Matt Connarton Unleashed 3-1-25 hour 2

0:00 Speaker 1: WMNH will rip the doubles.

0:16 Speaker 2: Fifty something years now, going up and smoke twenty thousand

0:22 Speaker 2: days behind.

0:24 Speaker 3: It's just a couple more to do, and it's alright,

0:27 Speaker 3: it's alright.

0:30 Speaker 2: Gotta have a little face.

0:37 Speaker 4: Could have seen it coming somewhere down the line, buried

0:43 Speaker 4: in some double helics underneath ourselves a bat But it's alright.

0:48 Speaker 2: It's all right. Everything is in its leg.

0:58 Speaker 5: Seems so to me.

1:02 Speaker 6: Nothing could have changed.

1:08 Speaker 7: Seems so mad to me, nothing.

1:12 Speaker 6: Could have play.

1:24 Speaker 8: Hearts are feeling heavy, bodies get week, we will waste

1:30 Speaker 8: away together, fade into that sweet rely, It's.

1:34 Speaker 2: All right, it's alright, gotta have a little space.

1:44 Speaker 7: Seems so clear to me.

1:48 Speaker 6: Nothing could have changed, so cud, nothing couldn't lay.

2:36 Speaker 2: Who's us on the mountain? All upon the road I've been.

2:42 Speaker 9: Reaching down to holding me up and bear this heavy though.

2:47 Speaker 9: It's all right, it's all right, everything is in its place.

2:57 Speaker 9: It's alright, it's all right.

3:01 Speaker 2: I'm an.

3:07 Speaker 5: Same So jeez, chang seems so hmmm.

3:31 Speaker 10: I really like that a lot. That it's called a

3:33 Speaker 10: couple more to go. That is Ian Gallipo, who is

3:35 Speaker 10: here with us alive in studio and We're gonna talk

3:37 Speaker 10: in just a moment, but welcome back everybody. We have

3:40 Speaker 10: entered our number two New Marrow dose of Matt Connorton Unleashed.

3:44 Speaker 10: We are live from the studios of w m n

3:47 Speaker 10: H ninety five point three FM and Glorious Manchester, New Hampshire,

3:50 Speaker 10: and of course you can stream the show at Matt

3:52 Speaker 10: connorton dot com slash Live. Today is Saturday, March first,

3:57 Speaker 10: twenty twenty five. Jenny is here at the news table

4:00 Speaker 10: present account of bar and we have Ian Gallipo here

4:03 Speaker 10: with us. Welcome in. Oh, I can't hear you, and

4:06 Speaker 10: I need to figure out why. Actually that's strange that

4:12 Speaker 10: Mike should be on. Yeah, can you bounce over to

4:14 Speaker 10: that that chair please. I don't know why that's not working.

4:20 Speaker 10: That's weird. I'm not getting anything out of it. Okay,

4:22 Speaker 10: let's we'll try We'll try that one. Oh, I can

4:27 Speaker 10: hear you bet Yeah, yeah, awesome, excellently, you sound great. Yeah,

4:32 Speaker 10: that's weird that that mic isn't working at all. That's

4:34 Speaker 10: that's really strange. I'll have to look at it afterward.

4:37 Speaker 10: But uh, so welcome. Uh your music has actually been

4:40 Speaker 10: featured on the show before by the way we should say,

4:42 Speaker 10: because you, of course are in the band Modern Fools.

4:46 Speaker 11: I am in the band Modern Fools.

4:48 Speaker 10: You were not here for the for the interview. But

4:50 Speaker 10: but but so we have played your music before. I'm

4:53 Speaker 10: gonna just that just that camera there too for people

4:57 Speaker 10: watching online so they can see you. But no, but

4:59 Speaker 10: I I love your I love I love Modern Fools,

5:01 Speaker 10: but I love your solo stuff too. That is such

5:03 Speaker 10: a great track. A couple more to go. Really really

5:06 Speaker 10: like that. Where did you record that?

5:09 Speaker 11: It's entirely recorded at home?

5:10 Speaker 10: Oh?

5:10 Speaker 11: No kidding, Yeah, yeah, I've got a home studio set up.

5:14 Speaker 11: Did the entire album in my in my studio room.

5:17 Speaker 10: Oh that's incredible. It sounds like it was done in

5:19 Speaker 10: a million in a million dollars studio. It really does,

5:21 Speaker 10: it really does. But it's you know, it's it's remarkable.

5:23 Speaker 10: We talk a lot about uh technology, of course, as

5:26 Speaker 10: we were as we were in the previous segment, and

5:30 Speaker 10: you know, we live in a time where you can

5:31 Speaker 10: really get an amazing recording out of a home studio.

5:34 Speaker 10: I'm old enough to remember when your only real option

5:37 Speaker 10: was I go to a studio and pay a lot

5:40 Speaker 10: of money, or if you were gonna stay at home.

5:43 Speaker 10: I don't know if you've ever seen one of those

5:45 Speaker 10: little task scam recorded? Is that what you started on yet? Okay, okay,

5:51 Speaker 10: So now though, I mean it's it's incredible what you

5:54 Speaker 10: can do.

5:55 Speaker 11: And oh it's amazing. Yeah, I mean all of the

5:58 Speaker 11: the DAW's I work in logic. But you know your

6:00 Speaker 11: home studio setup, you can there are professional albums rights.

6:05 Speaker 11: Whole first album was recorded in the basement. I didn't

6:08 Speaker 11: know that Church is a home recording.

6:10 Speaker 10: Oh I didn't. I had no idea. I did not

6:12 Speaker 10: know that. So do you do everything on the album?

6:16 Speaker 10: Are you? Are you playing everything?

6:17 Speaker 11: And I play everything?

6:19 Speaker 10: Oh that's incredible.

6:20 Speaker 11: Drums, keyboards, guitars, bass.

6:22 Speaker 10: Yeah, oh that's fantastic. Good for you, Good for you.

6:24 Speaker 10: And that makes it easier too, in the sense that

6:26 Speaker 10: I mean, well, I mean it's not easier in the

6:28 Speaker 10: sense that it's a lot of work, right, but but

6:30 Speaker 10: you get to create your vision of what you wanted

6:33 Speaker 10: to sound like without anybody kind of messing it up.

6:36 Speaker 11: Right, Yeah, Oh for sure. Yeah, it's it's it's an

6:41 Speaker 11: interesting process, right, doing it all yourself. It was. I

6:44 Speaker 11: had a release show this past weekend, right. The album

6:46 Speaker 11: came out of the twenty second and I had a

6:48 Speaker 11: release show with a full band, and it was so

6:51 Speaker 11: cool to hear these songs come to life, like these

6:53 Speaker 11: arrangements that I'd played one piece at a time. Yeah,

6:56 Speaker 11: played by a five piece band with me was was

6:58 Speaker 11: pretty special.

