Matt Connarton Unleashed 9-6-25 hour 2

0:00 Speaker 1: W M N h rips the normals.

0:05 Speaker 2: We're back from the grounds.

0:44 Speaker 3: Strass the name.

0:45 Speaker 4: The whites of the creature sack his name.

0:51 Speaker 5: Real mutilation is a very.

1:00 Speaker 3: It's shot taste like red skin, smell.

1:03 Speaker 5: Doun and grab up and strung.

1:04 Speaker 3: Out in paper. How did you place so I just

1:07 Speaker 3: come back?

1:08 Speaker 5: I hate joke.

1:12 Speaker 3: It's map skin, take frett skin.

1:14 Speaker 5: Lead eat me too, should mean that's today?

1:17 Speaker 3: Should a shop ain't back that choice. It's like your sensation.

1:32 Speaker 5: Cree chop chop, chump, creat chump shop shop stretching it.

1:43 Speaker 6: The white chosky.

1:45 Speaker 3: Get you in thish on the line and you put

1:49 Speaker 3: tell us.

1:49 Speaker 6: On the don't two of your.

1:50 Speaker 5: Eyes, but your right teas is about all those fine Wow.

1:58 Speaker 5: The shop taste like ens, shreds and rubbers. Struggle the

2:03 Speaker 5: pay boy happen you got sun? Just come back.

2:10 Speaker 7: This man skins a friskin leading me to to do

2:14 Speaker 7: that's to make SI suthing.

2:16 Speaker 3: My things can just lack of sensation, shake me away.

2:32 Speaker 8: Show me any other a good line of your creature

2:35 Speaker 8: as being its culture.

2:36 Speaker 3: Of mind to distract us the rest of the tab.

2:40 Speaker 3: Since the sons of mine face the man's rain in

2:45 Speaker 3: my shoes.

2:46 Speaker 9: It's win behind me and there's when behind you, but

2:50 Speaker 9: not drunk upon sat strads right you bag, give me

2:54 Speaker 9: see quest.

3:30 Speaker 10: I love it, especially the ending. That's really cool. You

3:33 Speaker 10: kind of don't expect that. The track is called Creature Culture.

3:36 Speaker 10: The band is Brides, another great band from the UK,

3:41 Speaker 10: and we are in our number two Newmarrow dose of

3:44 Speaker 10: Matt Connorton Unleashed and let's see who we have here

3:49 Speaker 10: via WhatsApp from the band Brides, Hello, welcome to the show.

3:54 Speaker 1: Hello, thank you so much for having us on.

3:56 Speaker 10: Absolutely absolutely okay, So who do we have with us?

3:58 Speaker 10: Please identify yourselves. Tell us who you are and what

4:01 Speaker 10: you do in the band.

4:03 Speaker 1: So my name is Joe. I do the singing and

4:06 Speaker 1: play the rhythm sole. Hi.

4:08 Speaker 11: My name is Alex and I play the leads and

4:12 Speaker 11: to some backing vocals as well.

4:15 Speaker 1: Okay, and between the two of us we write all

4:17 Speaker 1: the songs.

4:18 Speaker 10: Oh, very good, okay, so Joe and Alex yep, yeah, okay,

4:22 Speaker 10: Well guys, yeah, welcome. It's wonderful to talk with you.

4:25 Speaker 10: I really like the I really like the EP. I

4:27 Speaker 10: listen to the whole thing online. And now how do

4:29 Speaker 10: you how do you pronounce the title. What's the correct pronunciation.

4:33 Speaker 1: It's pronounced letche. It's milk in Spanish.

4:37 Speaker 10: Oh okay.

4:38 Speaker 1: And we started that because I had a roommate who

4:42 Speaker 1: he's got an absolute phobia of people that drink milk.

4:45 Speaker 1: I'm a man that likes a little glass of milk

4:47 Speaker 1: every now and again.

4:48 Speaker 10: Sure, I used to.

4:51 Speaker 1: Come into the room pronouncing that, but that have a

4:53 Speaker 1: big old pinea letche and it make his skin crawl.

4:56 Speaker 1: And from there we just decided that was a good

4:58 Speaker 1: enough name for the album.

5:00 Speaker 10: That's funny. I yeah, I used to drink a lot

5:02 Speaker 10: of milk when I was a kid, and now the

5:04 Speaker 10: thought of drinking milk is kind of repulsive to me.

5:06 Speaker 10: But but he had a he had a total phobia

5:08 Speaker 10: of it. That's funny. Uh yeah, yeah. So I'm really

5:12 Speaker 10: curious to know more about about these songs and and

5:16 Speaker 10: kind of what your inspirations are. And I'm glad that

5:17 Speaker 10: I'm talking to the two members who who write everything

5:20 Speaker 10: because it is so interesting. We're gonna play after our conversation.

5:26 Speaker 10: We're gonna play. You also asked us to play We're

5:28 Speaker 10: out of Gravy, and I also don't but I'm actually

5:30 Speaker 10: gonna play two songs at the end because I'm gonna

5:32 Speaker 10: play that, but I'm also gonna play because you picked it.

5:34 Speaker 10: But there's another song from the EP that I'm also

5:37 Speaker 10: gonna play, uh selfishly at the end because I love

5:39 Speaker 10: it so much. But I'll wait till at the end

5:42 Speaker 10: of our conversation ask you about that song. But yeah, yeah, no,

5:47 Speaker 10: I love the whole thing. It's so cool and it's different,

5:49 Speaker 10: you know, it's it's not something that you tend to

5:51 Speaker 10: hear on the radio. You've You've got a style and

5:55 Speaker 10: a sound that I think is unique. But I am

5:57 Speaker 10: curious about uh, I'm curious abou out influences sonically because

6:03 Speaker 10: I was reading online I saw I saw both Weezer

6:08 Speaker 10: and The Wiggles mentioned in the same sentence. I don't

6:11 Speaker 10: know if that's accurate or not, but I'm very curious.

6:16 Speaker 1: I mean, with with regards to the guitars and the bass,

6:19 Speaker 1: I think we get a lot of inspiration from bands

6:21 Speaker 1: like Weezer, my Bloody Valentine.

6:24 Speaker 11: The best band of all time that's radio Head as well.

6:27 Speaker 1: Sot a lot of driven guitars from that. But lyrically,

6:30 Speaker 1: I mean, we we have we don't consider ourselves a

6:32 Speaker 1: comedy BANDO.

6:33 Speaker 11: I say, we like, we like, we like funny bits,

6:36 Speaker 11: we have fun as well.

