Matt Connarton Unleashed 8-10-24 hour 1

0:01 Speaker 1: You're listening to w m NHLP, Manchester's radio broadcasting at

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0:12 Speaker 1: thousand Elm Street. Our studios are located at one nineteen

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0:22 Speaker 1: New Hampshire, USA.

0:28 Speaker 2: It's nine o'clock.

0:31 Speaker 3: WMNH rip the dobles.

0:49 Speaker 4: I'm on my way now. Why would out wait?

0:51 Speaker 3: Now?

0:52 Speaker 4: Wait now? I'm on my way now? Why would out wait?

0:55 Speaker 3: Now?

0:55 Speaker 5: Wait?

0:56 Speaker 6: Now?

0:56 Speaker 4: I'm on my way now? Why would out wait?

0:59 Speaker 3: Now?

1:00 Speaker 7: Hold my way?

1:03 Speaker 8: We like kings, like eat a sports touchdown. We'll getting

1:06 Speaker 8: when I'm on that bill. How don't give a shot?

1:08 Speaker 4: What'sh'all? Because I'm working on.

1:09 Speaker 8: Mine and I need a good deal. Tell me what's real?

1:12 Speaker 8: I need a bail twenty nine trying to get all

1:14 Speaker 8: of my bills and trying to destroy me like Capitol pill.

1:16 Speaker 8: I'm coming right back and.

1:17 Speaker 4: I'm numbing the thrill, but ain't captain. They making this

1:20 Speaker 4: fell the impact woo woo woo.

1:24 Speaker 8: Then the quick dash. Soon there's the money call Let

1:26 Speaker 8: me right back, do it all. When my heart can't

1:28 Speaker 8: fight that funny find me with a bomb that decide

1:30 Speaker 8: rat got I'm telling me it's wrong that I'm like that.

1:32 Speaker 8: Hi Jack, the MICA's with the fight pack, hunt a

1:34 Speaker 8: mic and and no i'ma terror holy fighting with a

1:37 Speaker 8: man in the mirror when the aero step back's a

1:39 Speaker 8: good pack. If we're talking about impact, we did that.

1:42 Speaker 8: Oh no, heads to the front door. I know it's

1:45 Speaker 8: gonna come.

1:45 Speaker 4: So got one by the end and the one more.

1:48 Speaker 4: I swear for my end. I'm gonna take yos.

1:49 Speaker 8: We're gonna do with the jeesus its case, soosky souls,

1:52 Speaker 8: let me be kicking heavy KOs. Wake up in the

1:54 Speaker 8: morning with a day go trying to tour the States

1:56 Speaker 8: to win a big go, say souls.

1:58 Speaker 4: I just want to make both for the hole in

2:00 Speaker 4: his head like.

2:00 Speaker 8: A big go nay lo and wait for the safe coat.

2:03 Speaker 4: Praise go kin.

2:04 Speaker 8: Don't want to stay pope. These things is talking. But

2:06 Speaker 8: I see the opposite. I think I'm taking it next,

2:09 Speaker 8: losing that hope.

2:10 Speaker 4: We nowhere that goal.

2:10 Speaker 8: But I got this as on my chest. Push me,

2:13 Speaker 8: don't break down. Why I don't break down? Probably like

2:17 Speaker 8: eight miles. I'm on my weight now.

2:20 Speaker 4: I'm on my way now. Why would I wait?

2:23 Speaker 9: Now?

2:24 Speaker 4: Now I'm on my way now, why would I wait?

2:26 Speaker 10: Now I'm on my way now, why would I wait?

2:30 Speaker 3: Now?

2:32 Speaker 7: I want my way?

2:34 Speaker 3: When hold on?

2:36 Speaker 11: Wait loco wabbii and fuck up pay biggest man than me,

2:40 Speaker 11: I make okay, pending when I pull it in the pain.

2:43 Speaker 12: Kind of ramber bit with the the biggest biture, don't

2:46 Speaker 12: fucker gud they try to figure me up? Tell me

2:49 Speaker 12: did you hear me when I say I come from

2:51 Speaker 12: that error left your marriage pop off with the stooper

2:53 Speaker 12: toot on and the terrism covering the duths. We pretend

2:56 Speaker 12: we no roy, I'm cussing the boot and they drop through?

2:58 Speaker 12: What area your gentrification with patient?

3:00 Speaker 3: Wait?

3:00 Speaker 12: In fact the way you're picking and so the in

3:02 Speaker 12: case they fighting for a placement on corners and rags

3:04 Speaker 12: while others are plaguant.

3:05 Speaker 3: So up the word trap.

3:06 Speaker 12: Wait now that was my trailer like eight miles. I

3:10 Speaker 12: know the play round came from numboos and so by

3:12 Speaker 12: pound currency. Come in and currently keep a good company

3:16 Speaker 12: being your somebody. All of my bandiness stoppers like children

3:19 Speaker 12: rim raised, but no man's like the general these rappers

3:21 Speaker 12: so so oh pick them apart while hitting them draws

3:24 Speaker 12: might be your wife and it might be your mob.

3:26 Speaker 3: No discrimination.

3:27 Speaker 12: I'm glazing them off because they just talking like they

3:30 Speaker 12: see their black Cadillac.

3:32 Speaker 3: You look like a.

3:33 Speaker 11: Government come from the money.

3:34 Speaker 12: It's rotures and sofas. Employees don't where you had to

3:36 Speaker 12: go get it. The packs in the digital and said

3:38 Speaker 12: I'm giving you VEX them a criminal packed up, get

3:41 Speaker 12: packed in the clock. If you dumped in the lake

3:42 Speaker 12: and you domb were okay, pounded, the flavor would break down.

3:45 Speaker 12: That was like the state, like a break pound. Just

3:47 Speaker 12: say the stage up in eight towns. They said, I'm

3:50 Speaker 12: my weight now, I'm on my way now.

3:53 Speaker 10: Why would I wait now? Now I'm on my way now?

3:57 Speaker 10: Why would I wear now? Now I'm away now? Well

4:01 Speaker 10: would I wait now?

4:02 Speaker 7: Wait now? I don't my way now?

4:05 Speaker 3: No way? No. When w m n H ripped the

4:10 Speaker 3: novels side, you.

4:19 Speaker 2: Are listening to w m n H thirty five point three.

4:26 Speaker 10: Command God, don't get Supreme Leada, Maxwell Cobby.

5:06 Speaker 2: Good morning, everybody, Welcome, here we go. It is that

5:08 Speaker 2: time again. Matt Connorton unleashed and we are live from

5:11 Speaker 2: the studios of wm NH ninety five point three FM

5:16 Speaker 2: in glorious Manchester, New Hampshire at our Canal Street location.

5:20 Speaker 2: Welcome everybody. Today is Saturday, August ten, twenty twenty four.

5:25 Speaker 2: We just heard by the Way, the new Hope the

5:27 Speaker 2: Rap single on My Way, week nine of our ten

5:31 Speaker 2: weeks of new singles from Hope the Rapper. I can't

5:34 Speaker 2: believe next week will be the last one week ten,

5:37 Speaker 2: but we love Hope the Rapper. That is great stuff

5:39 Speaker 2: and we'll play that again later in the show too.

5:40 Speaker 2: If you miss it, we'll try to hit that every hour.

5:43 Speaker 2: But I'm not alone, my friends.

5:55 Speaker 9: Good morning sunshine.

5:57 Speaker 2: Yes, Jenny is here at the news tables of book. Yes, Yes,

6:02 Speaker 2: we have a very busy show today. We've got Club

6:05 Speaker 2: Paradise coming up in just a few minutes, skyping in

6:08 Speaker 2: from across the Pond.

6:09 Speaker 12: And I love them.

6:11 Speaker 2: I love their sound. And actually before they call, we

6:13 Speaker 2: are gonna play or before they skype, I should say

6:16 Speaker 2: we are gonna play their brand new single, their newest single.

6:19 Speaker 2: And then but we've got a few songs of theirs

6:21 Speaker 2: we're gonna play today. Really really love them, so you're

6:24 Speaker 2: gonna love yes, and we have lots We've got Grizzly, uh,

6:31 Speaker 2: Grizzy Grizzy Hendrix. I almost said, Grizzly, call you out

6:35 Speaker 2: on that later, Grizzy Hendrix. I don't know why that's

6:37 Speaker 2: difficult for me to say.

6:38 Speaker 9: Ten times past.

6:39 Speaker 2: He'll be here in the cannot He'll be here in

6:42 Speaker 2: the third hour today and we've got some interesting things

6:45 Speaker 2: to get into it in the second hour as well.

6:47 Speaker 2: But welcome everybody. This is Matt Connorton unleashed, of course,

6:51 Speaker 2: and we should mention too before I forget, because this

6:58 Speaker 2: is uh. I'm excited about this, got a big events.

7:00 Speaker 2: So we are one week away. Yeah, and it's been

7:03 Speaker 2: a while since I've done something like this. So next Saturday,

7:07 Speaker 2: Next Saturday, August seventeenth, there's an event at these Sister

7:13 Speaker 2: Witch Sister Witch Company, and they were on with us

7:18 Speaker 2: a couple of months ago and we're gonna be doing

7:20 Speaker 2: more with them in the future. But they've got an

7:22 Speaker 2: event coming up at the Sister Witch Company. It's in Hooks.

7:25 Speaker 2: It it's at eleven ninety three Hooks at Road. It's

7:28 Speaker 2: a gritting class healing circle and they have hypnotherapy. Guess

7:33 Speaker 2: who the hypnotherapist is?

