Matt Connarton Unleashed 8-30-25 hour 1

0:01 Speaker 1: Right now. A w m n H ninety five point

0:05 Speaker 1: three FM exclusive, Matt Connerton Unleashed presents the world radio

0:11 Speaker 1: premiere of the new single from Brides. This is called

0:16 Speaker 1: creature culture.

0:17 Speaker 2: You are listening to Wumnah.

0:21 Speaker 3: World premiere start creature mutation. But it's sad test like

1:06 Speaker 3: mad skinIn smills down the grado. It's still goode being paid, But.

1:11 Speaker 4: How did you take place some right?

1:12 Speaker 3: Just put back like you talk.

1:17 Speaker 5: It's map skins, pretty skin lead at me too, shit

1:21 Speaker 5: you guys, good nay chill and stop.

1:22 Speaker 3: Ain't by that ts its tick, your sensation creacher chock chup,

1:43 Speaker 3: creature shop shot strutching it what TuS you get your

1:50 Speaker 3: stish line, you put a little don't.

1:55 Speaker 5: Two of your eyes but your right tess's about.

1:57 Speaker 3: It's like the subtest not mask strolling the brothers struggle

2:08 Speaker 3: in the bay.

2:08 Speaker 4: But haven't you go so much.

2:10 Speaker 3: To stop by face.

2:15 Speaker 5: This man skins and friskin leading me to me that

2:19 Speaker 5: smation something my face causes.

2:22 Speaker 2: Like a sensation shave me away showing.

2:38 Speaker 3: And I get loud at the drenching as people. It's

2:41 Speaker 3: const mind to destry. Custis the g T man sen

2:45 Speaker 3: so may.

2:48 Speaker 6: The Sons of Mind face the Man's Rain in My Friends,

2:51 Speaker 6: it's when behind a man, That's why behind and You're.

2:55 Speaker 3: Not drunk, a Mousers gay.

2:57 Speaker 4: Rights bag and see.

3:36 Speaker 1: There it is. That is a brand new track from

3:39 Speaker 1: Brides that is called Creature Culture. They are all the

3:42 Speaker 1: way from the UK and they are going to be

3:44 Speaker 1: here with us on the show next week online, not

3:47 Speaker 1: in person, but really looking forward to that. But you

3:49 Speaker 1: heard it here first the first time ever on any

3:52 Speaker 1: radio station, the world radio premiere of the new track

3:54 Speaker 1: from Brides that is called Creature Culture. And this is

3:57 Speaker 1: Matt Connorton Unleashed. We are live from the studios of

4:01 Speaker 1: w m n H ninety five point three FM and

4:03 Speaker 1: Glorious Manchester, New Hampshire. It is August thirtieth, twenty twenty

4:08 Speaker 1: five and I am not alone.

4:20 Speaker 7: Good morning Sunshine.

4:22 Speaker 1: Jenny is here at the news table present account at

4:25 Speaker 1: four and well it's our last show in August. You know,

4:28 Speaker 1: I love that song. Basically the last show of summer

4:31 Speaker 1: makes me kind of sad. Unofficially sorry, I do love

4:34 Speaker 1: that song, tood. I'm looking forward to talking with them, yeah, yeah,

4:37 Speaker 1: next week next week, yes, but right now, joining us

4:40 Speaker 1: live in studio. Let me get these mics up. We've

4:43 Speaker 1: got replaced by robots. This here, welcome, thanks for having us,

4:47 Speaker 1: and hello, and there's an actual role let me get

4:51 Speaker 1: that hammer on you for those watching online. And we

4:54 Speaker 1: have an actual robot in studio with us too.

4:56 Speaker 3: Here okay, man or.

5:06 Speaker 8: He is new to this planet.

5:08 Speaker 1: Wow is a robot an official member of the band or?

5:12 Speaker 1: Oh wow? Okay, excellent? So you're actually a four piece?

5:14 Speaker 8: Yes, Gulcasan will drive back home if he forgets him

5:18 Speaker 8: a gig.

5:20 Speaker 1: So we have uh so the the three primary members

5:23 Speaker 1: are Gulcazi and Heather Joy Morgan and Adam Wade, who

5:26 Speaker 1: are all here in studio with us, and of course

5:29 Speaker 1: the robot. What's the robot's name? I assume the robot.

5:32 Speaker 1: Oh what's the matter. Oh your MIC's not working? My

5:36 Speaker 1: MIC's Oh I hear it. Oh you're just low in

5:39 Speaker 1: the you're low apologized. I can hear it now, Yeah,

5:43 Speaker 1: now I can hear you?

5:44 Speaker 9: Can you hear me?

5:45 Speaker 5: Now?

5:46 Speaker 1: We've got we've got an extra mic set up because

5:49 Speaker 1: these guys are gonna play live for us in a

5:51 Speaker 1: few minutes and really looking forward to that because you

5:54 Speaker 1: know what, I'm interested in is because listening to the

5:56 Speaker 1: tracks and I love these songs, but I'm very curious

5:59 Speaker 1: to hear how you sound with an acoustic guitar. After

6:02 Speaker 1: after hearing these studio tracks, you know, yeah.

6:04 Speaker 7: We are too at it. And it was like, yeah,

6:06 Speaker 7: let's do this, and I was like.

6:09 Speaker 8: Everything, So this.

6:11 Speaker 1: Is this is an unusual uh scenario here with the

6:13 Speaker 1: first really Oh yes, yes, we do like that very much,

6:19 Speaker 1: very much.

6:19 Speaker 8: I have so few firsts left now, that's never true.

6:24 Speaker 1: There's always something good. And uh, where are you all from?

6:29 Speaker 1: I assume you're you're probably a little bit scattered, right,

6:32 Speaker 1: but you're based where? Where are you? Where do you

6:34 Speaker 1: say you're based out of Portsmouth? Sportsmouth?

6:37 Speaker 3: Yeah?

6:37 Speaker 1: Great, great music scene there, Sportsmouth.

6:40 Speaker 8: I feel, yeah, we're the best of it.

6:42 Speaker 1: I mean as far as as far as New Hampshire goes.

6:44 Speaker 1: I think I think Portsmouth is kind of in terms

6:46 Speaker 1: of the music scene, the coolest, the hippest place in

6:49 Speaker 1: the state, really coolest well in terms of music. Yeah,

6:53 Speaker 1: just just like like Portsmouth. To me, I've always kind

6:56 Speaker 1: of thought of it as like Boston North, you know

6:59 Speaker 1: what I mean, It's like nor I don't know that

7:02 Speaker 1: Portsmouth would agree, that's that's you know, I don't know.

