Matt Connarton Unleashed 9-13-25 hour 2

0:00 Speaker 1: W m N H rips the normal.

0:03 Speaker 2: So we are back from the brain.

0:30 Speaker 3: Fever.

0:30 Speaker 4: A beast not always.

0:32 Speaker 5: Untie with the creatures old steals upocating. Fear may fade,

0:41 Speaker 5: but the bee stills are.

0:43 Speaker 6: Game hasn't gone. Only I have a navy.

0:50 Speaker 4: Till me just stound off what is the sleepy?

0:55 Speaker 1: Until he just.

0:55 Speaker 4: Stound the til we get agreed. We held hands, saying

1:09 Speaker 4: so far our gee. Now the pesson shared it's lost

1:15 Speaker 4: and burning. The price we paide is in the world

1:20 Speaker 4: keeps going. Me won't be paid without learning.

1:28 Speaker 7: So we just stove off with.

1:29 Speaker 8: This penancety.

1:32 Speaker 4: Until we just scold off, until we just luck that

1:39 Speaker 4: we need.

1:40 Speaker 1: To call out until he got care. But now long

1:44 Speaker 1: with me till at least let the world.

1:58 Speaker 4: Was beady, and as we woke we saw burning.

2:06 Speaker 8: He remains. Let me still lurky.

2:10 Speaker 1: Let the strict spoke cold.

2:12 Speaker 4: If we keep learning until we just stand off with

2:17 Speaker 4: us demands leave until it just stand off till we

2:23 Speaker 4: get breath.

2:26 Speaker 1: Don't just love tole me to crop came?

2:31 Speaker 9: How long would again to wait to breathe just stound off?

3:13 Speaker 4: Whatsney is?

3:16 Speaker 1: Don't just stand off?

3:21 Speaker 8: Do we just luck to?

3:22 Speaker 1: We need to call out that, what do they will mean?

3:27 Speaker 1: How long we need to agree?

3:31 Speaker 10: Don't just luck and we sell call out road?

3:35 Speaker 1: What do we How long we need to trees?

3:42 Speaker 8: How long we.

3:43 Speaker 11: Need to do?

3:47 Speaker 12: How long the need to?

3:49 Speaker 8: You can.

3:52 Speaker 7: How long the need to?

4:19 Speaker 2: I really like that a lot. The track is Breathe,

4:21 Speaker 2: the artist is Alienstone, and we're going to talk with

4:25 Speaker 2: the gentleman behind that project in just a moment. But

4:27 Speaker 2: welcome everybody. We have entered our number two numarrow doos

4:30 Speaker 2: of Matt Connorton Unleashed. For those of you listening live

4:33 Speaker 2: today is Saturday, September thirteen, twenty twenty five, and we

4:36 Speaker 2: come to you from the studios of wm NH ninety

4:39 Speaker 2: five point three FM and Glorious Manchester, New Hampshire. Jenny

4:43 Speaker 2: is here, of course at the news table, and of

4:46 Speaker 2: course hello to everybody listening online or even around the globe.

4:50 Speaker 2: Mattconnorton dot Com slash live is how the easiest way

4:53 Speaker 2: to get the show from anywhere, so we appreciate all

4:56 Speaker 2: of you who tune in with us. And let's go ahead.

4:59 Speaker 2: I'm gonna bring this Micah and we're gonna talk with

5:01 Speaker 2: mister Keith sam Land, the gentleman behind alien Stone, Keith,

5:06 Speaker 2: Are you there?

5:07 Speaker 13: I am?

5:07 Speaker 2: How you doing good? Good?

5:09 Speaker 14: So?

5:09 Speaker 2: I know you can't see us on video, but I

5:11 Speaker 2: can see you on video and you look like you're

5:13 Speaker 2: in a radio studio. And I saw something online. Do

5:15 Speaker 2: you also do a radio show?

5:17 Speaker 11: Yes?

5:18 Speaker 15: I uprate my own internet radio station for about the

5:22 Speaker 15: past eleven twelve years outstanding.

5:24 Speaker 6: I have a show too, Oh, very cool.

5:26 Speaker 2: Very cool, And what's the station and what's the show called?

5:30 Speaker 2: Let's give that a plug. Just partly for selfish reasons,

5:32 Speaker 2: I do want to talk to you about the music,

5:34 Speaker 2: but also as a radio guy, I'm just super curious

5:36 Speaker 2: about what you do as a broadcaster too.

5:38 Speaker 6: For sure. The station's called alien X Radio okay.

5:42 Speaker 15: And the show that I currently do is called Inside

5:44 Speaker 15: the Mothership okay. And I used to do interviews and

5:49 Speaker 15: all kinds of stuff with movie stars and things like that,

5:51 Speaker 15: but as of late, it's just become mostly just a

5:53 Speaker 15: comedy and entertainment show.

5:54 Speaker 2: Oh interesting, I'm gonna have to check that out. Very cool.

5:58 Speaker 2: So I have questions about alien Stone, and a big

6:03 Speaker 2: one and part of the reason I picked that track,

6:06 Speaker 2: and I chose another song too that will play at

6:08 Speaker 2: the end of our conversation that I really like. But

6:11 Speaker 2: I love your sound. I love the songs. I'm particularly

6:14 Speaker 2: taken with the sound of the guitar. Is that you

6:17 Speaker 2: on lead guitar and all.

6:18 Speaker 15: These I did everything on these songs, with the exception

6:23 Speaker 15: of leads and solos.

6:24 Speaker 2: Okay.

6:24 Speaker 15: What I did is I went through all of the

6:26 Speaker 15: bands that I've played with through you know, different bands

6:29 Speaker 15: that have played shows with me, and I've gotten their

6:31 Speaker 15: guitar players from all the local bands and had them

6:34 Speaker 15: all individuals, each one of these tracks as a completely

6:36 Speaker 15: different person playing on it.

6:37 Speaker 2: Gotcha.

6:38 Speaker 15: So they all contributed these from their home studios and

6:40 Speaker 15: sent them over and I chopped them up, spliced them

6:42 Speaker 15: and put them together and I got different. That's how

6:44 Speaker 15: I got such different flavor throughout the course of the album.

6:47 Speaker 2: That makes sense because I really love the guitar tone

6:49 Speaker 2: on that track Breathe And is his name David Quick?

6:53 Speaker 2: Is that how you say his name?

6:55 Speaker 6: David Schwick?

6:55 Speaker 2: Oh Schwick? Okay, yeah, I wasn't sure I pronounce it.

6:59 Speaker 15: The crazy thing about that, too, is that he's actually

7:02 Speaker 15: one of the most talented drummers that I've ever met,

7:05 Speaker 15: and I didn't even know he played guitar and now

7:07 Speaker 15: he's the he's the drummer of a band called Sonic

7:10 Speaker 15: Smut in this area right now. But that's how a

7:12 Speaker 15: drummer plays guitar. Really yeah, wow, Yeah, he's really good.

7:17 Speaker 2: Yeah. And it it uh, you know, it fits the

7:20 Speaker 2: song perfectly. And I love the I love the tone.

7:24 Speaker 2: Everything about it is is so good. And tell us

7:28 Speaker 2: about I mean again, I listened to the you know

7:31 Speaker 2: you sound Us a whole album. I listened to the

7:32 Speaker 2: entire album. It's funny because we had kind of talked

7:35 Speaker 2: I'll pull the curtain back a little bit. Uh, we

7:37 Speaker 2: kind of talked online about you know.

7:40 Speaker 13: Uh.

7:40 Speaker 2: One of the songs you gave me a four warning

7:43 Speaker 2: has a word in it that we would have to

7:44 Speaker 2: make a radio edit up and I and I was

7:46 Speaker 2: willing to do that, but then, you know, I listened

7:49 Speaker 2: to the whole album and it's like, well, there's so

7:50 Speaker 2: much great stuff here. There's no reason to even bother

7:52 Speaker 2: making a radio edit of that song because there's no

7:54 Speaker 2: shortage of great songs here. So I agree that. So

7:57 Speaker 2: I picked a breath to open with, and I'm going

8:00 Speaker 2: to play criticize yourself at the end. Of the segment

8:02 Speaker 2: because I love that one too. Those are my two favorites,

8:04 Speaker 2: so selfishly, I picked my two personal two favorites. But

8:08 Speaker 2: but I'm curious about your creative process, and it sounds

8:10 Speaker 2: like you do all the production yourself. Is that correct?

