Glenn RJ Ouellette | Matt Connarton Unleashed

0:00 Speaker 1: And right now joining us alive in studio for first time,

0:04 Speaker 1: first time in a long time. Glenn R. J. Wilett,

0:07 Speaker 1: also known as Oh let me get that mic on

0:09 Speaker 1: the People's Mayor, is here with us. But that's not

0:13 Speaker 1: why he's here today. Today, you are not here as

0:15 Speaker 1: Glenn r J. Will Let the People's Marrior. You're you're

0:17 Speaker 1: here as will Let Glenn the artist. Is that correct? Glenn?

0:20 Speaker 2: Thanks for having me.

0:21 Speaker 1: Do I have to call you for the purposes of

0:23 Speaker 1: this conversation? Do I have to? Should I call you?

0:25 Speaker 1: Address you as Wallette or can I still call you Glenn?

0:28 Speaker 1: I should call you Wilette.

0:29 Speaker 2: It doesn't really matter because I have.

0:31 Speaker 1: To be honest with you. That's going to take some

0:32 Speaker 1: getting used to.

0:33 Speaker 2: It's just on my name that I was required to

0:36 Speaker 2: take because your supports have a station name. Yeah, and uh,

0:39 Speaker 2: I wanted something simple. How much you can't go more

0:42 Speaker 2: simple than that?

0:43 Speaker 1: Yes? Well, you could have gone with an unpronounceable symbol

0:46 Speaker 1: like Prince had for a while, you know, maybe like uh,

0:49 Speaker 1: maybe like an O for Wallett. But do something make

0:52 Speaker 1: it in like a weird font or something.

0:53 Speaker 2: If someone wanted me to call it Glenn.

0:56 Speaker 1: Oh, Glenn. I like that. I like that. That's got

0:58 Speaker 1: a nice ring. Well that's why, that's what the diehards

1:01 Speaker 1: could call you, right, like you're die hard fans. They

1:03 Speaker 1: could be like, yeah, you go into the Oak Glenn show.

1:06 Speaker 1: Who's OA Glenn? You know we'll let Glenn. Oh yeah

1:08 Speaker 1: that guy. Of course. Of course I'm going You've been

1:10 Speaker 1: playing out a lot, right, you've been performing a lot.

1:12 Speaker 2: Live, Yes, and now I'm I'm coming home.

1:16 Speaker 1: You're coming home.

1:17 Speaker 2: Well, I started in area that nobody knew me because I'm

1:20 Speaker 2: well known here and uh as who I am? So yes,

1:24 Speaker 2: I didn't want people who doesn't know what to tell

1:26 Speaker 2: you the truth they like you or not. So I'm

1:28 Speaker 2: going to start in a strange city.

1:29 Speaker 1: Not to correct you, but who I Am is coming

1:31 Speaker 1: on in the second hour today along with tracks. Really,

1:34 Speaker 1: you're not who I am? You're will let Glenn. Just

1:37 Speaker 1: to be clear for the audience, I don't want it.

1:38 Speaker 1: I don't want anyone to be confused. Yeah I agree, yes, yes, so,

1:42 Speaker 1: and you're going to be performing live for us today. Correct, Yes,

1:46 Speaker 1: We've got we've got several uh, several songs skewed up. Now,

1:49 Speaker 1: how do you choose the songs, Uh that that you perform?

1:52 Speaker 1: What is it? What is it about these songs selections?

1:56 Speaker 1: Uh that that make you say, uh, this is a

1:58 Speaker 1: song that will let Glenn be performing live?

2:02 Speaker 2: When I when I, when I choose my songs for

2:04 Speaker 2: a complete concert, which they last about two hours, two hours, Well,

2:08 Speaker 2: there's it in between, and I do a half hour

2:10 Speaker 2: of comedy.

2:11 Speaker 1: You do, I'd see. I didn't know this.

2:13 Speaker 2: You do a half hour of in French?

2:15 Speaker 1: Yes, you do comedy in English and French.

2:17 Speaker 2: Yes, and it's ethnic humor, yeah, because well but it's

2:22 Speaker 2: not it's not it's not planned. Okay, I look at

2:26 Speaker 2: the audience.

2:26 Speaker 1: Oh, you do crowd work, yes, Oh, no offense, but

2:29 Speaker 1: the crowd work, don't don't you have any actual jokes?

2:32 Speaker 2: Or I do, and I'll put him in there.

2:34 Speaker 1: But terror I love I love Jenny. Jenny knows how

2:39 Speaker 1: I feel about because I tell him to.

2:40 Speaker 2: Be careful if I picked you, because you may be

2:42 Speaker 2: embarrassed in front of the lot of people.

2:44 Speaker 1: Oh so there's a little bit of danger to the show.

2:47 Speaker 1: There's a little bit of danger. Well, like when is dangerous?

2:49 Speaker 2: I wouldn't say I'm dangerous.

2:51 Speaker 1: Well, I don't mean like physically dangerous, like you've heard anybody,

2:53 Speaker 1: I just mean in terms of your performance and and wow,

2:56 Speaker 1: this is this is great now.

2:58 Speaker 2: The songs that I've chosen, some of them are very powerful,

3:03 Speaker 2: some are very meaningful. I choose my songs to the

3:08 Speaker 2: mood that I am, and I like to have a

3:09 Speaker 2: variety because I do everything except for raps. So I

3:12 Speaker 2: do any artists pretty much, any artists, as long as

3:15 Speaker 2: it's a song that I want to air. Uh my, my,

3:19 Speaker 2: My concerts are are totally family oriented.

3:23 Speaker 1: Okay.

3:23 Speaker 2: I don't want no swearing in front of a five

3:25 Speaker 2: year old or something.

3:26 Speaker 1: You know, right right, so you don't do like you

3:28 Speaker 1: don't cover straight out of Compton by nw A is

3:30 Speaker 1: what you're saying.

3:31 Speaker 2: No, but I do a lot of uh, rock and

3:34 Speaker 2: roll and hard rock. I do a lot of prints,

3:36 Speaker 2: and I do a lot of Yeah, I do, I

3:39 Speaker 2: do Chair, I do, I do Adam Lamberg, I do.

3:43 Speaker 2: I do a lot of I do a lot of Queen.

3:46 Speaker 2: For example, you do hard rock and I love journey.

3:49 Speaker 1: Yes. Oh wow, Yes, I think I saw a video

3:51 Speaker 1: of you performing. Don't stop believing. Yeah, at where have you?

3:54 Speaker 1: Where have you been performing?

3:55 Speaker 3: Like?

3:55 Speaker 1: Where can people see you.

3:57 Speaker 2: Well, you can see me on a weekly basis. I'm

3:59 Speaker 2: at on Mondays, I'm at the Breezeway. This is all karaoke,

4:03 Speaker 2: which is all coming to an end. By the way, Oh,

4:05 Speaker 2: karaoke is coming to an end. Has there been an

4:08 Speaker 2: I don't know if maybe there's been executive order. No,

4:11 Speaker 2: I'm going professional now.

