Sick Dude Hell Yeah | Matt Connarton Unleashed
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Speaker 1: Today is a Saturday, January ten, twenty twenty six, and I am not alone.
Speaker 2: That was this where we say something here.
Speaker 1: Not quite.
Speaker 3: Morning.
Speaker 1: That's funny. That's never happened before.
Speaker 3: That's never happened.
Speaker 1: Oh I like that though. That was cool. Jenny is here, of course at the news table. Yes, present, accounted for or as I heard Polly c refer to it on Retrospectrum Radio last night, the news tray, the news, the news track. I see that I was not. I was not here last night for Paul's show. I was not feeling well, so I took the night off. But feeling better. So here we are and joining us right now live in studio. We've got the guys from Sick Dude.
Speaker 2: Hell yeah, is this where we say.
Speaker 1: This is where you are free, You are free to.
Speaker 2: Thank you so much for having us back. This is awesome.
Speaker 1: Absolutely absolutely yep. Let's see. So we've got Dirty d and Somebody's crackers your real names of course, Dylan and and Nate Nate. Thank you. Yes, But uh, I think we had a I was saying to Dylan earlier off here. I think we had an extended conversation last time about somebody's crackers the origin of that name, But I don't remember sort of.
Speaker 2: I don't know if we talked about the origin that was just.
Speaker 1: I'm pretty sure I had to have asked you. As a journalist, I must have asked you where, what is? Where does an in come from?
Speaker 2: I think you were you were you were more concerned about what to call me in the moment that time, and I had never really thought about that part before, and so it made me do a little creative reflecting. But now it's still somebody's crackers. That's that's because a long time ago, I was when I was a teenager and I was living in my first like big boy apartment with roommates. I was like starving, you know, needed to eat some kind of food and reached into the pantry and I found these like expired crackers and I ate them and they were really bad, and I think they made me really sick.
Speaker 2: I got this, like I got this like bacterial disease in my stomach called campellow backter. I had to like take me out of work for like a very long time, and oh my god, like they had to like check, like the Department of Health had to check all the places i'd like eaten lately and stuff like that. And so anyway, I'm leaving the hospital and I just muttered to myself, I guess that's what I get for eating somebody's crackers. And I just really liked the way somebody's crackers sounded. Yeah, sort of stuck with it.
Speaker 1: Yeah, well, so I'm glad that came up again because we never heard that whole the whole story about what happened to you before. We didn't hear that part of it.
Speaker 2: No, and it won't happen again. Oh my god, my own crackers now, wow. Yeah, I can afford them.
Speaker 1: Oh wow, that's crazy. Wow. What was what was that called? Again? The illness of.
Speaker 2: Campellow bacteriosis and tritiska, which is this like corkscrew shaped bacteria that likes to live in your intestines and I guess like one in every thousand cases can develop into like a brain disease. Oh wow, So we'll see how that works out, you know, the Jerry's out.
Speaker 1: But yeah, how long ago was this? This was?
Speaker 2: Oh goodness, twenty thirteen maybe.
Speaker 1: Okay, yeah, okay, good so you're probably fine, yeah yeah, yeah, wow, La, you're okay. Oh my God. Yeah, so you didn't tell us about that part last time. That's amazing.
Speaker 2: That's a little person.
Speaker 1: Now the world knows, well, not the world, but how many people listen to New Vampshire. A lot of people. A lot of people don't it. So you guys got it's great to have you back. You've got this new EP homo Erectus.
Speaker 2: Yeah, very excited to share it with the world. We worked very hard on it, and we were really excited to name something homo erected.
Speaker 1: Absolutely.
Speaker 2: It's been in the it's been in the like prospective names mill since we put out our first EP it and then I think that like we both just kind of realized at the same time. It's like, yeah, we've really grown a lot since that first EP in such a short time, and so I think homo erectus is appropriate. Okay, it's the caveman, yeah, growing into his next form of existence.
Speaker 1: Yeah, yeah, no, I like it. It makes sense.
