Ouellette Glenn The Artist | Matt Connarton Unleashed

0:00 Speaker 1: And of course we have a glennar J. Willett, the

0:02 Speaker 1: People's mayor in the technical actation.

0:04 Speaker 2: My new name is will let Glenn the artists. What

0:08 Speaker 2: you changed your name? No, I have to have a

0:09 Speaker 2: stage name, and that's what I pick. You're the artist

0:11 Speaker 2: formerly known as Glenn. No, they call me will elect

0:14 Speaker 2: Glenn the artists. Well, let Glenn the artist.

0:17 Speaker 1: So you use your last name first and your first

0:18 Speaker 1: name last.

0:19 Speaker 2: I don't want to be a superstar. I want to

0:21 Speaker 2: make a living. Oh you're afraid people will know you. No, no,

0:25 Speaker 2: I'm not afraid people know me. They'll know me anyway

0:27 Speaker 2: my last name. This thing is you had to pick

0:29 Speaker 2: a stage name, and that's what I picked today. Oh

0:32 Speaker 2: you know I have to pick a stage name. I

0:34 Speaker 2: thought you can just use your name. You know how

0:36 Speaker 2: artists picked these fake names and they don't really their names.

0:39 Speaker 2: That's why I like.

0:40 Speaker 1: For example, my real name is not Matt Connorton.

0:42 Speaker 2: What Matt?

0:44 Speaker 1: No, I'm I'm actually uh, I don't know if you

0:46 Speaker 1: know this. I'm actually Swedish. My my last my name

0:49 Speaker 1: is Hans Brocher. So most people don't know that about me,

0:53 Speaker 1: and that's hard to say. So I picked Matt Connorton,

0:55 Speaker 1: because I figure, what sounds more like a radio host

0:58 Speaker 1: than Matt Connorton. Such a great name. Uh so I

1:01 Speaker 1: can relate to what you're saying. Went, now, what what

1:04 Speaker 1: are you going to sing for us this morning? We

1:05 Speaker 1: got to get to out. We're we're a little bit

1:07 Speaker 1: behind because we had some tech issues. So we want

1:09 Speaker 1: to get to some songs. Because when when I when

1:12 Speaker 1: I told people you know that you were coming on today,

1:15 Speaker 1: they said, we cannot wait to hear him, saying he

1:16 Speaker 1: has the voice of an angel, and you are Would

1:19 Speaker 1: you not consider yourself a I mean, is global icon

1:22 Speaker 1: too strong of a word in the in the world

1:24 Speaker 1: of singing?

1:26 Speaker 2: Well, And I wouldn't say that, but I do, Well,

1:28 Speaker 2: you're very humble. I do do three to four mini

1:32 Speaker 2: concerts a week. Yes, from my home, and I have

1:36 Speaker 2: over nine thousand viewers that listen to that.

1:40 Speaker 1: Yes, around the world, around the world. Yes, you are global.

1:44 Speaker 2: I mean there's global.

1:45 Speaker 1: That's why I always say in terms of global icons,

1:47 Speaker 1: there's there's Tailor Swift, and there's will Lett Glenn.

1:50 Speaker 3: Oh.

1:50 Speaker 2: I wouldn't compare myself well.

1:52 Speaker 1: I'm just I'm just saying you're kind of in that

1:54 Speaker 1: that zone, that stratosphere, if you will.

1:56 Speaker 2: What are you going to sing for us? First? I'm

1:58 Speaker 2: going to do the big Medley.

2:01 Speaker 1: The BG's Medley. All right, let me queue that up here.

2:04 Speaker 1: I'm playing sound engineer today.

2:06 Speaker 2: Is this? What is this? How Peter does it on

2:08 Speaker 2: the Morning show too? Yeah? Okay, So and I will

2:11 Speaker 2: I do over a thousand songs now. And I'm not

2:14 Speaker 2: a young chick anymore.

2:16 Speaker 1: You're not a young chick. No, I don't think you

2:18 Speaker 1: ever worried a young chick. I think you've I think

2:21 Speaker 1: you've always been male unless there's something you haven't told us.

2:24 Speaker 2: And you know, we're very uh very LGBTQ.

2:29 Speaker 1: Plus friendly here, So that's fine if that, if that's nice,

2:32 Speaker 1: but not the case, I mean, if you'd like to

2:34 Speaker 1: share something with us about that, but uh, you know,

2:38 Speaker 1: it's just that I.