4:12 Speaker 1: Oh, yes, you're going professional. So this is like you're

4:15 Speaker 1: coming out as well when the professional.

4:17 Speaker 2: So I do the Briezebae on Monday. On Tuesday, I

4:19 Speaker 2: do the Goat. On Wednesday, I do uh Stock Brewery,

4:24 Speaker 2: which I've had a concert there last month's, this past

4:28 Speaker 2: this past Mothers Day, I did my first concert in Manchester, Okay.

4:32 Speaker 2: And then I on Thursday, I do the Farm Restaurant.

4:36 Speaker 2: And on Friday, I do the Rival casino.

4:40 Speaker 1: The Ripple Casino.

4:41 Speaker 2: The Rival.

4:42 Speaker 1: Oh oh, I thought you said Ripple. I was like

4:45 Speaker 1: the gotcha, gotcha?

4:47 Speaker 2: And on Saturdays when I'm when I have a my

4:49 Speaker 2: concert is basically on Saturdays and Sundays.

4:53 Speaker 1: Playing a casino. Are you concerned that you're promoting gambling.

4:56 Speaker 2: Because I don't gamble?

4:57 Speaker 1: Okay? Good, good, because you know you got to think

4:59 Speaker 1: about the kids. Yeah, you don't want parents to turn

5:01 Speaker 1: against you and start telling their kids, Hey, don't listen

5:04 Speaker 1: to that. We'll let Glenn. He promotes bad things.

5:06 Speaker 2: I don't gamble, I don't drink. I don't take drugs

5:08 Speaker 2: other than medications. I don't smoke. Yeah, it's pure family.

5:12 Speaker 1: Your straight edge is what you're saying.

5:13 Speaker 2: I am. Yes, my wild times are gone.

5:16 Speaker 1: Yes. No, you're a good You're a good inspiration for

5:18 Speaker 1: the youth. What is your demographic? Would you say, like,

5:22 Speaker 1: are you are you going for that eighteen to forty

5:24 Speaker 1: nine demographic or what's your what's your demo?

5:26 Speaker 2: I'm really shocked. I'm very big with the college crowd. Yes,

5:32 Speaker 2: soon I understand that. But maybe it's because of the

5:33 Speaker 2: music that I'm playing and I'm in tune with them. Yes,

5:37 Speaker 2: I do have a following with the young people who

5:41 Speaker 2: go to Emthince for example. Oh so I always they

5:44 Speaker 2: always come to the Goat and it's very encouraging. Yes,

5:48 Speaker 2: and I but my my range is from you can

5:52 Speaker 2: be from five years old to ninety nine.

5:55 Speaker 1: That's quite arranged, Glenn, that's quite a range.

5:57 Speaker 2: And the songs that I do are from nineteen twenty

6:01 Speaker 2: to twenty twenty four.

6:02 Speaker 1: Although I don't think you're your typical ninety nine year

6:04 Speaker 1: old probably can't hear you. Well, they have ear ring,

6:09 Speaker 1: they do well, they do have they can do implants.

6:11 Speaker 1: Iniars now, I guess, but.

6:13 Speaker 2: I don't think I see people that old that are there, right,

6:16 Speaker 2: But I do see a lot of seniors.

6:18 Speaker 1: You, but you don't see ninet nine year old people

6:19 Speaker 1: at the goat No, I no, okay, now the goat? Right?

6:23 Speaker 1: And you do meet and greets too, right.

6:24 Speaker 2: Yes, act to well, not when I do careok, when

6:27 Speaker 2: I after my concerts.

6:28 Speaker 1: Yes, after your concerts. So is there like a fee

6:30 Speaker 1: for that?

6:31 Speaker 2: No? Oh okay, no, and I haven't. I don't sign

6:35 Speaker 2: in autographs yet. I'm not there yet. I don't want

6:37 Speaker 2: my picture on a postcard. Really they want me to

6:40 Speaker 2: do that or T shirt. It's coming, but yeah, it's

6:43 Speaker 2: just not me. I'm a simple guy. I'm a regular citizen.

6:48 Speaker 2: And I'll have to get I'll have to grow out

6:50 Speaker 2: of it, I guess, but I'll never forget who I am,

6:53 Speaker 2: and I'll always think of the people first.

6:55 Speaker 1: Always think of the people first. Remember your roots. You know,

6:57 Speaker 1: you see the same people on your way down that

6:59 Speaker 1: you saw the way up. Yeah, So that's important.

7:02 Speaker 2: Here's a question for the audience. Yes, when I do

7:04 Speaker 2: the dance, the last dance, it's by Daniel BETTIPETI I

7:10 Speaker 2: don't know if I'm pronouncing that right, but uh, and

7:14 Speaker 2: I do it in English, parts of it in French,

7:16 Speaker 2: and then the last paragraph is done in a different language,

7:20 Speaker 2: and no one's figured out which language it is yet.

7:23 Speaker 2: At the end of the show, I will tell.

7:25 Speaker 1: You so you but you saved that part for the

7:28 Speaker 1: last paragraph of the song.

7:30 Speaker 2: Yes, yes, it's specific.

7:32 Speaker 1: Yes, I understand. Okay, So what would you like to perform? First?

7:36 Speaker 1: For us, We'll let Glenn.

7:37 Speaker 2: Come what may from from the uge.

7:44 Speaker 1: Now, for people watching the video, I should explain because

7:47 Speaker 1: they're about to see something unusual that they don't see

7:51 Speaker 1: typically on the program. I'm going to actually turn this

7:53 Speaker 1: monitor toward you so they I believe it's pronounce mulan rouge.

7:57 Speaker 2: Correct. Yes, I'm French.

7:59 Speaker 1: Yes, because you said it like like some people, you

8:02 Speaker 1: know lame is that they pronounce it less miserables because they.

8:04 Speaker 2: Don't know is it up? Yes, French.

8:07 Speaker 1: Yes, you're French, so you know you know the right

8:09 Speaker 1: way to and.

8:09 Speaker 2: You'll find that I really am French. At the point

8:12 Speaker 2: that they say, oh, he really rolls his ours.

8:14 Speaker 1: Yeah, people, I can't roll my rs.

8:17 Speaker 4: Yeah.

8:17 Speaker 1: I don't know any any French really, I know like

8:19 Speaker 1: we we, I know like uh we we.

8:21 Speaker 2: Uh pepee pooh pooh, oh my god.

8:25 Speaker 1: That's about it. Okay. So so what we're gonna do is,

8:27 Speaker 1: so I'm gonna start the song and then going to

8:28 Speaker 1: as quickly as I can. I'm going to turn the

8:30 Speaker 1: monitor towards you so that you can read the lyrics.

8:34 Speaker 1: Do you are are any of the songs that you

8:37 Speaker 1: do live? Have you memorized the paragraphs as you say?

8:40 Speaker 2: Yes, some of them?

8:41 Speaker 1: Okay.

