Matt Connarton Unleashed: Ian Galipeau

0:12 Speaker 1: Thirty something years now, going up in smoke, twenty thousand

0:18 Speaker 1: days behind. There's just a couple more goal and it's alright,

0:23 Speaker 1: it's alright.

0:26 Speaker 2: Gotta have a little faith.

0:33 Speaker 3: Could have seen it coming somewhere down the line, buried

0:38 Speaker 3: in some double helics, some underneath ourselves a bat But

0:43 Speaker 3: it's alright, it's alright.

0:47 Speaker 2: Everything is in its leg.

0:53 Speaker 1: Seems so clear to me.

0:58 Speaker 2: Could have changed?

0:59 Speaker 1: It seems so mad me. Nothing complain, arts are feeling heavy,

1:22 Speaker 1: bodies get week, We will waste away together, fade into

1:28 Speaker 1: that sweet Really, it's.

1:30 Speaker 2: All right, it's all right. You gotta have a little speak.

1:40 Speaker 2: Seems so clear to me.

1:44 Speaker 3: Nothing could have changed, so wed me.

1:54 Speaker 2: Nothing could plain?

2:32 Speaker 1: Who's us on the mountain all upon the road I've

2:37 Speaker 1: been reaching down to holding me up and bear his

2:41 Speaker 1: heavy though.

2:42 Speaker 2: It's all right, it's all right. Everything is in its place.

2:53 Speaker 2: It's alright, it's all right. You gotta have a little

2:58 Speaker 2: baby same so jeus me cha seems so meplace. Hmmm.

3:27 Speaker 4: I really like that a lot that it's called a

3:28 Speaker 4: couple more to go. That is Ian Gallipo, who is

3:31 Speaker 4: here with us alive in studio, and we're gonna talk

3:33 Speaker 4: in just a moment, but welcome back everybody. We have

3:36 Speaker 4: entered our number two New Marrow dose of Matt Connorton Unleashed.

3:40 Speaker 4: We are live from the studios of w m n

3:43 Speaker 4: H ninety five point three FM and Glorious Manchester, New Hampshire,

3:46 Speaker 4: and of course you can stream the show at Matt

3:48 Speaker 4: connorton dot com slash Live. Today is Saturday, March first,

3:52 Speaker 4: twenty twenty five. Jenny is here at the news table

3:57 Speaker 4: and we have Ian Gallipo here with us. Welcome in. Oh,

4:01 Speaker 4: I can't hear you, and I need to figure out why.

4:05 Speaker 4: Actually that's strange. I can switch that Mike should be on. Yeah,

4:09 Speaker 4: can you bounce over to that that chair please, I

4:11 Speaker 4: don't know why that's not working.

4:15 Speaker 5: That's weird.

4:16 Speaker 4: I'm not getting anything out of it. Okay, let's we'll

4:18 Speaker 4: try We'll try that one. Oh, I can hear you

4:24 Speaker 4: bet Yeah, yeah, awesome, excellently, you sound great. Yeah, that's

4:28 Speaker 4: weird that that mic isn't working at all. That's that's

4:30 Speaker 4: really strange. I'll have to look at it afterward. But

4:34 Speaker 4: so welcome.

4:34 Speaker 1: Uh.

4:35 Speaker 4: Your music has actually been featured on the show before.

4:37 Speaker 4: By the way, we should say, because you of course

4:39 Speaker 4: are in the band Modern Fools.

4:41 Speaker 5: I am in the band Modern Fools.

4:43 Speaker 4: You were not here for the for the interview, but

4:46 Speaker 4: but but so we have played your music before. I'm

4:49 Speaker 4: gonna just that just that camera there too for people

4:52 Speaker 4: watching online so they can see you. But no, but

4:55 Speaker 4: I love your I love I love Modern Fools, but

4:57 Speaker 4: I love your solo stuff too. That is such a

4:59 Speaker 4: great track. A couple more to go really really like that.

5:03 Speaker 4: Where did you record that?

5:04 Speaker 5: It's entirely recorded at home? Oh no kidding, Yeah, yeah,

5:08 Speaker 5: I've got a home studio setup. Did the entire album

5:11 Speaker 5: in my in my studio room.

5:12 Speaker 4: Oh that's incredible. It sounds like it was done in

5:14 Speaker 4: a million in a million dollars studio. It really does,

5:17 Speaker 4: it really does. But it's you know, it's it's remarkable.

5:19 Speaker 4: We talk a lot about uh technology, of course, as

5:22 Speaker 4: we were as we were in the previous segment, and

5:25 Speaker 4: you know, we live in a time where you can

5:27 Speaker 4: really get an amazing recording out of a home studio.

5:30 Speaker 4: I'm old enough to remember when your only real option

5:33 Speaker 4: was go to a studio and pay a lot of money,

5:37 Speaker 4: or if you were gonna stay at home. I don't

5:39 Speaker 4: know if you've ever seen one of those little task

5:42 Speaker 4: scam of course?

5:44 Speaker 5: Is that what you started on yet?

5:45 Speaker 4: Okay, okay, So now though, I mean it's it's incredible

5:50 Speaker 4: what you can do, and.

5:51 Speaker 5: Oh it's amazing. Yeah, I mean all of the DAW's

5:54 Speaker 5: I work in logic. But you know your home studio

5:57 Speaker 5: set up, you can, uh, they were prof albums. Rights.

6:01 Speaker 5: Whole first album was recorded in his basement. I didn't

6:03 Speaker 5: know that. Really, Church is a home recording.

6:05 Speaker 4: Oh, I didn't. I had no idea. I did not

6:07 Speaker 4: know that. So do you do everything on the album?

6:11 Speaker 5: Are you?

6:12 Speaker 4: Are you playing everything?

6:13 Speaker 5: And I play everything?

6:14 Speaker 4: Oh that's incredible.

6:16 Speaker 5: Drums, keyboards, guitars, bass.

6:18 Speaker 4: Yeah, Oh that's fantastic.

6:19 Speaker 5: Good for you, Good for you.

6:20 Speaker 4: And that makes it easier too, in the sense that

6:22 Speaker 4: I mean, well, I mean it's not easier in the

6:24 Speaker 4: sense that it's a lot of work, right, but but

6:26 Speaker 4: you get to create your vision of what you wanted

6:29 Speaker 4: to sound like without anybody kind of messing it up.

6:32 Speaker 5: Right, Yeah, oh for sure. Yeah, it's it's it's an

6:37 Speaker 5: interesting process, right, doing it all yourself.

6:39 Speaker 6: It was.

6:40 Speaker 5: I had a release show this past weekend.

6:42 Speaker 6: Right.

