Field Dispatch
Matt Connarton Unleashed 6-13-26 hour 1
Game Plan
Speaker 1: You are listening to Matt Connorton Unleashed on wm and
Speaker 1: H ninety five point three.
Speaker 2: This week on Matt Connorton Unleashed, we have two exclusive
Speaker 2: world radio premieres for you. You will only hear these
Speaker 2: on w m n H ninety five point three FM.
Speaker 2: Up first, from his new album Lid Liquor, This is
Speaker 2: Aaron Billado with the Passenger.
Speaker 3: A little bit.
Speaker 4: And wait.
Speaker 3: Until the God been way the passer.
Speaker 4: I cannot see it. It was inside, beside.
Speaker 5: And side.
Speaker 3: Closer, lovelad.
Speaker 6: It was.
Speaker 1: Don't what I say.
Speaker 3: That's that's.
Speaker 2: Now. We have another exclusive world radio premiere. You heard
Speaker 2: it here first on Matt Connorton Unleashed w m n
Speaker 2: H ninety five point three FM. The new single from
Speaker 2: Anthems available June nineteen. This is called Afterglow.
Speaker 4: I can't e side when I'm thinking I shot hide.
Speaker 4: Maybe you try and hid it to. I gotta buy you,
Speaker 4: just gotta day. I gave his cry Dad. The silence
Speaker 4: tells me about Bread. I don't hate him, my dad sad,
Speaker 4: I don't hate him. Don't even try and cause you
Speaker 4: start over you.
Speaker 7: Yeah, I can by it.
Speaker 4: That's excited the deep inside of me. I get a
Speaker 4: quiet when the signs tell me a ready day. You know,
Speaker 4: I don't even though gay that excided the l I
Speaker 4: don't need to.
Speaker 7: Limn show come up and never shot and never never
Speaker 7: would show, never never to.
Speaker 4: I don't need to die that. I don't side.
Speaker 2: I love that. That is Afterglow by Anthems. They're going
Speaker 2: to be with us on the show soon. We're going
Speaker 2: to get them on the show. That is the world
Speaker 2: radio premiere of that track. You heard it here first
Speaker 2: courtesy of Matt Connorton Unleashed here on w m n
Speaker 2: H ninety five point three FM. And of course before that,
Speaker 2: we heard the brand new track from Aaron Billido, who
Speaker 2: will be with us live in studio on July eleven.
Speaker 2: But he just put out his new album Lid Liquor,
Speaker 2: and that track is called The Passenger, and I love
Speaker 2: that he actually played that in studio. I think it
Speaker 2: was the last time that he was here with us
Speaker 2: on the show, and really great. He's I always love
Speaker 2: when he comes in. You know, he brings his his
Speaker 2: whole rig with him, and you know he's a one
Speaker 2: man show. He just comes in and plays without a band,
Speaker 2: but puts out a really big sound, and you know,
Speaker 2: I'm a bass player myself, so I just kind of
Speaker 2: sit here and like he's he's standing there playing his
Speaker 2: bass and I'm just kind of, you know, I'm singing too,
Speaker 2: of course, and I'm just kind of watching him. I'm
Speaker 2: watching his hands the whole time, because he's an incredible
Speaker 2: bass player, absolutely incredible. So I really like that a
Speaker 2: lot too, So two world radio premieres for you. Of course,
Speaker 2: lid Licker is already out and available the album, but
Speaker 2: that is the first time that you've heard it anything
Speaker 2: from that album on the radio, and if we have time,
Speaker 2: we'll play something else from it later in the show
Speaker 2: because we're big fans of Aaron here. And of course
Speaker 2: I love that track from Anthems called Afterglow, really really catchy.
Speaker 2: So look forward to getting them booked on the show.
Speaker 2: That is all forthcoming. But welcome again, Matt Connerton unleash.
Speaker 2: We are live from the studios of WNH ninety five
Speaker 2: point three FM and Glorious A Manchester, New Hampshire. A
Speaker 2: little hot, but I like it. I like the heat.
Speaker 2: If you know me, when it's ninety degrees out, I'm
Speaker 2: very comfortable with that. I have no problem with that
Speaker 2: at all. I'd prefer a dry heat, but the humidity,
Speaker 2: I can handle it, and I'd rather I always say
Speaker 2: I'd rather be hot than cold. So if it ever
Speaker 2: begins to feel like it's a little bit too much,
Speaker 2: like it's becoming oppressive, I just think about winter and
Speaker 2: how much I hate winter, and then I'm fine with it.
Speaker 2: So you know, I can adapt. I could probably move
Speaker 2: to the equator and be just fine. I mean, I
Speaker 2: am irish. So I would have to wear a tremendous
Speaker 2: amount of sunscreen. They'd probably is there like a one
Speaker 2: thousand SPF that's available, you know, so I would have
Speaker 2: to consider that as well. That might be a problem.
Speaker 2: But I do like the heat. Summer is my favorite
Speaker 2: time of year. July is my favorite month. And we're
Speaker 2: you know, we're already halfway she's almost halfway through June.
Speaker 2: Not that I want this to go too quickly, you know.
Speaker 2: I like summer. You know, when you're you're a kid,
Speaker 2: summer seems like it lasts forever, doesn't it. Like you
Speaker 2: start summer and it just feels like it's just gonna
Speaker 2: go on forever, but it doesn't. Then it ends and
Speaker 2: you have to go back to school, and of course
Speaker 2: when you get to be a grown up, summer goes
Speaker 2: way too quickly. So any of you younguns listening to
Speaker 2: the show, enjoy it, make the most of your summers,
Speaker 2: because as you get older, they go faster, because it
Speaker 2: all goes faster. But yes, so of course we are live,
Speaker 2: of course from wmn H, and you can stream the
Speaker 2: show online from anywhere. Go to Matt connorton dot com
Speaker 2: slash live for all of your live streaming options, social
Speaker 2: media links, contact infosho archives, et cetera, et cetera. And
Speaker 2: don't forget about our new site. I don't know how
Speaker 2: long I can call it new. It's been up for
Speaker 2: what maybe a month and a half, about six weeks now,
Speaker 2: Matt Connerton Unleashed dot com. It's still new ish, I guess, right,
Speaker 2: when how long can I call it new? When when
Speaker 2: do I have to stop referring to it is new?
Speaker 2: I don't know. Is it a month? Is it? I mean?