6:59 Speaker 10: Yeah. When when that happens, though, is it because obviously

7:06 Speaker 10: it's great to hear them come alive, But is there

7:08 Speaker 10: any part of you that is nervous about what if

7:11 Speaker 10: they don't sound exactly like how I want? Or are

7:14 Speaker 10: you able to just let that go and just enjoy?

7:17 Speaker 10: Because in a sense, who is kind of an adventure?

7:19 Speaker 12: Right?

7:19 Speaker 11: Who?

7:19 Speaker 10: How are these going to sound with other musicians playing

7:21 Speaker 10: them with me?

7:22 Speaker 11: It's certainly an adventure. Yeah, And I trusted the musicians

7:25 Speaker 11: I was working with. Yeah, I picked these five people

7:28 Speaker 11: specifically because I trust their taste and their vision. Whether

7:32 Speaker 11: they're going to play exactly the part that I wrote,

7:34 Speaker 11: whatever they come up with modification of that, he's going

7:37 Speaker 11: to be interesting.

7:38 Speaker 10: Yeah.

7:39 Speaker 11: Good. I didn't just find guys on Craigslist to play

7:41 Speaker 11: the songs with, Like that would be nerve wrecking.

7:44 Speaker 10: Yeah, that would be, no doubt, no doubt, any members

7:46 Speaker 10: of Modern Fools who played them with you.

7:48 Speaker 11: Yeah. One member of Modern Fools came, the guitarist John

7:51 Speaker 11: who you met a few months ago. Okay, he came

7:54 Speaker 11: and played and I played with those guys all the time. Yeah.

7:56 Speaker 11: He specifically did not want the Ian Gallipo and the

8:00 Speaker 11: Modern Fools release show, right, so I had to limit

8:03 Speaker 11: limit the band to maybe one member.

8:05 Speaker 10: No, that makes sense, that makes sense. Who else were

8:09 Speaker 10: other people that we would know from other bands who

8:11 Speaker 10: played with you that for that show?

8:13 Speaker 11: Or you might know one name Ethan McBrien. He's the

8:16 Speaker 11: frontman of the band Party of the Sun.

8:18 Speaker 10: Okay, yeah, I don't think we've ever had Party of

8:21 Speaker 10: the Sun on the show, but I am familiar with

8:23 Speaker 10: the band.

8:23 Speaker 11: Yeah, yeah, okay, he played bass. Very cool bass player. Yeah,

8:27 Speaker 11: for a band that doesn't have a bass player, he's

8:30 Speaker 11: a fantastic bass player.

8:31 Speaker 10: Oh that's awesome. So what in terms of playing live

8:34 Speaker 10: your solo material, what's what's the plan going forward? Do

8:37 Speaker 10: you plan to do that again or or are you

8:39 Speaker 10: planning to play out with your solo I mean, obviously

8:41 Speaker 10: Modern Fools keeps you kind of busy too.

8:43 Speaker 11: Modern Fools keeps me plenty busy. Yeah, I play all

8:46 Speaker 11: of these songs as a not all of the ones

8:48 Speaker 11: on this album, but I'm a solo performer predominantly. Yeah,

8:52 Speaker 11: this whole album is different for me. I composed all

8:55 Speaker 11: these songs on piano, oh wow, which is not an

8:58 Speaker 11: instrument that I normally play. Have been a guitar for

9:00 Speaker 11: twenty years. I picked up piano a little bit during COVID. Yeah,

9:04 Speaker 11: and writing on piano was different. So now I've adapted

9:07 Speaker 11: most of these songs to work on guitar, which I'm

9:10 Speaker 11: excited about sharing them in that way. Yeah. I don't

9:13 Speaker 11: know how much band performance I'm going to do, just

9:15 Speaker 11: because there's a lot of logistics. Right, Being in modern

9:18 Speaker 11: fools is enough. Yeah, Band relationships are complicated. Yeah, and

9:23 Speaker 11: I think the songs carry They're different, but it was

9:25 Speaker 11: fun to do them with a band. For sure. I

9:27 Speaker 11: absolutely would in the right context, but it's not something

9:30 Speaker 11: I want to pursue, like we need to be playing

9:32 Speaker 11: four or five shows a month. Yeah, band, it's too much.

9:34 Speaker 10: So your solo material, you're comfortable just you and a guitar,

9:38 Speaker 10: I assume, or are you or do you ever bring

9:40 Speaker 10: a keyboard?

9:41 Speaker 11: I never bring a keyboard. I anything that I've written

9:43 Speaker 11: on a keyboard, I've figured out some way to play

9:46 Speaker 11: it on guitar or not play it at all.

9:47 Speaker 2: Yeah.

9:48 Speaker 10: Are there songs that you've had to say this one

9:51 Speaker 10: doesn't translate to guitar well enough, and I'm not going

9:54 Speaker 10: to play this one, or you ever run into.

9:56 Speaker 11: That, or yeah, there are a couple on this don't work.

10:00 Speaker 10: Yeah, don't work in terms of does the vibe just

10:04 Speaker 10: completely change.

10:05 Speaker 11: Or yeah, the vibe is too different, or I'm just

10:08 Speaker 11: not technical enough to do exactly like I can do

10:12 Speaker 11: something close usually, Yeah, but some of it's really dependent

10:15 Speaker 11: on the bounce of a piano. Yeah, doing the same

10:18 Speaker 11: chug on a guitar sounds right right different?

10:20 Speaker 10: That makes sense. Yeah, that makes sense. Now, what about

10:23 Speaker 10: the so on the album? What about the drums?

10:27 Speaker 11: Are those live drums or are they programmed or it's

10:30 Speaker 11: all programmed or you know, it's all sampled. A lot

10:32 Speaker 11: of it. I've played on a keyboard, yeah, as a drummer,

10:36 Speaker 11: and then I've got to write an electronic drum set

10:39 Speaker 11: that plugs in for me as well.

10:40 Speaker 10: Oh okay, great. Yeah, that's something that's changed a lot

10:43 Speaker 10: too over the years. Technologically, the advances with that because

10:46 Speaker 10: I like, I remember I remember being a kid and

10:49 Speaker 10: having a keyboard with drum sounds on it, but they

10:52 Speaker 10: they sounded so fake.

10:53 Speaker 11: Oh, they sound so fake.

10:55 Speaker 10: And then you know, and there were also these programmable

10:58 Speaker 10: these standalone programmable Drumshe means that some of them, like

11:04 Speaker 10: you could get a realistic sounding The problem with those,

11:07 Speaker 10: again this is going back many years, but the problem

11:09 Speaker 10: with those was you could get a really realistic sounding snare,

11:13 Speaker 10: but the toms would always sound terrible and the symbols

11:17 Speaker 10: would sound even worse. Yeah, But but now it's it's

11:21 Speaker 10: remarkable what you can do.

