Field Dispatch
XANIMAL | Matt Connarton Unleashed
Speaker 1: I like that a lot. I didn't even want to
Speaker 1: talk over the end. Just let it fade out. That
Speaker 1: sounds so good. That is the Awakening and that is
Speaker 1: ex Animal And let me get this up here right now.
Speaker 1: Joining us via restream. We've got Noel Hampton and Claude
Speaker 1: McCann with us. Hello, good morning, Hey Hey, can you
Speaker 1: hear me? Yes, yes, I can hear you, Noel, Claude,
Speaker 1: can you can you hear us? Cloud Oh, we can't
Speaker 1: hear you.
Speaker 2: We can't hear you. Get Claude.
Speaker 1: I cannot hear Claude, but uh, Cloude will adjust his settings.
Speaker 1: I'm sure. Oh, there we go. I hear Claude, Claude.
Speaker 1: Can you hear us?
Speaker 3: Yeah, I can hear you.
Speaker 1: Oh, perfect, perfect, Well, yeah, welcome to the show.
Speaker 3: Yeah.
Speaker 1: I don't know if you could hear what I was saying,
Speaker 1: but I was saying, I love that track, The Awakening,
Speaker 1: and that is with that features. I don't know how
Speaker 1: to pronounce this, Nagavali nagavaliolly is that? Who does the
Speaker 1: vocal on that?
Speaker 4: So I do the the she does the more Indian
Speaker 4: traditional vocal, all the rest of it, Oh.
Speaker 1: The rest of it's okay, awesome. Yeah, oh beautiful, beautiful. Yeah, no,
Speaker 1: it sounds really good, really good. I love that song.
Speaker 2: So what thank you?
Speaker 1: So what what do what do each of you do? So, Noel,
Speaker 1: I assume do you do most of the vocals on
Speaker 1: on all the X Animal stuff for Yeah, we're actually
Speaker 1: called Oh I apologize now, I know why you were chuckling.
Speaker 2: Oh I I kind of like it ex Animal.
Speaker 1: Yeah, so it's animal, Okay, all right, yeah.
Speaker 4: It's animal, you know what, it's teach their own also,
Speaker 4: let even think of it what they want to think
Speaker 4: of it. Sure, sure, yeah, so I because we've only
Speaker 4: been this is our second track together and Claude. Claude
Speaker 4: and Ken are the producers on this particular project. Okay,
Speaker 4: I do have some some production in but in my
Speaker 4: own project, I'm a I'm a producer. But with this,
Speaker 4: with these guys, it's kind of fun to just let
Speaker 4: them have that, have at it, and then they send
Speaker 4: me a track and then I get to do more
Speaker 4: of the melody, vocal lyric kind of a thing with
Speaker 4: this project.
Speaker 2: So it's really fun for me.
Speaker 1: Okay, okay, and then so so it's kind of a well, Claude,
Speaker 1: how would how would you describe his Animal. I mean,
Speaker 1: it sounds like it's kind of a collective thing, but
Speaker 1: how do you describe the project.
Speaker 3: Yeah, it's a collective electronic music project. But you know,
Speaker 3: and also we try tovolve, you know, involve other people
Speaker 3: in the in our Austin music scene here. You know,
Speaker 3: there's there's another Ken Christiansen who's who's part of his animal,
Speaker 3: and he had some other things going on during this.
Speaker 3: So yeah, this was me and and Noel, you know,
Speaker 3: and I'm kind of the synth man and and programming
Speaker 3: and stuff like that.
Speaker 4: Okay, he's modest, he's kind of a he's kind of.
Speaker 2: A synth wizard.
Speaker 1: Okay, okay, Yeah, so.
Speaker 4: We had done I don't know if you had heard
Speaker 4: our first track called love acxis.
Speaker 1: And not only have I heard it, I intend to
Speaker 1: play it at the end of our conversation because that's
Speaker 1: another great track. I love it. Yeah.
