Sick Dude Hell Yeah | Matt Connarton Unleashed

0:52 Speaker 1: How many stocks do I have to explain.

0:58 Speaker 2: Ourividual value?

1:03 Speaker 1: There's time you really need cost to his life. I don't want out of young side.

1:15 Speaker 3: That's a right to have your good.

1:21 Speaker 2: That's a lot of you.

1:22 Speaker 1: My word solade got them by so lad shot.

1:49 Speaker 4: How many times do I have to get back?

1:55 Speaker 3: I don't mean your senseless pace.

2:00 Speaker 4: It ain't no picture.

2:02 Speaker 5: Roger spies.

2:06 Speaker 2: One stransure stam, don't flies, that's all right.

2:13 Speaker 1: Time you could find.

2:18 Speaker 3: That's a otject in my way. So thats got them?

2:29 Speaker 1: So that's got them.

2:33 Speaker 4: Yes, that is WTF. We'll call it sick dude. Hell yeah is the band. We're going to talk to these guys in just a moment. Just go ahead and get those mics up here. Really looking forward to talking to these guys. Gentlemen. Welcome, hey, thanks for having us as absolutely please please introduce yourselves and tell tell us who you are what you do in the band.

3:22 Speaker 5: I'm Dylan McKenna.

3:24 Speaker 3: I do bass and vocals, all right, welcome, and I'm Somebody's Crackers and I play the drums the backup vocals.

3:33 Speaker 4: All right, very good. Somebody's Crackers? Am I saying that right?

3:37 Speaker 3: It's not an as it's an e r S.

3:39 Speaker 4: It's an e r S. Somebody's crackers. Okay, very good. You know these uh, these these names, I want. I try to make sure I pronounce everyone's name correctly. Jenny witnessed me, uh just almost panicking over while he ended up not joining us on the show. I guess we had booked earlier at Pha Zacherle or something, and it's like, I don't know how to say this name, so I probably would have butchered it anyway, telemarketer. Yeah, yeah, yeah, no kidding, no kidding. So welcome guys. First question, of course, uh, where does the name come from?

4:13 Speaker 4: Because that's obvious. You know it's sick dude. Hell yeah, it's not a not a a conventional name for a band, shall we say?

4:19 Speaker 5: Yeah, sure, No, it's actually it's kind of a funny story and it's actually it's it's it's pretty simple. We were jamming one day and we had like an idea we wanted to do some type of band together, and uh, I forgot about a cable. I had to split my bass into two signals. Yeah, cigued, let's let's give that a shot. We did that, and our first jam session like after it I was like, sick dude, and Nate hell yeah.

4:48 Speaker 3: Yeah, and we just kind of it's been the mantra since day one. Is just like every time we finish like making some kind of new addition to a song or like come up with like the first sick rip for like whatever, it's just one of us will stay sick dude and the other one will say, hell yeah, it doesn't It hasn't been decided who's who yet.

5:08 Speaker 4: But you know, right, that's awesome, So it makes sense. It makes sense. The name is appropriate. Dillan, tell me about the splitting of the Uh oh, sorry, I don't have the video on me. I have it on you guys, so people can't see him fidgeting with my microphone. Tell me about the splitting of the signal. I'm curious about this. And when you mentioned that too, you guys probably know Able Blood, right or did you guys know the band Able Blood? I think so now because there's a lot of okay, because there's a lot of splitting of signals with with their whole setup.

5:40 Speaker 4: So I'm curious about this. So tell me about an. I'm a bass player, so selfishly i'm also very curious.

5:47 Speaker 5: Yeah, exactly, so originally it started with just a split a quarter inch cable. Yeah, that come off my base and basically one signal just goes straight into my bass amp and they just cranked the gain on that, and then the other signal goes through a pitchfork and so I just have to pitch shifted up in octave and then into a fuzz pedal and into my guitar.

6:12 Speaker 4: Okay, so that gives you a really just a heavy yeah, like like there's it's it's great. I love the way it sounds.

6:21 Speaker 5: Yeah cool, yeah, no, thank you and yeah, So I mean I guess the goal was to try to just like mimic a guitar but have bass as well. Yeah, because where we we're from, it's, uh, it's pretty tough to find other musicians to jam with.

6:36 Speaker 3: Yeah, where are you guys from Wolfborough, New Hampshire, wolf Burrow. So there's plenty of musicians out there, it's just not ones who want to make like super you know, in your face kind of stuff like this testosterone fueled caveman jam.

6:53 Speaker 4: Yeah yeah yeah. Able Blood does something kind of like what you described. I forget how they because they also have that a lot of bottom end and you know, it's it's really their setup is really interesting because there you know, it's three of them, but they sound they've got this huge sound. You should check them out. But who else is in the band? It's not just it's just it literally is just the two of you. Yeah, that's amazing. That's that's awesome. Okay, do you do you have plans to add members or or is this working so well with just the two of you?

7:28 Speaker 4: And and I mean it's not like it hasn't been done I suppose, right, but there's not but to be able to pull it off like like you do, it's pretty cool. Like I think of the White Stripes when I think of you.

7:37 Speaker 3: Know, most legendary duo of all time, yea for maybe Tenacious D. But yeah, yeah, now I think that like we're not necessarily closed off to it. It's just, uh, for one, it's a matter of ease.

7:50 Speaker 4: Yeah.

7:50 Speaker 3: For two, it's a matter of you know, having people like you ask us questions like that, and that feels really good to kind of stand out in a way, you know, But nothing's completely off the table. Like if if some other riff lord wanted to saddle up and could do something, uh that made us say either sick dude, hell yeah, or both then welcome aboard, frankly. But but we're not like, we're not like, uh, there's no like now hiring, sign up or anything. We're perfectly content to just move forward as a duo.

8:18 Speaker 3: There's a soft spot, excuse me, a soft spot in my heart for musical duos, like just yea and across the board.

8:26 Speaker 4: So and if it's working, it's working. Yeah, so far, why I mess with it?

8:30 Speaker 5: Yeah?

8:31 Speaker 4: How long is sick Dude hell yeah existed?

8:34 Speaker 5: Oh hm, I think maybe almost five months?