Speaker 2: If it's a month, it's already too late. Is it
Speaker 2: a year. If it's a year, I got plenty of
Speaker 2: running room. I can just maybe I'll just call it
Speaker 2: new forever. It'll always be newer than the other websites
Speaker 2: I've built until I build a new site that's even
Speaker 2: newer than the newest, and then the new site becomes
Speaker 2: the newest because it'll be newer than the one that
Speaker 2: I referred to as new. You get all that, I've
Speaker 2: had a lot of caffeine this morning. I was very tired,
Speaker 2: and now I'm very much awake. I'm excited though, because
Speaker 2: we have some great guests joining us today on the show,
Speaker 2: and in just a couple of minutes we're gonna be
Speaker 2: joined by Mick Michaels from the band Corners of Sanctuary.
Speaker 2: They're doing kind of a what do they call it?
Speaker 2: You know, it's kind of you know, it'll remind you
Speaker 2: of sort of like I don't want to say old
Speaker 2: school medal because I hate that term. I think they
Speaker 2: call it or they're considered part of the new wave
Speaker 2: of traditional American heavy metal, if that makes sense, you know,
Speaker 2: because some of the bands that try to do what
Speaker 2: these guys are doing Corners of Sanctuary and they're doing
Speaker 2: it very well. And you'll hear what I mean in
Speaker 2: just a moment, is you know, they got to kind
Speaker 2: of straddle that line between doing something that sounds like
Speaker 2: something that you might have heard in say the nineteen eighties,
Speaker 2: but also sounds fresh and sounds competitive with what's out
Speaker 2: there today. And I feel that this band, Corners of Sanctuary,
Speaker 2: is accomplishing that. But I'm also very excited. And this
Speaker 2: is how they showed up on our radar here on
Speaker 2: Matt Connerton unleashed. Their originals are incredible and you'll hear some,
Speaker 2: but they also did a cover of a Kiss song,
Speaker 2: so you know, I'm all all in for that. They
Speaker 2: actually do a cover of lick It Up, which is
Speaker 2: one of my favorite Kiss songs. Of course, lick it
Speaker 2: Up a very significant track in the history of Kiss
Speaker 2: because it came in a very important and sort of
Speaker 2: precarious moment for the band. You know, it was their
Speaker 2: first single of the non makeup era. They had just
Speaker 2: taken off their makeup. Lick It Up was the first
Speaker 2: out album to show the band on the cover without makeup,
Speaker 2: and the title track from Lick It Up was the
Speaker 2: first single of the non makeup era. And you know, Kiss,
Speaker 2: they were right on the edge, man, because this could
Speaker 2: have gone either way. You know, this could have been
Speaker 2: the final because they'd been they, you know, for ten
Speaker 2: years they'd been one of the biggest bands in America.
Speaker 2: People like to say in the late seventies they were
Speaker 2: the biggest band in America. I don't think that that's
Speaker 2: necessarily true. I want it to be true because they're
Speaker 2: my favorite band. I don't think it necessarily is true.
Speaker 2: But you know, the makeup had kind of worn itself out.
Speaker 2: And I'm distracted because I see that I see that
Speaker 2: our friend McMichaels is already on the line. But we're
Speaker 2: gonna hit this track. I'm gonna play this for you.
Speaker 2: This is really good, and then we're going to talk
Speaker 2: with him, of course. From Corners of Sanctuary, Mick from
Speaker 2: Corners of Sanctuary. Here it is. This is their cover
Speaker 2: of Lick It Up. I cannot wait to talk to
Speaker 2: him about this. This is really good. Check it out
Speaker 2: Corners of Sanctuary, lick it Up.
Speaker 7: Yeah, don't want fight until you found me finebot time again.
Speaker 4: Like sweet things and tell me, tell me say.
Speaker 7: Fay, dont a waste stella, don't wait.
Speaker 4: To find a very sick, very sent.
Speaker 7: Sleeps say someday.
Speaker 4: F Yeah.
Speaker 2: There it is lick it Up, as covered by Corners
Speaker 2: of Sanctuary, and let's see. I think we've got Mick
Speaker 2: from the band.
Speaker 8: On the line, Mike are you there, hey man, how
Speaker 8: you doing?
Speaker 2: Buddy good good, Welcome to the show. I love that,
Speaker 2: of course it. Kiss is my favorite band, so I
Speaker 2: was very very pleased to hear you guys doing that song.
Speaker 2: It's great. I love it.
Speaker 8: Thank you appreciate that. Yeah, Kiss is one of our
Speaker 8: favorite bands as well. I mean really kind of like
Speaker 8: if we had to go back, if we had any
Speaker 8: opportunity to play with Kiss that even even if they
Speaker 8: you know, but definitely would be the first in line.
Speaker 2: Oh, no doubt, I like too. So, you know, just
Speaker 2: a couple of subtle things about that, about your version
Speaker 2: of it that non Kiss fans wouldn't even realize necessarily,
Speaker 2: but you kind of, you know, you augment it in
Speaker 2: terms of the arrangement because and again non Kiss fans
Speaker 2: wouldn't know this, but when you see Kiss live or
Speaker 2: when you did, because obviously they're not touring anymore, although
Speaker 2: I think they're doing a one off show maybe here
Speaker 2: or there now. But when they play look It Up
Speaker 2: live the song, well, geez. By the time they got
Speaker 2: to the end of their run, the song was like
Speaker 2: three times longer than the studio version, but even in
Speaker 2: the eighties they would play a longer version with you know,
Speaker 2: a couple of extra parts added to it, you know,
Speaker 2: to make it, to make it it becomes almost epic live,
Speaker 2: even though it's a very the studio version is a
Speaker 2: very simple song. But I noticed, you know, you kind
Speaker 2: of borrow from the way they played it live with
Speaker 2: a guitar part that's not not in the studio version.
Speaker 2: I really like that because for a lot of us,
Speaker 2: that's how we kind of hear it in our heads,
Speaker 2: because we're so used to hearing the live versions we're in.
Speaker 8: That the Animalized tour, they started doing that, that extra part,
Speaker 8: and it struck me from the very first time that
Speaker 8: I heard it. It was like, wow, that was you know,
Speaker 8: and I remember trying to figure it out on guitar
Speaker 8: as a kid, and I was like, wow, this is awesome.
Speaker 8: And I always played it that way. It was always
Speaker 8: it was always kind of a cool way, and there
Speaker 8: was people that just that weren't familiar with seeing them
Speaker 8: live that had no idea what that part was. But
Speaker 8: right I had always said if we covered the song,
Speaker 8: or if I ever covered the song, I wanted to
Speaker 8: incorporate that because I've never heard anybody else do it,
Speaker 8: So it was.
Speaker 2: Just a cool piece that makes sense. That makes sense,
Speaker 2: by the way. Okay, so did you guys sneak in
Speaker 2: something else on that that I can't quite identify because
Speaker 2: coming out of the second chorus before you get to
Speaker 2: the to the last part, because there's no that song
Speaker 2: is unusual obviously in the Kiss catalog, and that there's
Speaker 2: no guitar solo that and Heaven's on Fire of course
Speaker 2: there's no guitar solo, But I feel there's something else.