7:34 Speaker 9: Who me? Why?

7:38 Speaker 12: What?

7:39 Speaker 3: Why?

7:40 Speaker 2: Because they asked me to do it? What and I'm excited.

7:43 Speaker 2: What so that will be next Saturday. Now, the event

7:46 Speaker 2: starts at noon. I obviously will not be there at

7:49 Speaker 2: noon because of this radio show, so but you can

7:52 Speaker 2: show up there at noon. They'll have lots of great stuff.

7:54 Speaker 2: My official arrival time is two pm, because it's usually,

7:59 Speaker 2: you know, almost one o'clock by the time we get

8:01 Speaker 2: the show uploaded and everything. So I told them I

8:03 Speaker 2: can be there by two. I'll try to get there

8:05 Speaker 2: a little bit earlier, but but please, you know, show

8:07 Speaker 2: up early, don't wait for me. Like I said, it

8:09 Speaker 2: starts from at noon and it goes till five pm Saturday,

8:13 Speaker 2: August seventeenth, the Sister Witch Company. But I will be

8:16 Speaker 2: there doing hypnotherapy, so really looking forward to that.

8:19 Speaker 13: Maybe some group any kind of hypnotherapy, particular hypni like

8:23 Speaker 13: a you're gonna sqush.

8:24 Speaker 3: What do you do?

8:26 Speaker 4: I do a lot?

8:26 Speaker 2: Well, I do a lot of stop smoking sessions. That's

8:28 Speaker 2: the number one thing that I do. Well, you know,

8:33 Speaker 2: now as to mention it, the fine folks at the

8:36 Speaker 2: Sister Witch Company have expressed an interest in that.

8:39 Speaker 9: I bet that might be interesting stories from both Yes.

8:43 Speaker 2: Yes, so that will all be one week from today,

8:47 Speaker 2: Please come see us, and the event is free to

8:49 Speaker 2: get in. Obviously, if you want to do you know,

8:51 Speaker 2: a session with me or with any of the other

8:54 Speaker 2: fine people there, you know, that costs money, but.

8:56 Speaker 9: It's free to get in and calm look around, Gibb.

8:59 Speaker 2: It's yeah, it's a really cool place. You haven't been

9:02 Speaker 2: there yet, I know, and I'm dying to go. Yes,

9:04 Speaker 2: I want to check it out. Yeah, very very cool.

9:06 Speaker 2: So looking forward to that. So that will be one

9:09 Speaker 2: week from.

9:10 Speaker 9: Thinking the show and that in the same day.

9:12 Speaker 2: That might be. That might be too, that might be

9:14 Speaker 2: a bit much.

9:15 Speaker 9: Yeah, yeah, my alarm will go off.

9:17 Speaker 2: Yeah, sit down, sit down. I'm gonna be tired.

9:20 Speaker 9: That's what sounds like.

9:21 Speaker 4: Oh yeah, you're gonna be tired.

9:22 Speaker 9: Yeah yeah, especially because you have show Friday night too,

9:24 Speaker 9: right right, Yeah, yeah, you're gonna do a twenty four

9:27 Speaker 9: hour run. It'll be cute.

9:29 Speaker 2: Yes, My Friday night into Saturday morning is very busy

9:33 Speaker 2: because of course Friday nights, I'm here for Retrospect Radio

9:36 Speaker 2: with Polly c and last night. Not to brag, but

9:39 Speaker 2: I did win the nine at nine. Name that nine

9:42 Speaker 2: at nine.

9:43 Speaker 4: I was the first to guess, Oh you were the first.

9:47 Speaker 2: Well that's not the nine at nine. That's the other thing,

9:49 Speaker 2: the contest.

9:50 Speaker 9: You got the night, Yes, and then the contest I

9:52 Speaker 9: was the first to guess correctly.

9:54 Speaker 4: Yeah.

9:54 Speaker 2: Check out if you don't. If you're not currently a listener,

9:57 Speaker 2: you should check it out. It's a lot of fun.

9:58 Speaker 2: Retrospect Radio with Polly see Friday nights from a to

10:01 Speaker 2: eleven pm, and there is a replay or two during

10:05 Speaker 2: the week. Uh, check local listings. As Paul likes to say, well, if.

10:08 Speaker 9: You want to have some fun, you can actually go

10:10 Speaker 9: back and listen to last night's show.

10:12 Speaker 13: Yes, and here's the kick. All of the songs have

10:15 Speaker 13: something in common. You got to guess what the theme is.

10:18 Speaker 13: So if you weren't listening last night, you.

10:20 Speaker 9: Can go check it out today.

10:22 Speaker 13: Listen to the show and see if you can figure

10:23 Speaker 13: out what the theme is before the end of the

10:25 Speaker 13: show when he tells you what it actually is.

10:27 Speaker 5: Right.

10:27 Speaker 13: Oh, by the way, I did call oh did you Yes?

10:30 Speaker 13: But it went to a machine that said you're somebody's

10:33 Speaker 13: not available?

10:34 Speaker 7: Weird?

10:35 Speaker 9: It rang like five times.

10:37 Speaker 2: Ah, you've been defeated by technology.

10:39 Speaker 7: I was technology got me.

10:42 Speaker 2: Let's see. Oh we can say hello. Everybody in the

10:45 Speaker 2: Facebook Live. Yeah, we're gonna we're gonna play that track.

10:48 Speaker 2: Let's see. Oh uh, Tom Sira Kusa if I'm saying

10:52 Speaker 2: his last name correctly from of course, day to Attend

10:54 Speaker 2: by the way, I'm wearing my day to Attend shirt.

10:57 Speaker 2: Yes you are, Yes, you are camera, you can see.

10:59 Speaker 9: It on Actually I wore mine so week after we

11:02 Speaker 9: got them.

11:03 Speaker 2: Yes, yes, love the shirt. Love the band. Oh and

11:06 Speaker 2: Day to Attend is in official band account. Is in

11:09 Speaker 2: the EDHI room as well. It says nice shirt.

11:11 Speaker 14: Yes. Yes.

11:12 Speaker 2: Also, our friend Bruce from Legion of Solid says good

11:15 Speaker 2: morning friends, good morning, Bruce, good morning. And Carol's the

11:19 Speaker 2: Warwitz also joins us and says good morning, good morning,

11:22 Speaker 2: as well as b Pinard. Welcome everybody, Welcome, and all right,

11:26 Speaker 2: let's do this. We're going to play a track from

11:30 Speaker 2: our new friends Paradise. Yeah, yeah, I really like.

11:33 Speaker 9: That from Across the Pond, and then we're going to

11:36 Speaker 9: bring them to you.

11:38 Speaker 2: Let's play years. I believe this is the newest single,

11:42 Speaker 2: and they sent us two tracks to play, so we'll

11:44 Speaker 2: play one now and then we'll get them on Skype

11:45 Speaker 2: and then we'll play the other at the end of

11:47 Speaker 2: our conversation. But we're actually going to play a couple

11:49 Speaker 2: They don't know this, but we're actually going to play

11:51 Speaker 2: two more of their songs at some point during the show,

11:54 Speaker 2: because I was listening to them before we got on air,

11:57 Speaker 2: and I love these guys.

12:00 Speaker 9: Totally.

12:00 Speaker 2: Yes, but so we're gonna talk with them in just

12:03 Speaker 2: a couple of minutes. But check this out. The band

12:05 Speaker 2: is Club Paradise and this is called Years.

12:28 Speaker 7: Un dress. Nothing burns like a cigarette. My mind needs

12:34 Speaker 7: a little time to decompress all of the questions as

12:42 Speaker 7: around me. Am I fearing being just a good honey.

12:48 Speaker 15: You swear off fine most of the time us he

13:01 Speaker 15: can see my mom the bone as he.

13:05 Speaker 3: Wants, I haven't did.

13:07 Speaker 6: So long, and it gives mass because I was yells catline,

13:28 Speaker 6: cattle line or less, she nothing special, love of holy

13:32 Speaker 6: mon brother the first time, I'm fine come of falling

13:38 Speaker 6: overalli fi lines. Now suppose it is the bone.

13:50 Speaker 3: As he wants.

13:51 Speaker 7: By having the abom in it gets my d.

14:02 Speaker 6: The case with all I was having any backstays down.

14:15 Speaker 7: And murray bowls and range as I would say. The

14:21 Speaker 7: scene the chap by, So where was the getty mincers?

14:26 Speaker 7: You know the casts that's around.

14:28 Speaker 6: Bird Barry made.

14:29 Speaker 7: It's not out of the crash.

14:31 Speaker 6: Time in a struggle gives hard to your point, so kind.

14:38 Speaker 7: Of be survido calls. I said, I haven't did some.

14:54 Speaker 6: Any yoursel.

15:27 Speaker 2: I love that. I love that. That is so catchy.

15:30 Speaker 2: The track is called Years, the band is Club Paradise,

15:33 Speaker 2: and I think we have them via Skype. Can you

15:35 Speaker 2: guys hear me?

15:36 Speaker 14: Yes, that's what we can.

15:37 Speaker 2: Oh, you sound great, wonderful, wonderful.

15:39 Speaker 4: Who do we have?

15:40 Speaker 2: Who do we have with us?

15:43 Speaker 5: We've got I'm Ryan, I sing and play guitar.

15:47 Speaker 2: Welcome, Yeah, I'm Nathan.