7:05 Speaker 1: I certainly mean it as a compliment. Oh I know,

7:07 Speaker 1: I know.

7:08 Speaker 8: But on their way through Ride did come by there

7:13 Speaker 8: and play who did Ride?

7:15 Speaker 1: Ride?

7:16 Speaker 8: The British shoegaze bend?

7:18 Speaker 10: Uh?

7:18 Speaker 1: Yeah, well there you go. Yeah, they didn't come to Manchester,

7:22 Speaker 1: did they?

7:22 Speaker 11: No?

7:22 Speaker 8: They did not.

7:25 Speaker 1: Well, what's what's I'm gonna let you all pick what

7:29 Speaker 1: should we play for a studio track, and then we'll

7:32 Speaker 1: you send me I love these songs, and then we'll

7:34 Speaker 1: actually maybe can I pick? Can I be Selfish? And

7:36 Speaker 1: can we play Lonely Nights?

7:38 Speaker 3: Yeah?

7:38 Speaker 1: Okay, because that's my favorite? I usually let the guest pick,

7:40 Speaker 1: but that's my personal favorite. I love this song so much.

7:43 Speaker 1: It it's catchy as hell.

7:45 Speaker 8: Wasn't that what we were going to play on? And

7:47 Speaker 8: the acoustic?

7:50 Speaker 3: That's okay?

7:54 Speaker 8: That's a bit.

7:57 Speaker 3: Maybe.

7:58 Speaker 1: Well I don't know, all right, Well we can we

8:00 Speaker 1: can play something else?

8:01 Speaker 12: So confusing?

8:05 Speaker 3: We could?

8:06 Speaker 1: We could? Yeah, that's true, we could. We could play

8:08 Speaker 1: the Ouiji board song. What's the full title of that?

8:12 Speaker 8: Since you broke my wija board?

8:15 Speaker 1: I have a question too before we play this. Now,

8:17 Speaker 1: I've always heard of pronounce wigi, but you pronounce it

8:20 Speaker 1: more like it's actually spelled.

8:21 Speaker 8: Yes, that's because I actually speak German. Probably, Oh, no.

8:25 Speaker 1: Kidding, Okay, so that is so so so the way

8:27 Speaker 1: you're saying it is the correct pronunciation osia. Yeah. I

8:31 Speaker 1: always wondered because growing up, so my mother had one

8:34 Speaker 1: and we in the summer when I would I would

8:36 Speaker 1: spend the summers with her because she lives in another

8:38 Speaker 1: part of the country, and uh, she would uh, she

8:40 Speaker 1: would pull out the Wiji board or wija. I don't

8:42 Speaker 1: know if I can get used to say, well, I

8:44 Speaker 1: can't pronounce it exactly the way you say it anyway,

8:46 Speaker 1: because I can't do the accent. But much to the

8:49 Speaker 1: consternation of my father, who found out many years later

8:52 Speaker 1: that that we were doing that, my great devout Catholic

8:55 Speaker 1: father did not approve. But but then so that was

8:59 Speaker 1: what I thought about the first time I saw that

9:01 Speaker 1: song title and the night I played it, and I

9:02 Speaker 1: was like, oh, she pronounces it differently, but the way

9:04 Speaker 1: she pronounces it is it looks like the way it's

9:06 Speaker 1: actually spelled. Because I always wondered, are we saying it wrong.

9:09 Speaker 8: Because well, it's just yes in French, and yes in

9:12 Speaker 8: German we.

9:14 Speaker 1: And yeah, so I knew that.

9:17 Speaker 3: Yeah.

9:17 Speaker 8: Actually, if you were pronouncing it then it would be we. Yeah,

9:21 Speaker 8: but that's that's not for an English person to get

9:24 Speaker 8: involved with. So just stop at wee jaw.

9:28 Speaker 1: Okay, all right, let's give this a spin and then

9:31 Speaker 1: we're going to come back and talk a little bit.

9:33 Speaker 1: And uh, here it is, and the band is replaced

9:36 Speaker 1: by robots.

10:21 Speaker 3: Seagroqueijao can talk to those numb.

10:29 Speaker 13: You, Loueigian boy can do that does not as unchables

10:36 Speaker 13: you ever Rueigia not.

10:41 Speaker 4: Taste the.

10:58 Speaker 3: Sad.

11:43 Speaker 4: The show.

11:50 Speaker 3: No su.

12:11 Speaker 13: Sunston was the game advice, the Evening Dusk Summers some moments.

12:22 Speaker 1: Now, that part at the end is such a cool touch,

13:24 Speaker 1: not not what you were doing green casing, but the.

13:28 Speaker 7: Little Adams Adams insane piano.

13:32 Speaker 1: Yeah, yeah, that's that's really cool. I like the way

13:35 Speaker 1: it because it's kind of it's kind of a surprise.

13:37 Speaker 1: You don't expect to hear that at the end, but

13:38 Speaker 1: it fits a song perfectly. The band, of course, is

13:41 Speaker 1: replaced by robots who are here with us live in studio,

13:43 Speaker 1: and the song Heather, how do you pronounce it correctly? Again?

13:47 Speaker 8: Wija wija since you broke my wija board.

13:52 Speaker 1: Since you broke my wija board. All right, so do

13:54 Speaker 1: you want to tell that you were telling it off?

13:55 Speaker 1: Are you want to tell?

13:56 Speaker 14: Yeah?

13:56 Speaker 8: We were in the middle of a rehearsal, and then

13:59 Speaker 8: I went into the little terror room on the side

14:03 Speaker 8: where we used to where we record, and I've got

14:05 Speaker 8: all my little relics and oddities laying around there, and

14:08 Speaker 8: I noticed that Gulcassian had taken my antique weijaboard and

14:15 Speaker 8: stuffed it into a bag and and he broke it.

14:19 Speaker 8: And I was so upset, and I went back into

14:22 Speaker 8: the room, and you know, we're all just kind of

14:25 Speaker 8: jamming and and they're like lyrics Morgan. So then I

14:29 Speaker 8: just started singing, since he broke my wee jabb, I

14:33 Speaker 8: can't talk to the ghost no more. And we just

14:37 Speaker 8: kept going. We just wrote the whole thing right there.

14:39 Speaker 8: That's cool channeling my marital rage, ye.

14:43 Speaker 1: Are are was? It wasn't the robot.

14:48 Speaker 8: It's not really broke, it's broken.

14:51 Speaker 7: It was italy like a little like a little ding

14:54 Speaker 7: in the side of it.

14:56 Speaker 8: I was wondering, Yeah, it was perfect before I met you.

