Matt Connarton Unleashed 8-29-26 hour 2

Matt Connerton Unleashed on WMNH

0:00 Speaker 1: WMNH, rip the knob off!

World Premieres and Teasers

0:02 Speaker 1: You're listening.

0:06 Speaker 2: To Matt Connerton Unleashed on WMNH 95.3 You're listening to Matt Connerton Unleashed on WMNH 95.3.

0:37 Speaker 3: Right now, it's a Matt Connerton Unleashed exclusive, the world radio premiere of the new single from Under the Horizon, coming out September 1st, but you heard it here first. This is called Angel of Mercy.

0:48 Speaker 4: Angel of Mercy.

1:18 Speaker 5: Yeah.

1:19 Speaker 6: Yeah.

2:49 Speaker 5: Bye.

2:49 Speaker 7: Bye.

2:50 Speaker 5: Bye.

5:12 Speaker 3: Now exclusively on Matt Connerton Unleashed, the world radio premiere of the new single from Trier's. This is called Common Goal.

5:39 Speaker 8: We'll see you next time.

6:00 Speaker 9: To get close. This is, this is a common goal.

6:06 Speaker 4: Hopeful, deeply invisible.

6:08 Speaker 10: Step by our best days.

6:10 Speaker 5: We'll arrive.

6:11 Speaker 4: See me on the other.

6:36 Speaker 9: They're taking more than they need. See you next time.

7:25 Speaker 9: This is, this is a common goal. Hopeful, completely invisible.

7:31 Speaker 5: Step by, our best.

7:32 Speaker 11: Days will arrive.

7:33 Speaker 5: See me on the other side.

7:35 Speaker 9: This is, this is a common goal. Hopeful, completely invisible.

7:46 Speaker 10: Step by, our best.

7:49 Speaker 12: Days will arrive.

Hypnosis Services

8:17 Speaker 3: A question for my listeners. What would you change about your life if you knew that you could? Maybe you want to feel more confident, reduce stress, overcome a fear or a phobia, change an unwanted habit, or finally get past something that's been holding you back. I'm Matt Connerton, radio host and certified hypnotherapist, and I help people use the power of hypnosis to create meaningful, positive change. I offer private sessions online and in person, and your initial consultation is completely free.

8:52 Speaker 3: Find out if hypnosis is right for you. Visit my website today, mattconnerton.com. That's mattconnerton.com.

The Traveling Showman's Tale

9:00 Speaker 13: When Matzo wakes up in the morning, he gets into the shower, and to the top of his lungs, he sings, I'm the.

9:09 Speaker 5: Man.

9:09 Speaker 2: I do what I want because I can.

9:17 Speaker 14: All right, back to the radio show now.

9:19 Speaker 15: All the best, Jerry.

9:22 Speaker 1: Well, I did wave goodbye to the hangdog cloud That slouched low over this rain-soaked town With no small thanks to the white star line And an I.O.U. to God on high I looked down to the harbor wall To the rain-soaked streets, to one and all I look down from up on the deck and I wave the kerchief from around my neck.

10:00 Speaker 4: Neck Queer The adventure Queer The adventure Queer.

10:19 Speaker 1: Well, I found my taste for wanderlust in a dusty, musty picture house. There where the velvet reigned supreme, I saw my face on the silver screen.

10:37 Speaker 5: I'm on a long.

10:38 Speaker 1: Beach pike, sun-kissed stage in a seaside amusement arcade. They gather round And gasp aloud at this runaway schoolboy who's done proud. Pecking through the junkyard of dreams. Looking for a thread to the silver screen. I line them up all in a row. Come and see my traveling.

11:13 Speaker 5: Show, dear mama. I'll make you proud. But for now, I'll.

11:20 Speaker 1: Peddle my two-bit show in this jump-dup-dup, hot.

11:26 Speaker 5: As hell, with.

11:28 Speaker 1: My pet monkey.

Meet Adrian Crowley

11:31 Speaker 5: For two bits.

11:34 Speaker 1: Ahead, if you pardon.

11:36 Speaker 16: The pun You can come into my traveling show For two bits ahead, if you pardon the pun You'll see my collection of curios These are no withered jack-o'-lanterns Dead-eyed doll heads.

11:58 Speaker 11: With a twisted grin No, these are no jack-o'-lanterns Dead-eyed doll heads with a twisted grin No, these are no withered jack-o'-lanterns Dead-eyed doll.