6:38 Speaker 1: And I think that's what we like about the Wiggles,

6:40 Speaker 1: the fact that they can turn these just really simple

6:43 Speaker 1: concepts like a fruit salad into a banger that everyone

6:46 Speaker 1: is screaming.

6:46 Speaker 11: Yeah, so with Wiggles, with the Dicky's energy.

6:50 Speaker 1: Yeah, yeah, we like we like to think of ourselves

6:52 Speaker 1: as the Wiggles. But for gamers, oh.

6:55 Speaker 10: That's great, that's great. And I so I get a

6:57 Speaker 10: sense too that these songs are kind of about celebrating

7:01 Speaker 10: individuality and and and different and some of some of

7:06 Speaker 10: that I might be getting from the song that I

7:08 Speaker 10: haven't mentioned the name of yet that I love so

7:09 Speaker 10: much that I'm gonna play later. But and I also

7:12 Speaker 10: kind of get that from the cover art too. Uh well,

7:15 Speaker 10: let's start actually, let's start there. So tell me about

7:17 Speaker 10: the cover art for the EP. Who drew that and

7:21 Speaker 10: what does it mean.

7:23 Speaker 1: The cover art was designed by a very very good

7:25 Speaker 1: friend of mine, Richie Over at the Institute of Free Design,

7:30 Speaker 1: And the cover art came about because when we were

7:33 Speaker 1: on holiday, maybe about four years ago, we got these

7:36 Speaker 1: old beer boxes and for whatever reason. We played a

7:39 Speaker 1: chilly game. We turn them into robot heads.

7:41 Speaker 10: Yeah, we did it.

7:42 Speaker 1: We were going to throw them away and I just

7:43 Speaker 1: thought they were and there. You know, one day, one day,

7:45 Speaker 1: this piece of you know, rubbish is going to come

7:48 Speaker 1: in great use. And then we were we were debating

7:51 Speaker 1: what to do for the album cover. We knew it

7:53 Speaker 1: was going to be good. Let chain and I had

7:54 Speaker 1: to have something milk related. We liked the idea of

7:56 Speaker 1: all of us riding on the back of a cow.

7:59 Speaker 12: But beyond that we needed to sort of capture the

8:02 Speaker 12: We had to get like little propters. So you know,

8:04 Speaker 12: on the on the cow, we're all sat on the cow,

8:07 Speaker 12: and then I'm at the front as well. We all

8:09 Speaker 12: like to do our silly little poses.

8:10 Speaker 1: And to ride a cow. Yeah, we have a stunt

8:13 Speaker 1: cow to be able to ride for the reference images,

8:15 Speaker 1: so it's all of us balancing precariously on an amp.

8:18 Speaker 5: Oh.

8:19 Speaker 1: We then sent to the artists and said, can you

8:21 Speaker 1: just do this but pretend we're on a cow instead,

8:24 Speaker 1: and then yeah, So we just wanted to get this

8:26 Speaker 1: sense because the album was quite distorted and quite spacious,

8:30 Speaker 1: so we wanted to get this sort of grandiose sense

8:31 Speaker 1: to it, And I think the easiest way we saw that,

8:35 Speaker 1: combined with the robot head is what if there was

8:37 Speaker 1: a huge robot assessing the cow for whatever the farious reason?

8:40 Speaker 10: Yep.

8:41 Speaker 1: And I think on perhaps a future release, we might

8:44 Speaker 1: get a sequel image to that showing what might happen

8:47 Speaker 1: next between the robot and the cow.

8:48 Speaker 10: Okay, okay, I like that idea. Yeah, so I encourage

8:52 Speaker 10: people who haven't seen it go online and check out

8:56 Speaker 10: this cover and yeah, the robot, the guy with the

8:59 Speaker 10: robot head is holding the cow. I actually didn't realize

9:03 Speaker 10: it was a cow when I first looked at it.

9:04 Speaker 10: I had to kind of study it to even even

9:06 Speaker 10: figure that out. I was like, oh, yeah, I think

9:08 Speaker 10: that is a cow that they're sitting on. Yeah, so

9:16 Speaker 10: that's that's very cool. Do you have You must have

9:18 Speaker 10: got a lot of questions about the cover, right, I

9:20 Speaker 10: assume people ask you all the time.

9:22 Speaker 11: Yeah, that was a lot with a lot of fire.

9:25 Speaker 12: People seem to really be liking it, which is obviously great,

9:28 Speaker 12: but then the comments to be bad about the cover

9:30 Speaker 12: is actually I expected that.

9:32 Speaker 13: Yeah.

9:32 Speaker 1: We thought people were just looking at it and think, oh,

9:33 Speaker 1: that's pretty cool, But people have really wanted to know

9:36 Speaker 1: the rationale behind it. Yeah, I think we're lucky enough

9:39 Speaker 1: to be able to work with just challenged artists who

9:41 Speaker 1: did this for us. And I mean we We've got

9:44 Speaker 1: a gig on the thirteenth September, our next headline show,

9:47 Speaker 1: and for that, the same person who designed Richie, the

9:50 Speaker 1: same person design the cover, has designed some tarot cards

9:53 Speaker 1: that will be giving out to the audience members with

9:55 Speaker 1: some of our faces on them and some artwork relating

9:58 Speaker 1: to the songs.

9:59 Speaker 5: Oh wow.

10:00 Speaker 1: And we've we've made little milk cartons as well to

10:04 Speaker 1: give out and the book Yeah yeah, it's got a

10:06 Speaker 1: little robot head key chain in it and the couple

10:09 Speaker 1: of sweeties. So yeah, we've we've leaned very hard into

10:12 Speaker 1: this whole milk and robot thing, just because so many

10:15 Speaker 1: people that come back so interested in it. I will

10:18 Speaker 1: make the most situation.

10:19 Speaker 10: I think that's the first time anyone's ever used a

10:21 Speaker 10: sentence like that on the show. We've leaned very hard

10:23 Speaker 10: into this milk and robot thing.

10:26 Speaker 1: I'm only to be able to bring that to No.

10:29 Speaker 10: I love it. I think that it is so cool

10:32 Speaker 10: if you can do something that you know that that

10:35 Speaker 10: makes you stand out, but also creates this kind of

10:39 Speaker 10: you know, over time, because I assume you're a relatively

10:42 Speaker 10: new band, right, yeah.

10:44 Speaker 1: Yeah, we had our first concert in January this year.