8:38 Speaker 4: Yeah, this really new.

8:40 Speaker 5: Yeah, it was.

8:41 Speaker 3: We met in a different band and then, uh, I guess I'll just say creative differences kind of drove us apart, but then drove Dylan and I together, and okay, we just kind of picked up in the same practice space where they left off, and we're just like, let's just start, uh, let's just start riffing around. And we had two songs by the end of our first practice and we're just like, sick dude.

9:03 Speaker 4: You so you guys were in that other band together? Yeah, Oh, what do you want to say? What band?

9:09 Speaker 3: Redacted?

9:10 Speaker 4: Redacted? Okay, yeah, not somebody I know. Or are you saying you're redact reacted? Okay, will you tell me off air?

9:17 Speaker 5: Sure?

9:17 Speaker 4: I won't repeat it, I promise, Yeah, I don't. I don't. I don't repeat anything, right, Jenny, there you go.

9:25 Speaker 3: Do you have a little reverb on your mic over there?

9:27 Speaker 4: I don't know what's going on over there?

9:28 Speaker 2: All right?

9:30 Speaker 4: Sounded very strange. I'm sorry. Yeah, she's she's booking guests for the show.

9:36 Speaker 5: No.

9:37 Speaker 4: But uh so that's so you guys had already worked had you worked together for a long time in that band?

9:42 Speaker 5: About a year?

9:42 Speaker 3: About a year?

9:43 Speaker 2: Yeah?

9:44 Speaker 4: Yeah? So where do you record? Because obviously the sound is, you know, it's a really raw you know, uh, which I love personally. I like that, but it's it's it's got that sort of raw sort of vibe. But I think, but I think it's really cool, Like, how do you guys record? What's your process?

10:04 Speaker 5: So we actually our practice space is adjacent to a small studio that's a friend of mine, nice and so we just we recorded with him. Yeah, and the way we did it, I know, we used a few different amps and had some amps and different rooms, but we were definitely going for the overall like demo kind of rougher sound because we thought it would fit fit our vibe a lot better.

10:31 Speaker 4: Yeah, yeah, no, that's cool. Yeah.

10:33 Speaker 3: We just we just did the instruments in one take and then vocals in another takea and just kind of like went into pro tools and just polished up everything so that it wouldn't be so that it had a little bit of polished But we didn't want to go in and like overproduce it either. We were more concerned with getting it out and just kind of having people listen to it. We can, we can polish something up later if we feel like it.

10:52 Speaker 5: But you know, it's yeah, and I think that my void. We didn't get in vocals and instruments all on one take.

11:01 Speaker 3: Oh wow.

11:02 Speaker 4: Yeah, oh that's cool. The the radio edit that we heard, like you did that yourself, the editing on that, the putting in. I'm curious.

11:13 Speaker 5: So I gave my buddy a call who initially recorded us, and I let him know what was going on. He's like, come on down, yeah, we'll put something together. And he's a goofy character as well, like me. I mean, we're just hanging out and initially we're just gonna do beeps. And I was I wish the thought just popped in my head, like why am I just gonna do bleeps? Why don't I have some fun with it?

11:33 Speaker 2: Yeah?

11:34 Speaker 4: Yeah, that's really cool. I love how it came out.

11:38 Speaker 3: In one of the songs on the EP, you can hear the producer making some barnyard noises just in the background, Like that wasn't either of us. I might have leaned up to the snare drum mic and joined him.

11:51 Speaker 4: But yeah, that's very cool. Are you guys playing out a lot or what's what's that like?

11:58 Speaker 5: So it's been kind of a slow start, which has been fine. We did we did one show at actually a wicked cool local indoor skate park in Rochester called Red Alert, okay, and that was a blast. And then as far as shows that are books that we have, we only have one coming up in Plattsburgh, New York, on April nineteenth over at Peabody.

12:21 Speaker 3: The Occasion.

12:22 Speaker 5: It's so it's a four to twenty fast Yeah, okay, my buddy's in Lungbuster. They put it on.

12:28 Speaker 4: Okay, but it's the nineteenth, so it's uh you said.

12:31 Speaker 5: Yeah, it's pre premature, proactive.

12:35 Speaker 4: Yeah that's good. That's good.

12:37 Speaker 3: That's for the real go getters of the four twenty Crawbreo thereo.

12:42 Speaker 4: So that's it now, how did how did you get involved in that? Getting on that bill?

12:47 Speaker 5: So I used to be in a I used to drum and a doom metal band a couple of years ago, and I played a show with those guys and.

12:56 Speaker 4: Who was the band? Can you say?

12:57 Speaker 5: Yeah? Yeah, we were called Grave Tripper.

12:59 Speaker 4: Okay, oh that's a cool name.

13:00 Speaker 5: Yeah, it was wicked. It was a fun project. Yeah,

13:05 Speaker 5: but as far as like things went, and we just kind of all decided to part ways. But but yeah, so I met those guys at a show we played, and I thought they were cool, they were fun to watch, and yeah, I just hit them up on Instagram and you don't let them know. Hey, I'm starting this project. If if you guys ever need an opener or you know, need to fill a bill, feel free to hit us up.

13:28 Speaker 4: Oh very cool, very cool. That's in Plattsburgh, New York. Yeah, okay, excellent. Have you guys played out much or I know it's a relatively new problem.

13:40 Speaker 3: Really just that show at Red Alert was our first, our first and only gigs so far where uh you know, we're wide open like our you know, we we work and have day jobs and stuff like that. But you know, get us on your get us on your bill, get us in your basement, get us on your I don't play your birthday, your birth We'll play whatever.

14:02 Speaker 4: But I would imagine when when you guys are out there gigging too, that you know, other other bands that you play with are going to really appreciate the you know, whereas this just two of you. You know, it's not because I, like, I used to play in a lot of bands and I don't know anymore, but I don't play anymore, but I know how like like sometimes when you're on a bill with a bunch of bands and you've got a band that you know, they're a five piece metal band and they've got all this gear and it takes them forever to get set up and then the tear down and you're waiting and waiting and waiting.

14:34 Speaker 4: But when it's just two of you, oh.

14:36 Speaker 3: No, where a sound guy's dream come true.

