Matt Connarton Unleashed 9-21-24 hour 1

0:46 Speaker 1: It's a chair Massy drinks one in a show past

0:52 Speaker 1: the chair singing sound lusty starting to start.

0:59 Speaker 2: So I crossed through on the sty.

1:05 Speaker 3: What even try to do the see nothing he was

1:10 Speaker 3: on that s.

1:22 Speaker 2: Don't talk about what a don said.

1:39 Speaker 4: That I'm like everyone the shame of and what do say?

1:44 Speaker 5: Sad trying in a way that's t signs of pi

2:11 Speaker 5: pad fires out the sky, so shame as the farmer

2:17 Speaker 5: light as shadow.

2:19 Speaker 6: Stains of breakers talking to.

2:21 Speaker 5: And by signs all one of pop a side canalyze

2:26 Speaker 5: the line. That's the same same tapping it by the

2:32 Speaker 5: chains and not a fearless sense of creaks.

2:43 Speaker 7: With grease.

2:46 Speaker 2: Joe Commute.

3:00 Speaker 5: As Jansens of the tree, so he says, says this stage.

3:35 Speaker 8: As you can.

3:36 Speaker 5: See on again stars as bats feature so he says,

4:15 Speaker 5: June of the best lots of dosy got done.

4:32 Speaker 2: Dance would have been would have a sey join members

4:36 Speaker 2: of the sets under stands out said stre.

5:25 Speaker 9: That is the new single from the forest forgets that

5:28 Speaker 9: it's called with Grace and we're going to talk to

5:30 Speaker 9: these guys in just a moment.

5:31 Speaker 10: But welcome everybody. It is that time again. Matt Connorton

5:34 Speaker 10: Unleashed and.

5:35 Speaker 9: We are live from the studios of WMNH ninety five

5:39 Speaker 9: point three FM in glorious Manchester, New Hampshire, on this

5:42 Speaker 9: Saturday morning. It is September twenty one, two thousand twenty four,

5:47 Speaker 9: and I am not alone. Jun's best friendure Jenny is

6:00 Speaker 9: here at the news desk.

6:02 Speaker 11: Good morning, sunshine.

6:03 Speaker 10: Yes, yes, and.

6:05 Speaker 9: As we speak, well you know we speak. Last week

6:08 Speaker 9: we were talking about the art show. Yes at Mosaic.

6:12 Speaker 11: It was an amazing opening.

6:13 Speaker 12: Oh my gosh, you have got to go the.

6:17 Speaker 11: The display is just so vibrant and beautiful and there's

6:21 Speaker 11: some mixed mediums there. I'm so proud to have one

6:23 Speaker 11: of my pieces hanging on their walls. And if you

6:25 Speaker 11: haven't been to the Mosaic Art Collection here in Manchester,

6:29 Speaker 11: you have got to go.

6:31 Speaker 10: Yeah.

6:31 Speaker 9: It's right in the Daily Mirror building on Hanover Street. Yes, yes, yes,

6:35 Speaker 9: on the second floor, on the second floor. Yes, yes, yes, yeah.

6:39 Speaker 9: We went last weekend and so it's there. Your painting

6:42 Speaker 9: is there until the end of the month, correct, Yes, yep.

6:44 Speaker 9: This display is up to the end of the month

6:45 Speaker 9: and then they'll be on to Spellbound. And right now,

6:48 Speaker 9: if you are an artist out there, go ahead and

6:51 Speaker 9: go to the Mosaic Art Collective and submit your work.

6:54 Speaker 9: If then, don't let money be a problem. It's only

6:56 Speaker 9: ten dollars to submit a piece, but if you can't

6:58 Speaker 9: make that ten dollars, they do have ships available. So

7:01 Speaker 9: they do want to invite all artists to come and

7:03 Speaker 9: exhibit their work here in our Queen's City. So please

7:07 Speaker 9: do please look up the Mosaic Art Collective and if

7:10 Speaker 9: you if you don't want to submit a piece, go

7:12 Speaker 9: check them out.

7:12 Speaker 11: There's also some rooms there that are artists workrooms and

7:16 Speaker 11: you can see some of the pieces they're working on

7:18 Speaker 11: and they're incredible to look at.

7:19 Speaker 9: Yeah, absolutely absolutely, well, very good and uh we have

7:23 Speaker 9: joining us in studio here right now. We have the

7:26 Speaker 9: band The Forest Forgets. I'll bring those mics up. Welcome guys,

7:31 Speaker 9: thank you for having it. Thank you absolutely absolutely. So

7:34 Speaker 9: let's start with we'll start with you, sir in the quarter.

7:37 Speaker 9: If you could tell us who you are and what

7:39 Speaker 9: you do in the band.

7:41 Speaker 13: James and I play the drums in the band.

7:45 Speaker 10: All right, Hi James, and you I'm Brennan and I

7:48 Speaker 10: play bass. Brennan yep, oh how do you spell that?

7:52 Speaker 8: D R E?

7:53 Speaker 10: And a do people often think that, like, uh, do

7:57 Speaker 10: people call you Brandon? Bye? Yeah, I figured it, or

8:00 Speaker 10: or I get oh yeah, which is crazy. Oh that's funny.

8:05 Speaker 10: That's funny.

8:06 Speaker 12: And you, sir, and I'm Brandon, right, I played guitar.

8:11 Speaker 10: Okay, and you.

8:14 Speaker 9: Griffin, I apologize. Let me pull that mic up a

8:16 Speaker 9: little bit more. You're on the you're on the weird mic.

8:19 Speaker 9: Can you no a little bit?

8:20 Speaker 10: Hang on, let me pull this uh, pull this up

8:23 Speaker 10: a little more. Yeah, go ahead and talk. Hello. Oh

8:27 Speaker 10: there we go.

8:29 Speaker 9: Now we can hear your dulcin tones. Yes, very good,

8:32 Speaker 9: very good. Well, welcome guys. Now, of course, now some

8:34 Speaker 9: of you have been on the show before, because there

8:37 Speaker 9: was a previous band after image, and how many of

8:40 Speaker 9: you were in after image?

8:41 Speaker 10: Was it three of you or yeah? The three of you? Okay?

8:44 Speaker 10: And then so out of that.

8:46 Speaker 9: Came the Forest for Guests. Now, how long has the

8:48 Speaker 9: Forest Forgets existed?

8:51 Speaker 14: Since October?

8:54 Speaker 13: Okay longer than that? Yeah, I guess almost.

8:57 Speaker 14: Since October, I believe for November.

8:59 Speaker 10: So this is pretty new.

9:00 Speaker 9: And for people watching online, of course, you know, we'll

9:04 Speaker 9: we'll take a picture afterward. But you guys brought me

9:07 Speaker 9: a copy of the new the new EP, so very

9:11 Speaker 9: nice of wind and willow and so well, let's start

9:15 Speaker 9: with the obvious questions. So where does the name come

9:17 Speaker 9: from the Forest Forgets.

9:19 Speaker 14: It's I think it was based off of like where

9:23 Speaker 14: we're from is a state we wanted, like a nature theme. Yeah,

9:25 Speaker 14: like being in New Hampshire, the White Mountains, the forest

9:28 Speaker 14: and everything around us.

9:29 Speaker 10: Yeah.

9:29 Speaker 14: I think kind of an interesting thing about bands is

9:32 Speaker 14: like regionality and with that comes like sound and expectations.

9:36 Speaker 10: Yeah.