11:23 Speaker 11: Oh, it's unbelievable. What maybe I mean? Uh, the guys

11:26 Speaker 11: in my band were like, where'd you record these drums? Yeah, like, no, no,

11:30 Speaker 11: there are a couple of obviously electronic pieces in there. Yeah,

11:33 Speaker 11: but the ones that are acoustic are well sampled. Yeah,

11:37 Speaker 11: they've got that full dynamic range and you really it's

11:40 Speaker 11: hard to tell unless you know, not real drums.

11:43 Speaker 10: Yeah. Oh that's fantastic. Yeah, it's uh, that's a great compliment,

11:46 Speaker 10: right when somebody says to you, hey, where you know,

11:48 Speaker 10: where'd you record these drums? Yeah? That's great, that's great.

11:52 Speaker 10: How is your is your approach to songwriting different as

11:56 Speaker 10: a solo artist versus with Modern Fools, or because I

11:59 Speaker 10: don't know if with solo stuff, is that all self

12:01 Speaker 10: written or do you collaborate with other writers?

12:04 Speaker 2: Oh?

12:04 Speaker 11: Yeah, great question. I love collaborating with people. Yeah, everything

12:08 Speaker 11: on this record I wrote, and most of my co

12:13 Speaker 11: writes in in my life have been for the other artist. Okay,

12:19 Speaker 11: but there's a handful of songs that I wrote with

12:21 Speaker 11: other people, that I've written with John from Modern Fools

12:23 Speaker 11: that we that I play soul artists. As far as

12:27 Speaker 11: Modern Fools, almost all of that is written by Josh,

12:31 Speaker 11: the singer. I've I've tweaked some lyrics here and there,

12:34 Speaker 11: but it's we're working towards collaborative writing. It's just a

12:39 Speaker 11: it's a stretch anytime. There's a lot of vulnerability when

12:42 Speaker 11: you write with somebody. Yes, and it's yeah, Josh and

12:46 Speaker 11: I are working towards that.

12:47 Speaker 10: Yeah. No, that's very cool, that's very cool. How many? So,

12:51 Speaker 10: how many songs have you recorded? Just as as Ian Gallipo,

12:54 Speaker 10: Because from what I looked at on band camp, it

12:56 Speaker 10: looks like you've you've got quite a bit of solo material.

12:58 Speaker 11: There's a decent amount of souloal, I think there's fifty

13:02 Speaker 11: or so on on streaming.

13:04 Speaker 10: Oh that's even more than I realized. Wow, oh that's

13:07 Speaker 10: quite a bit.

13:08 Speaker 11: There's two full albums, a couple of epe's, a bunch

13:11 Speaker 11: of singles, there's there's this a good volume of of

13:16 Speaker 11: solo material.

13:17 Speaker 10: Yeah when did you How long have you been writing

13:22 Speaker 10: and recording solo material, because that's a lot of material.

13:25 Speaker 10: I assume that's over a span of a few years. Anyway.

13:28 Speaker 11: That is the oldest stuff that's on any of the

13:31 Speaker 11: streaming platforms is from twenty eighteen, Okay, so seven years.

13:35 Speaker 11: There's a few other a couple of other albums that

13:38 Speaker 11: are only on my band camp from before that first

13:42 Speaker 11: solo album I think was twenty eleven. Oh okay, when

13:45 Speaker 11: I was in a band called Honest Thieves for a

13:49 Speaker 11: few years.

13:49 Speaker 10: Yeah.

13:50 Speaker 11: We released an album in twenty fourteen, which is still

13:52 Speaker 11: up on my band camp kind of a rock and

13:54 Speaker 11: roll thing.

13:55 Speaker 10: Oh no, kidding, Okay, cool. I think I've heard of,

13:59 Speaker 10: or maybe I just feel like I've heard of, Honest

14:02 Speaker 10: Theves because that's such a cool name. That is a

14:04 Speaker 10: cool name. But if the name is familiar, to me. Yeah,

14:09 Speaker 10: so then, now, so how long have you been with

14:12 Speaker 10: Modern Fools? That that that that hasn't been as long

14:15 Speaker 10: as you've been doing the solo material, right, because.

14:17 Speaker 11: That's no, it has not. I joined up with Modern Fools.

14:21 Speaker 11: It's been just over three years now, he's late twenty

14:26 Speaker 11: twenty one, okay, And I started playing bass with those guys.

14:29 Speaker 11: And I mean I've been playing with various members of

14:32 Speaker 11: Modern Fools for a long time.

14:33 Speaker 10: Yeah.

14:33 Speaker 11: That's always the you know, the rotating cast of any

14:36 Speaker 11: of any music community, right, you know, I'm over and keen,

14:39 Speaker 11: and so there's a degree of I've played with everybody

14:43 Speaker 11: there to some degree. Yeah, but yeah, I've been playing

14:46 Speaker 11: with the drummer of Modern Fools since high school cool

14:49 Speaker 11: together with John the guitarist for twelve years now. He

14:53 Speaker 11: was in Honest Thieves. Oh okay, so yeah, just a

14:56 Speaker 11: rotating cast, but three and a half years or so

14:59 Speaker 11: with Modern Fools, playing bass and singing the harmonies.

15:02 Speaker 10: Excellent, excellent. The songs that we're playing today are these

15:06 Speaker 10: all from the latest release.

15:07 Speaker 11: Everything is from the latest release.

15:09 Speaker 10: And is that a I forgot? How is that a

15:10 Speaker 10: full length or an EP full length? It's length Okay, Well,

15:14 Speaker 10: was there anything that went into any anything specific that

15:18 Speaker 10: went into that decision, you know, because obviously, again, we

15:20 Speaker 10: live in a time where you've got so many different

15:22 Speaker 10: options in terms of how you release music. Some people

15:24 Speaker 10: just release singles, some people decide to do an EP,

15:27 Speaker 10: some people decide to do a full album. Was there

15:33 Speaker 10: was there any particular reason you decided to do a

15:34 Speaker 10: full album. Do these songs have a sort of cohesive

15:38 Speaker 10: connection to them or they do each other.

15:41 Speaker 11: Yeah. It started out I thought it was going to

15:43 Speaker 11: be an EP. I thought I'd weed a couple of

15:44 Speaker 11: the songs out as I as I went through, and

15:46 Speaker 11: then I started going and I'm like, oh, I got

15:49 Speaker 11: nine songs and maybe i could write there's one instrumental

15:52 Speaker 11: piece that's again piano bassed. It was like, ten is

15:54 Speaker 11: a nice even number. It feels like a full album. Yeah,

15:58 Speaker 11: these all are are Coe said in that again, they're

16:01 Speaker 11: the subset of songs that I've ever written on piano,

16:03 Speaker 11: which was sort of unique. And as I dove into

16:06 Speaker 11: them and worked on them, I found that that there's

16:10 Speaker 11: just a lot of nostalgia built into this set of songs.