14:38 Speaker 4: I would imagine, Yeah, that's cool. And making the sound guy happy is always a plus.

14:45 Speaker 3: It's miles where other actions go yards, Making the sound guy happy goes min.

14:52 Speaker 4: Yes, yes, absolutely so have you both played in a lot of bands before this project or yeah, I've.

15:01 Speaker 3: I've been in all kinds of bands, Like you know, I had like a little garage band that didn't do anything with some friends. In middle school. We were called rubber Band, you know. Yeah, and we wore rubber bands on our wrists because we were in the band rubber Band.

15:17 Speaker 2: Yeah.

15:17 Speaker 3: It was well now, yeah exactly. And then we would start, you know, shooting them across the classrooms and getting them taken away by teachers and stuff like that. But that's good for our middle school things. In high school, I was in a group called Idiosity Killed the Cat.

15:31 Speaker 4: Okay.

15:32 Speaker 3: We we got kind of kind of big like in our town, like and you know, people would come out to see our shows because we were really the only like thing like that coming out of the town, which was Natick, Massachusetts. Bag shout out Natick, Massachusetts. They're, uh, they've got a lot of music going on there. There's it's actually become quite the cultural hub.

15:51 Speaker 4: Good.

15:51 Speaker 3: But in my high school days it was less so yeah, and it's just it's it's really cool.

15:56 Speaker 4: Yeah.

15:56 Speaker 3: And then like more recently, I was in like a ska psychedlic Fusion kind of band called Massachusetts the Band. As you can see, we're just great at naming bands.

16:10 Speaker 3: It was in like a gloom like glam doom rock outfit for a while called Votes that I sang and played tambourine for. Really yeah, just you know, all kinds of projects to keep me busy. I'll quit hogging the mic, what about you, don.

16:25 Speaker 5: So I haven't really been in too many bands. And in my early years of high school, like eighth grade through maybe sophomore year, I was in this crossover band called Silent Violence and we played a few shows here and there. But somewhere in my sophomore year I was perpetually grounded pretty much like every other week through the rest of high school. That kind of hindered my ability to be in bands, yeah, because I wasn't following the rules there. But after high school I did a lot of like solo acoustic stuff for for a long time.

17:00 Speaker 5: Yeah, and it was fun. It was fun because I had the ability to travel and not have to be around one area for too long and still be able to do music.

17:13 Speaker 4: Oh yeah.

17:14 Speaker 5: And it wasn't really until until Grave Tripper that I started playing in bands again.

17:19 Speaker 4: Oh no, kidding, yeah. Yeah. The thing about doing like in a solo acoustic thing is it's it's very liberating, I would think, right, because you can book yourself wherever and you don't have to check with anybody on their schedule or anything like that.

17:32 Speaker 3: Oh yeah, absolutely play whatever songs you want too.

17:35 Speaker 5: Yeah.

17:36 Speaker 4: Yeah, was was it hard for that reason? Was it hard to transition back into into playing in a band?

17:42 Speaker 6: No?

17:43 Speaker 5: No, Actually, for me, it was. Uh, it was nice to finally transition back into a band because for for a long time I was trying to get back into it, but just wasn't able to find the right people. Yeah, to make to make sounds with, you know. And uh, I just think being in a group of people and all kind of finding that like vibe and that like wavelength we can all ride together is something really special.

18:08 Speaker 4: Yeah, I think we should play another track. What do you guys think we should play next?

18:14 Speaker 3: Sit them with my void because we talked about it a little while ago.

18:17 Speaker 5: You read my mind.

18:18 Speaker 3: This is the one that we recorded everything in the same take.

18:21 Speaker 4: Okay, so this was all so this was all done live. In other words, Yeah, this track okay, very cool. If you're just joining us, we have the guys from Sick dude. Hell yeah, here with us in studio, and let's give this a spin. This is called my void, I.

19:44 Speaker 1: Said, as wool.

19:47 Speaker 6: Went four yet walls, I can not see myself and I did.

19:57 Speaker 1: Well tried, got don't wait a true by cracky, I stay close so first musa shriyd stromotion of great.

20:25 Speaker 2: Way to bad.

20:44 Speaker 1: Trapped bot shock. I will never see it all way if by destroyed byself by firkas by feet all ways, w went not do.

21:04 Speaker 2: That, my boy jelly mad so so pastis I tread back most enough grade white excel bay.

22:09 Speaker 4: I love it. That is called my void. The band is Sick dude. Hell yeah. Do you guys refer to yourselves as a band when there's two of you? How does that work? Because you sound like a band. It's always it's hard not to call you a band because you've got such a big sound.

22:23 Speaker 6: You know.

22:23 Speaker 3: Yeah, I'm pretty sure we both tell our respective partners we're off to band practice, you know.

22:30 Speaker 4: Yeah, yeah, no, that makes sense. That makes sense. And I enjoy now that I know you're set up, dyugh, and I just I really I enjoy listening to it even that much more now that I understand what you're doing there. That's really cool. And what's going on with the vocal there, Like what's the vocal effect on that?

22:48 Speaker 5: I know he ran distortion on it. Yeah, And well, initially when I started the band, I always wanted to learn how to do like metal screams. Yeah, and I figured, like, I'm never gonna learn if I don't try, and even if it sounds like crap, I'm just gonna wing it and right right, And that was kind of the idea. And just to kind of a what do you call it to omit like dread through the sound of it?

23:17 Speaker 4: Are you able to? Are you able to do that without hurting your your throat?

23:22 Speaker 5: I mean I am now? I am now.

23:26 Speaker 3: During the recording process, not so much.

23:31 Speaker 5: It took a little bit. There was one point I lost my voice for probably like for like a week and a half.

23:37 Speaker 4: Oh really Yeah, And.

23:38 Speaker 5: That's when I realized, like, oh, I gotta start watching some videos and you know, taking this a little bit more seriously.

23:45 Speaker 4: There's that that legendary one that people talk about to this day. I think it's called the Zeno. Is that the zendom screaming?

23:53 Speaker 2: You know that one?