12:16 Speaker 1: Heads with a twisted grin No, these are no Jack-o'-lanterns, dead-eyed doll heads with a twisted.

12:27 Speaker 11: Grin, no, these are no Jack-o'-lanterns.

12:33 Speaker 14: Dead-eyed doll heads with a twisted grin, no, these are no Jack-o'-lanterns, dead-eyed doll heads with a twisted grin.

13:08 Speaker 3: Well, that haunting sound, that is Adrian Crowley. And the song is Quinn the Adventurer. And we're going to learn all about that.

13:15 Speaker 15: Let's see.

13:15 Speaker 3: So we've got, I think we have Adrian Crowley with us via restream all the way from Ireland, I believe.

13:21 Speaker 15: Adrian, are you there?

13:24 Speaker 5: I am.

13:25 Speaker 1: Can you hear me?

13:25 Speaker 15: Yes, yes. Welcome to the show.

13:28 Speaker 3: Very excited to talk with you today because that is such an interesting song, and it's from a very interesting project, of course, Bring Your Own Hammer, and really looking forward to speaking with you today about it. And this is, is this, you have more than one contribution to the Bring Your Own Hammer project, correct?

13:49 Speaker 15: It's not only Quinn the Adventurer?

13:53 Speaker 1: Absolutely. I've been writing songs for the project for several years, actually. And would you believe I've lost count of songs I've written for the project.

14:05 Speaker 7: Oh, okay.

14:07 Speaker 1: Yeah, absolutely. Because actually about a year ago, Dr. Richard McMahon, the historian behind the whole project, he reminded me that I've Solo, basically, my solo contributions amount to the equivalent of an album, you know, of songs. So imagine everyone contributing together, how many songs there are by now, or after a few years, because there are so many amazing artists involved.

14:42 Speaker 8: Right.

14:42 Speaker 1: So I've no idea how many songs have been written for the project altogether, you know.

14:48 Speaker 11: Yeah.

14:48 Speaker 1: It's so many, it's such a wealth.

14:50 Speaker 3: He's going to be on with us soon to tell

Bring Your Own Hammer: A Unique Project

14:53 Speaker 3: us all about it. But what can you tell us about it in the meantime to kind of tide us over about Bring Your Own Hammer and what this project is exactly? Because it's very interesting, the origins of it. And it's ambitious, I would say, to say the least. But what exactly is, in your words, Adrian, what exactly is Bring Your Own Hammer?

15:13 Speaker 1: So I would say it's where scholarly pursuits meet songwriting pursuits in a nutshell, but it's more like the meeting of historians and composers creating something that is very specific in that it's a project where the source material is derived from the Irish diaspora and post famine Ireland. So basically, things that happened to Irish people in that time, but in a very kind of like closeup view of people's lives. So it's very, that's very much something that interested me at the beginning that it wasn't this general broad history project.

16:07 Speaker 1: It was extremely specific and with, with like threads of different themes that you could pursue, but essentially these are stories. set to song about people's real lives from a particular part of Irish history, not necessarily grounded on in the land of the Island of Ireland, but what happened when people left Ireland too. So I hope that elucidates it a bit.

16:38 Speaker 5: Absolutely. Absolutely.

16:39 Speaker 3: Because like I said, it's such a unique and interesting project. Um, I'm, I'm of Irish descent. My father's family, um, My ancestors were from Ireland. But I will confess, I don't know much about the history, and I have been learning a little bit from listening to this project, Bring Your Own Hammer. Of course, everything is available on Bandcamp, for example, so people can get access to it. But it's such an interesting thing, and highly educational. And I do think, and I assume... this is one of the reasons that this came about is because one of the ways that you can educate people is through song, you know, and through other art forms as well.

17:20 Speaker 3: But if you can connect with people artistically, it generally, I think, makes them much more receptive to what it is that you're trying to teach them rather than, you know, a PowerPoint presentation or something like that. If you can connect through music, you can really transmit that information.

The Art of Historical Songwriting

17:35 Speaker 1: Yes, absolutely. But there's another thing that's very important to me generally about writing songs, because essentially, even, you know, for projects like this, but any projects that involve songs, the song itself has to sit with the listener in a way. They don't need really to know what the story behind the song was or why it was written. But in this case, and many other cases, I suppose, but in this case, the listener can go and dig and find out, oh, wow, what does that mean, you know? What is...