15:00 Speaker 8: It was perfect since nineteen nineteen.

15:03 Speaker 1: Oh wow, it really is?

15:04 Speaker 15: Oh wow?

15:05 Speaker 1: Yeah? And then so what it's good? So it's just

15:07 Speaker 1: got a ding in it or a crack or what broken?

15:09 Speaker 7: This little overly dramatic.

15:12 Speaker 1: Okay, okay, yeah great for song lyrics? Yeah, absolutely, absolutely

15:17 Speaker 1: very cool. Well, I'm dying to hear you all play live.

15:19 Speaker 1: Uh if you are just joining us replaced by robots?

15:22 Speaker 1: Is here with us live in studio?

15:24 Speaker 8: And uh and we're somewhat alive?

15:26 Speaker 1: Yeah it is.

15:27 Speaker 16: Uh.

15:27 Speaker 1: Is this the earliest uh you as a band have

15:30 Speaker 1: ever played live? Yes? Yes, but we and also je okay, gotcha,

15:38 Speaker 1: well well done, We've got Adam brought his guitar so

15:43 Speaker 1: which which was a surprise. I didn't know you're gonna

15:45 Speaker 1: play live, but I'm very happy about it. So, so

15:47 Speaker 1: what are you gonna What are you gonna play for us?

15:49 Speaker 7: I think we'll play.

15:52 Speaker 3: Lonely Nights. Little song called Lonely Nights.

15:54 Speaker 1: Awesome. I love this song and I'm very excited to

15:56 Speaker 1: hear it played acoustic live in studio.

15:58 Speaker 17: So we are yeah, cruel morning for a long Adam

16:04 Speaker 17: sprung this on us at like seven, Oh wow, I

16:10 Speaker 17: was still asleep and basically responded, Okay, yeah, here I

16:15 Speaker 17: am yeah, yeah, you.

16:16 Speaker 8: Were having a dream googlecase in you were punching a lamp.

16:20 Speaker 1: Oh my goodness, but he does okay, all right, well,

16:23 Speaker 1: fair enough, whatever, whenever you're ready, all right.

16:43 Speaker 10: Lonely, lonely, lonely, lonely, nice, lonely, lonely, lonely, lone lay, nice.

17:02 Speaker 7: Smoke a funny cigarette. Walked into the discothech, trying not

17:07 Speaker 7: to act strange, dancing like a freak. I'm trying to

17:11 Speaker 7: be discreek as trying to catch your name.

17:16 Speaker 14: Lola, lol, lonely, lonely, nice, long letlone no lo let,

17:25 Speaker 14: lonely nice.

17:36 Speaker 8: The tons and the spieger, the tons and guns a line.

17:39 Speaker 8: I couldn't find you anywhere, findedly so fine circles getting smaller,

17:44 Speaker 8: running out of time, the unclinas.

17:47 Speaker 18: I want you to be mine, lone man, lonely, lonly nice.

17:55 Speaker 3: On the Lol, lo man, loely, lonely.

17:59 Speaker 18: Nice, lonely, running out of time, lo lay, lone.

18:30 Speaker 16: Man, lonely, lonely nice, lay, low man, lonely, lonely.

18:38 Speaker 3: Nights it Lola, LOLd man, lonely, lone.

18:44 Speaker 16: Me nice, no lay, lone man, loly, lonely, nice, long lay, lonely, lonely.

18:57 Speaker 3: Lonely nice.

19:01 Speaker 1: Oh my god, I love it.

19:02 Speaker 3: That was awesome. That was awesome.

19:05 Speaker 1: Wow. I can't wait for you guys to hear your

19:07 Speaker 1: souls on playback. Yeah, like that was really awful. Yeah, yeah,

19:11 Speaker 1: that was great. Well done. If you are just joining us,

19:13 Speaker 1: we have replaced by robots here with us live in

19:15 Speaker 1: studio on this Saturday morning, and that sounded fantastic.

19:20 Speaker 8: I put my toe out of line. I'm gonna get

19:23 Speaker 8: it later.

19:23 Speaker 1: Oh my well, no, no, no worries. So now how

19:31 Speaker 1: do you Everyone always say it's this question, but how

19:33 Speaker 1: do you describe your music to people who haven't heard it?

19:35 Speaker 1: Because there's obviously a tremendous mix of influences and you have,

19:39 Speaker 1: you know, you've all played in other bands and have

19:41 Speaker 1: different backgrounds and ear least I assume so. And by

19:43 Speaker 1: the way, Heather, are you you're also an oil painter? Correct?

19:45 Speaker 11: Yes?

19:46 Speaker 3: I am trained?

19:47 Speaker 8: Yeah, trained trained.

19:49 Speaker 1: Jenny's an artist. I am not trained, but so I'm curious,

19:55 Speaker 1: So how do you describe your or do you even try?

19:58 Speaker 1: Or do you just play it and say I spam?

20:01 Speaker 8: When I send out males about our about our upcoming shows,

20:06 Speaker 8: I always say the world's most prominent rock band if

20:09 Speaker 8: you're interested in in that. But usually I say, you

20:12 Speaker 8: can tell what we love. You can tell that we

20:15 Speaker 8: love nineties alternative. You can tell we like the Pixies,

20:20 Speaker 8: the Cure and and Girl Group. I gotta ask punk rock.

20:23 Speaker 1: Are you influenced by Blondie?

20:25 Speaker 3: Oh?

20:26 Speaker 8: Absolutely, because like I thought, I'm like.

20:28 Speaker 1: She's gotta be I was a Blondie family. Oh yeah,

20:31 Speaker 1: and I can hear with you like that is.

20:32 Speaker 8: So called first concert I ever went to? Was was

20:36 Speaker 8: it Meadow Lens brendan Burn Arena? It was rand opening

20:40 Speaker 8: for Blondie. Yeah, of course yeah. I was like nine, Wow, yes,

20:48 Speaker 8: of course.

20:50 Speaker 3: So did we ever? Yeah?

20:52 Speaker 1: So I mean what do you so, what do you

20:54 Speaker 1: call it?

20:54 Speaker 3: Like?

20:54 Speaker 1: Do you try to put a label on what you.

20:56 Speaker 8: Do or well that's usually what what we hear in

20:59 Speaker 8: our reviews is kind of genre busting. But you can

21:03 Speaker 8: tell what we like. You know, if you if you

21:05 Speaker 8: like the uh, you know Bauhaus, you're like, oh, you know,

21:09 Speaker 8: I hear a little of that. I mean, Adam over

21:12 Speaker 8: here is an encyclopedia of underground music, so he can

21:15 Speaker 8: just pop in whatever influences we're thinking about that day.