23:53 Speaker 4: No, there's a vocal. I cannot remember her name, but

24:00 Speaker 4: there was a point where, like everybody I knew who was doing any kind of aggressive vocals would talk about learning from her. But I think it was actually this was quite a while ago now, because I remember people talking about a DVD, but I'm sure it's on YouTube now, it's on Blu ray now yeah, maybe.

24:16 Speaker 5: Maybe.

24:17 Speaker 3: Yeah, but that effect that was just uh again just the producer which I shut out John at the sound of and by the way, but the uh, he was just you know, kind of throwing some little effects on it to kind of beef up that vocal thing. Yeah, when we do it live, I or when we did it live that one time I tried, I try to like do like a secondary yelled vocal in the background to kind of just like fill it out.

24:43 Speaker 5: Yeah.

24:44 Speaker 3: Yeah, we're neither of us are very gifted metal singers. You know, we can both kind of hold a scream, but then it hurts the next day, right right, Well, when.

24:57 Speaker 4: You're dropping too especially, that's gonna be hard, right. I Mean, you don't see that many drummers who sing and I.

25:03 Speaker 3: Yeah, I've done that in a couple of bands. In that band Massachusetts of the band I was I was. I did lead vocal on a lot of songs, but was backup vocal for most of the songs. Like, the leader of that band really wanted us to focus on three part harmonies and we were a three piece, so it was like, oh, I had to do what we had to do and I had to learn and uh, yeah, I get to take some of that some of that knowledge into this band, which is cool.

25:25 Speaker 4: But yeah, I would imagine that was challenging because obviously as a drummer, well, singing, so much of it is breathing controlling your breath and drums is the most physical instrument because you're using all four of your limbs and it's you know, and at the same time, you got to really kind of control your breathing if you're trying to sing while drumming. I was imagine you.

25:44 Speaker 3: Really got to. You gotta treat your your breathes in and each syllable that you're singing like it's on the grid with what you're drumming to, like it has to like you're not just hitting your right hand on the snare, you're also going ah like while you're hitting it, So yeah, you have to internalize it like it's part of the drum set, but it's coming through you. That's been my way.

26:07 Speaker 4: I've never heard anyone explain it that way, but that makes sense. Yeah, that makes perfect sense.

26:11 Speaker 3: A little tip for for beginners like me.

26:13 Speaker 4: Yeah, Now, how many songs do you, guys, Everything that you've written so far? Is that on on this, uh, this debut release or do you have others that you haven't recorded yet.

26:26 Speaker 5: We have two others that we haven't recorded yet, okay, and we got a few more in the works as well.

26:31 Speaker 4: Yeah. Yeah, and this I forget is it self titled the debut? Oh?

26:37 Speaker 5: What do we called it? E? P?

26:39 Speaker 6: Like?

26:39 Speaker 7: E E P?

26:41 Speaker 4: That's that's right, I forgot.

26:42 Speaker 3: Yeah, that was a spur of the moment decision. There was there was a it was a sick.

26:48 Speaker 5: Dude, hell yeah moment. It was like should we call it E E P E? You know, like sick dude? Hell yeah.

26:57 Speaker 4: I'm always I ask everybody. I'm always curious about influence, it says, and from talking to you guys so far, I would imagine that you both have pretty diverse influences musically, but I'm curious to hear about some of them.

27:08 Speaker 5: Yeah, so big influences for me, A lot of Black Sabbath, a lot of James Brown. Yeah, yeah, a little bit of everything. Yeah, you know, I mean I grew up listening to a lot of Johnny Cash. Yeah, and I was lucky enough to have parents who loved cool music. I mean, so I was exposed to bands like Blind Melon, Sublime, all that kind of stuff at an early age, and like Alice in Chains, So that took like a that was a big role in kind of shaping my taste in music. But yeah, a lot of a lot of everything, and especially like like metal, punk rock, a lot of underground stuff, but also anything that's just weird and different.

27:51 Speaker 4: Yeah, yeah, yeah, no doubt. How about you. Yeah, I don't know what to call it. Do I call you somebody?

27:57 Speaker 3: You could just call me Nate. I was being I just because I didn't know, if you know, I make art under somebody's crackers, somebody's crackers, So.

28:04 Speaker 4: I didn't know. Do I call you somebody's Do I do I call you some for short?

28:07 Speaker 5: Yeah?

28:08 Speaker 3: You call me call me crackers. You can just call me Nate. That's my name, yeah, perfect. I've never really thought about how people are supposed to call me. When I introduced myself as somebody's I don't know maybe if it was SC.

28:21 Speaker 4: You know, you just use initials for for short. I wasn't sure.

28:25 Speaker 3: I've done some raps as somebody's crackers, and after I refer to myself as SC. Yeah, I think the best there ever was, but the best that ain't yet be SC. Something like a Lil Wayne Gretzky. It's funny how nobody gets me like no soap radio or no coke PEPSI anyway?

28:42 Speaker 4: Is that online?

28:43 Speaker 7: Uh?

28:44 Speaker 5: Sort of? Uh?

28:45 Speaker 3: Me and my friend did a project called America's Funniest Home Videos, and I used some of that rap in one of the songs. That's cool anyway, What was the question?

28:55 Speaker 8: Though?

28:55 Speaker 3: It's about musical influences. I've been exposed to music from a very young age. My folks were in a band full time when I was born. They were called the Candles. They played all around like New England and most of the Eastern Seaboard and they just uh, is that the same thing as the East Coast that I just try to sound smart but sound like an idiot anyway.

29:17 Speaker 4: I feel like the seaboard is when people say I feel like that's more like the East Coast is more like the Upper the Upper East, well the Upper East Coast like like New England and down down into New Jersey. I get like, that's the East Coast, but the Eastern seaboard would be the whole eastern side of the country.

29:36 Speaker 3: Thing Anya, I think that's where they played. Yeah, they they had original music, but they really packed. They packed bars and venues and stuff with their Grateful Dead covers. As a results, I'm not the world's biggest Grateful Dead fan. But I don't hate them, but I don't love them, but I love everything. And like I said earlier, I particularly identify with duos, people like Steely Dan, like Ween, anything that's just been two people getting together and creating something, like even if it evolves past more than two people, like what it did in both of those cases.