18:11 Speaker 1: What's on golden streets, bitter tears about, I like listening to it, but what is it? What's it coming from? So I think it needs to work as a song first, but then there's another few layers if you want to look underneath, you know, and, and discover something that is fully, fully real.

18:33 Speaker 6: Right.

18:34 Speaker 1: And, and really it kind of opens the pathways to discovery of, Yeah, sure, you can educate yourself, but my personal involvement of it wasn't necessarily to educate anyone. I was inspired naturally by it. And it was a real revelation for me, too, to discover these documents and lose myself in these stories that perhaps could have remained... just in some archives or in a kind of a digital folder somewhere that never gets revealed, you know?

19:16 Speaker 6: Right.

19:16 Speaker 5: Right.

19:18 Speaker 3: And if it, if it, if it never gets reviewed, it's like the tree that falls in the forest, you know, it's, it's just kind of lost.

19:25 Speaker 1: Yes, absolutely. And, uh, so I suppose I, the more I was involved, every time I was asked to consider writing another song for, particular theme that was running in the project or sometimes say Richard might discover a story and think, Oh, Adrian might like this. And he'd send it to me, you know, and he'd say, what do you think? Do you think there's a song in here for you? And then I was immediately hooked. Even if I was busy, busy with many other things, I always found the time to do it.

20:04 Speaker 17: Yeah.

20:04 Speaker 1: So it's, I'm saying that because it's just been very inspiring, you know, really.

20:11 Speaker 15: That's amazing.

20:12 Speaker 7: Yeah.

20:12 Speaker 3: Uh, we should tell our listeners too.

Quinn the Adventurer: A Haunting Story

20:14 Speaker 3: So Quinn, the adventurer previews the 21 song double album from the tombs. Um, and I assume, so all the stories, I mean, are there, In terms of how these songs, is there a deliberate effort with a collection like this to, I mean, we understand the inspiration that these songs spring from, but is there a particular story being told, or does each song kind of tell its own story, you know, within the context of this bit of history that we're talking about? Or is there some sort of a through line, almost like a concept album, where you're trying to tell a different part of a story with each song?

20:55 Speaker 1: Well, let's see. Sometimes, for instance, there was an EP released to do with the sea. So each one of those stories were sea related. But that was their connection. But also they were set in the same period of history. So as far as I'm aware, there are no songs that are retelling the same story, if you know what I mean. they're all interlinked, but they're all standalone songs. But yes, quite often there is a theme to each collection.

21:34 Speaker 15: Okay.

21:34 Speaker 1: So yeah, it could be law and order or, or the sea and the sea is so broad. It could be about voyages. It could be about something that happened on the island near the sea. It's, you know, it's quite, it's quite broad, but I think, You know, from a curatorial perspective, that's where Richard is. He very much has the vision for this. And the late Cahill Coughlin, too, of course, who first approached me to join the project. It's their vision. I mean, I'm only vaguely conscious of themes that everyone would bring collectively when I'm working on the Psalms, because I'm so close to it.

22:22 Speaker 1: But then Richard might say, ah, we've got 10 songs here, which all are to do with, say, hardship or, you know, poverty or seeking new wealth or, you know, seeking a new life in the new world or something. But so I suppose that's up to Richard, you know, to decide. to see the threads, but not just see them, but also to direct them at the beginning. I guess he was the director.

22:55 Speaker 15: Okay. Okay.

The Creative Process Behind Quinn the Adventurer

22:57 Speaker 3: Um, I'm curious too about your approach in terms of production, because I think, uh, I think I'd use the word haunting coming out of that song, Quinn the Adventurer. I mean, it's very, you know, it is, it's haunting. It's atmospheric. It's got a literary vibe, if I could put it that way. Is everything that you do for this project, or perhaps even because I haven't heard other music that you've done outside of this project, I mean, do you kind of approach everything that way? Or how do you approach this from a production standpoint?

23:31 Speaker 1: I do approach everything that way, I suppose, because, um, well, this, this song I produced and played all the instruments myself and my son mixed it.

23:44 Speaker 5: Oh, good. Uh, yeah.

23:45 Speaker 1: And so I'm speaking to you from the house where I recorded it. I have this little attic studio with lots of instruments and, but at the heart of it, it's about the words. I suppose, What I do, apart from my instrumental, purely instrumental work, the most important thing is the words, the story, and the, I suppose, my voice, because that's my main instrument. And I do approach everything with those in mind. And there is always a literary sense to.