9:36 Speaker 14: So you think about California, there's like a sound, right Chfield,

9:39 Speaker 14: there's a sound. You think about you know, Boston there's

9:42 Speaker 14: like a punk scene, there's a sound. Yeah, you think

9:44 Speaker 14: in New Hampshire. I think it's very vague, but I

9:46 Speaker 14: think there's a lot to tap into, Yeah, especially for

9:49 Speaker 14: like the genre that we're trying to do, like a

9:50 Speaker 14: more slower ambient post metal sound. So it came from that,

9:54 Speaker 14: like having that nature theme. But the forest forgets itself

9:58 Speaker 14: James came up with that. It's from a saying do

10:01 Speaker 14: you remember the.

10:01 Speaker 13: Same The saying is the acts forgets, but the tree remembers.

10:07 Speaker 14: Okay, oh interesting, yeah, but it's just kind of it

10:13 Speaker 14: was more of a a statement about like I don't know,

10:16 Speaker 14: passage of time. I guess, yeah, and uh, it's kind

10:20 Speaker 14: of like a trope in media and like post apocalyptic

10:23 Speaker 14: or like where humanity's gone, like nature kind of overtakes

10:27 Speaker 14: human construction, like cities become forests again after a long time. Okay, Okay,

10:32 Speaker 14: do what you can while you're here, but in the end,

10:34 Speaker 14: eventually everything kind of goes back to where it came.

10:37 Speaker 10: Yeah, yeah, no, that makes sense. No, I like that.

10:39 Speaker 9: And I noticed too with the imagery looking at pictures

10:44 Speaker 9: of you guys online and such, it's you really kind

10:47 Speaker 9: of bring that theme, the forest theme and everything. Everything's

10:50 Speaker 9: kind of dark, you know, like it's like it's actually

10:52 Speaker 9: hard and it's not a complaint, it's a it's a

10:55 Speaker 9: cool thing, but it's it's hard to find a picture

10:57 Speaker 9: of you guys.

10:58 Speaker 10: Maybe there as a band.

11:00 Speaker 9: Maybe there are some that I just didn't see where

11:01 Speaker 9: it's like bright and you know, you can clearly see everybody.

11:04 Speaker 9: It's like you kind of like you've kind of done

11:06 Speaker 9: this mysterious thing that I think is cool.

11:08 Speaker 12: Yeah.

11:09 Speaker 14: A lot of that was Victoria Comerford, her hit Brandon's girlfriend. Okay,

11:13 Speaker 14: there's a lot of favors for us coming out doing

11:15 Speaker 14: photography photography, Yeah, yeah, pretty much everything we posted.

11:19 Speaker 9: Yeah, is that gonna be the theme going forward? Like

11:22 Speaker 9: do you think you're gonna stick with that? Or or

11:24 Speaker 9: maybe it'll evolve over time or I don't know. I mean,

11:26 Speaker 9: it's like I said, it's kind of a cool thing,

11:28 Speaker 9: a little a little bit of mystery, and I'm.

11:30 Speaker 12: Sure it'll have its own sort of evolution things go on.

11:33 Speaker 12: But I think that's kind of the the gist of

11:36 Speaker 12: the vibe we're going for, I guess.

11:37 Speaker 9: Yeah, yeah, yeah, No, I like the I like the

11:40 Speaker 9: mystique of it. Now the songs from After Image. Have

11:45 Speaker 9: any of those carried over into the forest forgets? Or

11:48 Speaker 9: is this all new or what's what's been your approach as.

11:51 Speaker 12: Far as that, Uh, it's it's all new stuff. We

11:54 Speaker 12: wanted to just do something like kind of like from scratch. Yeah,

11:58 Speaker 12: a whole new sound and interpretation of like instruments and

12:03 Speaker 12: what we can do with them.

12:04 Speaker 10: Yeah.

12:05 Speaker 12: Yeah, And I think the biggest thing with that is

12:07 Speaker 12: we've changed the tunings. I think were mostly playing like

12:10 Speaker 12: drop C now okay of like standard tuning. So yeah, yeah,

12:13 Speaker 12: it's a lot lower and heavier.

12:16 Speaker 14: Aggressive.

12:16 Speaker 13: I guess yeah, I like it.

12:18 Speaker 9: And Jenny was commenting to how much she loves your

12:20 Speaker 9: guitar playing and it's got a very distinctive kind of

12:23 Speaker 9: kind of sound and vibe to it, which.

12:24 Speaker 12: Is really cool. That's like one of my favorite comments.

12:28 Speaker 7: Compliments.

12:29 Speaker 10: Very nice. And you've got a.

12:33 Speaker 9: Excuse me, I promise I'm not sick. I was sick,

12:36 Speaker 9: but I've got that lingering, you know, you get that

12:37 Speaker 9: lingering cough.

12:38 Speaker 13: It sucks.

12:41 Speaker 9: So the video Now, tell us about the video for

12:43 Speaker 9: with Grace, because that's that's pretty it's kind of kind

12:47 Speaker 9: of heavy.

12:47 Speaker 10: It's it's got a got a heavy, heavy theme to it.

12:51 Speaker 12: That was kind of griffin real.

12:52 Speaker 10: Yeah, yeah, for sure.

12:54 Speaker 14: Yeah, pretty much. It was reactionary to what was going

13:02 Speaker 14: on with my grandparents passing away. Oh okay, Yeah, so

13:06 Speaker 14: I wanted to kind of create like an external expression

13:09 Speaker 14: of that weird sense of grief you get when you

13:12 Speaker 14: watch two loved ones kind of fall apart in front

13:14 Speaker 14: of you.

13:15 Speaker 15: Yeah.

13:15 Speaker 14: Yeah, so it felt really cathartic to do.

13:18 Speaker 3: So.

13:19 Speaker 14: Yeah, and from what I've been told, I think it

13:21 Speaker 14: articulates and translates very well for people that watch it.

13:24 Speaker 10: Yeah, but I agree, Yeah, definitely.

13:27 Speaker 14: Yeah, it just felt like, honestly, like kind of lightning

13:30 Speaker 14: in the bottle. Like how it all came out was

13:33 Speaker 14: very because it was all gorilla filmmaking. Yeah, Like Dylan

13:37 Speaker 14: Williams came out and we have a friend that owns

13:40 Speaker 14: an island, so he just came out on a boat

13:43 Speaker 14: and like filmed filmed me just up as an old

13:45 Speaker 14: man and he just pieced it together.

13:47 Speaker 10: And yeah, how long did it take? Was that all

13:50 Speaker 10: done in one day or because there's a lot to it,

13:52 Speaker 10: that was.

13:53 Speaker 14: Two days of shooting. The first day was like twelve

13:56 Speaker 14: hours and the second day was an hour and a half.

13:58 Speaker 10: Okay, yeah, wow, Yeah it.

14:00 Speaker 14: Was a It was a pretty daunting task that first day.

14:02 Speaker 14: A lot of coordination, especially with like the makeup and

14:04 Speaker 14: like I had to shave my face yeap. Victoria Comerford

14:07 Speaker 14: also did the makeup for my face as well. Excellent

14:10 Speaker 14: ageify me and make it be more believable, right, And

14:12 Speaker 14: I think it worked because I've had a couple of

14:14 Speaker 14: people ask me the like is that you are you

14:15 Speaker 14: the old man? It looks so different.

14:17 Speaker 10: Yeah, So I wasn't sure watching it. I wasn't sure.

14:21 Speaker 10: I thought I mean, I thought so but I wasn't sure.

14:23 Speaker 12: That's awesome yeah either, Yeah me neither. I wasn't.

14:26 Speaker 10: Yeah, Now that was really well done. Is that what

14:28 Speaker 10: the song is about too?