Speaker 4: I think the funniest part of it is, uh, you know, I didn't realize how many people didn't know what homo erectus meant, right, you know, right, yeah, yeah, it scares away some of the conservatives, So we enjoy that.
Speaker 1: That's a plus. Well, let's uh, let's play a track from it, because Dylan we had talked off air about what we were going to play a new Spoul's tite. We'll play that one first. Yeah, all right, this is Newspol's Tite. It's from the band well the band do you call yourselves a band? You call a d call yourselves you're a band? Okay?
Speaker 5: Uh.
Speaker 1: It is from the band Sick Dude. Hell yeah, and the new ep homo Erectus. It's fun to say. Uh, this is called Newspol's type.
Speaker 6: Goost post tice, sack ek sown Sax Sikes, brain is broten soll it's good.
Speaker 1: Fight.
Speaker 3: Jot got bi down.
Speaker 6: Pleas back at big my world comes crashing sound.
Speaker 2: I can't seem so bake.
Speaker 1: A boom.
Speaker 7: Or reft bake a sound, dudside.
Speaker 3: Sad. I got signed a bank about why I called my dough about tack bang down.
Speaker 1: But it's spin, it's too my eyes hold back and through.
Speaker 8: By a head quite sense of self.
Speaker 1: It's all a bread quite sense of self.
Speaker 2: It's song like twad.
Speaker 3: Bad bad bad, I got time the bank above a way back b my dove bom b back no.
Speaker 6: I love it.
Speaker 1: That is newsporpts tight. The band is sick dude. Hell yeah. That is from their new EP, homo Erectus. He by the way, I was looking at at this on your band CAMPAIGNE. It says homo Erectus is dedicated in solidarity with our lgbt Q I A plus comrades and oppressed people's globally, and that caught my eye. I like that. I like that a lot.
Speaker 2: Yeah, man, you know, it's it's kind of a play on words, you know, like like homo erectus like the standing human, and we're you know, we're standing up with our with our with our gay, lesbian, bisexual, transgendered, questioning, intersex, a sexual and otherwise comrades in the world worldwide. You're safe with us.
Speaker 1: Yeah, really awesome. Yeah, that is no, that's very cool.
Speaker 2: That's what lgbt Q I A plus stands for. Right, I've always just assumed.
Speaker 1: So I see, I stop at the I just do LGBTQ plus. I don't do the I A. It's it's too too many letters to remember.
Speaker 9: Me.
Speaker 2: I'm always trying to sound smart, and then when people call me on it, I'm like, you know, that's a good question.
Speaker 1: In theory, the plus gets you out of all of it exactly.
Speaker 2: I know what you literally pro L plus L.
Speaker 1: Plus It would be a good name for a band, actually, L plus Yeah. No, but I think that's really cool. Is that has that kind of been part of the idea of sick dude? Hell yeah from the beginning or.
Speaker 4: Oh, I mean I V I think we've both always just had a firm belief that, you know, everybody should have the freedom to be themselves, right, I know who they truly are, because that's where your happiness is going to stem from. Yes, seeing comfortable with yourself and your own skin. And you know, I strongly disagree with anybody trying to take that away from somebody. That's a that's a human right that everybody should have.
Speaker 1: Yep, yep. Everyone should be able to be their authentic selves.
Speaker 2: And yeah, unfortunately, being comfortable in your skin is like a privilege that is not afforded to quite frankly too many people, right, And uh, yeah, I think that it just in this day and age, it's worth it to you. You can't, like, you can't let anybody assume that you're just like a safe person because of how you don't behave and so right, statements like that, like even if they are just statements like are important in this day and age, and then like acting on those statements is doubly important.
Speaker 4: But yeah, yeah, actions speak louder than words.
Speaker 1: Yeah, one hundred percent. Does that show up in the lyrics at all? I mean what or I mean what are what are you? Well, we should talk about that some of the lyrical themes. And I'm curious too if any of that's changed from from the previous release.
Speaker 4: Yeah, so a lot of the lyrical themes. So I got sober two weeks after we started stick dude, hell yeah kidding, Yeah, And so a lot of all these songs just kind of started pouring out of me as I was going through learning how to live life sober.