6:42 Speaker 5: The album came out of the twenty second and I

6:44 Speaker 5: had a release show with a full band, and it

6:46 Speaker 5: was so cool to hear these songs come to life,

6:48 Speaker 5: like these arrangements that I'd played one piece at a time. Yeah,

6:52 Speaker 5: played by a five piece band with me, it was

6:54 Speaker 5: was pretty special. Yeah.

6:56 Speaker 4: When when that happens, though? Is it because obviously it's

7:02 Speaker 4: great to hear them come alive, But is there any

7:04 Speaker 4: part of you that is nervous about what if they

7:07 Speaker 4: don't sound exactly like how I want? Or are you

7:09 Speaker 4: able to just let that go and just enjoy because

7:13 Speaker 4: in a sense, who is kind of an adventure?

7:14 Speaker 7: Right? Who?

7:15 Speaker 4: How are these going to sound with other musicians playing

7:17 Speaker 4: them with me?

7:18 Speaker 5: It's certainly an adventure. Yeah, And I trusted the musicians

7:21 Speaker 5: I was working with.

7:22 Speaker 4: Yeah.

7:22 Speaker 5: I picked these five people specifically because I trust their

7:26 Speaker 5: taste and their vision. Whether they're going to play exactly

7:29 Speaker 5: the part that I wrote, whatever they come up with

7:31 Speaker 5: modification of that, he's going to be interesting.

7:34 Speaker 4: Yeah.

7:34 Speaker 5: Good. I didn't just find guys on Craigslist to play

7:37 Speaker 5: the songs with, like that would be nerve wrecking.

7:40 Speaker 4: Yeah, that would be, no doubt, no doubt, any members

7:42 Speaker 4: of Modern Fools who played them with you.

7:43 Speaker 5: Yeah, one member of Modern Fools came, the guitarist John

7:46 Speaker 5: who you met a few months ago. Okay, he came

7:50 Speaker 5: and played and I play with those guys all the time. Yeah.

7:52 Speaker 5: He specifically did not want the Ian Gallipo and the

7:55 Speaker 5: Modern Fools release show, right, so I had to limit

7:59 Speaker 5: the band to maybe one member.

8:00 Speaker 4: No, that makes sense, that makes sense. Who else were

8:05 Speaker 4: other people that we would know from other bands who

8:07 Speaker 4: played with.

8:07 Speaker 2: You that for that show?

8:08 Speaker 5: Or you might know one name Ethan McBrien. He's the

8:12 Speaker 5: front man of the band Party of the Sun.

8:14 Speaker 4: Okay. Yeah, I don't think we've ever had Party of

8:17 Speaker 4: the Sun on the show, but I am familiar with

8:19 Speaker 4: the band.

8:19 Speaker 5: Yeah, yeah, okay, he played bass. Oh very cool, great

8:22 Speaker 5: bass player. Yeah for a band that doesn't have a

8:24 Speaker 5: bass player. Yeah, he's a fantastic bass player. Oh that's awesome.

8:28 Speaker 4: So what in terms of playing live your solo material,

8:31 Speaker 4: what's what's the plan going forward? Do you plan to

8:33 Speaker 4: do that again or or are you planning to play

8:36 Speaker 4: out with your solo I mean, obviously Modern Fools keeps

8:38 Speaker 4: you kind of busy too.

8:39 Speaker 5: Modern Fools keeps me plenty busy. Yeah, I play all

8:41 Speaker 5: of these songs as a not all of the ones

8:44 Speaker 5: on this album, but I'm a solo performer predominantly. Yeah,

8:48 Speaker 5: this whole album is different for me. I composed all

8:50 Speaker 5: these songs on piano, oh wow, which is not an

8:53 Speaker 5: instrument that I normally play. Have been a guitarist for

8:56 Speaker 5: twenty years. I picked up piano a little bit during COVID, Yeah,

9:00 Speaker 5: and just writing on piano was different. So now I've

9:02 Speaker 5: adapted most of these songs to work on guitar, which

9:05 Speaker 5: I'm excited about sharing them in that way.

9:07 Speaker 8: Yeah.

9:08 Speaker 5: I don't know how much band performance I'm going to do,

9:11 Speaker 5: just because there's a lot of logistics. Right, Being in

9:13 Speaker 5: modern fools is enough. Yeah, Band relationships are complicated. Yeah,

9:19 Speaker 5: and I think the songs carry They're different, but it

9:21 Speaker 5: was fun to do them with a band. For sure.

9:23 Speaker 5: I absolutely would in the right context, but it's not

9:25 Speaker 5: something I want to pursue, like we need to be

9:27 Speaker 5: playing four or five shows a month. Yeah, band, it's

9:29 Speaker 5: too much.

9:30 Speaker 4: So your solo material, you're comfortable just you and a guitar,

9:33 Speaker 4: I assume, or you or do you ever bring a keyboard?

9:36 Speaker 5: I never bring a keyboard. I anything that I've written

9:39 Speaker 5: on a keyboard, I've figured out some way to play

9:41 Speaker 5: it on guitar or not play it at all.

9:43 Speaker 4: Yeah. Are there songs that you've had to say this

9:46 Speaker 4: one doesn't translate to guitar well enough, and I'm not

9:49 Speaker 4: going to play this one, or do you ever run

9:52 Speaker 4: into that?

9:52 Speaker 5: Or Yeah, there are a couple on this that don't work.

9:56 Speaker 4: Yeah, don't work in terms of does the vibe just change,

10:00 Speaker 4: or yeah.

10:01 Speaker 5: The vibe is too different, or I'm just not technical

10:05 Speaker 5: enough to do exactly like I can do something close usually, Yeah,

10:09 Speaker 5: but some of it's really dependent on the bounce of

10:12 Speaker 5: a piano. Yeah, doing the same chug on a guitar

10:14 Speaker 5: sounds right right different? That makes sense, Yeah, that makes sense. Now,

10:19 Speaker 5: what about the so on the album? What about the drums?

10:23 Speaker 4: Are those live.

10:23 Speaker 5: Drums or are they programmed or it's all programmed or

10:27 Speaker 5: you know, it's all sampled. A lot of it I've

10:28 Speaker 5: played on a keyboard, Yeah, a drummer, and then I've

10:33 Speaker 5: got to write an electronic drum set that plugs in

10:35 Speaker 5: for me as well.

10:36 Speaker 4: Oh okay, great. Yeah that's something that's changed a lot

10:38 Speaker 4: too over the years, technologically, the advances with that, because

10:41 Speaker 4: I like I remember I remember being a kid and

10:44 Speaker 4: having a keyboard with drum sounds on it, but they

10:48 Speaker 4: they sounded so fake.

10:49 Speaker 5: Oh, they sound so fake.