14:31 Speaker 14: One of the interpretations, Yeah, I know. It's it's hard

14:33 Speaker 14: because like my mom had her when I showed her,

14:36 Speaker 14: she had a very specific interpretation of it, and I

14:38 Speaker 14: kind of felt like I didn't want to like take

14:40 Speaker 14: that away from her by getting for my version of it.

14:43 Speaker 14: But for me, that song was written to my fiance.

14:47 Speaker 14: It's a it's a love song, okay, okay about her

14:51 Speaker 14: being really tough on herself. So yeah, I wanted to

14:54 Speaker 14: give her a little love letter and say stop it.

14:57 Speaker 14: Life's going to be okay, right right that some Yeah, No,

15:01 Speaker 14: that's cool.

15:02 Speaker 9: And that's that's the thing too about music is you

15:05 Speaker 9: know everybody can kind of take it and interpret it

15:07 Speaker 9: however they want. And it's I've always thought it's interesting,

15:11 Speaker 9: you know, for me for and I don't know, Jenny

15:14 Speaker 9: might be able to relate to this too. As as

15:16 Speaker 9: gen xers, we grew up in a time where a

15:19 Speaker 9: lot of the music that was popular there was no

15:21 Speaker 9: room for interpretation. Like you know, my my all time

15:25 Speaker 9: favorite band is Kiss but when you listen to a

15:28 Speaker 9: kiss song, there's no misunderstanding.

15:31 Speaker 10: You know what they're what they're talking about, you know.

15:34 Speaker 9: But there are there are a couple of exceptions to that,

15:37 Speaker 9: but but generally, you know, there's no misunderstanding. But but

15:42 Speaker 9: I remember really finding it fascinating in the nineties when

15:47 Speaker 9: the grunge era started that, you know, and a lot

15:49 Speaker 9: of these bands, like Pearl Jam for example, it's like

15:52 Speaker 9: you you know, you listen to the lyrics and it's like, uh,

15:56 Speaker 9: I just remember having conversations with friends about you know,

15:59 Speaker 9: well I think this means this or this is what

16:01 Speaker 9: it means to me, and different people bringing different interpretations

16:04 Speaker 9: to it. And ever since then, I've always been fascinated

16:08 Speaker 9: by the way that I don't know if any if

16:13 Speaker 9: any of you have ever experienced this, but if you

16:15 Speaker 9: ever you listen to a song, you hear the lyrics,

16:19 Speaker 9: or maybe you look up the lyrics and they mean

16:22 Speaker 9: something to you, and then you read an interview with

16:26 Speaker 9: whoever wrote the song and they say it means something

16:28 Speaker 9: completely different than what your interpretation was, and then there's

16:32 Speaker 9: that little part of you that goes, oh, you know

16:35 Speaker 9: what I mean, And in the end it doesn't matter

16:37 Speaker 9: because it's art.

16:38 Speaker 10: And it's subjective and it means to you whatever it

16:40 Speaker 10: means to you.

16:40 Speaker 9: But but I've experienced that too, that feeling of oh

16:44 Speaker 9: it means that I thought it meant this other thing.

16:46 Speaker 14: Yeah, don't kind of take away like the engagement for

16:50 Speaker 14: the listener. Yeah, like my personal experience that gave the

16:54 Speaker 14: song that weight. It's like you can still apply it,

16:56 Speaker 14: but now you know the direct intention, right, so you

16:59 Speaker 14: can't invest as much of yourself into it.

17:01 Speaker 10: Right right, Yeah, exactly exactly?

17:05 Speaker 1: Is that?

17:07 Speaker 9: Are all of your songs kind of like that where

17:09 Speaker 9: you can, you know, sort of interpret them different ways?

17:12 Speaker 9: I mean, that's that's that's my impression of your music.

17:14 Speaker 9: It's like you can you can really kind of put

17:18 Speaker 9: read into it whatever you want to.

17:20 Speaker 16: And yeah, I would say I think that's one of

17:23 Speaker 16: Griffin's strong points is his lyricism has always been really

17:28 Speaker 16: thought provoking.

17:29 Speaker 13: Yeah, and it's not kind of late. It's not late

17:32 Speaker 13: on in front of you. You do.

17:33 Speaker 16: You kind of have to give it a couple listens, right,

17:35 Speaker 16: and you know, digest it. Yeah, so I think it

17:38 Speaker 16: carries through most of the songs.

17:40 Speaker 10: Yeah, yeah, outstanding. Now, what is the writing. So Griffin,

17:45 Speaker 10: do you write all the.

17:45 Speaker 14: Lyrics or lyrics? Yeah, yeah, just about I mean he

17:49 Speaker 14: I'm terrible at grammar, Yeah, terrible, are you?

17:53 Speaker 12: Yeah?

17:54 Speaker 14: Yeah, So James is like my retroactive editor. Okay, coming

17:58 Speaker 14: like this word doesn't make any sense Google, and it

18:02 Speaker 14: makes sense here. So it is a collaborative effort. I get,

18:06 Speaker 14: I print out all the lyrics and I let them

18:08 Speaker 14: read it because I want them to kind of get

18:10 Speaker 14: in that space with me I go to record. But

18:14 Speaker 14: it is collaborative. I'd say James definitely steps up to

18:17 Speaker 14: the plate a lot and kind of like helps me

18:18 Speaker 14: find what I'm trying to hit.

18:20 Speaker 10: Yeah. Yeah, and then do the lyrics come first and

18:23 Speaker 10: then the music or no? Okay, it's all music.

18:27 Speaker 14: It's very reactive to the music.

18:28 Speaker 10: Okay that.

18:32 Speaker 14: It's not really learned. I guess it's more so just

18:34 Speaker 14: habitual over time.

18:35 Speaker 10: Yeah, so it becomes instinctive.

18:37 Speaker 14: Yeah yeah, because I feel like writing slam poetry and

18:40 Speaker 14: then trying to like that onto a song it can

18:43 Speaker 14: be very clunky. So I try to base it around

18:45 Speaker 14: the song itself.

18:46 Speaker 10: Yeah, No, that makes sense. And then so how does

18:48 Speaker 10: the music come about? What's the process there?

18:50 Speaker 12: There's a couple of different ways, I think. For for

18:54 Speaker 12: with Grace, it was actually a song that James uh

18:58 Speaker 12: programmed in was it like Ableton, and it sounded completely

19:04 Speaker 12: different than what it ended as. But he brought that

19:06 Speaker 12: idea to us, and we took all the parts we

19:08 Speaker 12: liked and then kind of added what we could to

19:11 Speaker 12: make it sound more like the other stuff we had written. Yeah,

19:15 Speaker 12: but I think was it. The other three were pretty

19:19 Speaker 12: much just us jamming on with whatever we could come

19:22 Speaker 12: up with, yeah, and taking the parts we liked. We

19:26 Speaker 12: what we started doing was we record every practice, so

19:28 Speaker 12: we would have like a like a couple hour jam

19:31 Speaker 12: session or something, and then it was usually Griffin was

19:34 Speaker 12: the ring leader and listening back to it and like

19:36 Speaker 12: grabbing little clips and timestamps and saying, I think this

19:39 Speaker 12: would be cool with like minute fifty of this jam

19:42 Speaker 12: going into like the first minute of like the second

19:45 Speaker 12: jam or whatever, and it was just kind of like

19:47 Speaker 12: piece together that way.

19:48 Speaker 10: Yeah.

19:50 Speaker 14: Well, such a new band, you got to like learn

19:52 Speaker 14: how to engage with each other and interact with each other.

19:55 Speaker 14: I think it was very helpful for someone to kind

19:57 Speaker 14: of like get that ball rolling right right we're writing

20:00 Speaker 14: new stuff now and it's not like that at all.