30:09 Speaker 3: But the white stripes, sneaker pamps, fevery corporation, just anything that's two people. Daft punk just always really speaks to me because it's really all you need to take. Like like, singer songwriter stuff is in like one pocket that's ever growing with like the way people are getting more and more creative, but a second person can take singer songwriter and just turn it into a full blown composition. And I just like, I have such a hard time working as a solo artist, like I need that other person to bounce something off of.

30:42 Speaker 3: And so yeah, so other bands though, I've like, uh, I really love like Manu Chau and his band Mono Negra.

30:51 Speaker 5: I love.

30:53 Speaker 3: What have I been digging on a lot lately, King Gizzard and the Lizard Wizard Gong who else? I love like psychedelic rock, but I love like garage rock.

31:04 Speaker 4: Two.

31:04 Speaker 3: I love rap music, like particularly like underground hip hop stuff. Yeah, yeah, a certain era of popular rap music that I still really love. A lot of people will call me an old head for that, but yeah, there's a lot of that stuff I love, like the nineties, two thousands, even some of the early twenty ten stuff like Asap Rocky.

31:24 Speaker 4: Oh yeah yeah me too, really really good stuff.

31:26 Speaker 3: Yeah, but yeah, I love everything as long as it's like authentic, it makes me feel something, and bonus points if it's like something I haven't heard before.

31:35 Speaker 4: Right, Right, There's so much great stuff out there. And you know, a lot of people, they get older, and I think the average age for this is probably around thirty. A lot of people they reach a certain point in their life where they say, Okay, I've heard all the music I ever need to hear, and anything made after this I'm not going to like. And it's too bad, it really is, because you miss out on so much. And you mentioned bands just now that I haven't heard of that now I'm curious about just because you know, you mentioned him.

32:02 Speaker 4: It's like, okay, because but yeah, I always grew up, you know. And and Jenny is like this too, Like we both love here. I mean, that's part of why we do a show like this because we love hearing new music and new music that maybe hasn't made it to the mainstream. And you know, and and uh, my dad, you know, he's in his seventies and he lives on the seacoast and he's still at his age. He'll listen to w u n H, the great college station there because he loves hearing new music. Like if you got in a car with my dad, you're not gonna hear an oldies station on his radio.

32:34 Speaker 2: You know.

32:34 Speaker 4: He's not that stereotypical boomery. He loves hearing new music. And he's always been like that, you know, and even like and he likes hip hop. He like, you know, yeah, it's it's amazing. So you know, so, I mean he's he's sipper than me. Like he'll he'll ask me about a band he heard on w U n H and I'm like, I don't, I don't know who it is. And it's like, wow, you know you're having me on this. But but yeah, and I and I think it's so important to you know, I mean, yeah, it sounds like you guys both have a real commitment to to hearing, hearing and exploring new sounds, which then informs your own musical output and and helps you to be more creative.

33:12 Speaker 4: The more the more you're exposed to, the more creative you're gonna be. Right, Yeah, No, So I think I think that's great. I think it's so important to have a diversity and and uh and influences and all that.

33:26 Speaker 5: So yeah, absolutely, yeah. I mean our our main goal, I think collectively is is to just have fun. Yeah, you know, make some loud sounds, smash some stuff, and you know, have a good time.

33:38 Speaker 3: Meet some people, help some people feel good.

33:42 Speaker 4: Absolutely, well, we should, uh, we should play another track. What do you guys want to play next?

33:49 Speaker 3: Sitting with the title track. Yeah, it might be he might have sent it to you as sdh.

33:55 Speaker 4: Oh, I'm looking right, that's why. Yeah, it says sh wide and through me. Yeah, God got it?

34:00 Speaker 3: Okay, Yeah, nice going.

34:03 Speaker 5: Oh no, I'm grounded again.

34:07 Speaker 4: All right, this is the title track. This is sick dude. Hell yeah.

34:39 Speaker 7: But you're building in the world today, but I keep fighting for a better way.

34:44 Speaker 1: I'll make your wing a through my back.

34:47 Speaker 5: We be not a five for a hard track.

34:50 Speaker 7: But after that lent free from down the road and a feeling the freeze a million half ococks in by five, I make alive my I decided checktoe hell yeah, changted, hell y, chirk code he yeah, shirktoed, hell ya. When it's tripping from the crowd, I gotta go kind of shut out now the rote is calling for.

35:29 Speaker 2: My escape the snow.

35:31 Speaker 7: More time for stchay like the trottle, pull it back the winter.

35:37 Speaker 1: Spinning out of the back. Put my promised to.

35:40 Speaker 7: Pat away whimming at the moments.

35:43 Speaker 2: That takes a day. Chick toe hell yeah, chaketoed, hell yeah, chegoe, hell yeah, shirkue hell shike cote hell yeah, check note heh.

36:08 Speaker 4: That is sick dude, hell yeah, that's the name of the song. That's the name of the band. And we've got the guys here. Dylan and Nate are here with us.

36:15 Speaker 3: Hey, Hey, hey, live in the studio.

36:17 Speaker 4: Yeah, yeah, that's really good, guys. I love the energy of it. If that doesn't get you moving, check your pulse, you might be dead. But yeah, we've got the guys from Sick Dude. Hell yeah here with us in studio. And now do you guys? Obviously it's almost spring and then summer will be here and a lot of the bands we know, you know, they play a lot of shows in the summer. Is that kind of the plan for you?

36:40 Speaker 8: Guys?

36:41 Speaker 4: Are going to be get getting out there a lot this year?

36:43 Speaker 5: We hope to Yeah, yeah, I mean that's the goal. Yeah, that's the goal. Absolutely. Yeah, Because it's summertime, people are going to be out and you know, at the same time too, as far as next winter goes, I hope to be playing just as much. Yeah, because I feel like, especially you know, in the East Coast in the winter, having something to go do is super important. Yeah, you know, and then some of the most fun shows I've been to. For some reason, I've always been in the winter time really Yeah, yeah, I don't know.

37:14 Speaker 5: I think I have something to do with just like uh like being cooped up.

37:17 Speaker 3: You know, releases twice as nice yep.