10:47 Speaker 10: Really, oh yeah, okay, so you're very new. So over time,

10:50 Speaker 10: you know, as long as you continue to to do

10:52 Speaker 10: this type of thing with the cover and the you

10:54 Speaker 10: know and and you know, these concepts that you know,

10:57 Speaker 10: a mythology will kind of build around the band and

11:00 Speaker 10: if that makes sense, and I it is definitely what

11:03 Speaker 10: for Yeah, yeah, And I think that's a great thing

11:05 Speaker 10: to have because you know, it creates interest and it

11:09 Speaker 10: it uh, you know, if if you can even pull

11:11 Speaker 10: you know, you might pull some people in who are

11:13 Speaker 10: just kind of interested in the image and what does

11:15 Speaker 10: it all mean, and then they they listen to the

11:18 Speaker 10: music and then they're they're you know, then they become

11:21 Speaker 10: permanent fans because of the music. But but yeah, having

11:23 Speaker 10: having something that kind of pulls people in, I think

11:25 Speaker 10: is a great strategy. And it's and it's underused. It's

11:30 Speaker 10: it's not something a lot of artists really do. If anything,

11:33 Speaker 10: a lot of artists try to kind of fit in

11:35 Speaker 10: with whatever is going on at the time.

11:38 Speaker 1: I think there's a big trend towards at the moment,

11:40 Speaker 1: especially with the big push for marketability on social media

11:43 Speaker 1: and everything, a lot of people put an image of

11:45 Speaker 1: themselves as the cover image because I helped boost engagement

11:48 Speaker 1: and everything.

11:48 Speaker 10: Sure, but you know, you know, being admirers.

11:51 Speaker 1: Of the Beatles and Pixies and radiohead bands with really

11:53 Speaker 1: iconic front images, we just the Yeah, we just we

11:58 Speaker 1: just wanted something that lived up to the scope at

12:01 Speaker 1: least what we thought of the record. And I'm really

12:04 Speaker 1: really happy to just come about that.

12:05 Speaker 10: Well, yeah, absolutely so. In terms of the songs themselves,

12:10 Speaker 10: I mean, are you are you? I mean I kind

12:13 Speaker 10: of might have been reading into it a little bit.

12:15 Speaker 10: I don't know what are the songs supposed to be about.

12:18 Speaker 10: I mean, is there a cohesive theme or is it?

12:20 Speaker 10: Is it just it seems like you're there's almost these

12:23 Speaker 10: different like each song almost to me is kind of

12:25 Speaker 10: like its own character in some sort of story that

12:29 Speaker 10: I don't quite understand. Again, I don't know if I'm

12:31 Speaker 10: reading too much into it. Tell me if I am.

12:32 Speaker 11: But really, yeah, well definitely they all kind of they're

12:37 Speaker 11: all like, so how we do it?

12:40 Speaker 2: Is?

12:40 Speaker 11: Me and Joe, We like we come up with the

12:42 Speaker 11: songs like on our own, and then we come together.

12:46 Speaker 11: Then we put them together.

12:47 Speaker 12: I give any input or he gives any input back

12:49 Speaker 12: to me, and then but they're they're all very like

12:51 Speaker 12: individual to us personally, Like with lyrics, there's a lot

12:54 Speaker 12: of a lot of things going on each one.

12:57 Speaker 1: I think we like to take like quite personal subject

12:59 Speaker 1: matters and given a bit of a larger than life persona,

13:01 Speaker 1: which is which we've done through sort of characterizing each

13:03 Speaker 1: one of these songs. I mean, one of our tracks,

13:06 Speaker 1: Common Inferno is all about two clones who fall in

13:09 Speaker 1: love with each other and face the consequences for that.

13:11 Speaker 1: Rebecca is about an angel that likes to have a

13:14 Speaker 1: bit of a drink. And they're all based on people

13:18 Speaker 1: we know really in real life who have had big

13:20 Speaker 1: influences on us.

13:21 Speaker 11: Yeah, and we've.

13:22 Speaker 1: Dressed them up enough so that those people don't necessarily

13:25 Speaker 1: know we're singing about them.

13:27 Speaker 10: Well, now, I'm curious, has anyone ever come to you

13:29 Speaker 10: and said is it or asked you is that song

13:32 Speaker 10: about me? Or did I have anything to do with

13:34 Speaker 10: inspiring that song? Is that happened?

13:38 Speaker 1: Unfortunately we will be shot by a couple of people.

13:41 Speaker 1: But I will say every person we have ever met

13:45 Speaker 1: called Rebecca and the people at home another one of

13:47 Speaker 1: our tracks called Rebecca. Everyone we've ever met named Rebecca

13:50 Speaker 1: has reached out and said, oh my god, I can't

13:52 Speaker 1: believe you wrote this song about me. I started off

13:54 Speaker 1: denying it, saying, oh, no, it's unrelated, but in the

13:57 Speaker 1: end I just thought, oh, well, they're going to listen

13:58 Speaker 1: to it. Yeah, of course it's about about you. I

14:00 Speaker 1: are honored that you let us write this about you.

14:03 Speaker 11: We aim for a sold out gig just with people

14:05 Speaker 11: named Rebecca there.

14:09 Speaker 10: That would be great. That would be great. So the

14:12 Speaker 10: album sounds really good. Where do you guys record?

14:16 Speaker 1: We recorded in two different studios. We did the drums

14:18 Speaker 1: in a place called Arc, which we've had a lot

14:20 Speaker 1: of experience with recording there. But then for the rest

14:23 Speaker 1: of the track of the guitars and bass and vocals

14:25 Speaker 1: and all the fun little sounds you here in the background,

14:27 Speaker 1: we recorded at Brier Street Studios in Liverpool. Newer studio,

14:32 Speaker 1: but it was absolutely fantastic. I had a really really

14:34 Speaker 1: good atmosphere and energy. The owner was super super nice,

14:38 Speaker 1: and we were lucky enough to work with just the

14:40 Speaker 1: best producer in the World Rory Valentine, and he.

14:43 Speaker 11: Taught me how to make coffee there as well.

14:44 Speaker 1: He did. He taught you had to make a proper coffee. Yeah,

14:47 Speaker 1: I had a screen properly into the mic without clipping it.

14:51 Speaker 1: We've been really really lucky to work with the people

14:53 Speaker 1: we have.

14:54 Speaker 12: Especially like there's a distortion layer on Common Inferno as well,

14:58 Speaker 12: like just working that for a just as well, just

15:01 Speaker 12: just being able to just blast that and just.

15:03 Speaker 1: Yeah, get it perfect. If you listen carefully, you'll find

15:06 Speaker 1: a lot of the distortion layers are just Alex screaming

15:09 Speaker 1: into his.

15:10 Speaker 14: Guitar pickups that the feedback really yeah, yeah, yeah, So

15:15 Speaker 14: I like tune it so it's so it's in key

15:19 Speaker 14: and then just like scream into it, run around the room,

15:21 Speaker 14: smash it on the wall or something, and then just.