20:02 Speaker 14: It's very really yeah, it's very like, let's sit in

20:06 Speaker 14: the space, let's build this song together. Is no like

20:09 Speaker 14: head orchestrator.

20:10 Speaker 10: Yeah.

20:10 Speaker 14: Now it's all like one hundred percent collaborative. But the EP,

20:13 Speaker 14: we were all so new to each other. Yeah, well

20:15 Speaker 14: we're also new to the band, right right. Yeah, that

20:18 Speaker 14: I think it made it easier and more concise for

20:20 Speaker 14: one person to kind of like lead the ship regard,

20:23 Speaker 14: So James coming in with pretty much with Grace road

20:27 Speaker 14: mapped out. It was very helpful and I think I

20:30 Speaker 14: kind of did that role too, like the other songs,

20:32 Speaker 14: just kind of like orchestrating stuff. But now it feels

20:34 Speaker 14: very collaborative.

20:35 Speaker 9: Yeah, oh cool, cool, very cool. Where do you guys

20:38 Speaker 9: record because everything sounds amazing.

20:40 Speaker 12: We record over at Blackhart Studios, yes, which I work

20:44 Speaker 12: there with Eric Oh you do?

20:46 Speaker 10: Okay?

20:46 Speaker 12: Yeah, and infrequently, but yeah, we went there and we

20:51 Speaker 12: did what was it like two days for instruments and

20:53 Speaker 12: then like another day for vocals. But yeah, I love that.

20:59 Speaker 12: I love that space. It feels like it almost feels

21:02 Speaker 12: like a home away from home. How much time I've

21:03 Speaker 12: spent there, no kidding, the familiarity with everything just made

21:06 Speaker 12: everything super easy for me to like engineer and get

21:10 Speaker 12: us going as quickly as possible.

21:12 Speaker 9: Yeah, we had Eric on the show a number of

21:14 Speaker 9: months ago, and it was it was great to finally

21:16 Speaker 9: have him on because, uh, you know, I kept telling him, dude,

21:18 Speaker 9: your name comes up all the time on my show.

21:20 Speaker 10: We got to get you on. So yeah, that was Uh.

21:24 Speaker 10: So you you work there with him, you.

21:26 Speaker 12: Yeah, Usually what ends up happening is if he's busy

21:28 Speaker 12: doing something, I'll come in and I'll do like the

21:31 Speaker 12: recording for the most part, Okay, the stuff that he'll

21:34 Speaker 12: end up mixing and mastering. But oh, there's been a

21:36 Speaker 12: couple of projects I've done mastering and mixing on for him,

21:39 Speaker 12: like Dead Harrison.

21:40 Speaker 10: I think we we were talking about that off are Yeah,

21:43 Speaker 10: our friends Deed Harrison, Yeah.

21:45 Speaker 12: Which they were. They were a lot of fun to

21:47 Speaker 12: uh to work with.

21:48 Speaker 10: Yeah, No, they're great.

21:49 Speaker 9: Yeah, I've known them forever and yeah we often play

21:52 Speaker 9: there while They've been on the show a bunch of times,

21:54 Speaker 9: and of course and they're also a part of uh,

21:56 Speaker 9: you know, the Midnight Creatives Collective and Terminus Underground and

21:59 Speaker 9: now Ashua and yeah, I love that that song Terror Grinder.

22:04 Speaker 12: Yeah, I love that song, that one in Monolith, Florid.

22:07 Speaker 12: I think that's my favorite off of that.

22:08 Speaker 8: Yeah.

22:09 Speaker 10: Yeah, no, those are those are great. Those are great.

22:11 Speaker 11: I was lucky enough to have my paintings on display

22:14 Speaker 11: there last month and there's a cool video of them.

22:17 Speaker 11: It was all of my darkest paintings. And this is

22:19 Speaker 11: cool video with Dead Harrison playing in the background because

22:22 Speaker 11: they're their practice room is right on the other side

22:24 Speaker 11: of the wall.

22:25 Speaker 10: That's awesome.

22:26 Speaker 9: Yeah, well we should, uh let's play another studio track

22:31 Speaker 9: from the new release, but I will uh, I'll let

22:34 Speaker 9: you guys pick what should.

22:36 Speaker 10: We where should we go next?

22:38 Speaker 12: Brendan, you pick probably peel Back, Feel Back?

22:42 Speaker 10: Okay, and uh what why do you?

22:44 Speaker 8: Uh?

22:44 Speaker 9: Why do you choose this one? Is there any any

22:46 Speaker 9: particular reason or or is there a story about the song?

22:49 Speaker 9: We should know or it's it's my personal favorite. But

22:53 Speaker 9: apart from that, it's just the first Okay. It was

22:57 Speaker 9: like it was between that and with Grace first single.

23:00 Speaker 13: Yeah, we were, we were.

23:01 Speaker 10: Defeating it for okay. Oh excuse me, I apologize for

23:06 Speaker 10: my voice. Uh yeah, So I'll hurry up and get

23:08 Speaker 10: to the track, so I can clear my throat. Here

23:11 Speaker 10: we go.

23:11 Speaker 2: This is real bass.

23:12 Speaker 8: Come jump up jump my so s you such.

24:06 Speaker 17: My not.

24:11 Speaker 8: Think it? I need.

24:18 Speaker 17: To s.

24:22 Speaker 5: Comes thaying burning.

24:33 Speaker 2: So she called sponds.

24:44 Speaker 7: Can't step?

24:47 Speaker 8: How you do.

24:50 Speaker 2: Turn your.

24:52 Speaker 5: Speaking Thissmas starts a crown. I saw like brown all

25:06 Speaker 5: you said? Okay, sir.

25:18 Speaker 4: Said, I.

25:20 Speaker 8: Still kill jump.

25:25 Speaker 4: Jump jump cart drawn by So it's.

25:36 Speaker 8: A famous thing. But sorry of it.

26:04 Speaker 2: Lives for nothing, your ride and you're trying to.

26:07 Speaker 5: Get up or contentment for your h my friend, if

26:12 Speaker 5: those hours still laus and I said, no.

26:15 Speaker 2: It's worth a great kind of day.

26:17 Speaker 7: Where about your house?

26:21 Speaker 2: Just stay where a thout, just stay for adults.

26:31 Speaker 5: Sure well you are a jack.

27:50 Speaker 10: Oh that is so good. That is peel back.

27:53 Speaker 9: The band is the Forest Forgets, and we have the

27:55 Speaker 9: Forest Forgets here with us live in studio this morning.

27:58 Speaker 9: And what a great track. And yeah, that's a perfect

28:01 Speaker 9: opener for the EP. It is absolutely fantastic. So I

28:04 Speaker 9: can see, uh, I can see why you guys went

28:06 Speaker 9: with that. Yeah, it grabs you right away.

28:09 Speaker 10: I love.

28:11 Speaker 8: Them.

28:11 Speaker 9: Yeah, yeah, no, that is so good. And that uh

28:14 Speaker 9: that's solo at the end. Man, it's really really good,

28:20 Speaker 9: really good if you are just joining us. Of course,

28:22 Speaker 9: we do have the Forest Forgets here with us live

28:24 Speaker 9: in studio.

28:25 Speaker 10: And now do you guys.

28:28 Speaker 9: Plan to Are you going to be recording more soon

28:32 Speaker 9: or are you just kind of I mean, obviously this

28:34 Speaker 9: has been out for a relatively short time, right the

28:37 Speaker 9: the new EP.

28:38 Speaker 14: Well, the first single dropped Thursday.

28:41 Speaker 10: Yeah, yeah, oh so very new.

