Matt Connarton Unleashed 5-30-26 hour 1

0:04 Speaker 1: You are listening to Mattconnorton Unleashed on WM and H

0:08 Speaker 1: ninety five point three.

0:11 Speaker 2: Right now we have the world radio premiere of the

0:14 Speaker 2: new single from Seven Streets available June five.

0:18 Speaker 3: Table for two, you are listening to double M and H.

0:23 Speaker 4: World premiere.

0:41 Speaker 5: I'm on table. I want to get to know you.

0:49 Speaker 5: Isnot today, satis n skip bun.

1:01 Speaker 6: I've seen a bar.

1:07 Speaker 5: Go last light after.

1:10 Speaker 7: When the blast the bird stairs, I can't help that.

1:20 Speaker 5: One more table to pursue.

1:25 Speaker 8: Oh when I start ast the look, one more table

1:34 Speaker 8: to pursue.

1:37 Speaker 6: Now, I told the whole lot of Yes, I'm.

1:40 Speaker 5: Supposed to do.

1:59 Speaker 7: Thought talking about brain. So I want to hear sat

2:03 Speaker 7: starting again. Can't see the thought in this.

2:12 Speaker 6: Wall.

2:13 Speaker 7: Bar from the road, low ball back in the car.

2:18 Speaker 5: Where do I come from?

2:20 Speaker 6: Here?

2:25 Speaker 7: Best couples who have from the rain, we said, second

2:29 Speaker 7: father train. Guess that I had meditate babe?

2:43 Speaker 6: Oh when.

2:51 Speaker 5: Wata wells Lord have.

2:58 Speaker 8: Supposed to.

3:30 Speaker 5: Hold on table for two only, Well that's not that's

3:38 Speaker 5: good A watchable fortune.

3:47 Speaker 6: Now, I told out as.

3:50 Speaker 5: I supposed to. What pot table fortune.

4:03 Speaker 3: Gotass? Hey, welcome everybody, here we go. It is that

4:36 Speaker 3: time again.

4:36 Speaker 2: Matt Connorton Unleashed and we are live from the studios

4:41 Speaker 2: of w m n H ninety five point three FM

4:44 Speaker 2: and Glorious Manchester, New Hampshire. Uh, kind of cold and windy, actually,

4:49 Speaker 2: it's gonna be it's gonna be almost winter up north

4:53 Speaker 2: in the state today. If you are listening live, of course,

4:56 Speaker 2: it is Saturday May thirtieth, twoy twenty. We are live

5:03 Speaker 2: of course from WMNH and you can stream the show

5:05 Speaker 2: from anywhere. Go to Matt Connerton dot com slash live

5:09 Speaker 2: for all of your live streaming options, social media links,

5:12 Speaker 2: contact infos, show archives, et cetera, et cetera. And don't

5:15 Speaker 2: forget our brand new site, well new ish, it's been

5:17 Speaker 2: up for a couple months now, maybe Matt Connorton Unleashed

5:21 Speaker 2: dot com where you can get access to the full

5:23 Speaker 2: archive of the show and additional content of course at

5:27 Speaker 2: that website as well, Matt Conderton Unleashed dot com that

5:30 Speaker 2: just went up recently and very proud of that. So

5:33 Speaker 2: we have an exciting show for you today. It's kind

5:35 Speaker 2: of a Pennsylvania vibe here on the show because we

5:39 Speaker 2: have two great guests and they're both from Pennsylvania. So

5:41 Speaker 2: there you go, and no one of them is not

5:44 Speaker 2: Tony D. I just when I think of Pennsylvania, I

5:47 Speaker 2: think of Tony D. If you're a long time listener

5:49 Speaker 2: of the show, if you've been with Matt Connorton Unleashed

5:51 Speaker 2: for a long time, you'll know the reference.

5:54 Speaker 3: He's a part of the lore here.

5:57 Speaker 2: Oh and our friend Fred Bonig, who we used to

5:59 Speaker 2: hear a lot when we're on in afternoons from the

6:02 Speaker 2: Daily Ripple and of course Ripple Radio. He used to

6:07 Speaker 2: call us a lot. He's he's from Pennsylvania as well.

6:09 Speaker 2: But no, the reason today is a Pennsylvania centric show

6:12 Speaker 2: is in just a few minutes we're gonna be joined

6:14 Speaker 2: by Robin Ross via Microsoft Teams, who is from Pennsylvania,

6:17 Speaker 2: and justin I cannot wait to talk to Robin Ross,

6:20 Speaker 2: because we've got a song we're gonna play. We're gonna

6:22 Speaker 2: play the newest single in just a moment. It's called

6:25 Speaker 2: All I Want Is a Lover, And then we're going

6:27 Speaker 2: to talk via teams with Robin.

6:30 Speaker 3: And I love the sound. I love the vibe, kind

6:33 Speaker 3: of a low fi thing.

6:35 Speaker 2: Actually, well, you know what, and maybe that's something about

6:38 Speaker 2: Pennsylvania because our other guest also does kind of a

6:42 Speaker 2: kind of a low fi garage rock vibe is probably

6:45 Speaker 2: the best way to describe him. Grim Rock, who is

6:48 Speaker 2: going to be here with us in studio now. Grim

6:50 Speaker 2: Rock has been on the show several times over the

6:52 Speaker 2: years a bunch of times, and we like to feature

6:54 Speaker 2: his new music whenever he releases something new.

6:56 Speaker 3: Jenny and I are both big grim Rock fans. He

6:59 Speaker 3: is on tour right now.

7:00 Speaker 2: He's going to be playing tonight in Nashua, and later

7:03 Speaker 2: on in the show he's going to We're gonna get

7:05 Speaker 2: to finally meet him. He's going to be here with

7:07 Speaker 2: us live in studio later on today in the program.

7:11 Speaker 2: So cannot wait to meet grim Rock. And I should

7:14 Speaker 2: mention the show that he's playing tonight in Nashua. Again,

7:18 Speaker 2: like I said, he's on tour, So tonight the show

7:21 Speaker 2: is at the Spot, which Jenny and I have not

7:24 Speaker 2: been to before, but we have had. Mike McDowell, also

7:28 Speaker 2: known as the Healer. He is the owner and proprietor

7:31 Speaker 2: of the Spot in Nashua. He's been on the show

7:33 Speaker 2: with us, and a great guy and love what he's

7:36 Speaker 2: doing there. Looks like they're having a lot of success

7:38 Speaker 2: and it's an opportunity to what's really cool about the

7:41 Speaker 2: spot is it's an opportunity to offer all ages shows

7:45 Speaker 2: because most shows at venues, you know, they're either eighteen

7:52 Speaker 2: plus or twenty one plus, you know, I mean, I'm

7:54 Speaker 2: not talking about arena shows, but shows at clubs and

7:56 Speaker 2: bars and stuff, you know, they're usually either eighteen or

7:58 Speaker 2: twenty one plus. So it's hard to find opportunities for

8:02 Speaker 2: all ages shows.

8:04 Speaker 3: But it's such an.

8:06 Speaker 2: Important thing because you know, you want to be able

8:09 Speaker 2: to get live music in front of in front of

8:11 Speaker 2: young people, right because if you're trying to build an audience,

8:14 Speaker 2: if you're a musician and you want to build that

8:15 Speaker 2: audience for the future, you've got to appeal to the

8:18 Speaker 2: young people.

8:19 Speaker 3: So we've had in New Hampshire.

8:21 Speaker 2: You know, there have been some all ages venues that

8:23 Speaker 2: have come and gone over the years, but they're not

8:27 Speaker 2: They are just not that many. And I'm sure there's

8:29 Speaker 2: some right now operating that I'm just not aware of.