8:41 Speaker 2: The thing is is that right now in my right

8:44 Speaker 2: eyes eight line oh and uh and I uh and

8:49 Speaker 2: I know about a thousand songs, and at my age,

8:51 Speaker 2: you're not going to know a thousand songs by heart.

8:54 Speaker 1: That's true.

8:55 Speaker 2: So that's a handicap for me, and so I'm using

8:59 Speaker 2: it as my benefit for me to perform I need

9:01 Speaker 2: in case if I get the words, they're there.

9:03 Speaker 1: I was recently reading a study about neurology and memory

9:07 Speaker 1: and so forth, and apparently the uh, it's estimated the

9:10 Speaker 1: average musician is able to memorize somewhere between nine hundred

9:14 Speaker 1: and fifty and nine hundred and seventy five songs. So

9:16 Speaker 1: if you're going for a thousand, yeah, you're kind of

9:18 Speaker 1: you're you're over the you're over the cap. I read

9:21 Speaker 1: that online somewhere, so obviously it's true. Okay, let me

9:24 Speaker 1: get the volume up here. So I'm going to start

9:26 Speaker 1: the song, and as quickly as I can, I'm gonna turn.

9:28 Speaker 1: I'm gonna turn this monitor, and then we'll be ready

9:31 Speaker 1: to go. If you are just joining us, we have

9:33 Speaker 1: will let Glenn the artist, am I said? Is it?

9:36 Speaker 1: Is it the artist will let Glenn? Or is it

9:38 Speaker 1: will let Glenn the artist? Or does it matter?

9:40 Speaker 2: Well, Glend the artist is fine.

9:42 Speaker 1: And is there a comma involved or a dash or

9:45 Speaker 1: how do you? Okay, just will let lend the artists?

9:48 Speaker 2: Okay, I will tell you that I do my own

9:50 Speaker 2: special effects.

9:51 Speaker 1: You do special effects?

9:53 Speaker 2: Yes, you'll hear.

9:53 Speaker 1: It like like like you make noises?

9:57 Speaker 2: Yeah, oh I do like instruments, Oh uh I I do.

10:03 Speaker 2: I do an opening, a closing.

10:06 Speaker 5: What they do?

10:07 Speaker 4: Wow?

10:07 Speaker 2: But they do what a normal artist has for the music,

10:10 Speaker 2: for the for the for the openings in that the

10:13 Speaker 2: middle when it's just music. Yes, I do something, Oh

10:16 Speaker 2: you do. I'll need to continue singing, adding my own

10:19 Speaker 2: words all my songs at cover songs, okay, which makes

10:22 Speaker 2: them my song?

10:23 Speaker 1: Right? How do you what's your logic behind that? How

10:25 Speaker 1: does that make your song?

10:27 Speaker 2: If I ever chose to do an album, m I

10:30 Speaker 2: can't use every word it's in that song. That's plasury.

10:33 Speaker 2: Oh so I have to use.

10:34 Speaker 1: You don't want to commit pleasuring?

10:35 Speaker 2: No, I have to do. I have to do a

10:38 Speaker 2: cover song.

10:38 Speaker 1: Yes, okay, first reality, right, I understand. Have you ever

10:42 Speaker 1: considered writing your own songs, your own music? You're a

10:44 Speaker 1: creative guy.

10:45 Speaker 2: Yes, I have. I now have a software that was

10:48 Speaker 2: installed two weeks ago and I'm learning how to use it,

10:51 Speaker 2: and I'll actually be able to do my own album

10:54 Speaker 2: at home. I have my own studio with the house.

10:56 Speaker 2: Oh very good, very good, own mix and everything.

10:58 Speaker 1: So yeah, yeah, right, I was gonna sugget. I mean,

11:01 Speaker 1: someone of your caliber you might want to consider, you

11:03 Speaker 1: know well, but it costs a lot of money to

11:05 Speaker 1: actually recorded.

11:06 Speaker 2: Everything's digital today, yes, so you don't see no more

11:09 Speaker 2: tapes than CDs that much? Right, right, my music would

11:13 Speaker 2: become out digital. I'm now talking with Spotify. If I

11:16 Speaker 2: could get on Spotify, that would be great.

11:18 Speaker 1: Oh yeah, who are you talking with at Spotify? Or

11:20 Speaker 1: he's talking to the head guy there, mister Spotify himself.

11:23 Speaker 2: Probably not they they said they they they sign me.

11:28 Speaker 2: Someone need to go right to the top.

11:29 Speaker 1: Glenn, Okay, talk to mister Spotify. I think his first

11:32 Speaker 1: name is Bill.

11:33 Speaker 4: Bill.

11:34 Speaker 1: All right, so I'm gonna I'm gonna start this. I'm

11:36 Speaker 1: gonna turn the monitor and uh come, what may come?

11:39 Speaker 1: What may as performed by We'll let Glenn the artist. Okay,

11:43 Speaker 1: here we go, pressing.

11:44 Speaker 2: Play and make it big?

11:51 Speaker 4: Oh do to do?

12:09 Speaker 5: Enjoy?

12:09 Speaker 2: Come with me? What I never knew that I could

12:19 Speaker 2: feel like these My I've never seen that sky high before.

12:31 Speaker 2: I want to then deep inside your dream.

12:38 Speaker 4: Every day I love you more and more. Listen to

12:46 Speaker 4: my heart.

12:47 Speaker 1: Can you hear it?

12:50 Speaker 4: A scene telling me to give you everything?

12:59 Speaker 2: Sees may change, winter to spring and summer.

13:08 Speaker 4: Ooh, but I love you until the end of time?

13:19 Speaker 5: Home? What may? Oh come?

13:27 Speaker 4: What the guys will love you? So until my die.

13:42 Speaker 2: Day. Suddenly the world see that shop perfect place. Suddenly

13:58 Speaker 2: it moves with that job her a grace. Suddenly my

14:05 Speaker 2: life doesn't seem such a wasting anymore in all evils

14:13 Speaker 2: around you, my darling dear, And there's no mountain to hide,

14:21 Speaker 2: the river to wide see it's sunny, and I'll be

14:29 Speaker 2: there by your side. Storm clouds may gather and starts

14:37 Speaker 2: me cool lo ooh, but I love you.

14:46 Speaker 4: Until the end all time?

14:52 Speaker 5: Poll?

14:53 Speaker 6: What made.

14:59 Speaker 5: Oh? Come? What made.

15:06 Speaker 4: Old? I will love you so? Kill my die?

15:15 Speaker 5: Day?

15:17 Speaker 2: Come?

15:18 Speaker 4: What maybe.

15:23 Speaker 5: Come? What may.

15:31 Speaker 4: Base? I will love you so? I love you, so

15:36 Speaker 4: love you so.

15:40 Speaker 2: Suddenly the world seems such a perfect.

15:51 Speaker 5: What may come? What made um?

16:02 Speaker 7: What?

16:08 Speaker 5: Oh die?

16:09 Speaker 2: I will love you, kill my die?