15:49 Speaker 16: I'm sorry Ryan, I am I play drums.

15:52 Speaker 14: Okay, I'm Jackson and I play guitar, all right.

15:57 Speaker 2: All right? And are we missing anybody?

16:01 Speaker 3: Yeah?

16:01 Speaker 5: We've also got Harry who he plays bass. But that's

16:04 Speaker 5: okay because he plays bass.

16:06 Speaker 2: I know those damn bass players. I'll tell you the

16:09 Speaker 2: hell with them now. I'm a little bit of an

16:12 Speaker 2: inside joke. I'm a bass player myself, but that's all right,

16:16 Speaker 2: that's all right. No, I'm glad the three of you

16:18 Speaker 2: are here. And guys, I love your sound. I gotta

16:21 Speaker 2: say that right up front.

16:23 Speaker 12: You.

16:23 Speaker 2: Yeah, we actually, so you sent us two tracks to play,

16:26 Speaker 2: and we're gonna play the other one at the end

16:28 Speaker 2: of our conversation, but later in the show too, we'll

16:30 Speaker 2: probably play a couple more that I found that I

16:33 Speaker 2: really really like that I found online. So you guys

16:36 Speaker 2: are awesome. Where are you from?

16:38 Speaker 5: Oh, thank you so much. We are from North Shields,

16:41 Speaker 5: which is just a little town outside of Newcastle upon

16:45 Speaker 5: Tyne in the northeast of the UK Okay.

16:48 Speaker 2: And are there a lot of bands there right now

16:51 Speaker 2: that that kind of sound like you, guys, because you know,

16:55 Speaker 2: we we have usually if we have somebody from across

16:58 Speaker 2: the pond, as we say here in the United States.

17:01 Speaker 2: I don't know if you say that there about us, but.

17:04 Speaker 7: They don't.

17:05 Speaker 2: They don't sound quite like you guys. I mean you

17:08 Speaker 2: have such an accessible you know, like if I were

17:11 Speaker 2: hearing your music and had no idea that you were

17:14 Speaker 2: not an American band, I would assume that you were

17:15 Speaker 2: an American band because you have a sound that's very

17:19 Speaker 2: accessible in terms of American radio. Are there are there

17:23 Speaker 2: other bands there that sound like you or do you

17:25 Speaker 2: guys kind of stand out in that sense.

17:30 Speaker 14: In the sense of sounding like an American radio band.

17:33 Speaker 14: Perhaps not, but.

17:36 Speaker 17: That's also that's just a massive compliment. We take that

17:40 Speaker 17: so like we listen to a lot of American radio stuff.

17:45 Speaker 17: That's actually kind of something we say as well, like, oh,

17:47 Speaker 17: this sounds like it could be on us radio when

17:50 Speaker 17: we're making it.

17:51 Speaker 14: So we love we love that compliment. Not a lot

17:53 Speaker 14: of people from.

17:55 Speaker 17: Around here sound like us specifically, I would say, yeah,

18:00 Speaker 17: but there is a big music scene happening right now.

18:03 Speaker 3: What is it like?

18:06 Speaker 2: What is it like where you guys are, specifically in

18:08 Speaker 2: terms of are there a lot of places to play

18:10 Speaker 2: live or you able to get out and do a

18:12 Speaker 2: lot of shows?

18:12 Speaker 14: What's what?

18:13 Speaker 2: What is the scene like there where you are?

18:18 Speaker 16: And yeah, it's been it's obviously.

18:20 Speaker 18: I think it's probably similar to yourselves where post COVID

18:24 Speaker 18: everyone's still there's still some teving issues and everyone's trying

18:29 Speaker 18: to get back back to how it was before. But

18:31 Speaker 18: we find a lot of joy in and around where

18:35 Speaker 18: we're from, Newcastle, North Shields. We found we found a

18:38 Speaker 18: lot of joy over the over the water and the

18:40 Speaker 18: likes of Sunderland and Millersbllt, which are other small city

18:43 Speaker 18: small towns. But it seems like everyone's trying to support

18:46 Speaker 18: each other.

18:47 Speaker 16: We we travel.

18:48 Speaker 18: Outside of the Northeast when we can. As Jackson said,

18:52 Speaker 18: there's a big, big music scene. It seems like it's

18:55 Speaker 18: starting to bubble up again.

18:57 Speaker 2: Yeah, that's good.

19:00 Speaker 5: A bit of a funny one after COVID though, because

19:02 Speaker 5: you had like this massive bottomneck of gigs that needed

19:04 Speaker 5: to happen, that were postponeding things. But I think now

19:08 Speaker 5: you start to see a lot of venues close, a

19:09 Speaker 5: lot of the smaller venues. So while in Newcastle and

19:12 Speaker 5: and sort of Shields where we're from and all that

19:14 Speaker 5: sort of place, they have a lot of really good

19:15 Speaker 5: bands and a lot of good talent, it's kind of

19:18 Speaker 5: hard to go out and see people that you want

19:20 Speaker 5: to go and see as much now because some of

19:22 Speaker 5: those smaller venues, the ones that we would all you know,

19:24 Speaker 5: take hold of, they're all starting or have closed recently,

19:27 Speaker 5: especially in Teaside, which is just the borough south of us,

19:30 Speaker 5: and we've lost a lot of venues there, and recently

19:32 Speaker 5: in Newcastle we've lost two or three here too, So

19:34 Speaker 5: it's getting tricky. But all that does, I think it's

19:37 Speaker 5: kind of fuels the fire for the existing venues for

19:40 Speaker 5: us to get in there and and sort of you know,

19:42 Speaker 5: everybody to gather around in a close that environment and

19:44 Speaker 5: really listen to each other as well.

19:46 Speaker 2: What is what is causing that these venues to close?

19:49 Speaker 14: Do you know?

19:50 Speaker 8: Is it?

19:50 Speaker 2: Is it the economics of it? I know here in

19:52 Speaker 2: the United States, the you know, there's a lot of inflation,

19:57 Speaker 2: but I think we're probably faring better than a lot

19:59 Speaker 2: of places. Is that it is everything just too expensive?

20:03 Speaker 2: Or is there something else going on?

20:06 Speaker 5: Yeah, I think inflation is definitely one big thing. I

20:09 Speaker 5: think people aren't sure if they can commit the money

20:11 Speaker 5: to a ticket so far in advance, so advanced sales

20:14 Speaker 5: is a huge part of that local scene for us,

20:17 Speaker 5: and you really don't really find out how many tickets

20:19 Speaker 5: you've got until maybe's the day before, but even the

20:21 Speaker 5: night of. We did a show earlier in the air

20:24 Speaker 5: where we sold like, I don't know, twenty thirty tickets

20:28 Speaker 5: the week running up to the gig, and then on

20:29 Speaker 5: the night the venue was full and sold out. So

20:32 Speaker 5: this instability that we have with ticket purchases and advance

20:35 Speaker 5: that's causing a lot of upset with promoters and venues.

20:38 Speaker 5: So the commitment is like the starting to lose the

20:40 Speaker 5: commitment of people who want to put those shows on,

20:44 Speaker 5: and it's just just change as well. That's just it's

20:46 Speaker 5: a natural change that I think people need to sort

20:48 Speaker 5: of adapt to and react with.

20:51 Speaker 2: Yeah, that's interesting about the tickets because we had someone

20:56 Speaker 2: here from the Jenny what are they called? Is that

20:59 Speaker 2: the New I'm sure Music Collective or New England Music

21:02 Speaker 2: Collective John Macarthurpy.

21:03 Speaker 9: Yeah.

21:03 Speaker 2: Yeah, he's a promoter from the area and he was here.

21:07 Speaker 2: We had an extensive conversation with him about this, and

21:10 Speaker 2: he was talking about how when he puts events, when

21:14 Speaker 2: his company puts events online, very often people wait till

21:17 Speaker 2: the last minute to buy tickets and that's been the

21:19 Speaker 2: trend post COVID, and the problem that that causes is

21:23 Speaker 2: and he was kind of pleading with people, please, you know,

21:25 Speaker 2: don't wait till the last minute, because what ends up

21:27 Speaker 2: happening is, you know, an event will sell out and

21:31 Speaker 2: he'll be going, you know, we could have done this

21:33 Speaker 2: in a larger venue, but we didn't know that all

21:35 Speaker 2: these people were going to show up, because people have

21:38 Speaker 2: gotten into that habit of waiting until you know, the

21:41 Speaker 2: day of before they make that commitment, and it causes

21:45 Speaker 2: a bit of a bottleneck. But I think part of

21:47 Speaker 2: that too is I don't know if it's if it

21:50 Speaker 2: has to do with inflation, people being more careful about

21:53 Speaker 2: how they spend their money, that may be part of it.

21:54 Speaker 2: But also to I think just the Internet has made

21:57 Speaker 2: it so. You know, you guys, you guys look pretty

22:00 Speaker 2: young from what I saw online. I'm old enough to

22:02 Speaker 2: remember when we didn't even have an internet. So if

22:04 Speaker 2: you had to buy tickets, you know, you call up

22:07 Speaker 2: you know, ticket Master, or you go to the I

22:10 Speaker 2: slept on.

22:11 Speaker 9: The sidewalk outside of tickets in order to get tickets.