16:13 Speaker 11: For whatever reason, writing on piano brings that out of me.

16:16 Speaker 11: Being a dad brought that out of me a bit.

16:18 Speaker 11: I've got two daughters at home. Yeah, and I was

16:21 Speaker 11: never a nostalgic person, and I have kids, and now

16:23 Speaker 11: I'm very aware of moments passing, Right, it gives you

16:26 Speaker 11: that a different perspective. So these songs are all all

16:31 Speaker 11: sort of looking backward in some degree. Some of them

16:34 Speaker 11: are stories that are true for my life. Some of

16:36 Speaker 11: them are borrowed from other people. Right. A couple More

16:38 Speaker 11: to Go is about this older friend of mine watching

16:44 Speaker 11: her fifty year marriage not fall apart, but watching her

16:48 Speaker 11: partner pass and doing it with more dignity than I've

16:51 Speaker 11: ever seen anyone do that. So anyway, it's not all sadness,

16:56 Speaker 11: but it's all there's kind of this rose colored glasses

16:59 Speaker 11: look backwards that that ties these songs together. Faited Pictures

17:04 Speaker 11: is the title track, which isn't one that will listen

17:06 Speaker 11: to today, but it kind of prompted the idea for

17:09 Speaker 11: the album art of all these pictures of just my

17:12 Speaker 11: photo album yeah, my family photo albums mashed together, and

17:15 Speaker 11: so yeah, it's a it's a look back. It's reflective,

17:20 Speaker 11: kind of just escaping from some of the turmoil. Of

17:23 Speaker 11: the last couple of years backwards.

17:25 Speaker 10: Did you did you create the cover art yourself? I mean,

17:28 Speaker 10: obviously that's your your photo albums, but did.

17:31 Speaker 11: You did oh very cool, too much, too much the Gallipo,

17:36 Speaker 11: They did every single piece of it.

17:37 Speaker 10: No, I think that's fantastic. I think that's that's excellent.

17:41 Speaker 10: We should play another track. What should we play next?

17:43 Speaker 10: We just played a couple more to go to open

17:45 Speaker 10: the segment, but I'd love to play another one.

17:47 Speaker 11: Yeah, let's let's do only Ever Always only over a

17:51 Speaker 11: second track on the album.

17:53 Speaker 10: What What should we know about this song?

17:56 Speaker 2: Any?

17:56 Speaker 10: Any? Any song?

17:58 Speaker 11: Is what Let's see? I wrote this. It was inspired

18:02 Speaker 11: by a book that I was reading and it just

18:06 Speaker 11: had this really beautiful love story that sort of creeps

18:08 Speaker 11: up on you. The second Chance that I thought was

18:11 Speaker 11: really beautiful, And part of this song actually came from

18:14 Speaker 11: a prompt. I was in a songwriter's group and we

18:16 Speaker 11: were doing weekly prompts last April, and because everything had

18:21 Speaker 11: started to turn green, the prompt was used the word

18:24 Speaker 11: green somewhere in your song, and it's snuck in there

18:26 Speaker 11: in the chorus. This was the song written for that.

18:28 Speaker 10: I just have to say though, before we play the song.

18:31 Speaker 10: This is one of those weird synchronicities. Jenny's heard me

18:33 Speaker 10: talk about this. So this concept of writing prompts had

18:39 Speaker 10: never really come upon the show before. But last night

18:42 Speaker 10: I was on because there's a show here that Arizon

18:44 Speaker 10: Friday nights at six pm called Granted State of Mind.

18:47 Speaker 10: You might know. Do you know Rob Azevito? I met

18:50 Speaker 10: Rob yet okay, yeah, and he has Pembroke City limits

18:52 Speaker 10: and everything. But so I was here for that to

18:54 Speaker 10: help Rob set up Mike's for a sound because Katie

18:57 Speaker 10: Dobbins yeah, came in and played live sweet and the

19:00 Speaker 10: subject of writing prompts came up. She was talking about

19:03 Speaker 10: using using prompts, you know, to to help give her

19:06 Speaker 10: ideas for songs. And I never really heard anyone talk

19:08 Speaker 10: about it that way before. And and then you you

19:11 Speaker 10: mentioned prompts. It's funny. Those moments are so interesting to me. Yeah, yeah, yeah,

19:16 Speaker 10: but uh, all right, so let's give this a spin.

19:19 Speaker 10: If you are just joining us, Ian Gallipo is here

19:22 Speaker 10: with us in studio, and uh, this is great. This

19:25 Speaker 10: is called only Ever Always.

19:36 Speaker 13: I was falling gently, settled in the silence of frozen dark,

19:42 Speaker 13: an empty hibernation.

19:45 Speaker 14: You.

19:45 Speaker 13: We were there to catch me, drawn in by the

19:49 Speaker 13: wildness of broken heart. Oh kind of patience.

19:55 Speaker 2: In your hands, my.

19:57 Speaker 5: World, in all the world, A light.

20:04 Speaker 3: Buzz on the branches over there like a side cornassy.

20:10 Speaker 4: It's capturing the light stall in the second chances and

20:15 Speaker 4: light in your right.

20:16 Speaker 13: There's no wrong right, no more wrong or right. There's

20:21 Speaker 13: only ever always, And running from the heartache certain in

20:38 Speaker 13: the distance we had put behind the best could only

20:42 Speaker 13: change us. Love was like an earthquake, overwhelming and escapable

20:49 Speaker 13: and violent.

20:50 Speaker 2: So we let into cuz.

20:53 Speaker 15: In worlds and for everything, scream all the world.

21:00 Speaker 2: Light it's on the branches, and.

21:06 Speaker 13: Come back seas, capturing light stole in the second chances

21:13 Speaker 13: and the moon night, And you're right. There's no wrong right,

21:17 Speaker 13: no one wrong right, probably ever always is.

21:47 Speaker 10: I love the way that ends. I didn't even want

21:49 Speaker 10: to talk over the end of it. That's so cool.

21:51 Speaker 10: That's Ian Gallipo. Only ever always is the name of

21:54 Speaker 10: the track. That's really nice. I love the I love

21:58 Speaker 10: the choruses on these and the you know the obviously

22:03 Speaker 10: you know you're how many? How many layers of vocals

22:06 Speaker 10: are on like that a song? I'm such a recording nerd,

22:09 Speaker 10: so I asked these weird, great weird questions. Probably nobody

22:12 Speaker 10: else care how many layers of vocals, but I'm just

22:15 Speaker 10: curious because it just sounds so good.