Speaker 1: Yeah, And.
Speaker 4: A lot of it just has to do with purging all the bull crap, you know, and all of it kind of came out fast and then in spurts. So a lot of lyrical content, you know, stems from you know, mental illness, self doubt, you know. And then there's the slight political stuff thrown in there too, with like corporate enterprise you know, and uh, you know, I mean a lot of it's Debbie Downer, but I think I'm working my way out of that, which is good.
Speaker 1: Yeah, absolutely absolutely. When you guys play live, is it always just the two of you?
Speaker 2: Yeah, it's just the two of us. We've discussed with a friend of ours having him be an honorary third member who plays a stringless bass on stage. Yeah, Dean, if you're listening, you're still welcome to do that. Yeah, we need you maze listening. But yeah, it's just us too. And whatever sound system is made available to us. If we have to bring our own sound system, it's not gonna sound great. But usually, like if a venue has a half decent sound system, we can, uh, we can push it to the limit. We just played that Hennecker Brewing Company place and uh sounded awesome.
Speaker 2: Their stage is awesome. If you want to play music, ask Hennecker Brewing Company if you can do it. Yeah, there's quite the little scene brewing in that in that neck of the woods right now.
Speaker 4: I think Backwoods Booking does generally most of booking for it. Okay, And and and if you can't find them, hit up Hubble Wizard. Yeah they they shut out both of them. Yeah, Okay, great, dudes, great dude super active in the scene. They'll they'll set you up if you're looking to play.
Speaker 1: Yeah, so when you guys, when you guys play out, like, what's kind of the I'm sure we talked about this last time, but I'm such a nerd for this because I'm amazed. I'm always fascinated by when you've got a situation where you know it's it sounds like a full band. I assume you kind of replicate that live right in terms of how loud it is and the fullness of it so to speak. I mean, I mean, what's what's the situation like as far as how you're set up?
Speaker 4: So so are set up live? It's not super fancy. I just I have a two twelve for guitar cabinet and I'm lacking a little in the base department. I got a fifteen and it's just a fifty wat Okay. But usually we'll show up to a show and I'll see how many people are cool with Daisy chaining all of our amps together and try to set it all together, because that's always fun to just like have a wall of noise, oh yeah, punishing the crowd. Yeah, But I think we still. I mean, despite the lack of the size of our amps, we play, we played in the room and I think I think our volume is usually always a lot.
Speaker 4: I don't enough, even if it's just my amps I'm stuck with.
Speaker 2: Yeah, it's it's tougher in like a warehouse setting. We've we've played a good couple of shows at Red Alert Skate Park in Rochester, which a great spot, very supportive atmosphere and just like all around cool dudes that like to put on events like that. The one thing that we're missing over there is pa like, yeah, we brought our last Yeah, we bring our own setup and you can hear us over in the corner of the skate park that we've taken over, but it kind of just sounds like noise from everywhere else.
Speaker 2: But yeah, it's fun though.
Speaker 1: Yeah. Yeah, are you guys playing out a lot? You've been doing a lot of shows.
Speaker 2: Not as much as we'd like to.
Speaker 1: Yeah.
Speaker 4: I think we're starting to gain some traction here, Okay, I mean we're I don't want to jinx it, yeah, but we've been asked for two shows now if we want to play, So we're starting to get asked more, which is great. And you know, we we just keep pushing, you know, and go with it. And you know, if we can find a place to play, that's great. If we have to set up something, and you know, get some of our other buddies who are having a hard time finding places to play, give them an opportunity to play with us too.
Speaker 4: And I found it's it's really just I mean, if we can't, if we can't book it, we'll make it happen. We'll find a place to do it. And that's that's fun too, you know. And I think the issue is, you know, I we both work nine to fives full time, and it's tough to to just get out and just go to a show to see a show better than play a show. And I think that might be like our biggest, biggest hindering right now. I think I need to just like suck it up and get myself out there and just go watch some bands play, support some people and meet some people.
Speaker 2: Easier said than them. But you're absolutely right, you know, like that's what it's all about. And it's like, unfortunately too many shows is just four bands excuse to go see three bands play?