Speaker 4: That's kind of how this thing started, was that they
Speaker 4: had this track for love Access and they were like,
Speaker 4: maybe we should get you know, our friend Noel to like,
Speaker 4: actually Ken had never even heard of me, but Cloude
Speaker 4: and I have known each other for years, and they're like,
Speaker 4: maybe we should get Noel to sing on this, you know,
Speaker 4: let's see what we could do as a collaboration. And
Speaker 4: when we went in on that track, it was just
Speaker 4: like such a vibe and we just had so much
Speaker 4: fun and it was really easy, and we were like,
Speaker 4: maybe we should do more like this. So their thing
Speaker 4: kind of became our thing in a way, so it
Speaker 4: sort of turned into his animal. But yeah, then we
Speaker 4: were sort of talking in the beginning about what it
Speaker 4: should be like, and it was like, well, we all
Speaker 4: bands like Massive Attack, Thievery Corporation, you know, that kind
Speaker 4: of thing, zero seven, all those things that had like
Speaker 4: multiple people come in and h and join them, and
Speaker 4: so all since the beginning, specifically, I have had in
Speaker 4: my head to use Knagavalli on a track, and just
Speaker 4: the times we're in you know, like we we have
Speaker 4: another dance track that we're kind of getting ready to
Speaker 4: to to work on here that's almost done.
Speaker 2: But I just felt like, man, my spirit is a.
Speaker 1: Little broken right now, understand, and I.
Speaker 4: Just felt like I needed I needed, like to work
Speaker 4: on a track with a little more kind of spiritual like,
Speaker 4: you know, vibe, a little more like what's happening now
Speaker 4: with people, you know, and Claude just nailed it, like
Speaker 4: just like, yeah, what he delivered was exactly what I
Speaker 4: wanted to work on.
Speaker 1: So now that makes sense. You know, the press material
Speaker 1: mentions themes of you know, hope and transcendence and emotion release,
Speaker 1: and I do think it really comes through in a
Speaker 1: track like the Awakening. I mean, that's that's what I
Speaker 1: got from it, you know, just listening into the track
Speaker 1: before I'd even read anything about the project and what
Speaker 1: you're doing with it. Are you? Are you both in Austin, Texas? Okay? Great,
Speaker 1: great sun?
Speaker 4: All three all three of us, all three of us
Speaker 4: in Xanimal and Knackavali, we all live in Austin.
Speaker 1: Okay, Okay, Yeah, I mean I'm not surprised, you know,
Speaker 1: to hear something interesting like this project to come out
Speaker 1: of there, because there's such a scene there. There's so
Speaker 1: many we've we've actually over the years, we've had a
Speaker 1: lot of artists from that area, uh specifically on the show,
Speaker 1: and there's this so much great I mean, do you
Speaker 1: think do you think it's helpful being in a place
Speaker 1: like Austin, Texas where you're surrounded by by so many
Speaker 1: creative people versus if you were in a place where
Speaker 1: maybe there just wasn't a lot happening musically, I mean,
Speaker 1: or or maybe not. I mean, maybe you'd be creating
Speaker 1: this music no matter where you lived. But but I
Speaker 1: I feel like I feel like in Austin, Texas, you're
Speaker 1: just surrounded by so much creativity that it would be
Speaker 1: really inspiring.
Speaker 2: It's it's unbelievable, honestly.
Speaker 3: Like and also the scene is very it's just real supportive. Yeah,
Speaker 3: you know, likes diferent competition, but it's it's it's really
Speaker 3: like everybody in all the different genres is really supportive, and.
Speaker 2: We all collaborate a lot.
Speaker 4: Like we all do shows together with like, you know,
Speaker 4: different kinds of acts on the same bill. There's like,
Speaker 4: you know, a deep Americana scene here, there's a there's
Speaker 4: a cool like indie electro and rock and roll scene.
Speaker 4: There's like punk rock. It's but everyone kind of knows
Speaker 4: each other. I mean a lot of people do, and
Speaker 4: we all see each other a lot at different events,
Speaker 4: and so we've definitely have Like I lived in you know,
Speaker 4: I came up in the San Francisco Bay area.
Speaker 2: I lived in l A for a while.