15:24 Speaker 1: Try and get as much as many mangled sounds as

15:26 Speaker 1: we're good.

15:27 Speaker 10: That's interesting. That's interesting.

15:29 Speaker 1: Took some perfecting to get right, but we got there

15:32 Speaker 1: in the end, and then a lot of the little

15:35 Speaker 1: background sounds and monsters. This was again we were lucky

15:37 Speaker 1: to work with Rory, who's who've been game for anything.

15:40 Speaker 1: He if you listen in the right headphone nice and quiet.

15:44 Speaker 1: He delivers a speech about an evil monster destroying reality

15:48 Speaker 1: that took a lot of time to get right because

15:50 Speaker 1: we were all just you know, wetting ourselves laughing through it.

15:53 Speaker 11: But that's when we were kind of like we were

15:55 Speaker 11: linking in that that robot theme.

15:57 Speaker 1: Yeah, yeah, again, trying to bring it all back together. So,

15:59 Speaker 1: I mean to go back to an earlier question, I

16:01 Speaker 1: think the common theme of the release is just sort

16:04 Speaker 1: of desperation, not in the negative sense, not in a

16:08 Speaker 1: sad sense, but I feel, especially when you're younger, you're

16:11 Speaker 1: just in such a hurry to get everything done because

16:13 Speaker 1: you feel at the time slipping away from you and

16:15 Speaker 1: whether that relates to you, you know, getting into a

16:18 Speaker 1: relationship that might not be the best just because it's

16:20 Speaker 1: the most comfortable thing, or going a bit crazy on

16:23 Speaker 1: the old on the old beveroonies for a week or two. Yeah,

16:27 Speaker 1: is that sort of annic behind it, And I think

16:29 Speaker 1: we've tried to capture that, and as I say, take

16:32 Speaker 1: the Wiggles inspiration as well and make it a bit fun.

16:35 Speaker 10: I'm curious, when you write these songs, do they end

16:41 Speaker 10: up do any of these for example, on this EP,

16:43 Speaker 10: did any of them come out differently in a significant

16:46 Speaker 10: way than what you had in mind or expected when

16:50 Speaker 10: you went in.

16:52 Speaker 12: Yeah, so definitely, because me and Job that we've been

16:55 Speaker 12: writing them for like two two and a half years

16:58 Speaker 12: to two and a half years, will say, But we

17:02 Speaker 12: initially had like a full horn section the way we wanted.

17:07 Speaker 11: To incorporate into it.

17:08 Speaker 12: Really I didn't think it was Yeah, we did get

17:13 Speaker 12: a trumpet in, yeah, well, but I think we just

17:16 Speaker 12: didn't think it was bible.

17:17 Speaker 11: Really, it wasn't really the sound we were going for.

17:20 Speaker 12: But for this one, maybe later down the line, but

17:22 Speaker 12: for this plus, like we realized probably like a year

17:27 Speaker 12: ago that it was going to be like, well, I

17:29 Speaker 12: don't know how you describe it, but it's like punk.

17:31 Speaker 5: Yeah.

17:31 Speaker 1: I think Cozer and James that sorry. Coz are our

17:33 Speaker 1: basis and James our drummer. Joining was a big influence

17:36 Speaker 1: because we were originally going to go for more of

17:37 Speaker 1: a jazzier route, but once we got them in the band,

17:39 Speaker 1: James smashes the kit hard than anyone ever, is amazing,

17:43 Speaker 1: has these thundering basslines, So it just sort of pivoted

17:48 Speaker 1: more into sort of a psychedelic hard rock thing without

17:51 Speaker 1: a lot of effort. It just sort of came out

17:53 Speaker 1: naturally that way. Yeah, and specific songwise, I mean, Rebecca

17:56 Speaker 1: used to be I want to Attract Rebecca used to

17:58 Speaker 1: be three separate songs. We're all perfectly fine, and we

18:04 Speaker 1: just thought, and they're all right, we don't have any

18:06 Speaker 1: of them. What if we just took the best bits

18:07 Speaker 1: of each of them, let's slam them into each other.

18:09 Speaker 1: And it ended up working right.

18:11 Speaker 11: Yeah, similarly all Teapot was very different.

18:14 Speaker 1: Yeah, Teapot started very very different.

18:16 Speaker 11: That was originally just that riff over and over again.

18:19 Speaker 11: But yeah, I think we were having enough over and

18:20 Speaker 11: over again.

18:24 Speaker 1: They can't be with us today because they're hugely influential

18:26 Speaker 1: on the sound of the EP, but they were. They

18:29 Speaker 1: were a big influence into an impact into why we

18:32 Speaker 1: sort of went a bit heavier than we intended originally.

18:35 Speaker 10: Sure, sure, So I'm really curious, who about the live show?

18:37 Speaker 10: What is the live show?

18:39 Speaker 5: Like?

18:39 Speaker 10: I mean, do you do you wear uh you know,

18:42 Speaker 10: cardboard robot heads or like the show?

18:48 Speaker 1: Okay, so a lot of the lives. So my I

18:51 Speaker 1: love singing on stage and I love playing guitar on

18:53 Speaker 1: stage and running about like a fool. I hate talking

18:57 Speaker 1: on stage so very very much. I'm no good at

18:59 Speaker 1: it frees up. So the goal with our sets has

19:02 Speaker 1: always been to transition from one song into the other

19:06 Speaker 1: as smoothly as possible, which means for the live show

19:09 Speaker 1: we have quite a lot of these sort of soundscaping sections.

19:12 Speaker 1: I mean both they're really good to listen to, and

19:14 Speaker 1: they let us use off our big fancy pedal boards

19:16 Speaker 1: and our micro sequences and all the hologram stuff. But

19:20 Speaker 1: it's not it's not. It is a lot of that.

19:22 Speaker 11: But Joe does put his like big boy pants on

19:24 Speaker 11: sometimes and does talk to the audience.

19:28 Speaker 1: But yeah, all these soundscapes, I mean, they they worked

19:30 Speaker 1: really well for changing.

19:32 Speaker 12: And we all we all kind of talk to each

19:33 Speaker 12: other as well there as well. But the yeah, it's

19:36 Speaker 12: just like live shows, just high energy. Joe's running around,

19:40 Speaker 12: I'm on the floor.

19:42 Speaker 1: I like coming into the crowd to say to everyone.

19:45 Speaker 10: Yeah.