28:42 Speaker 14: Yeah, and the the EP actually fully releases next Friday.

28:46 Speaker 14: It's like a little teaser for everybody.

28:48 Speaker 10: Oh very good.

28:51 Speaker 12: Is this a world premiere on radio?

28:53 Speaker 10: Yes, very good.

28:54 Speaker 12: We we do love.

28:56 Speaker 10: We do love. The world radio premieres here on the show.

28:58 Speaker 10: So that's wonderful.

29:00 Speaker 9: Are you guys already writing stuff, because you strike me

29:04 Speaker 9: as you probably write a lot.

29:05 Speaker 10: I'm guessing you've got a lot of tunes. Yeah, we

29:08 Speaker 10: have a lot of like, we have a lot of.

29:12 Speaker 12: Getting longer yeah yeah, right, less and less digestible.

29:18 Speaker 14: Yeah yeah, I have like sixteen minutes worth of music.

29:20 Speaker 14: But it's two songs.

29:21 Speaker 5: Right.

29:23 Speaker 14: In terms of like going back to record, I think

29:24 Speaker 14: we're probably not going to go back for a little bit. Yeah,

29:27 Speaker 14: a year, eight months. I was actually just talking to

29:29 Speaker 14: the guys about it in the group chat yesterday I

29:32 Speaker 14: feel like an EP has like eight months worth of

29:34 Speaker 14: legs until people like Okay, so our main goal right

29:37 Speaker 14: now is to play out, start playing some shows, Yeah,

29:39 Speaker 14: develop a live set, get in that space consistently.

29:43 Speaker 10: Yeah.

29:43 Speaker 14: Once we started, what.

29:45 Speaker 13: Now that we can show people what we're playing.

29:47 Speaker 14: Yeah, now that we people know what we sound like,

29:49 Speaker 14: right right, demos on band camp. Yeah, but for the

29:52 Speaker 14: newer material that we are working on, I definitely want

29:55 Speaker 14: to approach it from a live setting with Brandon's mixing.

29:58 Speaker 14: The whole goal was like live, Yeah, this is how

30:01 Speaker 14: we sound live.

30:02 Speaker 10: Yeah. So so you guys haven't played out yet or

30:06 Speaker 10: we've played what three shows too?

30:07 Speaker 8: Oh?

30:07 Speaker 14: Okay, so we've done three shows. Yeah, three shows in

30:11 Speaker 14: nine months. Okay, it's been pretty sparse, but nobody knows

30:13 Speaker 14: what we sound like, right right exactly?

30:15 Speaker 10: Yeah? Yeah so that yeah, this is all new.

30:19 Speaker 9: And what went into the the decision to do an

30:23 Speaker 9: EP because you know, a lot of the guests that

30:26 Speaker 9: we have on the show, they approach it different ways.

30:27 Speaker 9: You know, you can do an EP, you can do

30:29 Speaker 9: a full album, you can do uh. Some people now

30:31 Speaker 9: they just released a series of singles that eventually become

30:34 Speaker 9: an album.

30:34 Speaker 10: What what went into that decision to do an EP.

30:39 Speaker 18: I think it was just like we wanted to get

30:41 Speaker 18: stuff out quickly. Yeah, and we didn't want to have

30:44 Speaker 18: eight or ten tracks to put on an album, right,

30:48 Speaker 18: and we didn't want to have as little as a single.

30:50 Speaker 10: Yeah, because we had a lot of stuff working. Yeah. Yeah,

30:54 Speaker 10: that had a consistent sound. Yeah, the songs together work well,

30:59 Speaker 10: you know it.

31:00 Speaker 9: I can see why you would want to put them

31:02 Speaker 9: together instead of just putting them out of singles necessarily.

31:04 Speaker 18: Yeah, it's a very consistent project, I think.

31:06 Speaker 10: Yeah, yeah, definitely. Now that makes a lot of sense.

31:10 Speaker 10: Do you have another video that you're working on or

31:12 Speaker 10: I mean, I know this one again, I know with

31:13 Speaker 10: Grace just came out.

31:15 Speaker 14: But no, really last one was a tour de force yeah,

31:19 Speaker 14: on all fronts. Yeah, so I felt like for an EP,

31:22 Speaker 14: like here's a nine minute short film that you know,

31:26 Speaker 14: I was talking to the guys the other day about

31:28 Speaker 14: maybe doing something a little bit smaller, a little bit

31:31 Speaker 14: smaller in scale for like another single, right, but as

31:35 Speaker 14: of right now, it's just with Grace. We kind of

31:37 Speaker 14: felt like that was like a statement piece, come out

31:39 Speaker 14: with a bang. Yeah, here's a concept. It's all cohesive.

31:42 Speaker 14: It all ties in YEP and again legs like it's

31:46 Speaker 14: got four songs, here's a nine minute video. Yeah, so

31:48 Speaker 14: if I were to do another, that'd be like fifteen

31:50 Speaker 14: minutes for a twenty five minute EP. Right, it's a

31:52 Speaker 14: little crazy. But we do have more like behind the

31:55 Speaker 14: more content about how we made the EP and like

31:58 Speaker 14: behind the scenes on the video itself. Yes, because we

32:01 Speaker 14: still want to like give people something to engage with.

32:03 Speaker 14: But in terms of like artistic expressions through the form

32:06 Speaker 14: of a music video, I think that's probably going to

32:08 Speaker 14: be it for now. I think now the direction is

32:10 Speaker 14: just let's play live.

32:11 Speaker 10: Yeah, yeah, that makes sense. And then, uh, what was

32:16 Speaker 10: the Oh so what what do you have? Like do

32:20 Speaker 10: you have shows coming up? Do you have do you

32:21 Speaker 10: have some shows booked?

32:22 Speaker 14: Or if we have two shows booked in December?

32:24 Speaker 10: Okay, I don't.

32:26 Speaker 14: I think you know more details about those than I do.

32:28 Speaker 12: All I know is that they're more than likely happening.

32:32 Speaker 10: Yeah. Yeah, nothing to announce.

32:35 Speaker 14: Yeats a single dropping. We've had a lot of people

32:38 Speaker 14: reach out and they're like, hey, play a show, So yeah,

32:40 Speaker 14: it's kind of naturally occurring.

32:42 Speaker 10: No, I'm curious, curious to see you guys live big time.

32:45 Speaker 10: Me too. Absolutely, we should also talk about too.

32:49 Speaker 9: So I don't know that will necessarily play it, but

32:51 Speaker 9: there is a track run here that's that is different

32:53 Speaker 9: than the others. Yeah, catching the big Fish in the

32:56 Speaker 9: Vast Purple Sea. That's kind of an ambient there's no

32:59 Speaker 9: lyrics in that for what.

33:01 Speaker 12: It's all all guitar. Oh, it's all guitar sound sources

33:06 Speaker 12: that I found and recorded. I think it's my favorite

33:10 Speaker 12: sound that I put in there is my drying machine.

33:12 Speaker 12: Oh really, like my drying machine in my apartment. I

33:17 Speaker 12: had like a like it was like a pair of

33:18 Speaker 12: pants that and coins in there, and it was just

33:20 Speaker 12: making this funny sound. And I recorded it one day

33:23 Speaker 12: and then I was mixing it and I was like,

33:24 Speaker 12: I think that'd be fun to throw in there. Yeah,

33:28 Speaker 12: but yeah, that's just ambient guitar.

33:29 Speaker 8: It was.

33:30 Speaker 12: It was something I think Griffin had me do for

33:33 Speaker 12: our first video.

33:36 Speaker 14: At first, Like we do a YouTube series called Broots Remain.