Speaker 4: I've just never seen a music community I mean, we
Speaker 4: had a good community in the Bay Area, but it
Speaker 4: was so spread apart. You know, it's like East Bay,
Speaker 4: South Bay, and it's just hard to kind of get
Speaker 4: to each other's gigs. But in Austin, we are like
Speaker 4: five minutes, ten minutes away from somebody's show at any
Speaker 4: given moment. So it makes us a tighter community. You know.
Speaker 1: Yeah, that's fantastic. So what's kind of the Obviously you've
Speaker 1: got you know, the Awakening and you know later, well
Speaker 1: we'll play love Access. But are you are you continuing
Speaker 1: to make music together now as as animal? Is this
Speaker 1: going to be? I mean, what's kind of the long
Speaker 1: term plan? Are you going to do an EP? Are
Speaker 1: you going to do an album where you're going to
Speaker 1: keep doing singles? I mean I assume you're going to
Speaker 1: continue to work together.
Speaker 3: Yeah, what are we doing that as single and then
Speaker 3: think about doing the stuff?
Speaker 4: Yeah, yeah, it's it's it's it's more like the adulting
Speaker 4: of life that it gets in the way. Oh yeah,
Speaker 4: we all have like different projects that we do, you know,
Speaker 4: like I have a band called The Bell Sounds that
Speaker 4: I'm you know, the lead everything on, producer, writer, and uh,
Speaker 4: it's like a synthpop band in Austin.
Speaker 2: Claude has like five bands Claude.
Speaker 1: Oh really yeah, yeah, that's good.
Speaker 2: So this is a fun thing. But we we definitely
Speaker 2: want to make more music together.
Speaker 4: It's just a matter of finding a minute to get together, right, right.
Speaker 1: So what is the creative process like in a in
Speaker 1: a project like this, I mean, who who kind of
Speaker 1: comes up with the uh you know on these like
Speaker 1: on these two songs that we're playing today, Like, you know,
Speaker 1: how did how did these come about? What's the process
Speaker 1: and maybe maybe the two songs had to distinctly different processes.
Speaker 1: I don't know, but I'm curious about how that works.
Speaker 3: Well, it's will get basically, get a musical track together
Speaker 3: and in love access It was Ken and I that
Speaker 3: did it, and we'll and you'll send it to Noel.
Speaker 3: Of course she'll come in, but lots of times she
Speaker 3: actually we just send it to her and she sings
Speaker 3: it at her own studio. Yeah and back. So but
Speaker 3: when we go back and we talk about a concept,
Speaker 3: you know what are concept is going to be?
Speaker 4: Yeah, like lyrically we have a we have an idea
Speaker 4: of kind of going in or like a vibe going in,
Speaker 4: So that I have something to kind of bounce off of.
Speaker 4: But like I said, this is fun for me because
Speaker 4: normally I'm the one that in my band that makes
Speaker 4: all the music and I sit here for hours nerding out.
Speaker 4: But this time I just get like some beautiful, amazing
Speaker 4: thing just delivered to me, and I go.
Speaker 2: Oh cool, Yeah, this is fun. It's the whole new
Speaker 2: reality for me.
Speaker 1: Yeah.
Speaker 4: But yeah, we we definitely are like collaborative and stuff.
Speaker 4: We were kind of hoping that Ken would have time
Speaker 4: to because he's a great DJ, and we were hoping
Speaker 4: that he would have time to do like a really
Speaker 4: cool remix of this song of the Awakening, So we're
Speaker 4: hanging at some point he can do that. Claude is
Speaker 4: also working on a remix of the Awakening and for
Speaker 4: our last track, we got how many like different DJs,
Speaker 4: like four or five did.
Speaker 2: Remixes of Access. Yeah, so we're kind of putting that
Speaker 2: out too.
Speaker 1: So I'm really curious about that because that's interesting. I
Speaker 1: was looking at your band camp and I saw that
Speaker 1: love Access. Yeah it's got multiple different remix I mean,
Speaker 1: how cool is that when when you've done something that
Speaker 1: that other people wanted them take and and and put
Speaker 1: their own stamp on and remix it. I mean that's
Speaker 1: got to be really gratifying, right, Yeah, yes, you.