19:46 Speaker 1: We like it to feel like everyone is just hanging

19:49 Speaker 1: out with the band. So when we do eventually have

19:51 Speaker 1: to talk, rather than doing these sort of little speeches,

19:54 Speaker 1: we just like to have a chat amongst ourselves, have

19:56 Speaker 1: a little laugh, and people have been responding really well

19:58 Speaker 1: to it. We're we're booking s across the country at

20:00 Speaker 1: the moment, with more on the way, so keep an

20:03 Speaker 1: eye out. If your fancy coming to watch us, they

20:06 Speaker 1: will make.

20:07 Speaker 10: All way over to you, outstanding, I would love that.

20:10 Speaker 10: So you're kind of an obvious question, but where does

20:13 Speaker 10: the name come from? Brides or see?

20:17 Speaker 12: Joel'll tell you something. So the pub we go to

20:19 Speaker 12: is called the Bride Well, that's just the one that

20:22 Speaker 12: me and Joe have always gone to. And then Brian,

20:25 Speaker 12: I think it came from them.

20:29 Speaker 1: Or something, and I like to say we were going

20:31 Speaker 1: to be called Grooms, but that had some some negative connotations.

20:35 Speaker 10: Okay, so we pivoted.

20:38 Speaker 13: Yeah.

20:38 Speaker 1: No, we are named after the pub of the Bride Cup,

20:40 Speaker 1: which we have been drinking and writing songs in since

20:44 Speaker 1: we moved this city pretty much.

20:46 Speaker 15: Okay, okay, there it's a fairly it's the semi famous

20:50 Speaker 15: pub around Liverpool.

20:52 Speaker 1: I just called Frankie Goes to Hollywood.

20:54 Speaker 10: Oh yes, yes, So the pub.

20:57 Speaker 1: Originally used to be some rehearsal rooms and that was

20:59 Speaker 1: the rooms where Frankie Goes the Hollywood was formed. There's

21:02 Speaker 1: a little bit of history to it. And yeah, it's

21:05 Speaker 1: got a plaque of Frankie up at the moment. So

21:07 Speaker 1: I'm hoping one day there can be a plaque a

21:09 Speaker 1: little old Me and Alex watching over all the patrons

21:11 Speaker 1: of the bar.

21:12 Speaker 11: Yeah, and a free pint would be nice.

21:14 Speaker 10: Yeah, yeah, Oh that's cool. Yeah. In America, Frankie Osa

21:18 Speaker 10: Hollywood is best known for the song Relaxed.

21:21 Speaker 1: That was incredible.

21:23 Speaker 10: That was their huge hit over here, and I feel

21:25 Speaker 10: like there might have been one or two others, but

21:27 Speaker 10: that's like the big, big one that Americans are most

21:29 Speaker 10: familiar with. Oh that's that's cool, I think, yeah.

21:34 Speaker 1: I think that's what made it big over here as well.

21:36 Speaker 1: I would like to say we've got a bit of

21:38 Speaker 1: Frankie about us, not necessarily musically, but only in the

21:41 Speaker 1: sense that my hips to be moving around quite a

21:44 Speaker 1: lot on stage, and if I be more confident, I

21:47 Speaker 1: might whip out the gim mask. But yes, that new question.

21:52 Speaker 2: We we do wear that.

21:53 Speaker 1: We do wear the robot heads and one step.

21:57 Speaker 10: Down from the okay, okay, maybe save the gip ask

22:00 Speaker 10: for you know, if you do the show with all

22:02 Speaker 10: the Rebecca's or something. I don't know.

22:05 Speaker 1: If we ever make it to the US, we'll tell

22:08 Speaker 1: the Rebecca only show all in gimp mask and you'll

22:10 Speaker 1: be the guest of honor. We assure you.

22:12 Speaker 10: I would love that. I think sounds great. That's a

22:19 Speaker 10: great idea. That's a great idea. Are you guys playing

22:21 Speaker 10: a lot of shows? It sounds like you are right

22:22 Speaker 10: you said you're starting book shows across the country.

22:24 Speaker 1: There, Yes, So we've got Liverpool headline on the thirteenth.

22:29 Speaker 15: Then we've got a few more Liverpool shows this year,

22:31 Speaker 15: Manchester show this year.

22:32 Speaker 1: And then we're moving to London, Glasgow, Sheffield in early

22:38 Speaker 1: next year. Excellent, and we might start walking to boys

22:41 Speaker 1: the next EP.

22:42 Speaker 10: Don't tell anyone, oh okay, okay. By the way, so

22:45 Speaker 10: I'm always curious about this what went into the decision

22:48 Speaker 10: to record an EP, because, as you know, a lot

22:51 Speaker 10: of artists now, especially new artists, they might just do singles,

22:55 Speaker 10: or they might do a full album, or they might

22:57 Speaker 10: do an EP. Was there anything that went into that?

23:00 Speaker 10: Was it just a number of songs that you had

23:01 Speaker 10: ready or what went into the decision to make an EP?

23:05 Speaker 13: Yeah?

23:05 Speaker 12: Well I think we have got an album planned like

23:10 Speaker 12: further down the line. Obviously, it takes a bit more

23:13 Speaker 12: like for resources and time to fully commit to it,

23:17 Speaker 12: and we do have a theme, a proper theme that

23:19 Speaker 12: we have set.

23:20 Speaker 11: Yeah, yeah, obviously we do with the EPs.

23:23 Speaker 12: But I mean, you could be a six song EP,

23:25 Speaker 12: so you I mean, you could get away with calling

23:26 Speaker 12: an album, but it's not like an album.

23:28 Speaker 11: To us is a it's like a full journey start

23:31 Speaker 11: to finish.

23:32 Speaker 1: We didn't want to do an album ntil we were

23:34 Speaker 1: ready to fully get it, and we didn't want to

23:35 Speaker 1: do singles only because as you, I mean, you've listened

23:37 Speaker 1: to the EP, I hope you'd agree that there's it's

23:40 Speaker 1: quite a varied yeah sound. Oh, we didn't want to

23:43 Speaker 1: put out any one song that pigeonholed us. We thought

23:45 Speaker 1: we'd put out a good selection that showed a bit

23:48 Speaker 1: of our range. And also we just have so many songs.

23:53 Speaker 1: We've got these where the next we'll hopefully be producing

23:56 Speaker 1: another EP within I'm not going to say how long.

24:00 Speaker 1: I'm getting the look, I can't say how long. Before

24:03 Speaker 1: long that will include another seven or eight songs which

24:08 Speaker 1: will be combined with this EP. That will be the

24:10 Speaker 1: totality of everything me and Alex wrote together before we

24:14 Speaker 1: hired James and Kozer. So once we have that out

24:18 Speaker 1: of the way we've started working on the.