2:42 Speaker 2: I have I've learned to have a listening ear to music, huh.

2:48 Speaker 2: And now I can hear a song once or twice

2:50 Speaker 2: and it's in my head. Even a listening here is helpful.

2:53 Speaker 2: I have two of them, and that's that's good to have.

2:56 Speaker 1: Yes, yes, okay, So what I'm going to do and

2:59 Speaker 1: I and for those watching the video feed. I've put

3:01 Speaker 1: the camera on me so that you can see. I

3:03 Speaker 1: will put it back on Glenn in a moment. We'll

3:05 Speaker 1: let Glenn. But I'm turning the screen here so that

3:09 Speaker 1: you can read the lyrics. Well, hang on, I gotta,

3:12 Speaker 1: I gotta, I gotta click, I gotta click play, and

3:14 Speaker 1: then I'll turn it and then you'll be able to

3:17 Speaker 1: sing for us. And this is a this is very exciting.

3:19 Speaker 1: This is the Beg's medley. All right, very good, here

3:22 Speaker 1: we go. We'll let Glenn live in studio, Bees singing, Bees.

3:39 Speaker 2: And Joe. There's not lie after a kind of lie

3:47 Speaker 2: that never shown on me. And I want my life

3:54 Speaker 2: to be live with you, Live with you, baby.

4:02 Speaker 4: There's a way everybody says you do each and every

4:11 Speaker 4: little thing. But what good does it bring to me

4:18 Speaker 4: if I ain't got you?

4:21 Speaker 2: If I got you, baby, baby, you don't know what

4:27 Speaker 2: is live, baby.

4:30 Speaker 5: You don't know what is like.

4:34 Speaker 6: You love somebody, You love somebody the way that I

4:40 Speaker 6: love you, Pep, I'm going back.

4:49 Speaker 2: You must choose this. There's something that's telling me that

4:59 Speaker 2: I'm my goal on and the life all and out

5:09 Speaker 2: within massive that day the day I left, before I

5:18 Speaker 2: left her standing on her own because I started to cry,

5:30 Speaker 2: which started the whole world laughing happ but I didn't

5:39 Speaker 2: see that the joke was on me. I looked at

5:48 Speaker 2: those ties, running my hand over my eyes, and I

5:58 Speaker 2: when I fell out of my bed, burting my head

6:03 Speaker 2: from things that I've had. No smile and every lasting

6:10 Speaker 2: smile and smile that can bring you near to w

6:18 Speaker 2: Don't you ever ever let me find you gone, because

6:23 Speaker 2: that would bring me a tear to.

6:29 Speaker 5: These words has lost his glory.

6:33 Speaker 2: Let's start a.

6:34 Speaker 5: Brand new story now, my love, Right now.

6:42 Speaker 2: They'll see no other time and I can show you how,

6:47 Speaker 2: my love. Let's stock an everlasting worth and dedicated to

6:57 Speaker 2: them all to and I will beat you all my life.

7:06 Speaker 2: I'm hear it.

7:07 Speaker 5: You should call me now.

7:13 Speaker 2: You think that I don't mean a thing, I thing

7:18 Speaker 2: a single word I say it only worth pen. Words

7:26 Speaker 2: are all I have to take your heart away it ownly,

7:35 Speaker 2: work and word They're all I have. You take your

7:40 Speaker 2: heart away? Thank you?

7:46 Speaker 7: Wow?

7:48 Speaker 2: Uh well, let Glenn amazing.

7:51 Speaker 1: By the way, Can I just say, have all the

7:53 Speaker 1: performances I've heard you do that is by far the.

7:56 Speaker 2: Most recent, the most recent.

7:59 Speaker 1: Yes, I'm just saying so obviously, Oh, are you getting

8:04 Speaker 1: some fan appreciation there on your phone?

8:07 Speaker 2: I am, but been taking out the volume.

8:09 Speaker 1: Oh yes, yes, what inspired you to I like the song?

8:14 Speaker 2: What's the song?

8:15 Speaker 1: I started to laugh by the beg's you kind of

8:18 Speaker 1: added to your own you say this, I'm like I

8:20 Speaker 1: started to laugh.

8:20 Speaker 2: Ha ha ha. All my songs, our cover songs. You

8:23 Speaker 2: have to change up the wording. That is the rule. Yes,

8:27 Speaker 2: everyone who you know?

8:28 Speaker 1: We have a lot of musicians on the show who

8:30 Speaker 1: play cover songs and they always change fifteen percent of

8:33 Speaker 1: the wording.