Speaker 2: I mean, you play the riff a little bit differently
Speaker 2: after the second chorus, But is that is that taken
Speaker 2: from something? What I'm hearing in there? But there's something
Speaker 2: familiar about it and I can't place it.
Speaker 8: Well, No, it's just I think it's just the way
Speaker 8: that we decided to approach it. I mean, one of
Speaker 8: the things that my thinking was always an to digress
Speaker 8: just a little bit. Never been a cover guitar player,
Speaker 8: I never played covers coming up through the ranks and all.
Speaker 8: I never got into it to play covers. After COVID
Speaker 8: we decided as a band, hey why not we have
Speaker 8: enough of our own original material let's have some fun
Speaker 8: at this point. Like, it's not like we're trying to
Speaker 8: rip anybody off. But the idea was is, if you're
Speaker 8: ever going to do a cover, you got to do
Speaker 8: it just as good, if not better, or something so
Speaker 8: different that it makes people want to listen. Otherwise why
Speaker 8: listen to it, because it would be you know, just
Speaker 8: go to the original that way. But we just I
Speaker 8: think it's a lot of accenting. The way our guitar
Speaker 8: playing is slightly different, but the bridge actually is slightly
Speaker 8: different than the original. We use a different chord progression.
Speaker 8: It sounds pretty close, but it's not exactly you know,
Speaker 8: the Dead on Vinnie Vincent version.
Speaker 2: Yeah, yeah, no, I love what you did with it.
Speaker 2: It was something about it though, I was like, that
Speaker 2: sounds like it's from something else, and I wonder if
Speaker 2: they snuck something in there from something else, but I
Speaker 2: couldn't place what it was. But no, that makes sense
Speaker 2: the way the way you describe it. But yeah, I
Speaker 2: think I think it came out great. And of course,
Speaker 2: you know, kiss fans will know by the time, you know,
Speaker 2: by the time they I mean, I don't know if
Speaker 2: you ever thought about doing this live, it would probably
Speaker 2: be too much. But you know, they were working in
Speaker 2: part of Won't Get Fooled Again, and you know, all
Speaker 2: this all this stuff, the song became like this huge
Speaker 2: It's such a simple song, but it became this huge
Speaker 2: production live over the years, over the over the various tours.
Speaker 2: But do you guys, do you guys have plans to
Speaker 2: do any other covers because your originals and we're gonna
Speaker 2: play We're gonna play another single of yours at the
Speaker 2: end of our conversation, But do you guys plan to
Speaker 2: do any other covers or or is it mostly originals?
Speaker 8: Well, we're mostly an original band, but we had, like
Speaker 8: I said, we've been kind of peppering in some covers
Speaker 8: over the last few years. We actually when this song released,
Speaker 8: we also released a version of Rats What You Give
Speaker 8: Is What You Get. At the same time, what we
Speaker 8: did was is a couple of years back, we released
Speaker 8: a like a cover EP like some songs from Judas
Speaker 8: Priest and def Leppard. We even did an Osmond song
Speaker 8: Crazy Horses, our version of it, and we did a
Speaker 8: song from Warrant Inside Out. So we wanted to do
Speaker 8: a couple more covers, so we actually re released a
Speaker 8: deluxe version of that EP that included these two. So
Speaker 8: we only and we do I mean, we do a
Speaker 8: cover of Paranoid we released a few years ago for Christmas,
Speaker 8: but in the set, like our live set, we only
Speaker 8: do two songs, and that's occasional. Depends on where we're at.
Speaker 8: We either do Paranoid or Break in the Law. But
Speaker 8: we have been talking about doing some more and that's
Speaker 8: like I said, it's kind of more of a fun thing. Now.
Speaker 8: We may do Hair of the Dog from Nazareth. We
Speaker 8: have a shooped up version of that we fool around
Speaker 8: with in rehearsal just as a warm up. But we've
Speaker 8: been saying, hey, maybe maybe we should do something.
Speaker 2: With it that would be cool. I like your I
Speaker 2: like your approach to with the covers because a lot
Speaker 2: of I mean, well, I guess you know, and you'll
Speaker 2: find this with original bands when original bands do covers,
Speaker 2: so I suppose it's not unusual. But you know, you
Speaker 2: were talking about how a lot of bands, and it's
Speaker 2: this is more for bands that are specifically doing covers,
Speaker 2: they'll try to be as faithful to the original as possible.
Speaker 2: And I kind of feel about it, you know, you
Speaker 2: expressed a thought about that that's very much aligned with
Speaker 2: how I've always felt about it. I'd rather hear somebody
Speaker 2: kind of put their own spin on it, because if
Speaker 2: I wanted to hear something exactly like the original, yeah,
Speaker 2: I could just listen to the original, you know, I
Speaker 2: don't need to. I don't I don't need to hear
Speaker 2: someone playing it note for note exactly what it was already.
Speaker 2: I kind of like when it when something is sounding
Speaker 2: a little bit different, you know, I want to hear
Speaker 2: your interpretation of the song, not necessarily what song already is,
Speaker 2: because then really kind of what's the point, you know.
Speaker 2: So I really like your approach to that, And like
Speaker 2: I said, I love what you did with look it up.
Speaker 2: And of course, as a kiss fan, I had to
Speaker 2: geek out over that for a few minutes.
Speaker 8: But thank you. But you guys are absolutely you got to.
Speaker 8: I think you do have to put your own spin
Speaker 8: on it to make it more interesting, I mean without
Speaker 8: I mean, and I know there's versions of songs that
Speaker 8: are out there that may be so different than the original,
Speaker 8: and that's what throws people off because they're stuck on
Speaker 8: the original. But at the same time, there is something
Speaker 8: exciting about that because you know, the artists themselves are
Speaker 8: trying to I mean, they're showing besides the point of
Speaker 8: like you know, in the industry, you pick a song
Speaker 8: that's going to help you get an audience, which I
Speaker 8: understand all that, right, You take a popular song. A
Speaker 8: lot of times the songs that are covered aren't usually
Speaker 8: obscure songs. But at the same time, it's the artist
Speaker 8: that's maybe drawn to those particular songs. Being an indie artist,
Speaker 8: it's a little easier you have that. You don't have
Speaker 8: someone breathing down your neck and saying, hey, you have
Speaker 8: to do this, have to do that, right, And it's
Speaker 8: a way of expressing yourself through some of your favorite
Speaker 8: artists music.
Speaker 2: Yeah, oh very well, put yeah exactly exactly. Now you
Speaker 2: guys have been tell me how you feel about this label.