16:20 Speaker 6: Come?

16:21 Speaker 7: What may?

16:24 Speaker 4: Thank you?

16:26 Speaker 1: Wow? Glenn r. J. Will let the people's mayor. I'm sorry,

16:29 Speaker 1: We'll let Glenn the artist.

16:31 Speaker 2: Neathan'm getting used to.

16:33 Speaker 1: Yes, yes, I gotta swing that monitor back here. Good thing.

16:36 Speaker 1: I have long arms, Jenny calls me long arms because

16:38 Speaker 1: at the grocery store I can reach things.

16:40 Speaker 2: So for those of you who follow these songs and

16:42 Speaker 2: you know them by heart, yes, you'll notice that there

16:45 Speaker 2: is a big difference in the words. I did know.

16:47 Speaker 1: I did notice that, Glene Funny, you mentioned that, Yes.

16:49 Speaker 2: That's what makes it.

16:52 Speaker 1: Yes, Yes, I have to say I mean of all

16:54 Speaker 1: the Uh, of all the performances I've heard of, that

16:57 Speaker 1: song that is by far the most the most recent. Definitely, Yes, yes,

17:02 Speaker 1: well done. If you are just joining us, we'll let

17:04 Speaker 1: Glenn the artist is here with us. What's your favorite

17:07 Speaker 1: song you perform? Putting you on the spot here.

17:12 Speaker 2: I like to perform. I have a few, I have unforgettable.

17:19 Speaker 2: I also have the power of love. I do a

17:24 Speaker 2: lot of Hairy Style and Sam Adams. I love a

17:31 Speaker 2: lot of the powerful song. That's why I like come

17:33 Speaker 2: what May do a lot of theater songs. Yeah, Disney songs. Oh,

17:38 Speaker 2: I do it all, you do it all. I do

17:40 Speaker 2: it all. It takes practice. I practice. I get up

17:43 Speaker 2: in the morning and take my shower, get dressed, go

17:45 Speaker 2: to my studio. And I practiced three hours a day, Yes,

17:47 Speaker 2: in the morning, and then I go to work and

17:49 Speaker 2: not to work, I perform an Now there's three or

17:52 Speaker 2: four hours, depending where I am.

17:54 Speaker 1: Wow. Now have you ever had any formal vocal training.

17:57 Speaker 2: Other than I used to? I I talked, I say

18:02 Speaker 2: oh wow, not necessarily words about I used to humble

18:04 Speaker 2: lot when I was a kid. Yes, and Uh. I

18:07 Speaker 2: belonged to a lot of choirs school choirs, college choirs,

18:11 Speaker 2: church choirs. Yeah, and that's where I got my formal training. Okay,

18:15 Speaker 2: my creativity, it's just it just comes within me. I'm

18:19 Speaker 2: very creative.

18:20 Speaker 1: Yes you are, Yes, you are, absolutely Well what would

18:22 Speaker 1: you like to perform next? I'm dying to hear more.

18:26 Speaker 7: Actually, the next song is we Have We have many

18:31 Speaker 7: things like the Impossible Dream, The Impossible Dream, and it's

18:34 Speaker 7: an arrangement by Azar van Rose.

18:38 Speaker 2: Another very powerful song.

18:40 Speaker 1: Yes, all right, let me find that one. Okay, here

18:42 Speaker 1: we go. I've got that cueued up. Are you ready, Glenn?

18:46 Speaker 2: I am ready.

18:46 Speaker 1: All right, I'm going to uh gonna play this and

18:50 Speaker 1: you have it on large turn this, uh, I will

18:54 Speaker 1: let's see here. Let me put that full screen for you, okay,

18:57 Speaker 1: and I'm gonna hit play a click play rather and

19:00 Speaker 1: this around and here we go.

19:05 Speaker 2: Oh that's good.

19:06 Speaker 1: There we go.

19:10 Speaker 4: The raaa.

19:15 Speaker 8: Do do do do do do do do do doo?

19:19 Speaker 2: Oh uh enjoy hope sees the invisible, feel the intangible,

19:35 Speaker 2: and it cheese the impossible. Helen Keller said this, Enjoy

19:40 Speaker 2: the impossible dream. Do do do do do do do

19:47 Speaker 2: do do Do do do do do do.

19:48 Speaker 9: Do do do do do do do do do do

19:50 Speaker 9: do do do do do?

19:55 Speaker 2: Dream how that impossible dream, And to fight.

20:07 Speaker 4: All that unbeatable fool, too.

20:14 Speaker 2: Bare with that unbearable sorrow, and to run, oh where

20:27 Speaker 2: the grave do not go, to right that unrightable wrong,

20:42 Speaker 2: And to love pure and chest from a fall, to try,

20:56 Speaker 2: when your arms are too weary, to reach that unreachable star.

21:11 Speaker 2: Because this is my quest, to follow that star, no

21:21 Speaker 2: matter I hopeless, Oh, no matter how pror to fight

21:32 Speaker 2: for that right without questioning, or Oh, to be willing

21:42 Speaker 2: to much much into hell without heaven leak.

21:51 Speaker 5: And I know.

21:55 Speaker 4: That if I'll tru.

21:56 Speaker 8: Leav true to this glorious quest, that my heart.

22:10 Speaker 4: Will be peaceful and calm.

22:15 Speaker 2: When I'm late to my ridest and this world.

22:26 Speaker 4: Will it be better for these that one man.

22:35 Speaker 2: Scorning, covered with scars, still strove with his last ounce

22:47 Speaker 2: of courage to read of that unreachable, that unreachable, that

23:00 Speaker 2: unreachable storm.

23:10 Speaker 5: Oh do do do do Do Do do do?

23:29 Speaker 2: And I love with dream of that impossible dream. Yes,

23:39 Speaker 2: and I'll reach old to that unreachable storm.

23:52 Speaker 9: That on reach boo storm, thank you.

24:12 Speaker 1: No, thank you.

24:12 Speaker 2: We'll let Glenn the artist that when I roll a

24:16 Speaker 2: lot of my rs, don't I.

24:17 Speaker 1: You do you roll a lot of your rs, which

24:21 Speaker 1: is not how I'm used to hearing it.

24:23 Speaker 2: It's it's a signature sgnature.

24:25 Speaker 1: Yeah, so that's that's how you make it your own.

24:27 Speaker 2: Your artist has to make it their own.

24:29 Speaker 1: Okay. I was afraid maybe you were mocking me because

24:32 Speaker 1: you know I can't roll my rs. No, no, I

24:34 Speaker 1: can't roll my rs. You knew that right.

24:36 Speaker 2: Yeah, I'm French and I'm using my ability to I

24:39 Speaker 2: still I still speak and write and refriends.

24:41 Speaker 1: So yes, yes, yeah, if I try to roll my rs,

24:44 Speaker 1: nothing happens like I'm like urber, I sound like I'm

24:48 Speaker 1: having a stroke or something. I can't do it.