24:23 Speaker 5: What I write.

24:25 Speaker 1: I mean, I write a lot, and words are very important to me. And if it's haunting, well, you know, I like to hear that.

24:34 Speaker 15: Yeah, yeah.

24:36 Speaker 1: I feel haunted when I'm doing it.

24:39 Speaker 15: Well, you are in an attic.

24:40 Speaker 7: Exactly.

24:46 Speaker 1: I thought I'd give you a bit of context there, you know, to where it came from.

24:50 Speaker 3: Yeah, yeah. When you're doing a song like that, obviously, you know, you're singing from the point of view of the character. Is it hard to kind of. Because you don't necessarily want to impose too much of yourself on the performance, right? Because you're this character in the song. I mean, is that a challenge?

25:13 Speaker 1: Yeah, it is. I mean, because at the very beginning, like this song, I had a notebook that I was carrying around with me for quite some time. I was traveling and adding bits to the notebook and finding a way into the song. And absolutely... I didn't want to lose track, lose sort of my path in and have the song turn into something else entirely. That's, you know, all, all about me, this man here speaking to you, but rather than, you know, I wanted to keep it to the story of this other man's life, but, but absolutely through, through the first person.

25:56 Speaker 1: So, so yes, that was a challenge, but, I think it's almost like you get to know a part for a film or a play and you just have to live with it and absorb it. And then when it comes out, it's going to be infused with your essence, but you're hopefully looking through the eyes of this other person. So it is a balance and a challenge. And Not all of my songs are like that, but this certainly is.

26:28 Speaker 15: Sure, sure.

26:29 Speaker 3: And of course, to be clear for everyone, James Quinn, obviously, who the song is about, he was a real person. These are all historical stories. None of this is fiction. So I'm curious, how did you encounter his story? And there's all these details in the story, Charlie Chaplin and the shrunken heads and the burglary and his disappearance and everything. Like what, like, how did you, how did you, or maybe Richard brought the story to you?

26:57 Speaker 15: I'm not sure.

26:58 Speaker 1: Yes. Richard did bring the story to me. Uh, and he, I, I straight away thought, wow, this is incredible. It's like, it's like the treatment for a movie, you know?

27:11 Speaker 5: Yeah.

27:12 Speaker 7: Really?

27:12 Speaker 1: There's so much in it. And so almost all, you can be overwhelmed by that amount of information and that amount of details because you can't have everything in a song. So in a way, I had to choose the arc of the song, the key elements, and actually treat it like a very visual thing for myself. So, yeah, Richard sent me the story and he said, what do you think of this? And he said, actually, first of all, he said, I found some source material that could be really interesting for you. And perhaps you could write a song about some shrunken heads.

27:56 Speaker 1: So I was thinking, what was that really? So I read it, read it and I, I understood what he was getting at. Uh, but yeah, the, the song kind of asked me to, to tell it in that way, you know, after a while. So, I suppose it's episodic. I mean, I could even, I keep thinking about that song and think how it could have even been longer. It could have gone on for days.

28:26 Speaker 5: Sure.

28:27 Speaker 1: Sure. Name of the song for now. And the, the challenge.

28:33 Speaker 14: Yeah.

28:34 Speaker 1: The, the challenge was, was very enticing. And also the source material was so rich and, uh, It feels good then, you know, when you feel like something has clicked because you know, when you're reading, if anyone looks into the backstory of the song, it's very, very, very interesting. You know, the, um, it's basically this, this man, James Quinn, who changed his name to Tim O'Brien. He leaves Belfast. He seems to have some kind of maybe a sketchy background, but he's like, he could be running away from something and he wants to be a famous film star.

29:16 Speaker 1: In Hollywood, he kind of gathers together the price of the transatlantic voyage, gets there, gets into all kinds of scrapes, steals some shrunken heads, goes.

29:31 Speaker 15: To the Amazon.

29:32 Speaker 1: People don't believe that he's been to the Amazon. Then he goes he starts this kind of road show where he's talking about his adventures and he's showing these relics and finally gets arrested and sentenced to prison in san quentin but there's this kind of there's a kind of like lapse where whereby he's able to abscond before he's brought to the prison And he writes, oh, all the while he's writing letters to his mother. So apparently he wrote about, I don't know, a hundred letters.

30:05 Speaker 5: Wow.