Speaker 3: Know, and you can hear different areas. I mean we
Speaker 3: our stuff has put out myself and can't have a
Speaker 3: label called new music new human music. Okay, we have
Speaker 3: some on it, but his animal is part is part
Speaker 3: of that is one of our main things.
Speaker 1: Yeah, on that label.
Speaker 3: And we kind of the DJs. We kind of have
Speaker 3: a DJ side to it. And he knows a lot
Speaker 3: of a lot of people who do that kind of
Speaker 3: production and remixes.
Speaker 4: So okay, Yeah, he came up in that world and
Speaker 4: like has toured all over the world doing that kind
Speaker 4: of thing. So he's made a lot, made a lot
Speaker 4: of friends and connections.
Speaker 2: He still does it.
Speaker 4: I think he's maybe he's even out there right now.
Speaker 4: I'm not sure, but he's one of those guys that
Speaker 4: has like hands and a million different pots. I don't
Speaker 4: know how he keeps up with it, honestly, but but yeah,
Speaker 4: it's been for It's really fun for me because I've
Speaker 4: never had anybody do that with anything that I've produced
Speaker 4: or created, So for me, it was a new experience
Speaker 4: and it was like wow, like just to hear what
Speaker 4: part of the song they would choose, or what part
Speaker 4: of my vocal or if they even use my vocal.
Speaker 2: At all or whatever, you know.
Speaker 4: And when we did this song, when we did The Awakening,
Speaker 4: I thought, I thought it would be really interesting to see,
Speaker 4: like I could imagine some people remixing the song without
Speaker 4: ever using any of mine and just using Naga Vali
Speaker 4: because she's so magical, you know. I think it could
Speaker 4: be a really cool like world you know, kind of
Speaker 4: edim situation or something. But yeah, hopefully we can get
Speaker 4: some people to remix it.
Speaker 2: That'd be fun.
Speaker 1: Now do these songs get at any point? Do they
Speaker 1: get performed live? I would imagine that would be a
Speaker 1: challenge maybe to pull that together, But I don't know.
Speaker 2: I would love to, but I guess we need a
Speaker 2: little bit more material.
Speaker 3: Yeah, But also I've been trying to think of how
Speaker 3: we can you know, how we can do it. Uh,
Speaker 3: there's a there's a way, but we're getting to that.
Speaker 4: Yeah, I think we could probably do it in a
Speaker 4: sense of like if we're doing if they're doing like
Speaker 4: a New Human showcase or something like that, we could
Speaker 4: probably get up there and do you know, like the
Speaker 4: couple tracks we have and just use tracks. If Nagavali's
Speaker 4: not there, we can use her track or whatever.
Speaker 1: You know.
Speaker 4: In my band, we perform with live musicians and track,
Speaker 4: so it's definitely possible to use things like that. But
Speaker 4: but Claude can play the sense live and stuff like that,
Speaker 4: So I think it would be really fun if we
Speaker 4: did that. We may maybe we don't need to wait
Speaker 4: until we have too much more to just kind of
Speaker 4: pop up and say here we are, this is what
Speaker 4: we do, right.
Speaker 1: Right, Yeah, I can imagine how that would be a challenge.
Speaker 1: So what's so what is next for for his animal?
Speaker 1: What's what's kind of the next? Uh? I mean, do
Speaker 1: you have another single that you're working on? Now?
Speaker 3: We do?
Speaker 1: We do?
Speaker 4: They made this track that's like, it's so cool, Like
Speaker 4: I kind of describe it as like disco, like Prince
Speaker 4: type disco track.
Speaker 1: Oh, I'm intrigued.
Speaker 2: It's it's a jam.
Speaker 4: It's a it's a serious jam, and I'm just like
Speaker 4: trying my hardest to like find a way to live
Speaker 4: up to how cool this track is.
Speaker 2: My lyrics and melody.
