Matt Connarton Unleashed: Jam Tomorrow (9/24)

0:00 Speaker 1: I'm gonna go ahead and bring the MIC's up for

0:01 Speaker 1: these guys. We have jam tomorrow in studio with us.

0:06 Speaker 1: Welcome gentlemen, Thank you, Mike and Gary. Why don't you

0:11 Speaker 1: guys introduce yourselves for the uninitiated, and then one of

0:14 Speaker 1: you can introduce this fine gentleman who is not on

0:16 Speaker 1: a mic.

0:18 Speaker 2: I'll all start. My name is Gary Smith. I play

0:22 Speaker 2: eh string guitar mostly for these guys.

0:25 Speaker 1: Which which I love to watch you do. By the way,

0:27 Speaker 1: it's fascinating to me.

0:29 Speaker 2: Yeah, it's you don't see a lot of them, no, no,

0:32 Speaker 2: but yeah, yeah. And then I've been I've known m

0:34 Speaker 2: HP for whoever six years at least like that.

0:38 Speaker 3: I'm MHP.

0:39 Speaker 4: Thank you for having us, Matt, always good to be here,

0:41 Speaker 4: always good to see you, and of course joining us

0:44 Speaker 4: here standing up on beautiful six string acoustic is Mark Vadney.

0:47 Speaker 3: Actually there's a mic right there you can.

0:50 Speaker 1: Yeah, he just wanted to He doesn't want to lawyer

0:55 Speaker 1: say anything.

0:56 Speaker 5: It's all about today.

0:58 Speaker 3: There you go, There you go.

1:00 Speaker 1: I love that track Killing Time that we opened with.

1:03 Speaker 3: Thank you. That's we had fun, right and that that's

1:05 Speaker 3: got some real sort of mythic themes. To it. My

1:08 Speaker 3: wife actually helped me write that.

1:09 Speaker 4: One, but oh okay, I got allusions to like Old

1:11 Speaker 4: Testament and Greek myths and Roman myths, and it kind

1:15 Speaker 4: of ties it all together. Coin for the Ferryman, you know,

1:19 Speaker 4: for Kiroen crossing the river sticks into hades, and oh my,

1:23 Speaker 4: a ring for the sea from the story of the Minotaur,

1:27 Speaker 4: and it it kind of it brings. It brings a

1:28 Speaker 4: lot of I don't know, a lot of nerdy mythic

1:31 Speaker 4: concepts together, which is sort of what I like to

1:33 Speaker 4: do when I write.

1:34 Speaker 1: Yes, yes, no, that's really good. You guys are gonna

1:37 Speaker 1: play a few songs live for us. We maybe we

1:40 Speaker 1: should just jump into the first one because I want

1:42 Speaker 1: to I want to make sure we have plenty of time,

1:44 Speaker 1: and I love to hear you guys play.

1:46 Speaker 3: Cool all right.

1:47 Speaker 4: I think we're gonna open with a song called Don't

1:49 Speaker 4: Ask Alice. I'm a big Lewis Carroll fan. In fact,

1:53 Speaker 4: the name of the band Jam Tomorrow comes from a

1:55 Speaker 4: reference from Through the Looking Glass, where the Red Queen

1:58 Speaker 4: and Alice are having tea and Alice asks if she

2:01 Speaker 4: can have some jam, and the Red Queen says, you

2:03 Speaker 4: can have jam yesterday. You can have jam tomorrow, but

2:06 Speaker 4: never jam today, and it kind of became a political

2:10 Speaker 4: play on unfulfilled political promises. It's also kind of a

2:14 Speaker 4: play on the Latin for to be I am, but

2:17 Speaker 4: also on the fact that when Mark and I started

2:19 Speaker 4: we had a hard time lining up days to practice.

2:21 Speaker 4: I was always like, oh, no, we can jam tomorrow,

2:23 Speaker 4: but we can't jam today. So it's a kind of multifaceted.

2:27 Speaker 4: But as I said, I'm a big Lewis Carroll fan.

2:29 Speaker 4: This is sort of if you took Alice in Wonderland

2:32 Speaker 4: and through the looking Glass and you put him in

2:34 Speaker 4: a blender with about a half a bottles single malt

2:37 Speaker 4: and poured it out into about a five minute song,

2:39 Speaker 4: this is what you'd get.

2:40 Speaker 3: And this one's called don't ask Alice all right.

2:42 Speaker 1: Jam tomorrow, Live in studio.

3:12 Speaker 6: Fell down a hole.

3:16 Speaker 5: And a somehow lost my kitten like a misplaced soul.

3:23 Speaker 5: These words were never written, landed underground with the fantasy

3:31 Speaker 5: of strangers, strangeness compound a rabid warning of danger. What

3:41 Speaker 5: does it hit mean? What does it really matter? At

3:48 Speaker 5: a tea party with the march Hare and the mad Hatter?

3:54 Speaker 5: What does it hit mean? As we slashed through the

3:59 Speaker 5: ocean of jeez? What does it hidn't matter? After all?

4:05 Speaker 7: The easy in a game of cards.

4:25 Speaker 5: And I somehow lost my ace, I let down my

4:30 Speaker 5: guard and now I've lost my place. Landed in court.

4:39 Speaker 7: Against the Queen of Hearts.

4:42 Speaker 5: I had to retort as she tore my world apart?

4:50 Speaker 5: What does it hit mean?

4:53 Speaker 7: What does it really matter?

4:57 Speaker 5: At a tea party with the march have the Mad Hatter?