30:06 Speaker 1: And yeah, they were all kept. And they were regarded as like a really comprehensive document of someone's life from that time. And he only wrote to her. So then he disappears. He says to his mom, hey, mom, I'm going to. Hey ma, I'm going to Cuba. And then that was the end of it.

30:30 Speaker 15: Oh, no kidding.

30:33 Speaker 1: So, but you can't really get all of that into a song, but so in the end, uh, in the end I left out any reference to San Quentin or Cuba, but you do get the sense.

30:48 Speaker 5: Yeah.

30:48 Speaker 1: You get a sense of his, um, he taught in one of his letters, he's telling his mother about his plans. that he's going to be great. But for now, he's doing this really challenging job in a really hot place where people are paying two bits for the entry or whatever to get inside the show. And he's saying he's really hot. It's not what he really wants to do, but he's going to make her proud one day. So you get a sense of that, I think.

31:24 Speaker 3: It's interesting that, so for all we know, he may have lived out the rest of his life in Cuba, but we'll never know that.

31:30 Speaker 15: Part, obviously. Exactly. That's interesting.

31:35 Speaker 3: I'm curious, has Richard ever brought anything to you that you couldn't go forward with, or do you always find a way to shape it into a song? I'm curious if he's ever brought you anything where maybe you tried and maybe it just wasn't vibing for you or something.

31:52 Speaker 1: Good question. Actually, I've never said to him, no, I can't do this. But what has happened before is that he might have had, for instance, he had an idea that perhaps I could write a song with a William Butler Yeats poem. If he sent me the poem or suggested a poem for me to write music for and turn it into a song, he sent me a few. And I thought, these are beautiful poems. I love them. WB8. But I said, okay, but I don't know if this is the poem for me. Send me another. So he'd send me another. But it didn't take long.

32:35 Speaker 1: I mean, I think maybe he sent me two or three. And then he sent me a poem called The White Birds. And I thought, yeah. I was walking down the street when I was reading the poem and I started hearing music. So sometimes it pays to say We're nearly there, but this isn't the actual one, but something along the lines of this might be the one.

32:59 Speaker 15: Sure.

33:00 Speaker 1: And similarly with a shipwreck story you sent me. And I was thinking, I said, this is a really great story, but for some reason, I don't think this is my shipwreck. You know, you sent me another shipwreck story and it was right up my street. And yeah. And it turned into like a, I don't know, 14 minute long song that Sean contributed to. Yeah. So sometimes you get a flash of what might be the song, the story. Yeah. But it's not that actual story, but it's related to that story. And then you unearth it, you know?

33:44 Speaker 15: Yeah, yeah.

33:46 Speaker 1: There's a bit of divining or a bit of a sixth sense involved sometimes.

33:51 Speaker 5: Mm-hmm.

33:52 Speaker 1: You know?

33:52 Speaker 15: Absolutely. Absolutely.

Family Collaboration in Music

33:54 Speaker 3: Um, by the way, you mentioned, uh, you mentioned your son, he mixed, uh, Quinn, the adventure.

33:59 Speaker 15: Is that correct?

34:01 Speaker 1: That's right.

34:01 Speaker 18: Yeah.

34:02 Speaker 1: Um, his name is Max and he's 23. He's, uh, an extremely hard worker and he's a producer and he plays the Ellen pipes, you know, the Irish traditional instrument. Wow. And yeah. And he is, He's a bit of a wizard in the studio. And he's pretty much self-taught. When he was a teenager during lockdown, he just honed in on his skills of production and he actually just matured so quickly musically. It's really quite something.

34:41 Speaker 3: Oh, good for him. And to be able to work with him like that, I mean, that must be amazing for both of you.

34:49 Speaker 1: It really is. It really is. And we're working on other music together all the time. And, you know, we, uh, get excited about the same things and he might discover an instrument somewhere, you know, on sale online and he'd say, Hey dad, what do you think? Do you think we should go halves on this?

35:08 Speaker 19: Right.

35:10 Speaker 1: You know, that's what we do. It's, it's great. I feel very lucky.

35:14 Speaker 15: Yeah, absolutely. No doubt. No doubt.

35:17 Speaker 3: Now what's, what's next for you as far as bring your own hammer? Because it sounds like you're, you're constantly working on things for that project.