8:13 Speaker 6: Yep?

8:14 Speaker 15: Right here, where I'm sitting right now is where I

8:16 Speaker 15: did all of the production on that whole album. Yeah,

8:19 Speaker 15: recorded everything in myself. I used Superior drummer to program

8:23 Speaker 15: and edit all the drums. I recorded my own bass tracks,

8:27 Speaker 15: my own rhythms on the acoustic, and actually all the

8:30 Speaker 15: vocal tracks, I recorded scratch tracks that I was going

8:33 Speaker 15: to re record later and I ended up just cleaning

8:35 Speaker 15: them up and using the ones that were already in there. Okay, okay,

8:38 Speaker 15: so everything was a one take on all the vocals.

8:40 Speaker 2: Okay, Wow, Have you ever done this before? Or is

8:45 Speaker 2: Alien Stone this album? And by the way, what's the

8:47 Speaker 2: name of the album?

8:49 Speaker 6: The album's called After the Gray?

8:50 Speaker 2: After the Gray is After the Gray? Is this the

8:53 Speaker 2: first album where you've done that or have you released

8:56 Speaker 2: previous work where you've you've done all the production?

8:59 Speaker 15: Well, I it was kind of a collaborative effort, but

9:01 Speaker 15: I was in a band for about twenty years called

9:04 Speaker 15: Freak Stark and not to be confused with the current

9:06 Speaker 15: Freak Star out of Los Angeles. But yeah, we were

9:10 Speaker 15: together for about twenty years and we got into recording

9:12 Speaker 15: our own stuff too. But of course it was much

9:15 Speaker 15: harder to do back then with the equipment. You know,

9:18 Speaker 15: it's much easier to do today. You can do with

9:19 Speaker 15: a laptop and you know, a very small mixer. So

9:22 Speaker 15: I and I also went to as you can see,

9:24 Speaker 15: I am into radio, so I went to radio school,

9:26 Speaker 15: so I know about mixing and you know, engineering and

9:28 Speaker 15: all that kind of stuff. So it just it made

9:31 Speaker 15: it much easier when the technology caught up to me

9:34 Speaker 15: and what I wanted to do.

9:35 Speaker 2: Absolutely. Yeah, it's an amazing time to be alive, isn't

9:38 Speaker 2: it in terms of technology? And oh, for sure the

9:40 Speaker 2: things you can do now really.

9:43 Speaker 15: Because that great track that was was given to me

9:46 Speaker 15: in many many takes from someone who never even came

9:49 Speaker 15: into my studio, recorded at elsewhere and just emailed it over,

9:52 Speaker 15: you know, So that's that's huge. Yeah, and had to

9:55 Speaker 15: get a bunch of people in a room.

9:56 Speaker 2: Yeah, especially when you come out with something that sounds

9:59 Speaker 2: like it was recorded, you know, with a live band

10:02 Speaker 2: in a studio. I mean, that's that's fantastic. So so

10:05 Speaker 2: that that's a good good for you being able to

10:08 Speaker 2: do that. And then and then you mentioned so you

10:11 Speaker 2: you recorded everything else.

10:13 Speaker 15: Yeah, pretty much everything else on there was me with

10:16 Speaker 15: the exception of piano. Okay, that came from another gentleman

10:19 Speaker 15: that he's the lead singer and piano player for a

10:22 Speaker 15: band called Sweet Crystal, which is a Detroit Award, a

10:26 Speaker 15: Detroit Music Award winning band for the last thirty years.

10:28 Speaker 15: I mean he's a huge, huge artist around Detroit area.

10:32 Speaker 2: Okay. That's obviously very satisfying when you can do all

10:35 Speaker 2: of that yourself, I assume. I mean, did you feel

10:37 Speaker 2: any pressure putting this album together because so much of

10:40 Speaker 2: it was on you? Or or or maybe you did

10:43 Speaker 2: and you thrive on it, or maybe you didn't and

10:45 Speaker 2: you just enjoyed being able to have such autonomy and

10:48 Speaker 2: so much control. I mean, what was what was that like?

10:51 Speaker 2: Did you feel any pressure or was it just like, yeah,

10:53 Speaker 2: I'm just gonna do this mostly myself.

10:55 Speaker 15: That that was the best thing about it is that

10:57 Speaker 15: there was nobody on my heels. There was nobody saying, hey,

11:00 Speaker 15: we got a deadline. We got to get this done.

11:01 Speaker 15: You know, Stone's was coming over to do the bass tracks.

11:03 Speaker 15: We got to get them all done today, right, You know,

11:05 Speaker 15: there wasn't any of that. You know, if I came

11:07 Speaker 15: home and I was tired, I just didn't do anything.

11:09 Speaker 15: I went to bed. You know, if it takes me

11:12 Speaker 15: a year to record it, it takes me a year. I

11:14 Speaker 15: don't even know how long it took me. I didn't

11:15 Speaker 15: even pay attention to that.

11:16 Speaker 2: Yeah, no, that makes sense. And is this your first

11:20 Speaker 2: because a project officially is called alien Stone, is this

11:23 Speaker 2: your first project that you've recorded as alien Stone?

11:27 Speaker 15: Well, I did something a long time ago when Freestar

11:31 Speaker 15: had like a hiatus in the middle, where I did

11:34 Speaker 15: my own kind of thing on the side, and it

11:35 Speaker 15: was under the name alien Stone. But it was very,

11:38 Speaker 15: very different from this, and it was much lower on

11:40 Speaker 15: the production scale. It was kind of like a technoe

11:43 Speaker 15: beat kind of thing with a lot of heavy guitar

11:45 Speaker 15: on it. Yeah, and yeah, I just it never really

11:48 Speaker 15: released or anything anyway, so I don't really count it right.

11:51 Speaker 2: Right, Where does the name come from, alien Stone?

11:55 Speaker 15: It actually comes from all the way back in high school.

11:57 Speaker 15: This would have been like eighty eight eighty nine, I

12:00 Speaker 15: took a media production class and we were supposed to

12:02 Speaker 15: write and produce a small video, and I wrote a

12:06 Speaker 15: script that would have required me to get about thirty

12:09 Speaker 15: or forty million dollars, So I never made the movie.

12:11 Speaker 15: But it was about a meteorite that falls into Los

12:14 Speaker 15: Angeles and an alien comes to retrieve it because it's

12:17 Speaker 15: some kind of power source, and he goes on a

12:18 Speaker 15: murderous spree to retrieve the alien stone.

12:21 Speaker 2: Okay, it's a good time.

12:22 Speaker 6: It just stuck ever since.

12:23 Speaker 2: Yeah, yeah, all right. And the album is called After

12:26 Speaker 2: the Gray? Where does that come from?

12:28 Speaker 6: That's actually uh.

12:30 Speaker 15: In one of the songs, there's the title says after

12:33 Speaker 15: the Gray, maybe there'll be some kind of light, Okay,

12:36 Speaker 15: And that's basically what the song was about, all this

12:38 Speaker 15: crap that happens to you, was like, well, maybe after

12:40 Speaker 15: this crap passes, you know, there'll be something better after that.

12:45 Speaker 6: So after the Gray, maybe there'll be some kind of light.

12:48 Speaker 2: So are these songs? Are they reflective of things that

12:51 Speaker 2: you've been through? Because in listening to the lyrics, I

12:54 Speaker 2: do feel like, you know, these aren't you know? They're

12:58 Speaker 2: not just simple feel good rock songs there, I feel like,

13:03 Speaker 2: I feel like there's some heavy stuff behind the lyrics

13:07 Speaker 2: of these songs. It definitely, you know, without I mean,

13:10 Speaker 2: you know, there's ambiguity, and of course, one of the

13:12 Speaker 2: wonderful things about music or any kind of art is

13:14 Speaker 2: that you can kind of interpret it however you want to.