5:03 Speaker 7: What does he hit me? As I cut through the death.

5:10 Speaker 5: Why does the hind feel the os stacked against my name?

5:21 Speaker 5: Running as fast as I can, running as fast as I.

5:29 Speaker 8: Can on a checker board.

5:57 Speaker 7: Upon who's lost her plan?

5:59 Speaker 6: Life?

6:00 Speaker 7: A night without a sword?

6:04 Speaker 5: Working from I might to I can, landed on the square,

6:11 Speaker 5: just to run the red Queen's race, never getting there

6:18 Speaker 5: can be a daunting pace. What does it hit me?

6:25 Speaker 5: What does it really matter? At a tee party with

6:31 Speaker 5: the march hare and the mad Hatter? What does it

6:36 Speaker 5: hit me as I sweep the mere pieces the side?

6:42 Speaker 5: What does it hidden matter? The people on the.

6:47 Speaker 4: The side, on the side, on the side on.

6:52 Speaker 5: The other side.

6:59 Speaker 6: At least try.

7:06 Speaker 1: Very nice, very nice. If you are just joining us

7:08 Speaker 1: jam tomorrow is here with us live in studio?

7:12 Speaker 3: Now?

7:13 Speaker 7: Is that one? Is that one new?

7:15 Speaker 3: No? We wrote that a couple couple of years ago,

7:17 Speaker 3: three years ago, probably. Oh okay. Oh, we've got about

7:20 Speaker 3: twenty five originals.

7:23 Speaker 1: Oh wow, you've got a lot. So I didn't realize

7:25 Speaker 1: you had that many.

7:26 Speaker 3: Yeah, we've only got a few recorded studio wise. We're

7:28 Speaker 3: working on that.

7:28 Speaker 4: We actually just spent three days in the studio in

7:30 Speaker 4: the last month chipping away at that.

7:32 Speaker 1: Okay, and where are you recording?

7:34 Speaker 7: Uh?

7:35 Speaker 3: Board House Studio? Is that right?

7:37 Speaker 2: You have Board's House Production in uh in Brookline?

7:41 Speaker 7: Uh?

7:41 Speaker 2: Pete, the same guy who does Fox and Flamingos. Oh okay, yeah,

7:45 Speaker 2: like Roots of Creation some other some other different guys.

7:49 Speaker 1: I was gonna say, yeah, that's very familiar. Yeah, yeah,

7:51 Speaker 1: very cool.

7:53 Speaker 6: How many songs?

7:54 Speaker 1: How many songs have you recorded at this point? You've

7:56 Speaker 1: got twenty five originals? How many songs have you.

7:58 Speaker 3: In various stages?

8:00 Speaker 4: I think Gary and I have one that we wrote

8:01 Speaker 4: sort of independent of Mark. After Gary had a car accident.

8:04 Speaker 4: We spent some time when he was laid up with

8:06 Speaker 4: some hardware and some traction. I wrote a couple of songs.

8:09 Speaker 4: We recorded one of them, and then we've got we

8:11 Speaker 4: actually recorded Sign of the Times, which we did chemical

8:14 Speaker 4: distance and actually traces all the way back to my

8:18 Speaker 4: early hip hop project, Liderman's Load. And then we recorded that.

8:21 Speaker 4: That'll be the third time I've recorded that in the studio.

8:24 Speaker 4: And then we've got five originals that are unique to

8:26 Speaker 4: this project.

8:27 Speaker 1: I'm particularly yeah, I'm particularly curious. Here a Sign of

8:30 Speaker 1: the Times. When it's ready, that'll be that'll be very interesting. Yeah,

8:34 Speaker 1: we've got Jam Tomorrow's here with us in studio, played

8:37 Speaker 1: some songs. Plus we opened with a new studio track

8:39 Speaker 1: too killing time and uh, do you guys want to

8:44 Speaker 1: go and play another one?

8:45 Speaker 3: I'm sure what do you want?

8:47 Speaker 7: Always?

8:47 Speaker 4: Yeah, we got plenty. This next one's called Life with

8:50 Speaker 4: the Side of Death. This one's a this goes back

8:53 Speaker 4: to kind of the beginning of our project as well. Okay,

8:55 Speaker 4: this is uh, this is about three friends of mine.

8:58 Speaker 1: All right, Jam Tomorrow live in studio.

9:29 Speaker 5: Well JC, he has restaurant on Elm Streets. You built

9:41 Speaker 5: it at twenty four with about thirty two seats. Yeah,

9:53 Speaker 5: the drinks sad, the dishes were perfect, but the world

10:00 Speaker 5: got in the way.

10:04 Speaker 7: When it was too late.

10:05 Speaker 8: To rehearse it.

10:08 Speaker 7: You could hear that beautiful man.

10:10 Speaker 9: Say, I'll take life with the sight of that.

10:27 Speaker 5: A smile, but I'm crying. One needs my brother as

10:38 Speaker 5: the context all I try to remember everything.

10:49 Speaker 10: I'll take life with the side of day. Now, mister Dave,

11:05 Speaker 10: he had, he.

11:07 Speaker 5: Had a stone factory, stone factory. He built a land

11:16 Speaker 5: out of locks, but he never found the key.

11:25 Speaker 9: Gather rocks and receipts were her fence.

11:31 Speaker 5: But the past got in the way when there was

11:37 Speaker 5: no one left to endorse him.

11:40 Speaker 7: You knew there was.