35:25 Speaker 1: Yes. Oh yes. Well for the project, what usually happens with bring your own hammer with me is that I would say do a flurry of activity for the project and, and then go back to my, my main, music my main work and then so it's for that reason i think it's it's gone on for many years now uh and thankfully because i've enjoyed it so much yeah but yeah i'm working on my own my 11th album at the moment oh wow uh solo album yeah so that's my main pursuit these days for for for the coming months it's going well yeah i aim to finish by the end of by the time the winter comes in.

36:16 Speaker 3: Is that, um, is, is your, your, uh, material is, is that all on band camp? Can people find that there?

36:24 Speaker 1: Yeah. It's band camp and all various places where you find music. So yeah, it's quite easy to find.

36:31 Speaker 15: Oh, excellent.

36:32 Speaker 3: Outstanding. And in a moment, we're going to play, to close out our conversation, and I do appreciate you joining us today, we're going to play this Golden Streets Bitter Tears with, looks like, so you collaborated on this with, I want to make sure I get her name right,

36:52 Speaker 3: Bridget May Power?

36:54 Speaker 1: That's right. She's an astonishing artist and one of my dearest friends, so she very kindly lent her voice to the song and I think elevated it so, so much. I love her voice.

37:07 Speaker 7: Yeah.

37:07 Speaker 15: Yeah, definitely. No, she does have a, she does have a beautiful voice.

37:11 Speaker 3: We're going to, so we're going to close out our conversation with that, but before we let you go, and again, Adrian, thank you so much for joining us today. But where's the, where's the best place for people to go online to keep up with everything that you're doing?

37:25 Speaker 1: Okay. That's a very good question. Everything I'm doing.

37:29 Speaker 5: Oh, wow.

37:30 Speaker 1: Well, okay. Well, I have an Instagram page and it's crow on a fence, all one word. And I also have a website, adriancrowley.com.

37:43 Speaker 20: Perfect.

37:43 Speaker 1: And yeah, I suppose you could start there.

37:47 Speaker 15: That's the best place to start. Absolutely. Absolutely. Adrian Crowley, thank you so much.

37:52 Speaker 3: We'll definitely do this again in the future because it sounds like you've got a lot of, you know, you're always working on new stuff.

37:56 Speaker 15: So we'll have you back soon. I'm quite sure.

37:59 Speaker 5: Right.

38:00 Speaker 1: Well, It was a pleasure to talk. Thanks so much, Matt.

38:03 Speaker 15: Absolutely, Adrian. Thank you. Take care.

38:06 Speaker 1: Bye now. Bye-bye.

38:06 Speaker 15: All right, that.

38:08 Speaker 3: Was Adrian Crowley, and we're going to close out our conversation with this. This is also— no, I should say— I' m sorry, and I should have said this with him still on the line. This is from a different EP from Bring Your Own Hammer, but I think you referred to this earlier— in our conversation, My Grief on the Sea. And another historical song here. So we'll learn something from this. But again, this is Golden Streets, Bitter Tears, Adrian Crowley, featuring Bridget May Power. And check this out.

38:39 Speaker 1: Hurry, hurry over the waves There are riches here, aplenty

38:49 Speaker 1: Truly blessed is this land And our days are heavy with honey If you saw me, you wouldn't know me For all my finery Even the ditches here Glitter and shine.

39:22 Speaker 5: Thank you.

39:21 Speaker 4: Long gone are my days of desperate perdition.

39:51 Speaker 1: And no more shall I suffer devil hunger pains Here.

39:57 Speaker 5: I walk with the best of the town.

40:05 Speaker 1: In my crown of glory And long gone too are my misery chains.

40:22 Speaker 20: Golden streets, bitter tears Golden streets, bitter tears Golden streets, bitter bitter.

40:37 Speaker 1: Tears Fortune springs eternal From the Arkansas river While fruit hanging low Along the eerie canal.

41:22 Speaker 21: Great high windows Of shining houses Some of them.

41:34 Speaker 5: Even Touch the sky Golden stream Bitter tears Golden streets Bitter.

41:57 Speaker 4: Tears Golden streets Bitter, bitter.

42:06 Speaker 22: Tears Golden streets Bitter tears Golden streets Bitter tears Golden streets Bitter, bitter tears.

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45:26 Speaker 19: Queen City Cabinetry, another proud sponsor of WMNH.

45:31 Speaker 7: Hey, everyone.