22:15 Speaker 2: Yeah, but back then, but back in the day, pre internet,

22:19 Speaker 2: it was the inverse, right, if you wanted to go

22:21 Speaker 2: to a show, you had to get the tickets early

22:24 Speaker 2: or you risk missing out. Whereas now, because you can,

22:28 Speaker 2: you know, just buy tickets online or you know, or

22:31 Speaker 2: risk just showing up, you can afford to wait till

22:33 Speaker 2: the last minute. And I think that's where that problem

22:35 Speaker 2: comes from.

22:37 Speaker 5: Definitely, we we have that memory. We used to go

22:40 Speaker 5: to venues, We used to queue outside and wait and

22:42 Speaker 5: buy the tickets. Yeah, when we were like in high school,

22:45 Speaker 5: that was good fun. Yeah, yeah, And it's so cool

22:48 Speaker 5: here by the way, once in like a week in October,

22:51 Speaker 5: back in like twenty ten, we still outside this venue

22:53 Speaker 5: and we just shivered. We have to wear school uniforms

22:56 Speaker 5: in the UK and we don't wear coats because it's

22:58 Speaker 5: not cool to wear a coat from Newcastle, so we

23:02 Speaker 5: were all just shivering outside waiting to buy tickets. Were

23:06 Speaker 5: that that was such good fun. But I totally agree

23:08 Speaker 5: the Internet changes that landscape one hundred percent. And we've

23:11 Speaker 5: seen a lot of local festivals collapse due to lack

23:15 Speaker 5: of advanced sales. And people obviously think that there's just

23:19 Speaker 5: an ease of like accessibility to be able to get

23:21 Speaker 5: your ticket whenever you want to be like, oh, just

23:23 Speaker 5: I'll get that closer at the time. That's not a problem.

23:25 Speaker 5: But there's so much money that has to be put

23:27 Speaker 5: up to front these shows, the festivals, whatever it is

23:29 Speaker 5: that you go into that logistically financially, the deadlines can't

23:34 Speaker 5: be met, the sort of bar stuff things like that

23:37 Speaker 5: can't be put in place to make sure that you

23:39 Speaker 5: can go ahead without.

23:40 Speaker 2: That right exactly, And people don't know that, you know,

23:44 Speaker 2: your average consumer has no idea about any of this,

23:47 Speaker 2: and you know, and there's no reason that we should

23:50 Speaker 2: expect them to know. But one of the things that

23:51 Speaker 2: we try to do with this show is really educate

23:53 Speaker 2: people about that about how the music industry works, because yeah,

23:57 Speaker 2: if you know, it's all supply and demand ultimately, and

24:00 Speaker 2: if if somebody doesn't know, if a promoter or whomever

24:04 Speaker 2: doesn't know that the demand is there to be met

24:07 Speaker 2: until the very last minute, then what ends up happening is, yeah,

24:10 Speaker 2: they don't there's not enough money coming in, and they

24:12 Speaker 2: end up having to cancel. You said, you said you've

24:14 Speaker 2: seen that a lot there festivals having to be canceled

24:17 Speaker 2: for that reason.

24:19 Speaker 17: Yeah, Yeah, there was a It was a festival we

24:22 Speaker 17: were scheduled to play inside of Newcastle and it was

24:27 Speaker 17: like a big field and uh, we had promoted it,

24:30 Speaker 17: et cetera, and then you know, six weeks before the show,

24:33 Speaker 17: it just gets pulled because ticket sales probably weren't good enough.

24:38 Speaker 17: And we see a lot I think it's it's sort

24:41 Speaker 17: of like a luxury to be able to wait to

24:43 Speaker 17: buy your ticket. People don't necessarily feel like the onus

24:50 Speaker 17: is on them, like there's no burden or responsibility to

24:54 Speaker 17: like buy these tickets because there isn't really but they

24:59 Speaker 17: don't also know, like if a promoter sees fifteen tickets

25:02 Speaker 17: have been sold, then they'll just go, oh, this show

25:06 Speaker 17: isn't worth putting on, even though fifty people have just said, oh,

25:11 Speaker 17: we'll just buy the week of like we'll say, you know,

25:14 Speaker 17: we'll just keep money and if something else, you know,

25:16 Speaker 17: I think as well, Yeah, there's so much choice as well,

25:20 Speaker 17: Like it might be a case of like, oh my

25:23 Speaker 17: other plans have fallen through, so now go to this show, right. Yeah,

25:26 Speaker 17: so the commitment as well, like people don't want to

25:29 Speaker 17: commit too early.

25:31 Speaker 14: I think that maybe is.

25:33 Speaker 17: Because of post COVID, Like you weren't going out anywhere,

25:37 Speaker 17: so people have learned to live without going out, right,

25:40 Speaker 17: So maybe people are you know, they've gotten comfortable not

25:45 Speaker 17: going out.

25:45 Speaker 14: And realizing they don't have to. So maybe that's part

25:49 Speaker 14: of it as well.

25:50 Speaker 2: You know, yeah, that makes sense, that makes sense. What uh,

25:55 Speaker 2: what's the vibe like in terms of working with other bands?

25:58 Speaker 2: You know here in the United States, it's I find

26:01 Speaker 2: that in the music scene most there's a lot of

26:06 Speaker 2: positivity and people kind of work together and whatnot. I mean,

26:09 Speaker 2: it's competitive obviously, but it's not like saying stand up comedy.

26:13 Speaker 2: I listen to some podcasts hosted by stand up comedians

26:16 Speaker 2: in the United States, and everything sounds like it's very

26:18 Speaker 2: cutthroat and nobody really helps anybody. But with musicians, people

26:22 Speaker 2: tend to try to kind of work together. Is it

26:24 Speaker 2: like that there or is it? I mean, how competitive

26:27 Speaker 2: is it in the scene where you are, where you

26:29 Speaker 2: guys are operating.

26:31 Speaker 5: I think it used to be way more cut throat

26:34 Speaker 5: than it is now. So we've we've been playing as

26:37 Speaker 5: a band honestly around twelve or thirteen years or so,

26:39 Speaker 5: the four of us, the same four guys, So we've

26:42 Speaker 5: seen a big change locally, and I think at first

26:46 Speaker 5: it was very much nobody talked to each other. Everybody

26:49 Speaker 5: went to play the show and you were going to

26:51 Speaker 5: put on the best so that everybody was going to

26:52 Speaker 5: see that night. And I feel like for the first

26:56 Speaker 5: three or four years that was definitely the case. We

26:58 Speaker 5: then didn't really gig for well while we were still

27:00 Speaker 5: figuring out what we wanted to do, and then when

27:02 Speaker 5: we came back to it, there was this complete shift

27:04 Speaker 5: and and sort of demeanor and that everybody was now friends.

27:07 Speaker 5: Everyone was wanting to put on the best night collectively,

27:11 Speaker 5: and I hope that we've kind of we've definitely adjusted

27:15 Speaker 5: to that since since all that big change, and I

27:18 Speaker 5: hope that our shows people will also come to that

27:20 Speaker 5: and feel that and that we are trying to play

27:23 Speaker 5: with ours who we love and we think everybody else

27:26 Speaker 5: will love if it's our show or actively, we'll we'll

27:28 Speaker 5: take slots to play with other bands that offer us

27:30 Speaker 5: them if if again they love us, and we all

27:34 Speaker 5: think it's the right move for the for the bill

27:36 Speaker 5: in full, and it's a much more collaborative effort now

27:38 Speaker 5: for live shows.

27:39 Speaker 16: I think, Yeah, it's nice to be nice.

27:41 Speaker 2: Yeah, exactly exactly. And what's we talked about it? We

27:46 Speaker 2: touched on it radio. What's the radio situation there for

27:52 Speaker 2: a band like you guys, like, are you on the

27:53 Speaker 2: radio in your area or how does that work there?

27:59 Speaker 16: We're on the radio and around the area.

28:00 Speaker 18: Yeah, we had we had to play on Radio X,

28:04 Speaker 18: which is quite a big, a big radio stationing around

28:07 Speaker 18: the UK. That's that's a rarity that we would get

28:10 Speaker 18: something like that, and you've got to jump through quite

28:11 Speaker 18: a lot of hoops and it's a bit of a look.

28:12 Speaker 18: But in terms of the locality in the very local area. Yeah,

28:17 Speaker 18: we're we're on radio stations. People are very supportive. We've

28:21 Speaker 18: got BBC introducing Yeah up here, who who have always

28:25 Speaker 18: been a.

28:26 Speaker 16: Big supporter of us and do a lot for the

28:28 Speaker 16: local scene.

28:29 Speaker 5: You find that with that as well, you get these

28:31 Speaker 5: little random radio shows that you've never heard of. So

28:33 Speaker 5: there's one up in the Highlands of Scotland and every

28:36 Speaker 5: time we play, every time we release a song, they

28:38 Speaker 5: play us like without fail. And then there's a there's

28:43 Speaker 5: two or three like that. There's a Welsh speaking one

28:45 Speaker 5: which also plays us all the time, which is really

28:47 Speaker 5: cool locally though. BBC in Row is a really cool thing,

28:51 Speaker 5: but it's kind of being cut back a lot. So

28:54 Speaker 5: the most local radio show we have for the BBC now,

28:57 Speaker 5: which used to be in Newcastle, is in Teesside, which

28:59 Speaker 5: is Middlesbrough's is kind of like an hour out of

29:02 Speaker 5: the way, so now it's a regional show rather than

29:03 Speaker 5: a local show. Yeah, which is all fine. It's just

29:07 Speaker 5: you can see where these changes are happening in the

29:10 Speaker 5: starting to take place. But we do get we get

29:11 Speaker 5: the support off the radio and we're really thankful and

29:13 Speaker 5: we love those teams and they're always really really fun

29:16 Speaker 5: to work with too.