33:40 Speaker 14: It's just kind of like about us as a band. Yeah,

33:42 Speaker 14: it's all self produced. It's you know, I wouldn't expect

33:45 Speaker 14: much from it, but I was like, hey, can you

33:48 Speaker 14: just like make this ambient guitar track just so I

33:49 Speaker 14: have some space to fill and then and.

33:52 Speaker 12: Then I I think I did it at the practice

33:54 Speaker 12: space and we all kind of liked like the like

33:57 Speaker 12: the vibe of it. And the first show we played,

33:58 Speaker 12: we actually we in the middle of the set, we

34:01 Speaker 12: just stopped and I sat on the ground and just

34:03 Speaker 12: played you know, ambient guitar for what like five five minutes. Yeah,

34:08 Speaker 12: I think that's right.

34:08 Speaker 8: And then.

34:10 Speaker 12: I don't know, I really liked it, and I wanted

34:12 Speaker 12: to have it on the EP. So when it was

34:14 Speaker 12: like almost a complete afterthought in the studio, like we

34:17 Speaker 12: were all wrapped up and I was like, wait, I

34:18 Speaker 12: got one more thing to do, and it was just

34:21 Speaker 12: like one take of improv guitar with layers of reverb.

34:26 Speaker 10: Yeah.

34:26 Speaker 14: I think it's one of those songs feeling it as

34:29 Speaker 14: opposed to listening to it like live feeling all that

34:31 Speaker 14: running around you. Right. Yeah, very transcendental. I guess I

34:35 Speaker 14: would say, I don't know if that's the word, James,

34:37 Speaker 14: but I'm trying.

34:40 Speaker 12: Because I got the I got the name actually from

34:43 Speaker 12: It's a quote from the filmmaker David Lynch. The way

34:47 Speaker 12: he approaches making films is he'll do transcendental meditation. Oh,

34:52 Speaker 12: he thinks of himself fishing for ideas in like a

34:55 Speaker 12: large purple ocean.

34:57 Speaker 10: I didn't know that about David Lynch, but if you

34:59 Speaker 10: told me, I guess a director who approaches it this way,

35:02 Speaker 10: I would probably guess it was David Lyncha. Oh that's interesting.

35:07 Speaker 10: That's interesting.

35:08 Speaker 9: Well, let's all the time goes so quick. Let's I

35:10 Speaker 9: want to make sure we get the rest of these in.

35:12 Speaker 9: Let's listen to Disintegrate. You guys were kind enough to

35:17 Speaker 9: provide a radio edit, so appreciate that. But no, this

35:19 Speaker 9: is another great track. I really love this a lot.

35:21 Speaker 10: If you are just joining us.

35:22 Speaker 9: We have the forest Frigets here with us live in studio,

35:25 Speaker 9: and here's another track from their new EP, and this

35:28 Speaker 9: track is called Disintegrate.

35:29 Speaker 10: Check it out.

35:42 Speaker 3: Time I'm telling about sea fighting bas I'm not my cousin.

36:04 Speaker 2: Oh god, what j yeah, So.

36:39 Speaker 5: I'm so tell me about how them sat Jens.

36:52 Speaker 4: J I s h U.

36:54 Speaker 8: This ic one of a part.

37:36 Speaker 2: She's said as her allies.

37:38 Speaker 5: You're you're a shot away from the.

37:43 Speaker 2: Day like day days we did.

37:48 Speaker 5: You know this body's strong son, You're like you're not

37:52 Speaker 5: made all fat No, there reals drunk sounds for I

38:01 Speaker 5: know want of s pa sis we be we see

38:05 Speaker 5: you want it's life to be serp turn a sew

38:10 Speaker 5: brown and.

38:10 Speaker 2: Over the center murder be your sister, the sister Mermas right, don't.

38:21 Speaker 19: Know you about the man that you chose, travels sat

38:54 Speaker 19: All jem my mom at.

38:55 Speaker 3: The time and my sector and chat Rice Joseph what

39:03 Speaker 3: a gos.

39:13 Speaker 8: S sis puer.

39:50 Speaker 2: Else you're saying you won't sense and wa nothing nothing

40:08 Speaker 2: and never never what of.

40:18 Speaker 10: Hmmm?

40:19 Speaker 9: That is disintegrate And the band is the Forest Forgets

40:22 Speaker 9: and we have the Forest Forgets here with us alive

40:24 Speaker 9: in studio and uh we were talking off air, Uh Griffin,

40:28 Speaker 9: you were saying that song has your favorite scream on.

40:31 Speaker 14: The ev in it Yep, yep, that last one at

40:33 Speaker 14: the end, the high one. Yeah, it felt very Chino

40:36 Speaker 14: deaftones kind of. Yeah, those whistle note screams he does. Yeah,

40:39 Speaker 14: it's just satisfying.

40:40 Speaker 10: I'm always impressed by that when I hear a vocalists who.

40:43 Speaker 12: Can do that.

40:44 Speaker 10: Do you do anything to kind of like, do you

40:45 Speaker 10: have to do anything.

40:46 Speaker 9: To really take care of your throat to pull that

40:48 Speaker 9: off without you know, without damaging your vocal cords. Like

40:52 Speaker 9: like like most people if they just said, oh, I'm

40:54 Speaker 9: gonna do that, you know, they'd end up, like, you know,

40:57 Speaker 9: harming their throat.

40:59 Speaker 14: How do you approach that technique and balance, I guess,

41:02 Speaker 14: like balance of pressure and diaphragm and whatnot.

41:06 Speaker 13: Yeah, you just don't.

41:06 Speaker 14: You don't push that hard to get those sounds. Ye,

41:08 Speaker 14: it's more the technique and Mike the mic does a

41:13 Speaker 14: lot of the work. If I were to do that

41:14 Speaker 14: in the room, it would sound pretty different. Yeah, compression

41:17 Speaker 14: and everything. I think that's a big thing when like,

41:19 Speaker 14: especially when I was first starting out, was like, how

41:20 Speaker 14: do I get this to sound like that? Well, there's

41:23 Speaker 14: a lot of tricks that go into it, right that

41:25 Speaker 14: big bands can do consistently that you can't really do

41:28 Speaker 14: in a basement in Nashua.

41:30 Speaker 10: Yeah. Yeah, yeah, So if you learn to do it correctly,

41:34 Speaker 10: you can do it without hurting yourself.

41:36 Speaker 14: And yeah, yeah, I mean any great technique you do

41:39 Speaker 14: something every day, you could have the best technique in

41:41 Speaker 14: the world. But like, as far as I can tell,

41:44 Speaker 14: big bands that have to tour two hundred days out

41:46 Speaker 14: of the year, it doesn't really matter how good your

41:48 Speaker 14: technique is because you're gonna get hurt after a while,

41:51 Speaker 14: it's going to wear down, right.

41:53 Speaker 12: Right, Yeah, no doubt, no doubt.

41:56 Speaker 10: Have you always has that always been your approach vocally

41:58 Speaker 10: to it, you know, the singing with the you know,

42:01 Speaker 10: the aggressive the screams and all that.

42:04 Speaker 14: I'd say so, yeah, first starting out, I didn't really

42:07 Speaker 14: know how to do anything. Yeah, and then I found

42:10 Speaker 14: bands like Tool and I was like, Okay, I'm gonna

42:12 Speaker 14: do that like bark Yell he does yeah. And I

42:15 Speaker 14: found Deftnes I'm like, that's cool. Yeah, I'm gonna start

42:17 Speaker 14: doing that. And then we've been listening to this band Sumac,

42:20 Speaker 14: which is uh, I don't know the band isis the

42:22 Speaker 14: band isis?