Speaker 3: You know?
Speaker 1: Oh yeah, yeah, But there's value in that too.
Speaker 2: Oh most certainly, some of the best shows are the ones for the other bands.
Speaker 1: Yeah, yeah, yeah, yeah.
Speaker 2: I've played shows where the headliner didn't even arrive yet. I took a picture from behind a drum set of an empty crowd that wasn't with this band that was with That was a long time ago. But uh, those are the best shows. Yeah, it's dress rehearsal, you know. Yeah, I don't know about the best shows, but those are those are shows with merit and are not to be disparaged.
Speaker 1: Right right there you go. Well, we should play another track from the EP. What do you guys want to play next?
Speaker 4: I don't know what do you think, Nate?
Speaker 2: I guess Corporate Enterprise because we talked about it. Yeah, yeah, this is the political one.
Speaker 1: This is This is probably my favorite, I actually, of the four, probably because it.
Speaker 2: Appears to be the fan favorite too. It's got it's got the most plays on all of our like metal and stuff like that.
Speaker 3: Yeah.
Speaker 1: Nice, nice, All right, let's give this a spin. If you're just joining us. We got the guys from Sick Dude. Hell yeah, And this is from the new EP, Homo Erectus. This is called Corporate enterprise.
Speaker 8: My name now pretty thing? Who filled mine?
Speaker 3: Got go?
Speaker 10: Boys like the boys?
Speaker 3: I wanna ni kill my pet?
Speaker 8: Bog that ye fen my vomit my wait cut brother like not die?
Speaker 10: What do good? God?
Speaker 3: Your name my pet?
Speaker 8: Bock tout bright.
Speaker 9: As may prophet call you a lot one die find my pocket? Well, I mean you like well, I not like kind way clay a time.
Speaker 8: Fly by target corn by talk by, I think every day.
Speaker 3: Go by. I t F b bunch, I wa ni jack.
Speaker 10: Nike killed about that target right right? B bo bike.
Speaker 3: Might go stud out of line. I'm what dum bad?
Speaker 10: How do I nay?
Speaker 8: While playing port bred pe.
Speaker 3: While we round bad?
Speaker 6: Oh?
Speaker 3: Yeah a bogle? Guys, why my pocket?
Speaker 1: Will I make a lie?
Speaker 3: Well?
Speaker 8: If all lies, I'd like clag a sie? Why my rocket?
Speaker 5: Pork predd and I duck cries.
Speaker 1: Corporate enterprise by sick dude. Hell yeah, from the new EP Homo Erectus. Oh I forgot there was laughing at the end. That's all right.
Speaker 2: There's also swearing at the end, so I think we were kind of trying to talk it over.
Speaker 1: Gotcha, gotcha? Well, yeah, that's a that's a great track. Like I said, that's probably my favorite from the EP. How much? How much is uh like the what's the approach been in terms of because we did play when you were on the show before some tracks from your previous release, which is just called EP. But has the approach changed at all as the the way you guys do this, the way you write, the way you record, has anything changed as you've kind of evolved over the course of these releases.
Speaker 4: No, not really, not really, I just kind of I come up with rifts at home. I scribble some ideas out, and then I bring them to practice, yeah, and then me and Nate work them together. We often will rework things, yeah, and yeah, try to work in fancy timing signatures if we can, right, right, I mean, I am working on the few that I'm working on now. I've been holding off on a little bit longer just in case I'm like sitting down with a cup of coffee and I come up with like another cool riff that I think I can work into it.
Speaker 4: Yeah, you know, I've been trying to take a little bit more time on writing things instead of just kind of like regurgitating everything down and then putting it together.
Speaker 1: Right, didn't pick up, Nope.
Speaker 2: I'll have to try harder next time. Yeah, uh yeah, I agree. The I think that, having been involved creatively in a couple of projects, I think that our kind of our machine is pretty uh well oiled compared to some like it's It's been pretty seamless since that first like breakaway practice that we did where we came up with those two songs, and it's really just Dylan is such a riff lord. He'll just be like, yeah, I got this riff. It sounds like this, and then I'll just he'll send me like, you know, not even plugged in, just like unplugged bass kind of on the phone, and then I'll just internalize that until our next practice, just trying to come up with some kind of groove for it, and then it's like, hey, did you like how that sounded?