10:50 Speaker 4: And then you know, and there were also these programmable,

10:53 Speaker 4: these standalone programmable drum machines that some of them like

11:00 Speaker 4: you could get a realistic sounding The problem with those,

11:03 Speaker 4: again this is going back many years, but the problem

11:05 Speaker 4: with those was you could get a really realistic sounding snare,

11:09 Speaker 4: but the toms would always sound terrible and the symbols

11:12 Speaker 4: would sound even worse. Yeah, but but now it's it's

11:17 Speaker 4: remarkable what you can do.

11:18 Speaker 5: Oh, it's unbelievable. What maybe I mean? Uh, the guys

11:22 Speaker 5: in my band were like, where'd you record these drums?

11:24 Speaker 9: Yeah?

11:25 Speaker 5: Like, no, no, there are a couple of obviously electronic

11:28 Speaker 5: pieces in there, but the ones that are acoustic are

11:31 Speaker 5: well sampled. Yeah, they've got that full dynamic range and

11:35 Speaker 5: you really it's hard to tell unless you know, not

11:38 Speaker 5: real drums.

11:39 Speaker 4: Yeah, oh that's fantastic. Yeah, it's uh, that's a great compliment,

11:42 Speaker 4: right when somebody says to you, hey, where you know,

11:44 Speaker 4: where did you record these drums? Yeah that's great, that's great.

11:48 Speaker 4: How is your is your approach to songwriting? Different as

11:52 Speaker 4: a solo artist versus with Modern Fools or because I

11:55 Speaker 4: don't know if with your solo stuff, is that all

11:56 Speaker 4: self written or do you collaborate with other writers?

12:00 Speaker 5: Yeah, great question. I love collaborating with people. Yeah, everything

12:04 Speaker 5: on this record I wrote, and most of my co

12:08 Speaker 5: writes in my life have been for the other artist. Okay,

12:14 Speaker 5: but there's a handful of songs that I wrote with

12:16 Speaker 5: other people that I've written with John from Modern Fools

12:19 Speaker 5: that we that I play, Yeah, soul artists. As far

12:22 Speaker 5: as Modern Fools, almost all of that is written by Josh,

12:26 Speaker 5: the singer. I've I've tweaked some lyrics here and there,

12:30 Speaker 5: but it's we're working towards collaborative writing. It's just a

12:35 Speaker 5: it's a stretch anytime. There's a lot of vulnerability when

12:38 Speaker 5: you write with somebody, Yes, and it's yeah, Josh and

12:42 Speaker 5: I are working towards that.

12:43 Speaker 7: Yeah.

12:44 Speaker 5: No, that's very cool. That's very cool.

12:46 Speaker 4: How many, so, how many songs have you recorded? Just

12:49 Speaker 4: as as Ian Gallipo, Because from what I looked at

12:51 Speaker 4: on band camp, it looks like you've you've got quite

12:53 Speaker 4: a bit of solo material.

12:54 Speaker 5: There's a decent amount of solo material I think there's

12:57 Speaker 5: fifty or so on on.

13:00 Speaker 4: Oh, that's even more than I realized. Wow, oh that's

13:02 Speaker 4: quite a bit.

13:04 Speaker 5: There's two full albums, a couple of epe's, a bunch

13:07 Speaker 5: of singles. There's this a good volume of of solo material.

13:13 Speaker 4: Yeah, when did you How long have you been writing

13:18 Speaker 4: and recording solo material, because that's a lot of material.

13:20 Speaker 4: I assume that's over a span of a few years. Anyway.

13:24 Speaker 5: That is the oldest stuff that's on any of the

13:27 Speaker 5: streaming platforms is from twenty eighteen, okay, so seven years.

13:30 Speaker 5: There's a few other a couple of other albums that

13:34 Speaker 5: are only on my band camp from before that first

13:38 Speaker 5: solo album I think was twenty eleven. Oh, okay, when

13:41 Speaker 5: I was in a band called My Honest Thieves for

13:45 Speaker 5: a few years. Yeah. We released an album in twenty fourteen,

13:47 Speaker 5: which is still up on my band camp, kind of

13:50 Speaker 5: a rock and roll thing.

13:51 Speaker 4: Oh no kidding, Okay, cool. I think I've heard of

13:55 Speaker 4: or maybe I just feel like I've heard of Honest

13:58 Speaker 4: Thieves because that's such a cool name. That is a

14:00 Speaker 4: cool name. But if the name is familiar to me, yeah,

14:05 Speaker 4: so then now, so, how long have you been with

14:08 Speaker 4: Modern Fools. That has that that that hasn't been as

14:11 Speaker 4: long as you've been doing the solo material, right, because

14:13 Speaker 4: that's no.

14:14 Speaker 5: It has not. I joined up with Modern Fools. It's

14:17 Speaker 5: been just over three years now, he's late twenty twenty one, okay,

14:23 Speaker 5: And I started playing bass with those guys. And I

14:25 Speaker 5: mean I've been playing with various members of Modern Fools

14:28 Speaker 5: for a long time. Yeah, that's always the you know,

14:30 Speaker 5: the rotating cast of any of any music community, right,

14:34 Speaker 5: you know, I'm over and keen, and so there's a

14:36 Speaker 5: degree of I've played with everybody, oh there to some degree. Yeah,

14:41 Speaker 5: but yeah, I've been playing with the drummer of Modern

14:43 Speaker 5: Fools since high school. Cool together with John the guitarist

14:47 Speaker 5: for twelve years now. He was in Honest Thieves. Oh okay,

14:51 Speaker 5: So yeah, just a rotating cast, but three and a

14:54 Speaker 5: half years or so with Modern Fools, playing bass and

14:56 Speaker 5: singing the harmonies.

14:58 Speaker 4: Excellent, excellent. The songs that we're playing today are these

15:02 Speaker 4: all from the latest release.

15:03 Speaker 5: Everything is from the latest release.

15:05 Speaker 4: And is that a I forgot? How is that a

15:06 Speaker 4: full length or an EP?

15:07 Speaker 5: Full length?

15:08 Speaker 4: Its length? Okay? Well, was there anything that went into

15:12 Speaker 4: any anything specific that went into that decision, you know,

15:15 Speaker 4: because obviously, again we live in a time where you've

15:17 Speaker 4: got so many different options in terms of how you

15:19 Speaker 4: release music. Some people just release singles, some people decide

15:22 Speaker 4: to do an EP, some people decide to do a

15:24 Speaker 4: full album. Was there was there any particular reason you

15:30 Speaker 4: decided to do a full album. Do these songs have

15:32 Speaker 4: a sort of cohesive connection to them.

15:34 Speaker 5: Or they do each other?

15:37 Speaker 4: Yeah.