Speaker 2: You know, because we're always obviously in the music industry,
Speaker 2: we always have to put things in categories, and some
Speaker 2: people don't like that, but it does make it a
Speaker 2: little bit easier to try to figure out, you know,
Speaker 2: to try to navigate. You know. It's like when I
Speaker 2: worked in a record store. I remember, you know, there
Speaker 2: were always people who thought, well, we shouldn't have all
Speaker 2: these different categories, and it's like, well, it does make
Speaker 2: it a little bit easier to find what you're looking for.
Speaker 2: But you guys have been labeled the new wave of
Speaker 2: traditional American heavy metal. Part of that, How do you
Speaker 2: feel about that? Is that do you think that that's
Speaker 2: an accurate description of what Corners of Sanctuary is?
Speaker 8: I think so. I mean, you know, for for the
Speaker 8: longest time, at least in my world, it was just
Speaker 8: heavy metal, and somewhere that changed, like what metals not
Speaker 8: the metal that that say, I know, and again that
Speaker 8: could be a generational thing, and things became so specific
Speaker 8: that you had to kind of find somewhere to be put,
Speaker 8: especially if they if they're not sure where to put you,
Speaker 8: because you can get lost, which I think happens anyway
Speaker 8: now because of the oversaturation of everything that there is.
Speaker 8: But no, I think it's not it's not bad because
Speaker 8: I mean, the truth is we're a collection of our influences,
Speaker 8: which you know is heavily the new wave of British
Speaker 8: heavy metal as well as you know, American metal at
Speaker 8: that time, like Kiss, you know, you know, even in
Speaker 8: the early eighties, you know, with with as as bands
Speaker 8: like Queen'swike were coming up and and sabotage and stuff
Speaker 8: like that. There there was a heavy influence, you know,
Speaker 8: long before things were coined as hair metal. Some of
Speaker 8: those bands were a little heavier, a little edgier, and
Speaker 8: then you know, hair metal kind of just like by
Speaker 8: the late eighties early nineties just kind of became like
Speaker 8: rock with with bigger hair, tighter pants, and you know,
Speaker 8: flashier approaches. That's really kind of you know, it went more.
Speaker 8: It was mainstream metal at that point. That it's probably
Speaker 8: more of an accurate description of it than hair metal
Speaker 8: because everybody got linked into hair metal or who you
Speaker 8: were at that at that point, you know, at that point.
Speaker 8: So yeah, I think it's I'm okay with it. Listen.
Speaker 8: We've been compared to over the years and we've never
Speaker 8: complained about it. We've been compared to anywhere from Judas
Speaker 8: Priest to Anthrax, Dizzy Top, and you know, though we
Speaker 8: may not sound like any of them, there may be
Speaker 8: bits and pieces, but you know, I mean, I definitely
Speaker 8: know we don't sound like Zzy Top, but I'm not
Speaker 8: going to complain about it.
Speaker 2: Right exactly.
Speaker 8: Exactly people are going to hear what they here and
Speaker 8: how it resonates to them. So I remember I did
Speaker 8: an interview a couple of years ago and someone said
Speaker 8: we sounded like White Snake, and to me, that's awesome.
Speaker 8: But and they were referring to the more supergroup White Snake,
Speaker 8: and I was like, wow, that's not necessarily it. But
Speaker 8: that's okay because that's what they they hear, what works
Speaker 8: for them, how they put it all together. So someone's
Speaker 8: one person's heavy is not necessarily someone else's heavy, and
Speaker 8: vice versa. So to me, like you know old White Snake,
Speaker 8: like when John Sykes was in the band, to me like,
Speaker 8: that's because John Sykes was a huge influence on my
Speaker 8: guitar playing, especially when he was playing with Cozy Powell.
Speaker 8: There was a lot of like how song structure and
Speaker 8: rhythm and groove were taught to me. Like I remember
Speaker 8: when I was when I was a kid, somebody handed
Speaker 8: me slide it in and said here, study this album.
Speaker 8: This is where we want you to go. And I'm like, yeah, okay,
Speaker 8: and believe it or not. Since that, I mean, I
Speaker 8: was like, I don't know what I was thirteen fourteen.
Speaker 8: Since then, I've used that same that same cassette or
Speaker 8: same album. Whatever. When I've worked with other you know, musicians,
Speaker 8: I go here, take a listen to this, and listen
Speaker 8: how this is put together. How the drums and the
Speaker 8: bass work together with that backup rhythm guitar. That's that's
Speaker 8: what we're looking for, you know, that kind of thing.
Speaker 8: So it made an impression on me.
Speaker 2: Yeah, and for people who don't know to slide it
Speaker 2: in as a great album, you know, it's before because
Speaker 2: obviously people who only know White Snake casually they know,
Speaker 2: you know, here I go again and all the they're
Speaker 2: really big hits from nineteen eighty seven. But the earlier
Speaker 2: stuff is and I'm not I love all that stuff too,
Speaker 2: by the way, but the earlier White Snake stuff is
Speaker 2: really you know, slow and easy is probably my favorite
Speaker 2: White Snakes. It's just so good, you know. I love
Speaker 2: the I love the early stuff. But John Syke's absolutely incredible. Now,
Speaker 2: you guys formed in twenty eleven in Philadelphia, Is that correct?
Speaker 8: Yes, Okay, we're celebrating fifteen years this year.
Speaker 2: Gratulations. That's fantastic. That's fantastic. Has the sound of Philadelphia
Speaker 2: influenced you guys much? I mean I always hear people
Speaker 2: refer to, you know, the kind of the I mean,
Speaker 2: I mean, I don't know. I mean, obviously, when people
Speaker 2: think about Philadelphia and music, they don't necessarily think about
Speaker 2: heavy metal. They think more about soul music. And you know,
Speaker 2: I think about Hollowotes because I'm a huge Hollow Oats
Speaker 2: fan and they're from Philly. But I mean, is there
Speaker 2: is there anything from that scene that you've taken inspiration from,
Speaker 2: either at the beginning when you formed the band or
Speaker 2: over the years, or do you kind of exist are
Speaker 2: you in it but not of it, or of it
Speaker 2: but not in it in the in terms of the
Speaker 2: scene there, however that works.
Speaker 8: Well, you know what, that's a fantastic question. It's actually
Speaker 8: all of that. And so you can't say that, you like,
Speaker 8: everybody from Philly, especially of a certain age, was influenced
Speaker 8: by the soul and the R and B that that
Speaker 8: took place here.
Speaker 2: Yeah.