24:51 Speaker 7: D R.

24:52 Speaker 1: See, I can't do it, never been able to do it. Well,

24:56 Speaker 1: very good. Uh and I see what you mean about

24:58 Speaker 1: the the uh the extra Uh you kind of enhance

25:01 Speaker 1: it a little bit.

25:02 Speaker 2: Yeah, I make it my own.

25:04 Speaker 1: Yes, yes, you do. I think that's very fair to

25:07 Speaker 1: say if you are just joining us. Well, what Glenn

25:09 Speaker 1: the artist is here with us? You have a logo yet?

25:12 Speaker 9: Have you?

25:13 Speaker 1: Do you have any kind of a logo or anything.

25:15 Speaker 2: No, I'm working on it. You know I I am.

25:20 Speaker 2: This is new to me. Oh you know, and uh.

25:22 Speaker 1: Well you've been You've been at this for a long

25:24 Speaker 1: time though, really, I mean it's not that new.

25:26 Speaker 2: Well, but in front of crowds it is.

25:28 Speaker 1: Yeah.

25:29 Speaker 2: Yeah, that's why I did some That's why I had

25:31 Speaker 2: been doing a lot of karaoke. Oh, get rid of

25:33 Speaker 2: the stage fright, which didn't take long because I'm I'm

25:36 Speaker 2: not I'm not the shy kid that I used to

25:38 Speaker 2: be when I was a kid.

25:39 Speaker 1: Yes, yes, I didn't know you when you were a kid,

25:41 Speaker 1: but it's hard to imagine you shy.

25:43 Speaker 2: I was very shy you were you?

25:44 Speaker 1: Yeah? Oh yeah, oh me too, I can relate to that.

25:49 Speaker 1: You want to do another one?

25:50 Speaker 2: Sure, the next song will be different, it's uh, I'm

25:53 Speaker 2: already there by I'm raising by Life by West Life.

25:56 Speaker 1: West Life, Yes, uh I remember West Life. Now why

26:00 Speaker 1: this song? Now, this song stands out. It's beautiful in

26:03 Speaker 1: that it's it's unlike the other songs, which are sort

26:06 Speaker 1: of standards or classics. One might say this is West Life,

26:10 Speaker 1: a much younger group.

26:12 Speaker 2: Yes, and they they it's a very meaningful song. Oh

26:15 Speaker 2: it's about losing a loved one. Oh yeah, it looks

26:19 Speaker 2: like a love song with the past.

26:21 Speaker 1: Yes, yes, a love song with the past.

26:23 Speaker 2: You lost your wife where you lost a husband.

26:25 Speaker 1: M Okay, yeah, I think I know this song. I

26:30 Speaker 1: think I remember the song all right, So I'm going

26:33 Speaker 1: to uh, I'm gonna do same deal. I'm gonna out

26:36 Speaker 1: here this time. I will remember to make it full screen.

26:39 Speaker 2: You lost to find that I use a lot of

26:41 Speaker 2: my religious bringing in my songs.

26:43 Speaker 4: You do.

26:44 Speaker 2: Yes, it's important to me. Ah fakes as run my life,

26:49 Speaker 2: so it's very important.

26:50 Speaker 1: But do you do any actual religious songs?

26:52 Speaker 2: I do?

26:53 Speaker 1: Oh, you do?

26:53 Speaker 5: I do?

26:53 Speaker 2: Like like what I'm pretty much do them all the

26:57 Speaker 2: old ones and new ones.

26:59 Speaker 1: When I was a kid at Saint John's going to

27:02 Speaker 1: Saint John's School and we would go on Sundays when

27:05 Speaker 1: my dad would take me to church, they would do

27:08 Speaker 1: songs at Saint John's, but they weren't like instead of

27:11 Speaker 1: I mean they would they would be there would be

27:13 Speaker 1: some religiou hymns, but there was also you know, the

27:16 Speaker 1: ones you're used to hearing, but there would also be

27:18 Speaker 1: these other songs that like because they had a band

27:24 Speaker 1: that they would play live, and they would do these

27:26 Speaker 1: songs that were not like classic religious hymns like share

27:29 Speaker 1: a little bit of your love. You ever hear that one?

27:31 Speaker 4: Share?

27:32 Speaker 1: I actually still remember these, like share a little bit

27:34 Speaker 1: of your love, my friends, share a little bit of

27:36 Speaker 1: your love.

27:37 Speaker 2: I do a lot of I'm Roman Catholic and how

27:41 Speaker 2: it was raised. Yes, I do a lot of Seth

27:43 Speaker 2: and Baptist songs. Oh okay, very deep. Yeah, you know

27:47 Speaker 2: it has a lot of meaning.

27:48 Speaker 1: Now do you know have you heard from the Vatican

27:50 Speaker 1: at all about that? Do they approve of you as

27:52 Speaker 1: a Roman Catholic doing Southern Baptist songs?

27:55 Speaker 2: I don't think I need their approval.

27:56 Speaker 1: You're like a cross denominational performer.

27:58 Speaker 2: I am an independent yes artists, and I sing what

28:02 Speaker 2: I want to say.

28:03 Speaker 1: So if the Pope, if the new Pope, he comes

28:04 Speaker 1: in and says, Glenn, I'll sing a song, you'll sing,

28:07 Speaker 1: You'll sing em a song? All right? Well, very good? Okay,

28:10 Speaker 1: So uh, I'll go ahead and click play on this

28:12 Speaker 1: and I'll turn the monitor around. So this is well,

28:14 Speaker 1: let Glenn the artist performing, I'm already there, all right,

28:19 Speaker 1: here we go.

28:19 Speaker 2: This is a relatively new song for me.

28:21 Speaker 1: Oh really okay, Oh, I don't hear anything and I

28:24 Speaker 1: think I know.

28:25 Speaker 2: Whoops, I'm gonna make it takes time.

28:26 Speaker 1: You think you start that over Let's start.

28:28 Speaker 2: That over here we go?

28:31 Speaker 1: All right? Oh yeah, here we go.

28:44 Speaker 2: And enjoy. He called her on that road from a

28:52 Speaker 2: lonely cole hotel room, just to hear her say I

28:58 Speaker 2: love you one more time. And when he heard that

29:05 Speaker 2: sound are the kids laughing in the background, he had

29:11 Speaker 2: to wipe away a tear from his eyes. A little

29:18 Speaker 2: voice came on that boone said, Daddy, when are you

29:23 Speaker 2: coming home? He said the first thing that came to

29:28 Speaker 2: his mind, because I'm all already there. Just take a look,

29:35 Speaker 2: take a look around. I'm that sunshine in your hair.

29:41 Speaker 2: I'm that shadow on that ground. I'm your whisper in

29:47 Speaker 2: the wind. I'm your imaginary friend.

29:53 Speaker 7: And I know.

29:56 Speaker 2: That I'm in your prayers. Oh, I'm all already there.

30:07 Speaker 4: I'm already there.