Speaker 4: We'll figure it out, we'll figure it out. But it's
Speaker 4: just such a cool track, and I just want to
Speaker 4: make sure it's like, yeah, this is it. So but
Speaker 4: we're we're pretty we're pretty far along on that. We
Speaker 4: just have to kind of start putting all those pieces
Speaker 4: together and and then get that out and then you know,
Speaker 4: I don't know, it's it's just a matter of these
Speaker 4: guys continuing to get together and you know, make some
Speaker 4: make some music when they have some free time and
Speaker 4: send it over.
Speaker 1: Absolutely.
Speaker 3: I mean when you did when we did Love Access,
Speaker 3: we kind of had an idea that we would be
Speaker 3: like have eighties elements and that would kind of be
Speaker 3: our style. But we've kind of gone off that a
Speaker 3: little bit, but we still have that in there, but
Speaker 3: I mean it's not yeah. Yeah.
Speaker 4: I think also, like what we talked about in the
Speaker 4: beginning was like maybe that we didn't need to define
Speaker 4: this project as much because when you do your own projects,
Speaker 4: you get really like sucked into like genre based stuff
Speaker 4: where you're like I do this, I do that and stuff.
Speaker 4: So for us creatively, this is such a fun thing
Speaker 4: to be able to just go what are you feeling
Speaker 4: right now, what do you want to do? You know,
Speaker 4: and not have such constraints on this particular project. I
Speaker 4: think that would be really cool to not have to
Speaker 4: feel like we have to fit into some box.
Speaker 3: You know.
Speaker 1: Yeah, I mean I think and I can say too
Speaker 1: just from my own experience as a musician, I think
Speaker 1: it's always more exciting when you don't think about what,
Speaker 1: you know, genre, something is supposed to be. You don't
Speaker 1: try to fit it into a box. You're just do
Speaker 1: what you think sounds good. You just make the music
Speaker 1: that you want to make without worrying about anything else.
Speaker 1: And I think that's the best way to do it.
Speaker 1: And that's how you get the most authentic sounding stuff
Speaker 1: at the end of the day, is just by doing
Speaker 1: what you want to do rather than worrying about, well,
Speaker 1: it's got to fit this, it's got to be able
Speaker 1: to be in this category, it's got to fit this format.
Speaker 1: We got to get it on this radio station, you know,
Speaker 1: whatever it is.
Speaker 3: Yeah, there's kind of a lot of pressure do one thing.
Speaker 3: So much in the business is organized towards.
Speaker 4: What do you do?
Speaker 3: Where can you put you?
Speaker 1: Yeah?
Speaker 2: I mean true, they want it. They want to put
Speaker 2: you in a in a box, right yeah.
Speaker 1: Yeah, And and part of that and and part of
Speaker 1: that is just you know, that's how you market things,
Speaker 1: and and so that that isn't necessary, you know. I'm
Speaker 1: I've I've lived on both sides of the business of
Speaker 1: you know, the business side and the creative side, and
Speaker 1: and and I But the way I've always thought of
Speaker 1: it is, you know, as far as the creating the art,
Speaker 1: whether it's music or any kind of art, just just
Speaker 1: make what you want to make. And then once that's
Speaker 1: done and you're happy with it, that's when you figure
Speaker 1: the other part out, you know, the how do you
Speaker 1: market it, how do you you know, where do you
Speaker 1: place it? On? All that, But that shouldn't even enter
Speaker 1: your mind until you're done creating whatever it is you're creating.
Speaker 1: Everything else can be figured out later.
Speaker 4: Yeah, because if you if that's the dream, isn't it.
Speaker 1: Yeah? Yeah, yeah, I mean I think practically that's how
Speaker 1: you have to do it, because even if you're trying
Speaker 1: to figure out the other part while you're creating the music,
Speaker 1: you know, those other plans are gonna inevitably have to
Speaker 1: change anyway, So you might as well just not be
Speaker 1: thinking about that at all while you're creating, and then
Speaker 1: and then worry about the rest later, you know. And
Speaker 1: there's probably some very very successful people in the music
Speaker 1: industry who will tell me that everything I just said
Speaker 1: is wrong, and and they probably have platinum records and
Speaker 1: millions of dollars. So but so at the end of
Speaker 1: the day, what do I know. But that's how I
Speaker 1: think of it.