Speaker 8: It had its own style, its own sound, everything, and
Speaker 8: it influenced a lot of that early rock that was
Speaker 8: happening in the scene in the late seventies in the
Speaker 8: early eighties. Even though at the time the scene here
Speaker 8: was a cover scene, but it was a cover scene everywhere.
Speaker 8: It didn't start breaking until original scene until like eighty
Speaker 8: three eighty four, But we've had I mean, you know,
Speaker 8: Cinderella came out of Philadelphia. We had Britney Fox come
Speaker 8: out of Philadelphia. We had Heaven's Edge, we had Tangier.
Speaker 8: There was a lot of big bands that were signed
Speaker 8: that came out. We had Teas or rough House that
Speaker 8: they had to change their name. So was there an
Speaker 8: inspiration from that, absolutely, Like I was fortunate enough in
Speaker 8: the eighties, I was a fan and I also got
Speaker 8: to play in the scene in the later part of
Speaker 8: the eighties into the early nineties, So there was a
Speaker 8: huge influence, you know, because as a kid, Philadelphia was
Speaker 8: the big time us, Like we didn't think of la
Speaker 8: you know, nobody in eighty six, nobody was I mean,
Speaker 8: there was people going out to l A just because
Speaker 8: there was Hollywood and stuff, but there was something happening
Speaker 8: here in Philly. So there was a huge influence on
Speaker 8: all levels. And I think that that stuck with me.
Speaker 8: So there is definitely that type of thing, you know,
Speaker 8: like how how the club scene was and every event
Speaker 8: that happened was like a was a show, like a
Speaker 8: big like it was an event. It was every show
Speaker 8: was an event, I should say, like it was like
Speaker 8: going to you know, the Spectrum or Madison Square Garden.
Speaker 8: Even if it was just a small club, everybody was
Speaker 8: dressed up, there was lights, it was it was a spectacle.
Speaker 8: So a lot of that I think stays with you
Speaker 8: as you go through the years and you you continue
Speaker 8: on in this journey in terms of how the scene is.
Speaker 8: Are we in and out of it? We're kind of
Speaker 8: I mean, we're part of the scene, but not part
Speaker 8: of the scene. We don't play Philadelphia as often as
Speaker 8: I think that we would like to. One the scene's
Speaker 8: changed so much. Our type of music is so niche
Speaker 8: that it's sometimes difficult to find not only a venue,
Speaker 8: but an audience. And nowadays bills are mixed for a
Speaker 8: lot of independent bands, like You'll have. You could have
Speaker 8: an alternative and a punk rock type band us and
Speaker 8: then maybe you know, a thrash or a metal core
Speaker 8: or something like that, all on the same bill. So
Speaker 8: your audience, where it was, say in the eighties early nineties,
Speaker 8: was a combined audience. Now you have more of a
Speaker 8: diverse audience that may not stick around or come to
Speaker 8: that particular set. Sure, but you know, most people I
Speaker 8: think even some of the younger players nowadays probably don't
Speaker 8: even realize the influences that they have being from the
Speaker 8: Philly scene, because some of us were influenced by bands,
Speaker 8: like you know, kind of like any legacy or lineage
Speaker 8: of anything, it's passed down whether you realize it or not,
Speaker 8: because it's happening around you, whether you're you're knowledgeable about
Speaker 8: it or not, because everybody else is doing.
Speaker 2: It, right, I mean, right, absolutely, Yeah, it's in the
Speaker 2: dna of this.
Speaker 8: I mean, kind of like soft pretzels in Philly. I'm
Speaker 8: sure people today don't know. They they understand that there's
Speaker 8: a significance, but they don't understand maybe the whole history
Speaker 8: of right why our soft pretzels are the best in
Speaker 8: the world.
Speaker 2: There you go, there you go. Well, speaking of geography,
Speaker 2: you've had some some success internationally, right because you you've
Speaker 2: worked with labels I think, if I'm reading this right,
Speaker 2: in Germany and Mexico, not just in the US.
Speaker 8: Yes, you know, yeah, we've been, we've been. I mean,
Speaker 8: the band's been very fortunate. I mean, we're very grateful
Speaker 8: for everything that's happened for us. Even though we've been
Speaker 8: with some of the labels. We still consider ourselves an
Speaker 8: independent band I because at the end of the day,
Speaker 8: it's you know, it's up to you, the artist or
Speaker 8: the band h to make these things happen, especially especially
Speaker 8: in today's market. I mean, things have changed so dramatically
Speaker 8: in the last five years that it's, uh, you often
Speaker 8: scratch your head at the end of the day and go, well,
Speaker 8: did I accomplish anything? You know, it's because there's so
Speaker 8: much noise out there, right, good and bad, you know,
Speaker 8: I mean, you know, you're competing with bands all over
Speaker 8: the world now right where you know, back you know,
Speaker 8: thirty years ago, forty years ago, I mean, there was
Speaker 8: a lot of bands, but you were you were just
Speaker 8: dealing with your local or regional area, right, and there
Speaker 8: was a you know, there was there was hope, right,
Speaker 8: there was a way to get some air. But now
Speaker 8: you're dealing with bands everywhere, right, and the audience has
Speaker 8: access twenty four to seven, right, and it's it's instantaneous,
Speaker 8: like you know, I mean, I remember, you know, you
Speaker 8: had to order something out of a out of the
Speaker 8: back of a magazine and you had to wait two
Speaker 8: weeks before you can order. And it's literally before you
Speaker 8: even finishing off the button. Right, it's already in your
Speaker 8: mailbox or wherever it's supposed.
Speaker 2: To be, right exactly. Yeah, it's uh, it's a yeah.
Speaker 2: We're I think we're fortunate in the sense that, you know,
Speaker 2: we're we're old enough to remember what it was like
Speaker 2: pre internet, which helps us to also I mean, you know,
Speaker 2: there there may be some downsides, but I think the
Speaker 2: upsides too, I mean, to be honest with you, I mean,
Speaker 2: I have wonderful memories of when I was a kid
Speaker 2: going to record stores and you know, finding stuff and
Speaker 2: you know, seeing, oh, the cover of this looks cool,
Speaker 2: this looks interesting, and all of that. But I also
Speaker 2: but the way that we have it now, I would
Speaker 2: not trade that to go back, you know what I mean,
Speaker 2: because I love that we live in an era where
Speaker 2: if you know, if a song pops into my head
Speaker 2: just you know, and I've always you know, and I
Speaker 2: think most of us who are musicians have this where
Speaker 2: there's always something playing in the back of our heads.