30:09 Speaker 2: She got back on that telephone, said I really miss you,

30:14 Speaker 2: my darling. Don't worry about the kids.

30:19 Speaker 4: They'll be all right.

30:23 Speaker 2: I wish I was in your arms tonight, laying right

30:27 Speaker 2: there beside you, But I know that I'll be in

30:33 Speaker 2: your dreams tonight, right and I'll gently kiss your lips,

30:41 Speaker 2: touch you with your fingertips. So turn out the light

30:47 Speaker 2: and close your eyes, because I'm all already there. Don't

30:54 Speaker 2: you make a sound tonight on the beat in your heart,

31:00 Speaker 2: on that wond light shining down.

31:04 Speaker 4: I'm your whispering.

31:06 Speaker 2: The wind, and I'll be there until the end. Can

31:14 Speaker 2: you see that love that we shod? But I'm all

31:21 Speaker 2: already there. We may be a thousand, a thousand miles

31:29 Speaker 2: of aw but I'll be with you wherever you are.

31:41 Speaker 2: I'm all already there to take a look.

31:46 Speaker 4: Take a look around, on.

31:49 Speaker 2: That shun shining your hair, on the shadow.

31:54 Speaker 5: On that ground.

31:56 Speaker 2: I'm your whisper in the wind, and I'll be there

32:01 Speaker 2: and until the end. Can you be the love that

32:09 Speaker 2: reach I'm already there yet, I'm all already because I'm

32:31 Speaker 2: already there. Yes, I'm already there.

32:41 Speaker 4: Thank you.

32:42 Speaker 1: Wow. Well let Glenn the artist. But that song you know,

32:46 Speaker 1: I never really paid much attention to the lyrics before.

32:49 Speaker 1: I feel like it's about uh, it's about the supernatural,

32:52 Speaker 1: Like he's threatening to be a ghost and haunt this person.

32:55 Speaker 1: You know, I'm the shadow on the ground. I mean

32:58 Speaker 1: that's creepy.

32:59 Speaker 2: Yeah, what about the part of about don't make a sound. Yeah,

33:03 Speaker 2: that kind of creeped me out a bit.

33:04 Speaker 1: Yeah, that'd be a good Halloween SONGA I.

33:06 Speaker 2: Added that, Oh you had it. It came right behind

33:08 Speaker 2: the shadow things, so it made sense.

33:10 Speaker 1: Oh that, yes, shadow on the ground don't make a sound.

33:14 Speaker 2: Remember I make these songs in my own spooky.

33:17 Speaker 1: You made the song spooky. I like that a little,

33:19 Speaker 1: a little halloween swist.

33:21 Speaker 2: Known that I also need it a little bit spiritual

33:23 Speaker 2: that you've lost someone.

33:24 Speaker 1: I may have taken it the wrong way.

33:26 Speaker 2: I'm still there.

33:27 Speaker 1: Oh okay, I'm sorry. Sometimes I misinterpret thing, but that's

33:29 Speaker 1: something about art, right, you know, you can you can

33:32 Speaker 1: interpret it different ways, you know. And I uh choose

33:35 Speaker 1: to interpret that as somebody dies and they come back

33:38 Speaker 1: as a ghost and they're haunting the person doing scary things,

33:42 Speaker 1: and it's like it turns into like an Amityville horror

33:44 Speaker 1: kind of situation.

33:46 Speaker 2: Created than I guess.

33:47 Speaker 1: So oh, by the way, so speaking of creativity, So

33:50 Speaker 1: our friend, you know Dan Dan Randlett also known as

33:53 Speaker 1: Dan Randall of Dan Randall and the Randlets. He also

33:55 Speaker 1: has a stage name. Yes, he says in the chat room,

33:58 Speaker 1: this is a masterclass vocal control reminiscent of later Sinatra

34:03 Speaker 1: or even Tony Bennett, amazingly beautiful in a style we

34:06 Speaker 1: don't necessarily hear in this day and age, all without

34:09 Speaker 1: auto tune and other overprocessing.

34:12 Speaker 2: And I do both those artists very well.

34:14 Speaker 1: Yes, you do, and you're humble about it.

34:18 Speaker 2: Now why shouldn't I be? I was raised with that music.

34:20 Speaker 2: I was born in pitchy two.

34:21 Speaker 1: Yes, yes, so all right, well, very good? You want

34:25 Speaker 1: to do another one. I don't know if we're going

34:27 Speaker 1: to get through all of these necessarily, but I know

34:30 Speaker 1: the audience wants to hear more.

34:31 Speaker 4: One is.

34:33 Speaker 2: Actually it's better Roses, it's ben Jovi.

34:37 Speaker 1: Oh, this song makes me blush when I hear it.

34:39 Speaker 1: I wonder if I'll have that reaction when you sing it.

34:41 Speaker 2: It's a long song.

34:43 Speaker 1: This is a long song, probably bon Jovi's longest song.

34:46 Speaker 1: Is that why you chose it?

34:47 Speaker 2: Probably my longest?

34:48 Speaker 4: Well?

34:48 Speaker 2: I like this song? Yes, yes, every song I do

34:51 Speaker 2: is a challenge, and I love a challenge.

34:53 Speaker 1: Yes. He also uses a stage name. Did you know that?

34:56 Speaker 4: What is he?

34:57 Speaker 1: John bon Jovi? Is not his real name?

34:58 Speaker 4: Probably not.

34:59 Speaker 1: I believe it's uh uh Bonjie of bon Giovi. I

35:03 Speaker 1: think it's bon Giovi, but uh but he made it

35:06 Speaker 1: bon Jovi. All right, So uh so this is Beat

35:09 Speaker 1: of Roses? And why this song, Glen? It's very romantic?

35:13 Speaker 2: First of all, I am a romantic.

35:15 Speaker 1: I've heard that about.

35:16 Speaker 2: Yes again. The songs that I sing and what I

35:19 Speaker 2: injected them is my life. Okay, how I've lived my life?

35:23 Speaker 1: All right, So you're going to inject some romance with

35:25 Speaker 1: this song?

35:26 Speaker 2: I will all right?

35:27 Speaker 1: Very good, very good.

35:28 Speaker 2: This is a first on the radio on this one.

35:32 Speaker 2: I've done it on my TV show last week. Oh

35:34 Speaker 2: and I've been doing it for the last week now

35:36 Speaker 2: in karaoke, so it's I think I'm ready for it.

35:40 Speaker 1: Wait, so this is the first time then that live

35:43 Speaker 1: read that this version of the song, that's one of

35:46 Speaker 1: my new songs that I'm doing. Your rendition of bet

35:48 Speaker 1: of Roses will be played on the radio.

35:50 Speaker 2: That's right.

35:51 Speaker 1: Well, in that case, you are listening.

35:52 Speaker 2: To TUM and H.

35:56 Speaker 4: World premiere.

35:59 Speaker 1: That's right. It's the world premiere of glennar j Willlett

36:02 Speaker 1: performing that of Roses.