21:21 Speaker 1: Nice. Nice. We're kind of pop goth, Yeah, dance dance

21:25 Speaker 1: pop god dance pop goth. I like that. Yeah.

21:27 Speaker 7: And one of the things that when we came up

21:30 Speaker 7: with the name Replaced by Robots, what we kind of

21:33 Speaker 7: loved about it was like it didn't higeon hold us

21:37 Speaker 7: into anything because it and like we'll write songs and

21:41 Speaker 7: then we're like, this is not like what we do,

21:45 Speaker 7: but it fits in, Like everything fits in with that name,

21:49 Speaker 7: you know what I mean, it's not constrained.

21:53 Speaker 8: I love it a good pigeon hole.

21:56 Speaker 1: Well where so where does the name come from? Replaced

21:58 Speaker 1: by Robots?

21:59 Speaker 8: I mean, I uh, we were tossing around ideas and uh,

22:04 Speaker 8: I just came up with that out of kind of

22:06 Speaker 8: out of the blue. But uh, it had something to

22:09 Speaker 8: do with a kind of disappointment in the algorithm driven

22:14 Speaker 8: of today, neiss of music and uh, you know, and

22:18 Speaker 8: also people's livelihoods and just everything. Yeah, and uh and

22:23 Speaker 8: to me that was I mean, it could be a

22:25 Speaker 8: way of saying that we're robots, or it could be

22:29 Speaker 8: a way of saying we are obsolete bohemians, and you know,

22:32 Speaker 8: maybe a little of both. We play with, we play

22:35 Speaker 8: with all of those ideas. And once we picked up

22:39 Speaker 8: on that concept, it became so much fun to play

22:41 Speaker 8: with with our videos, with our writing and uh so yeah,

22:47 Speaker 8: right guys, Yeah absolutely.

22:50 Speaker 1: And and and what about the themes like lyrical themes

22:52 Speaker 1: in your songs? I mean, is there anything specific that

22:55 Speaker 1: you're trying to convey or are you trying to I saw,

22:58 Speaker 1: you know, the word when I was reading about the band,

23:00 Speaker 1: The word futuristic came up quite a bit. But I

23:03 Speaker 1: don't know if I mean a song like Lonely Nights

23:06 Speaker 1: that's not that's not anything futuristic. That's just something relatable.

23:09 Speaker 1: Maybe that's why I like that song so much. Aside

23:11 Speaker 1: from that, it's very catchy. It's something everyone can relate to, right.

23:14 Speaker 8: But yeah, Heartbreak and the Apocalypse go.

23:20 Speaker 7: Yeah, like I feel like at a core, always like

23:24 Speaker 7: very emotional, you know, like like I love soul music,

23:30 Speaker 7: but I don't like listening to it. But I like

23:32 Speaker 7: the concept.

23:33 Speaker 1: Oh okay, very interesting, very interesting. What's your what's your

23:38 Speaker 1: live show like? Because because what you do lends itself

23:42 Speaker 1: to I assume the robot is part of the live show.

23:46 Speaker 7: Big He's like we put him out front and he

23:49 Speaker 7: just kind of dances and then people kind of want

23:52 Speaker 7: to come dance with him.

23:53 Speaker 1: Oh that's cool.

23:54 Speaker 7: Yeah, but we just have fun.

23:56 Speaker 3: Man.

23:56 Speaker 8: We're very high spec control and uh and and uh

24:03 Speaker 8: and luminous mesmerizing. We've been told things mesmerizing and uh

24:10 Speaker 8: and I mean we're we're a tough actor. Follow Literally,

24:13 Speaker 8: bands who have to go on after us are like,

24:15 Speaker 8: oh man, like what what am I going to do?

24:18 Speaker 8: Those guys that they're weird and they're also like so

24:21 Speaker 8: driving that it may take a couple of songs for

24:24 Speaker 8: for a person to reclaim the space.

24:26 Speaker 1: Sure, and that's cool. Oh yeah, that's that's very cool.

24:32 Speaker 16: Yeah.

24:33 Speaker 7: Both Adam and I come from really intense like uh,

24:37 Speaker 7: like punk rock band.

24:38 Speaker 1: Yeah, so you were in the elevator drop okay because

24:42 Speaker 1: I remember that band? Yeah, and oh go ahead.

24:46 Speaker 7: Yeah. And Adam was in a funeral party, which was

24:49 Speaker 7: and we knew each other in Boston. Oh no, kidding,

24:51 Speaker 7: can make the whole thing makes no sense. We shared

24:54 Speaker 7: a rehearsal space and he reminded me I I have

24:57 Speaker 7: like the worst memory.

24:59 Speaker 1: Yeah, and I was like, oh my god.

25:01 Speaker 7: So we were like like we shared oursal space together

25:04 Speaker 7: in Boston. Then he was like, my neighbor up here.

25:06 Speaker 1: No, kidd oh wow, So this is there is an

25:09 Speaker 1: element of fate to this, right, you were destined to

25:11 Speaker 1: be at a band together.

25:12 Speaker 8: We all came together at a we we hosted the

25:16 Speaker 8: Chameleons in their kind of acoustic form, a Chameleons Box,

25:21 Speaker 8: play a show at our house, and and we invited

25:24 Speaker 8: Adam to the party. He's a huge band, and it

25:27 Speaker 8: was it was a great night. It was a it

25:29 Speaker 8: was a great show. And then we ended up deciding

25:31 Speaker 8: to play together at that show.

25:33 Speaker 1: Okay, okay. And then how long after you decided to

25:36 Speaker 1: play together, how long did it take to get the

25:38 Speaker 1: project rolling? Not too long? No, like a month? Really

25:42 Speaker 1: that's quick, Yeah, that's quick. But that's when you know

25:44 Speaker 1: you've got something, right. I always say this when you

25:46 Speaker 1: when you have something that you know, gels quickly, you know,

25:50 Speaker 1: and it's not a lot of effort, you know, to

25:51 Speaker 1: try to put something together. It just kind of happens,

25:53 Speaker 1: and you know you've really got something totally.

25:55 Speaker 16: I think it was forty three days.

25:59 Speaker 8: Yeah, I'mikeka and Adam has a very good memory apparently. Yeah,

26:06 Speaker 8: and it's like a soup, everything is all mixed together.

26:10 Speaker 8: He just dips the ladle in and spills it out

26:12 Speaker 8: and all years intermingled all the fact.

26:16 Speaker 3: How this is the spoon on the bowl.

26:18 Speaker 8: Yeah, I.

