Field Dispatch
Frequency Overload | Matt Connarton Unleashed
Speaker 1: If that doesn't get you, move and check your pulse,
Speaker 1: you might be dead. That is called thrash king. That's
Speaker 1: the radio edit, of course, from frequency overload from New York,
Speaker 1: real New Yorkers here and let's get uh, let's see.
Speaker 1: I think we have Tom Bush on the phone with us.
Speaker 1: Tom are you there?
Speaker 2: I am. We got the whole band.
Speaker 1: Oh, you got the whole band. Welcome guys, I'm really
Speaker 1: excited to talk to you. All right, everybody in as
Speaker 1: orderly a fashion as you can. Please tell us who
Speaker 1: you are and what you do in the band. Go
Speaker 1: ahead and introduce yourselves.
Speaker 2: Kevin Deally drums.
Speaker 1: Welcome.
Speaker 2: Steve Bass. Hello, Steve Little play bass?
Speaker 1: Yes, excellent, he too.
Speaker 3: I am Corey Schaeffer. I play lead guitar and rhythm guitar.
Speaker 1: Hey, Corey, Okay, how you doing man?
Speaker 2: I am mister Bush vocals, all right.
Speaker 1: Mister Bush, Hey man, you guys? Is that everybody? It's
Speaker 1: the four of you?
Speaker 2: Yep?
Speaker 1: Okay, yeah, you guys are very very well high energy
Speaker 1: obviously it's but uh yeah, like I said, I mean
Speaker 1: that really gets the that really gets the blood pumping.
Speaker 1: And you guys are from Long Island? Is that correct?
Speaker 2: That's right. Yep.
Speaker 1: What does the scene like there? I mean, are there
Speaker 1: a lot of Is there a lot of hardcore bands there,
Speaker 1: you know, classic thrash and that kind of stuff, or
Speaker 1: you guys kind of I don't know the lay of
Speaker 1: the land there exactly. I mean, obviously you're in New York,
Speaker 1: but you know there's a lot of different kinds of
Speaker 1: music there. But what you guys are doing. Are there
Speaker 1: a lot of bands kind of doing something similar or
Speaker 1: are you guys sort of on your own in that
Speaker 1: sense what we're.
Speaker 4: Kind of on our own in the particular style that
Speaker 4: we play in. Yeah, but there is a lot of
Speaker 4: new metal, death metal, some hardcore and crossover band still
Speaker 4: around and we all play together.
Speaker 2: We're all friends basically.
Speaker 1: Yeah. Well that's good.
Speaker 2: There's there's a big local scene.
Speaker 5: The only thing the only downside is is not ah,
Speaker 5: there's not many good local venues to get ourselves out
Speaker 5: there on right.
Speaker 1: Yeah. That can be a challenge anywhere, you know, especially
Speaker 1: with what you guys are doing, because it's not like,
Speaker 1: you know, like if you're playing acoustic guitars, you know,
Speaker 1: you can do coffeehouses and stuff like that. But what
Speaker 1: you guys are doing obviously, you need a stage where
Speaker 1: you can really I mean, I would imagine, you know,
Speaker 1: you get moshpits going and all that, so you need, uh,
Speaker 1: you need places that can really kind of contain, uh,
Speaker 1: what you're doing. Have you guys, has has Frequency Overload
Speaker 1: been around for a while? Have you guys been out
Speaker 1: this a while? Or how long has the band existed?
Speaker 2: About four and a half years?
Speaker 1: Also not that long.
Speaker 2: Okay, it's been a year. Yeah, we got at.
Speaker 1: Yeah, that's excellent. That's excellent. So tell me about thrash King.
Speaker 1: Love that song. I did make a radio edit of
Speaker 1: it for for our purposes here today, But I love
Speaker 1: that track. You know, it's the kind of thing if
Speaker 1: you're listening to it in the car, you're gonna end
Speaker 1: up getting pulled over for speeding. But tell me about
Speaker 1: thrash King and the inspiration behind that. Yeah, maybe kind
Speaker 1: of like the Reage song exactly exactly.
Speaker 4: The way that most of our songs come to come
Speaker 4: to life is the guys write it and then present
Speaker 4: it to me and basically the song dictates to me.