36:05 Speaker 4: Here we go, okay, tee of you.

36:18 Speaker 2: It will play, I hope, so there we go.

36:24 Speaker 4: Oh, Oh the due do do a bed?

36:42 Speaker 2: Of roses is enjoy oh hah ha ha, stitting here,

36:57 Speaker 2: wasted and wounded at this piano, trying hard to capture

37:06 Speaker 2: the moment. This morning, I don't know because a bottle

37:14 Speaker 2: of but are still logged in my head, and some

37:18 Speaker 2: blonde girl things that I'm that does. She's still in

37:22 Speaker 2: my bed as I dream about movies. They won't make

37:29 Speaker 2: me when I'm dead with an icon glade kiss, I

37:38 Speaker 2: wake up and French kiss that morning while some marching

37:45 Speaker 2: band keeps his sound beat in my head while I'm

37:49 Speaker 2: talking about the things that I long to believe about love,

37:58 Speaker 2: the truth, what you really mean to me?

38:01 Speaker 4: And the truth is.

38:06 Speaker 2: Maybe you're all that I need. Oh, I want to

38:14 Speaker 2: lay you down down in at the head of roses.

38:20 Speaker 2: What tonight, Tonight I sleep in a.

38:24 Speaker 5: Bed of names.

38:28 Speaker 2: Oh, I want to be just as close as the

38:34 Speaker 2: Holy ghost is. Oh Lord, and lay you down in

38:42 Speaker 2: a bead of roses.

38:49 Speaker 4: Well, I'm so far away.

38:51 Speaker 2: Each depth that I take is on my way home,

38:58 Speaker 2: and King's Renson dimes and I gave each night to

39:02 Speaker 2: see you on that telephone. Sall I run out of

39:08 Speaker 2: time for It's hard to get through till the bird

39:12 Speaker 2: of the wire flies back to you. I'll just close

39:17 Speaker 2: my eyes and whisper, baby whine, love is true. I

39:26 Speaker 2: want to lay you down down on a bed of

39:31 Speaker 2: roses for the night to night. I sleep in a

39:38 Speaker 2: bed of names.

39:43 Speaker 9: Oh.

39:43 Speaker 2: I want to be as close as the holy ghost is.

39:49 Speaker 2: Oh lord, Oh, and lay you down down in a.

39:57 Speaker 5: Bed of roads.

40:04 Speaker 2: Well, this hotel, bars hangover, whiskeys done dry, and the

40:09 Speaker 2: barkeepers with cook. She's giving me the eye. Well I

40:14 Speaker 2: might have said hi, but I laughed so hard I

40:19 Speaker 2: think I died.

40:22 Speaker 6: Oh yeah, in a bed of roses. I lay you

40:34 Speaker 6: down in a bed, in that bed of roses.

40:41 Speaker 4: Do do do do?

40:42 Speaker 2: Do?

40:42 Speaker 4: Do do do?

40:50 Speaker 2: I want to lay you down down in that bed

40:54 Speaker 2: of roses.

40:57 Speaker 5: Do do do do do?

41:01 Speaker 2: Now, as you close your eyes, know that I'll be

41:05 Speaker 2: thinking about you while my mistress she calls me to

41:13 Speaker 2: stand in her spotlight again tonight. I won't be a

41:20 Speaker 2: long But you know I don't mean I'm not lonely.

41:27 Speaker 2: I've got nothing to prove for its you that I

41:31 Speaker 2: die too defend because I want to lay you down

41:39 Speaker 2: down in a bed of roses.

41:45 Speaker 4: For to night to night. I sleep in.

41:48 Speaker 5: A bed of nails.

41:52 Speaker 2: Oh, I want to be just as close as the

41:57 Speaker 2: Holy Ghost is my lord, Lord, and lay you down down. Oh,

42:11 Speaker 2: I want to lay you down down in a bed

42:16 Speaker 2: of roses. Fortune Night Tune Night, I'll sleep on.

42:24 Speaker 4: A bed of name.

42:28 Speaker 2: I just want to be just as close as the

42:32 Speaker 2: Holy Ghost is.

42:34 Speaker 4: My lord, and lay you down down on a bed

42:45 Speaker 4: of rosy.

42:49 Speaker 1: Thank you, well, thank you. We'll let lend the artist.

42:55 Speaker 2: How did I do?

42:56 Speaker 1: Oh? That was that was great. I noticed it at.

42:58 Speaker 2: The beginning of There's there's a couple of sentences that

43:01 Speaker 2: I'm still working on.

43:02 Speaker 1: Like there was a line in there about a blond

43:05 Speaker 1: in your bed. You kind of stumbled on that a

43:06 Speaker 1: little bit.

43:06 Speaker 2: Yeah, yeah, but uh having in my bed?

43:10 Speaker 1: Whoa? Oh tm I Glenn, whoa, My goodness. All right,

43:13 Speaker 1: you want to do one more, We'll do one more

43:15 Speaker 1: to close out the segment. If you are just joining us, Uh,

43:19 Speaker 1: we'll let Glenn. The artist is here with us, alive

43:22 Speaker 1: in studio.

43:23 Speaker 2: I'll do a share. So it's called believe, but it's enraging.

43:26 Speaker 1: By h oh, I thought you wanted to do uh oh.

43:29 Speaker 2: Yes, the dance.

43:30 Speaker 4: Let's do the dance.

43:31 Speaker 1: I don't have that one. For some reason, when but

43:34 Speaker 1: I thought I did too. Oh last dance, Oh you

43:36 Speaker 1: know what? Oh, I do have it. I'm sorry I

43:38 Speaker 1: close that Apparently I closed that tab out without meaning

43:40 Speaker 1: to the last dance. That's an appropriate uh song to

43:43 Speaker 1: finish the segment, is all right, very good? Let me

43:46 Speaker 1: get that radio.

43:47 Speaker 2: Hey, if you can figure out that last paragraph, what language

43:50 Speaker 2: it is?

43:50 Speaker 1: Yes, I'm very very curious to hear this. Okay, So

43:53 Speaker 1: because Glenn, when you do this song, you're going to

43:55 Speaker 1: do it. Explain again for people just joining us. There's

43:58 Speaker 1: a there's a twist with the song.

44:00 Speaker 2: The way you do it, there is a choice. I

44:02 Speaker 2: do it in three languages, in three languages.

44:04 Speaker 1: Okay, very good? All right, here he is performing in

44:07 Speaker 1: three languages, Glenn r J. Well, I'm sorry. We'll let

44:10 Speaker 1: Glenn the artist. Here we go.

44:14 Speaker 2: The last dance La Danie dance, Do you do do do?

44:25 Speaker 2: Did you do do do?

44:27 Speaker 4: Enjoy?

44:28 Speaker 2: Last dance, lad dance, Pula moo, last dance for love.

44:41 Speaker 2: This is my last dance Ladanie chance poor lahmans tonight.

44:50 Speaker 2: So swa, I need you to ah that mo money

45:04 Speaker 2: beside me, to guide me, and you.