15:37 Speaker 5: It started out I thought it was going to be

15:38 Speaker 5: an EP. I thought I'd weed a couple of the

15:40 Speaker 5: songs out as I as I went through, and then

15:42 Speaker 5: I started going and I'm like, oh, I got nine songs,

15:45 Speaker 5: and maybe I could write there's one instrumental piece that's

15:48 Speaker 5: again piano bassed. It was like, ten is a nice

15:50 Speaker 5: even number. It feels like a full album. Yeah, these

15:54 Speaker 5: all are are cohesive in that again, they're the subset

15:57 Speaker 5: of songs that I've ever written on piano, Yeah, which

16:00 Speaker 5: sort of unique. And as I dove into them and

16:02 Speaker 5: work done them, I found that that there's just a

16:06 Speaker 5: lot of nostalgia built into this set of songs. For

16:09 Speaker 5: whatever reason, Writing a piano brings that out of me.

16:12 Speaker 5: Being a dad brought that out of me a bit.

16:14 Speaker 5: I've got two daughters at home. Yeah, and I was

16:17 Speaker 5: never a nostalgic person, and I have kids, and now

16:19 Speaker 5: I'm very aware of moments passing, right, it gives you

16:22 Speaker 5: that a different perspective. So these songs are all all

16:27 Speaker 5: sort of looking backward in some degree. Some of them

16:30 Speaker 5: are stories that are true for my life, some of

16:32 Speaker 5: them are borrowed from other people. Right. A couple More

16:34 Speaker 5: to Go is about this older friend of mine watching

16:40 Speaker 5: her fifty year marriage not fall apart, but watching her

16:44 Speaker 5: partner pass and doing it with more dignity than I've

16:46 Speaker 5: ever seen anyone do that. So anyway, it's not all sadness,

16:52 Speaker 5: but it's all there's kind of this rose colored glasses

16:55 Speaker 5: look backwards that ties these songs together. Faded Pictures is

16:59 Speaker 5: the title track, which isn't one that will listen to today,

17:03 Speaker 5: but it kind of prompted the idea for the album

17:05 Speaker 5: art of all these pictures of just my photo album, yeah,

17:09 Speaker 5: my family photo albums mashed together, and so yeah, it's

17:11 Speaker 5: a it's a look back, it's reflective, kind of just

17:16 Speaker 5: escaping from some of the turmoil of the last couple

17:19 Speaker 5: of years.

17:20 Speaker 4: Taking backwards did you. Did you create the cover art yourself?

17:24 Speaker 4: I mean, obviously that's your your photo albums, But.

17:26 Speaker 5: Did you did oh very cool, too much, too much

17:30 Speaker 5: the gallipo. I did every single piece of it. No,

17:33 Speaker 5: I think that's fantastic. I think that's that's excellent. We

17:36 Speaker 5: should play another track. What should we play next? We

17:39 Speaker 5: just played a couple more to go to open the segment,

17:42 Speaker 5: but I'd love to play another one. Yeah, let's let's

17:44 Speaker 5: do only Ever Always only over a second track on

17:47 Speaker 5: the album what?

17:49 Speaker 4: What should we know about this song?

17:51 Speaker 2: Any?

17:52 Speaker 4: Any?

17:52 Speaker 5: Any song is what Let's see. I wrote this. It

17:57 Speaker 5: was inspired by a book that I was reading and

18:01 Speaker 5: it just had this really beautiful love story that sort

18:03 Speaker 5: of creeps up on you. The second Chance that I

18:07 Speaker 5: thought was really beautiful, And part of this song actually

18:09 Speaker 5: came from a prompt. I was in a songwriter's group

18:11 Speaker 5: and we were doing weekly prompts last April, and because

18:16 Speaker 5: everything had started to turn green, the prompt was used

18:19 Speaker 5: the word green somewhere in your song, and it's snuck

18:21 Speaker 5: in there in the chorus. This was the song written

18:23 Speaker 5: for that.

18:24 Speaker 4: I just have to say though, before before we play

18:26 Speaker 4: the song. This is one of those weird synchronicities. Jenny's

18:29 Speaker 4: heard me talk about this. So this concept of writing

18:32 Speaker 4: prompts had never really come upon the show before. But

18:36 Speaker 4: last night I was on because there's a show here

18:39 Speaker 4: that Arizon Friday nights at six pm called Granite State

18:42 Speaker 4: of Mind.

18:42 Speaker 5: You might know.

18:43 Speaker 4: Do you know Rob rob Azevito. I met Rob yet okay, yeah,

18:46 Speaker 4: and he has Pembroke City limits and everything. But so

18:49 Speaker 4: I was here for that to help Rob set up

18:51 Speaker 4: Mike's for a sound because Katie Dobbins, yeah, came in

18:54 Speaker 4: and played live and the subject of writing prompts came up.

18:58 Speaker 4: She was talking about using pumps, you know, to help

19:01 Speaker 4: give her ideas for songs, and I've never really heard

19:04 Speaker 4: anyone talk about it that way before. And and then

19:06 Speaker 4: you you mentioned prompts. It's funny. Those moments are so

19:10 Speaker 4: interesting to me. Yeah, yeah, yeah, but uh, all right,

19:13 Speaker 4: so let's give this a spin. If you are just

19:16 Speaker 4: joining us, Ian Gallipo is here with us in studio,

19:19 Speaker 4: and uh, this is great. This is called only Ever Always.

19:32 Speaker 1: I was fucking gently settled in the silence of frozen dark,

19:38 Speaker 1: an empty hibernation. You were there to catch me, drawn

19:44 Speaker 1: in by the wildness of broken heart, oh kind of patience.

19:50 Speaker 2: In your hands, my world.

19:55 Speaker 4: Scream the world.

20:00 Speaker 10: It's on the branches over the light, inside Glassy, it's

20:06 Speaker 10: capturing the light stall in Second Chances at the light,

20:11 Speaker 10: and you're right.

20:12 Speaker 2: It's not wrong right, you're on wrong or right. There's

20:17 Speaker 2: only ever.

20:18 Speaker 11: Always, And.

20:31 Speaker 1: Running from the hardy certain in the distance we had

20:35 Speaker 1: put behind the best could only change suns. Love was

20:40 Speaker 1: like an earthquake, overwhelming and escapable and violent.

20:46 Speaker 2: So we let it take guns in the worlds onfoor light.

20:53 Speaker 12: Every new screen, all the worldlife, But it's on the

20:59 Speaker 12: branches over n is come back, see.

21:04 Speaker 2: Capturing Light stole.

21:07 Speaker 13: In Second Chances and the night, and you're right. There's

21:11 Speaker 13: no wrong, wrong, right, only ever always.

21:43 Speaker 4: I love the way that ends. I didn't even want

21:45 Speaker 4: to talk over the end of it. That's so cool.