37:21 Speaker 4: Yeah, yeah, it's a good way to uh you know, to fight the winter depression and all this seasonal depression that which is especially bad here in the Northeast. So yeah, no, that's cool. Yeah, I want to see you guys live. I love the I love what you're doing. I love the energy of it. And do you guys are there? I mean, what is you both live in wolf Burrow?

37:43 Speaker 5: Or yeah?

37:44 Speaker 4: Okay, like are there other bands there or that you guys can kind of team up with for shows? Or what's the scene like, I mean, I know Wolf Burrow, It's it's not a big place.

37:55 Speaker 2: I know that.

37:55 Speaker 4: I think I believe I've driven through it.

37:59 Speaker 3: Once once or quick drive through yeah blank and you'll miss it.

38:05 Speaker 5: It's uh, it could be a little tough scene wise there, Yeah, because a lot of it's just a lot of it's bar bands, yeah, you know, and it's it's mainly covers.

38:15 Speaker 4: Yeah.

38:15 Speaker 5: Finding a place to play your original songs up there can kind of be like pulling teeth. Yeah, I was fortunate enough one time to play on the Winnie Bell and that's like the boat that goes out on the lake out there and yeah, yeah, and the dude who hired me to play hadn't heard any of my music. Yeah, and my acoustic solo stuff was very rooted in punk rock as well. A lot like the Stoogest kind of deal, and a lot of it was making people feel uncomfortable, which was something I enjoyed, like as a musician.

38:48 Speaker 5: And I got to say, it was like the perfect show for it because I get on this boat and it's all these like older people or like like high class, sophisticated type folk and we go out on the boat and I looked like a maniac that day, you know. And I hop on the microphone like is everybody ready to get weird? And it was just like dead silence.

39:11 Speaker 4: Those people were not expecting on a boat with Yeah, that was the best part.

39:15 Speaker 5: They couldn't get away.

39:16 Speaker 6: You know.

39:17 Speaker 4: That's great, that's funny. Well, so then how did it go? Like how did the gig go? How did people react?

39:24 Speaker 5: My girlfriend really enjoyed it, yeah, and the rest of the people were, I think just waiting to get off the boat because sometimes it's.

39:32 Speaker 4: Sometimes it's fun in a situation like that that to see if you can win people over, you know. But it doesn't sound like that was a crowd that necessarily wanted to be one over.

39:41 Speaker 3: No, I tried, that's funny. I drove them back to port.

39:45 Speaker 6: Yeah.

39:47 Speaker 4: Did the guy who booked you, did he ever book you again? Or was that?

39:52 Speaker 6: No?

39:52 Speaker 5: But not necessarily. I don't think it was a matter of a matter of me burning the bridge.

40:00 Speaker 4: Yeah, he was like, he wasn't upset with you. No, No, No, he was because he probably he probably knew what he would He probably figured out he had he knew me, so he knew maybe it would work. Yeah, because I used to do so. I used to in addition to playing a lot of bands, I would promote a lot of shows, and I put on shows various places, and I always kind of and and from a business standpoint, this was probably not a good thing, but I would kind of like to test the limits a little bit in terms of just seeing what would happen.

40:28 Speaker 6: You know.

40:29 Speaker 4: Okay, you know, we got this metal show we're doing, but we got this one act that's a little more hip hop, you know, but we're going to put them in there and see what happens, you know, just to see what happens. And and sometimes it ends up going well, you know, because sometimes people who may not think they want, uh some sort of variety in the in the show, when you know, when you got a bunch of bands and this one act that's different, sometimes you know, it may go over well and it turns out these people actually enjoy what they're seeing.

40:59 Speaker 3: Yeah, you know, it's like that's how some people find out that they like rap music. Like I'm not even kidding. That is how some people find out they like anything. As you throw like a wild card band onto a bill and then all of a sudden, you've got somebody's entire like world being opened up in front of their eyes to something they were completely blind to.

41:16 Speaker 4: And it's just that is very true. Yeah, yeah, and especially with hip hop, I think, yeah, yeah absolutely do you guys uh so, I mean long term, do you want to like tour around New England and get out and kind of go everywhere or I.

41:34 Speaker 5: Would like to yeh would be great. Yeah, we we haven't had that discussion together, but I mean that's definitely like a lifelong dream and goal of mine just to tour, you know, and uh play basements all over the place.

41:48 Speaker 4: Yeah, yeah, yeah, yeah. Some people listening probably don't even know what you mean when you say that, you know, basement shows, because people who are people who've never you know, even been near you know, the punk Rocks or anything like that, probably are like, what what does he mean play basements?

42:05 Speaker 5: Exactly what we mean.

42:06 Speaker 3: We mean, pack a bunch of sweaty people into your basement and charge him five dollars or three beers to see us.

42:12 Speaker 5: And uh bacant warehouses.

42:16 Speaker 4: Yeah.

42:16 Speaker 5: Some of the best shows I've actually, you know, best shows I ever been to take a place in basement or or a squat house. You know, It's always interesting because you never know what you're gonna get, you know. Sometimes you walk into place and the only rule is don't hang on the pipes, right, exactly exactly.

42:36 Speaker 4: I want to make sure we get another song. And what do you guys want to play next? We should play another one?

42:42 Speaker 5: Yeah, I think we should do Nailing the Coffin.

42:44 Speaker 4: Nailing the Coffin, all right, Yeah, I gotta get a radio editor to that one that I made. Yeah, this is and this also happens to be one of my favorites too. Uh yeah, you know, I listen to the whole thing, but I really like this a lot. Where oh there it is? I'm like where it go. I'm talking about how much I want to play and I can't find it. There is the one with the It's been a busy show today, but I'm glad you guys are here, and I'm very happy to share this track. All right here it is. If you are just tuning in, We've got sick dude, hell yeah with us here in studio, and this track is called the Nail in the coffin,

43:25 Speaker 4: Don't believe in myself?

43:26 Speaker 7: Bumping touch before another nail and knife popping another closing door.

43:34 Speaker 6: Porn promps by jumping, baking bright not old table go the fitch bags right, two.

43:46 Speaker 5: Week call we Ken, look up shitch sort cream.

43:49 Speaker 7: It is always brising, so wait, sit on IM a petty score.