8:32 Speaker 2: But I was thinking about I was saying about this

8:35 Speaker 2: last night the Sad Cafe, which was in Plastow. I

8:39 Speaker 2: was in some bands over the years that you know,

8:40 Speaker 2: we did a lot of business with the Sad Cafe.

8:42 Speaker 2: That was a really cool all ages place, and there was,

8:46 Speaker 2: of course back in the nineties, and I'm not sure

8:49 Speaker 2: when they closed exactly, it all becomes a blur, but

8:52 Speaker 2: there was Cafe Eclipse. People local to the area might

8:54 Speaker 2: remember Cafe Eclipse and Conquered and that was a great place.

8:57 Speaker 2: I spent a lot of time there. But that was

8:59 Speaker 2: an all ages room, you know, no alcohol, it was.

9:01 Speaker 3: It was all ages. So I love seeing that kind

9:04 Speaker 3: of thing. It's so important.

9:06 Speaker 2: And this is an all ages show tonight at the Spot.

9:09 Speaker 2: No alcohol, so you know, bring your kids, come check

9:12 Speaker 2: out some live music. The name of the show is

9:14 Speaker 2: Demons at the Disco and it's got two artists on it,

9:18 Speaker 2: grim Rock and of course the Melted Chapsticks, who have

9:22 Speaker 2: never been on the show with us, but we'll have

9:24 Speaker 2: to get them on and we'll get to meet them tonight.

9:26 Speaker 2: But Demons at the Disco live alt rock, glam and

9:29 Speaker 2: punk music, mocktails and cava, late night bites, dance floor

9:34 Speaker 2: fun and door prizes. So you've got Melted Chapsticks and

9:38 Speaker 2: grim Rock will be opening tonight at the Spot. Show

9:42 Speaker 2: starts at eight pm. Ten dollars cover all ages. Yeah,

9:46 Speaker 2: and music starts at eight. So that is the spot

9:48 Speaker 2: in Nashua, New Hampshire. So if you are listening live

9:51 Speaker 2: on Saturday, we hope that you join us tonight. Come

9:54 Speaker 2: say hello to Jenny and I, come see Grimrock, and

9:56 Speaker 2: we're curious to see the Melted Chapsticks as well. But

9:58 Speaker 2: we're really excited to meet grim Rock. So uh, like

10:01 Speaker 2: I said, he is on tour, he is, but he

10:03 Speaker 2: resides in the great state of Pennsylvania, as does our

10:05 Speaker 2: first guest, who are going to speak with in just

10:07 Speaker 2: a moment, Robin Ross.

10:09 Speaker 3: So without further ado, let's get to the single. I

10:12 Speaker 3: really like this a lot. I love the sound, I

10:14 Speaker 3: love the vibe. Check this out.

10:16 Speaker 2: This is called All I Want Is a Lover by

10:20 Speaker 2: Robin Ross and the Melodnes. If I'm saying that correctly,

10:23 Speaker 2: is it Melodnes Emmy l O D Y And yes,

10:27 Speaker 2: we'll find out when we talked to Robin Robin Ross

10:30 Speaker 2: and the Melodines All I Want Is a Lover And

10:32 Speaker 2: then on the other side of this we'll talk with Robin.

11:01 Speaker 6: Oh, I want to recover.

11:05 Speaker 5: All I Want to be.

11:08 Speaker 6: It's free three I can out of the Knights preaching

11:17 Speaker 6: to wi whatever I like, never ding, It's all right,

11:24 Speaker 6: It's all in my side.

11:29 Speaker 9: Discover, I love.

11:36 Speaker 6: Have lovers, my.

11:42 Speaker 5: Three, I can out of the Knights, preaches.

11:47 Speaker 3: To whatever I like, cabag dreaming, It's.

11:51 Speaker 6: All right, It's all in my side. All love the other,

12:00 Speaker 6: all want to discover. Oh my one is the.

12:08 Speaker 5: D three.

12:12 Speaker 6: D need think of my song dad an this strong

12:20 Speaker 6: Yah need taking my tongue days I go with strong

12:27 Speaker 6: as our wall.

12:28 Speaker 10: Is a lover, It is the Big three.

12:34 Speaker 6: All my wan is a lover that I will discover.

12:42 Speaker 6: All one is a lover, my.

12:49 Speaker 5: All over.

12:53 Speaker 6: And on my bad fall over.

12:59 Speaker 9: May I love it?

13:39 Speaker 2: All I want is a lover by Robin Ross and

13:42 Speaker 2: the Mellow Dines And let's see. I think we've got

13:45 Speaker 2: Robin with us via Microsoft Teams. Hello, Robin Man, How.

13:49 Speaker 3: Are you good? How are you welcome to the show. Yeah,

13:53 Speaker 3: love morning, Good morning. I love that song.

13:56 Speaker 2: I don't know if you I don't know if you

13:58 Speaker 2: were listening. And I was talking, uh before we introduced it.

14:01 Speaker 2: I was saying, how it's a very Pennsylvania theme today

14:03 Speaker 2: on the show, because we also have grim Rock coming

14:06 Speaker 2: on later on the show. Later on in the show,

14:07 Speaker 2: I don't know if you know grim rock, but he's

14:09 Speaker 2: from he's from your state, all right, he's gonna be uh.

14:15 Speaker 3: Right, that's right, that's right. Yeah. A lot of great

14:17 Speaker 3: a lot of great music comes out of there.

14:20 Speaker 11: Yeah.

14:20 Speaker 3: I love that song, and I really I really liked

14:23 Speaker 3: the whole vibe and your sound.

14:24 Speaker 2: And I was listening to I was listening to the album,

14:28 Speaker 2: of course. But this is not This is not on

14:32 Speaker 2: the newest album. Correct, This is a standalone single.

14:36 Speaker 12: This.

14:36 Speaker 4: Yeah, both, we released this as a single and it's

14:39 Speaker 4: on an album too. It's on the first album.

14:41 Speaker 3: Oh, it's on the first album.

14:42 Speaker 2: Okay, So it's not on mind Space, correct, It's Space, Okay, gotcha?

14:48 Speaker 4: First albums come on In. And there's a song called

14:51 Speaker 4: come on In on mind Space, so it's a We

14:54 Speaker 4: played a little twist with releasing the song after the

14:59 Speaker 4: album of a come on In, right, So this song

15:06 Speaker 4: is on that one, and we released it as a

15:08 Speaker 4: single when it got picked up by the Margo the

15:13 Speaker 4: television show.

15:14 Speaker 3: So yeah, Well I.

15:16 Speaker 2: Wanted to ask you about that because that is kind

15:18 Speaker 2: of an interesting It is a twist the way you

15:20 Speaker 2: did it, but that makes sense because you've had some

15:23 Speaker 2: success with this song All I want is a lover

15:25 Speaker 2: landing on what is it on Apple TV Plus and

15:29 Speaker 2: Peacock Margo's Got Money Troubles as the name of the show,

15:31 Speaker 2: and the song landed in the show.

15:33 Speaker 4: Correct, Yes, I know it's on Apple. I'm not sure

15:37 Speaker 4: about Peacock, but I know it's on Apple.

15:39 Speaker 2: Okay, okay, Yeah, that's that's amazing because anytime you can

15:44 Speaker 2: get I mean, it's so important, and people outside the

15:47 Speaker 2: industry won't necessarily realize this, but if you have a song,

15:52 Speaker 2: if you can get it placed in a television series

15:55 Speaker 2: or in a film or anything like that, it really,

16:00 Speaker 2: I mean, it can kind of change your world professionally.