21:47 Speaker 4: That's Ian Gallipo. Only ever always is the name of

21:50 Speaker 4: the track. That's really nice. I love the I love

21:54 Speaker 4: the choruses on these and the you know the obviously

21:58 Speaker 4: you know you're how many? How many layers of vocals

22:02 Speaker 4: are on like that a song? I'm such a recording nerd,

22:04 Speaker 4: so I asked these nerd weird great weird questions. Probably

22:08 Speaker 4: nobody else care how many layers of vocals, but I'm

22:10 Speaker 4: just curious because it just sounds so good.

22:13 Speaker 5: Thank you so much. No, I love the recording nerd

22:16 Speaker 5: conversations here. That song has got I think nine layers

22:22 Speaker 5: of vocal. Okay, so it's it's like a four part harmony.

22:26 Speaker 5: My wife is singing the highest right, the female voice,

22:29 Speaker 5: she's got two parts, and then I'm doubling the lead

22:32 Speaker 5: vocal and singing two underneath it. Okay, So it's like

22:36 Speaker 5: a five part harmony with nine total voices layered in.

22:40 Speaker 4: Oh nice, Yeah, it sounds was that hard to get

22:43 Speaker 4: that right, like like the way you wanted it? Because

22:46 Speaker 4: that's kind of complex working all that out, or maybe

22:49 Speaker 4: it's not.

22:49 Speaker 5: Maybe I know.

22:51 Speaker 4: Sometimes it can be kind of instinctive when you're working

22:53 Speaker 4: out harmonies, but I.

22:55 Speaker 5: Working out harmonies is like my favorite nerd thing to do. Yeah, oh,

22:59 Speaker 5: I love it. So it's a little tricky, but it's

23:04 Speaker 5: a lot of fun. Like I do all most of

23:06 Speaker 5: the harmony arrangements for modern fools as well. Right when

23:09 Speaker 5: I was singing with with Josh and when we record

23:12 Speaker 5: together with two voices, it's always interesting like, what what

23:17 Speaker 5: can we do that isn't just tight thirds right? And

23:20 Speaker 5: so I know this is like music theory nerd stuff,

23:23 Speaker 5: but yeah, it's complicated, but it's it's fun.

23:26 Speaker 4: Yeah.

23:27 Speaker 5: I love when I am recording and I have license

23:30 Speaker 5: to like, oh, I can just fill this course up

23:32 Speaker 5: with a five part gigantic thing.

23:34 Speaker 2: Ye.

23:35 Speaker 4: How long did it take to record the to record

23:38 Speaker 4: the album?

23:39 Speaker 5: The album was over the course of maybe eight months. Again,

23:45 Speaker 5: all done at home, and it's it's the challenge in recording.

23:49 Speaker 5: It is is always just finding the time, right. I

23:52 Speaker 5: work full time and I've got children, so it's loud

23:55 Speaker 5: in the house for most of the hours.

23:57 Speaker 12: Of the day.

24:00 Speaker 4: Did you do all the did you do the mastering

24:01 Speaker 4: to yourself?

24:02 Speaker 5: Or did you say I had it mastered by a

24:06 Speaker 5: guy named Jim Bergson who's over in Boston area. Okay, okay, yeah,

24:10 Speaker 5: I record it. I did all of the mixing. It

24:12 Speaker 5: was mastered separately.

24:13 Speaker 4: Excellent. Now, why Jim Jim Bergson?

24:16 Speaker 5: Is that his name? That's his name?

24:18 Speaker 4: How did how did you choose him? Because You've got

24:20 Speaker 4: a lot of options. What what led you to to

24:22 Speaker 4: work with him?

24:23 Speaker 5: There are so many options. He and I had connected

24:25 Speaker 5: via Instagram maybe last early last year, and he had

24:30 Speaker 5: reached out a handful of times, just like, Hey, if

24:32 Speaker 5: you've got any projects, just keep me in touch. I

24:35 Speaker 5: really like your writing. I'd love to work with you.

24:37 Speaker 5: And I've worked with a handful of other mastery engineers

24:40 Speaker 5: who all did a great job. But I wanted to

24:41 Speaker 5: give Jim a swing. He's a good guy, and uh

24:45 Speaker 5: did he did a great job? Did a great job,

24:47 Speaker 5: knocked it out of the park. I would say, yeah, absolutely,

24:49 Speaker 5: Oh that's very cool, that's very cool. Now what is

24:53 Speaker 5: your Obviously you're always writing, right, so I'm curious, Uh

24:58 Speaker 5: and this, this hasn't been out that long? Right? Then

25:01 Speaker 5: week a week's Saturday?

25:03 Speaker 4: What's that new? Okay? Jeez, So do you plan to

25:08 Speaker 4: I don't know if you're thinking this far ahead? Do

25:10 Speaker 4: you plan Do you have another release already kind of

25:12 Speaker 4: in mind or are you just kind of focused on

25:14 Speaker 4: on this one in the moment or because you're probably

25:17 Speaker 4: always writing, I'm sure you've got a lot.

25:18 Speaker 5: Of ideas always writing. Yeah, and yeah, I don't have

25:25 Speaker 5: a concrete, certain set that I'm going to release. I've

25:30 Speaker 5: got another single that I worked with an online producer

25:33 Speaker 5: to flesh out. It's my first time ever just handing

25:36 Speaker 5: a song over and being like, yeah, you do all

25:38 Speaker 5: the instruments. Oh, and I'm really excited with how that

25:41 Speaker 5: came back. So I'm going to work with him on

25:43 Speaker 5: a handful of more songs. But so that song is

25:45 Speaker 5: called on borrowed time, that'll come out. I don't have

25:48 Speaker 5: a date, but certainly by the by Memorial Day. Oh okay,

25:52 Speaker 5: I'm going to move on from not move on from

25:54 Speaker 5: these songs quickly. But I've got a backlog of like

25:56 Speaker 5: fifty more songs that I think deserve release, and I'm

26:00 Speaker 5: thirty six. I can't just wait forever to do this.

26:03 Speaker 5: So this is like the year that I'm doing two

26:05 Speaker 5: full albums for sure. Wow, at least another handful of

26:09 Speaker 5: singles on top of it.

26:10 Speaker 4: Oh, that's great, that's great. When you play live solo,

26:15 Speaker 4: do you, I mean you obviously have a lot of

26:18 Speaker 4: your own material to draw from. Do you also play

26:20 Speaker 4: some covers or do you are you able to do

26:23 Speaker 4: shows where you just play your own stuff.

26:24 Speaker 5: Or I predominantly play my own material. Good, there's so

26:30 Speaker 5: much of it that even I've worked with I play

26:35 Speaker 5: breweries and things like three hours in that three hours, right,

26:38 Speaker 5: there's a couple of ten minute breaks, and I'm playing

26:40 Speaker 5: maybe five covers over the course of three hours. Like

26:45 Speaker 5: it's mostly original music, which is a way to do it.

26:51 Speaker 5: I don't know if it's the best strategy, but it's

26:53 Speaker 5: the strategy that I choose. If it's working for you,

26:55 Speaker 5: it's working for you. Yeah, I say, run with it.