26:21 Speaker 1: See, I see.

26:24 Speaker 8: We are for his madness.

26:26 Speaker 1: Okay, okay, well I think we should play another studio track.

26:33 Speaker 1: So we talked off air about this. So this is

26:36 Speaker 1: not one of the ones you sent me, but I

26:37 Speaker 1: do have a queue up I did where do you

26:39 Speaker 1: get here? It is are we falling in Lover? Am

26:41 Speaker 1: I just losing my mind? I really like this song too?

26:43 Speaker 1: And this is of course we haven't talked about this yet.

26:45 Speaker 1: We'll talk about the experiment, the the EP that you've

26:48 Speaker 1: released a little bit on the other side of this.

26:50 Speaker 1: But but let's give this a listen, because I really

26:52 Speaker 1: like this song a lot. And if you are just

26:53 Speaker 1: joining us, we do have replaced by robots, replaced by

26:58 Speaker 1: robots here with us in studio and uh, let's uh,

27:01 Speaker 1: let's give this a spend. This is called are we

27:03 Speaker 1: falling in love? Or am I just losing my mind?

27:14 Speaker 3: Dancing around the machinery? Coming rights? We'll give me asking

27:30 Speaker 3: times to sens spending now the altar case.

27:53 Speaker 11: God, this is such a beausiful nice sometimes.

27:58 Speaker 2: A list of the sector to.

28:02 Speaker 3: Come right, but give you asking the times to send.

28:07 Speaker 11: To as we're born to another dimension.

28:51 Speaker 10: So ask.

29:23 Speaker 1: Are we falling in love? Am I just losing my mind?

29:25 Speaker 1: The band is replaced by robots, and we have replaced

29:28 Speaker 1: by robots here with us live in studio. What are

29:30 Speaker 1: you going to say, Jenny?

29:31 Speaker 10: Oh?

29:32 Speaker 1: Sorry, I wasn't gonna say anything. Oh okay. I thought

29:34 Speaker 1: about it for a moment and then went down. Oh okay.

29:36 Speaker 1: It was like it was a fleeting thing. I understood, understood. Okay,

29:39 Speaker 1: all right, sounds nice.

29:42 Speaker 3: You say things.

29:42 Speaker 7: Well, were you going to say, I'm not telling you?

29:45 Speaker 1: Okay? Fine?

29:48 Speaker 8: Great, nobody said you you promised you would behaved.

29:53 Speaker 17: Devis surprises that he doesn't talk about Oh my goodness,

29:58 Speaker 17: you're less shortening.

30:00 Speaker 8: Yes, oh you may growl now.

30:04 Speaker 19: But you.

30:10 Speaker 1: So tell us about the the EP uh the experiment?

30:14 Speaker 1: Where did where did you record this? And how did

30:16 Speaker 1: you record it? And it sounds great? We recorded it

30:20 Speaker 1: at our house, okay.

30:22 Speaker 7: But then like, uh, it was really good. So like

30:25 Speaker 7: we had certain songs where we we brought that song

30:30 Speaker 7: that you just played to uh Hagar that uh he

30:35 Speaker 7: was in elevator drops. He's in Devo down. He's really. Yeah,

30:39 Speaker 7: he's great, he's the producer. His brother's nuts he uh

30:43 Speaker 7: he does like all the Miley Cyrus records and Josh's

30:47 Speaker 7: is his brother. And we were, you know, Elevator rops

30:50 Speaker 7: forever and so we mixed that there, and then we

30:54 Speaker 7: mixed Lonely Nights with Colderry, who's amazing, he's not all

31:02 Speaker 7: the Pixies records and the Go Gos and yeah and there.

31:07 Speaker 7: It's funny because there was one part originally in that

31:10 Speaker 7: song which there was a little snippet of a Go

31:13 Speaker 7: Go song. We didn't know what it was. Adam was

31:16 Speaker 7: playing it and we knew or he probably knew, and

31:19 Speaker 7: he pulled it out and and I found out later

31:21 Speaker 7: that he also uh produced.

31:26 Speaker 19: Oh wow, So he wanted to bury It was my

31:29 Speaker 19: intentional nod to the Go Gosh and he kind of

31:32 Speaker 19: wanted to bury in the mix as to avoid any litigation.

31:35 Speaker 8: Oh really, Actually I think it was more like, hey,

31:38 Speaker 8: you didn't want to pull focus off our amazing tune,

31:41 Speaker 8: and and suddenly being like, oh, I want to listen

31:44 Speaker 8: to the Go Gos.

31:46 Speaker 7: I want the Go Go effect because I for for

31:49 Speaker 7: a lot of years I would always pull in quotes

31:54 Speaker 7: from other songs, and when it was really enlightening, I was,

32:00 Speaker 7: you know, like you learned from a producer. And I

32:02 Speaker 7: really like that that input because like it makes you

32:07 Speaker 7: strive to stay original, which is hard in this day

32:11 Speaker 7: and age with all the influences of other music around you.

32:15 Speaker 7: So it's awesome. It's like, especially with what we do,

32:19 Speaker 7: we definitely have a lot of influences, but we do

32:21 Speaker 7: we work hard to make it.

32:23 Speaker 1: Still be you know, right right, yeah, yeah, that could

32:27 Speaker 1: be a challenge, of course. Yeah, absolutely absolutely. And you've

32:31 Speaker 1: got a lot of shows coming up too. You're talking

32:33 Speaker 1: about that off here, right, You got some uh yeah.

32:35 Speaker 8: We're playing September eighteenth at the Stone Church excellent, and

32:40 Speaker 8: we're playing in October on the tenth at the Appohadian

32:44 Speaker 8: in Portland.

32:44 Speaker 3: Yeah.

32:45 Speaker 7: And the one that's coming up in stone Church, we've

32:48 Speaker 7: got like the Glimmer Stars. It's their first date of

32:52 Speaker 7: their tour. They're from La Hollywood area, Okay, and they're

32:57 Speaker 7: coming out here and that's the first date. And so

32:59 Speaker 7: we're kind of and we're playing with us Polana versus

33:02 Speaker 7: the Man, Polana versus.

33:03 Speaker 1: The Man okay, and the.

33:07 Speaker 7: Cretans who are like they have. There's some like they're

33:10 Speaker 7: like a punk rock they're they're friends with the queers

33:13 Speaker 7: and all that that that whole old Boston Hampshire, Boston scene.

33:21 Speaker 7: So it's it's gonna be.

33:22 Speaker 8: David, have you coughing? Paint? What's going on?

33:26 Speaker 11: This is?