24:20 Speaker 12: Album and which we were all doing together, like, well,

24:24 Speaker 12: obviously they've all come up with their own parts, but

24:26 Speaker 12: they're all like, we're just jamming the songs from the start, Yeah.

24:30 Speaker 1: Working through, working different instruments in. We've got introduced in

24:33 Speaker 1: the keyboard and Alex has been getting really good on

24:35 Speaker 1: the saxophone.

24:36 Speaker 11: Avenue Mate, Neighbors to.

24:43 Speaker 4: Go, We've got.

24:45 Speaker 1: Mandolin. Yeah. Even at this show on the thirteenth, we're

24:48 Speaker 1: bringing in the Madeline Slide. I'll be ripping the back

24:51 Speaker 1: Zoo solo.

24:51 Speaker 10: Nice.

24:53 Speaker 1: We just want to keep these gigs high energy as

24:56 Speaker 1: we can, especially for our fans who've been to a

24:59 Speaker 1: lot of us. It's good to keep things fresh for them.

25:02 Speaker 12: Yeah, definitely, because yeah, because we do a lot of

25:05 Speaker 12: half of our shows as well, and with the ep

25:07 Speaker 12: be and six songs, we try to get them all

25:10 Speaker 12: on and then we might only get time for like

25:12 Speaker 12: one or two that they haven't sinned, but with dicilms

25:14 Speaker 12: like an hour.

25:15 Speaker 11: And yeah, yeah, so we can fully we well it's great,

25:18 Speaker 11: it's a great set. But I say so myself.

25:20 Speaker 1: I think so, oh yeah, we didn't need to go

25:23 Speaker 1: off our range and get more people interested in compacy

25:26 Speaker 1: us live where they can see the rest of our songs.

25:28 Speaker 5: Yeah.

25:29 Speaker 10: Absolutely. Where should people go online? Where's the best place

25:32 Speaker 10: for people to go to keep up with everything that

25:34 Speaker 10: you guys are doing.

25:36 Speaker 11: The Instagram, for sure, or the TikTok.

25:38 Speaker 1: Yeah, the Instagram, the TikTok. We're on Twitter as well,

25:41 Speaker 1: but sparsely use it, and we are at that band

25:45 Speaker 1: bride on everything on YouTube, Twitter, TikTok. And speaking of YouTube,

25:50 Speaker 1: there is a music video for Creature Culture that will

25:53 Speaker 1: be dropping at three pm tomorrow, three pm GMT. So

25:58 Speaker 1: your time, Okay, I do, of course, I know my

26:03 Speaker 1: time conversions off my heart.

26:05 Speaker 10: You did say it with confidence. It sounds like, you know,

26:07 Speaker 10: so that's good. Look forward to I look forward to

26:10 Speaker 10: seeing that. That's very cool. Okay. So in a moment,

26:14 Speaker 10: and I really appreciate you guys joining us today, we're

26:17 Speaker 10: gonna play oh yeah, absolutely. We're actually going to play

26:21 Speaker 10: two songs. But so the first one is the one

26:23 Speaker 10: that you asked us to play to end the segment,

26:25 Speaker 10: which is We're out of gravy. So the obvious question

26:30 Speaker 10: before we play that one, I want to know, like,

26:32 Speaker 10: is this literally about running out of gravy or what

26:34 Speaker 10: what is this about?

26:37 Speaker 12: Yeah, when I came up with the title, it was

26:40 Speaker 12: literally just me running out of gravy when I was

26:42 Speaker 12: trying to put it on some chicken.

26:44 Speaker 10: Yeah.

26:44 Speaker 12: Then then it kind of it went from there with

26:49 Speaker 12: the you know, the whole gravy train metaphor and okay,

26:52 Speaker 12: just personal things in my in my life, and I

26:55 Speaker 12: was reading I was also reading the Clockwook Orange as

26:58 Speaker 12: well as I just finished reading it. Yeah, and yeah,

27:01 Speaker 12: I just thought I had the you know that some

27:03 Speaker 12: components that I could put together just to make make

27:06 Speaker 12: a little tune out of it.

27:07 Speaker 1: So yeah, but that brings on to a good point.

27:09 Speaker 1: Most of our songs are just start tend to start

27:12 Speaker 1: with the song title we think sounds quite amusing, and

27:14 Speaker 1: then from there we'll try and uh base it in

27:17 Speaker 1: some sort of reality.

27:18 Speaker 10: Interesting, So you start with the title A lot of

27:21 Speaker 10: the time, that's interesting.

27:22 Speaker 1: I helped people, the theme helps people. The theme Yeah, yeah,

27:26 Speaker 1: can help me try and get me more creative.

27:28 Speaker 10: Yeah, no, that that makes sense. So we're gonna play

27:30 Speaker 10: that one in a moment. And the one I'm gonna

27:31 Speaker 10: sneak in after that too, is the one that ends

27:34 Speaker 10: the EP. Hideous monsters and the people that love them.

27:37 Speaker 10: I love the song. I enjoyed the I enjoyed the

27:40 Speaker 10: entire EP, but this one really really kind of speaks

27:43 Speaker 10: to me and anything we should know about this one.

27:47 Speaker 15: This was written a time in my life when I

27:50 Speaker 15: started getting back into the dating and I had had

27:54 Speaker 15: some it's had some issues about how I look like,

27:56 Speaker 15: and I just wanted to write a song for myself

27:58 Speaker 15: that encouraged me to get out there and see what

28:02 Speaker 15: the world has to offer despite my own reservations.

28:05 Speaker 1: I just remember I was at.

28:07 Speaker 11: Work and then Joe he just sent me a text

28:09 Speaker 11: saying that he's made a He's made a new one.

28:11 Speaker 11: And then I was like, I think I was a

28:13 Speaker 11: bit tired, and I came around and he got it.

28:18 Speaker 12: He'd like recording on his laptop, just like a little demo,

28:22 Speaker 12: and then yeah, just it all just started coming from there,

28:24 Speaker 12: and I was.

28:24 Speaker 11: Just super impressed. It was.

28:26 Speaker 1: I think we probably spent maybe seven eight hours just

28:28 Speaker 1: sat in my room in thirty degree heat with no

28:31 Speaker 1: windows trying to finish that song. Oh wow, and then

28:35 Speaker 1: getting Coocer and James on it as well just propelled.

28:37 Speaker 12: It into that was a huge The baseline in the

28:40 Speaker 12: verses on that is it's brilliant from Okay, and I'm

28:44 Speaker 12: glad you like.