29:17 Speaker 2: Yeah, that's good.

29:18 Speaker 10: No.

29:19 Speaker 2: I was particularly curious because, like I said, you guys

29:21 Speaker 2: have such an accessible sound and these these songs. You know,

29:25 Speaker 2: at the end of the conversation, we're gonna play Chasing

29:27 Speaker 2: the Summer, another great track, and I have to tell

29:29 Speaker 2: you later in the show because I mentioned if you're curious, Yeah,

29:33 Speaker 2: we're we're also gonna play later. We're gonna play Another

29:35 Speaker 2: Life and no, I'm sorry, that's the Uh wait.

29:39 Speaker 3: Is that the song?

29:42 Speaker 5: That is a name of a song? Y?

29:44 Speaker 2: Yeah, there was another one. There was another one too.

29:47 Speaker 2: I'll have to find it. I'll have to find it

29:49 Speaker 2: to play it. Oh, Neighborhood that was the other one.

29:53 Speaker 5: Oh oh yeah, yeah, they came out together. That was

29:55 Speaker 5: a double A side that we did.

29:56 Speaker 2: Oh okay, yeah, I really like those. I really like those.

29:59 Speaker 2: You guys are such a great sound. Tell me a

30:03 Speaker 2: little bit about influences. What are you what do you guys?

30:06 Speaker 2: What do you listen to? What did you grow up

30:08 Speaker 2: listening to that kind of thing?

30:12 Speaker 17: I grew up listening to like emo rock and like

30:17 Speaker 17: all that sort of stuff. And then I think when

30:19 Speaker 17: we so we all pretty much went to high school

30:23 Speaker 17: together bon Nathan. He was in separate high school, but

30:27 Speaker 17: they Ryan and Nathan lived very very close, so we've

30:31 Speaker 17: all known each other growing up. And I think when

30:33 Speaker 17: we hit like thirteen fourteen, we were listening to indie

30:36 Speaker 17: rock all that sort of stuff.

30:39 Speaker 14: I was still listening to emo stuff.

30:41 Speaker 2: Yeah, but.

30:43 Speaker 14: Maybe like.

30:46 Speaker 17: In the past four years three years, we've been really

30:51 Speaker 17: into country music as a collective, like like their modern

30:56 Speaker 17: country music artists like so much. And that's kind of

31:02 Speaker 17: like now, especially with years, you can kind of hear

31:06 Speaker 17: that influence. We're not trying to do it on purpose,

31:08 Speaker 17: it's just sort of coming out naturally now.

31:12 Speaker 14: So I think country music is kind of an influence now.

31:15 Speaker 17: I've also maybe like synth wavy stuff that was that

31:19 Speaker 17: was a big part of our sound when we like

31:24 Speaker 17: launched as Club Paradise, like that was sort of a

31:27 Speaker 17: direction we wanted to head in as well.

31:29 Speaker 16: Yeah, I think the the one band that sort of

31:32 Speaker 16: springs to mind simply what Wise is the Midnight from

31:37 Speaker 16: the US, who we we actually went to see in

31:40 Speaker 16: Newcastle a couple of weeks ago together. Yeah, so that

31:45 Speaker 16: was that was great. But if he's on overly familiar

31:48 Speaker 16: with their with their sound.

31:51 Speaker 18: I would we well, we would all recommend that band definitely,

31:54 Speaker 18: and I think we take a lot of influence from

31:56 Speaker 18: from what those guys do.

31:58 Speaker 2: I'll have to check them out. Yeah, I was reading

32:01 Speaker 2: in your bio about, you know, sort of the country

32:03 Speaker 2: rock influence, and it surprised me a little bit. Are

32:07 Speaker 2: there are there artists in your area or are there

32:12 Speaker 2: UK artists who who kind of are working in that genre,

32:16 Speaker 2: or when you listen to that, are you listening to

32:18 Speaker 2: American artists? Because because I don't know offhand, I mean,

32:22 Speaker 2: I'm really curious about this.

32:24 Speaker 16: I don't think I don't think there's any.

32:28 Speaker 17: Interesting to get local like folk music, which takes roots

32:32 Speaker 17: from country stuff. But we the like the country music

32:37 Speaker 17: we are currently just there. It's like Keith Urban, Aaronkinsey,

32:41 Speaker 17: Morgan Wallen is a massive one. People like Nate Smith

32:46 Speaker 17: as well. I'm just thinking Dereks Bentley as well. We

32:50 Speaker 17: love by.

32:54 Speaker 14: Luke Bryan, Uh Doughty.

33:01 Speaker 17: But even like like Scotty McCreary as well. We we

33:03 Speaker 17: all love Scotty McCreary. It's yeah, yeah, we we. I

33:09 Speaker 17: mean this is stuff that we genuinely like. Say we're

33:12 Speaker 17: on a road trip like we just went to some

33:15 Speaker 17: amusement park in the UK. It was like a two

33:17 Speaker 17: hour drive. All we would listen to was country music

33:21 Speaker 17: on the way there and on the way back Kid

33:24 Speaker 17: It's fair.

33:25 Speaker 14: We love it.

33:25 Speaker 5: It started as like I think between the four of us,

33:27 Speaker 5: it started as a bit of a guilty pleasure. I remember, like,

33:30 Speaker 5: Jackson has cousins in Canada and their wedding song when

33:33 Speaker 5: he went to their wedding in Canada was Florida George Holy.

33:37 Speaker 14: Yeah Holy by Florida Georgia Line.

33:40 Speaker 5: And then It's I think we kind of listened to

33:42 Speaker 5: that song together. After Jackson came back, we were like, WHOA,

33:44 Speaker 5: something's going on here, and we were like a teenagers

33:47 Speaker 5: at the time that being came this like really big

33:48 Speaker 5: guilty pleasure for us all to talk about. And then

33:51 Speaker 5: over time it's been like, actually, no, this is just amazing.

33:53 Speaker 5: But because it's so kind of alien to the UK

33:56 Speaker 5: and that it doesn't exist here, we didn't really.

33:59 Speaker 14: Talk about it.

34:00 Speaker 5: And now over time, like now on the radio, Morgan

34:02 Speaker 5: Mullin's on the radio here, those new tunes worth Post

34:05 Speaker 5: Malone that he's been doing, those are getting some tensions.

34:07 Speaker 5: So I feel like Country's growing sea to see happens

34:10 Speaker 5: over here now. And we've got Absolute Country, which is

34:12 Speaker 5: the radio station that is never off in my car,

34:15 Speaker 5: and that's got all the shows from Nashville coming live

34:18 Speaker 5: to us. So it's growing here and I'm really really

34:21 Speaker 5: glad and I feel really passionate about that. It's a

34:23 Speaker 5: really really cool thing. Yeah, so yeah, it's all American stuff.

34:28 Speaker 18: We've still got some routes in this sort of UK

34:32 Speaker 18: indie scene, but there's not a we We grew up

34:34 Speaker 18: on Four's Bombay, Bicycle Club, wild that sort of thing,

34:39 Speaker 18: and a lot of those bands have called it a day.

34:42 Speaker 16: You've still got some of them, nothing about and Were.

34:44 Speaker 18: You still listen to a lot about The Monkey's Kings

34:46 Speaker 18: of Leon and we're still love those bands and putting out.

34:49 Speaker 18: So it was a bit of a dynamic, shifting dynamic

34:53 Speaker 18: when all the countries. So I think we'll try and

34:55 Speaker 18: blend it subconsciously in what we do.

34:57 Speaker 5: There's a flavor of that. I think there's a flavor

34:59 Speaker 5: death of those bands with the country stuff with the

35:02 Speaker 5: Midnight so you kind of get that synth element. But

35:03 Speaker 5: then I also feel like there's a really nice element

35:05 Speaker 5: of like Brian Adams in some of the things that

35:07 Speaker 5: we do, like in Chasing the Summer, it just gives

35:09 Speaker 5: us atmosphere that used to get a lot of stuff,

35:13 Speaker 5: maybe even like a Don Henley type of vibe type

35:16 Speaker 5: of thing. So I feel like as a as like

35:20 Speaker 5: a big melting pot of all those things that come

35:23 Speaker 5: together is what we we created.

35:25 Speaker 18: It's a shot were in the foot a little bit.

35:26 Speaker 18: And because as we've just rattled off about fifty different things,

35:32 Speaker 18: sometimes sometimes UK radio stations, certainly the bigger ones.

35:36 Speaker 16: One, I think a certain sound and if you're Indy,

35:39 Speaker 16: you need to be Indy, you know what I mean?

35:41 Speaker 14: And we we don't.

35:43 Speaker 18: We don't fit into a certain genre and its conscious

35:45 Speaker 18: other bands do, and it's it's it's.

35:48 Speaker 16: Been difficult to to pitch where we should be.

35:52 Speaker 18: But so that's why it's so kind of yourselves say

35:54 Speaker 18: how accessible it is, and we yeah, yeah, well I

35:57 Speaker 18: don't think we have that in the forefront of our mind.

35:59 Speaker 16: But when you think of the choruses and.

36:01 Speaker 5: We'll keep how the someone's we're always told that we're

36:04 Speaker 5: not rock enough for rock and we're not popping the foot.

36:07 Speaker 5: So it's kind of like, okay, that's fine, but here's

36:11 Speaker 5: the music anyways, right right, Yeah.