22:17 Speaker 11: Thank you so much. No, I love the recording nerd

22:20 Speaker 11: conversations here. That song has got I think nine layers

22:26 Speaker 11: of vocal. Okay, so it's it's like a four part harmony.

22:30 Speaker 11: My wife is singing the highest right, the female voice,

22:34 Speaker 11: he's got two parts, and then I'm doubling the lead

22:37 Speaker 11: vocal and singing two underneath it. Okay, So it's like

22:41 Speaker 11: a five part harmony with nine total voices layered in.

22:44 Speaker 10: Oh nice, Yeah, it sounds was that hard to get

22:47 Speaker 10: that right? Like like the way you wanted it? Because

22:50 Speaker 10: that's kind of complex working all that out, or maybe

22:53 Speaker 10: it's not. Maybe, So I know, sometimes it can be

22:56 Speaker 10: kind of instinctive when you're working out harmonies, but.

22:58 Speaker 11: I working at harmonies is like my favorite nerd thing

23:02 Speaker 11: to do. Oh I love it. So it's a little tricky,

23:08 Speaker 11: but it's a lot of fun. Like I do all

23:10 Speaker 11: that most of the harmony arrangements for modern fools as well.

23:13 Speaker 11: Right when I was singing with with Josh and when

23:16 Speaker 11: we record together with two voices, it's always interesting, like

23:20 Speaker 11: what what can we do that isn't just tight thirds? Right?

23:24 Speaker 11: And so I know this is like music theory nerd stuff,

23:27 Speaker 11: but yeah, it's complicated, but it's it's fun and I

23:31 Speaker 11: love when I am recording and I have license to like, oh,

23:35 Speaker 11: I can just fill this course up with a five

23:37 Speaker 11: part gigantic thing.

23:40 Speaker 10: How long did it take to record the to record

23:42 Speaker 10: the album?

23:43 Speaker 11: The album was over the course of maybe eight months. Okay, again,

23:49 Speaker 11: all done at home, and it's it's the challenge in recording.

23:54 Speaker 11: It is is always just finding the time, right. I

23:56 Speaker 11: work full time and I've got children, so it's loud

23:59 Speaker 11: in the house for most of the hours.

24:01 Speaker 10: Of the day. Did you do all the did you

24:05 Speaker 10: do the mastering to yourself?

24:06 Speaker 11: Or did you say I had it mastered by a

24:10 Speaker 11: guy named Jim Bergson who's over in Boston area. Okay, okay, yeah,

24:14 Speaker 11: I record it. I did all of the mixing. It

24:16 Speaker 11: was mastered separately.

24:18 Speaker 10: Excellent. Now, why Jim Jim Bergson is that his name?

24:21 Speaker 11: That's his name?

24:22 Speaker 10: How did how did you choose him? Because You've got

24:24 Speaker 10: a lot of options. What what led you to work

24:27 Speaker 10: with him.

24:27 Speaker 11: There are so many options. He and I had connected

24:30 Speaker 11: via Instagram maybe last early last year, and he had

24:34 Speaker 11: reached out a handful of times, just like, Hey, if

24:36 Speaker 11: you've got any projects, just keep me in touch. I

24:39 Speaker 11: really like your writing. I'd love to work with you.

24:41 Speaker 11: And I've worked with a handful of other mastery engineers

24:44 Speaker 11: who all did a great job. But I wanted to

24:46 Speaker 11: give Jim a swing. He's a good guy and.

24:50 Speaker 10: He did a great job, did a great job, knocked

24:51 Speaker 10: it out of the park. I would say, yeah, absolutely,

24:54 Speaker 10: Oh that's very cool. That's very cool. Now what is

24:57 Speaker 10: your Obviously you're always right, right, So I'm curious. Uh,

25:02 Speaker 10: and this this hasn't been out that long, right then.

25:05 Speaker 11: Week a week's Saturday?

25:07 Speaker 10: What's that new? Okay, jeez, So do you plan to

25:12 Speaker 10: I don't know if you're thinking this far ahead? Do

25:14 Speaker 10: you plan Do you have another release already kind of

25:16 Speaker 10: in mind or are you just kind of focused on

25:19 Speaker 10: on this one in the moment or because you're probably

25:21 Speaker 10: always writing, I'm sure you've got a lot of ideas.

25:23 Speaker 11: Always writing. Yeah, and yeah, I don't have a concrete,

25:32 Speaker 11: certain set that I'm going to release. I've got another

25:35 Speaker 11: single that I worked with an online producer to flesh

25:38 Speaker 11: out is my first time ever just handing a song

25:40 Speaker 11: over and being like, yeah, you do all the instruments. Oh,

25:44 Speaker 11: and I'm really excited with how that came back. So

25:46 Speaker 11: I'm gonna work with him on a handful of more songs.

25:48 Speaker 11: But so that song is called on borrowed time, that'll

25:51 Speaker 11: come out. I don't have a date, but certainly by

25:54 Speaker 11: the by Memorial Day. Oh okay, I'm going to move

25:56 Speaker 11: on from not move on from these songs quickly. But

25:59 Speaker 11: I've got a backlog of like fifty more songs that

26:02 Speaker 11: I think deserve release, and I'm thirty six. I can't

26:05 Speaker 11: just wait forever to do this. So this is like

26:07 Speaker 11: the year that I'm doing two full albums for sure. Wow,

26:11 Speaker 11: at least another handful of singles on top of it.

26:14 Speaker 10: Oh, that's great, that's great. When you play live solo,

26:19 Speaker 10: do you, I mean you obviously have a lot of

26:23 Speaker 10: your own material to draw from. Do you also play

26:25 Speaker 10: some covers or do you are you able to do

26:27 Speaker 10: shows where you just play your own.

26:28 Speaker 11: Stuff or I predominantly play my own material. Good, there's

26:34 Speaker 11: so much of it that, even like I've worked with

26:38 Speaker 11: I play breweries and things like three hours. In that

26:42 Speaker 11: three hours, right, there's a couple of ten minute breaks,

26:44 Speaker 11: and I'm playing maybe five covers over the course of

26:47 Speaker 11: three hours. Like it's it's mostly original music, which is

26:54 Speaker 11: a way to do it. I don't know if it's

26:56 Speaker 11: the best strategy, but it's the strategy that I choose.

26:58 Speaker 10: If it's working for you, working for you, yeah, I say,

27:01 Speaker 10: run with it. That's great, that's great. I'm also curious

27:04 Speaker 10: about influences I hear. I think a little bit of

27:09 Speaker 10: Ben Folds.