45:12 Speaker 4: Hold me.

45:15 Speaker 5: To scold me.

45:18 Speaker 2: Because when I'm bad I'm allso so so sad enjoy

45:28 Speaker 2: oh lasting Ladie Dunce Lassense Ladonia Dance, commuting along the

45:38 Speaker 2: Lassense Ladonia Dance to night, the Swae lessons.

45:48 Speaker 4: My that pool Lamo last that for love. This is

45:53 Speaker 4: my lasting for romance.

45:57 Speaker 2: Tonight just swa. I need you that bore then that

46:05 Speaker 2: he's that you got me and to hold me.

46:10 Speaker 5: You stole me.

46:12 Speaker 3: So when I'm bad, I'm all to madhead go less

46:17 Speaker 3: dance that Dane down, the lesson that Dna downs come

46:22 Speaker 3: on a lesson that Danne down to night swa.

46:34 Speaker 2: Yeah baby, yeah yeah, yeah, yeah yeah yeah, let John

46:38 Speaker 2: ye down. Let's dance that last dance. Let me be

46:44 Speaker 2: your mystery, right darling. Oh yeah, I can satisfy your

46:53 Speaker 2: appetite for.

46:54 Speaker 8: Dancing, my baby.

46:59 Speaker 2: I never you that you're the one for me, one

47:03 Speaker 2: for me. Well well well well well all that I

47:07 Speaker 2: asked is that you can with me, Darcy Avetmirday with

47:14 Speaker 2: me poor lesson Nadana downs who lah move who lasted

47:24 Speaker 2: for love?

47:25 Speaker 4: This is my lasting for romance to nahhid fir Whi Oh.

47:33 Speaker 2: I need you by me besides these to guide thee

47:41 Speaker 2: and hold me, to stole me because when I'm bad,

47:46 Speaker 2: I'm so so so bad. Yeah.

47:48 Speaker 4: Yeah, to let them.

47:50 Speaker 2: Ladanie down, don't truly God last dance, To let them

47:58 Speaker 2: Nadianie downs.

48:00 Speaker 4: Let us Ladanie dance to re.

48:04 Speaker 2: Lie Swabru Corrido, Karamadi Hirapoo Jadabadindo ran Dandee to Roasta Kataki,

48:27 Speaker 2: Oh lad Grandaddy Dambo Bandi cours dudy Hirambari, do duce

48:39 Speaker 2: you need you body Olida. Oh, Let's dance, Ladanie dance bad,

48:49 Speaker 2: decide me, Oh you hold me?

48:55 Speaker 4: You stole me? And when I'm there, I'm go bad.

48:59 Speaker 5: Let dance.

49:05 Speaker 4: Guide da the last day.

49:09 Speaker 1: To night.

49:10 Speaker 2: It's just why, thank you?

49:12 Speaker 1: Wow, very nice, very nice.

49:13 Speaker 2: So what was that language?

49:14 Speaker 1: Well at glenn uh oh in the last verse there

49:18 Speaker 1: or the last paragraph, as you would say, I don't

49:20 Speaker 1: know what was that.

49:22 Speaker 2: It was creative pigouatin Oh okay, so every time I

49:26 Speaker 2: do it, it's different.

49:28 Speaker 1: See I wasn't sure. Okay, So I'm glad you clarified

49:30 Speaker 1: that for our listeners. I was getting a little bit concerned.

49:32 Speaker 1: I thought maybe I didn't know if that was a

49:34 Speaker 1: language or if you're having a tia. I didn't know

49:36 Speaker 1: if we had to call nine one one. I didn't

49:38 Speaker 1: know what was happening there. Okay, good, good, No, it

49:41 Speaker 1: sounded great.

49:42 Speaker 2: It's it's the fun of music, the fun of us.

49:44 Speaker 2: Can't have fun music.

49:46 Speaker 4: Why are you singing?

49:47 Speaker 5: Yes?

49:48 Speaker 1: Yes, I agree. Well, you clearly have a good time.

49:50 Speaker 2: It's good for my heart, good for my soul, good

49:53 Speaker 2: for my brain. It calms me down and makes me happy.

49:57 Speaker 4: Yes.

49:57 Speaker 2: Why wouldn't I see.

49:58 Speaker 1: Where can we see you live? Whereas when's your next show?

50:01 Speaker 2: I don't know right now. I'm planning on one right

50:03 Speaker 2: now in Springfield at the end of the month, uh huh.

50:06 Speaker 2: And then in August I plan to go to Hartford

50:08 Speaker 2: for the first time and take it from there. I

50:11 Speaker 2: am planning a concert at the Rex Theater. I'm not

50:15 Speaker 2: talking with them, and they'll probably be August or September.

50:17 Speaker 1: Oh so you're in negotiations with the Rex Theater. Yes, wow,

50:21 Speaker 1: very good.

50:22 Speaker 2: It's a very stage. But he definitely wants me to sing.

50:24 Speaker 1: Okay, so okay, excellent, excellent.

50:27 Speaker 2: And then I'll probably be doing one in in the

50:29 Speaker 2: at the in the park where they have the fireworks.

50:32 Speaker 2: That will be uh with probably twenty other artists. Oh,

50:36 Speaker 2: all local. I like the local flare. Yes, and the

50:40 Speaker 2: culture and uh and that will be also a fundraiser

50:44 Speaker 2: for my campaign. As they're running from mayor. I'm excusing me.

50:46 Speaker 2: I'm not running from here. I'm running for all the

50:48 Speaker 2: men in Ward Street.

50:49 Speaker 1: Very good. Oh, you should plug her. You have a

50:51 Speaker 1: television show too, you should plug that.

50:52 Speaker 2: Yes, we'll let it Lodge go on Global. It airs

50:54 Speaker 2: ever reserves day at four to five pm. And I

50:57 Speaker 2: have a lot of guests that come, and it airs

51:01 Speaker 2: in the eighty five countries because I've networked in over

51:03 Speaker 2: twenty years. Wow, that's why it airs early in the

51:06 Speaker 2: morning and all through during the daytime and nighttime.

51:08 Speaker 1: You've gone global.

51:09 Speaker 2: Well that's why it's not call We'll let it lodge

51:12 Speaker 2: gone global.

51:12 Speaker 1: Yes, yes, well, very good. Well Glenn, thank you so much.

51:16 Speaker 1: This is a pleasure. Thanks for having been a while

51:17 Speaker 1: since we've been able to do this, so I very

51:19 Speaker 1: much appreciate you.

51:20 Speaker 2: What do you think?

51:21 Speaker 1: Great? Great, it's but you know, I'm just happy to

51:24 Speaker 1: see you.

51:24 Speaker 2: It's something in the work. Yes, it can only get better. Yes, yes,

51:28 Speaker 2: you will let it large gn Global or we'll let Glenn.

51:32 Speaker 1: We'll let Glenn. Very good, very good, All right, well,

51:35 Speaker 1: thank you, thank you Glenn,