8:33 Speaker 2: Yeah.

8:34 Speaker 1: Yeah, like Brooklyn Mike when he plays songs, he always

8:37 Speaker 1: changes fifteen percent of the wording. Yeah, sometimes sixteen or

8:40 Speaker 1: even seventeen percent. So that's very good. Good, good on

8:44 Speaker 1: you for doing that. If you are just joining us,

8:46 Speaker 1: we have a global icon and superstar, Glenn. I'm sorry,

8:50 Speaker 1: we'll let Glenn. So we'll let Glenn is officially.

8:52 Speaker 2: Your stage name. Yes, like Glenn the artist, will.

8:55 Speaker 1: Let Glenn the artist. Okay, Now it's important to be

8:57 Speaker 1: precise about this because brand is important. Is it will

9:01 Speaker 1: let Glenn Comma the artist like Glenn the artist, or

9:06 Speaker 1: but is it will let Glenn Dash the artist? Is

9:10 Speaker 1: any part of that in parentheses like will let Glenn,

9:12 Speaker 1: and then in parentheses the artist is there an asterisk

9:16 Speaker 1: next to artists? Okay, I just look, you have to

9:20 Speaker 1: be branding matters and consistency matters, and a lot of

9:25 Speaker 1: the artists.

9:25 Speaker 2: Well, I don't know.

9:26 Speaker 1: She probably saw a funny meme on her computer.

9:28 Speaker 2: But I'm trying to.

9:29 Speaker 1: Give you career advice here. This this is very important.

9:33 Speaker 1: So you know I'm trying to help you, Glenn. You

9:34 Speaker 1: know I have many are awful clients that I work with.

9:37 Speaker 1: I'm why because what so you just assume he knows

9:40 Speaker 1: everything already because he's an older gentleman. I think I

9:42 Speaker 1: have some I think I can help him. I think

9:45 Speaker 1: I have some some wisdom to share.

9:47 Speaker 2: Yes, yes, do you know why I won't get it?

9:50 Speaker 2: I won't get an agent. Why they tell you what

9:53 Speaker 2: to do? That's right, That's what I'm doing. I'm trying

9:55 Speaker 2: to tell you what I do. Your money. I've print

9:58 Speaker 2: my own tickets now you yes, cost a lot less.

10:02 Speaker 1: Wow, you're practically printing your own money at the same time.

10:04 Speaker 1: Then if you're saving.

10:05 Speaker 2: Money, yes, I say fifteen percent, you save fifteen percent?

10:10 Speaker 2: All right? I do my own posters. You do, I

10:15 Speaker 2: recommend that I when I go to our city, that

10:18 Speaker 2: I play on their FM station for nothing. In turn,

10:22 Speaker 2: I'm getting your suppose excellent. Well, very good, very good.

10:26 Speaker 2: Have you Have you been on other FM stations? Yes?

10:29 Speaker 1: Oh really? You've performed live? Or you just send them

10:32 Speaker 1: some music?

10:32 Speaker 3: No?

10:33 Speaker 2: Live? Oh wow, I give them an hour? You give

10:35 Speaker 2: them an hour? Well they're one in Springfield. There's three

10:37 Speaker 2: of them. May I do all three in the morning.

10:39 Speaker 1: So there's a station in Springfield you do a three

10:41 Speaker 1: hour concert.

10:42 Speaker 2: No, there're three FM stations there. Oh I thought you

10:45 Speaker 2: meant three hours. No, nor each one hour.

10:47 Speaker 1: Springfield, Massachusetts or Springfield, Illinois.

10:50 Speaker 2: Springfield, Massachusetts.

10:52 Speaker 1: Now, uh so three hours. So so three stations in Springfield.

10:56 Speaker 1: So you have a very strong presence in Springfield. I

10:58 Speaker 1: do like if you if you were to book like

11:00 Speaker 1: the Springfield Megadome, you'd probably sell it out.

11:03 Speaker 2: I would fill it, You would fill it, You would

11:05 Speaker 2: fill it.

11:06 Speaker 1: You know it holds eighty thousand people, right, the Springfield Megadome.

11:10 Speaker 2: In Springfield, Massachusetts. No, the Megadome? There is it? The

11:13 Speaker 2: Ultra Doome? What is that called? It doesn't fit see

11:18 Speaker 2: eighty thousand.