Speaker 2: And if he did, we keep going until I don't like how it sounds anymore, and then I start playing a different groove and then I'm like, no, I really like that one and stuff like that. Yeah, so and yeah, I'm such a sucker for weird time signature kind of stuff. And you know, I'm not like a classically trained drummer or anything like that. So I'm kind of just learning all this by feel. But I really like how those like odd time things, especially like things that sound odd but line up to sixteen. We love that kind of stuff, like yeah, the like four threes and a four kind of thing.
Speaker 1: Yea.
Speaker 2: But but yeah, it's been it's been pretty interesting. I'd be I'd be interested to see what our process would change into, because it really just kind of it's so fluid right now and welcome that I'd be scared for it to change anyhow.
Speaker 4: Right, so far, it's been pretty effortless. Yeah, it's nice.
Speaker 1: Well, how you know you've really got something too? You know when it's when it's easy. I mean not that there's anything wrong with working hard at what you're trying to get for a sound, but when it's when it's easy and organic, you know, that's when you know it really got something.
Speaker 2: You can put the hard work in where it's more important than the get go of how do we write these songs? Like yeah, yeah, if you're exerting all that energy writing the songs, it's like, brother, man, what now
Speaker 2: I think we know a couple of people like that, So.
Speaker 1: Then what are you guys? Always because it sounds like you've got a lot of ideas like do you have more material that you haven't recorded yet?
Speaker 2: Probably do, right, Yeah, there was supposed to be, well, not supposed to be, but there could have been a fifth song on this thing, but we decided it wasn't quite ready yet. Oh okay, yeah, okay, we didn't want to push it.
Speaker 1: Is that why you decided to limit it to four? Because I think the last one I had want six.
Speaker 2: Last one had five. We wanted this one to have five too, But it's just like we we couldn't quite figure out how we wanted to end this new one that we have, and yeah, might have better luck just releasing it as like a standalone single at some point. Oh okay, but yeah, but yeah, I thought four was enough and we we really wanted to just get these songs out, like we we are very proud of these ones already, and figured, rather than wait to finish this fifth one, let's just get these four out and get people talking about them, get some buzz, you know, yeah, absolutely, get Matt Connerton.
Speaker 1: So we talked about it last time, but for for newer listeners who uh who don't know where does the name sick dude? Hell yeah, come from.
Speaker 4: Our first jam session.
Speaker 2: Yeah, it's just uh the riff one of the riffs that you wrote was the like brown here that like became the song sick Dude hell yeah. And it literally was just we jammed on that riff a couple of times and then between ourselves were like, sick dude, hell yeah, like a whole bunch of times, and then I said that song should just be called sick Dude. Hell yeah. I stepped it up again and was like, this band should just because and there we went.
Speaker 4: Because it's really thro like Beavis and butt Head moments.
Speaker 2: Yeah, it was beautiful, and it's just kind of it's it. It's proven to be such a good gimmick show up at any show and it's just sick Dude becomes.
Speaker 8: Sick Dude hell yeah.
Speaker 2: Like you just you just hear people yelling it, and like I think that it just really it puts a good like what what do you call it? Like, it's it's the it's the ambience of what where what we've set out to make is just like you know, raw testosterone fueled yeah right now.
Speaker 4: Yeah, yeah, and it keeps it on the lighthearted side of things too, you know, just we don't want to come off super serious because right.
Speaker 2: Right yeah, I like the the the kind of like meta irony that it gets couched in where it's like if you take yourself one hundred percent seriously while calling your band sick dude.
Speaker 1: Hell yeah, right right, Well, we should play another track from the new EP, homo Erectus. What do you guys want to play next?
Speaker 2: About P word horse?