13:17 Speaker 2: And sometimes people, different people find different meanings behind different

13:21 Speaker 2: you know, the lyrics to different songs and so forth.

13:23 Speaker 2: But my impression, because I listened to the entire thing

13:26 Speaker 2: in one sitting, you know, I wasn't like, Okay, I'm

13:27 Speaker 2: gonna listen to a song now and I'll listen to

13:29 Speaker 2: another one later. So I listened to the full thing,

13:32 Speaker 2: from front to back, and I felt like there's a

13:34 Speaker 2: story there, like like there's something that you're getting out,

13:37 Speaker 2: but I'm curious about that.

13:39 Speaker 15: Yeah, there's definitely a lot of heavy lyrics. I've been

13:41 Speaker 15: criticized by a lot of people saying, can you write

13:43 Speaker 15: a happy song? I'd be like, if there's any happiness

13:47 Speaker 15: inside me, I want to keep it there, keep it inside.

13:50 Speaker 2: You know.

13:51 Speaker 15: If I get all this heaviness that's thrown on me

13:53 Speaker 15: from the world, let's.

13:54 Speaker 6: Let's get that out through the therapy. Of music.

13:56 Speaker 15: Let's remove that, you know what I'm saying, right, So

13:59 Speaker 15: I don't need to write a hand song. I just

14:01 Speaker 15: live the happy stuff, but you know, yeah, the the

14:04 Speaker 15: darker stuff. If you don't talk about the things that

14:08 Speaker 15: get to you, that the things that bring you down,

14:11 Speaker 15: then it's just going to keep you down. So that's

14:13 Speaker 15: pretty much you know what I do. It's like, if

14:16 Speaker 15: something bothers me enough to where I'm thinking about it

14:19 Speaker 15: a lot, then then yeah, it's gonna translate into the music.

14:22 Speaker 15: You know, I'm gonna I'm gonna write a story about

14:24 Speaker 15: you know what once was that is no more, or

14:27 Speaker 15: something that has changed for the not for the better.

14:30 Speaker 15: You know that that's you know, that's that's gonna come

14:33 Speaker 15: out that way. I have one song that's on there.

14:36 Speaker 15: It's called long Way Home, which is basically about thinking

14:39 Speaker 15: that the grass is greener on the other side. So

14:41 Speaker 15: you take this long journey going around trying to find

14:43 Speaker 15: something better, and then you find out that everything that

14:46 Speaker 15: was better was actually at home, so you're right back

14:48 Speaker 15: where you started. You took the long way home. So

14:50 Speaker 15: that's not really a dark story. That's like, hey, you

14:52 Speaker 15: just you didn't know, now you.

14:54 Speaker 2: Do yeah, and it's relatable, you know, because I think

14:57 Speaker 2: we can all we can all relate to that, you know,

15:01 Speaker 2: at some point in our lives. So certainly. But I

15:05 Speaker 2: like too that you use the word therapy when you're

15:07 Speaker 2: talking about about you know, songs about dark subjects and

15:10 Speaker 2: so forth. Because something that comes up on this show

15:12 Speaker 2: a lot, because we talk about music, we also talk

15:15 Speaker 2: about mental health, and something that comes up on the

15:17 Speaker 2: show a lot is how creating art, whether it be

15:20 Speaker 2: music or you know, visual art Jenny as you know,

15:23 Speaker 2: she's a visual artist, or whatever it is that you're creating.

15:26 Speaker 2: It's it's a way I think it's the best form

15:29 Speaker 2: of therapy, right because you're you're working whatever it is

15:33 Speaker 2: that you need to work out through creating something. Not

15:36 Speaker 2: only are you creating something that ultimately that helps you,

15:39 Speaker 2: it helps you to express yourself, but it also helps

15:41 Speaker 2: others because then they are able to relate to what

15:44 Speaker 2: you've created. And I'm sure I don't know if it's

15:47 Speaker 2: happened to you, I assume it has. Maybe you've heard

15:49 Speaker 2: from someone who said, you know, hey, I listen to

15:51 Speaker 2: this song and I get what you're saying, and I

15:53 Speaker 2: really relate to it, and it kind of helped me,

15:55 Speaker 2: helped me feel better, helped me feel like I'm not

15:57 Speaker 2: alone whatever it is, right, So I think that that's

16:01 Speaker 2: you know, the best form of therapy is to is

16:04 Speaker 2: to create. And if you can take your pain, your trauma,

16:08 Speaker 2: whatever it is that you've been through, or maybe you're

16:10 Speaker 2: just upset about something going on in the world, whatever

16:12 Speaker 2: it is, if you're able to take that and then

16:14 Speaker 2: make something out of it, create something from it, you've

16:17 Speaker 2: taken something that's negative, but you've done something positive with

16:21 Speaker 2: it by creating something. Yeah.

16:23 Speaker 15: And also, like you said that, if somebody else listens

16:26 Speaker 15: to it and they say, hey, I you know, connected

16:28 Speaker 15: with you on this level, it's like, okay, but you

16:30 Speaker 15: wouldn't have, right. You know, you had no idea that

16:33 Speaker 15: this person was on the same level with you, that

16:35 Speaker 15: was there right there with you, right, But you didn't

16:37 Speaker 15: know until you said something in the form of a

16:40 Speaker 15: song or a poetry or a painting or whatever. Then

16:43 Speaker 15: somebody looks at it and goes, you know what, I

16:44 Speaker 15: feel the same way, and it's like, okay, well I

16:46 Speaker 15: had no idea you did. Now at least I have

16:48 Speaker 15: a kindred spirit. I now feel like there's more people

16:51 Speaker 15: with me instead of against me.

16:53 Speaker 2: Right, exactly exactly. Yeah, do you play any of these

16:57 Speaker 2: songs out or I mean, with all these guest musicians,

17:01 Speaker 2: Maybe that's challenging to pull that off. I don't know.

17:04 Speaker 2: But do you perform any of these live? Yes?

17:07 Speaker 15: Actually, what I did is, since I'm the one that

17:09 Speaker 15: was in charge of producing the album, I was also

17:12 Speaker 15: the one in charge of rendering the tracks when I

17:14 Speaker 15: was done, so of course I rendered the entire album,

17:16 Speaker 15: and then I went through and muted the acoustic guitar

17:19 Speaker 15: and the vocals and rendered it again. Okay, so I

17:22 Speaker 15: load that onto a loop pedal and I can go

17:23 Speaker 15: out to any place I want now hit the track

17:26 Speaker 15: and it plays everything with the exception of my acoustic

17:28 Speaker 15: guitar and my vocals, and I can just play right along.

17:31 Speaker 2: Oh that's great. And you know, once again, it's an

17:33 Speaker 2: amazing time to be alive, isn't it with all this technology.

17:36 Speaker 6: Yeah, that was not available. I was not available.

17:38 Speaker 15: You had to come out there with a reel to

17:40 Speaker 15: reel and all kinds of crazy stuff.

17:44 Speaker 2: That's great. They were able to do that, So does

17:47 Speaker 2: anything ever go wrong with that? By the way, when

17:50 Speaker 2: you're you know, trying to play to these loops, and.

17:55 Speaker 15: The only time it really went bad is before I'm

17:58 Speaker 15: not I use loop pedal itself, which plays the the

18:00 Speaker 15: wave file straight from there, and that pretty much is solid.

18:02 Speaker 6: Okay, But I used to use a laptop.

18:04 Speaker 15: Yeah, and you know how laptops are, you know, right

18:08 Speaker 15: in the middle of a song and goes, we're gonna

18:09 Speaker 15: do an update.

18:12 Speaker 6: In the middle, Like, dude, you didn't even ask me.

18:14 Speaker 6: You just we're restarting your computer.

18:16 Speaker 15: Really yeah, yeah, or you'll get a notification or something,

18:21 Speaker 15: but right in the middle of your song, you're like,

18:22 Speaker 15: that's not cool.

18:24 Speaker 6: I deleted those. I thought I turned those off.