11:41 Speaker 5: No negs to play, but you could hear him saying,

11:46 Speaker 5: I'll take life.

11:49 Speaker 7: With the side a side about of dime heats my

12:04 Speaker 7: breath as cold takes home, and not try.

12:13 Speaker 5: To remember anything, not taking.

12:19 Speaker 7: The life with that of the.

12:32 Speaker 5: And ace he he helped Cord on the street, heat

12:38 Speaker 5: of the King, giving smiles to the little people.

12:46 Speaker 11: Candy hunching over everything, Dazle music, gaslition work perfect.

12:59 Speaker 5: But reality it got in the way. And as the

13:06 Speaker 5: vinyl flipped over, I could hear, my dear friends.

13:17 Speaker 9: I'll take life with the sight of death. The music

13:28 Speaker 9: is playing, but I'm cont As the cold takes home,

13:42 Speaker 9: I try to remember just one day, y'all.

13:49 Speaker 7: Take life with the sight of.

13:57 Speaker 12: Ya.

13:57 Speaker 11: See you don't see.

13:59 Speaker 9: Life with the sad.

14:21 Speaker 1: Wow, Jim Tomorrow is here with us live in studio.

14:25 Speaker 1: You guys sound amazing. Thank you, Absolutely fantastic. I could

14:29 Speaker 1: listen to you guys all day. I don't I don't

14:30 Speaker 1: remember you planned that one before. I don't think I've

14:32 Speaker 1: heard that one.

14:32 Speaker 3: No, No, I'm trying to.

14:34 Speaker 4: We try to switch it up every time we come

14:35 Speaker 4: in and bring a different studio tracks and play different

14:38 Speaker 4: stuff live.

14:38 Speaker 3: Yeah, this is my new favorite. Well, thank you.

14:41 Speaker 1: Yeah, that's a great, great song.

14:43 Speaker 4: We haven't played that in a little while. And those

14:45 Speaker 4: are actually each of those are stories about people that

14:48 Speaker 4: I know. Yeah, I'm not going to tell you who

14:50 Speaker 4: they are, but they're uh, they're all represented, right, Yes.

15:00 Speaker 1: Very good, very good, Now for.

15:03 Speaker 3: The whole wide world?

15:04 Speaker 1: Is that the name of the track?

15:05 Speaker 8: Yeah?

15:06 Speaker 1: Did you guys want to play that one liv? Or

15:07 Speaker 1: are we going to play the studio track?

15:08 Speaker 4: Why don't you play the studio track? I'm pretty happy

15:11 Speaker 4: with how it came out. There's a marked an amazing

15:15 Speaker 4: job tracking harmonies on that. It probably took us three

15:18 Speaker 4: hours to double track the harmonies on that because I

15:21 Speaker 4: kind of wandered timing wise. Yeah, I sort of took

15:25 Speaker 4: some theater prerogative on that little jazzy backstory on that

15:30 Speaker 4: is my wife's cousin, Rachel Corey, went to do some

15:33 Speaker 4: piece work in Palestine twenty two years ago. She was

15:37 Speaker 4: like twenty or twenty one years old, and she end

15:41 Speaker 4: up losing her life in an altercation just trying to

15:45 Speaker 4: help some people protect the water well and protect their home.

15:49 Speaker 4: It's a sad story. There's a lot of sides to

15:50 Speaker 4: every story. I'm not trying to take a side on

15:52 Speaker 4: this story, but that's sort of the background for this story.

15:56 Speaker 1: Yeah, I remember you guys played this. I think the

15:59 Speaker 1: first time you were on the show as a band,

16:01 Speaker 1: you guys played this and really really great tracks.

16:04 Speaker 3: So thank you.

16:05 Speaker 4: Most of the chorus and some of the lyrics actually

16:07 Speaker 4: come from her journals. She was an amazing journalist. She

16:10 Speaker 4: I remember as she was out there, we were getting

16:12 Speaker 4: journal entries from her email almost every day to sort

16:15 Speaker 4: of follow her progress. And after her passing, Alan Rickman

16:18 Speaker 4: Snape actually took her journals and turned them into a play,

16:24 Speaker 4: and that play actually played on Broadway. And then oh

16:27 Speaker 4: kind of Got Got Kicked off a Broadway and we

16:30 Speaker 4: saw it in Boston, and we saw it in Long Island.

16:34 Speaker 3: And it's an amazing play. It's a woman play.

16:37 Speaker 4: She's just on stage, just essentially sharing her journal with

16:41 Speaker 4: the audience over the course of almost two hours.

16:44 Speaker 3: Wow.

16:44 Speaker 4: Very moving story. If you've got some time to look

16:47 Speaker 4: up Rachel Corey.

16:50 Speaker 3: It's not a.

16:50 Speaker 4: Happy tale, but it's a it's a powerful it's a

16:53 Speaker 4: powerful thing. It's important, indeed, And so this is sort

16:56 Speaker 4: of my take. I dug into her journals really deep,

16:59 Speaker 4: and I sang it first person, trying to really be

17:01 Speaker 4: representative the first story.

17:03 Speaker 1: Yeah, all right, so we'll give this a spin. This

17:05 Speaker 1: is really really good. This is whole wide world, and

17:07 Speaker 1: the band is jam Tomorrow.

17:29 Speaker 12: A child of the puge.

17:32 Speaker 5: It sound a dove in the town parade, raised by

17:40 Speaker 5: caring parents, aware of the world they made. Dad went

17:49 Speaker 5: to v Now you can't come back the same.