42:23 Speaker 10: Yeah? Right yeah.

42:25 Speaker 14: In Turner he does all the the low like false

42:27 Speaker 14: chord guttural stuff. I'd have been on that kick, just

42:30 Speaker 14: kind of picked things I like and see if I

42:32 Speaker 14: can do them in my own way.

42:33 Speaker 10: I guess yeah. Yeah.

42:35 Speaker 9: Oh there's a song too that which was the song

42:37 Speaker 9: we played earlier that James, you you do some some

42:39 Speaker 9: of the harmony, because I think we talked about that

42:41 Speaker 9: off air with Grace.

42:43 Speaker 10: Yeah, oh with Grace. Yeah, so you're on that too vocally.

42:46 Speaker 16: With the last chorus, I kind of no, I'm in

42:49 Speaker 16: both yeah, yeah, yeah, the last one it has that

42:52 Speaker 16: really in the third harmony in the last.

42:54 Speaker 10: Chorus, Yeah yeah, I kind of add some texture to it.

42:58 Speaker 13: Is that is it just on that track?

43:00 Speaker 10: Is that the only one where you've got a vocal? Yes? Yeah,

43:02 Speaker 10: Well you be doing that live too, like when when

43:04 Speaker 10: you guys play that live.

43:05 Speaker 13: Will you be?

43:06 Speaker 16: We've been feeling it out in the practice space. I

43:10 Speaker 16: think we started doing that after we were in the studio,

43:13 Speaker 16: just to see how it would be. So there's a

43:16 Speaker 16: chance eventually that I might start doing some of the harmonies,

43:19 Speaker 16: even the harmonies that Griffin was doing. But that's a

43:23 Speaker 16: little touch and go right now. I don't know if

43:25 Speaker 16: we're going to end up there.

43:26 Speaker 9: Yeah, yeah, yeah, it might be tricky to pull off,

43:29 Speaker 9: but yeah, it's funny to you guys. We're talking about

43:33 Speaker 9: Morgan's storage. You have a practice space there, and it's funny.

43:38 Speaker 10: I was remembering the I was in some bands that

43:42 Speaker 10: had rehearsal space there and the pain of when you're

43:45 Speaker 10: trying to do something and you've got a band right

43:47 Speaker 10: next door who's very loud, And.

43:49 Speaker 9: I was talking with. I was there actually a couple

43:51 Speaker 9: of weeks ago. I went to meet with I don't

43:54 Speaker 9: know if you guys know the band day to attend,

43:56 Speaker 9: but I was in their practice space, and I swear

43:59 Speaker 9: it was so familiar that I think it might have

44:02 Speaker 9: been the same room, one of the rooms that I

44:04 Speaker 9: had there years ago.

44:06 Speaker 10: But yeah, they were talking about that too. How sometimes

44:08 Speaker 10: it's such a challenge because there's so many bands in there,

44:11 Speaker 10: you know, and and if if you've got somebody right

44:12 Speaker 10: next door to you who's loud or I mean, I

44:16 Speaker 10: know there's I don't know if there's any you know,

44:18 Speaker 10: if there's any recording studios currently in there. I know

44:20 Speaker 10: there has been in the past, and I don't even know.

44:23 Speaker 10: I don't even know how they managed to do it,

44:24 Speaker 10: even with a lot of soundproofing.

44:26 Speaker 5: You know.

44:26 Speaker 18: Yeah, there's a lot of bands over there right now.

44:28 Speaker 18: I'd be surprised if anybody's trying to record anything.

44:31 Speaker 10: Yeah, yeah, yeah, no doubt, no doubt.

44:36 Speaker 9: You guys, I assume you rehearse on a pretty consistent

44:39 Speaker 9: basis because your music is you know, it's it's complex,

44:42 Speaker 9: it's not you know, it's not like a three chord

44:44 Speaker 9: thing that you can just pick up every you know,

44:46 Speaker 9: every few weeks, right, you guys must probably every week,

44:48 Speaker 9: I would think.

44:49 Speaker 14: We for the past eight months we were doing three

44:52 Speaker 14: nights a week. Yeah, that's good, just to get the

44:54 Speaker 14: ball rolling.

44:55 Speaker 10: Yeah.

44:55 Speaker 7: Yeah.

44:56 Speaker 14: And with the EPO, we're dropping it down to two

44:58 Speaker 14: nights a week.

44:58 Speaker 10: Yeah.

44:59 Speaker 14: Take a long day on Sundays and yeah, two and

45:01 Speaker 14: a half hour thing on Wednesdays.

45:03 Speaker 12: Yeah, writing day and then like a rehearsing day, I guess.

45:06 Speaker 10: Yeah, yeah, yeah, because imagine, I would imagine with what

45:09 Speaker 10: you're doing, if you take too much time off, it's

45:11 Speaker 10: probably hard to really.

45:12 Speaker 18: You know, you don't want to lose, especially with the

45:15 Speaker 18: writing process. Yeah, yeah, sure, you've got to be in

45:18 Speaker 18: that headspace consistently.

45:20 Speaker 12: Yeah, no doubt, no doubt.

45:21 Speaker 10: You guys, do any covers or strictly original or when

45:24 Speaker 10: you when you are playing out on regular basis, will

45:26 Speaker 10: you be doing strictly originals?

45:28 Speaker 7: Do you think?

45:29 Speaker 14: Or probably?

45:30 Speaker 12: I think strictly originals. We tried playing a couple of

45:33 Speaker 12: covers the first couple of practices when we first got together. Yeah,

45:38 Speaker 12: but I mean that was back in what November. The

45:41 Speaker 12: last time we played a cover songs back in November,

45:43 Speaker 12: So yeah, I think it's going to be all originals.

45:46 Speaker 9: Yeah, yeah, no, that's good. That's good before we run

45:49 Speaker 9: out of time, because I do want to make sure

45:50 Speaker 9: we get this last uh track. And let's see, we

45:54 Speaker 9: haven't played Chemo yet. And I'm curious to ask you too,

45:59 Speaker 9: because we're gonna pla with a name like that. Is

46:01 Speaker 9: there a story behind this uh behind this song?

46:08 Speaker 14: I read a couple of years ago that like every

46:13 Speaker 14: seven years, every cell on your body body has regenerated,

46:16 Speaker 14: so you're like not the same person. It's like that

46:18 Speaker 14: paradox of like the ship you replace every board is

46:20 Speaker 14: at the same ship. Right, So if you've like been

46:24 Speaker 14: through experiences in the past that kind of leave a

46:26 Speaker 14: sour taste in your mouth, there's the reassurance that like

46:29 Speaker 14: there will be a version of you that hasn't been

46:31 Speaker 14: like touched interested.

46:34 Speaker 10: Yeah. Yeah, that's so, that's that's what the song is about.

46:37 Speaker 14: I'd say, effectively.

46:39 Speaker 9: Yeah, yeah, I've read that too. Actually, yeah, that's interesting. Yeah,

46:42 Speaker 9: so we'll listen to that in a moment when we

46:45 Speaker 9: close out the segment. But the other thing too, I

46:47 Speaker 9: want to make sure that people know uh where to

46:50 Speaker 9: find you guys.

46:50 Speaker 10: Online.

46:51 Speaker 9: Where's the best place to go. How they can keep

46:52 Speaker 9: up with everything that you're doing, how they can get

46:54 Speaker 9: the music?

46:55 Speaker 8: This is?

46:55 Speaker 10: Is this refresh my memory?

46:57 Speaker 6: Is this?

46:58 Speaker 10: This isn't quite out yet available as a fully p

47:00 Speaker 10: yet online.