18:27 Speaker 2: I mean, if you're a if you're a DJ, you

18:29 Speaker 2: know you can say, oh, it's the part of the

18:31 Speaker 2: remix or whatever if it suddenly goes creak. But if

18:33 Speaker 2: you're you know, you're playing a rock song, you.

18:36 Speaker 6: Know, and you got to know all that vas critical error.

18:38 Speaker 2: Yes, but but it sounds like so now it works

18:43 Speaker 2: pretty It all works pretty smoothly, though.

18:46 Speaker 15: Yeah, it's pretty solid when you when you you have

18:49 Speaker 15: to actually hit the button to stop it. Now, yeah,

18:51 Speaker 15: you know it's not gonna just empower would have to

18:54 Speaker 15: go out.

18:55 Speaker 2: Yeah, yeah, when you when you play out, are people

18:59 Speaker 2: ever surprised because obviously, you know a lot of people

19:02 Speaker 2: who maybe haven't seen someone play with loop pedals and

19:05 Speaker 2: so forth. You know, they might see you with your

19:07 Speaker 2: acoustic guitar and think that, you know, that's going to

19:09 Speaker 2: be it, and not that there would be anything wrong

19:11 Speaker 2: with that. But do you ever see people in the

19:13 Speaker 2: audience who are just surprised when they, you know, when

19:16 Speaker 2: they start to hear these other instruments in these other

19:18 Speaker 2: tracks and they realize that it's actually a bigger production,

19:23 Speaker 2: so to speak, then maybe what they were expecting.

19:25 Speaker 15: That's always the case when somebody who hasn't seen me

19:28 Speaker 15: at first, they think I'm gonna come up there and

19:29 Speaker 15: do some Hank William seeing your tear and my beer

19:31 Speaker 15: kind of stuff, right, and you know, and there's nothing

19:34 Speaker 15: wrong with that either, you know. And there's other people

19:37 Speaker 15: at these shows too that do that kind of music.

19:39 Speaker 15: So maybe somebody right before them just did that. And

19:41 Speaker 15: then I come up there and they think, Okay, this

19:43 Speaker 15: is gonna be a continuation, and then all of a

19:45 Speaker 15: sudden they hear the drums kick in and a big

19:47 Speaker 15: fat bass kick in, and you've met guitar solo that

19:50 Speaker 15: you just heard on that song. You know, they're not

19:53 Speaker 15: expecting any of that, Yeah, and it kind of shocks

19:56 Speaker 15: them a little bit.

19:56 Speaker 6: First dude. Sometimes they're like, are you just playing along

19:59 Speaker 6: with your album?

20:00 Speaker 15: And sometimes I actually have to explain to people it's like, no,

20:02 Speaker 15: what I'm playing is live, Yeah, that's removed from the sound.

20:05 Speaker 2: Yeah. Yeah. Do you ever, I mean, do you have

20:09 Speaker 2: any thoughts of putting together a band to play these

20:12 Speaker 2: or obviously doing it yourself? It gives you a lot

20:16 Speaker 2: of freedom and autonomy and if you want to book shows,

20:19 Speaker 2: you don't have to check with three or four other

20:21 Speaker 2: people what their schedules are. So I so maybe this,

20:25 Speaker 2: maybe this is a pointless question, but I am curious.

20:28 Speaker 2: I mean, have you thought about trying to put together

20:30 Speaker 2: a band to play these?

20:32 Speaker 15: Yeah, I've always I'm always open to that idea. But

20:35 Speaker 15: it You know, something that I've learned from being in

20:38 Speaker 15: bands for you know, thirty plus years, is that you know,

20:42 Speaker 15: the more people you get into a band, the more

20:44 Speaker 15: schedules you have to coordinate. Everybody has wives and lives

20:49 Speaker 15: and husbands and car problems and jobs and vacation time

20:55 Speaker 15: and all that kind of stuff, and to get five

20:57 Speaker 15: people in a band and have all that lineup so

20:59 Speaker 15: that you can record, you can do a show.

21:01 Speaker 6: It's really hard. It's really hard.

21:04 Speaker 15: And then on top of that, you've got egos and

21:06 Speaker 15: personalities that you also have to get along with, and

21:09 Speaker 15: it makes it very, very difficult. So I'm always open

21:12 Speaker 15: to the idea. But then you've got to find somebody

21:14 Speaker 15: who's willing to play my music and then move forward

21:18 Speaker 15: writing stuff yeah together, you know, don't change what I've

21:21 Speaker 15: already written. That's already done right, you know. So you've

21:23 Speaker 15: got to be willing to do that. And a lot

21:25 Speaker 15: of people are like, no, I don't want to, you know,

21:27 Speaker 15: I don't want to be in the Dave Matthews band,

21:29 Speaker 15: you know. And I'm like, no, that's what I'm not

21:32 Speaker 15: trying to do that either, you know.

21:34 Speaker 2: Yeah, where are you from, Keith? I I just realized too,

21:39 Speaker 2: I never asked you where are you located? Exactly?

21:43 Speaker 15: Well, I'm originally from Westland, Michigan, but I moved over

21:46 Speaker 15: to Taylor, Michigan, which is a suburb of Detroit, pretty

21:48 Speaker 15: close to Detroit. Be there in about ten minutes if

21:51 Speaker 15: I chose to go.

21:52 Speaker 2: Well, you're a you're in an area, then you're you know,

21:55 Speaker 2: being close to Detroit where I mean a lot of

21:57 Speaker 2: great music obviously is I mean you must have. I mean,

22:02 Speaker 2: what's the music scene like there right now? I mean

22:04 Speaker 2: there must just be talent everywhere. I would guess.

22:08 Speaker 6: Yeah.

22:09 Speaker 15: I do a lot of open mic nights obviously, you know,

22:11 Speaker 15: because that's the easiest thing for me. I go to

22:13 Speaker 15: places like Grizzlies and Windott or Three Nicks in Allen Park.

22:16 Speaker 15: But like the place I go the most, it's it's

22:19 Speaker 15: a bar. It's called road Rangers and Okan Taylor, and

22:21 Speaker 15: this bar is set up as a concert bar. I

22:23 Speaker 15: mean it has the full backing line, the full everything.

22:27 Speaker 15: I mean, anybody can play there. Docing could play there

22:29 Speaker 15: tomorrow and it would sound great. Yeah, you know what

22:30 Speaker 15: I'm saying, Well, the sound would be great. I don't

22:33 Speaker 15: know if Docing would be great, but.

22:35 Speaker 2: Yeah, depends if George Leitch's and the band or not.

22:38 Speaker 6: Right.

22:39 Speaker 15: So when I go and play there, it's like the

22:41 Speaker 15: bands that come through that bar because of the fact

22:44 Speaker 15: that it has such good sound and you don't have

22:46 Speaker 15: to sell tickets and you don't have to be part

22:48 Speaker 15: of a national thing. There's a lot of huge talent

22:52 Speaker 15: that comes through that that bar. You know, bands like

22:55 Speaker 15: the Creeping Chaos is around here right now. That's an

22:57 Speaker 15: enormous band. And band's like Whole Shot the WRF, which

23:01 Speaker 15: is a huge radio station around here. They constantly hire

23:04 Speaker 15: that band to play all their events. Oh yeah, so yeah,

23:07 Speaker 15: there's a lot of really good bands that come through there.

23:09 Speaker 2: Yeah. Something that we talk about on the show quite

23:13 Speaker 2: a bit is you know every around here, you know,

23:16 Speaker 2: because sometimes people will ask us, they'll ask me, or

23:19 Speaker 2: they'll ask Jenny because she does the booking. You know,

23:20 Speaker 2: how do you find all this great talent? And it's like, well,

23:23 Speaker 2: it's everywhere, you know, And I think that's true of

23:25 Speaker 2: probably every city and every town in the country. You know,

23:28 Speaker 2: there's local musicians who are doing great stuff. And if

23:31 Speaker 2: you you know, because sometimes people, you know, they get

23:34 Speaker 2: to a certain point in their lives where they sort

23:36 Speaker 2: of say, Okay, all the music that I've heard up

23:39 Speaker 2: to this point in my life, that's all the music

23:41 Speaker 2: I ever need to hear, and anything made after this

23:44 Speaker 2: point I'm not going to listen to. I'm going to reject,

23:48 Speaker 2: you know, And people who do that, they're missing out,

23:51 Speaker 2: you know. I mean there's first of all, I mean

23:53 Speaker 2: you can get access to there's so much, there's so

23:55 Speaker 2: much new music being put out. But also right in

23:58 Speaker 2: your own backyard, you know, there's musicians making music and

24:02 Speaker 2: you know you need to I always use my father

24:05 Speaker 2: as a very positive example of this. My dad, you know,

24:07 Speaker 2: he's in his seventies, but he still loves hearing new music.