Speaker 2: We always have kind of a soundtrack that we're walking
Speaker 2: around with, you know, even subconsciously, and you know, something
Speaker 2: pops into my head and I'm like, oh, you know,
Speaker 2: i'd really like to hear that. Well, I can. I
Speaker 2: can hear it, you know, instantly, I can, I can
Speaker 2: pull it up and I do love it. But you know,
Speaker 2: people who you know, Gen X is the last generation
Speaker 2: to grow up without the Internet, but people after us,
Speaker 2: And I don't know how old you are, but people
Speaker 2: after obviously you're old enough to remember what it was
Speaker 2: like before we had had all of this before. You know,
Speaker 2: people who didn't experience that, they don't know just how
Speaker 2: good we have it now in terms of access and
Speaker 2: and I think I think one of the positives too,
Speaker 2: and I'm curious to get your thoughts on this. I
Speaker 2: think one of the positives is I think that where
Speaker 2: I think there's less of a generationalism, which I think
Speaker 2: is a term I just coined in terms of younger people.
Speaker 2: I think there was a time when younger people didn't
Speaker 2: want to listen necessarily to older music because they were
Speaker 2: so focused on what's current.
Speaker 9: You know.
Speaker 2: I remember having this conversation with my mother, like, you know,
Speaker 2: she wanted me to listen to the Beatles, and I
Speaker 2: was like, ah, that's old music. I remember saying that
Speaker 2: to her. I didn't want to listen to the Beatles.
Speaker 2: I wanted to listen to what I wanted to listen
Speaker 2: to it. You know, that was popular at the time.
Speaker 2: But but I think now, because there's such easy access
Speaker 2: to absolutely everything, it's easier than ever for young people
Speaker 2: to get access to older music. So so I feel
Speaker 2: like there's almost this thing where people just generally aren't
Speaker 2: concerned with what's new and what's old. They just want
Speaker 2: to listen to whatever they like, and I think so
Speaker 2: I think the Internet has been helpful with that. And
Speaker 2: I also think it's been helpful in terms of older
Speaker 2: people because you know this, a lot of people they
Speaker 2: only like music up to whenever they graduated high school
Speaker 2: or college, or for some people, I think the cutoff
Speaker 2: age might be thirty, and then they don't want to
Speaker 2: listen to anything after that. They're like, all this, all
Speaker 2: this new music sucks. I only want to listen to
Speaker 2: the back when music was good. I only want to
Speaker 2: listen to that, right how they think. But I think
Speaker 2: there's a lot less of that now too, because now
Speaker 2: older people have such easy access to you know, like
Speaker 2: you like, if someone's complaining, oh, there's no good new music,
Speaker 2: and you think, well, I know something you might like
Speaker 2: that's new here, I'll send you this. Click this link.
Speaker 2: See if you like this, you know what I mean.
Speaker 2: So I think that it's helped. I think it's I'm
Speaker 2: going to use that term again because I think it's
Speaker 2: so cool and I just made it up. I think
Speaker 2: it's eliminated a lot of the generationalism that exists. And
Speaker 2: that was a very long winded question, but I'm curious
Speaker 2: your thoughts now listen.
Speaker 8: Well, First, I agree, I think the average person, I
Speaker 8: think they even statistically, they showed that most people kind
Speaker 8: of solidify their music taste by twenty twenty two somewhere
Speaker 8: in college. Some people make that change in college, you know,
Speaker 8: because they're because that's when they exposed to a new
Speaker 8: life or different people, right, And so that's the thing
Speaker 8: that they emotionally connect to. And when they get old
Speaker 8: and they're stressing or they feel like they need whatever,
Speaker 8: they go to their favorite music. We all do it.
Speaker 8: I mean I do it. I'm sure you do it,
Speaker 8: but I do. I do agree that like the Internet
Speaker 8: and the capabilities of it has opened up, you know,
Speaker 8: a vast world of connection for all of us, especially
Speaker 8: I mean, if just specifically speaking for musicians and artists
Speaker 8: and bands, I mean, you know, I remember trying to
Speaker 8: send it, you know, cassette tape to Jersey and it
Speaker 8: would take forever and then you had to wait forever
Speaker 8: for some mean sometimes three months would go by until
Speaker 8: you heard something, not sure if it got there, no
Speaker 8: way to track it, that kind of thing. Now everything's instantaneous,
Speaker 8: so you can be connecting with people all the time,
Speaker 8: you know, that's if they're not ghosting you or ignoring
Speaker 8: you and that type of thing. But so, I think
Speaker 8: there's a lot of positives there. I think some of
Speaker 8: the negatives, you know, even though we're not supposed to
Speaker 8: talk negatives, is that you can easily get lost in
Speaker 8: the shuffle, and people can they can easily ignore you
Speaker 8: if they if they had to. Because there's so much
Speaker 8: stuff going on right we have so many means of
Speaker 8: communication now that oftentimes people aren't even using them. Like
Speaker 8: we have email, and a certain demographic doesn't use email anymore. True,
Speaker 8: only check their email every you know, every other week
Speaker 8: or something like that. Even businesses I've I've found that,
Speaker 8: you know, if if they have email, they don't check
Speaker 8: their email that often, well, then you shouldn't offer it
Speaker 8: for customer.
Speaker 2: For your audience or whatever right you got, you got
Speaker 2: to connect to them with social media because they're not
Speaker 2: You're right, they're using that not check. You know, maybe
Speaker 2: they're just using Instagram and they're not checking. They're not
Speaker 2: even checking their email. I've run into that exact thing. Yes,
Speaker 2: that is absolutely true.
Speaker 8: Yeah, which kind of then separates certain demographics that won't
Speaker 8: use like that, don't use those type of things. They
Speaker 8: still go traditional like I like being able to pick
Speaker 8: up the phone and maybe call somebody and say, hey,
Speaker 8: you know, I have a problem or or you know,
Speaker 8: let's connect way. I'm still an email user, but I'm
Speaker 8: also from the generation when email was introduced and it
Speaker 8: was like, wow, this is amazing type of thing, you know,
Speaker 8: that type of thing. I mean, I know there's you know,
Speaker 8: people that, like you said, they will only communicate via
Speaker 8: social media, and I think that that's I mean, there's
Speaker 8: limitations in that because you're limiting your audience maybe, But
Speaker 8: at the same time, if it's working for you and
Speaker 8: you're seeing results from it, then you're going to stick
Speaker 8: with it. So you know, like you said, I think
Speaker 8: it all depends on the situation of the person. But
Speaker 8: for music, I mean, again, your music's out there. I mean,
Speaker 8: your music can be heard, you don't know necessarily, like
Speaker 8: especially with like internet radio and some of the other
Speaker 8: stations like you know, your terrestrial radio that's expanded to
Speaker 8: the Internet and stuff like that. And then with of
Speaker 8: course with podcasts and playlists and stuff, you have the
Speaker 8: opportunity to get your music out there. You got to
Speaker 8: do a lot of legwork. Actually if you're not paying
Speaker 8: for it, because you can there's easy. You know, everything
Speaker 8: has is a price here nowadays. I think it's always
Speaker 8: kind of in that way. But in the early days
Speaker 8: of it's just giving an example, like you know, fifteen
Speaker 8: years ago when this band started, there was there was
Speaker 8: some price tiers, but they were far and few between.