45:32 Speaker 13: This is Rob Azevedo, host of Granite State of Mind, and I want to tell you about Pembroke City Limits and the historic Suncook Village. PCL is an award-winning bar, restaurant, and music venue where there's live music five days a week and twice on Saturdays. Everything from blues, country, folk, funk, and a whole lot of jazz. We have 12 craft beers on tap dedicated to local brewers in the area and some of the friendliest bartenders around. Please come visit Pembroke City Limits at 134 Main Street, the historic Sunkook Village, only six miles outside of Manchester.

46:01 Speaker 13: Open Tuesdays to Wednesdays, 4 to 10. Thursdays to Sunday, 11 to 10. Pembroke City Limits, where it's all about the music.

46:09 Speaker 19: Diz's Cafe is the place to put a smile on your face. Judy and the crew will take care of you, bring your appetite, and treat your taste buds right. Diz's Cafe is always a winning choice. Breakfast, lunch, or supper. Diz's Cafe. at 860 Elm Street in downtown Manchester. Dine in, take out, or make a reservation.

46:30 Speaker 15: Call 603-606-2532.

46:30 Speaker 19: Eat, drink, and be happy. Diz's Cafe.

46:40 Speaker 18: And your own personal or business computer needs? Trust Groland Computers, located on Elm Street in Manchester. Groland handles computer repair, virus removal, and custom-built systems. Are you looking for budget-friendly options? Check out our selection of fully inspected used computers. We offer tailored, on-site solutions. No unnecessary expenses here. Visit Groland.com or call Groland Computers at 603-645-0101. Your tech, your way. Trust Groland Computers.

47:04 Speaker 6: 7 times out of 10, we listen to our music at night.

47:24 Speaker 5: Thus spawned the title of this program.

47:27 Speaker 19: Late Night Delight with DJ Midas, right here on WMNH Manchester.

47:31 Speaker 10: You wanna know why?

47:32 Speaker 1: Because I'm on the radio.

47:34 Speaker 2: Saturdays and Sunday nights, midnight.

47:36 Speaker 1: To 4 a.m.

47:38 Speaker 7: This hour on WMNH is sponsored by CGI Business Solutions, located at 5 Dartmouth Drive in Auburn. They serve all your business needs, including employee benefits planning, corporate design and business administration, investments and wealth management, and customized business insurance solutions.

47:59 Speaker 1: Their phone number is 866-841-4600 or on the web at cgibusinesssolutions.com.

48:10 Speaker 12: Behold the harmony of airwaves as you immerse yourself in the captivating frequencies of WMNHLP. The sonic heartbeat of Manchester. Transcending through the ether at 95.3 megahertz frequency modulation. Our transmissions emanate from the zenith of 1000 Elm Street. Stranger into the heart of our creative realm at 119 Canal Street.

48:32 Speaker 7: Where innovation and sound collide.

48:34 Speaker 12: We bear the imprimatur of Manchester Public Television Service in the venerable city of Manchester, New Hampshire, USA. Enrich your auditory journey with the depth of our licensed residents. Dispatch your missives to WMNH953 at gmail.com or traverse the virtual corridors of WMNHradio.org. Engage with our sonic vibrations by communing with us through the digital channels your radio beckons. Eager to enthrall you with its mesmerizing cadence and envelop you in a symphony of boundless auditory wonder.

49:09 Speaker 1: WMNH, rip the knob off.

49:15 Speaker 2: You're listening to Matt Connerton Unleashed on WMNH.

49:19 Speaker 18: 95.3.

49:19 Speaker 8: You're listening to Matt Connerton Unleashed on WMNH 95.3.

49:46 Speaker 3: Right now, it's a Matt Connerton Unleashed exclusive, the world radio premiere of the new single from Under the Horizon, coming out September 1st, but you heard it here first. This is called Angel of Mercy.

49:57 Speaker 4: Angel of Mercy.

50:15 Speaker 10: So He's invited in everything I do. Love is guided. He waits for you.

52:03 Speaker 9: And when I take my final breath, I'm going to do it again.

54:21 Speaker 3: Now exclusively on Matt Connerton Unleashed, the world radio premiere of the new single from Trier's. This is called Common Goal.

54:49 Speaker 9: They take more than they need.

55:10 Speaker 4: This is, this is the common goal.

55:13 Speaker 9: Hopeful, deeply invisible.

55:17 Speaker 10: Step by our best days we'll arrive.

55:20 Speaker 9: See me on the other side.

55:44 Speaker 5: This is.

55:45 Speaker 4: This is.

56:11 Speaker 9: See me on the other side This is a common goal Hopeful, deeply invisible Step by our best days We'll go right