16:02 Speaker 2: It can make a huge difference and introduce an audience

16:06 Speaker 2: to your music who otherwise would not, you know, necessarily

16:11 Speaker 2: be aware of it. It's so amazing, so good for

16:14 Speaker 2: you that that is wonderful that that has happened. And

16:16 Speaker 2: so obviously I assume the process was and you know,

16:20 Speaker 2: where a lot of us who listen to the show,

16:23 Speaker 2: and if you're on the show where music industry nerds,

16:24 Speaker 2: I assume the process was. So once the song was

16:27 Speaker 2: you found out the song was placed in the series,

16:29 Speaker 2: then you said well, we need to put this out

16:31 Speaker 2: as a single even though it's on even though it's

16:33 Speaker 2: on an earlier album.

16:34 Speaker 3: Is that correct?

16:36 Speaker 4: Yeah, we wanted to market it more.

16:38 Speaker 3: Yeah makes sense.

16:40 Speaker 4: Yeah, it's do you know what what's worked?

16:44 Speaker 2: You got to do what works right exactly exactly. If

16:48 Speaker 2: something catches on that you weren't expecting, you know, you

16:50 Speaker 2: still got to go with it. Absolutely, it says here.

16:55 Speaker 2: So I haven't seen the full disclosure. I've not seen

16:57 Speaker 2: the television series, but it says or it was placed

17:00 Speaker 2: during a pivotal scene in episode two. And does this

17:07 Speaker 2: you know, does this experience of having having a song

17:11 Speaker 2: appear in the show like that, does that kind of

17:13 Speaker 2: does that change your approach to to songwriting and creating

17:17 Speaker 2: music at all? I mean, now that this has happened,

17:19 Speaker 2: do you kind of have an eye toward doing more

17:21 Speaker 2: of that, making music that you hope will be placed

17:25 Speaker 2: in a film or a series, or are you just

17:28 Speaker 2: kind of continuing on doing what you're doing, or how

17:31 Speaker 2: do you approach that now that you've had success with

17:33 Speaker 2: this song?

17:35 Speaker 4: No, not changing anything, Yeah, just just right from the heart. Yeah,

17:41 Speaker 4: and you know that's really your My best advice is

17:46 Speaker 4: the many you try to kind of adapt to things.

17:50 Speaker 4: You're you're you're not you're not you're not you anymore

17:53 Speaker 4: so to speak, right, so, uh, I mean you are

17:57 Speaker 4: I get it if especially if they're you know, if

17:59 Speaker 4: you're your conductor and they're paying you different story. Uh,

18:05 Speaker 4: But I would know I would not change a thing.

18:08 Speaker 4: I would. I would just keep keep being free with

18:11 Speaker 4: with writing and and let's let the wind blow where

18:15 Speaker 4: it may, you know, and so far sometimes you never

18:21 Speaker 4: know what what hits. So I think being on the

18:26 Speaker 4: soundtrack Matt is More has had more of a kind

18:29 Speaker 4: of cool feeling, I guess you know from from you know,

18:34 Speaker 4: there's Dire Straits on it, there's Shania Twain, there's Billy Idle,

18:40 Speaker 4: There's there's even more people on it. I can't even

18:42 Speaker 4: I mean, reap It McIntyre, all this long list and

18:45 Speaker 4: then there's me. So that you know, it's like so

18:50 Speaker 4: so that that actually means a little bit from an

18:54 Speaker 4: artist perspective, as you know, it's kind of cool to

18:56 Speaker 4: be on a nice collective sound So that's that had

19:02 Speaker 4: more of an impact on MEI I think than the show. Actually, yeah,

19:05 Speaker 4: it can take I mean, now we don't have albums

19:08 Speaker 4: but I mean, you know, like you know, if we

19:11 Speaker 4: pretend we had an album, that would be an album

19:13 Speaker 4: put on the wall, you know, right, So you know,

19:17 Speaker 4: so that's kind of cool. I mean there's a lot

19:19 Speaker 4: of great movie tracks that you know, a lot of

19:22 Speaker 4: great soundtracks and people that are only in soundtracks, you know,

19:25 Speaker 4: to get back to Aerosmith, and you know, there's a

19:28 Speaker 4: whole bunch of bands that do soundtracks and it's cool, absolutely.

19:33 Speaker 2: And I like what you said too about how it

19:35 Speaker 2: doesn't you know, having that success, it doesn't change your approach.

19:38 Speaker 2: You know, you're gonna continue to do you know, make

19:40 Speaker 2: music from your heart. And I think that's I think

19:43 Speaker 2: that's smart because if you, as you said, you know,

19:46 Speaker 2: if you're chasing something, you know, you're not gonna you're

19:50 Speaker 2: not gonna make music that You're not gonna be the

19:52 Speaker 2: best version of yourself as a musician and as an artist.

19:54 Speaker 2: I guess is what I'm trying to say. And the

19:56 Speaker 2: example I always like to go back to when I

19:58 Speaker 2: talk about this with people is, you know, if you

20:00 Speaker 2: think back to Seattle, uh, when grunge was about to

20:05 Speaker 2: be ascendant, you know what if Kurt Cobain had said

20:08 Speaker 2: you know, I just you know, hair metal is big

20:10 Speaker 2: right now, we should try to sound like Motley Crue,

20:12 Speaker 2: you know. Then you know that then we never we

20:15 Speaker 2: never would have gotten Nirvana, you know what I mean.

20:18 Speaker 2: So it's it's better to to make music that you

20:20 Speaker 2: want to make rather than trying to chase something and

20:24 Speaker 2: and uh and fit in somewhere, because that that has

20:27 Speaker 2: a way of backfiring because then it's not authentic.

20:32 Speaker 4: Yeah, and then you could actually have success with it,

20:35 Speaker 4: and then you're not that there's anything wrong with it,

20:37 Speaker 4: But then you you could be stuck with writing for

20:41 Speaker 4: stuff that maybe you're not you're not, you know, you're not.

20:44 Speaker 4: Your heart's not in it exactly exactly, you know, But

20:48 Speaker 4: if they pay you, then that's yeah, that's it, doesn't

20:51 Speaker 4: you know, that's not a bad thing either.

20:52 Speaker 3: You know what I mean?

20:53 Speaker 9: Right?

20:54 Speaker 3: Of course, Well, you gotta make a you gotta make

20:55 Speaker 3: a living.

20:57 Speaker 4: Well, it's you know, you got to go to work.

20:59 Speaker 4: So if you can make money with music, you know,

21:02 Speaker 4: that's always a you know, that's less work that you have.

21:05 Speaker 9: To do, so to speak, that's true, that's true.

21:08 Speaker 2: I'm really curious about your influences because obviously, you know,

21:11 Speaker 2: I listened to a song like that, and I listened

21:13 Speaker 2: to the mind Space album, and you know, at the

21:15 Speaker 2: end of our conversation, we'll play something from the from

21:17 Speaker 2: the the newest album, mind Space. But I'm curious about

21:21 Speaker 2: your influences because I hear a lot of different things

21:24 Speaker 2: in in your in your music. But I also but

21:26 Speaker 2: I also love the production. And you know, I'm a

21:30 Speaker 2: I'm a recording nerd. I'm gonna actually, well, let me

21:32 Speaker 2: let me approach the question this way. So I'm curious

21:34 Speaker 2: about your approach to production because you've got you know,

21:38 Speaker 2: it's it's a little bit low fi in the sense

21:41 Speaker 2: that it's not you know, it doesn't sound super slick

21:43 Speaker 2: or anything, you know, but it certainly sounds really good sonically.

21:47 Speaker 2: It sounds modern in the sense that the production is

21:49 Speaker 2: there clearly, but but without maybe some of the bells

21:53 Speaker 2: and whistles like you've You've got kind of a it's

21:56 Speaker 2: almost timeless really, the sound that you have. And like

22:00 Speaker 2: I said, because I also listen to the album, and

22:03 Speaker 2: so I'm curious about your approach to production and and also, uh,

22:07 Speaker 2: you know, influences and how you approach your music, because

22:10 Speaker 2: like I said, you're doing something that you really don't

22:12 Speaker 2: hear that much of anymore, but it sounds so so good.