Speaker 4: I'm more like a conduit when I write the lyrics,
Speaker 4: like the song tells me what it is.
Speaker 2: Yeah, and for whatever.
Speaker 4: Reason, when I heard that, it hit me like the
Speaker 4: good old you know, no fluff, toxic Waltz, port Namash, you.
Speaker 2: Know, into the pit by.
Speaker 4: By Testament, like a regular song, not trying to make
Speaker 4: any messaging to anybody, but slam for Slam's sake, you know.
Speaker 1: Yep, yep, I'd say it accomplishes that certainly. Is that
Speaker 1: must be a crowd favorite?
Speaker 2: Right?
Speaker 1: Do you guys play out a lot? Are you playing
Speaker 1: a lot of shows?
Speaker 2: Uh? We play.
Speaker 4: We kind of took a little bit of a hiatus
Speaker 4: to record the second album.
Speaker 2: Yeah, so we played.
Speaker 4: I guess it was a month ago. Spring Slaughter two
Speaker 4: we played. Is that a place called Shakers over in Oakdale?
Speaker 2: By us?
Speaker 4: We're playing the two weeks from today. Yeah, we're playing
Speaker 4: two weeks from today at a record store okay called
Speaker 4: record stop. Yeah, we play a record store. I talked
Speaker 4: to our video guy this morning. He might be down
Speaker 4: there and do a live stream on our Facebook page.
Speaker 2: We're trying to figure that out.
Speaker 4: And then we have another book, another gig booked for
Speaker 4: October twenty third, which is at one of the biggest
Speaker 4: stages around here called Stereo Garden, And that's with some
Speaker 4: other bigger bands, including a band called Anika that's kind
Speaker 4: of making a name for themselves in the city.
Speaker 1: Okay, excellent, excellent. It's cool that you're going to play
Speaker 1: a record store. I mean, are there a lot of
Speaker 1: those there still or because I know, you know, here
Speaker 1: in New Hampshire, there's a surprising you'd be surprised at
Speaker 1: how many of there still are.
Speaker 4: Yeah, we have a couple of pretty good ones on
Speaker 4: Long Island. This one actually it's a new location. It's
Speaker 4: in Patchog, But when it was in a place called
Speaker 4: ron Kankama.
Speaker 2: We're talking about the eighties.
Speaker 4: I bought my first Mayhem album, now, my first Player album. Now.
Speaker 4: The name record Stop has been around forever, and when
Speaker 4: the two owners, Bruce and his partner sold out, somebody
Speaker 4: bought the name, you know, they bought the name as
Speaker 4: the franchise.
Speaker 2: And moved it to Patchog.
Speaker 3: Yeah, most of my collection is from that store.
Speaker 1: Oh, that's so cool.
Speaker 2: Yeah, the place was awesome back in the day.
Speaker 4: Bootlegs, you know, live Slayer albums that someone like recorded
Speaker 4: on a a I don't know, handheld radio and then
Speaker 4: put onto a record you know, like an LP.
Speaker 2: Yeah, it was crazy stuff. They had that. Yeah, this
Speaker 2: is Corey.
Speaker 3: I also like the fact that the b is start
Speaker 3: to come back a little bit. I me and my
Speaker 3: son will buying some vinyls and we play them. That's
Speaker 3: pretty cool.
Speaker 2: I like doing that, you know.
Speaker 1: Yeah. Oh yeah, Well, vinyl, I mean never really went away,
Speaker 1: but I think it was what was it twenty It
Speaker 1: was either twenty twenty four or twenty twenty three, was
Speaker 1: like the first year since the inception of CDs that
Speaker 1: vinyl actually outsold CDs. More people were buying vinyl than CDs.
Speaker 2: Yeah, and that's fun.
Speaker 1: Nothing sounds better than vinyl, you know, the warmth of
Speaker 1: it and everything.
Speaker 2: Yeah, yeah, it's great.
Speaker 4: Not only that, it's a it's a process. It's a
Speaker 4: chance to unplug, put it on. You're going to listen
Speaker 4: to the whole side now.
Speaker 2: Right, and then whip it. It takes away that.
Speaker 4: That digital you know, I need immediate satisfaction and onto
Speaker 4: the next It takes that away, which is great.