11:19 Speaker 1: Oh no, it's like seventy five thousand. I exaggerated. No,

11:22 Speaker 1: but you could fill that in Springfield. No, what's the

11:25 Speaker 1: population of Springfield?

11:26 Speaker 2: One hundred and fifty five thousand.

11:28 Speaker 1: So how many of them would you say are your

11:30 Speaker 1: fans of that percentage? Probably half? So I'm not good

11:33 Speaker 1: at math. So yeah, I'm thinking seventy thousand.

11:35 Speaker 2: I've sold ten thousand tickets there before you have? You

11:39 Speaker 2: sold ten thousand tickets though one but my tickets down

11:41 Speaker 2: one hundred and twenty five dollars either.

11:43 Speaker 1: Were you the headliner, you probably had a strong opener though.

11:45 Speaker 1: Two that kind of tickets. I mean, that's pretty good.

11:47 Speaker 1: I had a thousand tickets.

11:48 Speaker 2: My carts are two hours, okay, and in the half

11:51 Speaker 2: in the middle of it, I do a half hour comedy.

11:54 Speaker 2: You do I do? It's so funny? Well, I would

11:57 Speaker 2: hope so, because I don't do it the way that I.

12:00 Speaker 2: I look at people's eyes and I picked. Someone said,

12:02 Speaker 2: you're ready to be embarrassed, get on stage? Really call

12:06 Speaker 2: them up. That's your hook? Are you ready to be embarrassed?

12:08 Speaker 2: Get on stage? What's your problem? Say? What's your problem?

12:14 Speaker 1: I'm a realistic So you're so it's a form of

12:17 Speaker 1: crowd work. It is, but you're actually Jenny knows.

12:19 Speaker 2: I love crowd work. So that's exciting. He's so lying.

12:22 Speaker 2: But the thing is, I call him on stage. A

12:24 Speaker 2: lot of people don't do that. So you make people

12:28 Speaker 2: get on stage. Wow, I don't like you.

12:30 Speaker 5: Wow.

12:31 Speaker 2: Why that's scary. I'll kill people if I do that.

12:37 Speaker 2: Behind you sing one note, ear drums will just shut.

12:41 Speaker 2: They're not singing, they're just telling them what their problem is. Yeah,

12:44 Speaker 2: and then you solve the joke or whatever. I thought

12:46 Speaker 2: you were going to have them sing with you. No, no, no, no, wow.

12:50 Speaker 2: So this is quite a show.

12:51 Speaker 1: You do so you so you sing, and then in

12:53 Speaker 1: the middle you do you do this half hour form

12:55 Speaker 1: of comedy and then you sing again.

12:58 Speaker 2: All right, my first, my first comedy show. I got

13:02 Speaker 2: a couple of divorced. Okay, it was appropriate. The mayor

13:06 Speaker 2: twenty six years Yeah, And on the wedding night he

13:09 Speaker 2: told her to go take a shower. I'm gonna get

13:11 Speaker 2: some beer. He came back three hours later. I can

13:13 Speaker 2: smell the other woman. And twenty six years later, he

13:16 Speaker 2: still does it right, So I had him. Twenty six

13:18 Speaker 2: years later, she can still smell the other woman. No,

13:20 Speaker 2: he's still chief on her. Oh okay, I was gonna say

13:23 Speaker 2: they had bought two tickets. Friday said he had two concerts. Yeah,

13:26 Speaker 2: that day in the sam arena, and uh he promised

13:30 Speaker 2: her he would quit. Uh huh? So I said, would

13:32 Speaker 2: you stand up please? Yeah? Yes, would you come to

13:35 Speaker 2: the stage please? Remember there's ten thousand people here, ten

13:38 Speaker 2: thousand people. You can't embarrass me. You're playing the big room.

13:41 Speaker 2: Oh h well that's the biggest ep. Okay. Uh, you're

13:45 Speaker 2: so modest, the average of five six.

13:47 Speaker 1: Five six thousand. Yeah, all right, you're killing it out there.

13:51 Speaker 2: That was the whole plan. So what well, of.

13:53 Speaker 1: Course, so what did so you brought him up up

13:56 Speaker 1: on stage?

13:56 Speaker 2: And what did you do? Did you get him? Did

13:59 Speaker 2: him a good scolding?

14:00 Speaker 5: Kill your wife?