26:57 Speaker 5: That's great, that's great. I'm also curious about influences I hear.

27:04 Speaker 4: I think a little bit of Ben Folds.

27:06 Speaker 5: Maybe, Oh man, I love ben Folds. Yeah, yeah, I

27:09 Speaker 5: think he's an absolute genius.

27:11 Speaker 4: I also thought maybe I don't know so much on

27:14 Speaker 4: that one. But the other one we played a bit

27:16 Speaker 4: James Taylor is that.

27:17 Speaker 5: Is he and your James Taylor is very much in

27:20 Speaker 5: my in my wheelhouse as well.

27:21 Speaker 4: I think one of the greatest songwriters of all time. Personally,

27:24 Speaker 4: James Taylor is.

27:25 Speaker 5: Incredible, agreed, and when he knocks it out of the park,

27:28 Speaker 5: there's nobody better.

27:30 Speaker 2: Yeah.

27:30 Speaker 5: Yeah, He's got some absolutely great songs. So certainly you've

27:33 Speaker 5: picked two that I absolutely love. Other influences that you'd

27:37 Speaker 5: certainly hear on this album The Postal Service, right, Ben

27:42 Speaker 5: Gibbard Death Cab for Cutie is another big influence.

27:45 Speaker 4: Yeah, that one never occurred to me, but now that

27:47 Speaker 4: you mention it, I can hear it. Yeah, now as

27:49 Speaker 4: you mentioned it.

27:49 Speaker 5: Yeah, other you know piano writers that I really look

27:55 Speaker 5: up to. Randy Newman, Okay, someone I discovered late in

28:00 Speaker 5: life because I'm not an old man. But later right,

28:03 Speaker 5: I grew up and he was the Toy Story guy. Yeah,

28:06 Speaker 5: it was You've got a friend in me and that.

28:08 Speaker 5: And then I was reading a Ben Folds interview whatever

28:11 Speaker 5: was ten years ago, and he said Randy Newman was

28:13 Speaker 5: one of his biggest influences. What am I sleeping on here?

28:17 Speaker 5: And going deeper back into his discography, it was amazing,

28:22 Speaker 5: you know the album's Little Criminals or or good old

28:25 Speaker 5: boys like he's just incredible.

28:27 Speaker 4: Yeah. Any any Frank Zappa, No Frank Zappa, Okay.

28:32 Speaker 5: I got to check out Frank Zappa. All my friends

28:34 Speaker 5: enjoy Frank Zappa. And I've never done the deep dive

28:37 Speaker 5: into his catalog.

28:38 Speaker 4: Yeah, I mean it's it's it gets pretty pretty weird, but.

28:41 Speaker 5: But her mind weird.

28:42 Speaker 4: But he's Yeah, yeah, most of us don't. If you know,

28:46 Speaker 4: when we give it a chance, you know, he's got,

28:47 Speaker 4: He's got some great stuff. I I was never a

28:50 Speaker 4: big Frank Zappa fan myself, but a couple of years ago,

28:52 Speaker 4: so I'm on a show on Friday Night's called Retrospection

28:55 Speaker 4: Radio with PAULI C. And Paul's a huge Zappa fan,

28:57 Speaker 4: and he's played some stuff on there that's like wow.

28:59 Speaker 4: I So I remember when I was a kid, my

29:01 Speaker 4: parents were into him, but I never got into him.

29:03 Speaker 5: But now, you know, as an.

29:04 Speaker 4: Adult, you know, because you get older and you appreciate

29:07 Speaker 4: stuff that maybe you heard when you were a kid

29:09 Speaker 4: that you didn't connect with, but now now you hear

29:12 Speaker 4: it and you go, oh, now I get it. Now

29:14 Speaker 4: I understand what's great about this, you know. And of

29:16 Speaker 4: course there's other stuff you might hear that you liked

29:18 Speaker 4: when you were a kid where you go ooh, I

29:20 Speaker 4: used to like that. That happens too. But yeah, But

29:25 Speaker 4: and your your vocal style specifically, is there anyone you

29:30 Speaker 4: you try to really emulate or who influences you in

29:33 Speaker 4: terms of how you sing.

29:35 Speaker 5: Ah, that's a great question. Ben Folds would come back

29:41 Speaker 5: up simply because he does not have like a conventionally

29:46 Speaker 5: pretty voice. I never felt like I did either, And

29:49 Speaker 5: so it was like a permission to just have a voice.

29:52 Speaker 5: Or Ben Kuehler is the same thing. Okay, like guys

29:55 Speaker 5: who don't don't have that beautiful voice, right, I mean

29:59 Speaker 5: I I worship Jeff Buckley. I will never sing like that.

30:04 Speaker 5: It's never gonna happen. Or like, let's see Joe Cocker

30:11 Speaker 5: amazing voice. You just heard the guy sing and be like,

30:13 Speaker 5: what is wrong? But the performance just what makes it amazing?

30:16 Speaker 4: Agreed.

30:16 Speaker 5: And another one that I didn't realize until maybe a

30:19 Speaker 5: couple of years ago, was is Tracy Chapman. Yeah, definitely.

30:24 Speaker 5: I loved her albums when I was a kid. I

30:26 Speaker 5: love her albums still. And I didn't realize that some

30:29 Speaker 5: of my inflections were borrowed until I accidentally pitch shifted

30:33 Speaker 5: my voice up on a recording that I was working on,

30:37 Speaker 5: and I was like, oh, wow, I sound a bit

30:40 Speaker 5: like Tracy Chapman if you pitch ship my voice up

30:43 Speaker 5: a fifth.

30:44 Speaker 4: Oh that's interesting, okay, yeah, yeah, oh very cool.

30:48 Speaker 5: Yeah.

30:48 Speaker 4: Part of why I was curious to ask you that

30:50 Speaker 4: question is your voice, Like, vocally, you don't remind me

30:55 Speaker 4: of anyone specific, So I was curious what your influences were,

30:58 Speaker 4: which by the way. I mean that as a COMPLI

31:00 Speaker 4: because it's you know, you're I think it's cool that

31:02 Speaker 4: you sound you know, unique, you know, because some people,

31:04 Speaker 4: you know, you can listen to and say, oh, they

31:06 Speaker 4: sound like they sound like so and so. But to

31:08 Speaker 4: to not be able to easily identify someone that you

31:11 Speaker 4: sound like, I think it's cool, so and I think

31:13 Speaker 4: I think it makes what you're doing even that much

31:15 Speaker 4: more interesting, at least to someone like me really analyzes

31:17 Speaker 4: this stuff like.

31:18 Speaker 5: The nerd that I am, you know, I do take

31:20 Speaker 5: that very cool.