Speaker 8: Most people were kind of you know, doing it more
Speaker 8: as because they were fans themselves. They were trying to
Speaker 8: promote the music, you know, something like that. Now because
Speaker 8: the audience has grown of like, because everything now is
Speaker 8: basically online, isn't it. Like I mean, you can't do
Speaker 8: i mean even just shopping at some of your favorite
Speaker 8: you know, larger box stores. There's things that they don't
Speaker 8: even carry in stores only online.
Speaker 2: That's true. Yeah, Walmart does that.
Speaker 8: Yeah, yeah, Walmart does it, Depot does it, things like that.
Speaker 8: So it's almost like their shelves are empty, but online
Speaker 8: because now they're they're doing, you know, the same thing.
Speaker 8: They have resellers and sellers from all over different points,
Speaker 8: so exactly, I think that that's sometimes, you know, so
Speaker 8: now everything is that you know, somebody actually just told me.
Speaker 8: I was just talking to somebody last night and I said, hey,
Speaker 8: you know, you're doing really well, and he goes, yeah,
Speaker 8: I could probably do even better if I just decide
Speaker 8: to pay for this next thing. And I'm like, well, yeah,
Speaker 8: I guess you're right, because that's where everything is right now,
Speaker 8: and they're just trying to figure it out. So for bands,
Speaker 8: you just kind of kind of navigate the good and
Speaker 8: the bad the best that you can. But I think
Speaker 8: sticking to your guns, being true to what you do
Speaker 8: and you know, and listen, you gotta have some kind
Speaker 8: of fun with it. Hence why we decided to do
Speaker 8: covers after all these years, just hey, let's have some
Speaker 8: fun with it. What's what's We're not hurting anybody, actually,
Speaker 8: I mean we're if anything, we're actually helping the bands,
Speaker 8: not that they they not that it's a big deal,
Speaker 8: but like we popularized more of the band that we're covering,
Speaker 8: then we're actually doing ourselves right in a way, because
Speaker 8: the reality of it is is most of us don't
Speaker 8: even we can't even get streaming royalties from cover songs,
Speaker 8: because that's true, just outrageous because of the way the
Speaker 8: publishing is set up. So we're doing it more for
Speaker 8: the love of what we do.
Speaker 2: But sometimes it can help you really break through too,
Speaker 2: Like I Prevail. I don't know if you're a fan
Speaker 2: of them, but they they first broke because they did
Speaker 2: the cover. They did a cover of blank Space by
Speaker 2: Taylor Swift and that blew up online, that went viral
Speaker 2: and next thing, you know, these guys are, you know,
Speaker 2: having a lot of success with their own music and
Speaker 2: and uh you know they're they're a big band and
Speaker 2: you guys actually too, Is this is this true Crazy Horses?
Speaker 2: Because you mentioned you covered Crazy Horses by the Osmonds
Speaker 2: that that charted on the World Indie charts? Is that right?
Speaker 8: It did? It did? We were kind of excited about that. Yeah,
Speaker 8: you know, you know it's it's it's bittersweet all at
Speaker 8: the same time, like, you know, our first real chart, well,
Speaker 8: I shouldn't say that our first charting song was actually
Speaker 8: one of our holiday songs, because you know how they
Speaker 8: when we do one every year or a couple of
Speaker 8: them every year, depending on the year. We love Christmas music.
Speaker 8: It's it's really there are most of them are original,
Speaker 8: So that was kind of cool. But at the same time,
Speaker 8: holiday music is kind of universal, you know what I'm saying,
Speaker 8: Like more you'd probably have more people liking in general
Speaker 8: holiday music than you would say new wave of traditional
Speaker 8: American heavy metal so to speak. You know that the numbers,
Speaker 8: you know, get lower, and our demographic is starting to
Speaker 8: age out, like they're just disappearing, unfortunately. But anyway, yeah,
Speaker 8: that that that charted, and like I said, it was
Speaker 8: bittersweet because we were excited about it, but at the
Speaker 8: same time, it would be cool if it was our
Speaker 8: own music. But at the same time, we kind of
Speaker 8: made it our own, you know. We our sound is
Speaker 8: in there. We do this gallup thing, which is part
Speaker 8: of like a lot of what we do. It's in there,
Speaker 8: and we were excited about it. And the Ozma's are
Speaker 8: a great group and I realized people today may not
Speaker 8: realize how big the Osmonds were back in the seventies. Yeah,
Speaker 8: but they were just unbelievably huge and they were on
Speaker 8: sprecially during that time of their music. They were on
Speaker 8: track to really start becoming a hard rock band, but
Speaker 8: unfortunately that didn't pan out.
Speaker 2: For Yeah, that song crazy Horses. I wasn't even aware
Speaker 2: of that song until a few years ago. But I
Speaker 2: used to do there's another show here that's on another
Speaker 2: day here at the station that I used to be
Speaker 2: a co host on, and that's how that song was
Speaker 2: introduced to me. And I had never heard it before,
Speaker 2: and I didn't know it was the Osmonds until after
Speaker 2: the song and I was like, what is that? That's
Speaker 2: so it's weird, but I like it. It's an odd song,
Speaker 2: but I really like it, and I was like, oh,
Speaker 2: that's the Osmonds. Ill. But I guess by that point too,
Speaker 2: you know, they had so much success because as you mentioned, yeah,
Speaker 2: they were very, very big. They had had so much
Speaker 2: success that they could kind of take some chances, and
Speaker 2: I think they they really kind of took a chance
Speaker 2: with that song because it's such an oddity, but it's
Speaker 2: a cool song and the way you guys do it
Speaker 2: works really well. I did listen to that and I
Speaker 2: liked it a lot. Absolutely. I also want to ask
Speaker 2: you about because we're gonna let you go soon that
Speaker 2: the time goes quickly, but I want to ask you
Speaker 2: about this single never count Me Out, because we're gonna
Speaker 2: play this at the end of our conversation. And it's
Speaker 2: from the new EP, Forever Metal. And is that out yet?
Speaker 2: Is the EP already out or is it coming out
Speaker 2: or what's the status?