17:57 Speaker 12: I grew up with.

17:59 Speaker 7: Sad, si comb and burning flaking.

18:07 Speaker 5: Let me stand alone at the edge of the ear

18:12 Speaker 5: and look at it. Honestly, maybe my worst swirls around me.

18:21 Speaker 7: But one thing is stationary.

18:24 Speaker 12: Year.

18:25 Speaker 5: If the words I use buzz away from my left meaninglessly.

18:34 Speaker 5: Let them hang in the air for a while, look

18:39 Speaker 5: at them monestly.

18:43 Speaker 13: My name is Rachel, trying to.

18:55 Speaker 5: Bridge the distance between the moon and the star. I

19:03 Speaker 5: flew across the world to Rafa, and it seemed so far.

19:13 Speaker 5: Sometimes you work for the world, sometimes for yourself. Sometimes

19:23 Speaker 5: you can't see word is hiding on the highest shelf.

19:32 Speaker 5: Let me stand alone at the edge of the earth

19:37 Speaker 5: and looked at it honestly. Maybe my world swirls around me,

19:46 Speaker 5: but one thing is stationary.

19:50 Speaker 12: If the words I use buzz away.

19:53 Speaker 7: From my legs, meaning with the.

19:59 Speaker 5: Then hang in the air for a while, look at

20:04 Speaker 5: the monist thee.

20:08 Speaker 13: My name is Rachel.

20:19 Speaker 5: Houses demolish dads who oranges on in a machine gun

20:29 Speaker 5: fire at sunset, more to blast at John.

20:37 Speaker 7: Who are they? Why are they here?

20:41 Speaker 12: They asked me, hiding now bad.

20:47 Speaker 5: We came from America to stop these attacks. Let me

20:57 Speaker 5: stand alone at the edge of the earth and look

21:02 Speaker 5: at it honestly. Maybe in my world swirls around me,

21:10 Speaker 5: but one thing is stationary. If the words I use

21:17 Speaker 5: buzz away from my lefts meaninglesslye let them hang in

21:26 Speaker 5: the air for a while, and look at them honestly.

21:32 Speaker 5: My name is Rachel, greeting people hoppyby beloved, showing love,

21:53 Speaker 5: thinking back when I was a child, creating as it does.

22:01 Speaker 5: We have to protect the one. The wells need one

22:07 Speaker 5: to survive. Building towards this moment, I have never felt

22:17 Speaker 5: so live. Let me stand alone at the end, jum

22:25 Speaker 5: here and look at it, honest steed. Maybe my world

22:32 Speaker 5: swells around me, but one thing is stationary.

22:39 Speaker 7: In the world.

22:41 Speaker 5: I use us away from my els meaningless sleeve. Let

22:49 Speaker 5: them paying in the air for a while and look

22:54 Speaker 5: at them honested. My name is Rachel. My name is Rachel.

23:07 Speaker 5: My name is Rachel. Un name is a Rachel m.

23:36 Speaker 1: I just wanted to let that ring out at the end.

23:38 Speaker 1: That is powerful, That is whole wide world. The band

23:41 Speaker 1: is Jam Tomorrow, and Jam Tomorrow is here with us

23:44 Speaker 1: live in studio. By the way, in the chat room,

23:46 Speaker 1: I think, uh, Auto, our friend Auto Kinsel, whom the

23:51 Speaker 1: chemical distance that is in the chat room. It's actually

23:53 Speaker 1: the dust profit official account that's in there. But he says,

23:56 Speaker 1: but I assume it's Auto. He says, I don't know

23:58 Speaker 1: how you can sing sitting down. I could never do it. Yeah,

24:00 Speaker 1: that's interesting. Is that does that come easy to you

24:03 Speaker 1: sitting down whilst.

24:04 Speaker 4: Singing, or I've got huge theater lungs, so i can

24:07 Speaker 4: hold a note and hit it harder when I'm standing up,

24:09 Speaker 4: but I can I can sing, okay.

24:10 Speaker 1: So yeah, yeah, you seem pretty comfortable with it, and

24:15 Speaker 1: he appreciated the m D reference. Spelfy from of Course,

24:19 Speaker 1: Terminus and the Midnight Creatives Collective is in the chat room.

24:23 Speaker 1: She mentions they've got a big show tonight, Vigil, Swarm

24:26 Speaker 1: of Eyes, Tech Slave and Dead Harrison tonight at Terminus

24:31 Speaker 1: in Nashua. Great great venue.

24:33 Speaker 6: Woo woo woo.

24:35 Speaker 1: Our friend Miriam vanishes in the chat room. She says,

24:37 Speaker 1: I'm listening in the car and had to pull into

24:39 Speaker 1: a parking lot to say something. I know this story,

24:43 Speaker 1: and though I didn't see the play, I remembered when

24:46 Speaker 1: it was on Broadway. People were critical of Alan Rickman,

24:50 Speaker 1: but he saw a story that needed to be told.

24:53 Speaker 4: Indeed, there's there's a lot of baggage there, sort of entrenched. Yeah, yeah, yeah,

25:01 Speaker 4: I won't even dive down that rabbit hole, but there was.

25:03 Speaker 3: It was very controversial.

25:04 Speaker 1: Yeah, no doubt, no doubt. Well that Miriam also Hans

25:08 Speaker 1: Smith of Course from the band Sepsis is in the

25:12 Speaker 1: chat room and says, hey Metal Matt, Hello, of course.

25:14 Speaker 1: Uh got Swarmy Fest coming up November two now at

25:18 Speaker 1: Taffada in Lowell.