24:11 Speaker 2: He lives on the sea coast here in New Hampshire

24:13 Speaker 2: and there's a great college station at the University of

24:16 Speaker 2: New Hampshire called WUNH and my dad loves to listen

24:19 Speaker 2: to WUNH because he loves hearing new music. He loves hearing,

24:23 Speaker 2: you know, new artists that he's never been exposed to before,

24:26 Speaker 2: either young, new upcoming artists, or just artists who maybe

24:30 Speaker 2: are not young but have been around a while but

24:32 Speaker 2: he just had never heard them before. He loves hearing

24:34 Speaker 2: new stuff. And you know, and I can only imagine

24:38 Speaker 2: what the scene is like there and how much great

24:40 Speaker 2: music there must be there. But you know, I always

24:43 Speaker 2: encourage people, you know, take a look around. You know,

24:45 Speaker 2: there's this great, incredible music being created by musicians right

24:51 Speaker 2: in front of you. You know, you're just not looking

24:53 Speaker 2: you know what I mean.

24:54 Speaker 15: I know exactly what you're saying. Well, I hear it

24:56 Speaker 15: all the time. You know, people are like, well, I

24:58 Speaker 15: don't want to go see that band. I'm like, why no,

25:00 Speaker 15: I don't know who they are. I was like, okay,

25:01 Speaker 15: but did you know who Metallica was before you heard

25:03 Speaker 15: them for.

25:03 Speaker 6: The first time?

25:05 Speaker 2: Yeah, exactly.

25:05 Speaker 6: Everybody has to be unknown before they're known.

25:07 Speaker 2: Exactly.

25:08 Speaker 6: Go and spend two.

25:09 Speaker 15: Hundred and fifty dollars on a ticket to see Metallica,

25:11 Speaker 15: whom you'll never meet, or you can go to a

25:13 Speaker 15: bar and here's some brand new music you've never heard,

25:15 Speaker 15: and talk with them and do shots with them after

25:17 Speaker 15: the show.

25:18 Speaker 2: Right exactly.

25:20 Speaker 15: And then if it was a fifteen dollars ticket instead

25:22 Speaker 15: of two hundred and fifty.

25:23 Speaker 2: Bucks, you know, come on yeah yeah, and then if

25:25 Speaker 2: you know, if they get big, you can say, hey,

25:27 Speaker 2: I knew them when.

25:29 Speaker 15: Exactly I did shots with you know, come upcoming Metallica

25:32 Speaker 15: back in the day, you know.

25:33 Speaker 2: There you go, yeah, uh, I hear that a lot.

25:36 Speaker 2: You know. In this area where we are, people will say,

25:38 Speaker 2: you know, I saw Aerosmith, you know, back in the

25:41 Speaker 2: day when they were you know, just a bar band,

25:43 Speaker 2: you know, and it's it's that's usually an example people

25:46 Speaker 2: use from from in this part of the country. But yeah,

25:49 Speaker 2: there's there's so much, uh, there's so much great talent

25:51 Speaker 2: out there and people people should definitely keep their eyes

25:55 Speaker 2: open for that. Do you use your now with your

25:58 Speaker 2: your online station and your show, do you use that

26:01 Speaker 2: to showcase indie artists or do you do you use

26:05 Speaker 2: that to promote for sure? Yeah, yeah, I'm.

26:07 Speaker 15: Sure all the all the indie artists that are around

26:09 Speaker 15: here that have they have, you know, recorded music that's

26:13 Speaker 15: you know, you know, you know the level it has

26:14 Speaker 15: to be at, you know, the quality level it has

26:16 Speaker 15: to be at. You know, anybody that has those albums

26:19 Speaker 15: and stuff in it and they submit to me they've

26:20 Speaker 15: been on the radio station. I go through those albums too,

26:22 Speaker 15: and I pick a nice wide range of all the

26:25 Speaker 15: local music and put it in there. And then I

26:26 Speaker 15: sprinkle in some national stuff too, just for the people

26:28 Speaker 15: that can't handle not knowing what the next song is, right,

26:32 Speaker 15: you know, just to kind of keep them okay.

26:34 Speaker 2: I think there's value in doing that too, is sprinkling

26:36 Speaker 2: in some national artists. Because I've I've always felt that

26:40 Speaker 2: that lends, uh for you know, for some people, that

26:43 Speaker 2: lends a certain credibility to the independent artists, maybe the

26:48 Speaker 2: local artists if they're mixed in with some national artists,

26:51 Speaker 2: you know what I mean.

26:52 Speaker 15: Just yeah, for sure, you can have an unknown person

26:55 Speaker 15: selling bar bells on TV, or you can have Arnold

26:57 Speaker 15: Schwarzen that you're selling bar bells on TV.

27:00 Speaker 6: Which one's going to sell faster?

27:01 Speaker 2: Very well?

27:01 Speaker 15: Put a couple of pearl jam songs on a couple

27:04 Speaker 15: of things in there around all these local artists.

27:07 Speaker 6: Yeah, it'll attract a little bit.

27:09 Speaker 2: Yeah, absolutely, So the where where should people go? Like,

27:15 Speaker 2: where can they find the online station that you have?

27:19 Speaker 6: Well, it's at alien x radio dot com.

27:21 Speaker 15: Okay, And unfortunately, I've realized within the last couple of

27:24 Speaker 15: days that the player isn't working, so I have to

27:26 Speaker 15: figure out how to fix that. Since it's been a

27:29 Speaker 15: decade since I've been into the actual controls of the website.

27:32 Speaker 15: Oh really, yeah, there's no reason to change the website.

27:35 Speaker 15: We just changed the music and stuff, you know, and

27:38 Speaker 15: everything's live, you know, most of our shows and stuff,

27:40 Speaker 15: so we don't have to go in there and change much.

27:42 Speaker 15: And I can't get back in there, so I got

27:44 Speaker 15: to figure that out. That's at alienxradio dot com. And

27:46 Speaker 15: then I of course have a Facebook page. The artist

27:50 Speaker 15: page is just alien Stone and you can get me

27:52 Speaker 15: at Keith Samlan at alien at Facebook as well.

27:56 Speaker 2: Okay, and then the album. Can people find the album anyway?

27:59 Speaker 2: I mean assume it's on all the streaming platforms and everything.

28:02 Speaker 15: Yeah, I went through that distro kid, so it's on everything.

28:05 Speaker 15: So you got Spotify, Apple Music, you know, it's even

28:09 Speaker 15: on like Pandora and things like that. So you can

28:11 Speaker 15: find it pretty much everywhere. Outstanding by the way in

28:14 Speaker 15: the freak Star stuff.

28:14 Speaker 2: Oh good. Oh yeah, I'm curious. I'm curious to check

28:17 Speaker 2: that out too. Do you do physical copies of the

28:20 Speaker 2: album or is strictly online?

28:23 Speaker 4: No?

28:23 Speaker 6: I have physical copies too. I've made some CDs.

28:25 Speaker 15: And also what I really like is they look like

28:27 Speaker 15: business cards, but they're actually a flash drive. It pops

28:29 Speaker 15: out the side, oh perfectly straight in. Those are really

28:32 Speaker 15: nice too.

28:33 Speaker 2: We had someone on the show recently who who used

28:36 Speaker 2: that same concept, and yeah, that's a great idea.

28:39 Speaker 15: And some people you hand them a CD and they go,

28:40 Speaker 15: what is this is this America online?

28:42 Speaker 6: What is this they don't know.