33:26 Speaker 8: This is a new rasp that we don't usually have, well,

33:31 Speaker 8: but it is.

33:31 Speaker 1: It is nine a I'm on on a Saturday morning.

33:34 Speaker 1: Needs something to get you going in the morning. That's right,

33:37 Speaker 1: there you go, there you go.

33:38 Speaker 8: I just picked this guy up at a truck stop.

33:41 Speaker 8: It's not the actual is.

33:44 Speaker 15: Dave, the real Dave actually coming by?

33:47 Speaker 1: Oh boy, paint?

33:55 Speaker 3: Sorry, I can help it.

33:57 Speaker 1: You gotta blame retro, right right? So are there are

34:01 Speaker 1: there plans to record new more music sooner? This hasn't

34:04 Speaker 1: been out for very long actually, right, so you're probably

34:06 Speaker 1: still Yeah, we'll got some new stuff in the works.

34:10 Speaker 7: We're super excited that we have a couple of tracks

34:12 Speaker 7: already done. Yeah, and we might We're trying to figure

34:15 Speaker 7: out what this day and age is, so like bonkers,

34:18 Speaker 7: we might just release like a single because putting out

34:22 Speaker 7: a record is so weird it doesn't even make sense.

34:25 Speaker 7: No one wants records. They want like they want song

34:30 Speaker 7: and they want another one. So we might just put

34:32 Speaker 7: them out and then collect them into a bin and

34:37 Speaker 7: put the bin outside and package it and make a record.

34:42 Speaker 1: Yeah, dump it out all over the street, come get

34:46 Speaker 1: it kids. Well that is though, I mean, that's how

34:50 Speaker 1: a lot of I mean, there's so many different ways

34:52 Speaker 1: you can release music now, right, But but that but

34:54 Speaker 1: that approach of kind of the inverse of what it

34:56 Speaker 1: used to be, right, because it used to be, you know,

34:58 Speaker 1: you have an album and then you have a bunch

34:59 Speaker 1: of singles from the album. And now a lot of

35:00 Speaker 1: artists do they put out a series of singles and

35:02 Speaker 1: eventually co all less into an album.

35:04 Speaker 19: And yeah, it's really retro too, because that's really you know,

35:06 Speaker 19: the old fifties rock and.

35:08 Speaker 9: Roll, it was all about singles.

35:09 Speaker 3: That's true.

35:09 Speaker 1: You know, I hadn't even thought about a full circle

35:12 Speaker 1: back to the beginning. Yeah that's a good point. Yeah,

35:14 Speaker 1: that's true.

35:15 Speaker 8: Grab our dollar and go into the studio box music

35:18 Speaker 8: walk out in our little forty five.

35:20 Speaker 1: Yeah yeah, no, that makes sense. And then do you

35:24 Speaker 1: have any have you done any videos yet for any

35:26 Speaker 1: of these songs? Oh, they all have videos I'm gonna

35:29 Speaker 1: I'm gonna have to go check those out. Yeah, yeah,

35:31 Speaker 1: because I'm really curious about that.

35:33 Speaker 7: You can see all of them that replaced by robots

35:37 Speaker 7: dot space. We couldn't afford dot com.

35:41 Speaker 3: Oh.

35:41 Speaker 1: I had my son's dress up as ghosts for the

35:43 Speaker 1: Ouiji board video. Oh really Yeah, Oh, I gotta check

35:46 Speaker 1: that out. I gotta check that out. Uh, let's play

35:48 Speaker 1: another one. I want to get these all in before

35:50 Speaker 1: we run out of time, because, like I said, I

35:51 Speaker 1: love your sound. Uh the title track, Oh no, it's

35:55 Speaker 1: not the title track. I'm sorry, but laboratory. I don't

35:57 Speaker 1: know why. No, the the ev is called the experiment.

35:59 Speaker 1: I don't why I was thinking this was the title track. See.

36:01 Speaker 1: I also at you know, nine am on a Saturday.

36:03 Speaker 1: I have issues on my own, but but plus I

36:09 Speaker 1: only had like two SIPs of my Monster Energy drink

36:11 Speaker 1: so far. That's that's my issue. But let's give this

36:13 Speaker 1: a listen. This is a short song. This is under

36:15 Speaker 1: two minutes, but but it's it's good stuff. And then

36:18 Speaker 1: we'll come back and talk a little more. If you

36:20 Speaker 1: are just joining us, we have replaced by robots here

36:22 Speaker 1: with us a live in studio on this Saturday morning

36:25 Speaker 1: on Matt Connorton on leash Here it is laboratory by

36:28 Speaker 1: Replaced by Robots. That is a short song. The Indians

38:24 Speaker 1: snuck up on me there, but I like it laboratory

38:27 Speaker 1: And uh so, what what are you saying?

38:29 Speaker 3: In those?

38:30 Speaker 1: Because we were talking off their about this. This is

38:31 Speaker 1: a common question, what are you What are you saying there?

38:33 Speaker 8: Either in those lads, I'm saying ha ha ha okay

38:37 Speaker 8: ha ha because it is funny, yes to say ha

38:43 Speaker 8: ha ha.

38:46 Speaker 1: We were talking about Yeah, how people people always wonder

38:49 Speaker 1: what it is that you're saying. I wondered it too

38:51 Speaker 1: when I was listening to it. I thought when I

38:53 Speaker 1: listened to it the first time, I thought, it sounds

38:54 Speaker 1: like she's just saying ha ha ha. But I'm not

38:56 Speaker 1: sure you know that, and my ears don't always hear

38:59 Speaker 1: everything correctly.

38:59 Speaker 3: Either.

39:00 Speaker 8: Experience mirth with me, see as you are doing. Yes,

39:07 Speaker 8: we are all very happy.

39:09 Speaker 12: Yeah.

39:13 Speaker 1: Replaced by Robots is here with us live in studio.

39:16 Speaker 1: And where should people go online? We want to make

39:19 Speaker 1: sure everybody knows where's the best place to find you

39:22 Speaker 1: online for to keep up with everything that you're doing.

39:24 Speaker 7: Replaced by Robots. That's space Space. I actually we did

39:31 Speaker 7: try to buy dot com, but he wasn't a vibelt.

39:34 Speaker 7: It was like six seven dollars more, but that ended

39:37 Speaker 7: up every month, well not.

39:38 Speaker 1: Only that year, not only that. But I think because

39:40 Speaker 1: you've got kind of a futuristic vibe, right, I think

39:42 Speaker 1: space is better anyway, right, I agree? Yeah, yeah, you know,

39:46 Speaker 1: why not? I like that? And I yeah, I like

39:49 Speaker 1: that song a lot too. I was saying, it's got

39:51 Speaker 1: got a little bit of a surf punk vibe there,

39:53 Speaker 1: with the guitar and everything in the whole vibe of it.