25:19 Speaker 5: Yes, I am looking forward.

25:21 Speaker 1: Looking forward to that absolutely absolutely. Well, do you guys

25:24 Speaker 1: want to you want to play another live one for us?

25:26 Speaker 6: Yeah?

25:27 Speaker 3: Absolutely.

25:28 Speaker 4: You said some very kind words about this song on

25:31 Speaker 4: social media recently. Gary shared it with me because I've

25:34 Speaker 4: been banned. Yes, I've been deemed a menace to society,

25:39 Speaker 4: violation of community standards?

25:41 Speaker 1: Is this, by the way, what I believe the young

25:42 Speaker 1: people refer to as a perma band.

25:44 Speaker 3: Oh yeah, it's deleted.

25:45 Speaker 6: I'm gone.

25:46 Speaker 5: Wow.

25:47 Speaker 4: I've been in jail many times before, but i'd always

25:50 Speaker 4: broken out.

25:50 Speaker 6: Wow.

25:51 Speaker 3: And yeah, you've been naughty. I guess I gave the

25:54 Speaker 3: zucker butt hurt.

25:55 Speaker 6: I guess.

25:56 Speaker 3: So think that's a copyrighted phrase, by the way.

25:59 Speaker 1: Yes, yes, trademark that you just all have to do

26:02 Speaker 1: is to say TM after it.

26:04 Speaker 4: Marco Registrata for those in the new Yeah, you might

26:09 Speaker 4: be onto something.

26:10 Speaker 5: You might be able to sell that on a tech Yeah.

26:12 Speaker 1: All right, so you guys are gonna play Falling into Place?

26:14 Speaker 5: We are?

26:14 Speaker 8: Yeah?

26:15 Speaker 3: This is actually the first song that we wrote.

26:18 Speaker 4: Mark and I actually wrote this together, which is really

26:20 Speaker 4: odd for me because I'm really selfish with my creative space. Generally,

26:23 Speaker 4: our process is that we'll be jamming at my house.

26:25 Speaker 4: We usually rehearse at my house, and I'll go to

26:27 Speaker 4: grab some beers or something and just put my phone

26:29 Speaker 4: on the table and leave it on record, and these

26:32 Speaker 4: guys Gary and Mark will just make some amazing music

26:35 Speaker 4: happen while I'm gone, and I'll sort of listen from

26:37 Speaker 4: the wing and wait until they're done and come back

26:40 Speaker 4: in and be like, Okay, that's our next song. And

26:41 Speaker 4: then we work on how we structure verse, chorus, bridge,

26:43 Speaker 4: all that kind of stuff, and then I'll sort of

26:45 Speaker 4: take it off to my lair all by myself, usually

26:47 Speaker 4: with a cigar on the porch, after it's dark and

26:49 Speaker 4: the neighborhood's quiet, and I'll put some lyrics to it,

26:51 Speaker 4: because that's really where my best headspace is.

26:53 Speaker 3: But we actually wrote this together.

26:54 Speaker 4: This was a COVID song, but I feel like it

26:56 Speaker 4: it sort of is appropriate for any kind of trying time,

26:59 Speaker 4: which seems like because the only kind of time that

27:01 Speaker 4: we have any all.

27:03 Speaker 1: Right, I love this is falling into place. Jam Tomorrow

27:05 Speaker 1: live in studio?

27:08 Speaker 7: Right?

27:11 Speaker 3: Did all those mics up here?

27:12 Speaker 6: All right? That's weird.

27:18 Speaker 1: Something's no I got everybody else. I can't hear you either.

27:24 Speaker 1: Oh wait a minute, there we go sports giving me

27:30 Speaker 1: a little bit of trouble.

27:31 Speaker 6: But I think we're.

27:31 Speaker 7: Okay, amazing, mister Smith. And I feel like things are

28:20 Speaker 7: falling against place, and I feel.

28:26 Speaker 5: Like against the end of the Red Queen's Race, and

28:30 Speaker 5: a feeling like a star are gonna change because I

28:38 Speaker 5: feel like this was allga red.

28:45 Speaker 7: As we move.

28:46 Speaker 5: From hugs and hatchhase, we must remember how our souls ay,

28:59 Speaker 5: as we move from confidant to confident, we must remember

29:07 Speaker 5: how our souls pay. But I feel like things are

29:15 Speaker 5: falling against split and I like against the end of

29:22 Speaker 5: the Red Quee Race, and a feeling like stars are

29:29 Speaker 5: gonna change because I feel like this was all just

29:36 Speaker 5: reading and people take too much pride in the way

29:47 Speaker 5: they picked their sides split up into them at us.

30:00 Speaker 7: Besides seating on bars on the bus. But A feel

30:08 Speaker 7: like things are falling in its place, and I like

30:15 Speaker 7: it's the end of the Red.

30:17 Speaker 5: Queen's Races, and to feel like the stars are gonna

30:24 Speaker 5: change because I feel like this was Alga.

30:30 Speaker 7: Reay.

30:54 Speaker 5: As our lives get more separated, well we wish they weren't.

31:02 Speaker 7: So as things get more.

31:09 Speaker 5: Complicated, well we wish we could just know, just know,

31:21 Speaker 5: But feel like things are falling in.

31:25 Speaker 7: Place and I'm.

31:29 Speaker 5: Like it's the n Another Red Queen's Reggie and a

31:34 Speaker 5: feel like the stars are gonna change because I feel

31:41 Speaker 5: like this was all.