22:18 Speaker 4: Thank you.

22:19 Speaker 3: Absolutely.

22:21 Speaker 4: Yeah. Well, my approach is changing, Matt, really, it's it's

22:27 Speaker 4: it's probably evolving too. I'm working on my I'm working

22:31 Speaker 4: on an album now on my on my progressive side

22:35 Speaker 4: with Jack Smay's. Right now, we've got like another month

22:39 Speaker 4: before it's probably out. And Uh, I've used this album

22:43 Speaker 4: to really scale up the production side of things. I

22:48 Speaker 4: took some took some courses and we went back to

22:51 Speaker 4: like square one kind of courses to earn what was

22:55 Speaker 4: what you know with prot I'm learning with well, well,

22:58 Speaker 4: I guess with digital any doll, I use pro tools,

23:03 Speaker 4: you know, I don't. I feel like I was a

23:05 Speaker 4: disadvantaged for probably the first couple of hour albums because

23:09 Speaker 4: of my lack of knowledge of pro tools, you know,

23:12 Speaker 4: just learning it sure, And now this album, I think

23:15 Speaker 4: I've gotten more. The learning has gotten more into the

23:18 Speaker 4: production end, doing you know a lot more bust compression

23:25 Speaker 4: and parallel compression. These things of these nature make it

23:30 Speaker 4: so things are changing from Uh. From the studio perspective,

23:38 Speaker 4: I do the you know, I'm I have a studio

23:40 Speaker 4: here in Paka and I've had it for about five

23:44 Speaker 4: years now, four years, you know, and it started out

23:48 Speaker 4: as a laptop, you know what I mean, probably the

23:50 Speaker 4: same old story. Sure, thirty years ago I had I

23:55 Speaker 4: went to school for audio engineering and was in the

23:58 Speaker 4: music business and doing or recording analog recording, which I

24:02 Speaker 4: would really love to do again. But uh yeah, so

24:08 Speaker 4: I you know, I I and I actually have used

24:10 Speaker 4: some of my older recordings and they still hold up.

24:14 Speaker 4: It's amazing. So I've had a learning curve with pro

24:20 Speaker 4: tools kind of on the first go around, and then

24:24 Speaker 4: like I got more into the how to you know,

24:26 Speaker 4: do your production in the box so to speak. I

24:29 Speaker 4: do have a nice SSL board that I I go

24:33 Speaker 4: through for all my microphones. So I get I get

24:37 Speaker 4: the analog h you know, uh a grime, I guess

24:40 Speaker 4: you want to call it. I get that, then get

24:44 Speaker 4: that going to tape, and then if I want, I

24:45 Speaker 4: can use the SSL for another another if I wanted

24:50 Speaker 4: to do the mixing on it too. But I've I've

24:53 Speaker 4: gotten better at doing in the box and and actually

24:56 Speaker 4: prefer it, you know, with doing So that's kind of

25:01 Speaker 4: what's new with the with the production end. So look

25:05 Speaker 4: forward to the stuff sounding. It should sound better every

25:08 Speaker 4: every album, and I think, yeah, if you go, if

25:11 Speaker 4: you if you progress through the last I put out

25:14 Speaker 4: six or seven six albums in the past four or

25:18 Speaker 4: five years, and I guess it's a good problem. But

25:22 Speaker 4: I still have two albums of material that I need

25:24 Speaker 4: to record, so I need to get better at efficiency,

25:29 Speaker 4: if you know what I mean, which is a real

25:33 Speaker 4: big thing with with pro tools or any any kind

25:37 Speaker 4: of production can it can drag on forever and that's

25:42 Speaker 4: not going to help the song count. So you know.

25:46 Speaker 4: So it's like but it's it's the old age question

25:49 Speaker 4: quality first quality, you know what I mean? Right, try

25:53 Speaker 4: to find a happy, happy groove sort of sort of

25:57 Speaker 4: in the middle. Maybe you could do an album every

25:59 Speaker 4: three months maybe or something like the recorded and get

26:03 Speaker 4: get the production done in three months, yeah, something like that.

26:07 Speaker 4: So you know, so look that that'll be next month

26:11 Speaker 4: with and Jack Smays has an old album out too,

26:15 Speaker 4: so they're from the nineties, so we're more of a

26:19 Speaker 4: pre grunge nineties if you will. Sure, I don't know

26:23 Speaker 4: if you like that stuff like Pink Floyd Rush, Oh yeah, Eppelin,

26:29 Speaker 4: I would say that that kind of those are my

26:31 Speaker 4: influences too, okay, you know you're talking about and then

26:35 Speaker 4: the new the new stuff. I tend to be more

26:39 Speaker 4: of the writer, so you might notice that the songs

26:44 Speaker 4: get a little more spacey. And I work with Caitlin.

26:48 Speaker 4: She's one of the singers in the band, and she's

26:51 Speaker 4: a real good space cadet if you will, if you

26:53 Speaker 4: know what I mean, you can travel. And she has

26:58 Speaker 4: a wonderful voice. So if you hear you know, like

27:03 Speaker 4: follow or something like that on mind space, that's a

27:06 Speaker 4: collaboration between her and I. I just you know, you know,

27:11 Speaker 4: and those are the kind of things that I get

27:13 Speaker 4: feedback that people like. They like the you know, the

27:20 Speaker 4: theory of expanding your own mind, you know, and you know,

27:24 Speaker 4: we really can go anywhere we want in the not

27:27 Speaker 4: in the literal sense, but certainly in your mind. And

27:31 Speaker 4: and and people should dream big, you know, you know

27:34 Speaker 4: what I'm saying. That's that's more of the the philosophy

27:38 Speaker 4: of the music. And then the other Jojo she likes

27:43 Speaker 4: to write about a party every time, so we have

27:47 Speaker 4: to control her, understood. She's not really a big party here,

27:53 Speaker 4: but she she knows how to write it.

27:56 Speaker 3: Funky okay, all right?

27:59 Speaker 2: So now so when we talk about these other people,

28:01 Speaker 2: do they make up because it's Robin Ross and the melodynes?

28:04 Speaker 3: Am I saying that correctly? Melodnes? Yeah, you know what

28:08 Speaker 3: does that mean? What is a what is a melo dyne?

28:12 Speaker 4: It's a melody. It's it's melody, a melody, and that's

28:17 Speaker 4: just it's like a possessive name for melody. So one

28:22 Speaker 4: of my it's better than melodies, right right, So, but

28:29 Speaker 4: that it's kind of that. And I mean I've used

28:32 Speaker 4: I used melodine in pro tools and that's where the

28:36 Speaker 4: name like popped in my head.

28:38 Speaker 3: Oh, I gotcha, okay.

28:40 Speaker 4: And they're editing on melodine and uh, you know that's

28:46 Speaker 4: I forgot to give him, give him that name. Yeah,

28:50 Speaker 4: there is quite a slew of them. Actually, there's it's

28:53 Speaker 4: almost like a I don't know, there's there's probably eight

28:58 Speaker 4: or ten of them altogether. But there's a hardcore five

29:02 Speaker 4: six Wharton Tears, who is actually a pretty popular name

29:08 Speaker 4: in the more of the punk New York scene back

29:12 Speaker 4: fun City. It's the name of the yeah, and so

29:18 Speaker 4: he's he's a big influence on the percussion, like the writing,

29:22 Speaker 4: and he helps me do I guess we're like producing,

29:27 Speaker 4: you know, like vocal producing. You know this harmony here,

29:31 Speaker 4: this harmony there, this vocal here, this vocal out cut

29:35 Speaker 4: this section out of this song. That that kind of producing.