36:14 Speaker 2: And I can hear the Brian Adams, uh and and

36:17 Speaker 2: Don Henley. I can hear those influences in there. Yeah,

36:20 Speaker 2: the country stuff is interesting that that influence because we

36:26 Speaker 2: and and again I'm old enough to remember when it

36:28 Speaker 2: wasn't this way, but modern country and I'm not a

36:30 Speaker 2: big country fan, but occasionally I'll hear something I like,

36:33 Speaker 2: and I'm always very aware of these artists. I try

36:36 Speaker 2: to keep up with all of it. But but modern

36:40 Speaker 2: country now sounds a lot like you can hear the

36:44 Speaker 2: influences of eighties rock in modern country and and the production.

36:50 Speaker 2: I always say this again, it's not it's not my

36:53 Speaker 2: my first go to on my list of sort of

36:56 Speaker 2: genres and sub genres of what I listened to, But

36:58 Speaker 2: I listen to a lot of different kinds of stuff.

36:59 Speaker 2: But I have to say Nashville, which you know is

37:03 Speaker 2: the kind of the epicenter of country music in the

37:07 Speaker 2: United States, Nashville's got it down as far as production.

37:12 Speaker 2: Like I'm very picky about how drums sound, for example,

37:15 Speaker 2: and you listen to any modern country and the drums

37:19 Speaker 2: sound exactly the way they should sound. In my opinion.

37:23 Speaker 2: You know, everything and the way things are mixed, and

37:27 Speaker 2: even the guitars are are louder than they used to be.

37:31 Speaker 2: In country music, you can really hear the rock. You know,

37:34 Speaker 2: there's there's kind of been this melding that I think

37:36 Speaker 2: is really interesting, and I kind of suspect that had

37:39 Speaker 2: that not I guess it's chicken or the egg, right,

37:42 Speaker 2: you know, is that happening because that helps country to

37:46 Speaker 2: be more accessible to the mainstream or or is it

37:51 Speaker 2: a reaction to country becoming more accessible on its own?

37:55 Speaker 2: But you know, we saw that happen, you know. I

37:59 Speaker 2: can remember, you know, back in the nineties when Garth

38:01 Speaker 2: Brooks got really big. That was sort of the first

38:03 Speaker 2: real wave of country music becoming sort of mainstream. But

38:08 Speaker 2: now it's like it's really you hear a lot of

38:10 Speaker 2: rock influences in modern country music.

38:14 Speaker 17: Yeah, absolutely, when you touch it about like drums and

38:18 Speaker 17: guitars as well. That's something that I'm like particularly interested in,

38:23 Speaker 17: stuff like the recording process.

38:26 Speaker 14: So these.

38:28 Speaker 17: Last few songs that we've put out were pretty much

38:31 Speaker 17: recorded independently, and I'm massive on guitar tones, and I like,

38:38 Speaker 17: I look up what people are using and I remember

38:42 Speaker 17: a unique project I did. It's so long ago a way,

38:45 Speaker 17: I was just essentially researching Blackbird Studios, which is in Nashville,

38:50 Speaker 17: and I was just like reading about Studio A and

38:52 Speaker 17: Studio B, and like what the drums will sound like

38:54 Speaker 17: in each room, and and then like they have like

38:58 Speaker 17: a client list and then like a record list, and

39:01 Speaker 17: you know, you listen to some of the people that

39:03 Speaker 17: have recorded in the like Kings of William was the

39:05 Speaker 17: big one for me, which is why I got into them.

39:08 Speaker 17: But like, I think Hayes has recorded their Rascal Flats

39:13 Speaker 17: as well. We love the Rascal Flats. I think they

39:15 Speaker 17: definitely hit the pop and the rock pop sort of thing.

39:19 Speaker 17: And I know what you mean, like it it you

39:22 Speaker 17: listen to like stuff from the nineties that Cole Swindon,

39:28 Speaker 17: he did a What's What's what song?

39:31 Speaker 14: Did he just do?

39:33 Speaker 2: Uh?

39:34 Speaker 14: She had me heads Carolina?

39:35 Speaker 2: Oh yeah yeah.

39:37 Speaker 17: So obviously you listen to the original of that and

39:40 Speaker 17: the instrumental, like the parts are the same, but they

39:44 Speaker 17: recorded so differently and so like it's so everything's like

39:48 Speaker 17: hyper and now like everything's so big compared to maybe

39:53 Speaker 17: more understated of the original. So I get and I

39:57 Speaker 17: understand what you mean, things are changing, like they are

40:00 Speaker 17: getting just bigger.

40:01 Speaker 3: And more.

40:04 Speaker 17: Like you said eighties eighties rock influenced, where everything was

40:07 Speaker 17: just big and massive, and maybe I think you might

40:12 Speaker 17: start like we see it over here. A lot of

40:16 Speaker 17: the music coming out, Like in the UK, drums are

40:20 Speaker 17: really quiet and understated. There's a lot of like snare

40:23 Speaker 17: drums with towels on, you know, like everything's going to

40:27 Speaker 17: be quite more mute. I think maybe the trend and

40:32 Speaker 17: the UK at least is going to go back from

40:34 Speaker 17: big eighties stuff to more natural sounding I'm using air quotes,

40:39 Speaker 17: but natural sound and drums. But with the air with

40:43 Speaker 17: US radio rock, it's just full throttle now right, But

40:46 Speaker 17: we love that.

40:48 Speaker 5: I think it's funny. We were in the studio a

40:50 Speaker 5: couple of weeks ago doing some new stuff and we

40:52 Speaker 5: just pulled up country rock drums said like, this is

40:56 Speaker 5: the reference, this is the sound we want, and we're

40:58 Speaker 5: going to set the drum kit up to sound exactly

40:59 Speaker 5: like this. Yeah, it's good fun. I think there's also

41:05 Speaker 5: I think you're right, like there's an element that couldn't

41:07 Speaker 5: you want to be more accessible and more mainstream in general.

41:09 Speaker 5: But I also think that part of the reason it

41:11 Speaker 5: sounds that way is there's a lot of sampling going

41:13 Speaker 5: on now, and that's a good speed thing. So we've

41:15 Speaker 5: had friends who've gone to Nashville to do writing sessions

41:17 Speaker 5: and writing camps, and they talk about how fast it

41:20 Speaker 5: is in Nashville that already sits around in a circle

41:22 Speaker 5: and throws a lyric out and the next lerik that

41:23 Speaker 5: comes out is the one that's going to follow that one.

41:26 Speaker 5: So it's not debated, it just goes on and on

41:28 Speaker 5: and on. That sounds so alien to us, It sounds crazy,

41:31 Speaker 5: But I think that maybe's the tone of the drums

41:34 Speaker 5: and all these different sampled instruments and the access you

41:36 Speaker 5: have to do in things digitally now, that speed that

41:39 Speaker 5: they've created in these writing camps might sort of blend

41:42 Speaker 5: with that pace that you can get from the sound

41:43 Speaker 5: of the drums if they do sort of sample the

41:45 Speaker 5: kits and recreate them that way too.

41:47 Speaker 2: Yeah, that makes sense. Yeah, Nashville. You know, we've we've

41:51 Speaker 2: had guests on the show, we've spent some time in Nashville,

41:53 Speaker 2: and uh, either you know, either just short trips to

41:56 Speaker 2: just write and record, or or people who've lived there

42:00 Speaker 2: for a while and yeah, they do things like you

42:03 Speaker 2: know they have, Yeah, the these writing sessions that like

42:06 Speaker 2: you described, are very fast and and and these songwriting circles.

42:11 Speaker 2: You know, they all they'll sit in a circle, or

42:13 Speaker 2: they'll do this live, you know, where they'll they'll be

42:15 Speaker 2: in a in a club and they're they're writing songs

42:18 Speaker 2: live in front of a crowd. You know, almost like

42:20 Speaker 2: what a stand up comedian does when they go to

42:23 Speaker 2: say an open mic, and they they're just kind of

42:25 Speaker 2: workshopping new material.

42:26 Speaker 3: You know.

42:26 Speaker 2: It's really interesting because I don't know if anywhere else

42:28 Speaker 2: where they they approach it that way. And how nerve

42:31 Speaker 2: racking that must be. I'm a musician myself, but I

42:34 Speaker 2: can't imagine like being in front of a crowd of

42:36 Speaker 2: people with other musicians and writing something on the spot,

42:40 Speaker 2: and you know, you're in front of people, so it

42:42 Speaker 2: better be good. But uh yeah, I mean that's like

42:45 Speaker 2: the Nashville is like, you know, that's like boot camp

42:48 Speaker 2: for musicians.

42:48 Speaker 12: You know.

42:50 Speaker 5: Yeah, you would not catch me doing that.

42:55 Speaker 2: And uh so, now where do you guys record? Because

42:58 Speaker 2: this all sounds like it was done in a million

43:00 Speaker 2: dollar recording studio, but as as we know it, again,

43:03 Speaker 2: we live in a time where it's you know, you've

43:05 Speaker 2: got a lot of different options in terms of how

43:06 Speaker 2: you record.

43:09 Speaker 14: Yeah, so we we tend to so.

43:14 Speaker 17: Since maybe since twenty twenty, we've we've kind of recorded

43:18 Speaker 17: at least guitars and vocals, just.

43:22 Speaker 14: No real amps. It's all simulated stuff.