Speaker 3: And you can also look at the artwork and read
Speaker 3: the lyrics again and all that other stuff.
Speaker 2: So that's that's kind of cool too.
Speaker 1: Oh yeah, yeah, that's one of the great things about
Speaker 1: physical media is you know, you know, when I was
Speaker 1: a kid. You know, I'm sure you guys were the
Speaker 1: same way. I mean, I loved, uh, just looking at
Speaker 1: if I was really into an artist, I would buy
Speaker 1: everything that they put out, and I would look at
Speaker 1: even just like stuff like you know who their management
Speaker 1: company was, and you know, just any little, any teeny
Speaker 1: tiny speck of information I could find within the liner
Speaker 1: notes of the album or the cassette or the CD
Speaker 1: or whatever it was. I was, uh, you know, that's
Speaker 1: that's how obsessive I could be with that stuff. And
Speaker 1: it's good. It's good that it's never gone away. You know,
Speaker 1: it's still even CDs. I would say, you know, five
Speaker 1: or six years ago, a lot of the guests that
Speaker 1: I would interview, they were like, CDs now, that's that's
Speaker 1: a dead medium. And now everybody's everybody's putting out CDs
Speaker 1: and and and a lot of artists, you know, major
Speaker 1: label artists of course, always released on vinyl. But but
Speaker 1: even though a lot of independent artists now you know,
Speaker 1: it's expensive, but they're putting out vinyl. It's it's really amazing.
Speaker 2: Yeah. Well, I still think that there's a lot of
Speaker 2: people out there now that really.
Speaker 5: Want to have that that that physical piece of you know,
Speaker 5: music in the hand that they can take with them
Speaker 5: everywhere instead of you know, just to this digital.
Speaker 2: Copy right right.
Speaker 4: Absolutely, we managed to find a really cool company, so
Speaker 4: we we have our first album, Fate Anthropic on vinyl
Speaker 4: at a place.
Speaker 2: Called Elastic Stage.
Speaker 4: So if you go on our website, frequency of a
Speaker 4: little dot com.
Speaker 2: You go down, you'll see.
Speaker 4: Off site merchandise and then merchandise directly from us. But
Speaker 4: you can you can link to Elastic Stage and they
Speaker 4: will make one off. You got to wait a few weeks.
Speaker 4: Oh my god, it doesn't cost us. We don't got
Speaker 4: to lay it all out. So you order it and
Speaker 4: it comes from in royal mail from England in a
Speaker 4: few weeks and you get a copy of our album.
Speaker 1: Oh that's really cool. I love that.
Speaker 4: And then for us, because you know we have the account,
Speaker 4: I can get four or five at a discounted price
Speaker 4: for the merch table.
Speaker 2: Yeah, that's it's a great, great idea.
Speaker 1: That is a great concept. I'm looking at the website too.
Speaker 1: By the way, the website's really cool. I'm a website nerd.
Speaker 1: This is a very cool site and I love the video.
Speaker 1: Can you tell me about we didn't talk about this
Speaker 1: yet the video for Thrashking. Circling back to thrash King
Speaker 1: because I'm looking at it now and you know's what's
Speaker 1: interesting about this. It reminds me of something I was
Speaker 1: having a conversation with someone about this recently. How when
Speaker 1: I was a kid, you know, you'd see these videos
Speaker 1: on MTV and sometimes artists who are like really super famous,
Speaker 1: they would have these videos that look like they cost
Speaker 1: millions of dollars, you know, to make. But now with
Speaker 1: the technology that we have, because I'm looking at the
Speaker 1: video for Thrashking, and this would have been very expensive
Speaker 1: to do back in the day, but this looks like
Speaker 1: I mean, tell me about this video the making of it.
Speaker 2: So we're on Soday Records from Canada.
Speaker 1: Yep, love them.
Speaker 4: And so Sam said, listen, we're going to do the
Speaker 4: release this and that you really should to have something
Speaker 4: visual for YouTube. We could get like an AI video
Speaker 4: done quick and release it at the same time. So
Speaker 4: we're gonna cross reference the lyrics with give me a
Speaker 4: couple of sentences, a couple of ideas what the song
Speaker 4: is about.