39:55 Speaker 1: I really like that a lot. That must go over

39:57 Speaker 1: one live. Do you play that one live?

39:58 Speaker 3: Oh?

39:58 Speaker 1: Yeah, yeah, yeah, that's an often Oh no, no kidding, Okay, yeah,

40:02 Speaker 1: that's like three or four times. And I said, yeah,

40:05 Speaker 1: oh oh my, do you uh well it is it

40:08 Speaker 1: is a short song.

40:10 Speaker 3: One more time.

40:12 Speaker 1: I reminds me of a you remember this is totally

40:17 Speaker 1: off subject, but do you remember lou Bega Mamo number five?

40:20 Speaker 15: Yeah? I love that.

40:21 Speaker 1: I saw lou Bega one time at at the time,

40:24 Speaker 1: I was working at a record store and I got

40:27 Speaker 1: invited to go to one of those all day radio

40:29 Speaker 1: station shows. One of the Boston Stations was doing this

40:31 Speaker 1: was a long time Agoes was. This was when Mamo

40:33 Speaker 1: number five was on the radio, and uh so it's like,

40:36 Speaker 1: you know, like fifteen different artists throughout the day and

40:39 Speaker 1: they've all got really short, like twenty minute sets because

40:41 Speaker 1: of so many of them. And lou Bega was one

40:44 Speaker 1: of the one of the performers and he actually played

40:48 Speaker 1: Mamo number five twice. He opened with it, and I thought,

40:53 Speaker 1: he's opening with his big hit. This is a bold move.

40:56 Speaker 1: And then I thought, oh, maybe he's closing with a cover.

40:59 Speaker 1: That's the one time. That's the only way that makes sense.

41:01 Speaker 1: He must be closing with a cover that goes over

41:04 Speaker 1: really well. So he's going to open with his big hit.

41:06 Speaker 1: He didn't he So he opens with Mamo number five,

41:09 Speaker 1: then he plays like one other song from his album,

41:12 Speaker 1: and then he closes with Mamo number five. He actually

41:15 Speaker 1: played it twice and I and it was like it

41:17 Speaker 1: was kind of weird, but but I also remember thinking,

41:20 Speaker 1: I respect it in a way that he understands, he

41:22 Speaker 1: knows he's a one hit wonder, he understands he's on

41:25 Speaker 1: the you know, thirteenth or fourteenth of his fifteen minutes

41:28 Speaker 1: you know what I mean. I saw Men Without Hats

41:30 Speaker 1: a couple of years ago and they opened with safety Dance.

41:33 Speaker 1: Yeah they no kidding? Yeah, all right, you don't have

41:37 Speaker 1: to do that, guys.

41:38 Speaker 8: They have a lot of good songs.

41:40 Speaker 1: Come on, I but that's their only hit, right yeah?

41:43 Speaker 3: Yeah?

41:45 Speaker 8: Oh no? Actually what was that one? The apocalypse one.

41:53 Speaker 1: From Men Without Hats? Yeah, I don't even remember that.

41:57 Speaker 1: Oh that's kind of familiar.

41:59 Speaker 8: It's a tear jerk okay, all right, yeah.

42:02 Speaker 1: I think they did that twice too, because you got

42:05 Speaker 1: to fill that time, get that get that check. Yeah.

42:08 Speaker 1: Oh that's funny. So when's just remind people too? I

42:12 Speaker 1: know we just talked about it, but for people just

42:13 Speaker 1: joining us, when is your next show? When is the

42:15 Speaker 1: next opportunity of eighteen September eighteen.

42:18 Speaker 20: Slimmer stars Plana Versus the Man, the Cretans.

42:23 Speaker 1: And us and you and very good, very good by

42:27 Speaker 1: the way. So and then all the how do you

42:30 Speaker 1: how do you handle the percussion and everything in the

42:32 Speaker 1: when you're on stage? Is that is that programmed or

42:34 Speaker 1: how do you approach that?

42:35 Speaker 7: Michael Mike Walsh, who is uh Jazz Virtual.

42:40 Speaker 1: So yeah, lays oh excellent, excellent and.

42:46 Speaker 7: Uh and Adam what the funniest part of all this

42:49 Speaker 7: is Adam you know, he's been playing the guitar is

42:52 Speaker 7: you know, fantastic. And then one day we're at practice

42:55 Speaker 7: and we had a drummer time and he's like, hey,

42:58 Speaker 7: let me let me just show you this part. Adams

43:00 Speaker 7: up behind the drums. Yeah, Adam, it might be the best,

43:05 Speaker 7: one of the best drummers that I seen. Yeah, and

43:08 Speaker 7: it was like a secret secret, no idea. Oh wow,

43:13 Speaker 7: so Adam played.

43:16 Speaker 8: Never heard him drum his fingers on a table before. No, kid,

43:19 Speaker 8: he just yeah busted out.

43:21 Speaker 1: Oh that's cool.

43:22 Speaker 21: Yeah.

43:23 Speaker 3: It's been easy too because we can just late.

43:25 Speaker 22: We don't have to.

43:26 Speaker 7: Uh, the three of us can just write and record

43:28 Speaker 7: and play everything.

43:29 Speaker 12: And you know, Michael, Mike will probably start.

43:33 Speaker 8: Mikey's great though. Yeah, he can do he can do

43:36 Speaker 8: anything that you point him at.

43:37 Speaker 1: Yeah. Yeah, excellent, excellent, very good, very good. Well listen,

43:41 Speaker 1: I want to thank you, thank the three of you

43:43 Speaker 1: for joining us here today, all the four of you,

43:45 Speaker 1: because the robots here as well. Yeah, I forget I

43:48 Speaker 1: asked you if the robot had a name. I can't

43:49 Speaker 1: remember what you said.

43:50 Speaker 7: Does the robot have a name Boris Boris Excel two

43:53 Speaker 7: four Excel two four.

43:55 Speaker 1: Yes, I had a Do you remember to excel? I

43:58 Speaker 1: had a two excel when I was a kid to

44:00 Speaker 1: play the A tract You put the A tractapes in

44:02 Speaker 1: was I am to excel?

44:04 Speaker 7: One thing I'll put out there. Our sort of secret

44:07 Speaker 7: hope that we have is eventually people will come to

44:11 Speaker 7: our shows and bring their robots so that they can

44:13 Speaker 7: all dance in the front together.