29:39 Speaker 4: He's really really, really talented at it. So I get

29:42 Speaker 4: to work with and he's got a recording studio. He's

29:45 Speaker 4: the same as you and me as a recording nerd,

29:47 Speaker 4: and he's always him and I are like neighbors, but

29:51 Speaker 4: we were always mixing in our own studio, so we

29:56 Speaker 4: don't see each other much.

29:57 Speaker 13: Right.

29:59 Speaker 4: Uh, there's o Joe, she leads sings and she probably

30:05 Speaker 4: lead rights as far as lyrics go. Then there's like Tony,

30:10 Speaker 4: He's he's kind of a on the side. He plays percussion, sings.

30:16 Speaker 4: He's the mostly the guy the campfire and the moon voice.

30:20 Speaker 4: He's kind of got a Frank Sinatra Joe Cocker voice,

30:27 Speaker 4: which is pretty cool. And then there's Caitlin Albrett, who

30:30 Speaker 4: who's got a great voice and full of energy and uh,

30:35 Speaker 4: she plays the gamba and also some other percussions and

30:40 Speaker 4: she sings. So we got you know, I have Joe

30:42 Speaker 4: Torrez who plays bass and he comes from Florida to

30:46 Speaker 4: do gigs, So wow, Yeah, he works in he works

30:51 Speaker 4: in Washington, lives in Florida, so he'll come to PA

30:55 Speaker 4: for a weekend instead of going home to Florida one

30:58 Speaker 4: one weekend a month.

30:59 Speaker 3: Oh that's cool.

31:01 Speaker 4: Yeah, yeah, I've been. I've been. Yeah, I've been writing.

31:04 Speaker 4: Like he's in Jack Smaid's too. He's a bass player

31:07 Speaker 4: in Jack Smide. He's also and I went to high

31:09 Speaker 4: school with him basically ten years old. So we're lifelong musicians.

31:17 Speaker 4: I guess together, locked forever. That sounds like, yeah, yeah,

31:21 Speaker 4: he's and he's he's super he's actually super awesome on

31:24 Speaker 4: the bass.

31:26 Speaker 9: Uh.

31:27 Speaker 4: So those that's kind of rounds out the current melodine staff.

31:32 Speaker 4: I've had, like, uh, Emery Rhoades, she's been chill, come

31:36 Speaker 4: and go. She's another vocalist. She's on mind Space, and uh,

31:41 Speaker 4: there's a few others. There's t w and then there's

31:46 Speaker 4: others too. I've got people that do gigs with me

31:48 Speaker 4: too that they're not on the album, so that people

31:50 Speaker 4: will come up and just do Tina will sing. I

31:55 Speaker 4: have a piano player that comes up, so everybody, y,

31:58 Speaker 4: we got t shirts and everything for being a melodye. Yeah,

32:02 Speaker 4: like joining a club.

32:04 Speaker 2: Yeah, I was curious about that too, to ask you

32:06 Speaker 2: about the live situation if you're if you're touring at all,

32:10 Speaker 2: and if you're if you're able to play these songs out,

32:12 Speaker 2: and I would imagine too obviously when you're playing them live,

32:16 Speaker 2: you know, depending on who you're playing them with, because

32:19 Speaker 2: you know, you do have some flexibility there. Do the

32:22 Speaker 2: songs change much when you do them live? Or they

32:25 Speaker 2: kind of strip down?

32:27 Speaker 11: You know?

32:27 Speaker 3: How does that? How does that work? How do you

32:29 Speaker 3: approach that playing these songs live?

32:33 Speaker 4: We'll play them as long as possible, Yeah, whatever version

32:37 Speaker 4: of it, as long as possible the version we play. Yeah,

32:42 Speaker 4: so ye and uh, and we might extend them to

32:47 Speaker 4: like a solo or something like that, you know, like

32:50 Speaker 4: an end of a song. We just might keep the

32:52 Speaker 4: chords going and change it to a jam.

32:54 Speaker 9: Yeah.

32:55 Speaker 4: So those are the things that I like to do.

32:59 Speaker 4: We don't lay out too much, but we do play

33:04 Speaker 4: usually local place called Fauci and we we I don't know,

33:10 Speaker 4: we don't get We get like sixty seventy people there

33:13 Speaker 4: and they I think the biggest thing people say is

33:15 Speaker 4: that we're just really fun and entertaining, like to we're like,

33:20 Speaker 4: you know, it's not like we're this real serious you know,

33:24 Speaker 4: nothing against black Sabbath or anything like that, but no

33:26 Speaker 4: serious theme if you will know, no dark message you

33:32 Speaker 4: know right right, No, no, no corny message either, you

33:37 Speaker 4: know what I mean. We just kind of we like

33:41 Speaker 4: to sing with you, you know what I mean, not

33:44 Speaker 4: at you, so to speak.

33:45 Speaker 3: Well that makes sense. Yeah, I like that.

33:47 Speaker 4: I like that. Actually, yeah, we have a lot of

33:50 Speaker 4: sing alongs. Yeah, marsh We have a song called Marshmallow

33:55 Speaker 4: Blues that is a it's basically a marshmallow war between

34:00 Speaker 4: us and the crowd. Okay, yeah, it's quite quite a

34:05 Speaker 4: video that.

34:06 Speaker 3: The venues love that. Well, we we do.

34:11 Speaker 12: We do.

34:11 Speaker 4: Let we ask before we do we Oh that's good.

34:15 Speaker 4: They really do clean up quite well. Okay, they're not

34:19 Speaker 4: as long as you get him right away.

34:21 Speaker 14: Right.

34:23 Speaker 4: So we have, you know, songs that people sing along with.

34:26 Speaker 4: We have songs that people throw like food fight, marshmallow

34:30 Speaker 4: kind of thing.

34:33 Speaker 10: You know.

34:33 Speaker 4: I think we have like a Bee fifty twos vibe

34:37 Speaker 4: with the girl singers and all that kind of stuff.

34:40 Speaker 4: And I think I'm a little like the guy from

34:42 Speaker 4: Bee fifty two is also.

34:45 Speaker 3: Fred Schneider.

34:47 Speaker 4: Yeah, I'm not like he's no hero of mine. Don't

34:50 Speaker 4: get me wrong, But people say when I sing, I

34:53 Speaker 4: sound like him. So what am I gonna do? You know?

34:56 Speaker 8: So?

34:56 Speaker 3: Okay, that's interesting. Yeah, I don't. I don't quite hear it,

34:59 Speaker 3: but I mean, I.

35:01 Speaker 4: Don't say too much though, you're nothing me too much.

35:05 Speaker 3: Yeah, yeah, that's interesting.

35:08 Speaker 4: Maybe it's a couple of songs that i'm i'm i'm

35:11 Speaker 4: I'm working on trying to do a little Bee fifty

35:13 Speaker 4: two ish with these girls. Yeah, yeah, and you know

35:17 Speaker 4: that that was pretty there's nothing wrong with that stuff,

35:20 Speaker 4: so right, So, but live live would be great. I'd

35:26 Speaker 4: love to hook up with theaters. It's really what I

35:28 Speaker 4: would I don't really want to do bar gigs all

35:32 Speaker 4: over the place because I'm I'm constantly in the recording studio.

35:38 Speaker 4: But I would like to do if like a one

35:41 Speaker 4: hundred and fifty, two hundred and fifty, or open up

35:44 Speaker 4: for a you know, a bigger, bigger act at like

35:47 Speaker 4: Newton Theater and over in PA and Jersey at any

35:51 Speaker 4: theater for that matter. Sure, I think theater is more

35:55 Speaker 4: of a you know, better way for us to We

35:58 Speaker 4: could sell tickets that way, you know, people know you're coming,

36:04 Speaker 4: and as long as we could stay somewhat local. I

36:07 Speaker 4: think we could, we could handle it. So that's kind

36:09 Speaker 4: of where I'm at with the gigs. Okay, I would

36:13 Speaker 4: love to book some theaters, get some songs and gets

36:16 Speaker 4: some success, and if that happens, I would love to

36:18 Speaker 4: book more theaters, if you know what I mean.