14:00 Speaker 2: Because I've talked to her before, Uh that you were

14:05 Speaker 2: no longer going to cheat on her. So you last

14:07 Speaker 2: cheated on Thursday? She says, what, yes, I did, and

14:11 Speaker 2: you're gonna go again on Sunday because you're you told

14:14 Speaker 2: her you wouldn't cheat anymore. The tickets are only for

14:17 Speaker 2: Friday Saturday, so I suspect Sunday after church, you're gonna

14:21 Speaker 2: go cheat. Uh huh how do you know that? Are you?

14:25 Speaker 2: I am? Wow? Why even bother going to church? Right,

14:29 Speaker 2: talk about being a hypocrite. Right, well, you got to

14:31 Speaker 2: set yourself up for the next week of sin. You

14:35 Speaker 2: know their divorces. You got the house, okay, yeah, he

14:37 Speaker 2: didn't want to do counsel me right right? Wow? Okay, yeah,

14:41 Speaker 2: and there and their Sundays twenty six years old. Now

14:43 Speaker 2: I says, will we have a child? Yeah, but he's

14:45 Speaker 2: twenty six years old, no longer a child? Right, move on, right?

14:48 Speaker 1: Yeah he can Yeah, he can probably fend for himself

14:51 Speaker 1: at this point. Well that that's great. So you're you're

14:54 Speaker 1: effectively you're doing God's work with your comedy. That's too

14:58 Speaker 1: nestled in the middle of your singing. That's very exciting.

15:04 Speaker 1: When's your next show?

15:06 Speaker 2: My next show is at June twenty eight? Where will

15:09 Speaker 2: that be? In Providence? In Providence? I love Providence at

15:13 Speaker 2: the outdoor outdoor concerts. Oh, are you doing a festival?

15:20 Speaker 2: I'm doing two festivals. Why you're gonna have about five

15:22 Speaker 2: thousand I'm gonna have about six thousands. Wow. And then

15:25 Speaker 2: I'll be in a parade which is three miles long

15:28 Speaker 2: and it's a night parade. That's all it up, almost

15:30 Speaker 2: like they would they do it in Miami. They do

15:33 Speaker 2: it at night and uh, and there's fifty thousand people

15:37 Speaker 2: in the streets that there's three miles wow side. So

15:41 Speaker 2: that's one way they get exposed.

15:43 Speaker 1: How do you how do you say festival in French?

15:45 Speaker 1: Is it festival FESTI festival wow? Well, see, I kind

15:50 Speaker 1: of knew.

15:51 Speaker 2: I do a lot of songs in English and in

15:53 Speaker 2: French at the same time.

15:54 Speaker 1: Yes, I also not a suitor in the BJ's the BJS,

15:57 Speaker 1: the Beg's medley.

15:59 Speaker 2: You wrote your are with which I can't do. That's impressive.

16:03 Speaker 2: And I changed my knee to moir.

16:06 Speaker 1: I noticed that too. Yes, So are you trying to

16:08 Speaker 1: appeal to the Celindian crowd.

16:11 Speaker 2: I'm trying to appeal. For example, I now do a

16:14 Speaker 2: couple of Asian songs, and I will say you do Asian,

16:17 Speaker 2: I will want to do one paragraph. Are you doing pop.

16:19 Speaker 1: Songs because that's a big market right now.

16:21 Speaker 2: They're they're a ballads, okay. Uh, there's an artist in

16:27 Speaker 2: China that I do, there's one in in in Pakistan.

16:30 Speaker 2: There's a couple in the Philippines I do. I do

16:34 Speaker 2: a song called Don't Stop the car I do it

16:38 Speaker 2: in French, English and in It's East from Australia, so

16:43 Speaker 2: they call it the the carpet, the carpet, the basket carpet,

16:51 Speaker 2: the basket carpet. It's their way words of words. They

16:56 Speaker 2: have a way of words. I tried it, and and

16:58 Speaker 2: and I'll do it. I'll do it one paragraphing Spanish.

17:01 Speaker 2: I have to learn that stuff. And then more and

17:03 Speaker 2: more they're ask me to do it again.

17:06 Speaker 1: By the way, I've always liked the way you say, uh,

17:08 Speaker 1: the Philippines, the way you say the Philippines.

17:11 Speaker 2: Oh, yes, that too. What do you want to uh?

17:14 Speaker 1: So, unfortunately we don't have as much time. I see that,

17:17 Speaker 1: but we can. We can do another song. What would

17:20 Speaker 1: you like to uh sing? At least you at least

17:22 Speaker 1: because it forces you to choose like the very best.

17:25 Speaker 1: I feel like we're getting the very best of We'll

17:28 Speaker 1: let Glenn, the artist.