31:22 Speaker 4: Well, let's let's play another track. Which one should we

31:24 Speaker 4: play next?

31:26 Speaker 5: Let's do uh, the one we kicked off the show

31:29 Speaker 5: with here. What was that Getting dark?

31:32 Speaker 4: Getting dark? Yeah, speaking of pitch shifting. So we'll play

31:37 Speaker 4: this at the correct speed. Now, that would be great,

31:41 Speaker 4: very cool if you are just joining us. Ian Gallipo

31:43 Speaker 4: is here with us in studio, and this is called

31:46 Speaker 4: Getting Dark.

31:54 Speaker 2: Countdown. The lift of knowing you and I.

32:02 Speaker 1: Expectations were a couple of months. At moments, we would

32:07 Speaker 1: do our level best, carry on firely, rumbling down below

32:18 Speaker 1: sky above on fours and it's getting dark, the sky

32:28 Speaker 1: above falls and getting dar We made it farther th

32:42 Speaker 1: anybody ever forgot of starlight filled us up so we

32:49 Speaker 1: could stab beyond.

32:52 Speaker 2: The limits. Everybody said it would take their toll. We

32:58 Speaker 2: opened up.

33:01 Speaker 9: The whole world to explore together, just a light on

33:08 Speaker 9: in the dark together, just to light on in.

33:17 Speaker 7: The dark.

33:24 Speaker 2: Storm on the horizon. And all that you could do.

33:31 Speaker 7: Was walk.

33:35 Speaker 1: While I was overwhelmed, and there was nothing I could say.

33:43 Speaker 1: But my bader is long, and it's getting dark. My

33:58 Speaker 1: bad years long, and it's getting dark.

34:16 Speaker 2: We tried to hold on. The week's turned into months,

34:20 Speaker 2: still out of range.

34:24 Speaker 1: Until that moment when you sang out yr goodbye. I

34:29 Speaker 1: was too far gone for you to hear me. But

34:35 Speaker 1: the morning sun let the heart insight a fineal pulse,

34:43 Speaker 1: a glam the dark a fineal pulse, a glamor, and

34:54 Speaker 1: the dark together just stood light on in the dark,

35:06 Speaker 1: the sky above, and it skinning.

35:13 Speaker 2: Dug my bad is and it's scanning dark.

35:34 Speaker 4: That is getting dark. It's another one of those cool endings.

35:40 Speaker 5: I really like that a lot, thanks my sos. At

35:43 Speaker 5: the end, there is that what that is?

35:45 Speaker 4: Yeah, yeah, that's cool.

35:46 Speaker 5: I like that.

35:47 Speaker 4: That is Ian Gallipo, who is here with us in

35:50 Speaker 4: the studio, and well, the time does go quickly, but

35:53 Speaker 4: a couple of things. So, first of all, I want

35:55 Speaker 4: to make sure that everyone knows where to find you online,

35:58 Speaker 4: how to keep up with everything that you're doing, especially

36:00 Speaker 4: since I'm sure there are people who have no idea

36:02 Speaker 4: how to spell Gallipo.

36:05 Speaker 5: I don't know. Sometimes I wouldn't blame them, No, thanks, Matt.

36:09 Speaker 5: It's yeah, Ian Gallipo music, I A N It's Ian Gallipo,

36:15 Speaker 5: a bunch of extra vowels. It's French G A L

36:19 Speaker 5: I P E A U and music on Let's See,

36:23 Speaker 5: on Instagram, on TikTok, on uh YouTube, on Facebook, my website,

36:30 Speaker 5: Ian Galipo music dot com. You can find me in

36:32 Speaker 5: all of those places. I'm most active on Instagram. But

36:36 Speaker 5: wherever you know you're at, that's that's where I am.

36:40 Speaker 4: I was even misspelling your name the other day when

36:42 Speaker 4: I was when I was doing a post for the

36:44 Speaker 4: show today, I was I kept typing two l's, and

36:46 Speaker 4: I kept having to correct myself because I think in

36:48 Speaker 4: my mind the consonant to vowel ratio in your name

36:53 Speaker 4: was throwing me always. Like you said, it's friends. So

36:55 Speaker 4: there's a lot of a lot of vowels, so I

36:58 Speaker 4: kept trying to I kept trying to raise the number

37:00 Speaker 4: of consonants in your name. Anybody ever spell it wrong

37:04 Speaker 4: on a poster or anything.

37:05 Speaker 5: On a Oh? Yeah, who El's is the most common?

37:08 Speaker 11: Is it?

37:09 Speaker 8: Yeah?

37:09 Speaker 5: Who El's is the most common? And flipping the the

37:12 Speaker 5: e and the flipping the vowels at the end, au right,

37:15 Speaker 5: it's like beautiful or whatever. But a EU a U

37:22 Speaker 5: E like they just throw them in at the end.

37:24 Speaker 5: I don't blame them, I can imagine.

37:26 Speaker 4: Yeah, that's funny.

37:27 Speaker 1: Uh.

37:28 Speaker 4: And and modern Fools of course too. Where should people

37:31 Speaker 4: go for modern fools?

37:32 Speaker 5: Modern fools and Modern Fools music on Instagram, Facebook, TikTok,

37:37 Speaker 5: modern fools music dot com.

37:39 Speaker 4: That's easy, that's nice, and that's much easy. I assume

37:42 Speaker 4: modern fools has never been spelled wrong on a poster.

37:45 Speaker 5: Uh, not that I recall, it's never been like a.

37:47 Speaker 4: Z Yeah, yeah, right, that's good. That's good.

37:51 Speaker 7: And what do you have?

37:52 Speaker 4: What do you have coming up to plug?

37:54 Speaker 5: Yeah? For sure, I'm playing tonight actually over in Hancock,

37:56 Speaker 5: New Hampshire. You've got an amazing uh venue over there,

38:00 Speaker 5: Like Hancock is the queint essential small New England town

38:03 Speaker 5: probably even I haven't even heard of it. It's I

38:05 Speaker 5: was gonna say, I don't know where Hancock is. It's

38:07 Speaker 5: sort of north of Peterborough, right between and Manchester.

38:11 Speaker 8: Yeah.

38:11 Speaker 5: Yeah, there's this old train station that they've converted, right

38:16 Speaker 5: like the classic long thin building. The Hancock Depot is

38:19 Speaker 5: a converted train station and they do a wonderful monthly

38:22 Speaker 5: series I've heard.

38:23 Speaker 4: Okay, that sounds very familiar. I think when Eric was

38:26 Speaker 4: on Temple Mountain, I think he talked about that place.

38:29 Speaker 4: He probably plays there, he has played there, Okay, because

38:32 Speaker 4: that sounds as soon as you mentioned train station. Yep.