Speaker 2: Now, I said, all right, all the people that.
Speaker 4: Are upset, they're doing their day job, you know, like
Speaker 4: the rest of us. They're in the mud, and then
Speaker 4: they go out to a frequency overload show and they're
Speaker 4: happy and they're in the pit and they're losing you
Speaker 4: know that they're they're losing their inhibitions and they're having
Speaker 4: a good time. Yeah, and about two hours later, really
Speaker 4: like by the next morning, there's the video. Don Yeah, glorious,
Speaker 4: And the cost of it was seventy five hours.
Speaker 1: Oh my god, that's incredible. Wow, that's amazing.
Speaker 2: Zero to that a few years ago.
Speaker 1: Oh yeah.
Speaker 6: I think it's cool when the guys turn into like warriors,
Speaker 6: when the guys comes up with a sword and he's like.
Speaker 2: A superhero because the lyrics they raising your swords.
Speaker 4: So whatever program they use all that and and translate
Speaker 4: the lyrics.
Speaker 2: It's amazing what they can do.
Speaker 1: Yeah, it's really cool because I'm looking at it now
Speaker 1: and it's it's like, you know, the people in the
Speaker 1: video who are who are in the pit, like you
Speaker 1: don't they don't look like people that you would expect
Speaker 1: to see in the pit. So so it's cool. So
Speaker 1: the whole concept is cool. You know, they're just regular
Speaker 1: people who they go to the show and Uh. Oh,
Speaker 1: they've even got thrash King on the on the back
Speaker 1: of their their phones. Oh that's really cool. Yeah, the
Speaker 1: video is awesome. I love this, absolutely love this.
Speaker 5: It kind of shows, you know, like everyday people that
Speaker 5: you wouldn't think would be friends in their in their
Speaker 5: regular everyday life, but then once they get together it
Speaker 5: come to over those shows, we're all friends and we're
Speaker 5: all in a pit and we're all there for one
Speaker 5: thing that we love.
Speaker 1: Yeah right, yeah, I love it. I love it. I
Speaker 1: love the whole I love that whole concept. That's that's amazing.
Speaker 1: So the first album, So thrash King is on the
Speaker 1: first album, correct.
Speaker 4: It is not this The Fresh is the first release
Speaker 4: of what's going to be the second album.
Speaker 1: Oh gotcha? Okay.
Speaker 2: Yeah.
Speaker 4: What we did was we went in and we recorded
Speaker 4: ten more songs, okay, Threshking being the first one of those.
Speaker 4: We mixed all drums and bass to completion, and now
Speaker 4: as we can we go back.
Speaker 2: Guitars, vocals, guitars, vocals.
Speaker 4: Our recording engineer is Joey Z from Life of Agony.
Speaker 1: Nice.
Speaker 4: Yeah, So if you look at his schedule, he was
Speaker 4: on the tour with Keith Camputo playing bass for two months.
Speaker 4: Then they're going back in August to play I Guess
Speaker 4: Walking and the rest of that. So he's you know,
Speaker 4: he we got to kind of jump to Joey's studio
Speaker 4: and then back again as much as we can.
Speaker 1: Yeah. Yeah, yeah, so that's a that's a process. He's
Speaker 1: obviously a very busy guy. We also have Love and Bullets.
Speaker 1: Is that also going to be on the new album?
Speaker 2: That's on the first album?
Speaker 1: That's on the first album? Okay, because that's the propic. Yeah, gotcha, gotcha? Yeah,
Speaker 1: because that's a great track too. We're actually going to
Speaker 1: play that in a few minutes at the end of
Speaker 1: our conversation. I made a radio edit for that too,
Speaker 1: and that's that's another really great track. Is the process
Speaker 1: for recording the new album? Has it been much different
Speaker 1: than doing the first one?
Speaker 2: It has been the first one.
Speaker 4: We intended on doing a three song demo, okay, and
Speaker 4: we went through a marketing agency and we came to
Speaker 4: him said, look, we have this three song demo, and
Speaker 4: he's like, great, A lot of our college stations are
Speaker 4: still album format.
Speaker 2: You need a full album. Yeah, So you.