27:10 Speaker 11: Maybe, Oh man, I love Ben Folks. Yeah, yeah, I

27:13 Speaker 11: think he's an absolute genius.

27:15 Speaker 10: I also thought maybe I don't know so much on

27:18 Speaker 10: that one. But the other one we played a little

27:20 Speaker 10: bit James Taylor is that is he and.

27:22 Speaker 11: Your James Taylor is very much in my in my

27:25 Speaker 11: wheelhouse as well.

27:26 Speaker 10: I think one of the greatest songwriters of all time. Personally,

27:28 Speaker 10: James Taylor is incredible.

27:30 Speaker 11: Agreed. Yeah, And when he knocks it out of the park,

27:32 Speaker 11: there's nobody better.

27:34 Speaker 2: Yeah.

27:34 Speaker 11: Yeah, He's got some absolutely great songs. So certainly you've

27:38 Speaker 11: picked two that I absolutely love. Other influences that you'd

27:42 Speaker 11: certainly hear on this album the postal Service. Right, Ben

27:46 Speaker 11: Gibbard death Cab for Cutie is another big influence.

27:49 Speaker 10: Yeah, that one never occurred to me, but now that

27:51 Speaker 10: you mentioned it, I can hear it. Yeah, now as

27:53 Speaker 10: you mentioned it.

27:54 Speaker 11: Yeah, other you know piano writers that I really look

27:59 Speaker 11: up to. Randy Newman, Okay, someone I discovered not late

28:04 Speaker 11: in life because I'm not an old man, but later, right,

28:07 Speaker 11: I grew up and he was the Toy Story guy. Yeah,

28:10 Speaker 11: it was You've got a friend in me. And and

28:12 Speaker 11: then I was reading a Ben Folds interview whatever was

28:16 Speaker 11: ten years ago, and he's he said Randy Newman was

28:18 Speaker 11: one of his biggest influences. What am I sleeping on here?

28:21 Speaker 11: And going deeper back into his discography, it was amazing,

28:26 Speaker 11: you know the album's Little Criminals or or good old

28:29 Speaker 11: boys like he's just incredible.

28:32 Speaker 10: Yeah.

28:32 Speaker 11: Any any Frank Zappa, No Frank Zappa, Okay, I got

28:37 Speaker 11: to check out Frank Zappa. All my friends enjoy Frank Zappa.

28:39 Speaker 11: And I've never done the deep dive into his catalog.

28:42 Speaker 10: Yeah, I mean it's it's it gets pretty pretty weird, but.

28:46 Speaker 11: But her mind weird.

28:47 Speaker 10: But he's yeah, yeah, most of us don't. If you know,

28:50 Speaker 10: when we give it a chance, you know he's got

28:52 Speaker 10: He's got some great stuff. I I was never a

28:54 Speaker 10: big Frank Zappa fan myself, but a couple of years ago,

28:57 Speaker 10: so I'm on a show on Friday Night's called Retrospection

28:59 Speaker 10: Radio with Poul c and Paul's a huge Zappa fan,

29:02 Speaker 10: and he's played some stuff on there. It's like, wow.

29:04 Speaker 10: I remember when I was a kid, my parents were

29:06 Speaker 10: into him, but I never got into him. But now,

29:08 Speaker 10: you know, as an adult, you know, because you get

29:10 Speaker 10: older and you appreciate stuff that maybe you heard when

29:12 Speaker 10: you were a kid that you didn't connect with, but

29:15 Speaker 10: now now you hear it and you go, oh, now

29:17 Speaker 10: I get it. Now I understand what's great about this,

29:20 Speaker 10: you know. And of course there's other stuff you might

29:21 Speaker 10: hear that you liked when you were a kid where

29:23 Speaker 10: you go, oh, I used to like that. That happens too.

29:27 Speaker 10: But yeah, But and your your vocal style specifically, is

29:34 Speaker 10: there anyone you you try to really emulate or who

29:37 Speaker 10: influences you in terms of how you sing.

29:40 Speaker 11: Ah, that's a great question. Ben Folds would come back

29:45 Speaker 11: up simply because he does not have like a conventionally

29:50 Speaker 11: pretty voice. I never felt like I did either, and

29:53 Speaker 11: so it was like a permission to just have a voice.

29:56 Speaker 11: Or Ben Kueller is the same thing. Okay, like guys

29:59 Speaker 11: who don't don't have that beautiful voice, right, I mean,

30:04 Speaker 11: I worship Jeff Buckley. I will never sing like that.

30:08 Speaker 11: It's never gonna happen. Or like, let's see Joe Cocker

30:15 Speaker 11: amazing voice. You just heard the guy sing and be like,

30:17 Speaker 11: what is wrong? But the performance is what makes it amazing.

30:21 Speaker 11: And another one that I didn't realize until maybe a

30:23 Speaker 11: couple of years ago, was is Tracy Chapman. Yeah, definitely.

30:28 Speaker 11: I loved her albums when I was a kid. I

30:30 Speaker 11: love her albums still, And I didn't realize that some

30:33 Speaker 11: of my inflections were borrowed until I accidentally pitch shifted

30:38 Speaker 11: my voice up on a recording that I was working on,

30:41 Speaker 11: and I was like, oh, wow, I sound a bit

30:44 Speaker 11: like Tracy Chapman if you pitch ship my voice up

30:47 Speaker 11: a fifth.

30:48 Speaker 10: Oh that's interesting. Okay, yeah, yeah, oh very cool.

30:52 Speaker 2: Yeah.

30:52 Speaker 10: Part of why I was curious to ask you that

30:54 Speaker 10: question is your voice, Like, vocally, you don't remind me

30:59 Speaker 10: of anyone specific, So it was curious what your influences were, which,

31:02 Speaker 10: by the way, I mean that as a compliment because

31:04 Speaker 10: it's you know, you're I think it's cool that you

31:06 Speaker 10: sound you know, unique, you know, because some people, you know,

31:09 Speaker 10: you can listen to and say, oh, they sound like

31:11 Speaker 10: they sound like so and so. But to to not

31:13 Speaker 10: be able to easily identify someone that you sound like,

31:15 Speaker 10: I think it's cool, so and I think I think

31:18 Speaker 10: it makes what you're doing even that much more interesting,

31:20 Speaker 10: at least to someone like me really analyzes this stuff

31:22 Speaker 10: like the nerd that I am, you know, I do

31:24 Speaker 10: take that as very cool. Well, let's let's play another track.

31:28 Speaker 10: Which one should we play next?

31:30 Speaker 11: Let's do uh, the one we kicked off the show

31:34 Speaker 11: with here. What was that Getting dark?

31:36 Speaker 10: Getting Dark? Yeah, speaking of pitch shifting. So we'll play

31:42 Speaker 10: this at the correct speed.