43:54 Speaker 4: Porn prompsky, don't just thank by.

43:57 Speaker 6: I don't care about no the fish.

43:59 Speaker 2: Pgs, br.

44:15 Speaker 7: All these sweeish people making their mess leaxing in my pocket.

44:22 Speaker 4: But all I said, ever said for it crops by.

44:26 Speaker 6: It makes you bye, I don't come up no if.

44:29 Speaker 4: It makes a fie, I love that I was so into it I didn't notice it was over.

45:12 Speaker 3: I appreciated that. I love the groove on that. I love the groove on that. Great job, guys, Thank you, thank you.

45:18 Speaker 4: Sick dude. Hell yeah, is here with us in studio. That is called Nail in the Coffin. Hey, what do you have again? Swedish people though that was a little inside No, that is that is a great track and uh yeah, you guys were saying as we were listening to it too, that one goes over pretty well.

45:35 Speaker 3: Yeah, that's probably our favorite to like play. Yeah, I feel like if we're when we're practicing, if we're like that last one wasn't so good, let's play Nail in the Coffin and kind of just like bring us bring ourselves back to ground a little bit, you know.

45:48 Speaker 5: And yeah, yeah, always always brings up that energy morale.

45:52 Speaker 2: Yeah.

45:52 Speaker 4: Yeah, Now, do you guys have any covers? A lot of bands will throw in a cover. I'm just curious.

45:59 Speaker 5: So we've been trying to figure out what what to cover and what we could make work.

46:05 Speaker 2: Yeah.

46:07 Speaker 4: I can imagine like like some classic Sabbath like Sweetly for something.

46:11 Speaker 3: We do have a Sabbath song on the chopping block to learn for covering which one was it?

46:17 Speaker 5: Hand of Doom?

46:18 Speaker 4: Yeah, okay, yeah I can I can picture that. Yeah, but yeah.

46:22 Speaker 3: I I've been in a lot of bands, some of which have played covers. I have like a weird moral hang up about covers because, like, so hear me out, okay, very curious. If you play in a band that does mostly original songs and you play a cover live at like say a bar or something, you have suddenly become the disappointment jukebox for the entire audience because a couple of people in the audience liked the cover song. But then they're like, hey, can you play leather and Lace or like something? And you can't.

46:54 Speaker 3: You play leather and Lace, you can't play free Bird, you can't play Sultans of Swing, you know what I mean? Like suddenly you can't play what they all of a sudden want to hear and what they've tricked themselves into thinking they're there to hear. That suddenly you owe them something. And so with me, I like to play covers if it really means something to me, Like if I can get something emotionally out of performing this song in front of people, play a cover all day long. But I'm not just gonna play you know, wagon Wheel because it'll does that make sense?

47:32 Speaker 5: It does? It does.

47:33 Speaker 4: I can relate to what you're saying, and.

47:35 Speaker 3: No shade to anybody who makes a living playing covers. That's that's not what I vibe with musically, you really speaking.

47:46 Speaker 4: Yeah, no, I can relate to that tremendously because you know, I played a bunch of bands and I always fought against doing too many covers. It would be hard to talk the other people I was in these bands with out of doing any covers. But like I was in a hardcore band. I was in a band called First Shove, and like the one cover that we were doing was we did Last Breath by Hate Breed and that was okay because it was short and it wasn't with that kind of situation, It's not like somebody's not going to say, you know, okay, now do you know free Bird?

48:19 Speaker 5: You know what I mean?

48:20 Speaker 2: Yeah?

48:20 Speaker 5: Yeah, no, that's true like that and that type of element, you know, covering a song is almost like more more or less paying homage to an inspiration.

48:32 Speaker 3: Yeah yeah, that band we played with it that Red Alert shout out to Trick Attack they got at the coolest design I've ever heard of. So everybody loves the Tony Hawk pro skater soundtracks, right, what if there was a band that that was their whole thing and that's Trick Attack, no kidding, Yeah, be on the lookout for Trick Attack coming to a place near you. They were so awesome, They were sick and they've got such a good idea of just like taking this soundtrack that's resonated with so many people our age and exposed so many people to so many cool forms of music and uh yeah, just kind of bringing the spirit of that and and to.

49:06 Speaker 5: Like skateboard too contract being played live that that was like, man, my fourth grade self was over the moon, respectfully, Yeah, yeah, yeah, respectfully of course the nostalgic it was great.

49:22 Speaker 4: Where are they from? Are they from around here?

49:24 Speaker 3: Trick They're from Mass Yeah, Mass, I think.

49:27 Speaker 4: Okay, yeah, oh, maybe we can get them on the show. That's that's very interesting. Yeah, but yeah, I always I always fought against doing too many covers in the bands I was in or Or. My thing was, if we're going to do a cover, let's end with it that way. Yeah the way, there's not that way there's no misunderstandings about you know, are we an original band? Are we a cover band? I was just you know, we'll do well, well, let's do it at the end. But the other thing that drove me nuts to back in and this, you know, I'm older, So this goes back like twenty years.

49:55 Speaker 4: But there was a period where and and anybody, any of my peers from that time will know what I'm talking about, because I know I know some of the people I knew then listen to the show. There was this period where if you were a New Hampshire band and you were an original band that liked to sprinkle in a couple of covers, all of these bands were covering Sober by Tool. It was so obnoxious. And it wasn't even like all these bands were covering Tool. All these bands were specifically covering Sober by Tool.

50:36 Speaker 4: And it even and I was in a band called My Life Crisis, and I remember one of the guys was like, because everybody in the band was a Tool fan, including me, I like Tool. I didn't I never loved Tool, but I liked but I think I burned out on them because they just they were so ubiquitous. It was like, oh my god, no more Tool. And I remember the conversation with these guys where one of them was like, we should do a Tool cover, and I remember just sitting there silently thinking, oh, no, I know what's coming next.

51:04 Speaker 4: We should do Sober. It was so weird and I'm not even I'm not even exaggerating or being hyperbolic. All of these bands were covering that specific song.

51:14 Speaker 3: I must really resonate with the New Hampshire musician craft.