17:30 Speaker 2: I gave you six dong inspect to do for it.

17:32 Speaker 2: I'm doing too.

17:33 Speaker 1: I know, well, no, no, not to no, We'll we'll

17:35 Speaker 1: have time for a couple more. I'm just saying, let's

17:37 Speaker 1: let's get to another one and then probably at least one.

17:38 Speaker 2: More after that. Let me go to but uh, but

17:42 Speaker 2: I did.

17:42 Speaker 1: Want to get an update from you on your virgeoning career,

17:45 Speaker 1: my virgin career. No, not virgining, burgeoning.

17:48 Speaker 2: I'm not making a bundle yet. Virgining would have implied

17:52 Speaker 2: that you know you're the minute not making enough money

17:54 Speaker 2: to replace Home Dupo. Then I can leave home Dupo,

17:57 Speaker 2: Home dup, Home Dupo, Home dup to plot. Ah, we

18:02 Speaker 2: we here or something. That's all you know is we

18:06 Speaker 2: we Uh?

18:07 Speaker 1: No, I know like French fries and French.

18:09 Speaker 2: Toast, and but that's English French. Oh, English French. That's

18:14 Speaker 2: the thing. So I promised Chris Martin that I would

18:16 Speaker 2: do uh Chris Martin of Coldplay.

18:18 Speaker 1: Yes, he's your new best friend, right, my best friend.

18:20 Speaker 1: You were telling us off air you've been in contact

18:23 Speaker 1: with him.

18:23 Speaker 2: It's that it last night. Wow. Uh he just popped

18:26 Speaker 2: right up. He found one of he found me doing

18:30 Speaker 2: he found a version of me doing yellow, and he

18:33 Speaker 2: threatened to sue you. No. Oh, okay, he knew I change.

18:35 Speaker 1: Oh gotcha right, because you always changed fifteen percent.

18:38 Speaker 2: He wasn't happy. Yeah, anyways, so I'm gonna do yellow Okay,

18:43 Speaker 2: let me find it here.

18:45 Speaker 1: If you are just joining us, we have We'll let

18:46 Speaker 1: Glenn the Artist here with us in a studio live

18:51 Speaker 1: during the first hour here of Matt connorson Unleashed on

18:55 Speaker 1: this uh Saturday morning. Here it is, of course June sixth,

18:59 Speaker 1: twenty twenty six. We are live from the studios of

19:02 Speaker 1: wm H ninety five point three FM, and you can

19:04 Speaker 1: stream the show from anywhere. Go to Matt connorton dot com,

19:07 Speaker 1: slash live or the new Matt connorton Unleashed dot com.

19:11 Speaker 1: And I will go ahead and make this full screen

19:14 Speaker 1: so you can see the lyrics, and I will turn

19:15 Speaker 1: the monitor here for those of you watching the video

19:17 Speaker 1: feed you can see what we do. I'm playing sound

19:19 Speaker 1: engineer this morning. And uh are you are you ready?

19:23 Speaker 3: Uh?

19:23 Speaker 1: We'll let lend the artist. I am all right, here

19:25 Speaker 1: we go.

19:29 Speaker 2: Dedicated this you Chris Martin. Dedicated to Chris Martin. Wow

19:32 Speaker 2: do you think he's listening?

19:34 Speaker 7: All right?

19:34 Speaker 2: See if you can get him on the show for me?

19:35 Speaker 7: Thank you do do do do.

19:55 Speaker 2: Do do do Yello enjoy Look at those stards, Look

20:05 Speaker 2: how they shine for you and everything that you do

20:13 Speaker 2: do you Yeah, they were all called yellow. I came

20:19 Speaker 2: along and I wrote that song for you and all

20:27 Speaker 2: the things that you do, and it was called yellow Souse.

20:38 Speaker 5: Then I took my turl.

20:44 Speaker 2: And what a thing you have done? And it was

20:50 Speaker 2: called yellow. Your skin? Your skin, yeah, your skin and

21:01 Speaker 2: bone they turn into such.

21:05 Speaker 5: A beautiful.

21:08 Speaker 2: And you know, you know that I loved you, so

21:14 Speaker 2: you know, you know I love you.

21:18 Speaker 3: So oh oh.

21:33 Speaker 5: Because you know I love you, So I swam across.

21:44 Speaker 2: I jumped across for you, And why a thing you do?