31:43 Speaker 11: Now, that would be great.

31:45 Speaker 10: Very cool if you are just joining us. Ian Gallipo

31:47 Speaker 10: is here with us in studio, and this is called

31:50 Speaker 10: Getting Dark.

31:58 Speaker 2: Countdown.

32:01 Speaker 13: Knowing you and I be worlds apart.

32:06 Speaker 3: Expectations were a couple of months at mold.

32:11 Speaker 2: We would do our level best, carry on.

32:17 Speaker 3: Firely, rumbling down below sky above on fours ands, getting dark,

32:31 Speaker 3: the sky above.

32:34 Speaker 2: Falls, and getting dark.

32:44 Speaker 3: We made it farther than anybody ever forgot of home.

32:51 Speaker 2: Starlight fell this up so we could.

32:54 Speaker 3: Stab beyond the limits everybody said it would take.

33:00 Speaker 2: They're told we opened up the whole world to explore.

33:08 Speaker 3: Together, just a light on in the dark together, just

33:19 Speaker 3: a light on in the dark, storm on the horizon.

33:32 Speaker 2: And all that you could do was walk.

33:39 Speaker 16: While I was overwhelmed, and there was nothing I could say.

33:48 Speaker 16: But my bard is long, and it's getting dark. My

34:02 Speaker 16: bader is long, and it's getting dark.

34:20 Speaker 2: We tried to hold on. The week's turned into months,

34:24 Speaker 2: still out of range.

34:28 Speaker 3: Until that moment when you sang out yr goodbye.

34:33 Speaker 2: I was too far gone for you to hear me.

34:39 Speaker 2: But the morning sun.

34:42 Speaker 3: Let the heart insight, A fineal pulse.

34:47 Speaker 2: A glam is the dark.

34:53 Speaker 15: A fineal pulse.

34:55 Speaker 3: A glamor in the dark, together, just to light on

35:06 Speaker 3: in the dark. The sky aboven and it's skinning dark.

35:19 Speaker 3: My bad is and it's skinning dark.

35:38 Speaker 10: That is getting dark. It's another one of those cool endings.

35:44 Speaker 10: I really like that.

35:45 Speaker 11: A lot, thanks my sos. At the end, there is

35:48 Speaker 11: that what that is?

35:49 Speaker 10: Yeah? Yeah, that's cool. I like that. That is Ian Gallipo,

35:53 Speaker 10: who is here with us in the studio, and well,

35:56 Speaker 10: the time does go quickly. But a couple of things.

35:58 Speaker 10: So first of all, I want to make sure that

36:00 Speaker 10: everyone knows where to find you online, how to keep

36:03 Speaker 10: up with everything that you're doing, especially since I'm sure

36:05 Speaker 10: there are people who have no idea how to spell Gallipo.

36:09 Speaker 11: I don't know. Sometimes I wouldn't blame them now, thanks Matt.

36:14 Speaker 11: It's yeah, Ian Gallipo Music. I A n Ian Gallipo,

36:19 Speaker 11: a bunch of extra vowels. It's French E A L,

36:23 Speaker 11: I P E A U and music on let's See,

36:27 Speaker 11: on Instagram, on TikTok, on YouTube, on Facebook, my website,

36:34 Speaker 11: Ian Galipo Music dot com. You can find me in

36:37 Speaker 11: all of those places. I'm most active on Instagram. But

36:40 Speaker 11: wherever you know you're at, that's that's where I am.

36:44 Speaker 10: I was even misspelling your name the other day when

36:46 Speaker 10: I was when I was doing a post for the

36:48 Speaker 10: show today, I was I kept typing two l's, and

36:51 Speaker 10: I kept having to correct myself because I think in

36:53 Speaker 10: my mind the consonant to vowel ratio in your name

36:58 Speaker 10: was throwing me Upas like you said, it's friends, there's

37:00 Speaker 10: a lot of a lot of owels, so I kept

37:03 Speaker 10: trying to I kept trying to raise the number of

37:05 Speaker 10: consonants in your name. Anybody ever spell it wrong on

37:09 Speaker 10: a poster or anything on a Oh?

37:10 Speaker 11: Yeah, who El's is the most common?

37:13 Speaker 2: Is it? Yeah?

37:13 Speaker 11: Who El's is the most common? And flipping the the

37:16 Speaker 11: e and the flipping the vowels at the end, au right,

37:19 Speaker 11: it's like beautiful or whatever. But a eu a U

37:26 Speaker 11: E like they just throw them in at the end.

37:28 Speaker 11: I don't blame them, I can imagine. Yeah, that's funny.

37:32 Speaker 17: Uh.

37:32 Speaker 10: And and modern fools of course too. Where should people

37:36 Speaker 10: go for modern fools?

37:36 Speaker 11: Modern fools and Modern fools music on Instagram, Facebook, TikTok,

37:42 Speaker 11: modern fools music dot com.

37:44 Speaker 10: That's easy, that's nice, and that's much easy. I assume

37:46 Speaker 10: modern fools has never been spelled wrong on a poster?

37:49 Speaker 11: Uh, not that I recall, it's never been like a.

37:51 Speaker 10: Z Yeah, yeah, right, that's good. That's good. And what

37:56 Speaker 10: do you have? What do you have coming up to plug?

37:58 Speaker 11: Yeah? For sure? I'm playing tonight Atally over in Hancock,

38:01 Speaker 11: New Hampshire. He's got an amazing venue over there, Like

38:04 Speaker 11: Hancock is the quint essential small New England Town probably

38:07 Speaker 11: even haven't even heard of it.

38:08 Speaker 10: It's I was going to say, I don't know where

38:10 Speaker 10: Hancock is.

38:11 Speaker 11: It's sort of north of Peterborough, right between and Manchester.

38:15 Speaker 4: Yeah.

38:16 Speaker 11: Yeah, there's this old train station that they've converted, right

38:20 Speaker 11: like the classic long thin building. The Hancock Depot is

38:23 Speaker 11: a converted train station and they do a wonderful monthly

38:26 Speaker 11: series I've heard.

38:27 Speaker 10: Okay, that sounds very familiar. I think when Eric was

38:30 Speaker 10: on Temple Mountain, I think he talked about that place.

38:33 Speaker 10: He probably plays there, he has played there, Okay, because

38:36 Speaker 10: that sounds as soon as you mentioned train station. Yep.

38:39 Speaker 11: It's a wonderful vibe, really really great spot. So I'm

38:42 Speaker 11: playing there tonight. That's at seven thirty. My next thing

38:45 Speaker 11: near Manchester is just over a couple months out here,

38:50 Speaker 11: April twenty sixth I'll be over here playing a great

38:53 Speaker 11: north Aale works in the in the afternoon.