Speaker 4: Got about five songs on there that we did at
Speaker 4: a studio and the other ones we did at Corey's
Speaker 4: house on Reaper and then had Joey mix it and
Speaker 4: master at his best that he could to get it
Speaker 4: to the level.
Speaker 2: Of the other songs. Okay, so you'll see that on
Speaker 2: the liner notes.
Speaker 4: But yeah, it was a real process to get a
Speaker 4: full album together. After we went there, so proud of
Speaker 4: ourselves for getting three done, we rented Voodoo Studios in
Speaker 4: Port jeff for two full days whole weekend.
Speaker 2: Yeah.
Speaker 1: Yeah, that's intense trying to get all that done in
Speaker 1: one weekend though. That's uh, I mean, what was that?
Speaker 1: I mean, was that challenging or did it flow pretty well?
Speaker 2: Or this is Kevin the drummer, and yeah it was challenging.
Speaker 1: Yeah, no doubt, no doubt.
Speaker 2: But we got it done.
Speaker 6: And everybody's real cool, you know, try to keep it
Speaker 6: light and yep, you know, joking around and uh, you know,
Speaker 6: we got it done. The first day we tried to
Speaker 6: we were thinking we were going to get like five
Speaker 6: or six done, and we only got like two done.
Speaker 6: So the next day we came in, I came in
Speaker 6: with a great attitude and just went in and we.
Speaker 2: Just crushed it. We crushed the rest of them.
Speaker 5: Yeah, definitely a challenging process, but we also had a
Speaker 5: great fun time doing it too, because Joe is just
Speaker 5: a great engineer to work with and he makes the prize.
Speaker 5: It's just smooth and uh and really really fun to.
Speaker 2: Motivated, really fun to do.
Speaker 1: He motivates us ten Yeah, excellent, excellent. Do you have
Speaker 1: a title.
Speaker 4: Another thing that he did that that adds that that
Speaker 4: thickness and warmth to it is they ran the digital
Speaker 4: signals from the drums and the two direct bass ends
Speaker 4: through the old tape reel to reel machine really, of course,
Speaker 4: not in the tape, just running the signals through those
Speaker 4: old handmade capacities and the wound ceramics and all of
Speaker 4: that then into pro tools.
Speaker 1: Really yeah, that's interesting.
Speaker 2: And then it's Kevin again.
Speaker 6: Whenever I would get a little stressed, I'd look up
Speaker 6: into the recording booth and Tomas Sanger is dancing with
Speaker 6: a life size.
Speaker 2: Skeleton, you know. Yeah, yeah, I get right back on it. Yeah, Yeah,
Speaker 2: it's all good.
Speaker 6: It's a siding, and I think the songs are sounding
Speaker 6: great and look forward to getting some more out there,
Speaker 6: you know.
Speaker 1: Excellent. Yeah, do you have a title for the album?
Speaker 4: Most likely it's going to be one of two Relapsed
Speaker 4: into Rage okay or This Metal Life okay, flip a
Speaker 4: coin on that one.
Speaker 1: Yeah, yeah, yeah, those are both good. I like Relapse
Speaker 1: into Rage though that one kind of something a little
Speaker 1: provocative about it, which I like. But did you have
Speaker 1: any kind of an ETA on the new album or
Speaker 1: I know you don't want to put a hard, hard
Speaker 1: date on it, but.
Speaker 2: Definitely by the end of the year.
Speaker 4: I mean, we're I'm going back to do vocal tracks
Speaker 4: on one, possibly.
Speaker 2: Two tomorrow, so okay.
Speaker 4: Yeah, so we'll have at least the next one done
Speaker 4: vocally and he'll be able to mix and master it
Speaker 4: after tomorrow.
Speaker 1: Oh excellent, Okay, all right, that's good. That's great. And
Speaker 1: then do you intend to keep her you've seen singles
Speaker 1: until you know, like when when the next one is ready?
Speaker 1: I mean, are you going to uh or are you
Speaker 1: going to hold out for the for the album at
Speaker 1: this point?
Speaker 2: No?
Speaker 4: No, According to our label and everybody else, really they
Speaker 4: want this constant gratification. They want singles, single singles, and
Speaker 4: then what we're going to do is we're going to
Speaker 4: do the singles, then put it all together and offer
Speaker 4: it as a full download, full CD, full LP on
Speaker 4: vinyl the end of the year.