Speaker 1: The P word horse? Yeah yeah, so, uh for listeners, just to clarify, so we're calling it, uh, it's a there's a word in this title that we really can't say on a Saturday morning on w m n H.
Speaker 2: Yeah, it's the George Carland P word. It's not the Ben Shapiro P word, right.
Speaker 1: Right right. But this is another great track from the new EP, homo Erectus. The band is sick dude, hell yeah, and we're just gonna call this pea horse. Check it out.
Speaker 8: I hain't co pay a right back there, adopt etain nothing?
Speaker 3: Why do you live in my dad there?
Speaker 8: Adopting saint nothing? But they co pain. I would say,
Speaker 8: there are nothing, say nothing.
Speaker 3: Why are you laving my name?
Speaker 8: There are nothing?
Speaker 10: Say nothing.
Speaker 1: That doesn't make a move. Check your pulse you might be dead. That one must be fun to play live.
Speaker 4: Oh yeah, and actually it's probably turned into one of my favorite songs.
Speaker 1: Yeah, yeah, yeah, that is, of course a pea Horse, we'll call it for our purposes here from the new EP Homer or Erectus from the band Sick Dude. Hell yeah, and we've got the guys here in the studio with us, and uh yeah, yeah, no, that's that's really good. Do I assume you play, like when you guys play out? Do you play everything that's on both of these because it's only I'm not gonna math nine songs are Yeah, do you play all these plus all the the ones from the first EP?
Speaker 2: Yeah, we tried to. There's sometimes we'll be press for time and we'll cut out, usually one of the songs from the first EP, just like because we're sick of playing it.
Speaker 4: But yeah, yeah, you know, we cut out our self titled song quite a bit actually, oh okay, yeah yeah, and it's only because I don't practice it enough.
Speaker 2: Yeah, just a little bit challenging because you have to like wrap while playing bass at the same time, which is like, yeah, oh, I don't even I don't even remember.
Speaker 1: It's like, uh.
Speaker 4: No, just the words don't match up with like the bass riff. Oh so it's like weird. But I just need to pull up my you know, buckle down and it. You know, if I practice it like once a week, i'd be all right, right right.
Speaker 1: No, that makes sense. That makes sense. Now are you guys when is your next show? Are you guys playing anywhere this weekend or so?
Speaker 4: Our next show coming up is actually February seventh, okay at a Red Alert skatepark. Okay, there doing corner Store Skate Shop is doing a skateboard event there from like two to five. I think it's a trick jam and they got some other bands. I don't have the full details yet, but I know we'll be there. They'll be there and uh, I feel like skating and music. Come check it out.
Speaker 1: Yep.
Speaker 4: Yeah, that's now Rochester, New Hampshire, and.
Speaker 2: We're we're actively in the process of looking for some more shows. We've got some like things lined up for March. I feel like we had something lined up for January. We had something lined up a couple of days ago, but it's sort of sort of fell apart. But the uh,
Speaker 2: just be on the lookout. You can find you know, Sick Dude, hell yeah on Instagram six D hell you at band camp dot com. Somebody's crackers on Facebook and Instagram. You'll always be able to find details about how to get to our show. Yeah yeah, we're constantly looking for more stuff. Please just send us DMS, book us, find us on the street, kidnap us, take us to your base, make us play your basement for our freedom.
Speaker 1: Please. But yeah, let's let's play. So we haven't played I Feel Nothing. That's the only one from the new EPE we haven't played, right, Yeah, yeah, let's give this one a spend anything we should know about this one before we hear it.
Speaker 2: We were just kidding.
Speaker 1: Yeah, you do feel something?
Speaker 4: Yeah yeah, I feel something?
Speaker 1: All right, all right. This is from the new EP Homo Erectus. The band is Sick Dude, hell yeah. Check this out. This is called I Feel Nothing.
Speaker 3: English English s s s.
Speaker 8: Everyree time.
Speaker 10: My trial sides by.
Speaker 8: Love te It's stake, try.
Speaker 5: I for te petrol my so say not take it bye bye, I'm no.
Speaker 8: I know that.
Speaker 10: I trip like that.
Speaker 9: Oh from the bay, look at from the gid.