51:18 Speaker 4: I guess it was so strange, like at like twenty years ago, if you walked into any bar where there was a rock band playing, whether it was an original band that did one cover or a cover band, you were going to hear Sober by Tool. It was bizarre and it was very frustrating. And here I am, two decades later, finally venting about it publicly.

51:45 Speaker 3: Set your chest.

51:46 Speaker 4: It does. I've been carrying that around with me all this time. We'll be like, oh, it's a great bassline. Don't get me wrong, I'm a bass player. I appreciate it.

51:59 Speaker 3: Yeah, game we be soberhup? Yeah me too, man.

52:08 Speaker 5: I had any idea. I was thinking, you know, wouldn't it be funny to open with a cover and then before every original song you played, just be like, oh, this next one is war Pigs by Sabbath.

52:25 Speaker 3: I do stuff like that with There's another band that I play sometimes with. We're kind of like in the middle of like a semi break now, but we're called Targets. Targets shout out to Sean James Sweeney.

52:38 Speaker 2: Uh we uh.

52:39 Speaker 3: I kind of like MC for them because everybody else just like he is either too busy setting up there like synthesizer for the next song or whatever. So I just kind of end up like talking, and I'll introduce songs with like names that are familiar or like not say that where us. I'll say that like hey, where are the Backstreet Boys? Or where the fine Young Cannibals or something like that. Yeah, like anything so that it seems like I'm am seeing but I'm actually giving the audience no information at all.

53:05 Speaker 3: Right, that's kind of my stick.

53:07 Speaker 4: Oh that's cool, that's cool. I like that. Let's uh. I want to make sure we get at least one more in what should we play?

53:14 Speaker 3: I think we only got one more? You want to hit him with dead Sky?

53:17 Speaker 5: Oh? Yeah, yeah?

53:20 Speaker 4: Is there only one more?

53:21 Speaker 3: I think there is. This is the one that you can hear John doing Barnyard.

53:25 Speaker 4: Yeah yeah, oh there is only one left. Okay, yeah, So we'll play this and then we'll come back and wrap up. But if you are just joining us, oh hello to Andre Dumont in the chat room of course, from the Great Band and from Dead Harrison and Terminus Underground and New Hampshire Underground. And Andre is someone who probably can relate to what I was saying a moment ago, one of my peers from that era. I'm sure Andre. Andre may have even been in a band that played sober by.

53:51 Speaker 3: Tool Listen, man, why can't we just be sober?

53:54 Speaker 5: Oh?

53:54 Speaker 3: Boy, you'd think I could relate Rodney King say that.

53:58 Speaker 4: I'm not much of a drinker in my self. I'm pretty sober. You think i'd appreciate the song more, but I just grew to hate it, all right. So this is called a Dead Sky and the band is Hell yeah. No, I'm sorry, sick dude. Hell yeah, I apologize, gentlemen. I'm suffering. I'm suffering from adult onset dyslexia. Here we go. This is Dead Sky from Sick Dude. Hell yeah.

55:00 Speaker 2: Last five.

55:03 Speaker 8: File Love Mountain Lie Motie wall.

55:18 Speaker 1: By God.

55:38 Speaker 5: Vanity, showy face.

55:41 Speaker 7: Technology building place, accept this face.

56:24 Speaker 3: Top skin.

56:28 Speaker 2: Cause your tes cop so let cross last but tag spells back co tri co stach to well come true.

57:12 Speaker 1: Man slowly face.

57:15 Speaker 4: Technology built from place.

57:19 Speaker 5: Accept this face.

58:04 Speaker 4: That is called dead Sky. The band is sick dude. Hell yeah, and we've got the guys here with us in studio.

58:09 Speaker 7: Hey.

58:09 Speaker 4: By the way, you guys are getting some love. So we got an instant message through Matt connorton dot com. Hi, guys, this is Nate's mom. I'm loving the show a.

58:19 Speaker 5: Very cool way.

58:20 Speaker 8: What's up, mom?

58:22 Speaker 4: A very cool way to spend a Saturday morning. Signed Helen, so very nice.

58:28 Speaker 5: That's that's sweet.

58:30 Speaker 4: Very nice. Also, Andre Dumont from Dad Harrison said, uh yes, he he uh. He said yeah that that song sober by Tool. He relates to what I'm saying. But he also said, these guys completely remind me of listening to the Repoman soundtrack Old School.

58:47 Speaker 3: Oh cool. Appreciated. I'll take that as a compliment.

58:50 Speaker 4: Absolutely, thank you, absolutely well, guys, thank you so much for being with us. Before we run out of time. I want to make sure everybody knows where is the best place to go online to keep up with everything you're doing with the band.

59:04 Speaker 5: Our Instagram okay, which is just at sick Dude, hell yeah, okay. And and then maybe my personal Facebook too sometimes I post stuff on there, okay.

59:14 Speaker 3: Yeah, my personal Facebook too, which is just somebody's crackers on Facebook. It's pretty easy to find me, believe.

59:19 Speaker 4: It or not.

59:20 Speaker 6: And and.

59:23 Speaker 3: Yeah, the uh the band camp if you want to, uh, if you want to download that album for free or to download that album for a price that you name, you can find it sick dude, hellyeah dot bandcamp dot com. And uh, we're hoping to keep some fresh releases for that coming out soon. We got these two other songs that we've basically all but completely finished that were eager to get recorded. And uh yeah, just be on the lookout. We'd like to think we're approachable. Just shoot us a d M. Let's talk shows, let's talk anything, just uh, you know.

59:58 Speaker 4: Very good, very good, good. Thanks guys and guys still in and Nate from a Sick Dude, Hell yeah, thank you guys so much for joining us again today and stuff like.

1:00:09 Speaker 3: This is so cool, Like big ups to you and people like you who still keep things like this going in like the in the the climate of today, where stuff like this is much harder to to keep going, to keep to keep fueled, you know. So uh, you know, support your local radio station, support your local pegasust, tip your bartenders, all that stuff, you know.

1:00:35 Speaker 4: Agreed, agreed. Well, well I'm very glad, very glad you guys came here today. This has been this has been wonderful and uh, all right, wise man, all right, another one in the books, and uh, we'll talk to you a little bit later. Bye, everybody, Bye,