31:43 Speaker 7: Just preer ring.

31:47 Speaker 5: Then a feel like things are falling itast place and

31:56 Speaker 5: like against the m another Red Queen's Rage and a

32:00 Speaker 5: feel like the star like the stars gonna jay because I.

32:07 Speaker 7: Feel like this with Onge Preer range it up like

32:15 Speaker 7: this with long.

32:18 Speaker 1: Preer just amazing and encore Well done, guys, well done.

32:44 Speaker 1: If you are just joining us, we have jam tomorrow

32:47 Speaker 1: here with us alive in studio. Uh Mark, Gary and MHP.

32:51 Speaker 1: Is that what you're going by?

32:52 Speaker 7: It sure?

32:53 Speaker 4: Is that your like official Like I didn't call myself that,

32:56 Speaker 4: but multiple circles of friends and acquaintances and business folks

33:00 Speaker 4: started calling me that because it's easier than saying Michael

33:02 Speaker 4: Helpley Piers just ah right right yes, And I'm not

33:08 Speaker 4: gonna lie. I've kind of created a brand, and that

33:11 Speaker 4: was a beautiful way to sort of accentuate it. So

33:13 Speaker 4: whatever my agenda is, whether it's music or work or

33:17 Speaker 4: philanthropy or whatever it's, it's kind of it's like, oh,

33:19 Speaker 4: there's only one MHP like that, you're not going to

33:21 Speaker 4: confuse me with somebody how that you would anyway, because

33:23 Speaker 4: thankfully there's not two of me, because we would probably

33:25 Speaker 4: hate each other.

33:26 Speaker 8: Right right?

33:29 Speaker 3: Do you know me? Did you wanna?

33:31 Speaker 1: Were we gonna how many live were we going to do? Do

33:33 Speaker 1: you want to do one more?

33:34 Speaker 6: Sure?

33:34 Speaker 3: We got time for one more? Can we throw out

33:36 Speaker 3: a couple of shout outs?

33:37 Speaker 8: Oh?

33:37 Speaker 1: Absolutely, go for it.

33:38 Speaker 6: Yeah, I'll do it.

33:40 Speaker 1: Oh yeah please.

33:40 Speaker 6: Yeah.

33:41 Speaker 2: I'm actually playing tonight with two of my bands, who

33:45 Speaker 2: I don't know, I know, I don't know. Is Bob Dwyer.

33:47 Speaker 3: Do you know Bob Dyer?

33:48 Speaker 1: He's been on the show with uh what uh what

33:51 Speaker 1: the stink?

33:52 Speaker 2: He was with them back in the day.

33:53 Speaker 1: I don't know, but I know he's been on the

33:55 Speaker 1: show with another band. I can't remember who now, but yeah, but.

33:58 Speaker 2: We're opening for my other band Fox and Flamingos Tonai

34:00 Speaker 2: this show excellent. Yeah, me and him and our drummer

34:04 Speaker 2: from Cosmic Blossom play together. Oh, very good, and I

34:06 Speaker 2: am playing a Candy Road tomorrow if you want to

34:08 Speaker 2: catch some solo stuff from two to.

34:09 Speaker 1: Five outstanding, very good, very good. Yeah, you got a

34:13 Speaker 1: busy weekend, yeah, which is a good that's a good thing.

34:16 Speaker 6: Yeah.

34:16 Speaker 3: Yeah.

34:17 Speaker 4: We don't have any gigs as jam tomorrow coming up

34:19 Speaker 4: until November and then we got a really busy week

34:21 Speaker 4: eleven nineteen, we're playing at the Shaskiine from eight to eleven.

34:25 Speaker 4: That's a Tuesday, and that Friday, eleven twenty two, we're

34:29 Speaker 4: playing at Strange Brew also from eight to eleven, and

34:32 Speaker 4: then eleven thirty, which is the Saturday after Thanksgiving, we're

34:35 Speaker 4: playing at Pembroke City Limits, which if you haven't been there,

34:38 Speaker 4: rob azeveda amazing spot, so focused on the music, very cool.

34:43 Speaker 4: You feel like you're playing in a big living room.

34:45 Speaker 4: It's kind of like that, like that Daryl Hall, like

34:49 Speaker 4: the Oh Live at Daryl's South. Yeah, it kind of

34:51 Speaker 4: it's kind of has that sort of feel to it. Yeah,

34:53 Speaker 4: there's always a maybe when they have their open mics.

34:55 Speaker 4: It's like the caliber of musicians we're playing in a

34:58 Speaker 4: spot you may have never heard of town you probably

35:00 Speaker 4: couldn't find on the map.

35:02 Speaker 3: Is just unbelievable. So we're really looking forward to that.

35:05 Speaker 4: My family's coming up, All my mom's siblings are coming

35:08 Speaker 4: out for Thanksgiving and they're gonna I'll be able to

35:09 Speaker 4: catch that show, so that'll be a good time. And

35:12 Speaker 4: then I want to give a shout out to my man,

35:13 Speaker 4: Jim Belile, So if you've ever seen any of our flyers,

35:16 Speaker 4: that all the artwork on our flyers are all his paintings,

35:19 Speaker 4: and he's been generous enough to let us use his

35:21 Speaker 4: artwork and not have to pay for it, which is

35:24 Speaker 4: a beautiful thing. We really appreciate it. So if you

35:26 Speaker 4: dig any of the art you've ever seen in any

35:28 Speaker 4: of our flyers, go to www.