Speaker 1: Okay, okay, oh, very good, very good. Yeah, Soday Records.
Speaker 1: They're sending us a lot of like really good artists.
Speaker 1: That's that's how we met you guys. And uh yeah,
Speaker 1: that's that's quite a label they've got. They've got some
Speaker 1: real talent there. So it's great that your work. How
Speaker 1: did you come to work with them? How did that
Speaker 1: come about?
Speaker 2: You don't even know, Corey doesn't even know. We have.
Speaker 4: We have a local school teacher on Long Island, Okay,
Speaker 4: and he has a streaming station called l I n
Speaker 4: L Long Island night Light.
Speaker 1: Okay.
Speaker 4: They started sending stuff to him, and he contacted me
Speaker 4: and said, hey, this is some of this stuff is
Speaker 4: going to go on that Hammer and Anvil metal show
Speaker 4: that we were talking about that we kind of made
Speaker 4: up around frequency overload at the time, and uh so
Speaker 4: I was like, oh, that's crazy, that's cool. So then
Speaker 4: I started listening to some of this stuff and I said,
Speaker 4: holy crap, I got to send this guy an email
Speaker 4: and I said, listen, we we'd love to have representation
Speaker 4: and would you listen to Alice stuff and and give
Speaker 4: us an idea and that's how it happened.
Speaker 1: Oh well, very cool. Well yeah, I mean, like I said, uh,
Speaker 1: you know, they they clearly know what they're doing and
Speaker 1: they're doing right by you guys, and that's that's wonderful.
Speaker 1: So what what's kind of the next uh like, do
Speaker 1: you guys have any are you playing any shows this weekend?
Speaker 1: Or when's when's your next show?
Speaker 4: Not this weekend, it's two weekends, yeah, two weeks can
Speaker 4: so June sixth Saturday, Patchog, New York. The doors open
Speaker 4: at six point thirty. It's at a record store called
Speaker 4: Record Stop, okay, and we're playing with a couple of
Speaker 4: other bands, including Out Close and Dear Friends in Idiot
Speaker 4: Box and uh, we're looking to have a good time.
Speaker 2: It's a free show, all ages.
Speaker 1: Oh very good. That's outstanding. There aren't that many opportunities,
Speaker 1: at least around here. I don't know what it's like
Speaker 1: there for even all ages shows anymore. I mean, what's
Speaker 1: it like there? I mean, obviously, because you want to
Speaker 1: get in front of a young crowd right when you can.
Speaker 1: You want to get those you want to get those
Speaker 1: young fans because they're the ones who you know they're
Speaker 1: going to be sticking with you for for a long
Speaker 1: time if you, you know, if you can get them
Speaker 1: to see you alive. I mean, are there a lot
Speaker 1: of opportunities to do all ages shows?
Speaker 4: There?
Speaker 2: There isn't a whole lot of opportunities.
Speaker 4: But Kevin and Steve came up with this great idea
Speaker 4: that we used last year which we started booking our
Speaker 4: own shows. So we did in all ages what we
Speaker 4: call Pappy Palooza.
Speaker 2: Oh a in Riverhead.
Speaker 4: Yeah, each year we do this, uh, Pappy Palooza. The
Speaker 4: first one was on my driveway and we ended up
Speaker 4: going to a brewery and they served food there, et cetera.
Speaker 4: So it was all ages and it turned out to
Speaker 4: be a fabulous time.
Speaker 1: Oh that's excellent, very good.
Speaker 2: Yeah, we packed the house. The fire marshal came. Actually, yeah,
Speaker 2: it was packed the file.
Speaker 1: Did the fire marshall give you our time or what? What?
Speaker 1: What was the result of that?
Speaker 4: He said, listen, guys, is not enough exits. Oh you
Speaker 4: gotta do this, We gotta you gotta do it upstairs. Oh,
Speaker 4: we broke down, sent everybody upstairs and did like a
Speaker 4: Chinese fire drill with all.
Speaker 2: The equipment running up and down and.
Speaker 4: Set up in the bat room facing out into the restaurant.
Speaker 2: Okay, it was out of control.