44:15 Speaker 1: That's that's such a cool idea.

44:18 Speaker 3: Together.

44:19 Speaker 7: If you come to the Stone Church, bring a robot

44:22 Speaker 7: and we'll give you free.

44:25 Speaker 1: That's a very cool idea. Does it have to be

44:28 Speaker 1: a robot? What if it's like like like what what what?

44:31 Speaker 7: Anything robotic like like that? That would be awesome, that works,

44:35 Speaker 7: That would be hilarious because I think, actually, it's funny

44:39 Speaker 7: you say that, because.

44:40 Speaker 3: I want to.

44:44 Speaker 8: Like it'll be it'll be like survival research laboratories, only

44:49 Speaker 8: without the fighting.

44:50 Speaker 7: Yeah, it's funny to say that. Because one of the

44:53 Speaker 7: new videos that we're working on, like I'm always like

44:56 Speaker 7: trying to find something it's a little different, and I

44:58 Speaker 7: was looking at Room the uh footage. Yeah, it's gonna

45:03 Speaker 7: make it in there. Yeah, it has nothing to do

45:05 Speaker 7: with this song. The next song that we're releasing is

45:09 Speaker 7: really organic and beautiful, but it is yeah, oh.

45:15 Speaker 1: Is oh, that's not on the EP. It's not.

45:17 Speaker 7: No, we're done, it's recording.

45:19 Speaker 1: Okay.

45:20 Speaker 7: It's a masterpiece.

45:21 Speaker 1: Adam.

45:21 Speaker 7: The guitar. I feel like I'm like stroking the guitars.

45:28 Speaker 7: It's the guitar. It's a guitar like show piece.

45:32 Speaker 3: Yeah.

45:32 Speaker 1: Nice. Nice. When's it coming out?

45:35 Speaker 7: I don't know.

45:36 Speaker 1: All right, Well, sender to us when it's ready. We'll

45:38 Speaker 1: do We'll do a world premiere for it.

45:41 Speaker 3: Some surprises in the fall.

45:42 Speaker 1: Absolutely awesome, awesome, excellent, excellent, Well again, thank thank you all,

45:46 Speaker 1: all three of you, and I think we'll close the

45:48 Speaker 1: segment with the studio version of Lonely Nights again. This

45:52 Speaker 1: is my favorite. It's just so catchy. But uh, I

45:54 Speaker 1: really appreciate you all coming in this morning. Thanks for

45:57 Speaker 1: having absolutely absolutely we will do it again in the future.

46:00 Speaker 1: And if you are listening live on Saturday, we have

46:03 Speaker 1: Are they in the building? Jenny Silent Season? Silent Season

46:06 Speaker 1: is coming up in the second hour, but we will

46:09 Speaker 1: close out this segment again. This is Lonely Nights and

46:12 Speaker 1: this is replaced by robots.

46:17 Speaker 21: Long nights, Hollo Lo nights, look funny cigarette walk down

46:38 Speaker 21: to the discotect, trying not to.

46:41 Speaker 3: Act strange, dancing like a breach, trying to.

46:46 Speaker 7: Beat street today?

46:47 Speaker 3: Is it trying to catch a nice Benson in speaker?

47:14 Speaker 8: The TODs and Gods Aline, I couldn't find you anywhere

47:18 Speaker 8: for the so far stuffs getting smaller.

47:21 Speaker 3: Than running out of time?

47:23 Speaker 8: The a China Houser, How would you do?

48:10 Speaker 3: Love? Pay play, no play, not play, lass play.

48:26 Speaker 10: Some plays now play.

48:31 Speaker 5: Love love plays some play no play.

48:41 Speaker 3: May only.

49:04 Speaker 22: I should should look to your right and thought for you,

49:12 Speaker 22: but thouse aides should give me more side.

49:22 Speaker 3: And needs. No you know that I think sho I

49:36 Speaker 3: shall do?

49:43 Speaker 5: What can't you start? You chant always good?

49:54 Speaker 3: A sure?

49:55 Speaker 5: How I fell you hudect? I can't say jot.

50:11 Speaker 19: This.

50:12 Speaker 3: No one who should chose him killed him.

50:17 Speaker 23: Soon way, sir, you can make up? Then I can't

50:30 Speaker 23: shot him? Go go, but I fan my dream.

50:43 Speaker 5: I'm sup?

50:50 Speaker 3: What can't go? Start a built jack?

50:55 Speaker 5: My boy got.

51:01 Speaker 3: My song.

51:04 Speaker 5: Girls girl songs. John Rogers said, good Joe, Joe still

51:52 Speaker 5: suns John.

52:00 Speaker 3: Show charsca A tract A lot of you starts.

52:14 Speaker 22: If you shouts, get a voice, your s.

52:50 Speaker 3: Strass beneath the white of the creature said his name.

52:57 Speaker 3: Real mutilation is an it shud taste like whin skin

53:08 Speaker 3: smells out and grab up and strut got the paper

53:11 Speaker 3: hoppen take place. So I just come back a joke.

53:17 Speaker 3: It's ma t gonna take friend speak leading me to

53:21 Speaker 3: a s me. That's the nation. It's not pain't back

53:23 Speaker 3: that choice. It's how your sensation.

53:38 Speaker 2: Creature chop chump.

53:44 Speaker 3: Creature struct sup.

53:48 Speaker 20: Strutch my name, the white chosky get interest in this

53:52 Speaker 20: on the line, and you tell not don't do your eyes,

53:56 Speaker 20: but your right teas is about a little slow.

54:04 Speaker 6: The subtas like redskin shad than grubbers struggle in the paper.

54:09 Speaker 3: How mut you go? So I just come back bash.

54:16 Speaker 6: This man skins a friskin leading me to s. That's

54:20 Speaker 6: then s the South been FDA's cause just lack of sensation.

54:36 Speaker 6: Take me away, show me.

54:38 Speaker 3: The other a good loud of the creatures being more the.

54:42 Speaker 2: Culture of mind to astract customized.

54:45 Speaker 3: To take me sense. The sun's in mine face, the

54:50 Speaker 3: man's rain in my shoes. It's win behind me.

54:53 Speaker 10: And there's win behind you.

54:55 Speaker 3: But not drunk. Upon said stay by, you may give me.

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59:00 Speaker 7: Midnight.

59:01 Speaker 4: Seven times out of ten we listened to our music

59:06 Speaker 4: at nights on the titled business program.

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59:43 Speaker 1: Their phone number is eight sixty six eighty four to

59:46 Speaker 1: one forty six hundred, or on the web at CGI

59:50 Speaker 1: business Solutions dot com