43:25 Speaker 17: So it's bedroom like half, maybe sixty percent of the

43:29 Speaker 17: song is bedroom stuff. The only thing that we tracked

43:32 Speaker 17: live now is drums, like in a in a studio space,

43:39 Speaker 17: just because we can't anywhere else. But and it saves money, Like,

43:45 Speaker 17: we have the ability to do it at home, so

43:47 Speaker 17: why don't we We've had we've had fifteen years of

43:51 Speaker 17: experience as a band. We kind of know what we're

43:54 Speaker 17: after at this point. And now technology is caught up

43:57 Speaker 17: to where we can just do it at home. And

43:59 Speaker 17: you know, some people might hear that the guitars aren't real.

44:03 Speaker 17: Some people might not, Oh, but I mean I spent

44:08 Speaker 17: them live. When when it comes to like tracking guitars

44:15 Speaker 17: and stuff, we just do it at home. But drums,

44:18 Speaker 17: drums were always in the local studios we've we've actually

44:22 Speaker 17: been through a few of them in the Northeast at

44:26 Speaker 17: the moment, just trying to find where we work best.

44:31 Speaker 5: Yeah, it's nice to change it up as well though, because, yeah,

44:35 Speaker 5: Jackson's pretty modest in that jack for Neighborhood and Another Life.

44:39 Speaker 5: Jackson produced all of that, and Yeah, to say that

44:44 Speaker 5: we did all of that at home other than the

44:46 Speaker 5: drums and it's come out sounding like that is insane.

44:50 Speaker 5: We had some help with the marstering at the end

44:51 Speaker 5: and things like that, but yeah, really the full body

44:54 Speaker 5: of that work came out from Jacksonston at home with

44:57 Speaker 5: headphones on, just mixing at home and really just digging

45:00 Speaker 5: into that. It's really really fun to go into different

45:04 Speaker 5: studios and work with different people and to see how

45:06 Speaker 5: what they say about drim kits and also to just

45:09 Speaker 5: see how when we showed them the song as a

45:11 Speaker 5: reference what we're doing, they're kind of like, okay, cool,

45:13 Speaker 5: what about this and we just learn. I think that's

45:15 Speaker 5: that's one thing that we always do, no matter where

45:18 Speaker 5: we record, if it's at home or whatever it is,

45:20 Speaker 5: song by song, we try and do something different, and

45:22 Speaker 5: we're always trying to research and learn about the best

45:25 Speaker 5: way to bring the elements of that song out that

45:27 Speaker 5: make it stand on its own.

45:28 Speaker 2: Yeah. Yeah, it's amazing what you can do now. In fact,

45:31 Speaker 2: the shirt that I'm wearing for those watching online day

45:34 Speaker 2: to attend. We had these guys on a couple of

45:36 Speaker 2: weeks ago, and U and I said something similar to

45:40 Speaker 2: them because their stuff sounds so good. It sounds like

45:42 Speaker 2: it was done in a million dollar recording studio. And

45:44 Speaker 2: Ed the guitar player is telling me, yeah, I don't

45:46 Speaker 2: even plug into an amp. I just you know, I mean,

45:49 Speaker 2: you know, you plug into a model or whatever term,

45:52 Speaker 2: and it's just it's it's incredible what you can do now.

45:56 Speaker 2: It really is a it's an amazing time to be alive,

45:58 Speaker 2: especially if you're a musician. So you guys, yeah, except

46:03 Speaker 2: for the money, well yeah, true, that never seems to change.

46:09 Speaker 2: What the time period, right, Yeah, that that's true. It's

46:12 Speaker 2: always been a problem unless you're you know, unless you're famous.

46:14 Speaker 2: But you know, if your tailor swift, then you then

46:17 Speaker 2: you get all the money. But uh, by the way,

46:20 Speaker 2: did you guys say what have you said? Fifteen years?

46:23 Speaker 2: You guys have been together.

46:25 Speaker 18: Yeah, we've not been paradise for that long, but yeah,

46:31 Speaker 18: we've we've it's been the same for four guys.

46:35 Speaker 16: As Jackson said earlier, I mean me and Ryan grew up.

46:38 Speaker 18: In the same street, and Jackson and Harry grew up

46:43 Speaker 18: a couple of doors down from each other. They all

46:44 Speaker 18: went to school with each other, and naturally I sort

46:46 Speaker 18: of gravitated towards them when went with early teens.

46:50 Speaker 5: So yeah, it's.

46:54 Speaker 2: Yeah, yeah, Oh that's incredible. Yeah, most fans don't last

46:58 Speaker 2: that long. That's amazing. How do you how do you guys?

47:02 Speaker 2: How do you how do you keep it together? I mean,

47:04 Speaker 2: because do you ever do any of you do side

47:07 Speaker 2: projects or anything? A are you just fully committed to

47:09 Speaker 2: this band?

47:11 Speaker 18: Oh?

47:11 Speaker 14: We we all have side stuff now, but we didn't

47:15 Speaker 14: for the longest time.

47:16 Speaker 2: Really, yeah, it was.

47:20 Speaker 17: I think Ryan, I mean, I'll speak for Ryan for now,

47:24 Speaker 17: but yeah, he plays bass in his partner's band, and

47:28 Speaker 17: Nathan also drums for that band. I've been in a

47:32 Speaker 17: like a goth pop band over the years, and we

47:37 Speaker 17: we we have split up time that way, but to

47:41 Speaker 17: stay together for that long as we haven't, it's never

47:44 Speaker 17: really never thought about it.

47:46 Speaker 5: You're forgetting the most important one. We do a Paramoure

47:48 Speaker 5: tribute band together, so not only.

47:51 Speaker 17: Yeah, yeah, that's where the money comes from.

47:54 Speaker 5: Yeah, yeah, that's how we record. So we do Clip

47:58 Speaker 5: Paradise all together and it's an and then the Paramore

48:01 Speaker 5: tribute band Ain't It Fun Is also Clip Paradise plus Robin,

48:05 Speaker 5: who sings in my partner's band playing, So it's like

48:09 Speaker 5: it's just one big group of friends and we just

48:11 Speaker 5: play loads of different bands and we just see what

48:13 Speaker 5: we can do.

48:13 Speaker 14: It keeps it easy.

48:14 Speaker 18: If it's the same like seven people and it's different bands,

48:19 Speaker 18: you're on each other's schedules that way.

48:21 Speaker 2: But it's so you guys do a Paramore a tribute band?

48:25 Speaker 2: Oh yeah, that's so cool.

48:27 Speaker 3: Do you do that? Do you do some?

48:32 Speaker 2: Sorry? I I have to know because my two favorite

48:34 Speaker 2: Paramore songs Misery Business?

48:36 Speaker 14: Do you do that one? Of course?

48:38 Speaker 2: And do you do Ain't It Fun?

48:39 Speaker 10: Of course?

48:40 Speaker 14: That's that's the name of the band in It fun?

48:42 Speaker 2: No kidding? Oh awesome? Awesome? Yeah? I uh yeah, that's

48:48 Speaker 2: Ain't it fun is?

48:48 Speaker 14: Is?

48:48 Speaker 2: Probably actually well, Misery Business was the first song where

48:51 Speaker 2: I was like, oh, I really like this band. I

48:53 Speaker 2: think that might have been their first hit single, at

48:56 Speaker 2: least in America. But then Ain't It Fun is? Ain't

48:58 Speaker 2: It Fun? Is so like it's impossible to hear it

49:01 Speaker 2: and not sing along, you know.

49:04 Speaker 5: Yeah, it's good fun. It's good fun, and it keeps

49:06 Speaker 5: you on your toes when you have to think about

49:08 Speaker 5: all the different songs they need to play. So we've

49:10 Speaker 5: all collectively got numerous setlists in our heads all the time,

49:14 Speaker 5: and we just ruck up different gigs and thing what

49:16 Speaker 5: shows it today.

49:20 Speaker 16: Specifics?

49:21 Speaker 2: Yeah, no, that's fantastic. Well listen, guys, the time goes quickly.

49:26 Speaker 2: We are approaching the top of the hour. It's been

49:28 Speaker 2: wonderful talking with the three of you, Ryan, Nathan and

49:32 Speaker 2: Jackson from Club Paradise, And like I said in the moment,

49:35 Speaker 2: we're gonna play Chasing the Summer another great track by

49:38 Speaker 2: the way, which is the newest single? Is yours the

49:40 Speaker 2: new one? Or is it Chasing the Summer? Yours?

49:43 Speaker 18: Yeah?

49:43 Speaker 5: Yeah, yes, is the latest one. Chasing the Summer was

49:46 Speaker 5: out in June. We've got we're doing a single every

49:48 Speaker 5: month October, So at the end of this month we'll

49:52 Speaker 5: have a track out called what If These Days. At

49:54 Speaker 5: the end of September we'll have another track out which

49:56 Speaker 5: I'm not gonna name yet, and then we've got an

49:58 Speaker 5: October EP coming out called Life on TV. And that'll

50:02 Speaker 5: be a collection of six songs, including the singles.

50:04 Speaker 2: Oh very cool, very cool. Yeah, feel free to send

50:07 Speaker 2: those two as they're released. We would love to do.

50:10 Speaker 2: You know, we like to do world radio premieres here,

50:12 Speaker 2: so if we can kind of be your oh, your

50:14 Speaker 2: conduit in that way on American radio, we'll we'll do

50:17 Speaker 2: a world radio premiere for each new single as it

50:20 Speaker 2: comes out. That'd be great.

50:21 Speaker 5: Let's do that, definitely, that'd be so fun.