Speaker 8: Ho from the bray. My course is protty.
Speaker 5: Dances with to day.
Speaker 10: I'll by but that the lie to get my wise dot, the bagging.
Speaker 3: And scare away the snag I not I dressed.
Speaker 8: My doll of a bag could die from the bell.
Speaker 6: To tide.
Speaker 10: Right old for a brain.
Speaker 1: That is so good. That is sick, dude. Hell yeah, hey, thanks man. Absolutely, I love it the track as I Feel Nothing. It's from the new EP Homo Erectus, And it's been great talking with you guys this morning.
Speaker 2: Yeah, we always have such a fun time on here always. We had a fun time last time, and I'm having a fun time this time. I hope to come back again.
Speaker 1: Absolutely, we will definitely do it again in the future. You mentioned off air two about you wanted to give a shout out to your dad.
Speaker 2: Oh yeah, so my dad Chuck Nemitz, huge shouts out Candle Light Productions. He's produced music, you know, in some capacity for like as long as I have been alive under the Moniker Candlelight Productions. And he he he engineered the recording sessions and did all the like production and stuff for us. Oh wow, Yeah, we had a different buddy of ours master at our buddy Nick Yeah Nick, but but yeah, big shouts out to my dad and two Candlelight Productions. If you're looking for like good rates on hourly recording with like a very knowledgeable and easy to work with guy, get at him or I guess, like, get at me.
Speaker 2: Somebody's crackers on Instagram and I'll get you guys in touch. I don't want to blow up his spot just yet, Like maybe he'll like frantically call in and be like, no, no, my email addresses. No, I'm just kidding.
Speaker 4: At Yahoo.
Speaker 1: I remember. Yeah, wow, no, very cool, very cool. That's cool.
Speaker 2: Yeah all right, but anyways, Yeah, thank you very much, Dad, love you very much.
Speaker 4: Thank you, Chuck. I really appreciate it. It's really nice to meet you and looking forward to the next time I see it.
Speaker 1: Excellent, excellent, awesome. So, uh, before we we're gonna play out another track in a moment, but before we do that, so remind us again, where's the best place to go online for keep up with everything?
Speaker 2: Sick dude? Hell yeah, I was doing Instagram? Instagram dude, hell yeah. Okay, all right, and then and then I'm pretty active on Facebook. At least for now, I'm kind of trying to put it on the back burner because it's giving me brain disease. I know, somebody's crackers. On Facebook, I post funny stuff and then whenever stick dude, hell yeah has a show coming up, I usually you know, live stream it or post the details that kind of fun stuff.
Speaker 1: So yeah, outstanding, outstanding. Well, we appreciate you guys coming in. This has been amazing, and we're gonna close out the segment I think with uh, We're gonna play a track from a previous the previous EP, which is called EP Nail in the Coffin. Why'd you guys choose this one any any special reason or just is just one of your favorites.
Speaker 2: It's one of my favorite. It goes hard. Yeah, we put it out on a but before we put the EP out, we released this as a single on a not like as a standalone, but as a contribution to this compilation album called We Just Want to Live. You can check it out on band camp, suld. You should just be able to find We Just Want to Live. It's a it's a compilation that all the proceeds are being donated to various organizations for you know, trans survival, trans youth and stuff like that. So it's a cool cause worth checking out with a lot of really cool and really eclectic music on there.
Speaker 1: Okay, okay, excellent, So we'll close out the segment with that. If you are listening live on Saturday. Coming up in the second hour, we have Paul Nizzol, he will be joining us via WhatsApp from the UK. And then in the third hour we have jen X who is in the chat room by the way, hello uh from the band Generations and she's gonna be joining us via Microsoft Teams from there in Springfield, Missouri, I believe so. So we're traveling around a bit today, but we will close out the segment with this. Again, guys, thank you so much, thanks so much for having us.
Speaker 1: Thank you absolutely keep doing radio radio is very important. I agree, thank you, thank you so much. And here it is. This is nailing the coffin the radio edit of course from the bay and sick dude, Hell yeah, don't believe in myself.
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