Speaker 2: Well, yeah, and there's just so many pressures. Things are
Speaker 2: not easy.
Speaker 4: It's it's a lot of pressure in every business right now,
Speaker 4: every everywhere, everyone's kind of dealing with a lot of
Speaker 4: like stress. So I think this for us just needs
Speaker 4: to feel like, you know, something that is just wow,
Speaker 4: it's exciting and happy and lovely when we get together
Speaker 4: and we make cool music and like that's literally that's enough.
Speaker 4: I mean, if people hear it, yay, if people love
Speaker 4: it yay. Yeah, I want people to hear it and
Speaker 4: love it and pass it on. But it really this
Speaker 4: particular project for me just needs to feel more about
Speaker 4: like creation joy, you know, because everything else is really
Speaker 4: hard and we all have our own projects that we're
Speaker 4: also in our own businesses and things that we do
Speaker 4: to make day daytime money, you know, right, so exactly,
Speaker 4: so it's hard, man, And so this is just like
Speaker 4: these guys are extremely creative. I have so much trust
Speaker 4: in their in their creative process, Like I would not
Speaker 4: just let them handmat track if I didn't trust what
Speaker 4: their aesthetic was, you know, And so it's super fun
Speaker 4: to just kind of see like what comes next. They
Speaker 4: actually sent me, like when we were doing Love Access,
Speaker 4: they sent me like five other track options or something,
Speaker 4: and all of them were super cool. So I don't
Speaker 4: even know what happened to those, Claude, what happened to those.
Speaker 1: It's a good problem to have, by the way, So
Speaker 1: I haven't asked the I haven't asked the most obvious question.
Speaker 1: Where does the name's animal come from? What does it mean?
Speaker 2: Cloth?
Speaker 3: It's just kind of a sixty eighties name.
Speaker 1: I don't Yeah, that's valid.
Speaker 4: Had we just made a big list of like, you know,
Speaker 4: kind of intriguing like sort of words that to me,
Speaker 4: it's sort of like we're we're all kind of one
Speaker 4: one type of being, even though we're all so different,
Speaker 4: and it sort of like puts us under this, like
Speaker 4: we're all animals, but maybe we're all just a little
Speaker 4: bit weird and different and strange. And to me, it's
Speaker 4: kind of like strange strange people, Like is animal kind
Speaker 4: of cool people?
Speaker 2: Strange people of music, you know what I mean.
Speaker 4: And so it's sort of like embodies like the humanness
Speaker 4: of just like you know, what is this tribe?
Speaker 2: It's like a tribe almost, you know.
Speaker 1: Yeah yeah I like that.
Speaker 2: Yeah.
Speaker 3: So yeah, and it's got some exotic exoticness to it.
Speaker 1: Yeah yeah, okay, yeah, yeah, Uh that makes sense.
Speaker 2: It looks cool.
Speaker 3: We haven't we haven't or anything like that.
Speaker 1: Right, gotcha understood, understood. So in a moment, we're gonna
Speaker 1: play uh, Love Access the original mix, and you know what,
Speaker 1: we'll we'll let you go in a minute and then
Speaker 1: we're going to hit that track. But uh, what what
Speaker 1: should we know about this? I mean you touched on
Speaker 1: it a little bit, but anything you want us to
Speaker 1: know about Love Access? Are there any other people who
Speaker 1: are on it that we should know about? Or anything
Speaker 1: about the production you want us to know?
Speaker 3: See, now, that was the three of us.
Speaker 2: That was just the three of us.
Speaker 4: Yeah, I mean to me, it was like pretty obviously
Speaker 4: like leaning into uh, you know, dance disco, dancy eighties vibe,
Speaker 4: and so immediately my mind went to the club and
Speaker 4: like just that that moment when you're at a club
Speaker 4: and you kind of see that that person you get
Speaker 4: that vibe from somebody and all of a sudden sort
Speaker 4: of you know, if you meet them or you start
Speaker 4: dancing with them, and the world kind of just disappears
Speaker 4: around you almost and you know, maybe it's a one
Speaker 4: night thing. You never know, it's just like a big spark,
Speaker 4: and that kind of a thing is just sort of
Speaker 4: like tapping into that real intimate, special moment, but at
Speaker 4: a dance club essentially.