28:44 Speaker 2: Well, it's interesting. That's a subject that comes up a

28:47 Speaker 2: lot on the show too, because there was a point where,

28:50 Speaker 2: because I've been doing this a long time, and there

28:52 Speaker 2: was a point where it seemed like none of the

28:53 Speaker 2: guests we would have on nobody was doing physical media.

28:56 Speaker 2: I'm talking like maybe seven or eight years ago, and

29:00 Speaker 2: you know, and that's fine, you know, just you know,

29:03 Speaker 2: email me the tracks whatever. But but lately, well I

29:06 Speaker 2: shouldn't say lately, I'd say probably for at least the

29:08 Speaker 2: past five years. Uh, it seems like, at least in

29:11 Speaker 2: this area, for the guests that we have coming in

29:13 Speaker 2: person from our area, physical media has had quite a resurgence.

29:17 Speaker 2: A lot of our guests bring in CDs. Now, you know,

29:20 Speaker 2: they send us the files ahead of time, obviously, but

29:22 Speaker 2: they'll also bring in a physical copy or even we've

29:25 Speaker 2: had some who even do vinyl and they'll bring in

29:28 Speaker 2: a vinyl record, not for us to play, but just

29:30 Speaker 2: to have. Although we do have a record player here

29:33 Speaker 2: that one of the other hosts uses, and we even

29:35 Speaker 2: have a CD player that I've never used, but we

29:37 Speaker 2: do have one here in the in the studio that

29:39 Speaker 2: I know. One of our hosts sometimes will bring in

29:41 Speaker 2: CDs to play. But but it's interesting, you know, uh,

29:45 Speaker 2: physical media never seems to completely go away, and sometimes

29:49 Speaker 2: it has these little resurgences. And uh so a lot

29:52 Speaker 2: of the artists around here are releasing things on CD

29:55 Speaker 2: and even on vinyl, which I understand is very expensive.

29:57 Speaker 2: But but I like your I like your content with

30:00 Speaker 2: the flash drive.

30:02 Speaker 15: Yeah, it's it's you know, the physical media is kind

30:04 Speaker 15: of it's just kind of changed what its purpose really is.

30:06 Speaker 15: It's like, we know that when this guy gets home,

30:08 Speaker 15: he's probably gonna listen to it on his smart device

30:11 Speaker 15: or whatever from a streaming service, right. But you know,

30:14 Speaker 15: now the physical media I don't even like when I

30:16 Speaker 15: when I had a show or something, I find people

30:19 Speaker 15: who were interested and I just give them one. Yeah, okay,

30:22 Speaker 15: it's it has become the physical media has become the

30:25 Speaker 15: promotional tool to get you to go and stream exactly.

30:28 Speaker 6: It's almost what it's become now, you know.

30:30 Speaker 15: So I'm not trying to sell I'm not, you know,

30:32 Speaker 15: out of the trunk of my car out there going

30:33 Speaker 15: I go. Yeah, you know, I don't do that, you know,

30:37 Speaker 15: I just find someone who I think was interested, and

30:40 Speaker 15: I give them a copy.

30:41 Speaker 2: Yeah, yeah, I think that's an excellent strategy. Well, Keith,

30:45 Speaker 2: I appreciate you joining us. In a moment, I'm going

30:47 Speaker 2: to play this track criticize yourself because this is this

30:51 Speaker 2: is the other one that I like. I said, I

30:53 Speaker 2: enjoyed the whole album, but breathe and criticize yourself for

30:56 Speaker 2: the two that really really kind of struck me. I'm

30:59 Speaker 2: curious if there's anything we should know about this song,

31:02 Speaker 2: if there's a backstory to this one, or what this

31:04 Speaker 2: one might be about, because again, this is another one

31:07 Speaker 2: of those songs too where I'm listening to the lyrics

31:08 Speaker 2: and it's like, well there's something here, you know, and

31:12 Speaker 2: I'm really curious about it. And by the way, and

31:14 Speaker 2: also too, if you want to talk about the guitar

31:15 Speaker 2: player on this one, because this is also another song

31:17 Speaker 2: where I really love the guitar work on this.

31:20 Speaker 15: Yeah, the guitar this one is really involved. Yeah, it

31:24 Speaker 15: really is. Basically, he came over and he had nothing planned.

31:28 Speaker 15: This is Donnie Stanfill. He's the league. He's one of

31:31 Speaker 15: the guitar players from the band Creeping Chaos here in Detroit, Okay,

31:34 Speaker 15: and he probably recorded I just I just played the

31:38 Speaker 15: song and just let him go and improvise. He did

31:40 Speaker 15: probably fourteen tracks. Oh wow, just improvised. Yeah, and then

31:43 Speaker 15: I went through and cut and spliced and put together

31:45 Speaker 15: all my favorite pieces.

31:47 Speaker 6: Okay, so that's what we ended up with.

31:49 Speaker 15: And then when I played it back for me, he goes, dude,

31:51 Speaker 15: I don't think I could play that.

31:54 Speaker 6: I was like, you just did? You just did.

31:58 Speaker 15: That's what we're telling everybody, right, right, So that's where

32:02 Speaker 15: that came from. And the song itself is basically about

32:05 Speaker 15: just all the things that can kind of build up

32:08 Speaker 15: and start suffocating you. Is basically what it is. You know,

32:11 Speaker 15: the just the day to day grind, the things that

32:14 Speaker 15: happen around you and stuff. It's just it's choking you.

32:16 Speaker 15: It's it's suffocating you. And it's like when will we

32:19 Speaker 15: get a chance to breathe? Yeah, give us a chance

32:21 Speaker 15: to take a breath.

32:23 Speaker 6: You know. Enough's enough?

32:24 Speaker 16: Right? Right?

32:25 Speaker 2: Well again, congratulations on the album. I think it's really good.

32:29 Speaker 2: And remind people again to where should they go to

32:33 Speaker 2: keep up with everything that you're doing online?

32:35 Speaker 15: Well, it's Alien Stone on Facebook or Keith Samlin on Facebook.

32:39 Speaker 15: And then you've got alien X Radio of course, when

32:41 Speaker 15: that's all, you know, moving and grooving again. Yeah, and

32:44 Speaker 15: anywhere on any streaming site anywhere you type in alien

32:47 Speaker 15: Stone or after the gray and it should pop right up.

32:50 Speaker 6: Man, it's everywhere, YouTube everything.

32:52 Speaker 2: Yeah, yeah, excellent. Yeah, I suggest people check it out.

32:55 Speaker 2: An alien Stone is one word, by the way too,

32:57 Speaker 2: for people when you're looking for it. And yeah, fantastic. Keith,

33:01 Speaker 2: thank you so much for joining us this morning. We

33:04 Speaker 2: will definitely have to do this again. In fact, maybe

33:07 Speaker 2: we'll have you on again soon. I'd love to talk

33:08 Speaker 2: to you more about your career with you mentioned you

33:11 Speaker 2: used to interview movie stars, and I'd love to talk

33:14 Speaker 2: to you about that in the future too, because you know,

33:15 Speaker 2: we kind of mostly we talk about music on the show,

33:18 Speaker 2: but we do mix in some other things as well,

33:19 Speaker 2: so we'll have to figure that out and set up

33:22 Speaker 2: a time for that. But congratulations on the album. I

33:24 Speaker 2: think it's great. I suggest everyone check it out. I'm

33:26 Speaker 2: gonna hit this track in a moment, criticize yourself another

33:29 Speaker 2: very very strong track from the album. But we'll let

33:32 Speaker 2: you go for now. But Keith, thank you so much.

33:35 Speaker 6: Thank you for having me on the show.

33:36 Speaker 2: All right, you got to take care I have a

33:38 Speaker 2: good one, bye bye, all right, wonderful. So that was

33:40 Speaker 2: Keith sam Land and the project is called Alien Stone.

33:44 Speaker 2: The album is After the Gray, and we're gonna give

33:47 Speaker 2: this a spin and then we're going to come back

33:48 Speaker 2: and Jenny and I are going to talk to you

33:49 Speaker 2: for a couple of minutes about for those of you

33:51 Speaker 2: who are listening live on Saturday, some exciting things going

33:54 Speaker 2: on today that Jenny and I are going to be doing.

