 14: No paper lies, we don't want, we're not an.

53:07 Speaker 6: We got it.

53:10 Speaker 3: With him, no payment lies.

53:13 Speaker 6: We got it.

53:16 Speaker 3: With him, no payment lies.

53:18 Speaker 12: Wait, got wait, got it.

53:21 Speaker 14: With him no paper lies?

53:23 Speaker 9: Or we got it off?

53:27 Speaker 5: Went on and then have a like wait, got that.

53:56 Speaker 6: Want?

53:57 Speaker 10: Stuffing like jolly inside the heart seems I've been living in the.

54:03 Speaker 5: Temple of the talk.

54:06 Speaker 9: Where where I live?

54:07 Speaker 6: Way?

54:07 Speaker 5: Where I'm at?

54:08 Speaker 11: I'm going in the world? Or would I live at all?

54:15 Speaker 12: Where's Sally too?

54:19 Speaker 5: Community can sharp?

54:23 Speaker 9: And I'm live alive, will set to be book.

54:28 Speaker 10: It's a pretty time of year when the mount took the thing out live? Tell me what's the gold the mouth?

54:34 Speaker 9: How is about the world?

54:37 Speaker 6: Tell me? Can you tell me at all?

54:42 Speaker 10: Where arly too?

54:46 Speaker 9: Community? Canty Sharp.

54:50 Speaker 12: My FM?

54:52 Speaker 9: Love with music? So I to fool all I live in.

55:00 Speaker 10: You know it's a lass show of language. Div Laurie the Express, show me bow, it's a professor.

55:13 Speaker 12: Oh Lord's king.

55:14 Speaker 9: The Hoky.

55:19 Speaker 10: Knoky where my later community case show.

55:36 Speaker 9: Where Oh yeah yeah, communic case show.

56:07 Speaker 15: Wow Wow Friend, Wow Wow to the window, saw.

56:29 Speaker 5: The frock Fried, the fun going.

56:36 Speaker 6: And the firm l.

56:43 Speaker 9: Wow Woo, Frien wile wile.

56:55 Speaker 5: Friend, No fence, all the mad, the why of.

57:09 Speaker 9: The why of the right of my name? Whow why

57:26 Speaker 9: wow Wow.

57:35 Speaker 28: He can't cross the span, he can't cross the turf and the bield, but you can't right, my.

58:05 Speaker 5: Sister, listening man, see prairy flowers and their eyes, see.

58:12 Speaker 28: My brother for the storm and the tall worst Wow.

58:27 Speaker 4: This is a.

58:30 Speaker 9: Word of the stormy.

58:34 Speaker 6: All these right.

58:38 Speaker 15: Spangled math.

58:44 Speaker 9: Wow Wow, I'm trying to have or.

58:51 Speaker 6: Wow wild.

58:58 Speaker 9: Why don't love coming?

59:00 Speaker 15: Wow wow wow?

59:09 Speaker 9: After named neither her maid after warn

59:16 Speaker 6: Name