36:20 Speaker 2: So absolutely no, I can see that. I can uh,

36:23 Speaker 2: I can definitely imagine imagine you doing this in a theater.

36:28 Speaker 3: We should mention too.

36:29 Speaker 2: There's a video for the song Campfire on the Moon, yeah,

36:35 Speaker 2: which I just which I just pulled up. Yeah, tell

36:40 Speaker 2: us about this video because I see uh yeah, well literally,

36:44 Speaker 2: I mean, you know, the the video is, uh, you know,

36:47 Speaker 2: matches the title of the song Campfire on the Moon.

36:51 Speaker 2: What can you what can you tell us about this?

36:53 Speaker 2: The making of this and whose whose concept was? I mean,

36:57 Speaker 2: I I assume that it was your idea, right, the

36:59 Speaker 2: video itself, the the content of it.

37:02 Speaker 4: Yeah, the concept of the song was my my, my, my,

37:07 Speaker 4: my doing.

37:08 Speaker 9: Yeah.

37:09 Speaker 4: The video creation, uh is done by my wife, Tina,

37:14 Speaker 4: and she does all the videos.

37:16 Speaker 3: Okay.

37:18 Speaker 4: She's also my publisher, my agent, my partner in life.

37:23 Speaker 3: So excellent.

37:24 Speaker 4: Yeah yeah, yeah, Mary a publisher. If you're a musician.

37:28 Speaker 3: Oh is that is that? Who is with you? On

37:30 Speaker 3: the cover of All I Want Is a Lover the

37:32 Speaker 3: single the picture there, No.

37:35 Speaker 4: That's Joe.

37:36 Speaker 3: That's Joe, gotcha.

37:38 Speaker 4: She's singing it. That's her song.

37:39 Speaker 3: Oh I gotcha.

37:40 Speaker 4: Okay, that's Joe. That's we call her Jojo. No, Tina doesn't.

37:47 Speaker 4: She doesn't show her face too much, but but she'll, uh,

37:50 Speaker 4: she's on a couple of tracks. She can sing some,

37:54 Speaker 4: but she does a lot of the all of the administration,

37:58 Speaker 4: handling all of like be in my you know, radio

38:02 Speaker 4: stuff even like this like with you, she's handling all

38:05 Speaker 4: the everything.

38:07 Speaker 3: Excellent.

38:08 Speaker 4: Yeah, yeah, that's why I mean if you, if you're

38:11 Speaker 4: a musician, try to marry a publisher and then you

38:16 Speaker 4: split them. I mean, the publishers make as much money as.

38:18 Speaker 2: You do, exactly, exactly. Yes, if you can own some

38:22 Speaker 2: some publishing, you're in good shape. And and that you know,

38:25 Speaker 2: that kind of goes back to what we were talking

38:27 Speaker 2: about earlier with the placement of that song, uh in

38:30 Speaker 2: the series and on that soundtrack.

38:31 Speaker 3: You know that's uh yeah, you know you get get

38:34 Speaker 3: that publishing. By the way, too.

38:37 Speaker 2: As I'm looking at I'm looking at your video channel

38:39 Speaker 2: here on YouTube. I also wanted to ask you about

38:43 Speaker 2: because you have another project, Robin Ross and the tw Howlers,

38:48 Speaker 2: and I'm wondering how that differs from Robin Ross and

38:52 Speaker 2: the Mellowdnes.

38:54 Speaker 4: Yeah, that's an EP. It's it's a little more folkadelic Okay, Americana.

39:03 Speaker 4: I'd almost say, like Americana and Rolling Stones, so you

39:08 Speaker 4: get a little I would be the Rolling Stones and

39:12 Speaker 4: TW would be the folk with the Americana, so it's

39:17 Speaker 4: more like a I think it's like a Stone's Rolling

39:21 Speaker 4: Stones and Americana kind of a blend. Yeah, uh, and

39:27 Speaker 4: that's like, that's an EP. I wrote those songs, uh.

39:32 Speaker 4: I think there's five of them on there, and there's

39:34 Speaker 4: I wrote three of them, but they're all collaborated together

39:38 Speaker 4: with TW. So he would like I wrote the music,

39:41 Speaker 4: maybe he wrote the lyrics, or he wrote the A

39:46 Speaker 4: song and a lyric and I did a guitar on

39:49 Speaker 4: it or something like that. Sure, you know, so it's

39:52 Speaker 4: just a And then we had people that are actually

39:56 Speaker 4: the Melodines. Again we pulled from the Melodine Crew and

40:00 Speaker 4: they became Howlers. Okay, so there are some melon that

40:05 Speaker 4: are only Meladin's and then there are some Melodions that

40:08 Speaker 4: are Meladins that are howlers. Yeah, and tw is a

40:13 Speaker 4: he's a it's kind of a drifter guy travels around

40:16 Speaker 4: the country with his guitar and a backpack, and uh,

40:22 Speaker 4: he gets by and so he comes by every when

40:26 Speaker 4: it gets warm, like you know, spring and fall. So

40:31 Speaker 4: I guess that fall. We put together a bunch of

40:34 Speaker 4: songs and we recorded him and then they spent you know,

40:38 Speaker 4: two months producing it and put it all together. So

40:41 Speaker 4: it's out. I mean, Meladion's has another album out. Jack

40:48 Speaker 4: Smay says, an, I have a solo album out too,

40:50 Speaker 4: that's mostly instrumental, and that's just my name, Robin Ross,

40:57 Speaker 4: and that's more of uh, it's more easy listening. Pink Floyd,

41:05 Speaker 4: Like I've had people say it reminds them of pink

41:08 Speaker 4: smells like pink Floyd was exact word. They smells like

41:12 Speaker 4: pink Floyd. I don't know what pink Floyd smells like.

41:15 Speaker 3: I don't I don't either, but yeah, I think I

41:18 Speaker 3: might like to know, but I don't know. Well, just

41:21 Speaker 3: well assume it smells good.

41:25 Speaker 4: Yeah. That was a Russian blog that said that about

41:28 Speaker 4: not that album.

41:29 Speaker 3: Oh I wonder if something I lost in translation then.

41:33 Speaker 4: I don't know, maybe, but it sounds great. Yeah, So

41:39 Speaker 4: that's more of you can hear some songs that are

41:42 Speaker 4: really deep rooted on acoustic guitar that are i'd say

41:46 Speaker 4: like either Pink Floyd led Zeppe on a combination of

41:49 Speaker 4: both from their influences. You know, just real coffee music

41:55 Speaker 4: if you will in the morning. Yep, driving music if

41:58 Speaker 4: you gotta you know, you got like a trip to

42:00 Speaker 4: go or something on the cards. It's like that kind

42:04 Speaker 4: of music, if you know what I mean.

42:05 Speaker 3: Gotcha, Yeah, absolutely absolutely, yeah, Well, very good.

42:11 Speaker 4: That's it. And Jack Smay's Jack Smays is we got

42:16 Speaker 4: one common and it's it's it's really heavy, I mean

42:20 Speaker 4: from a percussive side, really okay. Yeah, well we got

42:25 Speaker 4: some some dark like Jack Smays is the dark side

42:29 Speaker 4: of Me if you will, okay, And the melodions is

42:32 Speaker 4: like the the the yang I guess the other side, gotcha, gotcha,

42:38 Speaker 4: And there's the stuff in between.

42:40 Speaker 3: So very good, very good. So Robin that this has

42:46 Speaker 3: been wonderful.