35:30 Speaker 3: Dot Belile Art.

35:31 Speaker 4: That's E L L I S L E A r

35:34 Speaker 4: T dot com and he's got both paintings and prints

35:37 Speaker 4: available for sale.

35:38 Speaker 3: Support a local artist. It's really what makes your community matter.

35:43 Speaker 1: Very nice, very nice. Oh, by the way, too, because

35:45 Speaker 1: you mentioned him and Gary, you had played at Pembroke

35:48 Speaker 1: City Limits recently too, Right.

35:50 Speaker 2: I do a pretty much biweekly solo jazz thing, and

35:54 Speaker 2: then I do a Gary's musical gathering wherever. He Oh yeah,

35:57 Speaker 2: one Thursday month, I invite a bunch of my musicians

36:00 Speaker 2: friends to come and too long set sit in jam.

36:02 Speaker 2: It's like kind of a you know, I'm in a

36:05 Speaker 2: few bands at this point, probably like six different bands. Yeah, yeah,

36:08 Speaker 2: I have different people can come in and it's it's

36:10 Speaker 2: always been good. There's been just such a crazy caliber

36:13 Speaker 2: of musicians like Jordan Quinn shows off, like all these

36:16 Speaker 2: like just crazy musicians, Sarah Bird and like all these

36:20 Speaker 2: great great people show up and do some jazz stuff

36:23 Speaker 2: and then people sit in with my jazz.

36:24 Speaker 3: It's great.

36:25 Speaker 7: Yeah.

36:25 Speaker 2: I love Rob's pace.

36:26 Speaker 1: I live in oh perfect. Yeah, it doesn't get much better, Rob,

36:29 Speaker 1: Rob has a great show. You you've probably been on it, right.

36:31 Speaker 2: Yeah, I was on it a couple of months ago.

36:34 Speaker 1: Ran a state of mind.

36:35 Speaker 2: Yeah, I'll be back with you in two weeks, I

36:37 Speaker 2: think too.

36:38 Speaker 1: That's right, yes, yes, very good. Well, before we run

36:41 Speaker 1: out of time, let's let's go ahead and uh, I'm

36:44 Speaker 1: dying here.

36:44 Speaker 4: One more, all right, This is this one's a little

36:46 Speaker 4: bit different. This one's the story about Alistair Crowley. Uh,

36:51 Speaker 4: not a very nice man, but a very interesting dude.

36:54 Speaker 4: Fascinating life I've read a bunch of his biographies, read

36:57 Speaker 4: a bunch of his works. AZZI did song about him,

37:00 Speaker 4: but I felt like it really didn't tell much of

37:02 Speaker 4: a tale.

37:03 Speaker 3: True.

37:03 Speaker 4: So this one is pretty much a story of his

37:08 Speaker 4: life up to about age twenty seven. And it's it's

37:11 Speaker 4: seven versus long, because that's why I had to cut

37:13 Speaker 4: it off at age twenty seven. But this sort of

37:15 Speaker 4: leads up to the big formative moment of his life

37:18 Speaker 4: in nineteen oh seven. Okay, so this one's called Babes

37:21 Speaker 4: in the Abyss. All right, jam bro Telemites out there, all.

37:24 Speaker 3: Right, very good.

37:55 Speaker 5: Just the boy with the bad will rich parents didn't understand.

38:01 Speaker 5: Had to get my bad bilt by speeling blood upon.

38:07 Speaker 7: The land, unbeloved by the brethren.

38:12 Speaker 5: A beast on mommy's cheet follow the reverence with a.

38:19 Speaker 7: Hand that had to beat. We are but twell, wreshel

38:27 Speaker 7: Babes in the Abyss.

38:30 Speaker 5: We sell of sears coming until they can't be mad.

38:37 Speaker 7: We are but tell a long wreshels bebes in the Abyss.

38:44 Speaker 5: We sell them see us coming to it can't be mess.

38:50 Speaker 5: Just a man with the mission.

38:54 Speaker 7: To bring the truth to light.

38:57 Speaker 5: A twenty four maid decision to search throughout the night.

39:05 Speaker 5: The dawn was golden, but I rushed too far, too fast.

39:12 Speaker 5: The orders boned my borders, my future, and my paths.

39:19 Speaker 7: We are but twelve song the threshold maps in the Abyss.

39:25 Speaker 5: We set up seals, counting until that can't be messed.

39:32 Speaker 5: We are but twelve song the threshold bames. In the Abyss,

39:39 Speaker 5: we set up sewants, counting until it can't be messed.

39:46 Speaker 5: Just the spirit on seventh, in search of some PUNTI

39:53 Speaker 5: been months since surreal bath, in need of.

39:56 Speaker 7: A Truio game, three years with the master.

40:03 Speaker 5: In the blink of mathred I on the last the

40:08 Speaker 5: past was waiting on the mountain side. We are but

40:15 Speaker 5: twelve of the threshold babes. In the Abyss, we sell

40:21 Speaker 5: off Sewarts, coming until he can't be mad. We are

40:28 Speaker 5: but twelve son thresholds babes in the bits. We sell

40:35 Speaker 5: on Sewards, coming until.

40:38 Speaker 7: He can't be mad.

40:41 Speaker 5: Just a mate with the posse, spreading the work of law,

40:48 Speaker 5: damages by proxy.

40:51 Speaker 7: Don't even drop my job.

40:55 Speaker 5: Somehow, my abby, weeve my book misunderston the house of

41:03 Speaker 5: masonry as flable lessor.