28:45 Speaker 1: That song as well because speaking of music videos, oh

28:48 Speaker 1: yes we are.

28:49 Speaker 11: We are in the process of recording the video for

28:51 Speaker 11: that one as well.

28:52 Speaker 1: Oh wow, that's likely to be.

28:54 Speaker 11: Yeah, my directorial debut will be We're all very proud

28:58 Speaker 11: of you.

28:58 Speaker 10: Oh very cool. That is awesome. Okay, okay, well that

29:02 Speaker 10: is excellent to here. So we're gonna play those tracks

29:04 Speaker 10: in a moment, so i'll let you guys go. Joe

29:06 Speaker 10: and Alex, thank you so much, both of you for

29:08 Speaker 10: joining us today. This has been wonderful, absolutely absolutely, yes, yes,

29:15 Speaker 10: and we will do this again in the future, especially

29:17 Speaker 10: as you're releasing new music. So so we'll have you

29:20 Speaker 10: back on but guys, thank you again so much and

29:22 Speaker 10: we'll talk to you soon. Thank you, you got it.

29:25 Speaker 10: Bye bye, all right, wonderful. So that was Joe and

29:28 Speaker 10: Alex from the band Brides, and so let's listen to

29:31 Speaker 10: these again. We're gonna play two of these, so we're

29:33 Speaker 10: gonna finish well, we're gonna finish the segment with first

29:37 Speaker 10: with We're Out of Gravy, another great track from the

29:39 Speaker 10: EP la if I'm saying that correctly. And and then

29:43 Speaker 10: we're also gonna play Hideous Monsters and the People that

29:45 Speaker 10: love them, partly me just being selfish because I love

29:48 Speaker 10: that song so much, so we're gonna give those both

29:51 Speaker 10: of these a spin.

29:52 Speaker 5: And uh.

29:53 Speaker 10: And then if you are listening live on Saturday, coming

29:56 Speaker 10: up in the third hour, Pulsifier, a great band from

29:59 Speaker 10: Portland is gonna be here with us in studio. So

30:01 Speaker 10: we have a lot left to go on today's show.

30:03 Speaker 10: But here's a couple of tracks from Brides and we're

30:06 Speaker 10: gonna play this one next. This is called We're out

30:08 Speaker 10: of Gravy.

30:17 Speaker 6: At the station.

30:22 Speaker 9: As we're already out of vacation, and the tracks that

30:32 Speaker 9: lead out from the side of my hands to the

30:35 Speaker 9: carriage as we wait for the ending of marriage of

30:41 Speaker 9: the outspy of passage.

30:45 Speaker 3: Do we get off this train at least by the.

30:50 Speaker 5: Words I don't know.

30:53 Speaker 16: It must be low.

30:54 Speaker 5: We can all this last.

30:55 Speaker 17: One time track by.

31:00 Speaker 5: This time, So it's not a conducted I just can't

31:02 Speaker 5: sac the bat apony, it's true. The other one a ticket.

31:11 Speaker 5: It's your money.

31:14 Speaker 1: Like you.

31:16 Speaker 5: Well, it's true. Others it's here.

31:20 Speaker 3: An extracting anything astricting me.

31:24 Speaker 5: I'm retire again. I resell you again.

31:33 Speaker 17: I retire again.

31:37 Speaker 6: I return again.

31:41 Speaker 5: I'm night the cot be carefull down to bring.

31:43 Speaker 3: Me to her this capstic but that wain.

31:46 Speaker 17: Pray school ways don't be tell me thot some about

31:50 Speaker 17: this guy.

31:51 Speaker 5: I phone me. I got out. I'm finally got say

31:53 Speaker 5: I basted, I fab done t me side. It's true

32:00 Speaker 5: mother again, it's you know my money missing anyone any

32:06 Speaker 5: wonder It's true. They say I'm missing. They are turning

32:14 Speaker 5: me up for a over again. I return again.

32:23 Speaker 8: I'm fret over again, unret over over forever again. I

32:31 Speaker 8: recover Its trying around me up veryazing, your ways.

32:37 Speaker 5: Up and no way up and crazy.

32:40 Speaker 3: So now's something I don't worry if.

32:42 Speaker 5: You've got that frenzy.

32:43 Speaker 2: But you guys, I'm very.

33:02 Speaker 5: Suss.

34:11 Speaker 1: It tastes.

34:13 Speaker 5: Gambling, a tempt out of tak.

34:18 Speaker 6: Your voice.

34:18 Speaker 10: Good on you got you al.

34:22 Speaker 3: I suppose your teeth fall you about them.

34:27 Speaker 4: For your lips, want them back tomb and I set

34:35 Speaker 4: to them for the long hole. You'll cover the cabb

34:40 Speaker 4: tees brown.

34:42 Speaker 5: And will wail here they got set for.

35:24 Speaker 9: My god, He's grown.

35:28 Speaker 3: A times cruel.

35:30 Speaker 6: Lots of fields.

36:29 Speaker 3: Not no time, It's time.

36:39 Speaker 5: Expanse time, It's time. Yes, say no some time? What

36:57 Speaker 5: speex time.

37:10 Speaker 1: You are listening to w M and H.

37:14 Speaker 16: World premiere.

37:19 Speaker 12: Hey, my name is Santino Dimanti and this is my

37:21 Speaker 12: new single, Summer in the Sky out now thanks to

37:23 Speaker 12: Hatchet Ax and Saw Records.

37:25 Speaker 1: You heard it here first on ninety five point three

37:28 Speaker 1: F M w m n.

37:29 Speaker 6: H Sound So Long by Edition. That's Wresting.

37:39 Speaker 18: In the sun So running colors the world with the

37:43 Speaker 18: sound of the music.

37:47 Speaker 6: And I'm running out that's.

37:53 Speaker 5: So And it's the sky.

38:19 Speaker 1: So s.

38:29 Speaker 6: So go away with the dream the sunset, rode to

38:35 Speaker 6: it and.

38:36 Speaker 18: Dress the disu perfect time did dreams that the day

38:42 Speaker 18: wants molded the Strange Sad Season, stream en star sas

38:51 Speaker 18: the b S sun In SnO sol Sto.

39:24 Speaker 5: S stop so Stop so spo.

40:15 Speaker 10: And now exclusively on w m n H ninety five

40:18 Speaker 10: point three FM. Matt Connorton Unleashed presents the world radio

40:22 Speaker 10: premiere of the new single from Ryan Redwood, The back Room,

40:27 Speaker 10: a rest of.

40:28 Speaker 19: Ratio project for the Soul and Man, I'll go wherever.

40:36 Speaker 3: My bady it takes me now.