38:35 Speaker 5: It's a wonderful vibe, really really great spot. So I'm

38:37 Speaker 5: playing there tonight. That's at seven thirty. My next thing

38:41 Speaker 5: near Manchester is just over a couple months out here.

38:45 Speaker 5: April twenty sixth I'll be over here playing at Great

38:49 Speaker 5: North Aale works in the in the afternoon.

38:51 Speaker 4: Oh Bill, very good. Jenny and I are going to

38:53 Speaker 4: be there later today. I don't know if you know

38:54 Speaker 4: Jenny's Sun Jesse Coffee, but.

38:56 Speaker 5: Oh yeah, I know Jesse Jesse. He's great.

38:59 Speaker 4: Yeah, he's playing there today. Yeah yeah, Small World.

39:04 Speaker 5: Sweetheart, Yeah yeah, he's doing all the booking over there

39:07 Speaker 5: now yeah.

39:08 Speaker 4: Yeah, yeah, he's doing great. Yeah. So we're gonna go

39:10 Speaker 4: see him play today. Yeah yeah, yeah today at four pm.

39:16 Speaker 5: Yeah.

39:17 Speaker 4: So, oh didn't did I know why that?

39:20 Speaker 5: I think I know why.

39:21 Speaker 4: The train station sounds familiar to me too, didn't Modern fools?

39:24 Speaker 4: Did Did you guys record a video there or something?

39:26 Speaker 5: We did? Yes, okay, that's that would that would so

39:30 Speaker 5: we did? Uh yeah, a live version basically of our

39:33 Speaker 5: album recorded in that space videos for it.

39:37 Speaker 7: Yeah.

39:37 Speaker 5: Yeah, it's fun.

39:38 Speaker 4: Yeah, yeah, very cool, very cool. Well, congratulations on the

39:42 Speaker 4: album and everything that you're doing. And uh, it's great

39:46 Speaker 4: to have you on. We'll definitely do this again in

39:47 Speaker 4: the future, especially when you know it sounds like you've

39:50 Speaker 4: got another single coming soon, so I do well, Uh,

39:53 Speaker 4: we'll definitely we'll have you on for that, and that's

39:55 Speaker 4: going to be separate from the album. It'll be a

39:58 Speaker 4: completely separate thing. Yeah yeah, So, well, we'll do this

40:00 Speaker 4: again soon and we will close out with so we

40:04 Speaker 4: have one more to play here. Oh I'm curious too.

40:07 Speaker 4: The So the title is Thoughts of a Widowed Cartoonist.

40:10 Speaker 4: That's the title of the song this this ass have

40:12 Speaker 4: a story behind it, I assume it's so this song

40:17 Speaker 4: is fiction, okay, but it's it's as silly as this.

40:21 Speaker 4: I wanted to write a song it was. It came

40:24 Speaker 4: from a prompt. I wanted a song with the word

40:26 Speaker 4: toothbrush in it because I thought that was weird. Yeah,

40:30 Speaker 4: and I thought it would just be silly. And most

40:31 Speaker 4: of the time, when I give myself a prompt that's silly,

40:33 Speaker 4: it ends up being something very serious.

40:35 Speaker 5: Oh really, yeah, so this is that. It's it's sort

40:38 Speaker 5: of this song. It's the thoughts of a widow. For

40:42 Speaker 5: whatever reason, the guy's a cartoonist. I don't know why. Okay,

40:45 Speaker 5: it's just the imagery that came up as I was

40:47 Speaker 5: working through the verses of this song. Okay, So I

40:49 Speaker 5: wanted a song with a toothbrush in it, and I

40:51 Speaker 5: also wanted a song with a bass drop in it.

40:54 Speaker 5: I've never written something with that whoa, whoa whoa, you know,

40:57 Speaker 5: electronic instruments sound. I met those two things together and

41:01 Speaker 5: this is the song that came out. It's a little

41:03 Speaker 5: bit ridiculous, but I think it's kind of cool.

41:05 Speaker 4: Yeah, absolutely, absolutely very cool. So we'll play that and

41:10 Speaker 4: if you are listening live on Saturday stick around. We

41:13 Speaker 4: have Becoming Human skyping in from Texas in the third hour,

41:17 Speaker 4: but we will close out this segment with this. This

41:21 Speaker 4: is called thoughts of a Widowed Cartoonist and this is

41:24 Speaker 4: Ian Gallipo and Ian, thank you again, Thank you so much.

41:27 Speaker 6: Man, your tea is fresh, is still here.

41:39 Speaker 11: Waiting on corner of the same under the mirror, having

41:48 Speaker 11: sound the.

41:49 Speaker 6: Strings, the throw out, Oh, I know, I should it?

41:57 Speaker 6: Lets me pretend.

42:07 Speaker 2: Laugh if you could see Wayne, my mind.

42:12 Speaker 1: Gets caught up writing captions for the Greek.

42:19 Speaker 6: Boxed up in the comic thoughts of.

42:23 Speaker 1: Find Corval distraction that helped me forget.

42:39 Speaker 6: I don't know if it's sad or funny little things.

42:44 Speaker 2: I took for grants and pieces of like.

42:51 Speaker 6: Every day and unromantic.

42:55 Speaker 2: Let us be on the pull up street and love

43:00 Speaker 2: when you.

43:02 Speaker 6: Return and done.

43:06 Speaker 2: Will stay.

43:18 Speaker 11: Alad it disappear. Sent it to the land film, knowing

43:27 Speaker 11: in thousand years the bristles and the handle will be there.

43:36 Speaker 2: More than's the same, Oh.

43:56 Speaker 8: Of the mind, where have you been?

44:02 Speaker 14: Sqwelve o'cloud nights cloves, name, call your name?

44:12 Speaker 2: The just came? Who love my? Where health of it?

44:23 Speaker 14: The drop jective rejoin door line stood gone before my valantie.

44:39 Speaker 2: That would say.

44:44 Speaker 8: It's gone away forever. The daughter has a devil in

44:54 Speaker 8: the ride. Wicked hearts door apart my life excused me

45:06 Speaker 8: the sweetest scale I know.

45:12 Speaker 7: Naught he still bow down Cigartee tweets, Listen.

45:39 Speaker 2: And pregat mad w.

45:46 Speaker 14: Soon remain from the hills, do cheating hard life. Next,

46:00 Speaker 14: daughter has Bible in the ride. She did her store

46:10 Speaker 14: for thy life. You still mean sweetish gam I know

46:21 Speaker 14: daughter is double down.

46:27 Speaker 2: Don't call me.

46:29 Speaker 14: The mornings because I'm crying in my bed. Left with

46:37 Speaker 14: thinal mornings and I'd rather receive.

46:45 Speaker 2: Red hair.

46:46 Speaker 14: Shootook, she never was my friend.

46:54 Speaker 2: Fibbles and the chairs hem f some devils in details,

47:03 Speaker 2: And the boy said