50:23 Speaker 2: Absolutely, absolutely. And the other thing too, what should people know?

50:26 Speaker 2: What should our listeners know about where to go online

50:29 Speaker 2: to keep up with everything that you guys are doing

50:31 Speaker 2: in terms of music and shows. If we have any

50:33 Speaker 2: listeners and I don't know if you plan to get

50:35 Speaker 2: to America at any point, but but if you know,

50:37 Speaker 2: we do have listeners because of again God bless the Internet,

50:40 Speaker 2: we have listeners over there to online. But what should

50:43 Speaker 2: people know about keeping up with everything that you guys

50:45 Speaker 2: are doing.

50:47 Speaker 5: All of the handles are at this is club paradise.

50:50 Speaker 5: We probably update Instagram the most, and then I'll handle

50:54 Speaker 5: on Twitter X sorry is a club paradise with two

50:59 Speaker 5: underscores at.

50:59 Speaker 2: The I still call it Twitter, by the way, because

51:04 Speaker 2: much changing. Yeah, you call it X and people don't

51:06 Speaker 2: know what you mean necessarily, whereas everybody knows what Twitter is.

51:10 Speaker 2: Definitely definitely much much easier. Guys, thank you again so much.

51:14 Speaker 2: We're gonna hit this track, Chasing the Summer. But h

51:17 Speaker 2: I appreciate us speaking with the three of you. We'll

51:19 Speaker 2: do it again in the future, of course. And uh

51:21 Speaker 2: and I look forward to playing the new singles too

51:24 Speaker 2: as they're released on the show. So uh, guys, thank you,

51:27 Speaker 2: thank you again, really appreciate it. Thank you so much

51:29 Speaker 2: for having you got it, You got it all right.

51:32 Speaker 2: Thanks guys, take care all right. That is a club paradise,

51:37 Speaker 2: and we're gonna play this track.

51:39 Speaker 3: Uh.

51:39 Speaker 2: This is called Chasing the Summer.

51:41 Speaker 7: Chasing the sum.

51:47 Speaker 6: Yes on the tax take a corner balls, really chasing

52:03 Speaker 6: the Summer.

52:05 Speaker 7: To me, you run the streets round.

52:13 Speaker 6: To don't want to go home?

52:20 Speaker 19: Felt like a change of Mozille step. She is, oh

52:25 Speaker 19: sowar else but summers the night she was, Oh summer else,

52:33 Speaker 19: I was summers to.

52:35 Speaker 7: Night, chasing the summer.

52:43 Speaker 6: Mind and my has to stay summer over your job

52:50 Speaker 6: from me, paintbills on the ground and green and my

52:55 Speaker 6: back like a corner, really chasing in the summer.

53:07 Speaker 7: I never felt so lonely. No, I was just calling

53:11 Speaker 7: was I was feeling like I knew who I could be.

53:16 Speaker 7: But it's not what you want from me. Okay, oh shit,

53:21 Speaker 7: I could see myself. I could see myself there night.

53:27 Speaker 19: Tell me the dream of somewhere else, dreams of summer

53:31 Speaker 19: us too vain.

53:34 Speaker 7: She said, the summer could be mind and my hands

53:41 Speaker 7: to say, its not forever you look time from me pain.

53:49 Speaker 6: I a on the ground, ran the mob like a

53:54 Speaker 6: car being.

53:56 Speaker 7: Chasing in the summer.

53:59 Speaker 6: Seas I know about myself from fright. Everyone else wishould

54:11 Speaker 6: put the bad and wasting, relying souse wasted, reminding.

54:22 Speaker 7: She seems soler kick the death from my heels because

54:29 Speaker 7: it's not forever we love jobs, will be.

54:35 Speaker 6: Paying bills out the long ground, scrand and my bows

54:40 Speaker 6: so so I to call her all the deal chasing summer, sub.

54:51 Speaker 7: Cha saying son co Cha saying summer.

55:09 Speaker 6: Ship chance, summer.

55:37 Speaker 4: I'm on my way now, Why would I wait?

55:40 Speaker 3: Now?

55:40 Speaker 5: Wait?

55:40 Speaker 4: Now I'm on my way now? Why would I wait?

55:43 Speaker 17: Now?

55:44 Speaker 5: Wait?

55:44 Speaker 4: Now I'm on my way now? Why would I wait?

55:47 Speaker 13: Now?

55:48 Speaker 5: Now?

55:49 Speaker 7: My way now?

55:51 Speaker 3: Way?

55:52 Speaker 8: Like things like sports is touchdown look get when I'm

55:54 Speaker 8: on that field, I don't give a what's because I'm

55:57 Speaker 8: working on minding it. Need a good deal, Tell me

55:59 Speaker 8: what's real. I need a bell twenty nine trying to

56:02 Speaker 8: get all of my bills and trying to destroy me

56:04 Speaker 8: like capitol pill.

56:05 Speaker 4: I'm coming right back and I'm nothing to throw. But

56:07 Speaker 4: against ain't captain. They making this bell for the impact.

56:11 Speaker 9: Woo woo woo.

56:12 Speaker 8: Get the quick dash soon there's the money call. Let

56:14 Speaker 8: me right back, do it all when my heart can't

56:16 Speaker 8: fight that puny by me with a barm that decide

56:18 Speaker 8: rat got I'm telling me he's wrong that I'm like

56:20 Speaker 8: that hip jack the MICUs with the fight pack.

56:23 Speaker 4: Hunt a mic and a no.

56:23 Speaker 8: I wanma ter him holy fighting with a man in

56:26 Speaker 8: the mirror when the aero step back's a good pack.

56:28 Speaker 8: If we're talking about impact, we did that. Oh no,

56:31 Speaker 8: heads to the front door. I know such it's gonna come.

56:34 Speaker 8: So got one by the end and the one more.

56:36 Speaker 4: I swear for my end.

56:37 Speaker 7: I'm gonna take yos.

56:38 Speaker 8: We're gonna with the Cheeseuga's kiss Kay sous letta be

56:40 Speaker 8: kicking heavy kiss. Wake up in the morning with a

56:43 Speaker 8: day go trying to tour the states to win a

56:45 Speaker 8: big goat, say souls, I just want to make both

56:47 Speaker 8: put a hole in his head like a bag, go

56:49 Speaker 8: lay low and wait for the safe goat plays go.

56:52 Speaker 8: I don't want to stay pope these toge this talking,

56:54 Speaker 8: but I see the options. I think I'm taking it next,

56:57 Speaker 8: losing that hope. Well nowhere that goal.

56:59 Speaker 4: But I got this as on my chest.

57:01 Speaker 8: Push me, don't break down, but I don't break down,

57:05 Speaker 8: cribbing like eight miles.

57:07 Speaker 4: I'm on my weight.

57:08 Speaker 10: Now I'm on my way now. Why would I wait now?

57:12 Speaker 10: Now I'm on my way now? Why would I wait now?

57:16 Speaker 10: Now I'm on my way now? Why would I wait?

57:19 Speaker 3: Now I'm on my way?

57:23 Speaker 11: When holder wait log Wabi play biggest man than may

57:28 Speaker 11: I make?

57:28 Speaker 14: Okay?

57:29 Speaker 12: Depending when I pull up in the pain kind of

57:32 Speaker 12: remember bag with the biggest picture the fucker gud They try.

57:35 Speaker 4: To figure me up.

57:36 Speaker 12: Tell me, did you hear me when I say I

57:39 Speaker 12: come from the error left your marriage pop off with

57:41 Speaker 12: the stupid tot down. In the terrace were Cup and

57:43 Speaker 12: the Teiths. We pretend we know her them because in

57:45 Speaker 12: the boot and they drove through word area. Your gentrification

57:47 Speaker 12: was patiently waiting back that we are picking and so

57:50 Speaker 12: the in case they fighting for a placement on corners

57:52 Speaker 12: outrageou where others have plaguing so up to word trap.

57:55 Speaker 12: Wait now that was my trailer like eight mile will

57:58 Speaker 12: l I know not play round from them foods and

58:00 Speaker 12: a bay currency come in and currently keep a good

58:04 Speaker 12: company being your somebody all of my beddiness stuff's like

58:07 Speaker 12: children and raised but no man's like in general. These

58:09 Speaker 12: rappers are so will pick them up while hitting them

58:12 Speaker 12: draws might be your wife, it might be your mom.

58:14 Speaker 3: No discrimination.

58:15 Speaker 12: I'm basing them off because they just talking like they

58:18 Speaker 12: see their black cadalac.

58:20 Speaker 11: You look like a government.

58:21 Speaker 16: Come from the money.

58:22 Speaker 12: It's rotures and sofas employees.

58:24 Speaker 4: Don't where you had to go get it.

58:25 Speaker 12: The packs in the digital and said I'm giving you

58:27 Speaker 12: VEX them a criminal packed up, get packed in the clock.

58:30 Speaker 12: If you dumped in the lake and you thumb were okay, pounded,

58:32 Speaker 12: the flavor would break down. I was like the state

58:35 Speaker 12: like a break pound. Just say the stage up in

58:37 Speaker 12: eighth Towns. They said, I'm my weight now.

58:40 Speaker 4: I'm on my way now. Why would I wait now?

58:43 Speaker 10: Now I'm on my way now Why would I wait

58:46 Speaker 10: now Now I'm on my way now?

58:49 Speaker 4: Why would I weigh now now I'm.

58:52 Speaker 7: On my way.

58:54 Speaker 17: Way.

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