41:09 Speaker 7: We are but twel sol threshold beats.

41:14 Speaker 5: In these b we sellom see wants coming until the

41:20 Speaker 5: cant me man.

41:23 Speaker 7: We are but twelve of the threshold beats.

41:28 Speaker 5: In the bit we sell them see what's coming till

41:33 Speaker 5: the can mean man, just the soul in the desert.

41:40 Speaker 5: Things did not go to plan.

41:44 Speaker 7: I brought you in my circle. Let you try to

41:48 Speaker 7: rule this man. We foched in the bar as.

41:54 Speaker 9: The gods played in the store.

41:58 Speaker 7: You brought me then I ever met me. We are

42:06 Speaker 7: but tween long threshold babes. In these bits we set

42:13 Speaker 7: up see what's coming dealing get me mad?

42:19 Speaker 8: We are but.

42:20 Speaker 9: Twell on the threshold baits.

42:24 Speaker 5: In the ben we sell up see us coming and

42:29 Speaker 5: see get mean me.

42:37 Speaker 1: That's pretty epic. That's great. Well, I love that. I

42:40 Speaker 1: love that Jam Tomorrow live in studio.

42:42 Speaker 3: Guys.

42:43 Speaker 1: We're just about out of time in the segment. But

42:46 Speaker 1: uh you guys, you sound amazing. I always love hearing

42:48 Speaker 1: you play. Always great to have you here. And where

42:51 Speaker 1: should people go online? Where's the best place to go

42:53 Speaker 1: online to keep up with everything Jam Tomorrow is doing?

42:55 Speaker 4: So you go to Jam Tomorrow dash the band on

42:58 Speaker 4: Facebook so you don't confuse it with Jam Tomorrow. The

43:00 Speaker 4: Lunchbox or Jim Tomorrow the Flamethrower. The kids love that one. Yes,

43:04 Speaker 4: Gary's got some sites that you can check out too.

43:06 Speaker 2: My own website, gsmithmusic dot com that'll list all my shows,

43:11 Speaker 2: but it'll have a Jam Tomorrow section in there. It'll

43:13 Speaker 2: list our shows in there specifically too, okay, and you'll

43:16 Speaker 2: be able to get some media from that.

43:18 Speaker 3: G Smith Music excellent.

43:19 Speaker 4: And we're on all the standard streaming platforms where kids

43:23 Speaker 4: go to get their music. We've got two cuts out

43:25 Speaker 4: there right now, and we've got another five that will

43:27 Speaker 4: be dropping over the course of the not too distant future.

43:31 Speaker 3: And we play local a lot.

43:33 Speaker 4: The three venues that I listed out Strange Brew, Pembroke

43:36 Speaker 4: City Limits and the Shaski and are probably our three

43:39 Speaker 4: most frequent haunts, so look for us there as well.

43:42 Speaker 1: Excellent, excellent, guys, Thank you so much. We'll actually close

43:46 Speaker 1: out the segment with another studio track that an older

43:48 Speaker 1: one that you had sent me, A Beautiful Loser, another

43:50 Speaker 1: great song, great song, but guys, I appreciate you very much.

43:54 Speaker 1: Thank you again, and we'll do this again so because

43:57 Speaker 1: you guys are always making more music.

43:58 Speaker 3: So yeah, Na, Matt, thanks for having us.

44:01 Speaker 1: I really appreciate PM, absolutely absolutely, It's a beautiful loser.

44:05 Speaker 1: Jam tomorrow.

44:25 Speaker 5: A big hold in the fabric of space and time,

44:29 Speaker 5: like I needed a dollar.

44:31 Speaker 12: And I had a time.

44:35 Speaker 5: A ben to both ends of the Mississippi, from the

44:39 Speaker 5: Minnesota Highlands to the New Orleans Ocean. She grips me,

44:44 Speaker 5: And I don't know what happened to me.

44:49 Speaker 7: Tweam feeling life, living.

44:52 Speaker 5: Free, jeep walking towards where I think I might be.

45:04 Speaker 5: God is alive and magic is afoot. Some things just

45:10 Speaker 5: won't stay aware that but reinvention, tainted by previous intention

45:17 Speaker 5: won't say us from those things just can't mention.

45:23 Speaker 13: And I don't know what.

45:25 Speaker 7: Happened to me. Dream feeling alive and live and free, keep.

45:33 Speaker 5: Walking towards where I think I might be. Yeah to

45:39 Speaker 5: the bridge.

46:01 Speaker 7: And I don't know what happened to me?

46:06 Speaker 5: Dream feeling life, living free, keep walking towards where I

46:13 Speaker 5: think I might be. Every time we pull back the curtain,

46:22 Speaker 5: we find another curtain. But my mind is we re

46:27 Speaker 5: and my back is hurting. The only thing I've ever

46:32 Speaker 5: known for the hurcheon is behind every curtain, there's another

46:36 Speaker 5: curtain and another curtain, And I don't know.

46:41 Speaker 7: What happened to me? Dream feeling life and live and free.

46:49 Speaker 5: Keep walking to hoods where I think I might be, And.

46:59 Speaker 13: I don't know what happened to me.

47:04 Speaker 5: Dream feeling life and live and free, Keep walking towards

47:10 Speaker 5: where I think I might be. And let I don't

47:19 Speaker 5: know what happened to me, tream feeling live and live

47:26 Speaker 5: and free, Keep walking towards where I think I might be,

47:31 Speaker 5: Where I think I might be,