40:39 Speaker 19: And Yeah, no lay out this time, No place to whiskey.

40:49 Speaker 19: Keep on using my man now every day.

40:58 Speaker 6: Every day we day, what day.

41:12 Speaker 7: Dreep watching, I sat dream bouncing bay saginawe dreaming sound.

41:33 Speaker 1: To the south mutue.

41:37 Speaker 5: Team you know region over other region.

41:45 Speaker 20: Tever recover region, welcoming over again.

42:01 Speaker 5: She put it one.

42:03 Speaker 3: Food inside of the other.

42:05 Speaker 6: She sold it.

42:06 Speaker 3: Catch do so much reman.

42:10 Speaker 5: And this job so tack jump at it its own.

42:15 Speaker 3: We had it sound to process of God.

42:20 Speaker 9: Give it a space.

42:24 Speaker 3: Dreamt sad dream bouncing.

42:35 Speaker 5: Play sam again, t.

42:41 Speaker 6: Fl job.

42:44 Speaker 5: Said to the side, must over again.

42:53 Speaker 2: We'll put another weekends.

42:57 Speaker 3: For every weekend.

43:01 Speaker 2: Welcome over again.

43:36 Speaker 9: The dream.

43:37 Speaker 5: By watching, I saw the tree got to the.

43:47 Speaker 20: Way st JOm side to decide down.

43:59 Speaker 5: The music stop stop them again.

44:36 Speaker 3: And now.

44:37 Speaker 10: A w M n H ninety five point three f

44:40 Speaker 10: M exclusive, Matt Connorton Unleashed presents the world radio premiere

44:45 Speaker 10: of the new single from White Ash Round we Go.

45:22 Speaker 5: I'm moming today.

45:24 Speaker 6: He don't know where I'll move it.

45:26 Speaker 5: Tad gives a moving but I didn't know what.

45:37 Speaker 21: Won't you be too mad to please to revict be back.

45:45 Speaker 5: If we were least whereto my defence.

45:53 Speaker 17: I'm about mad in a in ay Mo, won't you

46:02 Speaker 17: get it too mad?

46:03 Speaker 22: Pa?

46:04 Speaker 23: Surely was farm.

46:08 Speaker 5: Gooden? What you see it? Wat? You get it too mad?

46:20 Speaker 2: Ulyask me far.

46:33 Speaker 5: You fata side you fantashit?

46:36 Speaker 6: You are mad?

46:37 Speaker 5: You see that you oper? Can't you see the light hat?

46:41 Speaker 8: All the things that have kicked up from the hat

46:45 Speaker 8: want your heart or lie?

46:47 Speaker 5: Don't lie?

46:56 Speaker 17: Don't lad.

47:00 Speaker 5: As we god go to give it too bad. That's

47:07 Speaker 5: last back.

47:11 Speaker 23: For Let you see now.

47:19 Speaker 5: Go to give me too mad?

47:23 Speaker 21: Last give it too mad, give it too mad, Give

47:33 Speaker 21: it to me. I'll give it too mad.

47:36 Speaker 17: Give it too mad, give it too mad, give.

47:41 Speaker 5: It to me, give give it back.

47:47 Speaker 1: We go.

47:51 Speaker 17: Go to give it too bad, last bad.

48:02 Speaker 5: Let's just see.

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51:57 Speaker 19: That's on the title Late.

52:01 Speaker 24: Night to Light with DJ mitis right here on w

52:03 Speaker 24: MNH Manchester.

52:05 Speaker 1: Because Saturdays and Sunday nights midnight to four am.

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52:54 Speaker 16: Through the ether.

52:55 Speaker 13: Ninety five point three megahertz frequency modulation were transmissions M

52:58 Speaker 13: and A from the ZNFM one thousand Elm Streets insure

53:01 Speaker 13: into the hearts of our creative realm at one nineteen

53:04 Speaker 13: Canal Street, where.

53:05 Speaker 3: Innovation in sound collode.

53:08 Speaker 13: They're the impro moder of Manchester Public Television Service in

53:11 Speaker 13: the venerable city of Manchester, New Hampshire, USA. Enrich your

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53:38 Speaker 1: Won dude, w MNH rip the novels.

53:49 Speaker 13: You're listening to Mattconnorton unleashed on WM and H ninety

53:54 Speaker 13: five point three.

54:23 Speaker 6: School to.

54:37 Speaker 30: School when they hear the crown, it has been decided.

55:08 Speaker 23: I love the mind for his wrong was someone who

55:12 Speaker 23: lost before even fuck moving confidence till time forward without fear,

55:21 Speaker 23: have to follow clear victory is so.

55:24 Speaker 31: Far chance to break me. I will not be changed.

55:28 Speaker 31: High close binding Thames spear.

55:30 Speaker 3: As wild had to under stop, so I no longer

55:39 Speaker 3: say my shid.

55:41 Speaker 17: All I dream way but does not follows me.

55:48 Speaker 32: To from careful less fight ok to coming when this

55:57 Speaker 32: pless long the hell.

55:59 Speaker 22: Names sitting stuck to me, wor cry little here your

56:06 Speaker 22: for cry, little pray your poor cry, scream, cry your

56:13 Speaker 22: poor cry, carry.

56:32 Speaker 33: Out come quest as long as it takes till the

56:36 Speaker 33: day truth jumnas not as sinless as you knew back then.

56:43 Speaker 30: I serve each time I baking again, unnerst.

56:48 Speaker 5: Me put allways prepared, sore camppares through armor.

56:52 Speaker 31: Aware that's sound.

56:55 Speaker 23: Ever's the band should cry when you're here, But that's

56:59 Speaker 23: more and I turn I had to look so.

57:04 Speaker 34: So I ain't no thensy my shidl you away dns

57:13 Speaker 34: thout bottles me.

57:16 Speaker 3: Well from careful mass FIGHTE a.

57:19 Speaker 6: Cattle she riend of me.

57:23 Speaker 17: When this burles long well.

57:27 Speaker 31: Pay cities have to me, Lo is a call to battle, cub.

57:42 Speaker 5: It'll fight to survive.

57:46 Speaker 31: Time has come to make choice.

57:49 Speaker 23: How you live before you die, how.

57:54 Speaker 3: You live before you.

58:29 Speaker 5: So I had to listen.

58:32 Speaker 17: So my God, I'll go see my child lunding away.

58:39 Speaker 34: When Don in this sad follows me two from stray

58:45 Speaker 34: from this fight PoCA too well made. When this is

58:53 Speaker 34: one their name cities after me walk, I'm.

59:05 Speaker 5: Welc up and stop up.

59:12 Speaker 11: What