47:01 Speaker 14: Not on streaming No, okay. You pick up physical copies

47:04 Speaker 14: at the Music Connection in Manchester.

47:06 Speaker 10: Oh excellent.

47:07 Speaker 14: And I think we're gonna get them over to bull

47:09 Speaker 14: Moose eventually because they have a new one and I

47:12 Speaker 14: don't remember where they just they closed the one and

47:14 Speaker 14: sale and they moved it to somewhere else.

47:16 Speaker 10: I was gonna say, yeah, they just moved right the

47:17 Speaker 10: Salomon Yeah.

47:18 Speaker 14: Yeah, Newberry Comics eventually. Too good. We we gotta talk

47:21 Speaker 14: to them. We gotta figure that out though.

47:23 Speaker 13: Yeah.

47:23 Speaker 16: The fully drops on the twenty seven. That's correct, okay,

47:28 Speaker 16: And it'll be available on all the major streaming websites.

47:32 Speaker 16: We have band Camp, Spotify, iTunes, yeahzer oh yeah, yeah,

47:39 Speaker 16: they've been trying.

47:40 Speaker 3: Uh.

47:41 Speaker 10: I found Deezer by accident. I was googling one.

47:45 Speaker 17: You know.

47:45 Speaker 9: Every once in a while I'll just google Matt Conderton

47:47 Speaker 9: unleash to see if there's anything about the show, like

47:49 Speaker 9: if the show is Sometimes the show shows up places

47:52 Speaker 9: I don't know about. Yeah, that's literally how I found

47:55 Speaker 9: out about Deezer. I googled the show one day, and uh,

48:00 Speaker 9: link to Deezer pops up, and I'm like, oh, my

48:02 Speaker 9: show is on Deezer and I had no idea. But

48:08 Speaker 9: which is fine. It's great, you know, if somebody finds

48:10 Speaker 9: it that way. But yeah, but no, it's cool too

48:13 Speaker 9: that you're doing physical copies, because you know, not everyone does.

48:17 Speaker 9: Although I feel like lately most of the guests that

48:19 Speaker 9: we've had on do do physical copies. It seems like

48:22 Speaker 9: I feel like, maybe I don't know, five or six

48:24 Speaker 9: years ago, like there was a space of time where

48:27 Speaker 9: a lot of people were just kind of like, eh,

48:29 Speaker 9: do we really need to do physical copies? Everything's digital now,

48:32 Speaker 9: But I think it kind of came back, you know.

48:34 Speaker 9: People still like to have something they can especially with

48:37 Speaker 9: I don't know if you guys have any plans to

48:39 Speaker 9: do vinyl in the future, but it seems like vinyl.

48:42 Speaker 10: Now a lot of a lot of our guests.

48:44 Speaker 9: It's it's expensive to do it, but they'll do vinyl,

48:47 Speaker 9: you know, which is really just for the diehards, because

48:49 Speaker 9: I think most people if they buy vinyl, they probably

48:52 Speaker 9: never even open it. They just want to have it

48:54 Speaker 9: because if you really like, if you're a big fan

48:56 Speaker 9: of that artist, it's cool to have it. But you know,

48:59 Speaker 9: to actually have a record player and then open the

49:01 Speaker 9: vinyl up and put it on, it's probably not something

49:03 Speaker 9: people do, but but it's but it's.

49:04 Speaker 10: Cool to have of that.

49:07 Speaker 12: Oh yeah, a record ylh no kidding, yeah, last night,

49:12 Speaker 12: just flipping through the no kidding.

49:14 Speaker 10: Oh cool.

49:15 Speaker 12: I'd love to have a vinyl of our stuff. But

49:18 Speaker 12: as he said, it's ridiculously expensive. Oh yeah, yeah maybe

49:22 Speaker 12: some day, yeah, someday.

49:23 Speaker 5: Yeah.

49:23 Speaker 10: Yeah.

49:23 Speaker 9: You got to sell a lot of them to recoup

49:25 Speaker 9: the cost of it, that's for sure. Yeah, but uh no,

49:28 Speaker 9: but I think it's cool that you have a physical CD,

49:29 Speaker 9: and I appreciate you bringing that in.

49:31 Speaker 10: Absolutely.

49:32 Speaker 9: We actually we do have a CD player here. I

49:34 Speaker 9: never use it, but I think the only one that

49:37 Speaker 9: uses it is Rob as a veto. He does a

49:38 Speaker 9: show here on Friday nights at six called Grantited State

49:40 Speaker 9: of Mind. I don't know if you know Rob. He

49:42 Speaker 9: also interviews local artists, and but he actually uses the

49:45 Speaker 9: CD player. I think I used it once. It does work,

49:48 Speaker 9: but but I don't even have one. I don't have

49:51 Speaker 9: one at home. Well, right, Jenny, you don't have anything

49:54 Speaker 9: to play. I'm I'm my old Mac that will play CDs.

49:58 Speaker 10: That's the one we use. Yeah, yeah, but it's but

50:00 Speaker 10: it's good to have. It's good to have.

50:02 Speaker 9: And of course if you have an older car too,

50:06 Speaker 9: CD players still still exist in older vehicles, but so

50:10 Speaker 9: we will.

50:12 Speaker 10: And of course you guys are very easy to find

50:13 Speaker 10: if you google.

50:14 Speaker 9: The forest forgets content right right, which is good. Good

50:20 Speaker 9: to pick a name that you know you're not gonna

50:21 Speaker 9: be fighting anybody over. No, but I really appreciate you

50:25 Speaker 9: guys coming in. We'll definitely have to do this again

50:27 Speaker 9: in the future, and thank you all four of you.

50:30 Speaker 9: And we will close out the segment with this another

50:33 Speaker 9: great track and the well I should mention too the

50:36 Speaker 9: name of the EP of wind and willow any particular

50:39 Speaker 9: meaning of the name of the EP by.

50:41 Speaker 14: The way, No, it just felt like a cool visual. Yeah,

50:44 Speaker 14: you know, the sound of music when she's like standing

50:47 Speaker 14: in the grass and it's like a nold blowing.

50:49 Speaker 7: Yeah.

50:49 Speaker 14: Yeah, I guess in my mind it's where I wanted

50:52 Speaker 14: my grandparents to go.

50:53 Speaker 10: Oh interesting, okay, okay, Oh, very nice.

50:56 Speaker 9: All right, So we will close with this track. This

50:58 Speaker 9: is Chemo and if you're listening live on Saturday morning,

51:02 Speaker 9: we do have a lot of show left to go.

51:04 Speaker 10: But guys, thank you again, thank you very much. Here

51:07 Speaker 10: it is the forest forgets Chema.

51:20 Speaker 7: You James, thank you, Charter.

51:57 Speaker 2: Refusing to subside time the whole minion running. So my

52:04 Speaker 2: soul feel coming back your hands on the toorial underneath

52:13 Speaker 2: the sting and think that.

52:15 Speaker 1: Of course, I say far out this this casting you

52:22 Speaker 1: lady comes.

52:24 Speaker 2: When further soups.

52:27 Speaker 7: To say, to.

52:38 Speaker 5: Find for jail the taste not cry my dad, it's

52:47 Speaker 5: a thing down the crossway? Man, did the south you out?

52:58 Speaker 8: You drop me?

53:00 Speaker 2: I said, my eyes I could real.

53:12 Speaker 5: Child for you killed that kid? You couldn't see the door.

53:19 Speaker 5: What for Neverson coming back the hands toil under knead

53:31 Speaker 5: Breskin out from b.

53:36 Speaker 2: Say firs came out not swimming far soon.

53:44 Speaker 7: But it's all right.

53:45 Speaker 2: It's so.

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