Speaker 1: Yeah, yeah, cool, I like that, So we'll play that.
Speaker 1: We'll play that in a moment, and then later on
Speaker 1: the show a five times. I might even play one
Speaker 1: of the remixes, because I personally I love remixes, but
Speaker 1: also too before we let you go, where where's the
Speaker 1: best place to go online to keep up with everything
Speaker 1: that X Animal is doing? And of course, uh we should
Speaker 1: mention two new human records if you want to. I'm
Speaker 1: looking at the band campage for that. There's there's some
Speaker 1: some stuff on there. But where where should people go
Speaker 1: to keep up with is Animal?
Speaker 3: There's an human music dot com.
Speaker 4: Okay, and we also have we have Instagram, and we
Speaker 4: have Instagram under under his Animal, but we don't quite
Speaker 4: yet have TikTok. But I have a TikTok under the
Speaker 4: bell sounds and stuff. But we will eventually get that.
Speaker 4: It's just another thing to manage. But I do have
Speaker 4: Insta and uh and and uh Facebook right now?
Speaker 1: Okay, okay, fantastic Well.
Speaker 2: And obviously on all streaming platforms too.
Speaker 1: Yeah, yeah, absolutely that's essential. Yeah. Well, Claude and Noel,
Speaker 1: thank you both for joining us today. By the way,
Speaker 1: I'm just curious, is it like super hot where you
Speaker 1: guys are in Austin, Texas? Is it triple digits?
Speaker 4: Honestly, we've we've had a like the mildest summer yet
Speaker 4: it we've had one day where it hit one hundred
Speaker 4: all the way up until today. Well not today, it's
Speaker 4: going to hit one under next next week, I think.
Speaker 4: But that's like unheard of for us to have through
Speaker 4: July where it's it's still in the eighties nineties.
Speaker 1: Wow, And I don't.
Speaker 3: I don't know if you wed July. It's crazy.
Speaker 4: Yeah, we had like flooding in the Hill country oh wow,
Speaker 4: and like they did like it did last year.
Speaker 1: So oh.
Speaker 4: But it's interesting because you look at like East Coast
Speaker 4: and you guys, everyone's been like one hundred and ten
Speaker 4: and stuff.
Speaker 2: That's our normal vibe.
Speaker 4: Yeah, yeah, we've we've had it easy.
Speaker 1: Yeah, no, good, that's that's good. I'm glad for you. Yeah,
Speaker 1: it has been hot here. Fortunately, I don't mind the heat,
Speaker 1: so I'm I'm good. I would, uh, I would. You're lucky, Max,
Speaker 1: I am lucky. I don't. I don't mind it at all.
Speaker 1: But I wish it was a dryer heat. But even
Speaker 1: the humidity doesn't bother me that much. But no, I
Speaker 1: was just curious.
Speaker 2: We're loving life right now down here.
Speaker 1: No, that's good, that's excellent, excellent, all right, so we're
Speaker 1: going to hit this track love Axis again a Claude
Speaker 1: and Noel, thank you both for joining us today. This
Speaker 1: has been wonderful and we'll definitely do it again in
Speaker 1: the future. As you release it, sounds like you've got
Speaker 1: a lot of stuff coming up, so we'll uh, we'll
Speaker 1: have you back in the future.
Speaker 2: I'm sure we'd love to do that.
Speaker 1: Thank you, Matt, count on it all right, all right,
Speaker 1: thank you both, take care, have a good day, all right, bye, bye,
Speaker 1: all right, very good. That is Claude and Noel. The
Speaker 1: project is animal now I know how to say it correctly,
Speaker 1: and let's hit this This is another great track. This is
Speaker 1: called Love Access from Xanimal
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