Speaker 8: Yeah, yes, the EP's out. It's it's only available in CD. Okay,
Speaker 8: the single is available digitally, But yeah, we're kind of
Speaker 8: excited about it. It's kind of it's part of our
Speaker 8: you know, our our fifteen year anniversary that you know,
Speaker 8: we're just kind of restating our mission so to speak. Yeah,
Speaker 8: and the song is kind of in the same vein
Speaker 8: like you know, like you know, every everybody has their
Speaker 8: ups and downs, you know, bands constantly, and in this market,
Speaker 8: I mean, if you're going for more than two weeks
Speaker 8: like that, you know, if you're not, if there's no
Speaker 8: noise being being done, please forget about you. But yeah,
Speaker 8: this song is just again part of you know, our
Speaker 8: our restatement of our mission that you know, don't count
Speaker 8: us out yet because we're forever mental that type of idea.
Speaker 4: I love it.
Speaker 2: I love it very cool. I love the empowerment of that.
Speaker 2: Everything it's all, it's all good and it's it's very positive.
Speaker 2: So well, congratulations again on the fifteen year anniversary of
Speaker 2: the band. That's amazing of course, Corners of Sanctuary from
Speaker 2: Philadelphia and Mick, this has been wonderful. Thank you so
Speaker 2: much for joining us this morning. And before I let
Speaker 2: you go and we're going to hit that track, but
Speaker 2: before I let you go, one more thing. Where's the
Speaker 2: best place for people to go online to keep up
Speaker 2: with everything? And we did talk about that a lot
Speaker 2: online to keep up with everything that the band is doing.
Speaker 2: Corners of Sanctuary, you could just go to our.
Speaker 8: Official website Cornersosanctuary dot com and we have a ton
Speaker 8: of stuff there, our shows and we have some music.
Speaker 8: I think there's I think there's some free music downloaded
Speaker 8: as well. You know, it just keeps you and you
Speaker 8: can get to all our socials from there as well.
Speaker 2: Outstanding, perfect, Yeah, I was looking at the site early,
Speaker 2: so very good. All right, Mick Michaels, thank you so much.
Speaker 2: We will definitely do this again in the future because
Speaker 2: obviously you guys are doing a lot of stuff, releasing
Speaker 2: a lot of new new music, so you know we'll
Speaker 2: have plenty of excuses to have you back on. But
Speaker 2: really enjoyed talking with you today, So thanks man, and
Speaker 2: you sir.
Speaker 8: I appreciate it.
Speaker 2: Thank you, and again I love the kiss cover. I
Speaker 2: just got to get that in one more time.
Speaker 8: That is so good, awesome, awesome, thank you.
Speaker 2: All right, Mick, thank you, take care you too. Bye
Speaker 2: bye bye. All right. That is Mick Michaels from the
Speaker 2: band Corners of Sanctuary, and we're gonna end the segment
Speaker 2: with this, but if you are listening live on Saturday,
Speaker 2: stick around. We got plenty more to come, but right
Speaker 2: now here it is. This is called never count Me Out.
Speaker 2: I love this song Bye Corners of Sanctuary, and.
Speaker 7: I do that mo like a slight and a place
Speaker 7: something I said from a sign of some loud black
Speaker 7: has no song.
Speaker 4: Run somebody, I run some em round me.
Speaker 6: Devoell me.
Speaker 4: Never never out me o.
Speaker 6: Never mew I.
Speaker 7: Me web stay from my father treading.
Speaker 6: White.
Speaker 4: Sup, what you're coming? No? What the nice?
Speaker 6: I haven't Brad.
Speaker 4: So styl.
Speaker 7: Do stunt reverer moll up bread We all all the assistant.
Speaker 4: You know, feel like you wanted not say. We all
Speaker 4: were so, we all feel okay, we all wanter go
Speaker 4: to reb.
Speaker 7: We all wanted stay side scrame, rody empty, rotting scape.
Speaker 4: Nothing ever has se say green.
Speaker 7: Side the last time noo back say.
Speaker 6: Sim to run, I mean a webber.
Speaker 7: We have the fists dat it can stay. Why so
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Speaker 4: Fine so du sias brown, my f so fine dello dello.
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Speaker 14: and I want to tell you about Pembroke City Limits
Speaker 14: and the Historic Suncook Village. PCL is an award winning bar,
Speaker 14: restaurant and music venue where there's live music five days
Speaker 14: a week and twice on Saturdays, everything from blues, country, folk, funk,
Speaker 14: and a whole lot of jazz. We have twelve craft
Speaker 14: beers on tap dedicated to the local brewers in the
Speaker 14: area with some of the friendliest bartenders around. Please come
Speaker 14: visit Pembrook City Limits at one thirty four Main Street,
Speaker 14: the Historic sun Cook Village, only six miles outside of Manchester.
Speaker 14: Open Tuesdays to Wednesdays four to ten Thursday's a Sunday
Speaker 14: eleven to ten. Pembrook City Limits where it's all about
Speaker 14: the music.
Speaker 1: Disneys Cafe is the place to put a smile on
Speaker 1: your face. Judy and the crew will take care of you,
Speaker 1: bring your appetite and treat your taste buds right business
Speaker 1: cafe is always a winning choice. Breakfast, lunch or supper
Speaker 1: Dizzne's Cafe at eight sixty Elm Street in downtown Manchester.
Speaker 1: Dine in, take out or make a reservation call six
Speaker 1: oh three, six oh six two five three two, eat,
Speaker 1: drink and be happy Dizzey's Cafe.
Speaker 15: When it comes to keeping WMNH on the air and
Speaker 15: your own personal or business computer needs, trust Groland Computers,
Speaker 15: located on Elm Street in Manchester. Groland handles computer repair,
Speaker 15: virus removal and custom built systems. Are you looking for
Speaker 15: budget friendly options, check out our selection of fully inspected
Speaker 15: used computers. We offer tailored on site solutions, no unnecessary
Speaker 15: expenses here. Visit Groland dot com or called Grolling Computers
Speaker 15: at six zero three six four five zero.
Speaker 9: One zero one.
Speaker 15: Your tech, your way. Trust Roland Computers.
Speaker 2: Seven times out of ten.
Speaker 6: We listened to our music at night.
Speaker 2: That's titled Books Program.
Speaker 5: Late Night to Light with DJ Midas right here on WMNH, Manchester.
Speaker 2: Do you want to know why?
Speaker 1: Because Saturdays and Sunday nights midnight to four am.
Speaker 9: This hour on WMNH is sponsored by CGI Business Solutions,
Speaker 9: located at five Dartmouth Drive in Auburn. They serve all
Speaker 9: your business needs including employee benefits, planning, corporate design and
Speaker 9: business administration, investments in wealth management, and customized business insurance solutions.
Speaker 9: Their phone number is eight sixty six eight four one
Speaker 9: forty six hundred, or on the web at CGI business
Speaker 9: Solutions dot com
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