Speaker 5: Wow, But but it went off like it like it
Speaker 5: was meant to be. And uh we finished that day
Speaker 5: out strong and it was great.
Speaker 7: Yeah, and is gaining traction like it's it's becoming like
Speaker 7: a Long Island music festival that people are looking forward
Speaker 7: to and bands want to get on the bill.
Speaker 2: And play with us. Yeah, and uh, it's really fun.
Speaker 2: It's really cool.
Speaker 1: Oh that's excellent. You guys are all four of you,
Speaker 1: You all New Yorkers, like y'all grew.
Speaker 2: Up there, born and raised. Yeah.
Speaker 1: Yeah, that's a great place to be for a musician,
Speaker 1: that's for sure.
Speaker 2: Oh yeah, but right on the island.
Speaker 1: Oh that's excellent. Yeah, good, good, well guys, Oh go ahead.
Speaker 6: From Nasau. I'm Kevin the Drama. I was from Nassau County, Okay,
Speaker 6: Long Island. These guys are in Suffolk County, So this
Speaker 6: was like the country to me when I grew up.
Speaker 6: But I moved out to Suffolk and uh, I met
Speaker 6: Corey and we started this band and it's been it's
Speaker 6: been kicking ass for the last four years, four and
Speaker 6: a half years.
Speaker 1: That's great. Well, I look forward to seeing what you
Speaker 1: guys do and hearing what you guys do and when
Speaker 1: the album comes out and everything, and we'll definitely have
Speaker 1: to have you back on, you know, as soon as
Speaker 1: you got as soon as you got something new, we
Speaker 1: will have you back on. Absolutely. And where's the best
Speaker 1: place to go online for everybody to keep up with
Speaker 1: what what you guys are doing, what frequency overload is
Speaker 1: up to.
Speaker 4: Definitely Frequency overload dot com because you can link out
Speaker 4: to all the socials and everything from there.
Speaker 2: But that's the basis.
Speaker 4: And if you go on there, you can join the
Speaker 4: mailing list and I always send out email blasts to
Speaker 4: let everybody know what we're up to, what we're doing.
Speaker 4: There's a blog page and we started adding what the
Speaker 4: new songs are about.
Speaker 2: One at a time.
Speaker 4: Oh interesting, so you'll be able to, you know, get
Speaker 4: an idea of what's coming next.
Speaker 1: In other words, that's a cool idea. I've never really
Speaker 1: seen anyone do that. Oh okay, yeah, I'm looking at this. Uh,
Speaker 1: I'm looking at the blog page now. Yeah, so you
Speaker 1: got you know, boy and seed turn Okay, I see, yeah,
Speaker 1: that's a that's a cool concept like that. That's a
Speaker 1: really good idea. That's a really good idea. And they
Speaker 1: and like I said.
Speaker 5: Let's go to get us out there, getting ourselves out
Speaker 5: there and just try to really you know, engage with
Speaker 5: crowd and and and the and the public and just
Speaker 5: get the word out.
Speaker 1: Right right absolutely well, in a moment, we're going to
Speaker 1: play the track Love and Bullets, of course from the
Speaker 1: first album. But I want to thank you guys, all
Speaker 1: four of you for being here today. Corey, Kevin, Steve,
Speaker 1: mister Bush, thank you all. And uh, like I said,
Speaker 1: I'm I became a as soon as I listen to
Speaker 1: you guys, I became an instant fan. I love this stuff.
Speaker 1: And of course the track that we're going to play,
Speaker 1: Love and Bullets, as you said, that's from the first album,
Speaker 1: Fate Anthropic, and uh, I can't wait to hear what's next.
Speaker 1: But uh, we'll let you go and we'll hit that track.
Speaker 1: But guys, Frequency Overload, thank you guys so much for
Speaker 1: being here today. This has been wonderful.
Speaker 2: Thanks for having us.
Speaker 1: Appreciate it absolutely. We'll do it again in the future.
Speaker 1: All right, take care, guys, Bye bye bye. All right,
Speaker 1: all four members of Frequency Overload and let's give this
Speaker 1: a spin uh. This is called a cuve and bullets.
Speaker 1: This is from the first album Fate Anthropic from Frequency
Speaker 1: Overload
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