21:55 Speaker 2: Because they were all yellow. I drew alive. I drew

22:02 Speaker 2: a line for you. Oh what a thing you do?

22:12 Speaker 2: And it was all yellow and your skin, your skin,

22:23 Speaker 2: oh yeah, your skin and bone they turned into something

22:29 Speaker 2: so beautiful. And you know, you know, I bleed myself

22:36 Speaker 2: dry or you, I'd be myself draw, I would bleed

22:57 Speaker 2: myself help draw. Uh ah, it's true. Just look how

23:08 Speaker 2: they shine for you. Look how they shine for at all.

23:18 Speaker 2: Look how they shine for Look how they shine for you,

23:29 Speaker 2: Look how they shine for us, Look how they shine

23:37 Speaker 2: Look at the stark Look how they shine for you

23:46 Speaker 2: and all the things that you use.

23:53 Speaker 1: Thank you, Wow, Glennard, I'm sorry. We'll let Glenn the

23:58 Speaker 1: artist do any rendition of Yellow and Uh. Now, I

24:04 Speaker 1: think it's probably inevitable that you'll you'll be receiving some

24:07 Speaker 1: further communication from Chris Martin, probably this time wanting to

24:10 Speaker 1: do a duet with you. Can you imagine re releasing

24:12 Speaker 1: that song cold Play featuring We'll let Glenn the artist He's.

24:18 Speaker 2: Had gifts before doing duets from the audience.

24:22 Speaker 1: Yes, well there you go. So it only makes sense

24:26 Speaker 1: that he would invite you to do such.

24:28 Speaker 2: What do you think now, would you accept an opportunity

24:32 Speaker 2: like that or do you feel that you're sort of

24:34 Speaker 2: why wouldn't I?

24:35 Speaker 1: I don't know, I mean, of course, I okay, Well

24:39 Speaker 1: all right, well very good.

24:40 Speaker 2: Think of all the exposure you've.

24:43 Speaker 1: Been talking about being exposed a lot this morning, and

24:45 Speaker 1: I think that's great.

24:48 Speaker 2: Yeah, I agree. I agree.

24:50 Speaker 1: You don't want to violate terms of service of any

24:52 Speaker 1: of these social media sites.

24:54 Speaker 2: Shuld I do Open Arms Journey? Or should I do?

24:56 Speaker 2: I probably should do that? Should I do it? I

24:59 Speaker 2: should do Bet of Roses because you heard it in

25:02 Speaker 2: January and it's a different song.

25:04 Speaker 1: Now, Oh it's a different So this will be this

25:07 Speaker 1: will be a mean, this will be a new version

25:10 Speaker 1: of Bet of Roses the.

25:11 Speaker 2: Same versions that I've improved it. You've improved, you're singing

25:15 Speaker 2: it often and it gets better.

25:16 Speaker 1: Have you sang the new and improved version on the

25:19 Speaker 1: radio before, Yes, on the morning show? Oh okay, but

25:26 Speaker 1: you probably sang it differently on the morning show than

25:28 Speaker 1: you're going to sing it here, because you're always improving it, right, Yes,

25:31 Speaker 1: all right, there's a reason I'm asking you that.

25:36 Speaker 2: But so you're gonna do, uh.

25:37 Speaker 1: You're gonna do Bet of Roses, Bet of Roses by

25:40 Speaker 1: bon Jovi. This will be the last one, unfortunately going

25:42 Speaker 1: when we don't have time to do more than this.

25:44 Speaker 1: But we had if you are just joining us, we

25:47 Speaker 1: had some little tech issue earlier. Peter came and helped

25:50 Speaker 1: us with that. But because this will be the first

25:52 Speaker 1: time you singing bet of Roses on the radio exactly

25:56 Speaker 1: the way that you're about to do it, you're gonna

25:58 Speaker 1: get the world premiere treatment, the world radio premiere of

26:02 Speaker 1: Glenn r J will lets I'm sorry of old habits,

26:05 Speaker 1: all old habits, the world radio premiere of We'll let

26:08 Speaker 1: Glenn the Artist performing Beta Roses.

26:12 Speaker 2: You are listening to to waluminate world premiere. Here it

26:26 Speaker 2: comes you get to move it, joy better, browth it

27:05 Speaker 2: being here wasted and wounded. Addition, hold again. Oh, I'm

27:13 Speaker 2: trying hard to capture that moment this morning that I

27:17 Speaker 2: don't know because a bottle of bocas still logged in

27:25 Speaker 2: my head and some blonde girl gave me nightmares, and

27:29 Speaker 2: I think that she's still in my bed, but she's not.