33:56 Speaker 2: That you can come join us and be a part of.

33:58 Speaker 2: But for right now again, this is alien Stone and

34:01 Speaker 2: the track is called Criticize Yourself. I really like this

34:04 Speaker 2: one a lot. Check it out.

35:13 Speaker 3: There's a storemass brew win. It's gone in in real slow.

35:22 Speaker 4: From glasshouses. Your throw wins in question.

35:28 Speaker 8: All I know?

35:35 Speaker 12: Back then I ride out, back, Then I ride out.

35:51 Speaker 3: There's a fire that's building your entry and the flame.

36:01 Speaker 4: And now the fire it's greegee.

36:05 Speaker 8: E give me give the name by then I ride out,

36:23 Speaker 8: by then I ride out.

36:28 Speaker 7: Where you go in this my life?

36:31 Speaker 4: What's your neighbor said?

36:32 Speaker 1: Then get you for your big moment?

36:35 Speaker 12: My face?

36:36 Speaker 1: Uh, brn't you sell give a wheel.

36:42 Speaker 10: Till you print side yourself? Don't you print side yourself?

36:51 Speaker 10: Why can't you pretty side yourself?

36:59 Speaker 4: There's a water light, it's not a battle with it.

37:08 Speaker 4: You're judgment strikes light lighty? Is this the war I

37:14 Speaker 4: can win?

37:21 Speaker 8: By bye?

37:36 Speaker 4: Will you got in this my life with your.

37:39 Speaker 10: NASA SAIDY give you gonna jumping off in my basa?

37:43 Speaker 12: But that your sail?

37:45 Speaker 4: Then wheel.

37:49 Speaker 10: Till you PRITI sash yourself. Don't you pretty sash yourself?

37:58 Speaker 10: Why can't you print its side you sell? Will you

38:34 Speaker 10: start in my life with your neighs and step to

38:37 Speaker 10: kill you for your big over in my dash?

38:41 Speaker 1: But I just sail begin within.

38:47 Speaker 4: Till you pretty side yourself?

38:51 Speaker 10: Well, don't you.

38:52 Speaker 7: Fred side yourself? Why can't you fretty side you? Say?

39:23 Speaker 2: I love the guitar sound on that. I love that

39:25 Speaker 2: guitar tone. That is alien Stone. The song is called

39:31 Speaker 2: Criticize Yourself. Alien Stone, of course is Keith sam Land.

39:34 Speaker 2: And thank you again to Keith for joining us. Check

39:37 Speaker 2: out alien Stone, check out alien x Radio and I'm

39:40 Speaker 2: going to be checking that out looking forward to learning

39:43 Speaker 2: more about that. We'll probably have Keith on again because

39:45 Speaker 2: like I said, I'd love to talk to him too.

39:47 Speaker 2: I'd love to have a supplemental conversation with him about

39:49 Speaker 2: his radio career, and you know he mentioned he used

39:51 Speaker 2: to interview movie stars and some of the other things

39:55 Speaker 2: he does on his show. Very very interesting guy. If

39:58 Speaker 2: you are just joining us, this is Matt Unleashed. We

40:00 Speaker 2: are live from the studios of wm NH ninety five

40:03 Speaker 2: point three FM, Inglorious Manchester, New Hampshire. Today is a Saturday,

40:09 Speaker 2: September thirteenth for those of you listening live, and we've

40:12 Speaker 2: got a busy day. So Jenny and I were going

40:15 Speaker 2: to be attending a couple of events after the radio

40:17 Speaker 2: show today a little bit later, so we've got let's

40:20 Speaker 2: see you want to talk about the first one, Jenny.

40:22 Speaker 17: Yes, the Mosaic Our Collective. There is a show opening today,

40:26 Speaker 17: the full Circle opening starts at four o'clock this afternoon

40:32 Speaker 17: at the sixty six Handover Street, Suite two. Want to

40:35 Speaker 17: hear in the Queen City you will find the Mosaic

40:38 Speaker 17: Our Collective. There are I think I saw like over

40:42 Speaker 17: right around seventy different pieces on display. Yeah, and the

40:47 Speaker 17: exhibit the opening tonight is from four to eight. Come

40:51 Speaker 17: hang out with us. They'll be some nushies to munch on.

40:55 Speaker 17: People there lots of good things, meet some of the

40:58 Speaker 17: artists in person. This is their annual full circle every year.

41:03 Speaker 17: So people brought in things that are like things that

41:06 Speaker 17: they considered their best or things that they considered brought

41:09 Speaker 17: that notion of full circle to them and what that

41:12 Speaker 17: what that means to them. So it'll be fun to

41:14 Speaker 17: see all the work on display. I'm super proud and

41:17 Speaker 17: happy that I have two pieces on display. Yes, a

41:19 Speaker 17: painting and a Macroma piece. So come check it out

41:23 Speaker 17: and say hi to us.

41:24 Speaker 2: We will be there, yeah, And uh so that starts

41:26 Speaker 2: at four and when does that end? You know, ends

41:28 Speaker 2: it eight? It ends at eight, and uh, I don't

41:31 Speaker 2: know that we'll be able to say yeah, I don't

41:32 Speaker 2: know that we'll be there for the entire.

41:34 Speaker 17: For there are going to go see.

41:36 Speaker 2: Let's see so Vice's Inc. Jagger from Vice's Inc. And

41:41 Speaker 2: invited us to join them. They're gonna be playing at

41:43 Speaker 2: Bad Burger right here in downtown Manchester and joining them

41:50 Speaker 2: on that show Under the Horizon of course. So Under

41:54 Speaker 2: the Horizon a great band who we've had on the show.

41:57 Speaker 2: And of course Plague Dad who is also been on

42:00 Speaker 2: the show with us. He's probably traveling down with Vice's Inc.

42:03 Speaker 2: Because Plague Dad also from Portland, but so a couple

42:06 Speaker 2: of a couple of Portland acts there. Vices Inc. I

42:08 Speaker 2: believe is headlining Plague Dad will be there, and of

42:11 Speaker 2: course Under the Horizon, who are from here. Yeah, and

42:13 Speaker 2: we love Under the Horizon absolutely so great great people

42:17 Speaker 2: and such a great band. We saw Under the Horizon

42:20 Speaker 2: just recently at Jewel Yep which is where Swarmy Fest

42:25 Speaker 2: is going to be. So, by the way, if you

42:26 Speaker 2: are listening live on Saturday, sepsis coming up in the

42:28 Speaker 2: third hour to talk all about Swarmy Fest. Yeah, coming

42:31 Speaker 2: up November fifteenth. But yeah, So we had a couple

42:34 Speaker 2: of things going on today. We got the art show

42:36 Speaker 2: at Mosaic and of course we have the event tonight

42:39 Speaker 2: at Bad Burger. Come say hello to Jenny and I

42:41 Speaker 2: come join us.

42:43 Speaker 17: I'd love to see you there. I absolutely love to

42:45 Speaker 17: see you there. Oh I should mention there is an

42:49 Speaker 17: art raffle going on at the Mosaic Art Collective. You

42:52 Speaker 17: can win a piece of original art. The proceeds are

42:56 Speaker 17: going to be supporting artists, so come check it out.

42:59 Speaker 17: Tickets are five dollars for one, ten for five, twenty

43:02 Speaker 17: furn arms length, come down to full circle and grab

43:06 Speaker 17: a ticket.

43:07 Speaker 2: All right, very good, very good. Well, if you are

43:09 Speaker 2: listening to Live on Saturday, coming up in the third

43:10 Speaker 2: hour Sepsis, we'll be here with us alive in a studio.

43:14 Speaker 2: But right now we got some premieres for you, some

43:17 Speaker 2: brand new music. Here's a new music block our friends.

43:20 Speaker 2: Of course from a big GPR they send us some

43:23 Speaker 2: amazing guests. And of course all of these folks will

43:26 Speaker 2: be either have been or will be interviewed on the

43:28 Speaker 2: show in the very near future. So check these out

43:31 Speaker 2: and we'll see you on the other side. Right now,

43:34 Speaker 2: the world radio premiere of the new single from Ah

43:39 Speaker 2: This is called My Prettiest Mistake.