42:46 Speaker 2: Robin Ross, Like I said, I really like your sound

42:49 Speaker 2: or sounds because you've got a variety of projects that

42:52 Speaker 2: all sound a little bit different, but really love what

42:53 Speaker 2: you're doing. I'm glad you're able to join us this morning.

42:57 Speaker 2: Where should our listeners go? Where's the best place to

42:59 Speaker 2: go online to keep up with everything that you're doing musically,

43:01 Speaker 2: whether it's you know, whether it's Robin Ross and the

43:04 Speaker 2: Mellow Dines or anything else that you're doing.

43:07 Speaker 4: Robin Ross Music is dot com. That's a that's a

43:12 Speaker 4: really easy one. Yeah, just my name and music. And

43:16 Speaker 4: then YouTube. There's a lot of you know, if you

43:20 Speaker 4: look up YouTube and just google Robin Ross, maybe put

43:24 Speaker 4: in video or something like that. I think we have

43:26 Speaker 4: like fifty or sixty videos up up there.

43:28 Speaker 3: You got a lot. Yeah, I'm looking at the YouTube channel. Yeah,

43:31 Speaker 3: you've got a lot there. That's great.

43:33 Speaker 4: Yeah, yeah, yeah, thanks absolutely so those those two are

43:39 Speaker 4: probably your best. I mean, YouTube music is good too,

43:41 Speaker 4: you know, if you want to like listen to the

43:43 Speaker 4: whole album. Yeah, that's a really good one. But Robin

43:48 Speaker 4: Ross Music will take you to my website and then

43:51 Speaker 4: you can go you go anywhere from there.

43:54 Speaker 2: Absolutely So one other question before we let you go,

43:57 Speaker 2: I'm gonna kind of put you on the spot here,

43:59 Speaker 2: but we're gonna close out the segment with something from

44:02 Speaker 2: mind Space. But what would you what would your choice

44:06 Speaker 2: be ideally that we play to close out the segment

44:10 Speaker 2: from Mindspace. I'll let you pick the song.

44:16 Speaker 4: I think we're going mind Space, right, I think mind

44:18 Speaker 4: Space go with the title track. Yeah, yeah, yeah, that

44:20 Speaker 4: one's kind of where that's the whole theme of the

44:24 Speaker 4: the LP.

44:25 Speaker 3: Okay, all right, that's a great choice. I like that

44:29 Speaker 3: one a lot.

44:30 Speaker 2: All right, so we will that'll be our closing our

44:33 Speaker 2: closing track here, So Robin, thank you again, Robin Ross.

44:37 Speaker 2: Of course, Robin Ross and the Mellow Dines, thank you

44:39 Speaker 2: for joining us.

44:39 Speaker 3: We'll let you go. We're going to hit that track.

44:41 Speaker 2: But as you're releasing more and more music, we'll definitely

44:45 Speaker 2: have you back soon because you're doing a lot of

44:47 Speaker 2: great stuff, and I'm sure we'll talk to you again

44:49 Speaker 2: in the very near future.

44:51 Speaker 4: Yeah, the next couple of months would be great, Matt.

44:53 Speaker 4: When I reach out to you when I get the

44:56 Speaker 4: next ALP, which I'm expecting in you know, say, July fourth,

45:00 Speaker 4: that's kind.

45:01 Speaker 15: Of my goal.

45:02 Speaker 2: Fantastic, All right, well, we look forward to that. Yeah, yeah,

45:04 Speaker 2: keep us posted. We'll get you booked and we'll get

45:06 Speaker 2: you back on.

45:07 Speaker 4: We'd love that, all right, all right, Robert New Hampshire.

45:11 Speaker 3: Right, what's that?

45:12 Speaker 4: Take care in New Hampshire.

45:14 Speaker 3: Yeah, here of here in New Hampshire. We sure are,

45:17 Speaker 3: we sure are.

45:17 Speaker 2: It's not very summary today it's cold and windy and

45:20 Speaker 2: rainy and uh, but it'll be summer soon.

45:24 Speaker 4: Thanks week.

45:25 Speaker 3: There we go.

45:27 Speaker 2: All right, Robin Ross, thank you so much. We'll talk

45:28 Speaker 2: to you soon. Take care, thank you, got it all right?

45:32 Speaker 2: That is the great Robin Ross. The album is Robin

45:34 Speaker 2: Ross and the Mellow Dines.

45:36 Speaker 4: Uh.

45:36 Speaker 2: The the album is called mind Space. And we're gonna

45:39 Speaker 2: play the title track from mind Space. I was kind

45:42 Speaker 2: of hoping he'd pick this one, actually, but I did

45:44 Speaker 2: want him to. I didn't want him to have the choice,

45:46 Speaker 2: but well might We might play some more later in

45:49 Speaker 2: the show as well.

45:50 Speaker 3: But here it is. This is the title track from

45:52 Speaker 3: mind Space from Robin Ross and the Mellow Dines.

46:00 Speaker 9: M I was dying, went to.

46:04 Speaker 14: Bed, so many things in my hand.

46:10 Speaker 13: I see my zup asleep, lying on birth the sheets.

46:17 Speaker 16: It was a Thursday afternoon, and then Friday thing to zoon,

46:25 Speaker 16: Saturdays coming gone.

46:29 Speaker 5: Now it's Sunday.

46:31 Speaker 14: We went on.

46:35 Speaker 13: To the stars, then a bird led up house on

46:41 Speaker 13: an also sun to sue, no one else here, just.

46:47 Speaker 14: Me s.

47:04 Speaker 6: Not around.

47:05 Speaker 14: You may calls dear the news, the b stars into face,

47:13 Speaker 14: I'll never forget be here.

47:17 Speaker 7: You don't regrets.

47:19 Speaker 6: It was on Thursday after.

47:22 Speaker 17: And then Friday into Suo Saturdays.

47:28 Speaker 6: I'm in.

47:30 Speaker 17: Last Sunday space space on the empty of the ship.

47:46 Speaker 6: Nasreds.

47:53 Speaker 5: I would take you at the trip on the blo.

48:00 Speaker 6: Stars, the world let on foes.

48:05 Speaker 5: By also scud a city, no one else just.

48:13 Speaker 4: But series.

48:20 Speaker 5: Was finn a gaptain of the ship.

48:28 Speaker 18: I has I would take more n I'm gonna bla

48:38 Speaker 18: sons and no word. Then that sound one of that

48:44 Speaker 18: song sa No Moss.

49:28 Speaker 2: That is Robin Ross and the Mellow Dines. That is

49:31 Speaker 2: mind Space, the title track from their newest album. And

49:35 Speaker 2: thank you again to Robin Ross for joining us Robin

49:37 Speaker 2: Ross music dot com if you want to keep up

49:39 Speaker 2: with everything that he's doing, because he is making a

49:41 Speaker 2: lot of music and he's got another EP coming soon,

49:43 Speaker 2: so we will be talking to him in the very

49:45 Speaker 2: near future. And we are going to sneak in one

49:48 Speaker 2: more track from the album mind Space, just because we

49:51 Speaker 2: talked about it. I'm gonna play this one, Campfire on

49:53 Speaker 2: the Moon. We have time we can fit this in,

49:55 Speaker 2: but if you are listening live on Saturday, May thirtieth,

49:59 Speaker 2: welcome everybody. This is Matt Connorton Unleashed and we have

50:02 Speaker 2: a Like I said before, we have a very Pennsylvania

50:05 Speaker 2: centric show today because coming up later on, we've got

50:07 Speaker 2: grim Rock who's gonna be with us. He is from Pennsylvania,

50:10 Speaker 2: but he's gonna be your live in studio because he's

50:12 Speaker 2: currently on tour. He is playing a big show tonight

50:14 Speaker 2: in Nashua at the Spot. We'll talk all about that.