38:55 Speaker 10: Oh Bill, very good. Jenny and I are going to

38:57 Speaker 10: be there later today. I don't know if you know

38:59 Speaker 10: Jenny's Sun Jesse Coffee, but oh yeah, I know Jesse's great. Yeah,

39:03 Speaker 10: he's playing there today, yeah, yeah, Small.

39:07 Speaker 11: World the Sweetheart. Yeah yeah, he's doing all the booking

39:11 Speaker 11: over there now.

39:12 Speaker 10: Yeah yeah, yeah, he's doing great. Yeah. So we're gonna

39:15 Speaker 10: go see him play today. Yeah yeah, yeah today at

39:20 Speaker 10: four pm. Yeah. So, oh didn't did I know why that?

39:24 Speaker 10: I think I know why. The train station sounds familiar

39:26 Speaker 10: to me too, didn't, Modern fools? Did did you guys

39:29 Speaker 10: record a video there or something?

39:30 Speaker 11: We did? Yes, okay, that's that would that would so

39:34 Speaker 11: we did, uh yeah, a live version basically of our

39:38 Speaker 11: album recorded in that space videos for it.

39:41 Speaker 2: Yeah.

39:41 Speaker 11: Yeah, it's fun.

39:42 Speaker 10: Yeah, yeah, very cool, very cool. Well, congratulations on the

39:47 Speaker 10: album and everything that you're doing, and uh, it's great

39:50 Speaker 10: to have you on. We'll definitely do this again in

39:52 Speaker 10: the future, especially when you know it sounds like you've

39:54 Speaker 10: got another single coming soon, so I do well, Uh,

39:58 Speaker 10: we'll definitely we'll have you on for that, and that's

40:00 Speaker 10: going to be separate from the album.

40:01 Speaker 11: I'll be separate.

40:02 Speaker 10: It'll be a completely separate thing. Yeah. Yeah, so we'll

40:04 Speaker 10: we'll do this again soon and we will close out

40:07 Speaker 10: with so we have one more to play here. Oh

40:10 Speaker 10: I'm curious too. The So the title is Thoughts of

40:13 Speaker 10: a Widowed Cartoonist.

40:14 Speaker 11: That's the title of the song.

40:16 Speaker 10: This this ass have a story behind it. I assume it's.

40:21 Speaker 11: So this song is fiction, okay, but it's it's as

40:24 Speaker 11: silly as this. I wanted to write a song it was.

40:27 Speaker 11: It came from a prompt. I wanted a song with

40:30 Speaker 11: the word toothbrush in it because I thought that was weird. Yeah,

40:34 Speaker 11: and I thought it would just be silly. And most

40:36 Speaker 11: of the time, when I give myself a prompt that's silly,

40:38 Speaker 11: it ends up being something very serious. Oh really, yeah,

40:40 Speaker 11: so this is that. It's it's sort of this song.

40:44 Speaker 11: It's the thoughts of a widow. For whatever reason, the

40:47 Speaker 11: guy's a cartoonist. I don't know why. Okay, it's just

40:50 Speaker 11: the imagery that came up as I was working through

40:52 Speaker 11: the verses of this song. Okay, So I wanted a

40:54 Speaker 11: song with a toothbrush in it, and I also wanted

40:56 Speaker 11: a song with a bass drop in it. I've never

40:58 Speaker 11: written something with that whoa whoa whoa nice you know,

41:01 Speaker 11: electronic sound. I mashed those two things together, and this

41:06 Speaker 11: is the song that came out. It's a little bit ridiculous,

41:08 Speaker 11: but I think it's kind of cool.

41:10 Speaker 10: Yeah, absolutely, absolutely very cool. So we'll play that and

41:14 Speaker 10: if you are listening live on Saturday. Stick around. We

41:17 Speaker 10: have Becoming Human skyping in from Texas in the third hour.

41:21 Speaker 10: But we will close out this segment with this. This

41:25 Speaker 10: is called Thoughts of a Widowed Cartoonist and this is

41:28 Speaker 10: Ian Gallipo and Ian, thank you again, Thank you so much.

41:31 Speaker 14: Man, You're two is fresh? Is still here.

41:43 Speaker 13: Waiting on corner of the same under the mirror. I

41:51 Speaker 13: haven't found the strings the throw out. Oh I know

41:58 Speaker 13: I should.

42:01 Speaker 14: It.

42:01 Speaker 12: Lets me pretend, lad, if you could see Wait, my

42:16 Speaker 12: mind gets caught up writing captions for the Greek.

42:23 Speaker 14: Boxed up in the comic thoughts.

42:26 Speaker 5: Of found.

42:29 Speaker 18: Colorful distraction that helped me forget.

42:43 Speaker 5: I don't know if it's sad, funny.

42:47 Speaker 18: Little things I took for granted, bits and pieces of

42:53 Speaker 18: like every day and unromantic.

42:59 Speaker 5: The last beyond Pollard Street.

43:04 Speaker 19: When you returned and done, they'll stay.

43:22 Speaker 14: A lad it disappear.

43:27 Speaker 13: Sent it to the land film, knowing in the thousand

43:32 Speaker 13: years the bristles and the handle will be there.

43:41 Speaker 5: More leans the same, Oh.

44:00 Speaker 20: Love of mine, where have you been? Twelve o'cloud knocks

44:09 Speaker 20: clothes and then call your name, but just came with

44:20 Speaker 20: who loves mine? Where healthy?

44:24 Speaker 14: It?

44:28 Speaker 15: Look dry checked.

44:30 Speaker 2: The door.

44:34 Speaker 15: Door love mine still gone before.

44:41 Speaker 21: My balance tie.

44:44 Speaker 20: That would say door, It's gone away forever. Your daughter

44:56 Speaker 20: has a devil in the ride, wicked heart, store apart

45:05 Speaker 20: my life.

45:09 Speaker 15: Excuse me the sweetest scale I know not he is

45:17 Speaker 15: still bow download cigar tweets Linen can't forget man.

45:47 Speaker 20: QUI soon remain from the hilly.

45:57 Speaker 2: Do cheating art I next to you.

46:04 Speaker 15: Daughter has devil in the ride.

46:11 Speaker 20: She did her store all my life.

46:18 Speaker 15: You still mean, sweetest gab.

46:21 Speaker 7: I know.

46:25 Speaker 15: Daughter is double down.

46:31 Speaker 5: Don't call me in the.

46:34 Speaker 15: Morning because I'm drying in my bed.

46:41 Speaker 20: Left with final warnings and I'd rather receive.

46:49 Speaker 15: Red hair. Shoot took she never lost my friend.

46:58 Speaker 14: Devils.

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55:18 Speaker 14: My mind