27:35 Speaker 2: As I dream about movies they won't make of me

27:39 Speaker 2: when I'm dead, but an I can't fist. I wake

27:47 Speaker 2: up and frenchkiss that morning while some watching banks.

27:54 Speaker 5: He sits on me in my head.

27:57 Speaker 2: While we're talkalking, and all of the things that I

28:04 Speaker 2: long to believe above all the love and truth and

28:09 Speaker 2: do you mean to me? And the truth is my baby,

28:12 Speaker 2: You're all that, all thevery.

28:21 Speaker 5: I want to lay you down, lay you down on.

28:25 Speaker 2: A bed better broses, fortune, knight, just where I fleet

28:33 Speaker 2: on a.

28:34 Speaker 3: Bed of day.

28:39 Speaker 5: I want to be just as close as that.

28:42 Speaker 2: Body goes by, Lordie, and lay you down.

28:52 Speaker 5: Down on a bed a better bruise. Will I so

29:00 Speaker 5: excuse me? Each time that takes on my.

29:05 Speaker 2: I can't say the words a King's ransom, and times

29:09 Speaker 2: I did each night to see there's the pay from.

29:16 Speaker 2: I still run out of time, and it's hard to

29:19 Speaker 2: get through till the bird on the wireflies me back

29:23 Speaker 2: to you and I close my eyes and whisper, baby,

29:30 Speaker 2: I'm blind love to you.

29:34 Speaker 5: I want to lay you down, lay you down to

29:39 Speaker 5: a better bed of BROTHI or to night.

29:46 Speaker 2: Just why I sleep on a better bed of day?

29:53 Speaker 2: I want to see just as close as if holly

29:56 Speaker 2: ghost see is my litt.

30:02 Speaker 5: And lay you down down on a bed a broad.

30:14 Speaker 2: Well, the hotel bar hangover, whiskey gone dry, and the

30:18 Speaker 2: bark heaper's week cook and she's getting media eye.

30:22 Speaker 5: And I might have said, ya a lad ah, so

30:27 Speaker 5: hard I think.

30:28 Speaker 2: That I could die.

30:31 Speaker 8: Oh yeah, bed off road.

30:41 Speaker 5: For to night to night. Just well.

30:51 Speaker 9: Oo, wanna lay you down at.

31:05 Speaker 2: Ahead of rose Now you close your eyes. No, I'll

31:13 Speaker 2: be thinking about you tonight, the spy while my mistress,

31:20 Speaker 2: she caused me to stand in her spotlight again? How

31:25 Speaker 2: dare her? Tonight? I won't be alone. But you know

31:31 Speaker 2: I don't mean that I'm not lonely. I've gotten nothing

31:39 Speaker 2: to proof for it you that I die to keep.

31:45 Speaker 8: I want to lay you down down on a bed

31:49 Speaker 8: of bedad of roses, fortune night.

31:55 Speaker 2: Just why I sleep on a bed of it? I

32:03 Speaker 2: want to get that float as.

32:06 Speaker 5: The boy ghosted by local.

32:12 Speaker 2: And made you down down. I want to lay you down, down,

32:23 Speaker 2: down on a bed of roads. What good night does plant?

32:32 Speaker 2: I sleep on a mad of me. I want to

32:39 Speaker 2: be that float as a whole he goosed my go

32:46 Speaker 2: oh and lay you down.

32:52 Speaker 5: On a bed of road.

33:02 Speaker 2: For how long? That song is? Well the words are

33:06 Speaker 2: kind of dark. Huh. Everything should be in white and

33:10 Speaker 2: black background. Yes, oh, I thought you meant the lyrics

33:13 Speaker 2: and seeing through this, I gotta go up and down,

33:16 Speaker 2: right up and down. You know what I'm on stage? Yeah,

33:19 Speaker 2: it's just totally different.

33:20 Speaker 1: I know I've seen I've seen you on stage. Yes, uh, well,

33:26 Speaker 1: like lend the artists, thank you so much. We are

33:28 Speaker 1: out of time. Unfortunately, we will have you back of course.

33:30 Speaker 1: Always wonderful to see you, my friend. Thanks so absolutely

33:33 Speaker 1: sorry about the tech issues earlier, but uh but you know,

33:36 Speaker 1: but we got a few in and it was wonderful

33:37 Speaker 1: to get caught up with you.