50:18 Speaker 2: Cannot wait to finally meet grim Rock in person live

50:22 Speaker 2: on the show. He's gonna be here later on, but

50:25 Speaker 2: let's play this. This is another track. Like I said,

50:27 Speaker 2: we're talking about the video. You can find the video

50:29 Speaker 2: on YouTube. This is Robin Ross and the Mellowdines and

50:32 Speaker 2: this song is called Campfire on the Moon. After that,

50:35 Speaker 2: we're gonna show some love to our amazing sponsors as

50:38 Speaker 2: we prepare for our number two new Marrow dose of

50:41 Speaker 2: Matt Connorton Unleashed. On this rainy, wet snow up north,

50:46 Speaker 2: there's literally in higher elevations, there's literally supposed to be

50:49 Speaker 2: snow today. We're not gonna see any here down where

50:52 Speaker 2: we are, but it's going to just be rainy and

50:53 Speaker 2: crappy all day. But that's all right because we'll stick

50:56 Speaker 2: together all right.

50:57 Speaker 3: Here it is camp fire on the moon. Robin Ross

50:59 Speaker 3: and the melodines.

51:06 Speaker 19: H Campfire on the Moon, Suzon Shipper Zoo beaches in Sandy, Dude,

51:17 Speaker 19: lagoons are on the moon, Campfire on the moon, singing

51:23 Speaker 19: a campfire zoom.

51:25 Speaker 20: And in another beer, boy, am I glad we're here?

51:30 Speaker 5: It's his city, It's it's your sil it's de Si

51:39 Speaker 5: right now.

51:42 Speaker 19: Uh huh, Campire on the moon hanging out all this, dude,

51:49 Speaker 19: Oh it don't leave to zoom maybe not on June

51:54 Speaker 19: and in.

51:54 Speaker 20: Another beer, singing like Bob, we're open on at all.

52:01 Speaker 5: At least I tumble fall. It's this, it's this, sim

52:09 Speaker 5: it's just so, it's this s.

52:13 Speaker 9: Rid down.

52:17 Speaker 6: Then it add it.

52:19 Speaker 5: Then it didn't say to this sound the mountain and

52:25 Speaker 5: the team.

52:26 Speaker 21: Tack really signing down because of tell the other side.

52:42 Speaker 5: He jumble went on back some work. They will fight

52:50 Speaker 5: around sit I ever know of this same it's the

52:55 Speaker 5: sun that fire out of space.

52:59 Speaker 20: What a crazy place on another shot us down in

53:05 Speaker 20: all we got.

53:07 Speaker 5: Oh we don't live at all, at least not till

53:10 Speaker 5: next fall.

53:11 Speaker 19: The Empire halping spaces hanging on the moon man's phades.

53:16 Speaker 9: It's it's just.

53:21 Speaker 5: It's it's this when it's it's just.

53:24 Speaker 22: So right down.

53:28 Speaker 9: Uh huh.

53:31 Speaker 20: The bire all the moon singing a nothing too so

53:36 Speaker 20: much more good drink, and I haven't slept the way

53:40 Speaker 20: I hope we would have happened to go.

53:43 Speaker 5: If it's it only made it so Empire all the moon.

53:48 Speaker 5: I'm gonna leave too soon. It's deceit, it's just sit.

53:55 Speaker 9: It's just si.

53:58 Speaker 5: It's de si that now oh yeah, oh again right now,

54:08 Speaker 5: but you get up man gets boom right now. You

54:13 Speaker 5: can get all that with some rust.

54:15 Speaker 4: Don't you want to do her?

54:17 Speaker 5: Thrown in the bust.

54:19 Speaker 3: It's too soon, But I wanna stay here all day, stay.

54:25 Speaker 5: All man, I'm going nowhere. Everything will be there all day,

54:30 Speaker 5: leave to night.

54:31 Speaker 21: The sick jungle mean rock and roll, never robbing, exhausting time,

54:38 Speaker 21: no real.

54:40 Speaker 5: But just sim to leave the boy rob he s listen,

54:55 Speaker 5: it's fust to zoom h.

55:04 Speaker 3: Nana's Kitchen and Pizzaia.

55:06 Speaker 5: From Nana's hands to your plate tradition. Love and taste.

55:12 Speaker 13: That's great, soough fermented dough flavors, so true.

55:20 Speaker 9: Each bite, the.

55:21 Speaker 18: Story made just for you.

55:25 Speaker 3: Six o three two three two nine three six six

55:30 Speaker 3: Nana's Kitchen and Pizzaive fifteen Dartmouth, Dry Auburn, New Hampshire.

55:35 Speaker 5: Nas Kitchen and Hissari.

55:43 Speaker 1: Luigi's Pizza Barren Grill.

55:45 Speaker 10: Every one, let's raise his lyce on hide with tommins

55:50 Speaker 10: all the ground.

55:52 Speaker 5: It's a pizza bio minde.

55:54 Speaker 1: Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester, Come

55:59 Speaker 1: on in call six two one zero two one. Luigi,

56:04 Speaker 1: keeping the tradition alive since nineteen seventy five.

56:09 Speaker 10: Leads up for every one, come join a past two

56:13 Speaker 10: nights with these slye sets of it, everything feels so right.

56:21 Speaker 15: In times of crisis, you need a law firm that

56:24 Speaker 15: stands by your side. With over forty years of experience,

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56:38 Speaker 15: DUIs to homicides. If you've been injured. Our compassionate team

56:42 Speaker 15: will assess your case and fight for the compensation you deserve.

56:46 Speaker 15: Serving all of New Hampshire. Craigan Getzulis is here when

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56:56 Speaker 11: Bring your kitchen to life with Queen City Cabinetry, located

57:01 Speaker 11: at eighty seven Elm Street in the historic Sunbeam Mall

57:04 Speaker 11: in Manchester, open Monday through Friday nine am to five

57:08 Speaker 11: thirty pm, in Saturdays ten am to two pm. They

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57:16 Speaker 11: to zero zero seven. We're on the web at Queen

57:19 Speaker 11: Citycabinatree NH dot com. Come see the possibility is Queen

57:25 Speaker 11: City Cabinet Tree, another crowd sponsor of WMNH.

57:29 Speaker 22: Hey everyone, there's Rob Azevido, host of Granite State of Mind,

57:32 Speaker 22: and I want to tell you about Pembrooke City Limits

57:34 Speaker 22: and the historic Suncook Village. PCL is an award winning bar,

57:37 Speaker 22: restaurant and music venue where there's live music five days

57:40 Speaker 22: a week and twice on Saturdays. Everything from blues, country, folk, funk,

57:44 Speaker 22: and a.

57:44 Speaker 9: Whole lot of jazz.

57:45 Speaker 22: We have twelve craft beers on tap dedicated to local

57:48 Speaker 22: brewers in the area and some of the friendliest bar

57:50 Speaker 22: tenders around. Please come visit Pembrook City Limits at one

57:54 Speaker 22: thirty four Main Street, the historic Suncook Village, only six

57:57 Speaker 22: miles outside of Manchester. Open Tuesday Days to Wednesdays four

58:01 Speaker 22: to ten Thursday's Sunday eleven to ten. Pembrook City Limits

58:05 Speaker 22: where it's all about the music.

58:06 Speaker 1: Disneys Cafe is the place to put a smile on

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58:25 Speaker 1: Dine in, take out or make a reservation Call six

58:28 Speaker 1: oh three, six oh six two five three two, Eat,

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59:15 Speaker 4: Seven times out of ten we listened to our music

59:19 Speaker 4: at night.

59:22 Speaker 12: That's pan the titled list this program.

59:25 Speaker 11: Late Night to Light with DJ Midas right here on

59:27 Speaker 11: w MNH Manchester.

59:29 Speaker 5: You want to know why because

59:32 Speaker 1: Saturdays and Sunday nights midnight to four am.