43:42 Speaker 18: You are listening to wum and.

43:43 Speaker 1: A world premiere.

44:01 Speaker 16: And in a man and at its warming outside, I'm

44:07 Speaker 16: craving a calls following that rockless man I shoulder the

44:13 Speaker 16: better but expected shot. Guys, I was to get Oh,

44:20 Speaker 16: I'm cursting.

44:21 Speaker 9: Do let me.

44:29 Speaker 19: Haven't made you pro.

44:44 Speaker 16: My prettiest missed?

44:46 Speaker 4: They found my person. Take me back to that mom

44:51 Speaker 4: and get started.

44:54 Speaker 8: Side that love side fast to the spo James.

45:00 Speaker 12: In Mama, let me.

45:11 Speaker 9: Have a me.

45:25 Speaker 1: Oh tell me what I'm missing.

45:27 Speaker 16: Somebody took my posession and cares, let's follow your.

45:32 Speaker 1: Sister away that I can listen.

45:36 Speaker 2: I hope be car.

45:37 Speaker 8: Do you think in one day I might mean that

45:41 Speaker 8: the Santa I'll be riding.

45:43 Speaker 6: They find no way.

45:45 Speaker 2: To ficture that sell me.

45:47 Speaker 8: Hort says, somebody took my pession. That that's by your sister.

45:54 Speaker 1: The way with actual listen, I hope becaud.

45:59 Speaker 7: They want not the that the songs that I may find.

46:05 Speaker 11: The way the fits.

47:12 Speaker 2: Right now. The world radio premiere of the new single

47:16 Speaker 2: from Tuesday Night Whites. This is called Time.

47:20 Speaker 18: You are listening to wumin h.

47:23 Speaker 2: World premiere.

47:54 Speaker 19: Black Si on the window, Silly works in his bones

47:57 Speaker 19: eight some people.

47:58 Speaker 2: Stealing My name is days.

48:00 Speaker 19: Where he shot at the seventh Son, the black South

48:06 Speaker 19: of half these days can't remember the dreams that he

48:09 Speaker 19: used to parade by size.

48:11 Speaker 2: Don just remember to fire the gun.

48:17 Speaker 7: He said.

48:18 Speaker 20: Time is like a.

48:19 Speaker 19: Mind for you, a step to saying you but you're

48:23 Speaker 19: far too good.

48:24 Speaker 8: Furnished Town saw from love.

48:36 Speaker 7: Because you're far too talk.

48:37 Speaker 8: Perish Town come.

48:47 Speaker 7: Because you're far too thought.

48:49 Speaker 8: First town.

48:51 Speaker 21: She dream of a better life, while love came first

48:54 Speaker 21: to as a family strife on the bath. Does he

48:57 Speaker 21: trust him as not bous to fire within? She says

49:03 Speaker 21: those things on small.

49:04 Speaker 19: Though sadly Salmas on the factory floor that she believes

49:08 Speaker 19: as remember it slowed the gun. She said, time is

49:15 Speaker 19: like him mine field was that to send you, but

49:20 Speaker 19: you far too cot th.

49:22 Speaker 4: So sot look.

49:33 Speaker 7: Because she sells cof this time, because she.

49:45 Speaker 11: Far to co.

50:11 Speaker 13: Because time is like you can't monthy start to send you,

50:17 Speaker 13: but you far to go for this town. Because time

50:24 Speaker 13: is like you can't mindy stop can sn you You

50:29 Speaker 13: far to go for this town. So don't look down.

50:41 Speaker 3: Because she far to you.

50:43 Speaker 13: God say this town.

50:44 Speaker 8: Don't look.

51:04 Speaker 22: Because you don't say dirty so myself, because it's all

51:16 Speaker 22: safer yourself.

51:20 Speaker 4: She said, time it's.

51:21 Speaker 1: Like to turn my field start to sent me.

51:26 Speaker 8: You there sell me.

51:28 Speaker 5: So my.

51:32 Speaker 22: Time it's like to turn my fields to send me.

51:37 Speaker 7: But your fur very song sound common.

52:10 Speaker 18: You're listening to macconnorton Unleashed on WMNH ninety five point three.

52:17 Speaker 2: Now it's the American radio premiere of the Way We're

52:21 Speaker 2: Rolling by Lydia. Ready, I can no crack this, I

52:31 Speaker 2: can no crack that.

52:33 Speaker 16: It doesn't matter out of the week because I exist

52:36 Speaker 16: for me, I can walk or I can't trash.

52:40 Speaker 1: It doesn't matter out of the way, because I talk

52:43 Speaker 1: for me. Just sense chits my purpose. You're some even

52:49 Speaker 1: have you don't know, Oh my b college should all the.

52:55 Speaker 2: Way I comment, And this is just the way we'll roll.

53:03 Speaker 2: This is just the way we're rolling.

53:11 Speaker 6: I can sit down or stand up, sir, and that

53:15 Speaker 6: is just the way it's kind of going.

53:17 Speaker 2: So I'll be me and you'll be you.

53:22 Speaker 1: That is what we've kind of you to try to

53:24 Speaker 1: get through your chats.

53:26 Speaker 10: My sister shots, my brothers, you are the perfect even

53:30 Speaker 10: have your dog mad home.

53:33 Speaker 1: The people comment, shoulder all the way.

53:36 Speaker 7: I come that.

53:37 Speaker 8: This is just the way we roll.

53:40 Speaker 20: Yeah, this is just the way we're rolling.

53:47 Speaker 11: Yeah.

53:48 Speaker 7: Yeah.

53:52 Speaker 19: Someone just hurt you.

53:54 Speaker 2: Others will hurt you.

53:56 Speaker 8: Turn over think they don't deserve her. You'll come through

54:01 Speaker 8: everything they you do.

54:03 Speaker 2: Be your person.

54:04 Speaker 8: Livey for you.

54:10 Speaker 2: Boy, you live, I follow you.

54:16 Speaker 8: You gotta lea.

54:20 Speaker 12: Shats my sensor shots my cos you want.

54:24 Speaker 10: Some perfect even if you're John hold a papo the

54:29 Speaker 10: shoulder the.

54:31 Speaker 1: Way I commented, I'm bit yes.

54:34 Speaker 8: Shuts my sisters, my girl.

54:37 Speaker 23: Start you want some perfect even if you're john't know,

54:41 Speaker 23: Oh my papo on my shoulder, the way you're comforting,

54:45 Speaker 23: and this is just the way.

54:52 Speaker 7: This is just the way, man he.

54:57 Speaker 22: T.

55:00 Speaker 18: This is the you're listening to Mattconnorton Unleashed on wmn

55:18 Speaker 18: H ninety five point three.

55:20 Speaker 2: And finally, the American radio premiere of the new single

55:23 Speaker 2: from Kyle Gordon, This is called she Chose Me.

56:08 Speaker 20: If the skies are gray when the day is night,

56:12 Speaker 20: I can't find my way. If the day is night,

56:17 Speaker 20: almost homel, you let me shine your eyes part of me.

56:22 Speaker 2: I stood on the stand. We hid in bed every night.

56:30 Speaker 11: To turn up live all these shiving time. We don't

56:40 Speaker 11: always gathered right.

56:42 Speaker 12: And don't.

56:46 Speaker 7: You know my dog not fly doll.

56:55 Speaker 9: She shows me.

56:59 Speaker 23: Why if you're far away when the day is nine,

57:23 Speaker 23: I remain the same, just like black and white.

57:28 Speaker 14: We should not assume. Just while I mean to you

57:33 Speaker 14: a part of me. I still don't under her stand

57:36 Speaker 14: we hide in bed at me. N no need to

57:42 Speaker 14: turn that a live, Always share it in my time.

57:50 Speaker 14: We don't always get it right. I just wanna get

57:56 Speaker 14: it right.

58:10 Speaker 12: She's jo.

58:33 Speaker 7: She s.

58:39 Speaker 12: Speaking step downside of sube bug bout subside bun sug